Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
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So because I want to record my progression of where I am in the story, I'm posting my impressions of the units so far. (Disclaimer: I haven't read many of the stories, and about half the knowledge I have is from osmosis and spoilers. The other half is actually reading wiki entries and the actual stories. So if these takes are inaccurate, that is probably the point XD)
Without further ado....
fine - unit of 2 rich kids who are sort of trying to be slightly less evil but kind of still are evil, one (1) theatre kid who is just there for the ride and his crush, and a butler with the face of an angel and the threatening aura of a ezekiel-accurate angel in disguise. Also another impression I had of it was one chronically ill idol stan with three of his idol crushes. But they're solid, if slightly flowery; not exactly my style but their songs are good.
Trickstar - literally my sons. Traumatised idiots who choose to continue to see the bright side with a slice of anarchy. They're all so dumb. Their leader looks straight laced but is more insane than his co-leader who is perpetually wearing the ^u^ expression (except when trauma slapped). The other two members are a camera-phobic gamer boy who is also a model and a guy who exudes reliability and sanity but is also kind of an insane workaholic with inferiority issues. I'm adopting them all and their songs are like…both generic but SO sincere you can't hate it.
Ryuseitai - Me when first meeting them: Awww! A power ranger themed unit! So cute! Me, after hearing stuff about the two senior members' lore and how they recruited their youngsters: (clutching my heart, trying not to sob/lose my mind) Aww! A power ranger themed unit! S-so cute! I would die for literally all of them…WHY. Such silly happy sincere tunes sung by such silly, devastating characters??? Found family, to me
Alkaloid - everyone here believes they are holding everyone else back with their psychological problems (Mayoi), disability problems (Tatsumi), ability problems (Aira), or culture shock problems (Hiiro). And yet they're the unit whose songs have mostly all been ones I absolutely loved. Which means the assembly machine factory idols Eichi's got going on are working and idk how I feel about that
Eden - A bunch of guys with severe family issues who probably have never read the bible (well, maybe Nagisa has). So, like, tw inaccurate depictions of the bible? Anyway, deranged quartet of a softie obsessed with cool rocks but really he has sort of a god complex, a guy with a perpetual :D who is as smart as he thinks he is but is also kind of oblivious to all of his other skills and flaws (and thus is a combo of terrifying snake and kind of someone you're sort of humouring because he's funny), a spoiled princess who might have a bit of a savior complex, and a dude who kinda just got swept along for the ride but is actually really fond of them. And it shows in their music.
Valkyrie - Just….theatre kids, who put the drama in dramatic and the intense in intensity (that's definitely not how the expression is used). They also have a very strange thing going on even though they're trying to be healthier, but I'm too afraid to ask. Unfortunately, though, they have some killer compositions and so many references to Classics and Things, not to mention their songs are genuinely good for those who want that quick theatrical vibe
2wink - Adorable twins that I was lured into thinking were the normal mischief twin duo trope but what in the actual ensemble were the writers DOING? They deserve at least half the cw/tw tags. Also, one of them is kinda like Trickstar (just wants to make things brighter) while the other one has schemes and will not hesitate to destroy you while giggling, yes. All that angst but they have such cheery tunes. Like, boys please….
Crazy:B - I mean, with a name like that….listen. You think it's the guy with the metabolism-related medical condition who has a dad implied to be accused of cannibalism and his freeloader who is a literal prince but also constantly broke that would be the most insane. But, no, we also have a fifteen year old assassin who has definitely killed and a guy who is literally both committing identity theft AND helping in witness protection. But, yes, their songs are fun, as is their dynamic. Also…Amagi brothers. Ough.
Undead - This is just…four urban fantasy love interests thrown into a unit. I'm not exactly sure what urban fantasy race Adonis and Kaoru are (though sometimes I'm inclined to think adonis is the protagonist who just kinda got swept along for the ride except he does have the vibe sometimes (aka casually kidnapping HiMERU)) but a vampire and werewolf are very obviously there. Really do love their rock and roll style, like come on (though I sometimes do think it'd be cool if they let Rei's love for jazz into their songs)
Ra*bits - Look. I love them. It really is just a single dad with one of the most messed up backstories doing his best. But like, also, leave them alone please?? The writers really just made them the damsel in distress character that makes Subaru go "oh, I have to take this revolution stuff seriously" and that's not even mentioning all the other stuff they seem to go through??? Like they do not belong in whatever genre Enstars is going for but they make it work but….let them rest. Songs not my style but they fit their vibe of "smile and spread joy" which works cause I do feel joy. Like Trickstar without the revolutionary goals.
Akatsuki - TBH, I'm still kind of wondering why these three (a warrior, a mangaka, and a tailor who used to be a delinquent) are still idols. I mean, they do have talent and traditional aesthetic is fire, and they're definitely sort of found family, but why still idols guys? That said, again, songs not my style but they definitely capture their aesthetic and vibe and that's always cool to me. Also, one of the members was raised in a Buddhist temple and helped with funerals, and I do not know enough about Buddhism enough to say if they portray a Buddhist accurately but given how they portray everyone else's quirks, it probably still has a giant dose of deranged on it.
Knights - HAHAHAHAHA. They're all insane. But they have talent and earned their place in the big three. But that does not make them less insane. That's all because I will go a bit barmy if I think about them too much. Silly, insane knights who enjoy hobbies like kidnapping (affectionate) and dancing/singing (will kill you in a duel)
Switch - Look….at heart, I can't hate these fantasy game isekai themed group. I enjoy their music because I do like the electropop remix/edm thing they have going on. And it DOES kill me that the only two 3-people units (Akatsuki and Switch) both have the dynamic of "a couple of parents and their beloved and most treasured cinnamon roll of a chaotic son." But like Valkyrie, I don't know what's going on with the senior members and am too afraid to ask, especially since they seem fine with it while their son with synesthesia cheers them on.
MaM - He is literally a cowboy. I - is there a thing with Japan and cowboys? And did someone at the writer's table see that samurai, Victorian thief, cowboys, and pirates post? Because somehow, the only member of this unit is all of them. A very stark contrast against his weirdly cheerleader/mom friend songs. I know he has mommy issues (mafia thing, I think) but.....son, are you okay?
Double Face - Yeah, okay, I love them. They might be the murder unit and I still have no clue to their formation but I love it. Put the Victorian cowboy thief samurai pirate and the child assassin together and you get secret agent type music that sounds like it could be in an old spy flick? How can you not love it?
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