#i don't write in the world often

[cour4geous]

for those that don’t want to see hp threads on their dash, i’ll be adding t: hp. to the threads so that you can block if needed.

[drones-of-innocence]

Traveled Half the World to Say, You Are My Muse...

What if in an alternate universe, Princess Peach was an exchange student studying art?

She might enjoy getting a daily coffee before classes, and particularly over the weekends where she planned to walk around the city in search of her muse.

Until, one day, she finds him.

Her muse appears to her in the form of a man at a coffee shop on a rainy day.

The dreary light from the windows catches the brightest blue eyes she's ever seen, and a frustrated hand combs back dark curls as he focuses on his laptop. A full cup of coffee sits, forgotten, by his elbow.

"Excuse me," she approached him before she can think twice, after blocking the doorway and apologizing to the incoming customers who stumbled into her. A childish sense of shame filled her, and she grasped at the straps of her messenger bag. He glanced up at her with those piercing eyes. Her throat went dry. "May—may I sketch you?"

She sees his eyes dart across her face, to the University's emblem on her shirt, to the messenger bag covered in bright patches. His mustache hides his mouth, so she can't tell what he's thinking behind that even stare.

The lack of a response compels nervous laughter. "I'm an art student. It'd just be really quick. I won't bother you; it's good practice, that's all." the explanation bubbled out of her through his silence. The other people sitting in the shop thankfully paid her no mind beyond a glance or two. She struggled not to force a harder smile.

His eyes narrowed for just a moment. She detected a touch of suspicion in his creased brow.

"Sure. Fine," he said, nodding to the seat in front of him before returning his attention to his laptop.

Relieved, Peach practically sank into the chair. "Oh, thank you. Don't mind me at all, it won't take long." she whipped out her sketchbook and pencil, trying to find a blank page to begin. He didn't answer, reviewing whatever was on his screen.

She started by mapping out the general form of his torso and face. He was quite a short man, much shorter than her, but he had an incredibly sturdy build. He wore a modest sweater, but she could see a hint of definition in his shoulders and chest even through the draping red cloth. She wondered if he was very active. Or perhaps his job demanded a certain degree of fitness.

He seemed older than her, but not by much at all. Maybe he was a recent graduate? She focused a little more on his face, trying not to get distracted by his eyes, to sketch out an accurate shape.

His sharp jawline contrasted with his round cheeks. "You have a very impressive mustache," she said, trying to capture the angles just right. She had never seen such a remarkable mustache. It suited the shape of his face so well that she had a hard time imagining his face without it. He didn't respond except to glance at her, expression still unreadable.

She grazed her pencil over the paper, a ghost of a line indicating a suspected dimple in his cheek. She wouldn't know for sure unless he smiled.

"Your nose is so unique," she murmured, careful to capture the precise form. Such a striking round shape. At this, she noticed him let out a sharp sigh and keep a stern focus on his computer. She was nearly done, though, so she had to persist. Had to get this specimen on paper.

Her education had created an efficient artist out of her. Her lines gained more focus, nearly portraying an accurate likeness.

It was those eyes that had captured her attention in the first place. She traced the shape of his thick brows, framing his face with a soft intensity. Nothing in the cafe could draw her away. Not the constant ringing of the doorbell as people came and went, not the steady noise level from the dozens of conversations around them. Not even the rich scent of the coffee that she so adored. Instead, her nose was more keen toward the fresh, clean scent that she assumed was the man's cologne. Her cheeks grew a little warm.

She just managed to trace the shape of his irises, though her linework could not capture the way the color almost glowed. She had never felt such a spark inside as she did looking upon this man. "Your eyes are so beautiful," she said, looking between him and the page. "I don't think I've ever seen such a bright blue before..." she looked up, only to trail off as she realized he was glaring at her.

"That's enough." The man stood from his stool in a flash, shoving his laptop in a bag. Peach jumped. Eyes wide.

He stopped only long enough to give her a hard look, before he turned and marched out of the cafe.

A few customers turned to look as Peach watched him go. Her heart skipped a beat, an alarmed sting of confusion going through her veins. He disappeared quickly down the street.

She didn't understand. Maybe he was busy and didn't want her to bother him? But if that were the case, he simply could have refused to allow her to draw him, right? Swallowing hard, she looked down at her quick little rendering of the man. His features all together created a soft image, with kind and earnest eyes. But suddenly, all she could see was that icy glare.

The rain picked up outside. Peach slowly put away her book and decided not to explore the city that day after all.

In her morose bewilderment, she could hardly take out her sketchbook over the next couple of days. A few of her classmates noticed and tried to engage her in idle gossip, but she didn't have the heart to pay any real attention.

Her work on the sketch had been solid. When she did take out her book, she would take some time to look at the man, even though the memory of that harsh look twisted the perception of her art.

Where the city had been so colorful and vibrant, it all suddenly seemed so dull and gray.

"Your muse?" her roommate caught her one day going over the lines, and pressed her until she'd explained the situation. "Are you sure he's your muse? Don't you think you might just have a crush on him?"

The suggestion haunted her like his face did in her dreams.

The sun warmed her back when she made her way down the street the next weekend. She caught sight of the cafe, and thought a coffee might do her some good before her excursions for the day. Classes had been long that week anyway; she deserved a little treat.

The bell rang on the door as soon as she walked in. Many people looked up at her on impulse before returning to their own drinks.

Except for him.

In the exact same place she had spotted him before. Those bright blue eyes fixed right on her. Like blue jewels in the sunlight.

Peach froze for a moment before abruptly averting her eyes. Should she leave? This was embarrassing. But an indignance rose up in her chest to fight off the shame. She had just as much of a right to be here as he did. She wasn't going to turn tail just because of some guy.

So she raised her chin, gripped the strap of her bag, and hurried to the complete opposite side of the room as him.

It was only after she had sat down and arranged her books and materials around for her homework that she realized she had forgotten to go to the counter to order herself a coffee.

Well. She had just as much of a right to be here, but she did not currently have the nerve to get back up and show herself and do something crazy like risk making eye contact again. With a deep breath, and heat rising to her cheeks, she got to work scanning over the latest assignment.

The low music playing harmonized with the low hum of conversation in the cafe. Peach tried to make sense of the description of the assignment, but she couldn't quite focus on any of the words.

A cup of coffee and a pastry appeared at her elbow.

