#i don't think i need to still be tagging that but.... just in case

[violenteconomics]

for cater diamond, it starts like this:

cater diamond is made up of lies.

his hair and outfit are designed to give off an air of carefreeness, even when his heart is tearing his chest into ribbons, perfectly planned down to the tiniest wrinkle. he runs all of his words through his head over and over before he says them, navigating every interaction like he's trying to get the perfect run in a video game (and idia would probably appreciate that metaphor if he heard it, maybe cater should bring it up to him, see how it makes him tick—). even his smile has been meticulously manufactured, every little twitch and idiosyncrasy based on the influencers he sees on magicam.

not that anybody really knows about any of this, of course. he's a professional, after all.

all of that to say that cater is a good liar. a great one, even.

one day, ace walks into the kitchen with serious bed-head, yawning and rubbing his eyes.

cater is leaning against the kitchen counter (looking just ruffled enough to appear as if he's just woken up, but still put-together enough to keep up the chill senior persona he's spent the better part of two years cultivating — a look he's mastered after watching the first ten seconds of neige's "morning routine!" video on loop) when he sees the red-head shambling in.

he smirks (corner of his lips tilted 42 degrees up, eyebrows slanted approximately 12 degrees down) and leans his head against his hand. "what's up, sleeping beauty?"

"good mornin', senior," ace grumbles, sounding way too pissed off to actually mean it.

that's what cater likes the most about ace and deuce. they don't feel the need to mask as much as everybody else does in this school. if they have feelings, they'll let you know it almost immediately — ruthlessly in acey's case, and involuntarily in deucey's case. either way, it's kind of cute.

and refreshing. even cater, social butterfly extraordinare, gets tired of analyzing every little bit of somebody's mood and personality and conversational style, in attempt to weaponize them as he tries to achieve the perfect outcome everytime he talks to someone. after two whole years of trying not to trip over any of riddle's landmines (which were actually just his hundreds upon hundreds of trauma responses, as it turns out), cater would've sworn off talking to anybody for the rest of ever if he weren't more of an expert at deceit than that.

it's easy to talk to ace and deuce, comparatively. if they have an opinion, they make it known, even if it's not night raven college-approved. they don't care about what anybody else thinks. for someone who cares about what everyone thinks at all times with no limits on when, where, or who, it's certainly a novelty.

they're different — but cater likes that. they're emotional. they're understanding. they're great underclassmen, even if they don't realize that (and probably never will, because cater's definitely not gonna say anything about it).

cater scrolls through the "#diybreakfast" tag on magicam to hunt for a cute breakfast place he could snap pics of for some more views. "so how'd'ya sleep? deuce didn't try to wrap you up in his 24/7 study sesh, did he?"

ace puts a hand on the back of his neck and groans. "i slept fine. kept waking up because of deuce's loud-ass chewing, though. seriously, who is that noisy when they're eating blueberries?"

cater laughs and pretends the conversation is over.

pretends he didn't notice the way ace hesitated for the briefest of moments before answering cater's simple question.

pretends he didn't notice the way ace rubbed his neck a little too hard to be casual, as if cater didn't use to have that exact same habit whenever riddle took his collar off of him.

pretends he didn't notice the tiny stutter in ace's "i slept fine".

(pretends he didn't say the exact same words, practically verbatim, every time trey asked him if he slept well during their second year at night raven college.)

(because he's supposed to be the unbothered one. he might actually crumble into a pile of misery if he has to let go of that idea.)

(maybe it's the same for ace, too.)

(it might be fake strength, but it's something to hold onto, nevertheless.)

because nobody else would've noticed that. nobody else craves validation so much to even bother. so if he's pretending to be cool and self-assured and confident and everything else that he's not, why would cater?

"damn it, we're out of cereal." ace groans, slamming the pantry door shut with a bit too much force.

the worst thing about being a great liar?

it's incredibly sobering when you meet someone who is almost as good as you.

I am in dire need of more of that AU that The First years get The upperclassmen toxic traits,i realy want more of It,like;

A way to include octavinelle and scarabia,maybe like,3 First years(Ace,deuce,Jack) get some of azul's toxic traits,other Three(epel,ortho and sebek) get Jamil toxic traits and yuu get both

Second thing

More reactings please,i NEED The staff,ALL The dorms and even the relatives seeing The First years developing those toxic traits,the overblots+Trey and cater for deuce getting their toxic traits right back at their face i beg you🙏🙏

anything 4 u, baby.

(but for real, though, this is an AMAZING idea, love you so much for tilling the ground for my brainwormies, mwah mwah 😘)

(also, this might get REALLY long, so hang tight!)

it was just a seed at first — a tiny idea that stuck around despite the first-years not even realizing it was there. but as the poison from their actual housewardens starts to develop into something truly deadly, so does that seed. it shows up later... but it makes itself known nevertheless.

ace, deuce, and jack have all worked for azul at the mostro lounge at one point, and though it was a very brief moment in time, it was just long enough to worm its way into their heads.

it starts with ace trappola, who's already pretty slippery with his words. but working at the mostro lounge, taking subconscious note of all the underhanded deals azul is making, he starts to pick up new... skills, let's say.

it starts small, with ace starting to give out certain favors to his fellow freshmen to earn some money. if you give him ten thaumarks, he'll do one of your everyday chores for you — dusting your room, cleaning your bathroom, making dinner, what have you. if you give him fifteen thaumarks, he'll do your homework if you don't feel like doing it, or take class notes for you if you don't feel like showing up. if you give him forty, he'll help you with something less-than-moral and definitely against the rules (he did it once back at the atlantica memorial museum — he can do it again).

there's an obvious power imbalance in all of these scenarios, but ace effortlessly words in a way that makes it seem like it's a win-win situation, when in reality, it's more like a zero-sum game.

it gets to the point where ace builds a black-market sort of reputation, and all of the freshmen know that if you need something done, ace is the person to go to.

