#i feel like it makes me less fun

[jordanswitches]

this is entirely self serving, but interact with this post if you've ever felt bad or lesser for not being as ticklish as most people and wished you were more sensitive

[mroddmod]

little scrapped comic bc it felt a bit ooc to me in hindsight

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[raptorrobot]

i feel like i'm fighting for my fucking life here

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[cheshiresense]

In the Ichigo & Starrk time travel 'verse I'm just picturing Ichigo registering for the academy like "I'm Ichigo. From the rukongai. No last name" and then kaien popping up like "he's a Shiba!!!" And the people there looking at each other and whispering like "ohhhh he wants to be independent and not rely on his family name!! How sweet!!!" and then Ichigo just sighing. XD

LMAO with his luck, this is exactly what happened.

Meanwhile Starrk's over there in the corner filling out his application forms and thanking every god he wants to beat up I find it rly funny to imagine he has this passive-aggressive grudge against Mimihagi for a variety of reasons that he in no way, shape, or form resembles any of the five big clans. But it would also be really funny to me if people at the admin desk looked at him, and then looked twice, and then looked thrice, and then be like "You sure you're not a Kyouraku?", because let's face it, he really does look a bit like Shunsui. Like it's not immediately noticeable the way Ichigo is with the Shibas, but if Starrk and Shunsui showed up and claimed they were blood-related, probably no one would doubt it.

And at any other time, people might not think of the possibility, but there just so happens to be a Kyouraku relative - even if she's just a bastard - attending the Academy at the moment, and all the teachers and staff are always made aware of any clan children in their halls. The Kyouraku Family isn't one of the Big Five, they're a Lower Noble House and also not a Shinigami-oriented clan, more politicians and scholars and even artisans than soldiers, but they're old and prestigious and the highest-ranked out of all the Lower Noble Houses, so the Academy paid attention when one of them decided to become a Shinigami for the first time in centuries. She ends up being a disappointment with none of her cousin's talent or charisma or wit, and the Eighth Division captain hasn't pushed hard enough for them to really show her any favouritism, but they've still kept an eye on her to make sure the bullying doesn't get too bad and she doesn't fall too far behind, lest they bring her family's wrath down on them, because it doesn't seem like most of her clan cares about her but who even knows with nobles and the things that set off their sense of pride.

But that means Starrk's looks immediately ring a few bells when he shows up. Of course, he denies it; unlike Ichigo, he really doesn't have any relation to the Kyourakus, although even back in their own timeline, a few people had made that mistake when they didn't know he was a Hollow, had thought he was some Kyouraku relative Shunsui had dug up to help out, because not everyone who goes through the Academy becomes a Shinigami, sometimes they're clan members who go home afterwards to guard the family and continue their own training there, plus with Starrk's strength and skill set - 1) powerful, and 2) sharing quite a few similarities to Shunsui's so it's not even just their looks - it had actually been more far-fetched to a lot of people for him to have just been some random nobody than to be a member of this powerful clan.

But no, no blood relation, just a quirk of fate. Still, the Academy notes his name down and makes sure to keep more tabs on his progress than they would an average Rukongai student. And alright, the teachers can be overly biased or overly indifferent depending on the student but they're not actually stupid, and yeah, for a while, it's Shiba Ichigo who takes up all their attention because Ichigo blows all the other students out of the water and skyrockets straight up to a category of genius nobody's ever seen before, even more impressive than his lieutenant cousin and slated to graduate in a year. It helps (Ichigo: "No it fucking doesn't.") that Kaien is constantly buzzing around making sure Ichigo is treated like a prince befitting of a Great Noble House so no one dares make his life difficult. Well, Koyonagi would probably dare, but fortunately (Ichigo: "No it fucking isn't."), he likes Ichigo enough to not hamper him in any way, even if he does come up with all sorts of annoying tasks to heap on Ichigo "for extra credit" (Ichigo: "For his own entertainment.").

Starrk in the meantime is about as entertained by all this as a passively suicidal grieving widow war vet can get, and he makes no effort to hide it every time Ichigo comes to hide in his room and bitch to him about it, because really, it's partly the kid's own fault for not knowing subtlety even if it shoots him in the face. It's harmless enough anyway so long as Ichigo doesn't stand out more than he already has, so Starrk doesn't see a problem with kicking back and enjoying the show. Right up until the novelty of a prodigal Shiba starts wearing off on the Academy teachers because it's not like they've never seen geniuses before even if this one is a little more unique. So the turn their attentions elsewhere and suddenly realize that the guy who might be another bastard Kyouraku and spends more time asleep than awake have some really interesting grades when they look at them altogether at the end of term. Average in everything—so average it's suspicious, meaning Starrk either has the weirdest luck in the universe or he's literally calculating everything he's doing in class to make sure he always falls within a very specific range. Koyonagi had already noticed of course, and he's checked all the boxes that would jump Starrk up to sixth year starting next semester, but the other teachers catch on quickly enough too, and then they also start taking a fourth and fifth look at him.

Now it's Ichigo's turn to be Very Amused. Shouldn't have laughed at his suffering, huh? Karma's a real bitch.

Starrk is Not Amused, but also he can be just as stubborn as Ichigo, even if it's in the opposite direction. Ichigo very stubbornly isn't willing to be held back, he can do more as an official member of the Gotei, and slogging through six years at the Academy is just wasting time. If he has to graduate in the least amount of time possible and thereby be seen as a genius anyway, he might as well put himself out of his misery early and get that out of the way right off the bat. At least then, by the time he graduates, some of the shine will have hopefully worn off for the masses after they've gotten used to him.

Likewise, Starrk very stubbornly isn't willing to be anyone's show pony. Ichigo isn't either, but Ichigo's solution is to just ignore the fact that he sort of is, for the sake of exempting himself from fatal boredom. In contrast, Starrk 100% doesn't mind going to lectures when nobody can stop him from sleeping through them anyway, and he always turns in his homework on time and never fails his tests either so the teachers can't complain. The training sessions in the practical courses are more annoying but he doesn't usually have to do much there either, especially once he's jumped to the sixth-year courses where the teachers teach less and more often pair them up for spars or take them to fight very low-level Hollows they've captured instead. And since he's been noticed now, he doesn't care about maintaining average scores anymore because once you finish your spar or kill your assigned Hollow, you get to sit around and do nothing until everybody else is done, which suits Starrk just fine.