Peach looked up. The man, the subject of her thoughts and dread the past week, took a careful step back to a respectful distance. Those pretty eyes focused on her with a hesitant guilt. He had his own coffee cup in his hand.

"I didn't know how you liked your coffee," he nodded to the cup on the table, where he had placed cream and sugar beside it. "But I wanted to tell you that I'm sorry."

Her throat went dry. Swallowing hard, Peach tried to figure out a normal way to sit without fidgeting. "E—excuse me?"

He nodded and took a deep breath. "I was rude to you last week. I believed you were, ah, trying to make fun of me. With all the things you said to me." He glanced at the floor before looking back at her again. "It was a mistake to assume the worst. You seem very kind. I am sorry for how I behaved to you." he tried to smile.

A new light dawned on Peach's understanding. "Oh. Oh, goodness, not at all!" She set her pencils and books aside. "I wasn't teasing you. I'm so sorry if I came across that way; I must have been distracted..."

The man waved her off. "No, please. It was nothing about you. I think you come across as very sweet, Miss. It was my fault."

Very sweet. He thought she was sweet. Peach tried to ignore the furious heat that rose up to her face. She pursed her lips and nodded her appreciation.

He gestured to the coffee and the pastry he had chosen for her. "Please," he said. "I will leave you now. I hope you enjoy the rest of your day, Miss—"

"Wait," Peach reached out. "Um, I just want you to know that I genuinely think that you are handsome. You have the prettiest eyes. And uh, I appreciate the apology. If you want, you could have the rest of your coffee with me?"

The man blinked at her when she moved to make a space for him to sit. She could have sworn she saw his cheeks flush with a little color. He didn't say anything.

She stuck out her hand. "I'm Peach. I'm an art student at the University. But you already knew that." she laughed nervously. "Um, what's your name?"

It occurred to her that he was just as flustered as she was. An excited, hopeful spark lit up her chest.

He reached out to shake her hand. "I'm Mario," he said, and moved to sit down.

O~o~O

[the-cat-and-the-birdie]

I don't think a lot of people realize that purity culture often leads directly to racism IRL.

You think explicit graphic violent fics should be censored from AO3? Okay, understandable. But by that logic -

Do you think explicit graphic rap music should be banned from the radio?

Do you think Black people who listen to violent rap music are inherently more violent?

And that the art form is a reflection of them and their behaviors?

Do you think Black people who don't listen to rap music are more stable and deserving of trust than black people who do?

The same way you think people who don't read a certain type of fanfiction are more stable and deserving of trust?

How far does it go?

I listen to rap music that talks about guns, dealing drugs, killing, and gangs.

All my life I've been told that listening to that either 1) reflects a 'true nature' of hidden internal violence or 2) graphic rap music is actively hurting me and should not be played around children.

I grew up with FOX news telling us that rap music should be banned. For being too graphic, too violent, too vulgar.

There are places in the world were black music is restricted and censored for it's vulgarity - drill rappers have been under police surveillance in the past, given court orders that monitor the production and release of their music.

Is that okay? Is that right?

Should this form of black expression not exist? Does it reflect badly on the people who listen to it? Should it be censored, from radios and apps - or even outlawed?

Someone reads and writes graphic, violent, vulgar fanfiction - and you judge them.

I listen to graphic, violent, vulgar rap music - so does everyone else in my neighborhood.

What do you think of us?

Purity culture has been weapon against marginalized communities since the dawn of time.

This isn't a declaration of side, or a show of support on anything. This is not an attack.

This is an invitation and an opportunity for you to reflect on how your views translate to the world IRL.

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[silverwhittlingknife]

When people say that Dick “has a temper” what do they mean?  Is he the type to blow up over an inconvenience, be impatient, or rage-quit?

Ahhhh, I had a lot of fun with this. Thanks for the ask, anon. <3

My main feeling about Dick's temper is it's an important part of his characterization, and it's a fun part of his characterization, but I also try not to overemphasize it? A lot of my thoughts are here; also @theflyingwonder has some good panel collections here and here and here if you want to see what Dick generally looks like when he's grumpy about something.

General thoughts / caveats:

Anger is obviously not the only emotion Dick ever feels!! He feels many other emotions too!! The fact that he is capable of getting really angry sometimes does not mean that he is angry all the time!!

He's a person who feels emotions very deeply - anger, love, loyalty, etc. - but also has a very conflicted relationship with his emotions. He aspires to be perfectly controlled, like he imagines Bruce is, and he's ashamed of moments when he loses control. Because he's wound pretty tight and represses a lot, his emotions can be a bit explosive when he loses his grip on them.

I would never describe him as "an angry person." He doesn't walk around fuming at the world and looking for things to be mad about, y'know? He's a person who wants to be optimistic and tries to be optimistic. This very much includes when he's Robin.

He wouldn't blow up over an inconvenience unless he was already really upset about something more serious. But yeah, if he's upset about something important, sometimes he'll lash out at whatever's closest.

He's methodical and focused; he'll sometimes get impatient when he's, say, bored by his friends' TV preferences, and in general he gets restless and likes to be moving, but if he's got a challenging task to complete he's completely capable of hyper-focusing on it.

In his civilian life, he generally has a pretty good grip on the anger - so e.g. I don't remember him ever shouting at Clancy or civilian friends in general. When a reporter tries to get dirt on him by interviewing his neighbors at his apartment complex, they universally gush about how nice he is.

Meanwhile, in his vigilante life, he's got a rigid moral code and a rigid sense of duty. He cares a lot about helping people and protecting civilians, and he's emotionally-fulfilled by it, and he can be very kind. But he's also a super-intense person who takes his responsibilities seriously, and he'll get sharp with people that he feels aren't being serious enough. He only screws around when he's with people who are very serious themselves, like Bruce.

In an argument, Dick's generally direct and confrontational: he'll snap at you to your face, not sulk behind your back. Even when he's being a bit more passive-aggressive, he's not subtle about it. If Dick's annoyed with you, you'll know. If he doesn't like you, he makes it obvious.