...but then, something shifts.

at some point, ace starts a black-mailing campaign for the people who paid for the forty-thaumark favor. if you don't want your secret — one that might get you expelled, suspended, or worse — getting out, then you can pay for ace's silence with a favor or more money.

the worst part is: there's no way out. if you try attacking ace, it'll seem like you assaulted him for no reason, since if you try to explain he was blackmailing you, you'll have to tell them what he was blackmailing you with, which you obviously can't do — or else what was even the point? the same rule applies if you try tattling on him to one of the teachers or the housewardens or anybody else. and ace is a better liar than most people will ever be in their lifetime, so it's a losing battle even if you do manage to get someone to take your side.

so if you want to cross the bridge, my sweet, you've got to pay the toll.

(it's not even about the money anymore, really. riddle's thirst for control and azul's desire for recognition have clashed inside of ace in the most violent way, and now, it's all about the power it gives him over other people. and after how powerless he's felt this entire school year, being thrown left and right by overblot after overblot with no say at all, this is a power trip he never wants to come back down from.)

but ace realizes he's making quite a few enemies with his little money-making strategy, and he needs someone to help him just in case someone does come up with a plan to wipe him out. i mean, just look at azul — even with all of the loopholes and leverages in the world, even he was taken down eventually without outside help. if he wants this to last as long as possible, he needs... incentive for people to listen to him.

his own jade and floyd.

his own red-and-black collar.

using his riddle rosehearts-born dominance, and taking advantage of deuce's trey-and-cater-born passiveness, ace convinces deuce spade — one of the strongest people he knows — to help him in his economic ventures.

and deuce, seeing this as a way for ace to vent some frustration and unwilling to be on the other end of ace's ire, hesitantly agrees.

he doesn't piece together that ace is acting suspiciously like azul, but he still recognizes his own role in this whole scheme. ace is running a business, right? and deuce has only ever worked in one business before. he remembers what jade and floyd were like back when he worked under them, and so he uses that experience to inform his new position.

deuce becomes known as ace's right-hand man. he'll hunt you down if you don't pay, and he's not afraid to use force to "compel" you to. there have been stories about cat beastmen getting thrown up into trees and being left there for hours. about students getting forks "accidentally" thrown at them in the cafeteria with such precision, it doesn't really feel like an accident. about a student with a spade on his face who can throw back any attack sent his way with just as much force.

and there's nothing you can do about it, because he's in service to someone who has made himself pretty powerful. ace's silver-tongue gets deuce out of any and all trouble he inevitably finds himself in — and is ace is so brutally honest, why wouldn't people believe him? so even if you try to do something to deuce, ace has his back no matter what — and he'll win almost every time.

you mess with deuce, you mess with ace, which is already bad enough. but if you fuck around with ace, you better be prepared to find out with deuce.

they're a pair — that's always been true. but never before has that fact been so threatening.

jack howl comes next. we all know how much jack despises octavinelle's business model. but, begrudgingly, he will admit there are a lot of things he can learn from octavinelle. and more knowledge is never bad. as long as he doesn't actually use it, it should be fine.

(jack is more dangerous than ace and deuce, in a way — his toxicity is insidious in a way it just couldn't ever be with them.)

with excellent hearing, eyesight, and memory, he silently keeps note of every bribe he hears being taken. every lie he knows is being told. every mistake that gets swept under the rug. it's not long before he starts actively looking for it. it's not long before jack's uncovered dirt on almost every freshmen in school. it reminds him a bit of his time working at the mostro lounge. but instead of memorizing orders from customers, he's memorizing all their dirty secrets.

it's to protect himself, jack reasons. after all, it was only his input that put a stop to leona and ruggie's plans back during the spelldrive exhibition. he's just... preparing for another disastrous event, that's all. it's just precaution. insurance.

if it's not, then he'll have to accept that leona's overblot bothered him more than he thought. that he was weak enough to let it.