Koyonagi calls him to his office a couple more times, but as Starrk expects, the man grows increasingly bored with Starrk's lack of a reaction to anything he says. He even pokes at him from the "bastard Kyouraku abandoned in the Rukongai" angle, which almost makes Starrk laugh, because from a hierarchical standpoint, and to all these proudly intolerant Shinigami, even an unwanted bastard disowned from a noble clan would already be several steps up from what Starrk actually is.

There's no substance to this insult anyway, because Starrk really isn't a Kyouraku, and what does a Hollow care about noble blood or lack thereof? Koyonagi takes his shot in the dark and misses, and maybe he sees the amused pity that even Starrk can't quite hide this time, because the man's own eyes go flat with displeasure, for once probably aimed more at himself than Starrk because men like Koyonagi don't like making such crude mistakes. He dismisses Starrk and never calls him back again, although Starrk thinks that might have something to do with Ichigo, who hasn't been best pleased for a while now about Koyonagi harassing Starrk in a way that's completely different from his own harassment, and everyone knows - or will soon discover once again - that it's all fun and games until Ichigo puts his foot down. Either way, Koyonagi gives up trying to make Starrk prey, and Starrk chats his way past the Academy chefs one evening to make a spicy mentaiko udon just for Ichigo as thanks.

So in the end, they both think that's the end of that. Ichigo still has his fair share of secret admirers and envious onlookers and background sycophants looking for an easy ride into the Gotei, but his prickly disposition wards off most of them, and Starrk's flat, indifferent gaze from over Ichigo's shoulder - like he could bury you tomorrow and forget you ever existed the moment it's done - scares away the rest.

And Starrk is likewise acknowledged as another genius, but he's so unmotivated about doing anything with that genius that most of the other students don't really notice, and it's hard for even the teachers to make a big deal out of it. Eventually, they stop trying to galvanize him into displaying more of his abilities, if only to catch a squad's attention, and just let him do what he wants. Geniuses, what can you do? Each one is quirkier than the last.

So that's the end of that.

Except-

Quietly, in the background, possibly Koyonagi's roundabout way of revenge, possibly just the Shinigami's inexplicable attachment to all things bloodlines and pedigrees, the Academy comes to the enlightened conclusion that Starrk must be a Kyouraku. Maybe a branch member who doesn't want attention - seems very Starrk - or he really had been disowned, or there's some other circumstance they're not aware of, but nobility is full of drama so it could be anything. Whatever it is, they collectively agree that this assumption must be true, and over the course of the passing months, it becomes an acknowledged fact that nobody really talks about.

Starrk is lazy, but he's not unpleasant to be around. Who doesn't like an intelligent student? He's also polite, always patient when teachers flag him down for yet another chat despite refusing all opportunities to show off a little, and the Academy chefs adore him because that man can cook - his future wife will be very lucky - and he always has time to trade recipes with them. And on the occasions where some of the youngest students who'd shared classes with Starrk back in the first term approach him with questions on one subject or another, Starrk would frown and sigh a lot, but he would also sit down and answer them one by one, indulgent in a way people wouldn't expect just by looking at him.

If he really is a disowned bastard, well, privately they think that's the Kyourakus' loss, but it also means that it's probably a pretty sensitive topic to Starrk, as these things tend to be, so it's better not to throw it in his face. They're not Koyonagi after all.

(They don't understand for quite a while to come why Koyonagi always rolls his eyes and leaves the room whenever they talk about it amongst themselves.)

To be fair, they really can't be wholly blamed for coming to this conclusion despite all lack of solid evidence and testimony.

First of all, Starrk really does share a physical likeness with the Gotei 13's very well-known Eighth Division captain. Their builds are different - one broad, the other lean - but they're both tall with high cheekbones, and they share the same colouring, grey eyes and brown hair and light skin. In that, Fujiwara's the exact same way, and she is a Kyouraku branch member. It's just even more obvious with Starrk because he's male, plus a few of the Academy teachers have been around long enough to still remember Shunsui before he'd grown his hair out, and Starrk resembles that version even more.

Secondly, and this was less conspicuous, but the teachers had even dug out some of Kyouraku Shunsui's very old, very dusty papers from his Academy days for comparison.

In terms of personality, the two are almost complete opposites. One flamboyant, the other solemn. One outgoing, the other reserved. One a flirt who socializes enough for ten, the other would rather stay in bed and sleep the day away. It's just that Starrk is surprisingly good with people when he tries, and some can recall that even Kyouraku Shunsui had had his moments of quiet contemplation, which only puts more stock in the familial tie theory.

But it's in terms of mindset that really drives it home for them, because when it comes to the way they look at the world, they sync up to an almost frightening degree.

They unearth the captain's old papers from the library archives, and it's been years, centuries, but Shinigami don't tend to change much. If anything, Kyouraku Shunsui’s essays read more immaturely than Starrk’s, but the foundational reasoning from both men is solid.

They review them, and then they look at Starrk's again, and Starrk might leave questions blank on homework and tests but he's never skimped on answers when he does turn them in, and a lot of those questions are essay topics - similar enough even between Kyouraku Shunsui's generation and the current one to make a fair comparison - about hypothetical situations on the battlefield, in a fight, if you meet an ally, if you meet an enemy, if you have to choose who to save, if you have to choose who to let die—what would you do?

The respective responses are evidently written by two different people, well-debated and well-presented, but at the same time, even hundreds of years apart, their opinions and strategies and perspectives and choices on almost every single topic are near-interchangeable.

(They can't have known that Starrk had spent seven years at Shunsui's side, watching him lead, watching him fight, watching him wage a war and command his soldiers and protect his people to the best of his ability... and ultimately fail. They can't have known that he'd spent one final year leading the gutted remains of a Gotei in Shunsui's name to the best of his own ability... and also fail in all the ways that had mattered. They can't have known that even before those years, the two of them had met across a battlefield and crossed minds as much as blades, and even then, they hadn't felt like strangers to each other.)