Jean-Paul: I've seen you with Robin - you like Robin. Dick: You got a problem with Robin? Jean-Paul: No! I like Robin, too. He's an exceptional young man. I just mean... it's obvious when you like someone. And equally obvious that you don't like me. (GK 14)

Dick's just a very dynamic character in general, rather than a static one. When he's relaxed, he can be very easygoing and friendly; if you get off on the wrong foot with him, he's prickly and often harsh. He's got a very serious core, a strong sense of principle, and a passionate sense of loyalty to the people he cares about. Here's a light-hearted moment with Dick and Tim fooling around playing tag:

Dick (grabbing Tim from above): Gotcha! Tim: Augh! (B: Transference)

This is from the exact same arc as the panel at the top - but before Hugo Strange almost kills Bruce. And just in general I think this panel is a good reminder that Dick does all kinds of things that are not about being angry, that he's also the person who keeps Tim fed and repeatedly saves him from falling, that sometimes he'll pour his heart out to Bruce, that he really really really loves his friends, and so on.

Now, all that said, if you would like an extensive deep dive into Dick yelling at people (and really, who wouldn't? yelling is fun!), I've collected a super-long list of quotes which I've attempted to corral into organization. Below the cut:

Dick vs. criminals

Dick vs. Bruce

Dick + list of reasons he gets upset

Dick + annoyance at friends/teammates

Dick + lashing out at loved ones (rare! but, uh, very memorable)

Dick + first meetings with future siblings (+Steph)

In conclusion

Anger at Criminals

Dick's temper is an important part of how he thinks of himself: he's intensely self-aware about his temper and also conflicted about it. It comes up most often when he's fighting criminals, especially when they're threatening people he loves:

Dick (internally): At first, I couldn't believe what they were saying… but as the truth sank in, I felt a rage growing so great inside me - that it felt like I was just a part of the anger, instead of it being a part of me. Kid!Dick: Those animals! They murdered my mother and father! I'm going to the police! Bruce: No... not yet. (Secret Origins 13) Deathwing: You've been so angry for so long, Dick. Learn to accept it because you have no choice. You will become me, Dick, and I know because I am your worst nightmare! I am you! Dick: Never! I'm not you and I'll never be you! Yeah, I get angry. Sometimes I get so pissed I want to break everything in sight. But everyone gets mad. Everyone gets frustrated. But I don't fight out of anger! I fight when there's something wrong that needs to be stopped! And that's why I'll never be you! I don't fight to kill - I fight to protect! And what you said about Batman - well, pal, screw you. He's the best mentor anyone ever had! (NT 100) Dick (internally): I hit him harder than I should. Not sure why. It worries me that it feels so right. (N 2) Dick: I thought I was more in control than that. But I lost it. Tim: It was made right, Dick. The Joker is alive and not well in a maximum security cell. Dick: It’s not right with me. I never thought I could be a killer. I’m wrong. There’s a part of me I never saw before. The rage. I never felt anger like that. I feel like it clawed me up inside. (N 64) Dick (internally): Nothing Jason says can be taken for truth. He says Tim is dead. I'll need more proof than his word and an empty cowl. Because right now, I need to keep that hope alive. If for nothing else, then to keep me from losing control… and I won't let that happen. Can't let that happen. Can't. Dick (punching Jason): WHERE IS HE, JASON? Jason: Depends on what kind of life he led. Dick (breaking Jason's nose, then internally): There goes his nose. Control your anger. (BftC 3) Jason (internally): Dick is different from Bruce. In the way he fights. In the way he thinks. And the way he feels. And he gets angry. Really angry. That anger, it'd make him a great Batman, if he'd let it. He's trying too much to be like him.  The good son. Man, I hate him.  (B&R 25)

So something you'll notice about all of these moments is that Dick isn't proud of his anger. He doesn't experience it as cathartic, and he isn't proud of the things he does when he's angry. His anger is an enemy; it's the person he doesn't want to be, to the extent that after the fact being angry almost feels like an out-of-body experience, because in the burn of anger he'll do things that his conscious mind rejects.

I tend to think of anger for Dick as akin to a temptation. He's strong and talented and smart. He's capable of really hurting people. He also believes - viscerally, fiercely - that it's wrong to do so.

Worth remembering: Dick's big confrontation with Zucco, in most of his origin stories, involves taking the photo that gets him arrested:

Dick (remembering): Twenty-four hours later, we were on the trail of Boss Zucco... and when he murdered his own henchman, I took the photo that sent Zucco to prison! (Secret Origins 13)

And in Batman: Year Three, he's furious when he thinks that Bruce might have arranged for Zucco to get killed - when Dick's calm and thinking clearly, he believes it's wrong to kill even people who are clearly evil. It's only when he's swept up in emotion that he'll get violent.

Anger at Bruce

... Look, I had to give Bruce his own category.

Dick and Bruce have a lot of fights. Like, a lot of fights.

Now, this isn't at all particular to Dick! Dick's just one of many, many, many people in Bruce's life who periodically get fed up with him. So I wouldn't gloss this as Dick being unusually short-tempered - post-Crisis Bruce would provoke a saint (and does! at one point Clark briefly votes him out of the JLA!). And Dick doesn't always get angry when Bruce is being a jerk to him - sometimes he's just discouraged, or depressed.

But at the same time, Dick's not a pushover, and when he's sufficiently provoked, he'll often track Bruce down to confront him / demand an explanation / demand better behavior / etc. Paradoxically, I actually tend to see these confrontations as an expression of Dick's faith in Bruce. He gets angry because he expects better.

Here's a small sampling of Dick-angry-at-Bruce moments (some confrontations, some where Dick's just fuming on his own):

Bruce: Listen to me. Dick: Listen to you? You hand Gotham over to that nutcase altar boy. You leave this kid out to dry without a snowball's chance. Then you throw everything you’ve lived for aside like it was nothing! Killing this creep doesn’t make you as bad as the scum we hunt. It makes you worse. Because they never stood for anything. (R 8) Dick: If you say anything about 'finding myself,' I think I'll puke. Bruce: I thought you'd be glad to see me back. Dick: That depends on why you came back. Bruce: To take up the mantle again. To take back my place. Dick: For how long this time? Bruce: Not now, Dick. We can talk about this when - Dick: Right now. We're settling this right now, Bruce. (R 12 - Bruce has abruptly reappeared in the Batcave after leaving Dick and Tim in charge during Prodigal)