(and jack can't face that yet.)

and if, once in a while, ace comes to him looking for a little bit of information, then well, that's just lending a friend some advice. nothing wrong with that.

epel, ortho, and sebek don't have any direct ties to jamil, but they are certainly... impressionable, aren't they?

sebek zigvolt is a bit dense, certainly, but even he can see how well jamil takes care of his master. and with a master that's as ditzy and forgetful and all-over-the-place as kalim, that can't be easy. even if they are merely humans, and their experiences can't even begin to compare when it comes to serving a fae prince, sebek reckons that he can learn a thing or two by observing them. so that's exactly what he does.

one day, when kalim spills food on the floor in a hilariously ridiculous move, sebek notices something few others ever would. jamil gives the tiniest twitch of annoyance — the same way silver, in all his stoicism, often does when sebek gets too loud — but then he's back to being perfectly dutiful and polite and says "i'll go get a napkin."

it's... admirable, honestly. sebek doesn't put it into practice right away, but it stays in his mind long after he first sees it.

and then, after malleus's overblot, sebek's emotions feel like they're on fire. after being stuck in a world where it took just the tiniest crack to shatter a perfect illusion, he's wary of nearly everything that disrupts his day. now every single slight against him, no matter how unintentional it may be, feels like a personal attack on his very life. but sebek can't show these ugly emotions so outwardly — that would be dishonorable behavior that could damage malleus's reputation. instead, he resorts to subtle methods that can't be easily traced back to him like putting in frogs in schoolbags and setting brooms on fire or replacing shampoo bottles with tar.

but his repressed feelings of anger start to build to the point where he's now feeling unprecedented resentment towards... well, almost everybody.

when sebek has very first negative thought about malleus in history class — "reckless bastard" — he instantly hates himself for it and throws up then and there because how dare he.

he tries to shut them out, but the more he does, the more these intrusive thoughts start to bombard him with their uncharacteristic cynicism.

he looks at lilia from across the breakfast table, and his first thought is: heartless liar.

he spots leona lying in the botanical garden and he thinks: brainless cretin.

he even sees jamil, walking through the halls, and his mind screams: manipulative bitch.

but sebek shoves it all down because he's in no position to say that. it gets to the point where he's walking around as a silent, unfeeling husk, because to be anything else would be like inviting his inner demons to visit him on the outside. he pushes his emotions down as far as they'll go, and that's just going to have to be enough to get him through the day.

ortho shroud begins to follow a similar principle. his idia-inspired pessimism has led ortho to see others as less like people and more like characters. it's easier to think of every school day as a dungeon in an rpg. it's easier to convince himself that the other students are taunting him because they're programmed to be that way than face the reality that they just don't like him.

but the problem with seeing life as a video game is that you start seeing others as just ways to complete your objectives. like npcs or maps.

and when it comes to using people, jamil viper is king. or, for ortho's purposes, the ultimate survival guide.

ortho shapes himself into a model night raven college student — kind, charming, and sweet for the teachers, but just mischievous and rude enough to still fit in with the students.

he goes to housewarden meetings with idia to "gain leadership experience", taking notes and hearing out of every single little idea he can get his hands on (these are the people who have not just survived, but thrived. they must be doing something right). one time, riddle even pats his head and praises him for his proactiveness.

his classmates adore him for always been willing to help and being so calm about even the worst outcomes.

ortho makes himself as available as possible to the rest of ignihyde, brushing off homework or studying to help them with whatever they need — fixing game consoles, wiring in controllers, checking the internet connection, et cetera.

eventually, everyone believes in him almost as fiercely as scarabia believed in jamil, once upon a time.

ortho doesn't like telling all of these lies, but it's necessary to protect himself. it's like grinding to earn coins until you have enough money to buy that special armor in the shopkeeper's store.

...or maybe it's more like those cheesy dress-up flash games ortho used to play all the time — fleshing out the perfect outfit and hairstyle and makeup that'll earn you the most points.

if people feel like they need him, he'll be able to breeze through school without any more problems. he's put the whole system on easy mode! it feels a bit like cheating, almost.

it is like a game, isn't it? it's fun.

(at some point, ortho forgets how to stop.)

as for epel... well, he knows that his sudden snappish behavior towards the other pomefiore students won't go unnoticed for too long. but this is one of his only ways of venting, so he needs it to go under the radar long enough for him to... to squeeze out all of this sudden venom that's built up in him.

epel's not oblivious. he knows how sebek and ortho have changed over the weeks, and he knows why. but epel can't pull off "repressed" like sebek, and neither can he suddenly turn into the best person ever like ortho. but they do have the right idea about taking inspiration from jamil, so epel can fall back on what there is left: gaslighting.

every time kalim blacked out, jamil blamed it on him being sick. every time someone thought kalim was being awfully uncharacteristic, jamil called it a "mood swing". every time someone asked jamil about why kalim was acting so weird, jamil claimed ignorance.

at least, that's what yuu tells epel.

and it's perfect.

so now, every time someone confronts epel about his overly critical behavior, he lies and says he's doing it for their own good. you need pressure to make a diamond, after all. and besides — vil won't settle for anything less than absolutely perfect.

("i'm just trying to catch your mistakes before he does. and i think you and i can both agree that i'm a lot nicer than he is about it.")

every time vil confronts epel about all of the complaints he's been hearing from the other students about how epel's been tearing down their ideas for outfits and hairstyles with no mercy, and disregarding all of their achievements as "not good enough" to be proud over, epel dons a confused face.