[AUTHOR INTERRUPTS TO SAY I actually didn't want to mention Starrk's Zanpakutou like this because I have a whole thing planned out for it, as in I was insane enough one day and spent an entire afternoon creating a Bankai for him, but I also think some of you guys have probably guessed at least a bit of what his Zanpakutou looks like since I've dropped a few hints in previous snippets, so whatever, I'll just confirm its sealed form now. I guess this officially makes this snippet not part of the AU though cuz I originally had him not revealing his Zanpakutou until like a year after he graduates, post-time travel reveal. And going forward, he'd be meeting Shunsui differently here since originally their first meeting is at one of Asuka's tutoring sessions. But whatever, you can just go with whichever version you like best. Anyway, let's get on with my increasingly off-topic snippet lmao, sorry Anon.]

And last but most definitely not least, even disregarding everything else, Starrk's Zanpakutou alone is simply a Glaringly Obvious Sign From The Heavens. It's not that people from the same family always share similar Zanpakutou, but it's not exactly uncommon either—just look at the Shibas, they all have elemental Zanpakutou, and the newest one will probably go the same way; the Kuchikis have katanas with identical guards and always a white hilt or sheath; and not a single member of the Feng family that's passed through the Academy has ever left with anything but a wakizashi.

It's especially hard not to make certain connections that lead to the most obvious conclusion when everybody knows that Kyouraku Shunsui is the only Shinigami in living memory to wield a Zanpakutou that exists as two separate blades in its sealed form.

And now there is another.

The first time Starrk had finally removed his Zanpakutou - his entire Zanpakutou - from that wooden case he always carries around over one shoulder for a Zanjutsu assessment compulsory for graduation, the entire room had first gone dead silent, then burst into an uproar. Thankfully, it was a private assessment so there'd only been Starrk and several teachers inside.

They'd all thought they'd seen his Zanpakutou before - after all, he has to use a weapon in his Zanjutsu classes - but apparently, he'd always only taken one blade out for training.

A katana and a wakizashi, a daishou pair, each with a pale gold hilt, a darker gold sheath, and a blue-grey rectangular guard decorated by a sun design. Almost exactly like Kyouraku Shunsui's tachi and wakizashi, with their dark blue hilts and gold rectangular guards decorated by cherry blossom petals.

The meaning of it all could not possibly be clearer. At this point, if they're not family, they would have to be the kind of soulmates you would only find in one of those ridiculously sappy unrealistic romance novels.

(They can't have known that sometimes fate likes its jokes a little too much, and its favourites have always been the butt of them.)

Miracle of miracles, the pseudo-secret of Starrk's Zanpakutou doesn't leak right away. Starrk obviously doesn't want the attention for one reason or another, and the teachers have no real cause to spread it around so they don't. For one, they like him enough to cater to his very simple wishes, and for another, this man is clearly going to be a very powerful Shinigami one day, very likely to snag a captaincy sooner or later, and every noble clan is the same—if Starrk really is disowned, once the Kyouraku Family gets wind of what he can do, he won't be for much longer. And on top of all that, Starrk seems to be friends with the Shibas' most recent pride and joy; that's a connection that will get him far even without his own clan's backing. The Academy doesn't have much to do with the goings-on in the Gotei 13 or the government or the courts of aristocracy, but there's no need to make enemies when they don't have to.

Then comes the day Kyouraku Shunsui himself comes around for a visit.

This in itself is not new. The only career Shinigami from the Kyouraku Family isn't one to throw his weight around too much the way a lot of the other clans like to do for their kin, but he still checks up on his cousin two or three times a year, which in their opinion is already pretty admirable considering Fujiwara is not only from about as distant a branch as one can get, but also illegitimate, out of favour with her clan, and... well, painfully average in a way that means they all have to wrack their brains for compliments every time the captain shows up to ask about her.

Fortunately, for the first time since he'd taken up a position at the school, Koyonagi had done them all a favour and assigned her a tutor capable of working miracles, and so they can very happily and very honestly tell Kyouraku Shunsui all about the leaps in progress Fujiwara has made over the past several months.

The captain listens with a smile that's equal parts amicable and unfathomable, nodding in all the right places. He thanks them for their hard work even as he rakes a discerning eye over them that has them all sweating internally, but at least he also seems willing enough to not make things difficult for them now that Fujiwara is thriving under Shiba Ichigo's protection.

And that should've been it. That would've been it if Akabane Shiina, head of the Kidou department and arguably Starrk's favourite because he actually stays awake in her classes - he's certainly her favourite if the way she gushes about his gloriously tricky projects to a very resentful audience in the staffroom is anything to go by - suddenly bursts out just as the captain is making to leave:

"Are you not going to ask about your other relative?" She demands, her voice gone strident with righteous indignation. "Is it because he really was disowned and cast out into the Rukongai? But he is still better than Fujiwara!"

Shiina has no eyes for anyone without talent in Kidou. She doesn't have a problem with Fujiwara, and in fact, out of the four combat forms, Fujiwara is best at Kidou, although that might not last with the way she's catching up in all the other fields under Shiba Ichigo's tutelage, and Shiba Ichigo is notoriously slow at Kidou so he can't teach her anything in that area. But even on her own, Fujiwara's competency in Kidou is enough to meet all graduation requirements, and she'd even done fairly well in the fourth-year course Shiina had taught last year, certainly better than all her other subjects. However, she doesn't have the kind of flair for it that Shiina values.

Starrk does. And Shiina apparently does not appreciate her favourite pupil being dismissed out of hand just because he's considered one step lower on the social ladder than Fujiwara. Sure, Starrk is far more talented than Fujiwara; he's the last person anybody needs to worry about when it comes to graduating. But that's just all the more reason he deserves at least passing acknowledgement from a captain. And yet Kyouraku Shunsui can show concern for a neglected bastard but not a disowned bastard? Don't make her laugh.

Her temper has always been a straightforward creature, and so she ignores her colleagues' frantic squinting and meets Kyouraku Shunsui's gaze head-on when he pauses and then turns back, except he looks... entirely puzzled.

"Other relative?" The man echoes, looking genuinely baffled. "Did my clan send another child to the Academy? Maa, I wasn't informed. And Asuka-chan hasn't mentioned anything to me either."

A moment of silence follows. Shiina glares suspiciously at the pink-clad captain, who waits her out with the same unflappable calm Starrk pulls out whenever Shiina gets too excited about a Kidou seal and babbles for half an hour straight.

And she's supposed to believe these two have no relation to each other?

"He is not a child," She finally says. She doesn't know how old Starrk is, but it's very obvious he has at least several hundred years under his belt. He makes her feel young sometimes, and she's almost four hundred years old. "He came here from the Rukongai, with Shiba Ichigo."