Dick: It was you who told us to stay out of Gotham. I’ve got a life here. I can’t just walk away from that. You’ll have to - (Bruce hangs up on him) Damn you! (N 34 - Bruce has been AWOL for months and now abruptly summons Dick to join him in No Man's Land) Dick (internally): Bruce is playing martyr. Keeping us at a distance. […] Why does it have to be this way with us? WHY? (He punches his car, and his hand comes away bloody.) Uncontrollable rage. The same rage I felt when I killed the Joker. Thought I had it under control. (N 65 - Bruce is accused of murder and freezing out the Bats) Bruce: What are you doing out of bed? Dick: You did it again, didn't you? You pushed everyone away! (N 99) Bruce: I assume this isn't a social call? Dick: What the hell is the matter with you? I mean, aside from the obvious! Ignoring the many layers of denial, and the fifty feet of psychological body armor that you throw up to avoid feeling anything! Aside from that! And the pathological need to control everything on Earth and beyond! Ignoring all that! What exactly is your compulsion, your burning desire to deceive, lie, and manipulate the only people who give a good god damn about you?! Bruce: You getting to a point? (O 21 - Dick just found out that Bruce was secretly funding the Outsiders)

Dick's relationship with Bruce is Complicated (TM), because he's also incredibly loyal, and - despite everything - he loves Bruce a lot. A lot of Dick's anger comes out of this frustrated loyalty - Dick feels betrayed and hurt because he loves Bruce so much. Here's a panel from later in Outsiders 21:

Bruce: You shouldn't place that much faith in me. Dick: I have more faith in you than anyone.

Reasons why Dick gets angry: an incomplete list

So if Dick isn't really the type to, say, rage-quit a game, then what does he get angry about (other than criminals and Bruce in general)?

I've tried to loosely categorize what seem to me to be the main things that can make him lose his temper:

as above, somebody Dick loves has been hurt and he's furious at the person who did it (so e.g. trying to kill the Wildebeests when they threaten the Titans, trying to kill Hugo Strange for trying to kill Bruce, lashing out at Tumult when he hurts Tim),

he's feeling attacked or betrayed and he's lashing out in self-defense (so e.g. a lot of the fights with Bruce, punching Roy after Roy fires him in New Titans, or calling Roy a junkie when Roy tells him he's just like Bruce in Outsiders, or yelling at Tim when Tim's insisting he should be Robin again),

he's angry about a lack of loyalty (so e.g. he's furious and feels betrayed when he learns that Bruce has replaced him with Jason; he's angry at Bruce for picking Azrael as Batman instead of Dick; he's angry at Tim when Tim suggests Bruce might be a murderer)

he's jealous (so e.g. he's hurt and angry when Kory marries someone else; his resentment of Azrael is much more about Bruce than it is about Azrael)

he's angry at another vigilante for behaving too violently/irresponsibly (so e.g. he has multiple fights with Kory insisting that she can't kill anyone; he's similarly furious with Bruce when he thinks Bruce has tried to kill someone; he snaps at the Titans in general after a failed mission; he's harsh about Tim and his team during Graduation Day)

he's unhappy and taking it out on someone else, often to drive them away (so e.g. he snaps at Donna and Alfred when he's depressed about Kory's marriage - arguably there's some supernatural influence here, but IMO he'd do it anyway; he gets snappish with Tim when he's depressed about his own lack of progress with Chulo/in Blüdhaven and also when he's actually mad at Bruce about Jean-Paul; he's very harsh to Babs and Wally when they try to comfort him post-J:LL; arguably most of his behavior in Outsiders after Donna's death falls under this category too),

he's unhappy and he's taking it out on an inanimate object (so e.g. smashing things after hearing about Kory's potential marriage; punching his car until his hand is bloody after Bruce has been a jerk to him, smashing a sign when Babs is jabbing at him by comparing him to Bruce),

his privacy is being violated by paparazzi (Dick hates photographers and will not hesitate to punch them or destroy their equipment)

I think something important about all these reasons is... they're understandable? It's not surprising that Dick is upset about the woman he loves marrying someone else; it would be stranger if he wasn't upset. It's not surprising that he lashes out defensively when he's feeing attacked - this is an extremely common thing to do! Dick's anger isn't a weird cloud of rage that just descends on him for no reason; he gets angry when he has something to get angry about.

That said, he does have particular things he's especially touchy about - loyalty, privacy, control, etc. And his anger can be physical - he does break things.

Dick + annoyance with friends/teammates

Dick calls a team meeting to rebuke the Titans in Titans 13

This is lower-key, so I wouldn't always describe this as anger per se, but it feels relevant: Dick can get snappish if he's in a bad mood, though he'll usually back off if it's pointed out to him:

Dick: Half this world goes to hell in a handcart and you do nothing? Donna: Hey, don't shout at me because your personal life has gone crazy. We had a crisis… Dick: You had a crisis? Who hasn't? And my personal life, for what it's worth, is a: just fine, and b: none of your business. Do me a favor and go. I want to be alone. (NTT 18 - Dick's upset because Kory is marrying someone else)

Dick: Roy! What the hell is this? Why is Lian in the way? She should be in a crib or something, not where people can step on her. Roy: Dick, my daughter is in nobody's way, and I'm watching her every move. Dick: Oh, yeah? Well, I've had it - Roy: Dick, your friends are here to help you and you're not making it any easier. C'mon, pal - calm down. Dick: You're right. I'm sorry. This is all getting to me. Roy: Really? The immediate world and I never noticed. (NT 100)

Dick (surprising Tim): You should've known you wouldn't hear anything. Not in this wind - but if you'd been downwind on the other side, you might have scented me. Tim (startled): Nightwing! Dick: You did want to meet - or do you just like playing computer games? Now let’s make it snappy - I’m in New York on my own business. Tim: And a big fat hi to you, too. (Showcase '93 11 - Dick's upset because he's blaming himself for someone Chulo murdered)

Dick: He didn't send you to check up on me? Tim: Huh? Dick (scowling): Don't play dumb. Tim: Batman? I came down on my own, Dick. What's with the attitude? Dick: Sorry, Tim. I haven't been making a lot of progress since I got here. (N 6 - Dick's self-aware here - he's on edge because he thinks he's doing a bad job)

Babs: Okay, calm down, take a deep breath, and explain again why you’re so angry… Dick: Why am I angry? I’m not angry, I’m–I’m–I’m dismayed, okay? I’m dismayed that there can be a Robin who believes Batman could be guilty of murder! How could that happen, Babs? How could that happen?! (GK 26) Kory: You could say goodbye to your teammates. Dick: They're not my teammates anymore. Kory: They noticed. (TT/O Secret Files 2005)

You'll notice that several of these include Dick backtracking and apologizing. He doesn't hold grudges or fume forever! And Dick's generally self-aware enough to realize why he's snappish once he takes a step back:

Dick: I…I’m sorry…I know this isn’t your fault. Here I’m attacking you - and you’re probably just as scared as I am. I just feel so frustrated. Batman could always remain calm in a crisis. I guess that’s just another difference between us. Maybe I’d be better off if I just cut myself off from all feeling like he does. (NT 77)

Something Dick generally isn't apologetic about: Dick is intensely self-critical about badly-done vigilante work, and in a team setting, he's not that patient with other people's mistakes.