("vil, between studying for tests and the crazy physical regiment you have me do, i barely have time for myself. you honestly think i have the energy to criticize other people?")

epel even starts turning people against each other so they won't focus on him. epel subtly threatens to take away the upperclassmen's position in the hierarchy, which sets up the other underclassmen as a threat, and epel grouses to the underclassmen that the upperclassmen look down on them for not living up to pomefiore standards, under the guise of regular teenage bitching.

but all of this, combined with their self-entitlement, leads to a mini-war in pomefiore. but since this is, well, pomefiore, where being perfect and poised is the standard, the others make sure never make it obvious in front of vil or rook.

epel plays everybody like a fiddle, and ensures that none of it can be traced back to him. it's a good way to get out his frustration. and hey — it seems like everybody's upped their game along the way. vil seems pretty happy that everybody's improving in their efforts so greatly, practically overnight!

epel wakes up with a feeling of accomplishment everyday. for once, it seems he did something right.

now if only rook could stop looking so somber...

then we come to yuu, whose inner darkness has been left to fester all year. if people think they can treat them like a ragdoll, it's only fair they do the same.

there's a lot yuu doesn't have, but one thing they're really lacking is a bit of respect. that's what it means to be magicless in an arcane academy. you're at the bottom of the food chain.

and look at what a bit of self-interest can do for you! yuu studies in the library until late into the night, burning the metaphorical candle at both ends, learning everything they can about magic until they're more well-versed in it than most students in the school. yuu starts making potions that aren't nearly as good as azul's, but they're cheap and work well enough. they start making study guides for others with their new-found knowledge, even if they do bristle with the fact that a damned study guide is what caught them in azul's tentacles in the first place. they start learning anything and everything, clinging to whatever scraps of knowledge they can write down.

with this, they successfully make their case for why they should join ace and deuce's business. eventually, they're just as feared as they are among the other first-years.

but that's not enough for yuu. the power of fear is nice, but the power of controlling other people would be much more cathartic.

so that's what they do. while ace is more focused on monetary gain, yuu uses their mountains of blackmail to convince others to do whatever they want.

if crowley throws another ridiculous task at them, yuu simply hoists it off to somebody else to do. if ramshackle dorm needs a few repairs, it's only a matter of contacting a few people before a whole construction crew paid off by somebody else comes knocking at their door. and they'll do it, if they don't want to get kicked out of the school or have their reputation ruined.

but somehow, even with all of this, yuu sets themself up as the nicest out of their little trio. they're willing to let payments slide from time to time. they listen to their clients' problems. they take constructive criticism and always seem to improve in their potions and study guides based on feedback. and if you do do yuu a favor, they'll give you certain favors right back.

so even when yuu is a covetous, greedy, all-consuming shark, the students still think they're so very, very nice. because compared to ace and deuce, what else is there to think?

but this can only go on for so long. and yuu knows that.

one day, they get called to the headmage's office. yuu is already going through their contact list — a list that's quadrupled ever since they joined forces with ace and deuce — to see who'd be willing to do them a teensy little favor for them, but when they step through the door, they pause.

inside the office are all the housewardens, their vices, the teachers, and everybody else yuu has grown to know over the past year.

yuu narrows their eyes as riddle steps forward.

"yuu," riddle starts sternly, "from one housewarden to another, i believe we need to talk."

^

(i will address everyone's reactions in a reblog, because this is honestly getting really, really long, lol. but don't worry, the reactions are coming! 🥺)

(but i should mention that there is already a good reblog of the original post by @thenumberhuntress which addresses the upperclassmen's reactions that you can find here. go read it. it's peak.)

(once again, thank you for the great ask! this was fun to make!)

[ghost-proofbaby]

Something my family always did was qe would open presents very carefully because we had to reuse wrapping paper (we were poor) and reuse bows. We didn't get much st Christmas but it always meant something to me as a kid. There were times my parents got nothing just so me and my sister could have something.

I can see Eddie being raised the same by Wayne

i absolutely agree with this. it was harder in my household since we always bought such cheap paper that ripped if we even breathed on it, but bows? always reuse. name tags? save them. any sort of gift bags? don't even think about throwing those away.

and i just... it's nice to think about Eddie being raised that way as well? like a sense of comfort in knowing he wouldn't give us a weird glance when we still do it, even if now we're not in the same position of necessity.

also, i can so clearly picture the first christmas where wayne does this, only his second christmas with eddie. and he's just downright scared. which is weird, because why is the weight in his chest turning so heavy at the thought of letting his nephew down? just this thirteen year old boy who's gone through hell, whose standards might just be six feet under. but it's all he can think about, all he can worry about, as he's wrapping up that damn guitar so carefully. eddie's only gift that year - the only item he'd even brought up in the last six months. and wayne had spent his entire check on it, no room left for frivolous wrapping or shiny new bows. wayne is reusing last year's paper, using an insane amount of tape he'd borrowed from a neighbor to patch up any and all tears his shaking hands make in his rush to wrap the guitar in time.

and you know what? eddie would notice.

make a small comment, saying "is this last year's paper?". and i can feel wayne's heart dropping as he waits for eddie to be upset but then the boy does this easy thing, something wayne watches him do many more times over the years, where he turns it into something positive.

"sick," he'd say, with a toothy grin and buzzed head, eyes genuinely shining as he looks up at wayne, "this paper is sick. i'm so glad you found it again this year."

wayne doesn't have to tell him to carefully unwrap the gift. because eddie wasn't stupid at thirteen, and he knew had to still his shaking hands just long enough to not leave a single extra tear in that paper, just in case wayne needs it next year. he doesn't mind - he's just glad to be celebrating the holidays again with someone who cares.

but it's all over when eddie sees that guitar. wayne expected shrieking or yelping or just... he doesn't really know, just anything. but all he sees is some kid with hair that's a little bit longer this year, shoulders a little less slumped, and tears pouring down.