She watches the way Kyouraku's eyes flicker as he takes in this information, but he doesn't emote anything except mild curiosity.

"Ah, I think I've heard a few things about Ichigo-kun's companion," Kyouraku muses. "Coyote Starrk, wasn't it? Also slated to graduate by the end of the year? But I'm afraid my clan definitely doesn't have a branch family by that name."

Well obviously, if he'd been disowned. He'd probably picked it for himself.

Kyouraku smiles a bit at whatever expression has crossed Shiina's face. It should be a scathing one. It feels scathing.

"But now I'm curious," Kyouraku continues, one hand reaching up to tilt his hat up. "For everybody-" His gaze sweeps the room, making everyone straighten in their seats. "-to think he's related to me of all people—we must be very obviously alike in some way."

Shiina scoffs, unimpressed. In some way? Try in every way.

But, at least he hasn't been ignoring Starrk on purpose. Mentally, Shiina grudgingly returns the 50 points she'd docked from him earlier.

She's about to interrogate him about what he's going to do about his curiosity - so help her, if he finds out Starrk really is family, then lets Starrk know that he knows now, and then rejects him for being disowned, captain or no, she's going to make him pay - when one of her colleagues, Koyonagi's gopher actually, because the man himself couldn't be bothered to show up, so as always, he'd sent his nominal vice-department head, interrupts.

"Are you certain you’ve never met?" The man blurts out like he can’t help himself. Especially now that Shiina’s fielded the hard part, and Kyouraku hasn’t taken offense. "Surely you've discussed his essays at least!"

Kyouraku arches an eyebrow. "I can't say I have. But what makes you say that?"

The Zanjutsu teacher flounders. The sixth-year Philosophy teacher is less unprepared and simply pulls out a folder, only about a third full, but they still have a little over a month to go. At least it lets the teachers spread them out a bit instead of having to read them all at once at the end. It was the original reason for the meeting today before Kyouraku had dropped by—going through some of these papers while their workload is still relatively light.

There is an essay question assigned to every student at the beginning of their final year at the Academy. Unlike all other assignments, this one must be completed in order to graduate whether or not your grades are up to par. Students have the whole year to finish it, but it can be handed in anytime.

It's long been said that the the essay question is something Yamamoto Genryuusai himself had come up with, originally posed to his two personal students hundreds of years ago, and unlike all other topics where the details would at least be switched up from year to year, this one has never changed since it had first been included in the curriculum.

To defend honour or to protect life—which should a Shinigami of the Gotei 13 choose to uphold? Why? Which would you choose? Why?

There is actually no correct answer. So long as the paper is written with some thought put in, it’s an automatic pass. But every year without fail, the lieutenant of the First will come by and cart the whole pile away. Nobody can say for sure what happens to them.

Nevertheless, most students choose honour for both parts of the question. Whether they believe it or not, they at least know the politically correct answer, the safe one. Some of the more outspoken students - usually Rukon stock - might choose honour for the first part but argue life for the second part.

Kyouraku Shunsui had been the only one in Academy history to have chosen life for both parts, and now, Coyote Starrk and Shiba Ichigo have joined him.

Shiina watches as Kyouraku wanders back over to peer down at the two essays the Philosophy teacher lays out on the table. She watches as the captain smiles, appreciative and a little amused, as he scans Shiba Ichigo's paper—a fierce discourse on the importance of friends and family, of prioritizing comrades even if it means breaking the law, of doing right by them even if it means discarding the honour of the Gotei or your own honour as a Shinigami because there's no honour in abandoning your loved ones.

And then she watches his gaze move to the other paper, and she watches as his smile fades and his expression goes still. His hand comes up again to tug down the brim of his hat but he never looks up from the essay—a succinct dissertation on doing everything possible to preserve the lives of those in your care, because the duty of a Shinigami to the Gotei 13 is first and foremost to protect the people who depend on them, to shield the world they all reside in, to stand between danger and the realms they have been charged with safeguarding.

—What does honour matter when you cannot protect what you have sworn to protect?

—When you make the choice to step on a battlefield, you are choosing to do all in your power to seize victory, because anything less is an insult to those who have placed their trust in you, a threat to those who rely on you, and a broken oath to those you gave your word to protect.

—When you make the choice to kill, because taking a life is in itself an evil act, you are choosing to carry the necessary sins that will be demanded of you in battle so that others will not have to.

—When you make the choice to protect, you are choosing to discard your honour, because honour will not protect your people. It will not protect the world. It will not protect anything save your own sense of righteousness, and what is that worth if all you care for is gone?

—To be a Shinigami means to shoulder the weight of countless souls. In essence, it is a promise to protect life to the very end, and if honour is the cost, then it is a small price to pay.

Shiina has read Starrk's paper several times already. She had even made her own copy.

She thinks he will make an exceptional Shinigami.

Nobody says a word even after enough time has passed for Kyouraku to have read the paper twice over. What little Shiina can still see of his shadowed face is utterly inscrutable.

When he finally stirs, straightening up to look around, there's something new in his eyes, some emotion Shiina can't place that remains even as he murmurs, "I don't suppose you know where-"

He stops when - as if on cue - a familiar reiatsu signature in the distance rounds the corner of the hallway leading to this room.

It isn't Starrk's reiatsu. He's hard to sense on a good day. But everyone has felt Shiba Ichigo's reiatsu at least once. Boy isn't subtle. He has the skill to hide most of it, but spikes of emotion or even just when he's distracted can bring it out sometimes, and his reiatsu - like that first shocking plunge into ice water that robs you of all breath right before any other sensation hits - isn't one people tend to forget.

And where Shiba Ichigo goes, more often than not, Starrk is there as well.

Shiina checks the time. Classes are out. It's Friday. Chances are good they're together.

Several feet beyond the door, the reiatsu signature comes to an abrupt halt. A few seconds pass, two muffled voices murmur something back and forth, and then footsteps resume, heavier this time, before three brisk knocks are heard.

The head of administration - the one with the highest rank in the room, bar the Shinigami captain - clears his throat, glances at her glower, glances at Kyouraku's perfectly genial expression, and then calls out like a coward, "Come in!"