Here's Dick calling a team meeting so he can scold the team in Titans 13:

Dick: Lock the doors, sit down, and pay attention. And that's an order. ... Our performance against Tartarus and the HIVE was unacceptable. Each and every one of you should thank God you weren't killed.

Here's an argument between Dick and Donna in Graduation Day 2 - the context is that Young Justice just screwed up an earlier fight, and Tim's berating himself and Conner while Dick and Donna eavesdrop (you'll notice that like Dick, Tim tends to be pretty self-critical + impatient with teammates):

Conner: The Titans got their lumps. Tim: No, the Titans got our lumps. They were looking out for us. There we were, shoulder to shoulder with the inspiration for Young Justice. And we lose half our team and half of theirs. Conner: Tim, I bet they were a lot like us when they started. Tim: No, I don't think so. (Donna and Dick are eavesdropping.) Donna: He's being awfully hard on himself. Kind of reminds me of someone. Dick: I don't know what you're talking about. Donna: You could tell him he's wrong. Dick: Is he? Donna: We stepped in it plenty of times, Dick. Plenty. We got beat by Dr. Light. Completely pantsed by Trident. We had the ill-conceived idea that the Mad Mod was a threat. There was that time in South America when we left Garth in the sun for three hours. Lots of stuff… We even got kidnapped by Count Vertigo. How embarrassing was that? Dick: I didn't get kidnapped. I got nabbed when I was coming to save Roy. Donna: Nevertheless, they could use a kind word. Dick: I'm not sure a kind word is what they need.

The upshot is that Donna goes to comfort Cassie while Dick goes off alone.

Again, the point is not that Dick goes around fuming about his teammates 24/7! He cares about the Titans and trusts them to watch his back; he feels the same way about Tim.

But in the heat of the moment, he'll sometimes get snappish or impatient, especially with people he's close to. The friends that Dick has who stick around are the ones who are tough enough to stand up to him, and who understand him enough not to take his occasional moods personally.

Dick + lashing out at loved ones

This one's a bit meaner. Dick's really good at picking out other people's insecurities, which he almost never uses against them ... but when he's retaliating, he's got an instinct for what will hurt the most:

Dick: No, I won't stop it. How dare you tell me what to do when you screwed up so badly Raven could be dead by now? Who knows what Mento did to Gar and Vic? Maybe your failure killed Kole. No, I won't stop. I won't! Donna (punching him): Shut up, Dick! Shut up! Shut up! Shut up! Shut up! I don't want to hear anymore! Dick: But you're going to, Donna. You made me listen to what you had to say. But you don't like hearing the truth about yourself, do you? The perfect Donna Troy maybe isn't so perfect after all. (NTT 19 - Dick's under an ambiguous amount of Brother Blood influence during this period, but he's also just really upset about Kory, and I tend to interpret BB as "reducing his self-control" not "he's a totally different person")

Bruce: I didn't expect to see you again. Dick: I heard about Jason. I'm really sorry, Bruce. Bruce: You weren't at the funeral. People asked about you. Dick: C'mon, Bruce - talk. Don't turn your back on me. I'm here… now. Bruce: You were lucky. When you didn't listen to me, your injuries weren't fatal. Of course, by the time I properly trained you - Dick: Bruce, c'mon…lay off. I'm not here to fight. Bruce: Then don't! Dick: Are you blaming me? I left, so Jason replaced me, and because I left he died? No way, pal. Jason wasn't me. I was a trained acrobat. I could think quickly in perilous situations. But why did you let him become Robin before he was ready?!? Bruce (punching him): Don't you dare blame me for Jason's death! Don't you dare! (NT 55 - this fight is ofc 110% Bruce's fault even before the punch, but Dick absolutely is blaming Bruce for Jason's death here) Dick (trying to punch Roy): GET YOUR HANDS OFF ME, YOU TRAITOR!  Roy: Dick, I'm your friend… Blast it, man - why are you doing this?  Dick: Friends don't turn on friends, Harper. I've been there every time you called me. I sat up with you all night while you were detoxing. That was not a pretty sight.  (NT 101 - Dick's upset about getting fired as team leader)

Dick: I disgraced myself and my uniform. Both uniforms. I have to learn to live with that or quit. No more surprise visits, Babs. Don't make me sorry I put an elevator in this building. (BoP 37)

Roy: Look at you! Your greatest fear in life, the thing that eats at you - is that you're terrified of becoming Batman!! A cold, detached, emotionless loner. I've got news for you, that's exactly what you are. You've become the man who raised you. Dick: Yeah…and you're just like the man who raised you. A shallow, self-loathing, womanizing thrill-seeker. Except he was never a junkie. (O 16) Gar: I guess it doesn't bother you that your new teammate killed your old one? 'Cause it sure bothers the hell outta me. Dick: Enough. I'm here to find Kory and Tim. I don't need Terra's best friend lecturing me about loyalty. (TT/O Secret Files 2005)

Dick + 1st meetings with future siblings (+Steph)

I hesitated including this on the list because it's lower-key and not always anger per se, but I think a lot of times when people say Dick "has a temper," they're not necessarily talking about his angriest moments so much as pushing back against the idea that he's happy or welcoming all the time.