"son-" he'd start, not even sure how to comfort the boy but needing to.

eddie does the last thing wayne had expected. the boy had been distant since showing up at the trailer, keeping to himself quite a bit, flinching away from touch. but for the first time in over a year, eddie doesn't flinch away.

he launches himself at wayne.

hugs him through his tears, just babbling out his thanks on repeat. they both agree to never talk about it again after the tears dry, and wayne even sheds a few of his own. but something melts that night for them - jokes happen easier, awkward side hugs and messing of eddie's blooming curls as wayne leaves for his shifts are more frequent. every damn day he hears him playing on that damn guitar, even without an amp. the next christmas wayne gets him the amp, another lonely present, wrapped in the same paper (probably for the final time -- it's seen far better days and he's pretty sure eddie could see the gift through one of the torn corners two days before christmas even came) and eddie once again makes a comment about how lucky it is wayne can still find that paper in stores. they both know the truth, and neither really care.

eddie keeps that guitar for the rest of his days, adorned with the nickname of Sweetheart. and they keep reusing paper, both knowing it was more than some bit but deciding to make jokes all the same as if they were actively choosing to do so. it makes it all a bit easier.

eddie doesn't care if wayne never has another dime to spend on another present for him, or can ever wrap another gift. he'll take his damn christmas presents in paper bags if it came down to it, cause the love is there, and god, he had missed that.

[thecoffeelorian]

The Anomaly Series, Chapter 3: The Quest (Jod Na Nawood x Reader)

A/N: ...Yes, this story is now, OFFICIALLY, canon divergent. Ya know, because I don't condone/endorse violence against children, and any other disclaimers I need to put here.

Also, there are three literal episodes left, so pardon me if I'm still holding out for Jod and Neel eventually twinning in their clothing choices in canon. 'Nuff said.

Chapter Title: The Quest

Genre: Drama/Romance; Slow Burn; Obvious Canon Divergence.

Word Count: 1,698 words

AO3: Click Here!

Special Notes: As I'm not yet sure how I even begin to breach the topic of child abuse here...let's just do the safe thing and label this as 'Spoilers up to Episode 4'. Thank you.

No Pressure Tags:

@chenoa-devyn-blog @not-approvedtrash @lulalovez @deepestballoonllama-fandoms @papa-poutine

@xbeyondthegatex @bridge-always @loverdjudeforever @kucharka23 @khaleesihavilliard

@xitlalli2001 @braveincafleet @amawu23 @gun-roswell @bruceewayne

@shirley-girly @cloudofpinkicecream @lokigirlszendaya @valdasha @aemondvelaryon

@carry-on-wayward-daughter @pantasticalcat @robin-hyperfixates @down-down-by-the-river @sydneyann623

@brookeandherfandoms @kazunish @redermraven @ladyofthelakee @nightlordsvengence

@tarboo13 and anybody else who wonders what romance would look like for this hot mess of a man. :D

I’m a person who needs your help…

As of ten seconds ago, every other thought that had once been safe inside your mind feels as though they’ve all flown away, and so not left much else behind them save for one of the few thoughts that remains.

You’re officially involved.

There’s no other way around it now, because you’re feeling it too deep in your consciousness to turn back. You’re involved in this stranger’s case, and it’s going to take nothing less than a little Reclamation of your own to knock you off this path, and—despite all of your previous attempts to calm down, there’s some of the old adrenaline starting to course back into your body.

My help…? What kind of help do you need?

This rush makes you just a tiny bit lightheaded as you wait for Jack’s response, not knowing if he’s about to try and sweet-talk you into arranging a jailbreak or not. That was THE one thing that the Reclamation Committee had been worried about, and so, even if he let loose with a mountain of ‘Sweethearts’, odds already were that you would have to turn him down due to your ingrained obedience to the Law.

The same Law that, unfortunately, has spirited him out of your reach and out of your sight.

Something that I doubt my jailers want anything to do with.

And why is that?

They’re the ones who just robbed me.

Not that you’ll necessarily have to, maybe, because he hasn’t brought it up yet…but then again, he could always try to trick you up by slipping some kind of missing key or lockpick into the mix. Judging by how the security droids were more than happy to keep their weapons trained upon him, anything is possible here.

I’m sorry.

No need to apologize to me, sweetheart. You’re not the one who did this.

But I am the one you want to help fix it...right?

That depends. How good are you at finding lost things?

That’s one thought you have to keep fresh and safe inside your mind no matter what, along with eventually refusing him in that sense if it should happen.

In the meantime, though, you’re adding a second page to this new file of yours, as you have a slight feeling that you might certainly need it later.

Well…I once found my best friend’s missing keychain back in school.

That must have been a while ago, though. What about recently?

That depends on where you’re going with this. What’s so important that you need my assistance?

Fine. They took all my belongings away before they locked me up. Happy now?

Another thought that you’re unfortunately blessed with, though, is the image of Crimson Jack being attacked by two prison droids. The first never thinks twice about administering a few short electric shocks; the second strips him clean of any and all weapons or tools; and then finally, both of them turn and tilt their heads to each other in a gesture of smug triumph.