The door swings open, Shiba Ichigo stalks in, and sure enough, Coyote Starrk shuffles in after him, hands in his pockets, and his bag and the wooden case containing his Zanpakutou slung over one shoulder. His face is so impassive it could've been carved out of marble.

Shiina docks 100 points from everyone in the room. Except Starrk of course.

But even she can't help staring at this meeting that somehow feels like it's been a long time coming.

Starrk's gaze rises. Kyouraku's gaze jumps straight past Ichigo. Their eyes meet, and for just a moment, all of time seems to shudder to a halt.

Silence stretches... and snaps.

"Hey, what's everyone staring at?" Ichigo cuts in irritably, waving the sheaf of papers he's holding in one hand. "We're supposed to hand in our waivers for the assessment on Monday, right? What's the hold up?"

He shoots a look to his left where Starrk and Kyouraku are still standing there staring at each other like the rest of the world has ceased to exist. He's already scowling, but he scowls even harder at the sight.

"Good afternoon, Kyouraku-taichou," He greets very pointedly.

Kyouraku blinks, and Starrk turns away, busying himself with digging out his own papers from his bag. The moment passes, and Kyouraku turns to Ichigo as if nothing out of the ordinary had happened, "Ichigo-kun, what a coincidence. What are you here for?"

Ichigo's gaze bobs between Kyouraku and Starrk again before he shakes the papers in his hand once more. "Starrk-san and I have our second Hohou assessment on Monday. It's the one where they drop us off in an arena full of Hollows, and we have to get out using only Hohou. But we have to assure the school we won't blame them if we get killed, so-"

He brandishes the waivers again and finally looks back at the teachers in the room. "I actually don't know why we have to do this. I asked Matsumoto, and she said she doesn't have to fill out any of this stuff."

The admin head coughs delicately. "It's for clan members, Shiba-san."

Three things happen at once:

Shiba Ichigo, predictably at this point, snaps, "I'm not a clan member!"

Coyote Starrk stops halfway through pulling out his own waivers.

And Kyouraku Shunsui goes back to staring at Starrk, although Shiina thinks he doesn't quite know he's doing it so blatantly.

"Shiba-san, your cousin has already had your name changed to indicate official entry into the clan," The admin head says placatingly. "And he assured us that it was with your approval."

Ichigo glares, clearly all set to spend the next hour fighting this new information tooth and nail. "That doesn't mean-"

"Ichigo," Starrk finally speaks up, but he doesn't say more than that. It doesn't seem like he needs to though because Ichigo breaks off, still scowling, but he also glances back at Starrk, who only arches an eyebrow in return.

Ichigo grumbles something under his breath before slapping his papers down on the desk in front of the admin head. "Fine, whatever, I'll go beat him up later. Starrk-san?"

Starrk meanders over, his own waivers already tucked away again. There's a slight slouch to his frame, his gloved hands are back in his pockets, and he doesn't loom, even stopping a foot behind Ichigo, but when he turns his attention on the admin head, the man almost visibly squirms under that blue-grey gaze.

"I'm not from a clan," He says mildly.

As one, the entire room sans the students and the Shinigami captain turn to look at said captain. A moment later, even the students turn to follow their line of sight.

Kyouraku stares back. Or rather, he meets Starrk's gaze again, dark and intent, searching.

Ichigo snorts. The tension breaks.

"This again?" Ichigo glances at Starrk again. "I thought that rumour went away months ago."

"I thought so too," Starrk agrees in bland tones. He looks from one teacher to the next, and even Shiina ducks her head a little when his gaze sweeps over her.

Another beat of silence ensues before it's Starrk's turn to heave a sigh.

"I'm not from a clan," He repeats in that quietly implacable way of his, and even though there's nothing threatening about him, not in his voice, not on his face, not in his posture, not even in his reiatsu, something in their hindbrains stills like cornered prey anyway.

"I am not a branch member," Starrk continues without much inflection. "Or an illegitimate child, I have never been disowned, and whatever else your... very healthy imagination has come up with," For a split second, he looks almost amused. "I can assure you, I am not that either."

He stops. He needn't have gone on because Shiina definitely believes him this time, or at the very least, she believes he genuinely believes he isn't a Kyouraku.

Except then Starrk also turns to the side where Kyouraku is observing everything in silence. Grey meets grey once more.

"This Taichou-san," Starrk says, looking at the captain in question. His face is unreadable. "Is Kyouraku Shunsui of the Eighth Division, right? Then he should be able to confirm—I am not a part of his clan."

Another moment of silence passes. Shiina catches the way Ichigo's expression has gone grim, although for what reason, she doesn't know.

There's been something off about this whole situation from the start. Why those two couldn't have gone away and come back later is beyond her. They'd clearly sensed Kyouraku inside even before knocking.

"It's true, as far as I'm aware, we really aren't related," Kyouraku says after a few seconds of studying Starrk some more. His eyes don't move away even as he speaks, and his tone is... strangely gentle. "And this should be our first time meeting."

Starrk's gaze slides away at almost the exact same time Ichigo reaches out and snags the sleeve of Starrk's Shihakushou, tugging him forward and around, which just so happens to plant him between Starrk and Kyouraku.

"So is there anything else?" Ichigo says loudly. "Or can we go?"

There's a moment where most of the teachers seem to have forgotten why they're there in the first place. Shiina huffs and decisively takes over.

If she could have her way, she would've already ejected Kyouraku from the room. Maybe they really aren't blood-related - what are the odds though? - but she's pretty sure there's something going on between them anyway. Them and Ichigo.

Whatever, it's not her business. Since both parties have said so, everyone else will just have to accept it.

But now that they've reached this point...

"Come here, I need to tag your Zanpakutou," She says briskly, taking out a box as she beckons them over. "The second Hohou assessment bans the use of Zanpakutou. You'd be surprised how many Zanjutsu-focused students try to cheat anyway, so all Zanpakutou have these attached to them before the assessment begins."

She shows them the tags with seals inscribed across the surface. They're nothing fancy, akin to nametags, but they do their job.

"We don't like separating Zanpakutou from their wielders once students reach their fifth year," She explains. "And all Shinigami are encouraged to get used to carrying their Zanpakutou with them at all times anyway. This way, you'll be able to take them in with you, but we'll know if you unsheathe them."