If you're reading post-Crisis canon, Dick's a prickly introvert who can be slow to warm up to newcomers in Gotham. He's not exclusively cranky by any means! But he's not all smiles, either. Here are some snappish moments from first meetings with Jason, Tim, Cass, Damian, and Steph:

Dick: They'll probably switch to another lab, now that you've spooked them. Jason: Then it's no big deal! We'll just locate their new digs and bust them when they take possession. Dick: Wrong! I'll locate the new lab all by myself! You're going home to tell Batman how you screwed up tonight! Jason: Come on... (from Dick's first meeting with Jason in B 416 - Jason attacked a group of criminals too hastily)

Dick: Now, who the hell are you? Tim: That doesn't matter now. Dick, look at this please. Dick: Kid, I don't like games. (from Dick's first-technically-second meeting with Tim in LPoD - Tim's been chasing him all around the circus, and although Dick doesn't yet know this, also broke into his apartment)

Bruce: You can trust her. Dick: Six months ago, that would've gotten you further than it will now. Now, I'm not sure it's enough. Bruce: What more would it take? Dick: An explanation of who she is for a start. (from Dick's first meeting with Cass in B: LotDK 120 - Bruce went AWOL for months and has now resurfaced with a protégé) Jason: It's a new world. It's not all backflips and balance bars. You were good. Were. But Gotham needs a tougher Robin now. Dick (internally): A sneaky, mean little punk. Maybe you hired him before the Joker could. (from the retold version of Dick's first meeting with Jason in N 104 - Bruce gave stupid instructions leading Jason to misunderstand and pick a fight with Dick)

Dick (internally, when he notices Damian's makeshift Robin costume): Damian's costume. Note to self: smack a clue into this kid. Damian: You're embarrassing me! Dick: You do that just fine on your own. (from Dick's first meeting with Damian in N 138 - Damian's probably scared, which means he's snarky; he's making rude remarks and resisting Dick and Tim's attempts to protect him)

Dick: What in the hell were - are - you thinking, throwing someone so reckless into the field like that? Babs: Gosh, Dick - I'm sorry I haven't spent more time trying to train a murderous little twit. (from right after Dick's first meeting with Steph in BG 5 - Steph accidentally froze Damian)

How much you weight these moments depends a lot on your personal aesthetic preferences! I love conflict, and Dick's initially kinda thorny relationships with his siblings are part of why I enjoy him as a character. I don't feel the need to "fix" this kind of grumpiness and honestly I don't even really see it as a flaw? Dick's not morally obliged to like his future siblings on first meeting them, and if he never got snappish with any siblings ever, no matter how annoying they were being, he'd be a lot less interesting to me personally.

For me, Dick's prickly side adds an important nuance to his characterization, and makes it more compelling. He's a human being, not a conduct book! His strength is that he's willing to reconsider his first impressions, not that he never has negative first impressions.

That said, obviously genre and context matter! I have enjoyed plenty of softer takes on the Batfamily in fanworks, and in a softer, gentler world like e.g. WFA, it would be weird to keep Dick's grumpier moments. Also, Dick obviously isn't 24/7 harsh to his siblings - he can also be really empathetic and protective, and although he never gets especially close to e.g. Steph, he does change his mind about her, and he's ultimately a huge source of emotional support to Tim and Damian (they grow on him! ... eventually).

In Conclusion

One of my favorite Dick stories of all time is Nightwing 139, and I think it nicely encapsulates how I see Dick's anger - it's an important contrast to his softer side. He's a person with an instinctive temper, and compassion and understanding aren't always immediate or easy or effortless for him. But he's also a loving person with a big heart, and it's the love that always matters to him in the end.

Here's Dick discovering that Tim is thinking about using the Lazarus Pit, getting angry, and leaping down to try to physically stop him ("He may not stop you, but I sure as hell will!")

Dick (sarcastically): So, Robin... you think maybe we can hug this out?

It's important to me that Dick's first instinct is to have a physical fight, not to try to talk! He does all the wrong things before he does the right thing! He doesn't magically know the right thing to say to Tim right away!

But doing the right thing matters to him, and Tim matters to him, which is why he gets there eventually. When Tim tears up Dick softens at once:

And in the end Dick backs off and lets Tim make the choice, which isn't easy or instinctive for him either! But it's the right thing to do, and it's what Tim needs to pull himself out of the power struggle and realize he's making a mistake, and then Tim stammers apologies and Dick reassures him and they do hug it out, and it's very tender:

Without Dick's anger, you don't have a lot of his stories. But his anger doesn't define him - he doesn't let it. As Dick puts it,

"Yeah, I get angry. Sometimes I get so pissed I want to break everything in sight. But everyone gets mad. Everyone gets frustrated. But I don't fight out of anger! I fight when there's something wrong that needs to be stopped! And that's why I'll never be you! I don't fight to kill - I fight to protect!

And that's a big part of why I think he's great.

[angelsdean]

when you have adhd time blindness a year can feel like mmm 3 months, maybe

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[randomnameless]

Glancing at something on Ao3 -

What kind of feelings Jerry was supposed to evoke, actually?

FE16 pushes the player - through Billy - to consider Jerry as a good parent, because it plays with the red herring about the evil lizard lady being evil.

And yet, even with all of his misgivings about his kid, Jerry is still the one who calls Flamey's bullshit and wonders if running away from GM wasn't the stupidest decision he ever made, just before kicking the bucket.

Being the cheap copy of the Ike'n'Greil relationship, Jerry's presence and death is supposed to be important to Billy - even in Tru Piss where they look pissed at seeing Emile and working with Uncle'n'pals.

And yet, unlike what we learn about Greil being the chadest amongst chads with 1 (one!) blackspot to his record, whenever you talk to characters about Jerry you're met with... less than rosy thoughts, even if the characters apparently handwave it away.

Let it be with Leonie, or even Alois, Billy learns that their dad wasn't the chadest of chads like Greil, but a drunkard (before Citrus' death, since Alois was a kid!) who apparently played dangerous games with people who idolised him, left his kid alone to be showered with praise by Leonie's village as he dealt with bandits, and left bar tabs all around the continent for his "apprentices" to pay.

Come the "journal" where, imo, we learn that dude was so afraid of his baby not being "normal" than he ran away from the odd lady who saved them "a long time" ago and who's pretty much not normal himself, and the place where his own wife, who displayed - partly - the same "abnormality" as their baby grew up and lived.

Then Nopes happened and did a number on poor Jerry - from mocking their kid's potential aspirations at being something else than a sword for hire, to their singing (done to cheer him up!) and actually learning he at times apparently let them go without food while he never invited them to the "thank you" parties throwns by the people his company saved...

Billy still loves their dad, but is he a good dad by any means?