More like slightly flustered, but thank you—

—‘Flustered’?

It’s what happens when a person’s annoyed, confused, or both. Continue.

All right…

This is one thought you don’t want to fixate on too strongly, because you already have a feeling that you might end up worrying yourself sick if you don’t pull yourself together first. No, it’ll be better for the both of you if you have work like this to focus on instead, and for this reason, you add a third page.

…First item, a blaster pistol of my own making, about twenty-five years old with a slim wooden handle. Second item—

—Wait, what’s a blaster?

You’ve never seen a blaster before?

I’ve never seen a war before. Care to describe it?

There’s a small pause between writing, almost as though he’s stopping to think or else let out a sigh of frustration—then your next set of directions comes.

All right, look. I don’t want to take all day, and I’m guessing you have plans, so let’s keep it simple. Put your hand flat out in front of you.

As for you, you’re left raising both eyebrows before doing as you’re asked, though not without feeling just a little bit silly.

Now, take the last two fingers on whatever hand you’ve picked, and curl them in towards you.

Another curious direction, to be sure…yet you obey that one as well.

And finally, once you’re ready, raise your remaining three fingers up and act like you’re shooting the wall.

Once you’ve fully caught on to this particular mental image, however, that’s when you almost drop your writing equipment out of shock.

…Heck.

Nasty thing, isn’t it?

Wow, you think?!

Try spending twenty years with one of those aimed at you, and you’ll get what war is.

Whatever you say, CJ…

You let out an annoyed huff of your own before adding a fourth page to your document, somewhat feeling as though you might cut this conversation off if it gets too—well, wild. As someone who still knows precious little about the one you’re writing to, you certainly count this idea as a possibility.

…Any other weapons I need to know about?

‘CJ’?

Those are your initials, silly. Think of it like a nickname if that’s easier.

Hm…

Another small pause. He seems to be taking his time figuring out what to make of you as well, or so the slow pacing of this ‘meeting’ suggests to you.

…Anyways. As I was saying, second item, fairly unused Lightsaber as I prefer the blaster.

I suppose that's like a knife?

If you want to make comparisons, yes. It's got a thin, metallic hilt and so far, it's powered by a green colored stone somewhere in there.

Right...thin hilt, green stone. What else?

Brown jacket with gray stripes on the sleeves and collar. That’s the third item I’m missing.

And the fourth?

It’s sewn inside the third. In fact, if you have a chance, I’d prefer to recover both of them before we find the others.

So it’s all a big mystery for you to solve, then. Some off-the-wall version of the Great Party Icebreaker to endear you to The New Guy In The Office, provided as always that you don’t end up contracting Foot-In-Your-Mouth Disease.

Ah, well...your nights at home, totally alone, were getting a little boring anyway.

Very good...so you’re in a holding cell right now, I assume?

Obviously.

What are you being charged with?

A fifth page. Gods, this file’s getting a little big, or so you’re all too happy to tell yourself as nobody else can see the awkward look on your face right now.

Nobody’s bothered to tell me.

Have you been provided any legal counsel?

What’s that?

And yet, as awkward as all of this feels, you’ve definitely got your work cut out for you. Work that involves making sure that any possible trial moves forward without a hitch, because with a suspect as high-profile as this one, there’s no way anybody will want to risk the case being thrown out.

A pity they don’t make Lawyer Droids for this exact purpose.

Nevertheless, with the three words ‘MUST. FIND. LEGAL COUNSEL.’ written on the imaginary wall in your mind, you’re still pushing yourself onward just a bit further, as you’re more or less feeling that you’re too far in to turn back now.

Okay...just a few more things before we wrap things up here.

Go on.

Firstly...why me? And—and what was it that happened out there on the landing pad?

A third pause. He’s either taking his time finding the right words to answer you with, or else to cook up a pretty plausible lie with which to keep you occupied. Strange how the one seems so much like the other, at least at this moment in time.

I...don’t really know for sure.

‘Don’t know’? You don’t know if you have some special talent, or you don’t know why your special talent reacted the way it did?

Both. Neither. It’s as crazy to me as it is to you.

Fine…

You’ll be sure to find out what’s really taking place here, though, if there’s any way to get in touch with the people—or droids—who took him into custody. You might also try poking around the local library later this week, if there’s any chance at all that there might be some hint of your new life situation to read up on.

As for how the little crew he traveled with might figure into this, a fact that you’re far too keen to forget about even as you add a sixth page to this file—

And the last thing you wanted to ask me?

Simple…do your traveling companions know where you are?

—You’re working on it. Maybe you’ll have to get parental consent before questioning them. Maybe they’ll instead show up on your doorstep one day, hands full of dataries and voices full of pleading, totally ready to cooperate and compensate you for your time in one go. Either way, they’re witnesses.

When it comes to whether or not Crimson Jack himself will help his case or harm it, well...that concept just isn’t as clear. In fact, he very nearly confuses you with no pauses, awkward silences, or hesitations of any kind.

Just a slowly written No, almost as though just thinking about this part is too painful.

As for you, you can still remember how scared those kids were at the mere thought of him being harmed by the security droids...so it’s more than just a little bit understandable. Whatever else happened up there, whatever blaster fights, lightsaber duels, or anything else that this group saw...they must have had some time to bond.