She takes out three tags and flares her reiatsu, watching half the seals light up before holding them out. "There. Loop the string around the sheath before tying it over the hilt, and then I'll finish locking them. They won't affect your Zanpakutou in any way, and you can still unsheathe your swords anytime. Try not to do that until after the assessment though. There's not much time on Monday to redo the tags, and you'll get marks docked off if you use them during the test."

Ichigo nods and grabs a tag first, head dipping as he reaches for the katana at his waist. Then he jerks back up again, wide-eyed, but Shiina isn't paying any attention to him anymore as she looks up at Starrk.

Starrk blinks at her once, slowly. His expression doesn't shift from its indifferent lines, but after a few seconds, something about his eyes thaws, the corners crinkling briefly with the faintest of mirth.

"You're a bit... petty, Sensei-san," He murmurs in a voice pitched so low only she and Ichigo can hear.

Shiina shrugs unrepentantly. She still can't be 100% sure Starrk isn't a Kyouraku no matter what the man himself believes, but she is sure that either way, it's the Kyouraku Family's loss.

If Starrk isn't a Kyouraku, then it doesn't matter, although knowing nobles, they'll probably be at least a little disgruntled that their unique dual-wielding Shinigami is unique no longer, and it's even someone from Rukongai who's manifested a daishou pair.

And if he is a Kyouraku, an ugly secret the clan had erased so thoroughly that even the only remaining heir of the main branch wasn't told, then Shiina wants them to know, wants to rub it in their faces, wants to shout, Look what you missed out on! Look what you lost! He's no less special than the only Shinigami you've produced!

So sue her. Maybe she's been a little bitter about Starrk receiving no offers from the Gotei divisions beyond the generic ones most students get because there are always unseated cannon fodder positions needing to be filled. Technically, it's Starrk's own fault for utterly failing to stand out in any way, but Shiina doesn't mind blaming everyone else for being blind.

She doesn't know what all Starrk can do, but she is absolutely certain he is far, far more powerful than he's let on. His Kidou work alone is magnificent, and someone like that can't possibly remain in obscurity. Anyone who looks down on him for his circumstance of birth or lack of background will regret it. This is just the first step.

Starrk huffs out an exasperated breath but doesn't refuse her little scheme because obviously she's his favourite teacher. He takes the tags, and then reaches up to twist off the cap of the wooden case.

One could hear a pin drop in the subsequent silence as Starrk retrieves his katana and wakizashi in one fluid motion and lays them out on the desk in front of him. The nearby lamp light catches on the katana's hilt for a moment, making it shine, like sun on sand. With deft steady hands, he attaches a tag to each blade, calm even with a sea of eyes on him.

Shiina slants a look to the side through her eyelashes and suppresses a very satisfied smile.

Kyouraku Shunsui looks like he's been hit over the head with a hammer. She's willing to bet it's a rare look on him, even for someone with a reputation for making a bit of a fool of himself in public whenever he drinks.

He looks stunned now, stunned and... and something else, the same something he'd shown after reading Starrk's paper, except in his distraction, it's far more noticeable now, even if just for a few seconds.

Wonder, Shiina thinks, and doesn't know what to think of it.

"Sensei-san?" Starrk prompts, tilting his blades towards her.

Shiina gives herself a mental shake before finishing up with the tags, Starrk's first, then Ichigo's.

"That's done then, you can go," Shiina tells them. "Have a good weekend. Don't be late on Monday."

Ichigo breathes a sigh of relief, looking reenergized, while Starrk nods at her, nods at the other teachers, and even inclines his head in Kyouraku's direction, before they both turn to go.

"I should get going too then," Kyouraku says, smiling once more and as affably composed again as ever. "Wouldn't want to overstay my welcome."

Shiina stoops down to put the box of tags away just so nobody will see her roll her eyes. By the time she sits up again, her colleagues have seen the captain off, and she silently wishes Starrk good luck with that one. Still, she doesn't regret waving his Zanpakutou in the man's face. She does dock off another 20 points though because she's decided she doesn't much like Kyouraku, especially when he's in Starrk's vicinity.

"Hey!" The Philosophy teacher suddenly calls out, flipping through the papers on the desk. "Where did Coyote-san's essay go?"

Everyone spends a minute looking for it. Shiba Ichigo's is still on the table.

Shiina glances at the door and lets her lip curl. Minus 100 points. She's never met anyone who's hit the negative hundreds so quickly in her life.

The others realize it too soon enough, and the admin head eventually sighs. "It's fine, we have a few copies anyway, and it's not the first time we've lost an essay."

"So... he's not a Kyouraku then?" Someone else pipes up.

An uncertain hush falls over the room. No one is convinced, Shiina included.

"Just..." The admin head waves a weary hand. "Treat him as we always have. It doesn't hurt to be cordial to a future captain, noble or otherwise."

Everybody agrees, and that's that.

-0-

Ichigo has never felt so awkward in his life. He finally understands what being a light bulb means, and these two aren't even dating anymore. Yet. Again. Whatever.

Still, he obstinately makes sure he walks between them. It's not much, but it's probably better than inflicting all of... Kyouraku on Starrk right away. The past twenty minutes had been awful enough. Not many had noticed, or if they had, they probably hadn't been able to pinpoint exactly what was wrong, but Ichigo knows Starrk.

Knows him well enough to tell that the man isn't in any way as put-together as he seems on the surface. Knows too that he's probably thinking about crawling into bed or walking into a lake or disappearing into the sands of Hueco Mundo and just never coming out again.

Ichigo doesn't know how to fix it though, doesn't know if this can even be fixed. The last year in their own timeline had answered him with a resounding no. So all he can do for now is stay close and make sure Starrk is never alone in these moments.

No one is talking. Ichigo wouldn’t usually mind, but the silence this time is tense. It’s also rare to have Kyouraku around and not have any conversation going. The man isn’t actually that chatty most of the time, even if he is a people person, but for there to be something interesting in his immediate vicinity - and Kyouraku is interested in Starrk, even Ichigo can tell that much - and yet choose to remain silent? Ichigo doesn’t like it.

They get all the way to the entrance of the staff building before Ichigo cracks.

“So what were you here for today, Taichou?” Ichigo asks. “Uh, if you can say, I guess.”

Shunsui glances over at him, glances past him, then back. “Maa, it wasn’t anything special. I was just asking about Asuka-chan's progress. You’ve done a good job with her.”

Ichigo flushes a little. “I didn’t do much. She just needed some confidence.”