With all that knowledge, after playing both FE16 and Nopes, can we really feel upset when Jerry kicks the bucket? For Billy maybe, because Jerry is important for them, but does it has the same echo as Greil's death, or even, to remain in Fodlan, Rodrigue's?

I guess if in Nopes, Jerry acted on his heel-face turn (or suddenly growing a brain) from his penultimate FE16 dialogue, we could have had a character growing beyond the red herring and the "unreliable narrator" stuff FE16's first part gave us, and maybe make for a more grounded-complete character, like confessing that he panicked after Citrus' death and worried for Billy, but regrets not being able to bring them the best life they dreamt of, and willing to apologise and let Billy grow in the same environment Citrus did.

Or maybe even explore what Jerry did in 300 years, if he never bothered to wonder why the fuck was he living to be as old as the elites, or his thoughts and feelings about Rhea periodically using hairdye to pretend to be someone else and "aging" even less than him...

Given how - or maybe i'm tainted by the fandom - FE16 thrived on the playerbase feeling characters/situation "relatable" from a doylist pov, I guess Jerry running away with bby!Billy because they weren't "normal" wasn't as weird as it sounds, babies should rightfully have a beating heart!

Bernie is a hikkikomori (forget the part where she's supposed to be the heir of one of the most important lands in Adrestia which would rightfully make her father disappointed with her (lbr, Greg would either have tried to get another kid with Bernie's mom, or got a second wife/bastard, or picked a branch member of his house to take his succession), Linhardt falls asleep and doesn't want to do his job as the next minister of Finances/whatever his dad does and prefers to hyperfocus on academic research ? How lol (please ignore the implications of House Hervring's heir being, uh, not interested in whatever his father does and how he is supposed to inherit his job (at least before Supreme Leader starts her war and pulls out her "reforms")).

Between the brackets are the first arguments that come to mind, if we consider the world those characters live in, aka Watsonian wise.

Jerry is worried about his baby's heart not beating and them not being normal? Jerry, you're not "normal" per Fodlan's standards yourself, you're over 300! Your wife had the same difficulties to emote than your kid and she might or not have had the same "heart not beating" syndrome given how it's her own heart that was transplanted in your kid

You know that what is "normal" for regular humans in Fodlan do not apply to you, your wife or your boss who oddly looks like your wife. So why was that argument even considered when you decided to run away and condemn your child to a life of "sword for hire" and danger at each day ending with a -y ?

IDK, it's as if, in BK, Kalas' bro, born without wings - which is an oddity since apparently everyone is born with some in this verse - finds Kalas weird for only having "one wing" and not two like everyone. It would be the pot calling the keetle back (but since BK is a game with coherent writing, this never happened).

Jerry runs away with the baby because the baby isn't normal despite the midwife assuring everyone they are?

Legit

300 yo Jerry runs away with the baby because the baby has the same condition as their mother despite the "immortal lady who saved his life" assuring him the baby is alright?

WTF

So, in the end, what are we supposed to think of Jerry?

Was he a character who made the best situation out of the shitty cards he was handed regarding their kid?

Or a character who swallowed an idiot plot ball to play with the doylist red herring, made errors but ultimately saw the light before being Clownya'd?

Or, given his supports and Nopes, a shitty character whose only redeeming point is to be Billy's dad, and who receives a lot of leeway by virtue of being Billy's dad by the writing team (given two fans) and the first game being from Billy's POV?

[deoidesign]

I have a question, but it may be already have been answered in the story (my brain is just not the best with memory).

Since vampirism symbolises for you chronical illness (which, omg, that is a hot take I've never thought off before and love from now on), does Steve count as chronical ill, too, with the whole halfvampire thing going on? So, would his uncontrollable time jumping each month be a symptom of that chronical illness?

not in the story, no worries! Just a possible interpretation and my personal intent when writing.

As a small aside I personally don't like to think of chronic illness as something that people "count" as, so to speak, it's an extremely personal label and incredibly varied between individuals and as with all disability there is never such thing as hard lines or black and white... but I understand why you worded it that way and I understand what you're asking.

So, yes, Steve is also chronically ill within this framework. The entire comic is sort of shaped around this, to be honest! I mean he canonically has some pretty extreme memory issues... He's also canonically homeless (not that this is an illness but I just mean it's something I think most people forget about him when discussing him). And, yes, his condition is uncontrollable and is severely impacting his ability to live the life he wants to live.

He has just been barely coping up to the point we meet him, and has been very desperate which is what led him to creating that list of deviations. He has periods where his body is out of his control, he is unable to form relationships, he hurts others without meaning or wanting to... Yeah. He's metaphorically relating to a lot of things, really.

So, yknow, you're welcome to interpret him as you'd like! for me I relate a lot with my various issues and conditions and thus that's why I've projected on him the way I have, but of course I would understand entirely different interpretations of what is inherently metaphorical.

[getvalentined]

Thinking about finally throwing all my FF7 meta analysis and lore deep dive stuff onto a sideblog. It'd be reblogged from here, but I'd be able to organize it a little better, have a directory so people could find things more easily, and maybe it'd stop people from regurgitating things I say word-for-word for brownie points when they can just find and reblog the fucking original post(s).

[menstits]

this is a 100% slash gen question but how do you stay motivated to keep playing genshin after this long? i first got it back when it was still pretty new, around the second ever banner, and played it for a good year but the more things they kept adding the more overwhelmed it started to make me. i do miss it tho, so i wonder how you manage to still play it so consistantly

In all honesty for most of my time playing genshin i've been obsessed with a handful of early game characters (kaeya and his ugly brother and childe mostly, and they're still my faves) and largely didn't give a shit about everyone else, so up until like halfway through sumeru i was playing like. Waiting for kaeya/abyss and khaenri'ah related lores to drop mostly. Like in all honesty especially during inazuma it was dire i didn't give a shit about 90% of the cast and the environment was unpleasant to explore too 🧍‍♂️ but after getting past the samsara part of the sumeru archon quest i started getting genuinely more invested in the storyline. When i got to fontaine i expected it to be a bit of a filler region honestly but the writing quality has been steadily increasing after inazuma imo and the conflicts have become more engaging too... Like i think the main issue for me in inazuma was that they kept trying to get me to give a shit about some npc whereas several of the playable characters felt underutilized and their presence kinda pointless. From sumeru onwards they've started writing the playable cast as more fleshed out and interconnected to one another which is something that i was really missing from early game, and this is even more apparent in fontaine's writing too where everyone has some kind of beef going on with everyone else (it was really fun imo how everyone in mondstadt knows each other because it's a small town and i wasn't really hoping to see that degree of characters being all up in each other's business again in later regions so fontaine was a nice surprise in that regard).

