#i feel it in my bones and in my soul

[cowardlykrow]

Yeah... I think you need more lessons from your "Kungfu master"

[chaos-bringer-13]

I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™

Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.

Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.

We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.

And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.

It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?

Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.

[thefanciestborrower]

This was supposed to be for vore day but I’m lazy so here it is nearly a month late lmao. Anyways Vulcan innards are so fun to draw help

@vore-scientist enjoy :)

[wwillywonka]

uh. UUUUHHH!

[reallyunluckyrunaway]

me every fucking day of my life:

[sparrowmoth]

Thinking about Jesper and Nina as the last of the Crows. Thinking about Wylan, when he dies, and Inej and Kaz have gone already, and Jesper can't contain his grief. He throws himself at Nina, because she has power over the dead, doesn't she? That isn't how it works. But he isn't listening. He begs and pleads for her to bring Wylan back, to try at least—but she won't. She won't, no matter if he hates her for it, because all she can think of is the sight of Matthias and how wrong it was. How wrong to have tried to hold him back, to hold him to her.

She holds Jesper through the night as he sobs into her shoulder. She holds him tight even as he curses her. The both of them know he doesn't really mean it. They only have each other now...

But it isn't only them there.

Someone else is in the room, unseen, and he whispers into Nina's ear. Not her ear, exactly. More so her mind, but he sounds so present if she just closes her eyes. She wishes she could share this through more than translation, so Jesper would be sure... he's okay, he's okay.

He's somewhere else, but he's okay. And he loves you so much, Jes.

Her eyes are full of tears. She keeps them closed as not to let them fall. She whispers Wylan's words to Jesper. She feels him stilling in her arms and keeps on whispering until the words stop and she can't sense him anymore. He had to go, but he'll be waiting. He had to go, but you have time left. Don't rush to him. You'll have forever. It's just for now, so just be patient... you'll have forever. He'll be there waiting.

[jklovesfandoms]

What if I say that Stephanie Lauter's love languages are physical touch and doing acts of service, huh?

What if I say that Peter Spankoffski's are infodumping and gift giving?

What if I say that Grace Chasity's love languages are quality time and words of affirmation?

What if-?

[whumpypepsigal]

Slowly, his limp pronounced but his back straight, Kaz made his way down the final flight of stairs, leaning heavily on the banister. When he reached the bottom, the remaining crowd parted.

Haskell’s grizzled face was red with fear and indignation. “You’ll never last, boy. Takes more than what you got to get past Pekka Rollins.”

Kaz snatched his cane from Per Haskell’s hand.

“You have two minutes to get out of my house, old man. This city’s price is blood,” said Kaz, “and I’m happy to pay with yours.

Excerpt From Crooked Kingdom, Leigh Bardugo

[boylikeanangel]

ok yknow what else. I am so glad they're acknowledging the 180. I haven't really voiced this cuz I was otherwise so excited for this season but I really was on the verge of indignation about them just deciding to make gabriel a goofy sidekick after he was literally the biggest villain of season 1. it really felt like they weren't willing to acknowledge just how much pain he's actually caused aziraphale and crowley and, to be honest, it seemed a little out of the blue that aziraphale would try to help him. but no. they're actually talking about it. it's a central point of conflict for them that crowley rightfully wants nothing to do with this because it's GABRIEL, he tried to kill aziraphale, he's still understandably terrified that heaven will try to hurt him again, and now he wants this guy nowhere near either of them, and cannot understand why aziraphale would have him in his bookship after what he's done. and as for why aziraphale wants to help him, that seems like it's actually going to be explored rather than just accepted for the sake of the plot moving forward. not only have they not forgotten just what gabriel did or tried to do last season, they're placing that lasting fear and apprehension towards him front and centre and are going to have aziraphale and crowley conflict over whether or not he deserves their help. I'm honestly so relieved because I had always been staunchly anti-gabriel and never really enjoyed the fandom's overly jovial attitude towards him, and was genuinely really skeptical when it seemed they were going to make him a sympathetic character in the new season, especially since the trailer played the comedic angle for all it was worth. but it's not just absurdity for absurdity's sake. it's actually something for our main couple to work through. the writing knows this is a difficult shift in dynamic to contend with. and they're directly employing it as an obstacle for aziraphale and crowley. it's really good and it's put a lot of my worries about the overall tone and messaging of this season to rest

[uhbasicallyjustmilex]

okay firstly I AM IN LOVE with miles’s new single, but secondly oh my GOD i have literally never encountered anyone who’s so able to capture the profound and timeless heartbreak/elation/serenity emotional rollercoaster of a twin-flame kind of connection with someone

[flowercrowngods]

what if who did this to you part 4 is tinged in the pale blue of max klinger’s l‘heure bleu and what if it’s so liminal it doesn’t feel real because the after never does when you don’t even know the before, and what if robin turns into a caspar david friedrich painting and what if steve becomes the blue that depressed robin but she loves him anyway and what if i just lose my mind about them

[bunnihearted]

⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆

[alakeeffectboy]

sooooooo... you'll never guess what i found at a local record shop😳

[stormyoceans]

THE DIFFERENCE BETWEEN THE BEGINNING AND THE END NOT ONLY IN THEIR EXPRESSIONS BUT ALSO IN THE COLOR GRADING OF THE SHOW FROM BLUE (STRANGERS ISOLATION COLDNESS SADNESS) TO YELLOW/ORANGE (LOVERS WARMTH HAPPINESS OPTIMISM) FUCKING TOP TIER CINEMA EXCELLENCE RIGHT HERE

[sky-ivylight]

okayokayokay... hear me out. Barbie Fairytopia AU where everything is the same, except the necklace the Enchantress gave Elina didn't give her wings, she instead got the power of Magic Footsteps.

[ID: a digital art sketch of the characters Dandelion and Elina from Barbie Fairytopia running/flying through a field of flowers. Dandelion is a slender fairy with long pigtails, a skirt made of dandelion fluff and petals, and pixie wings fluttering behind her, orange and white sparkles trailing behind her as she flies excitedly by Elina. Elina is a taller, likewise slender fairy but, diverging from canon, she doesn't have wings and is instead running on glittering, magical, platforms that appear wherever she steps, while Dandelion flies beside her. She's wearing a dress with a layered, rose-petal skirt, with a sleeveless top with two petal-like decorations that trail off her shoulders. Her hair is in a low bun. The two are looking at each other and smiling. /END ID]

[yepthatsacowalright]

“It wasn't just inside the family I would fixate on people; it happened outside our four walls too. At school one day, I was watching a mate called Mark Kavanagh walking along. ‘Isn't Mark Kavanagh amazing?’ I was thinking. ‘There is nobody more Mark Kavanagh than him. Mark Kavanagh? I can't believe he even exists, he's so original.’ I did that to few people, not because I was close to them or they were girls I was in love with, but because I was experiencing people in a way that was slightly unusual - as if I had a filter out on me. Maybe that's where some of the fascination about character, being amazed at the idiosyncrasies of another person, comes from. The basic fact that they are experiencing reality in an entirely different manner, and yet we are coexisting. Seeing the world through others' eyes - think about it too much and at some point you end up not knowing where they end and you begin.”

Christopher Eccleston, I Love The Bones Of You