But you’d like to see them, right?

YES.

Good. I won’t waste any time if I can help it, but I will need you to give me something in return first.

And that is…?

Your true name.

And if you have any grasp upon this stranger’s character, which you hope very much that you do—that bond just might be the key to saving old Crimson Jack’s life.

TO BE CONTINUED

[dumbassdep]

Joseph having a really good time with his siblings in the Collapse DLC.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[dreamyintersexouppy]

idk i do like hearing peoples perspectives and arguments about transfeminism, but i believe what i believe about it because the arguments for it are effective and the evidence we have supports their conclusions. yea they also help me conceptualize events in my life through a transfeminist lens but that is what theoretical frameworks are For, they begin with the evidence and describe the experience.

i think semantic arguments and talk of empty unity and dismissing through sexualization are just as much tactics of argumentation and to me they're are highly ineffective in doing anything but making the people using them look good to an uninformed observer. its the reason we say a lot that some people here have a "vibes based politics" because it's clear from their arguments and rhetoric that they think of these arguments as a way to display an image rather than to actually have a discussion.

thats why im pissy and get upset and block people, they're just wasting peoples time for their own egos rather engaging with any of these concepts or acknowledging that what they know might not be totalizing. the desperation to have a perfect unsullied and intelligent image is why posts like mine pointing out a subtle dogwhistle will get backlash that amounts to telling me i'm making it up. i am communicating to them that there is a piece of knowledge that they might not have considered or even known is offensive to them so they reach for reactionary defenses instead of treating the trans woman in front of them like a person

[uncanny-tranny]

I promise you can speak about and denounce undesirable behaviour without attributing it to some in-born, immutable, unchanging trait that you must "civilize" away.

In this specific instance that inspired this, you really don't need to attribute bad behaviour that's done by a man with unchanging character traits. This isn't even solely about men, because doing this affects everyone, men included.

"Men needed to be civilized out of behaving this way!" Who are you expecting to be doing the civilizing and why? This is just defending the idea that women are responsible for training up men - the millenia-old idea that a man's failings are actually a woman's fault, not his.

As a man, I am responsible for my actions. You don't need to dehumanize me in order to preserve your misogyny and your need to hate a group of men. Don't get me wrong, this rhetoric absolutely is not good for men to face. It especially targets men who have experiences with marginalized identities. If you're on my page, you know that this is something I deal with personally, have personal stakes in that affect my life daily. I just also think we really need to remember that this issue exists in a context where women and other folks will inevitably be punished as a direct result of these ideas as well.

I need to make that last part emphatically clear: even if this rhetoric (somehow) only hurt men, it would still be wrong. It would still be wrong! I want to - as a man - remind people (especially those who already have decided to dehumanize entire groups of people) that nobody is safe from being exempt from punishment due to this rhetoric.

[g0nta-g0kuhara]

I was just gonna put this in the tags of the last reblog, but it got a bit away from me. For context, the original post was talking about Shuichi, Kaede, and Kiibo as protags and how Shuichi and Kaede didn't fit into the same role as protags as Hajime or Makoto did. Their character conflicts are more like those of ultimate side characters from previous games rather than a fish out of water everyman like Hajime, Makoto, or Kiibo. Now on to my ramble:

I think that it's extremely cool we get to play as "side characters" in V3. I think it was a really nice change of pace. Makoto and Hajime are fun, but small fish in a big pond type protags who neutrally engage with almost everyone have a kind of personality that hinders their role as characters in the story, and kind of weakens the story through their eyes as a whole. I Get the narrative purpose, especially for THH. It makes it easier to introduce the rules of the world to someone less fully consumed by it, and accentuates the weirdness of all the other ultimates in comparison.

But honestly, I found that Shuichi and Kaede being ultimates with stronger opinions and biases to the world around them gave them much more satisfying arcs, personally. They form specific bonds with many of the other characters, both good and bad ones, and those specific bonds influence their arcs and the plot as a whole.

The downside of a protag like this is that unfortunately, it means not all characters are going to feel equally close to the protag, since the narrative is now focusing on certain characters especially as their friends or enemies. This can feel a bit weird if you, the player, don't end up liking said friends, or really adore their enemies. It could also be argued that this could give certain characters an unfairly lesser role in the story as a whole, but I didn't really feel like that was the case in V3.

The upside of a protag like this for a game series like DR is that often times, I feel like when almost all characters get an equal spotlight in interacting with the protag, they can end up feeling a little flat or ironically distant. Their relationship and character status quo can't be changed too much lest the protag have complicated or different feelings about them, which might divorce our player stand-in from the player themselves who likes said character. And you also can't let one character become much closer than the other, lessening the bond you the player might have with a different character.

Major exceptions to this are characters like Kyoko and Nagito. They get a lot of focus, have a complicated arc, and their relationship with their respective protags is pretty in depth and round. But that's just one special character in each game out of 15 others.

There's only a few other characters that stand out to me as exceptions to this- like Byakuya, or Fuyuhiko. But for them, their character arcs feel to me more like they happen Around the protag than with them. This might be due to the relatable protag's role as a neutral observer, existing to accentuate the weirdness of the others and act as the player's stand in to interact with these characters.