As for your question honestly i think that. In order for genshin to be enjoyable at some point you have to allow yourself to not give a shit about whatever doesn't compel you and instead try to focus on what you do like, for example i kinda hate doing spiral abyss so I don't really touch it unless I'm pressed for primos and instead run around and explore a lot. For story quests i prioritize ones for characters I'm already invested in and leave others for whenever I don't have anything better to do. I'm an insane completionist about this game but it's genuinely fine to focus on the parts you personally find more engaging. I guess sumeru was annoying because long as fuck world quests gate the exploration of certain areas, but fontaine is MUCH better in that regard and the world quests feel much more manageable.

Also tbh i think the increasing relevance that khaenri'ah/abyss and celestia-related stuff has both in the world quests and in the main story along with more harbingers making on screen appearances also contributed to keeping my interest active because that's what I'm mostly invested in other than kaeya-centric stuff 👍

[irenespring]

Tw child abuse

"As we all know, boys respond best to beatings and the withholding of food."

---Evelyn Sader, School for Good and Evil book 2, having apparently graduated the John House School of Parenting

[uncanny-tranny]

Hi! So i apologize preemptively if this seems like a silly or even nonsensical question, but im having a hard time getting into politics and more specifically finding more info regarding Anarchy.

It's been a subject I've been interested in for a while but never really branched out and looked further into bc everwhere I've looked, the info was always mushed into word vomit or it was someone giving their opinion regarding it.

Where could i learn more about it as a whole?

I haven't read anything from this site in a while, but I read a few essays from the Anarchist Library a while back. A few of those essays might be too opinionated, but that's kind of... the point of everything, if I'm honest (in addition to facts and statistics and whatnot). I'll recommend this site specifically because it is a bit more accessible for getting essays and also because you might find more specifics - I've read a few pieces years back on queer and trans anarchy, and found it helpful. Of course, some sources will be better than others, so exercise healthy questioning and interrogate whatever you do read.

Note that the hyperlink will take you to the front page of the Anarchist Library's website.

[philosophiums]

hi sam!! so i was skimming through the jjk official character guide and gege says he enjoys drawing people in a clash of opinions—he’s so good at that. it got me thinking, do you have any specific thing you lean toward when writing character dynamics?

hi mariam!!!! <3

ooooo god what a thought provoking question let me put some effort into this

i'm sure the most obvious thing that i love is a sort of like. attack dog/handler situation. it doesn't even have to be romantic, and it can also extend to blade/scabbard or gun/bullet. anyway. it's very explicit with chuuya and umbrius, but it also exists with two other pairings in their universe (though, granted, the universe really allows for it given.... everything). but it is something that i really love. the blind faith/loyalty, the inherent violence, the care and keeping, deep levels of protectiveness from both parties. god you just can't beat it it's so fucking good

but i also really love a situation where characters are talking past each other. they're saying the same things, they're agreeing with each other, but both of them are so wound up for an argument that they're still arguing even though they're on the same page. it feels very real to me, where intellectually you understand that you are agreeing with each other, but you're not saying it exactly the same way, and you were both kind of hoping for a fight but you're not getting it, so you make it one anyway. in the right scene with the right characters with the right amount of stakes happening Anywhere Outside Of The Conversation i think it can have good emotional payoff for the characters and the readers. it's not miscommunication but it's toeing the line and i think that's fun

also i think my years in the aftg fandom/writing andreil fic (and reading tgcf later didn't help either) show through with this one but i love characters (romantic relationship especially but i have it in some friendships too) where they just Get each other. not to the point of reading each other's minds or making predictions but just like. "yeah i know you're stressed because of the way you're doing xyz right now so i'm going to suggest we go have a cigarette" or "well it's 2pm and they're not Here so they have to be There. no i don't need to call them where the fuck else would they be" or "i'm going to say this thing and i know you're going to disagree with me but you need to hear it bc i know what you need right now and it's not coddling." like just... characters who tick to the same rhythm and are able to rotate unobstructed inside of each other's orbits

[kingofattolia]

why are writers THE most annoying people in the entire world

[supercantaloupe]

do you still write opera fic (or other [musicals?]?)? any WIPS?

in theory yes. in practice i haven't had the motivation or time since like last summer

unless i get freak level obsessed with a thing, during the school year i usually have no time or motivation to write fic because i'm so busy reading and writing academic papers and stuff. i also don't read for pleasure much during the school year for the same reason. i usually have more time on breaks and over the summer, but then it's a matter of motivation and inspiration. even when i do have time on my hands i need a good idea to want to write and the luck of fate i guess to actually do so. and ironically while everything i write i write for the primary audience of myself, and appeal to what i personally want out of a fic, i am far better at Doing Things when i have external motivation. and the things i end up writing fic about more often than not are things that have like. a realistic potential audience of like 4 people, if i'm lucky, ha. so i don't really get the benefit of commenters or a rapt audience motivating me to keep writing.

there are still a few outstanding longform fics that, while i haven't touched in over a year, i haven't totally given up on the concept of finishing them. right now this would pretty much be the devil you know (don giovanni), starlight (oklahoma!), and the 25th annual solesian national spelling bee (fantasy high), all of which are relatively long multichapter works which i haven't acutally finished writing yet, but have at least loosely planned out an ending an a way to get there. fantasy high is the only one that i would hazard to say has a real potential audience, but since the junior year season disappointed me, i haven't gotten the interest back enough to keep writing that one just yet. but it's got enough behind it already that i don't want to entirely abandon it. starlight at this point is old enough to enroll in kindergarten (i started it shortly after i finished high school. jesus christ) and i don't even want to list the au qualifiers attached to that thing here lest i succumb to the cringe, but the story and the characters are still so dear to my heart i don't have it in me to truly abandon her. and the devil you know is similar, though (at least at this time) i think the premise is less cringe; i have Ideas for it still, but i don't have the drive to finish it right now unfortunately. or the audience. but i know better than to expect that anyone but myself is really reading fic of old ass operas and musicals.