Kyouraku hums, amused but warm somehow. He's always been good at that. “We’ll agree to disagree then. I’m grateful either way.”

Ugh, this was not what Ichigo had wanted. But he ends up nodding stiffly, and thankfully, Kyouraku gets the hint and drops the subject with a chuckle.

But that also means he has time to glance at Starrk again, like he's checking for a reaction. Unfortunately for him, Starrk is currently impersonating a statue, and he hasn't looked at Kyouraku once since they'd left the meeting room.

It's only when they step outside that Starrk finally stirs. He turns to face them, eyes on Ichigo, features carved from stone. "I turn off here."

Ichigo blinks. Oh, right, but- "You're already going back to the dorms? Fujiwara and Matsumoto want to go out for dinner."

Starrk nods. "I know, you mentioned it yesterday. I won't go. Give me your bag, I'll take it back for you."

Reflexively, Ichigo hands him his bag, but he also tacks on, "You can come too, they're definitely expecting you to."

Starrk shakes his head. "I'm tired, I'll probably just turn in early."

Ichigo opens his mouth to argue, but... to be honest, in Starrk's place, he probably wouldn't want to be inflicted with Matsumoto's energy either. Fujiwara's taking after her a little too much for comfort these days, and Gin is probably going to be there too, and nobody wants to put up with Gin when they're already feeling bad. Of course, Gin always looks sour-faced around Starrk instead of the other way around. Ichigo is pretty sure it's because Starrk has a way about him that makes the suspicious brat feel like the man's constantly catching him red-handed or something every time Starrk so much as looks at him, which is hilarious, but it also means Gin tends to either avoid Starrk whenever possible or needle him when it isn't. Starrk doesn't usually care, but it isn't exactly what anyone would call a good time.

"Okay," Ichigo says instead. "Just make sure you eat something first."

"Mm," Starrk says, very obviously not agreeing to anything. God, Ichigo is surrounded by people who are going to worry him into an early grave. On the other hand, can it be called an early grave when he probably should've died something like ten years ago?

...Wow, that's depressing. Best not to think about it too hard.

"Go have fun," Starrk says before Ichigo can press on the point about food. Sometimes, it's like Starrk forgets he's not just a Hollow anymore. Ichigo had heard that Starrk had transcended hunger even as an Adjuchas because his reiatsu had done the "eating" for him—and then some. And even after reaching the peak of a Hollow's evolution, he's still never needed as much of any kind of food as regular Shinigami, but that doesn't mean it's healthy either for him to eat nothing.

"Don't stay out too late, don't drink too much," Starrk continues, and Ichigo is distracted enough by this to drop the previous subject.

He rolls his eyes. "Okay, Dad. You know it's a Friday, right?"

Also he's not a teenager anymore, he doesn't say, because he's still mindful of Kyouraku's presence behind him.

(His human body had died as a teenager though, at the ripe old age of seventeen. Some days, it feels like he's still aging at the pace of a human, all grown up and as jaded as an adult can get. Other days, when Kaien acts like an annoying big brother around him, or when Starrk fusses over him in that weary, gentle way of his, Ichigo feels exactly like the kid he would be if he'd been born in Soul Society.

He's still not sure how to feel about that. It's weird, always, but... not always bad.)

Starrk raises his eyebrows. "Matsumoto has a makeup test at noon tomorrow. Ichimaru has an early shift in the morning. Fujiwara has an appointment with her advisor at nine, and you-" A wisp of amusement actually makes it all the way onto his face for a moment. "-have remedial Kidou lessons with Koyonagi at ten."

Ichigo immediately scowls. "It's not remedial lessons! That bastard just doesn't know how to butt out of my business!"

Starrk hums noncommittally, but Ichigo's on to him. That's his I'm laughing at you on the inside because I'm secretly an asshole hum.

"How do you even know all these things?" Ichigo grumbles, because honestly, even when Starrk comes to hang out with them, he spends at least two-thirds of the time napping instead of paying attention to anything going on around him. Ichigo hadn't known they'd all be so busy tomorrow.

Starrk just gives him a blank look like he doesn't understand the question. Ichigo rolls his eyes again and gives up.

"It's not like I was planning on staying out that late anyway," He huffs. "We'll be fine for tomorrow."

Starrk nods and says nothing else. Ichigo doesn't have the words to describe how much he likes that about the guy. Unlike Kaien, Starrk says his piece when he feels strong enough about something to actually make his opinion known, but the rest is up to the other party to decide for themselves, for better or for worse. Unless of course you're bleeding a river with your insides hanging outside and trying to insist you can totally still fight.

Healers. They're somehow all carved from the same terrifying, unbending mold. The day Starrk meets Unohana, the Gotei 13 may never know peace again.

Starrk slings Ichigo's bag over his shoulder as well, and then his gaze finally skates past Ichigo to the man waiting patiently on the side while listening with shameless interest.

"Kyouraku-taichou, I'll be taking my leave," Starrk says, polite and formal as he bows his head, as an Academy student should before a captain, and it's- it's wrong, it's all wrong.

Ichigo doesn't really count the first time he'd met Starrk as their first meeting, which means that for as long as he's known this man, it has always been as a package deal with Kyouraku, right up until that final year. To this day, he has no idea how those two had happened, but it's not like 80% of the people he'd known and befriended hadn't been his enemies once upon a time too, so he has no room to judge.

The point is though, from Ichigo's perspective, Starrk had always followed faithfully in Kyouraku's wake, in his shadow, at his shoulder, hunched over the same desk and working long into the night or decimating a battlefield on Kyouraku's command, with eyes for no one else, even when - in the early days - enemy Quincy had mocked him as the Captain-Commander's tamed mutt, and their own allies had disdained him for being Ukitake's substitute. But likewise, while Kyouraku had forged ahead to pave a bloody road through the enemy ranks because there was no one else to do it for them anymore so he'd had to do it for everyone else, it was always Starrk he'd looked back at, always certain that he would only ever have to reach out and there Starrk would be, and no matter what anyone had said about lingering loyalty to Aizen or potential spy for the Quincy or even a Captain-Commander with such an unsightly weakness, Starrk had been the only thing Kyouraku had refused to hear a single dissenting word about.

They'd orbited each other and stood as a unit at the helm of the Gotei 13, and to see them like this now - separated by death and time and memory - even Ichigo aches at the sight. There's barely five feet between them but it might as well be a canyon.

Maybe Kyouraku can sense something of it too, because he tilts his hat down until it casts a shadow over his eyes, like he can't bear to look, but at the same time, his gaze remains glued to Starrk like he can't bear to look away either.

"Aa, I'm glad to have met Ichigo-kun's most mysterious friend at last," Kyouraku says, voice as laidback as ever, eyes anything but. "You've never come along with the others when Ichigo-kun is training Asuka-chan in my backyard."

It isn't quite a question, but Starrk blinks slowly and replies, "That's usually late afternoon. I prefer taking a nap."

Kyouraku smiles a little, and the curve of it is almost sly. "My division grows the most beautiful cherry blossom trees in all of the Seireitei, and they're just starting to bloom. It's a good place for a nap while you wait for your friends to finish up."

Starrk's brow furrows faintly. "...It would be disrespectful to intrude. I'm just a student."

Kyouraku waves a dismissive hand. "And I'm the captain. I can do what I want. And letting someone sleep under a tree is hardly an earth-shattering allowance."

Starrk blinks again before giving the impression of a shrug without actually moving his shoulders. "Thank you for the offer. I'll keep it in mind."

Even Ichigo has to hide a wince at the flat tone. But Kyouraku only smiles some more. "Good. You can come by anytime."

Starrk nods, a graceful dip of his head that lets his gaze fall away as he directs his next words at Ichigo, "I'll see you when you get back then." Then once more at Kyouraku, "Have a good evening, Kyouraku-taichou."

And then he's gone without so much as a blur left behind. Ichigo doesn't understand why they don't just give Starrk an automatic pass for Hohou when the guy uses Shunpou like he's teleporting, and then he remembers that most likely no one else has actually seen him use it yet with this kind of proficiency.

He turns back to Kyouraku, then falters. The man is staring after Starrk, smile nowhere to be found, which Ichigo had expected, but there's also an unsettling air of loss about him, heavy as a funeral shroud. And then, in the next second, Ichigo suddenly finds himself on the receiving end of a dark, ruthless, calculating gaze that Ichigo's only ever seen on the future Kyouraku, on the Captain-Commander at his best, at his worst, his blades stained with lifeblood, his shadows come alive with abyssal hunger.

All the hairs on the back of Ichigo's neck stand up, and a chill runs down his spine. He will honestly never understand how Starrk could look at this particular monster time and time again and never even seem to notice the threat, had always walked in Kyouraku's shadows like they were an embrace and not a bottomless void of remorseless avarice. But Ichigo's also faced down plenty of things just as scary as Kyouraku Shunsui, so he only needs a moment to re-center himself and beat back the instinctive lurch of alarm in his gut.

It's easy to forget, most of the time, just what this man is capable of.

They end up staring at each other in silence, and for a moment, it almost seems like Kyouraku might finally push for some answers. Ichigo knows he hasn't been the most subtle, and there are a handful of people out there nowadays who have their suspicions about him, but so far, none of them have approached him about it.

Kyouraku looks like he's about to. For a split second, he looks like he dearly wants an explanation, and he won't much care either what he might have to do to get it.

Figures, a part of Ichigo thinks wryly even as the rest of him goes tense with a guarded sort of apprehension. It would be Starrk-san who brings this out in him.

But between one breath and the next, Kyouraku blinks, blinks again, and the strained tension pops like a balloon as the monster disappears back into the shadows, and Kyouraku is casually adjusting his hat like the whole stare-down hadn't happened at all.

Ichigo feels his eye twitch.

"Well then, I should be heading off too," Kyouraku declares, and his gaze is feather-light when he glances at Ichigo once more. "I suppose I'll see you at Asuka-chan's next tutoring session. Perhaps I might see some of your friends too, hm? The more the merrier of course, so don't worry about any noise complaints. It's good to be livelier when you're young."

"Uh-huh," Ichigo says very dryly. Internally, he sighs and makes a mental note to do his best to convince Starrk to come with him next time.

Of course, he'll be first in line to beat Kyouraku up if this all turns into (more) heartbreak and (more) tragedy, but...

He's not actually so oblivious that he doesn't know Starrk might still only see a cliff's edge that he'll be more than happy to take a swan dive off of at the end of all this. He talks a good game, and after a year of practice, he's gotten a lot better at hiding his grief. At the very least, ever since they'd come back in time, Ichigo hasn't been able to pick up much more than a haze of melancholy from Starrk that comes and goes at irregular intervals.

He doesn't know how to fix it, doesn't know if it can even be fixed. But he does know that if anyone can pull Starrk back from that cliff, it's this man in front of him.

And Ichigo's lost enough people. He doesn't want to lose Starrk too.

So he'll keep an eye on this relationship, make sure Kyouraku doesn't overstep, and make sure Starrk isn't letting Kyouraku overstep, but otherwise, he doesn't think it's a bad idea to help it along a little.

He fervently hopes he's making the right choice.

Kyouraku takes off with a last friendly nod, and Ichigo also hurries away to meet up with Fujiwara and Matsumoto.

For now, everything will keep another day.

[lemongogo]

they should get to kill each other at least twice .i think

[iknowwhereyousnoozeatnight]

tennis

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[zondearts]

Wolf Ichisaki :D!

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[charcarts]

a little late, but here's my part for @/pokeearthcollab's BW project on bsky! First image is the finished ver of Keldeo (resolute form), shiny var of the pre-paint over, and a couple of exploratory concepts b4 locking in

[shulkerbullets]

oh since im posting things again i watched a vid abt this dude recently and nostalgia kicked in

[dervampireprince]

hey guys psst hey guys psst hey guys psst hey guys psst

and yes it's a public one, not a patreon exclusive. it'll be posted either tomorrow if i get the art done in time or if not then it'll be the wednesday after. but i'm going to try my best to get the art done so it's up tomorrow.

(also the gender tags don't reflect the genitalia of the listener, it just changes the pet names to 'good boy' or 'good girl' or neither. no specific genitals mentioned on any of them. we t4trans-inclusive content over here.)

EDIT: it's done! check the most recent posts on my blog or do a lil search on my blog for astarion or look my youtube! there's also a direct link in the reblogs and replies to this post!

[bumblingbabooshka]

Patreon Request: Spock [Patreon | Ko-fi]