This isn't to say Makoto and Hajime Don't have arcs or Aren't good characters- that's not true at all!! Actually, Hajime's character arc is one of the best and most poignant in the series. And in his case, his normalness is an important part of that. But in general, I feel like in DR, a protag whose main role isn't to act as the player stand in, but rather as a character in the story with distinct alliances, creates a more interesting space for stronger characters that impact the plot as a whole.

[nannichuan]

I started this sketch the other night too and just finished cleaning it up. No real story or thought behind it!

[sol-flo]

weezing/arbok stall deck is a beautiful name for a baby girl

[empty-blog-for-lurking]

My vld time travel au is really just- Beautiful morally grey women, who have close but concerning platonic relationship with Lance, and want Lotor dead/trying to violently murder him, not out of malice or vengeance or anything personal but simply because of pragmatic "it's for the greater good" reasons and they are sorta?? Right about it

[morningmask27]

Tonight, right now, not even ten minutes ago, might have been the closest I got to an outright hatecrime

[the-spoingus-show]

my current project: jump forever!

this is the first of those scheduled posts i mentioned earlier!!! i figured i would start by talking about my current project - that way i can start posting updates about it without confusing you, Michael. The next post is gonna be about the beginning of this whole Godot thing i've been on, and then i'm thinking about maybe doing a Before Godot post as a bonus once i've talked about all my godot stuff (i love saying this as if anybody cares (besides you, Michael)). setting all that aside, though: this one's gonna need some backstory, so you should buckle in.

around this time last year, me and my little cousin (he's still in high school, but we've always been pretty close) got really competitive about a little game called Jump Forever. it's a side minigame from WarioWare Mega Microgames (the GBA one) where you just jump over a little rope until you fuck up. it's really fucking fun as an addictive little mobile game, and with a quick lil emulator it was one. thus, the addiction began.

truth be told, the phase last year didn't even last that long, but i had a long bus ride a couple of weeks ago and found myself opening the GBA emulator on my phone to pass the time. that led to a little bit of playing at home, which led to beating my cousin's score, which led to getting even more into the game than i was before. as our scores get higher, we've turned to better controllers than a phone touch screen for serious record attempts - i use a ds lite i had lying around (that i reshelled! it was very fun) and he emulates on pc with a controller (i think). this got me thinking about a potential "definitive edition" of the game - probably still on mobile, but with controller support, better touch controls (the game only needs <-, ->, and A!), faster resets, selectable skins, and maybe even unlockable skins? of course, when i finished my work on fnaf (ooh foreshadowing), my sights were immediately set on a Jump Forever remake.

with all that said, welcome to the game as it currently stands! at the moment, i've got wario, the rope swingers, and the score all just about set up, with one exception; the characters have collision, the rope swings (at varying speeds, even!), and wario's speed and physics feel very accurate - but i'm still working on the ai (if you can call it that) of the rope guys as they walk back and forth. i want it to work exactly the same way as it does in the original but i always overthink random mechanics like this. hopefully the next update i give will be about how i cracked it! even if the implementation ends up jank, though, it wouldn't be the first: the rope guys check if wario is too close to them to make it over the rope with an Area2D that just checks for wario when the rope hits the ground. it works! i could just like check wario's position in the code (and it'd probably be way more efficient), but this way just... works.

i still have a buncha crap i still gotta implement before the game's even really playable - the walking ai, the title screen, the little "Ready?" animation, etc. - but that's only the beginning of my work. firstly, i'm probably gonna enlist chloe (oooh foreshadowing) to help me out by drawing some new assets (if she's free, it is finals season), and then changing the game's native resolution from 240x160 (the GBA screen) to something not fucking insane. i've got "reworking all the sprites into easy to read spritesheets" on my to-do list, and after that, making the new assets (and then maybe the skins?) will be as easy as drag & drop. once it's got the new assets and all the polish that needs to come with a shiny new resolution, i'm gonna transition into the next phase - researching how to release a game!!!

[hi, not to ruin my own amazing transition but: it's 5am and i'm running back to edit this because i completely forgot to mention that i have currently implemented a 2 frame input delay on all inputs, because that's how the emulator appears to behave when i go frame by frame. every single day i rethink this decision more and more. surely there's no way that's how it's supposed to be, right? but i feel so weird changing it now!!! i definitely fucking have to though. next time i work on it. ok anyways]

now. i've posted games to itch.io before. but even then, i kind of fucked it up (i could never get the resolution of my web games to work right???) - so it's no surprise i've always been completely daunted by the idea of "releasing a game". when you post it on real stores, that's when it becomes... real. i'm excited about the new challenges it'll pose, though! now, a mobile release means a couple of things - bite sized fun, simple progression, and fun customization. i've already got the first part nailed down, and i figured i could nail the other 2 at once with a currency system based on how many points you get (or maybe even an xp system? that goes up 1 for each jump? maybe even both???) and skins (purchasable with said currency) that let you customize the player, rope swingers, background, and maybe even the rope itself.

pictured above is my stupid ass skins mockup (i literally just made this). the rope is rainbow, the background has a snow effect and a bunch of snow on the trees/ground (isn't it great?), wario is a lil version of the rope guys, and the rope guys have santa hats. i'm not sure how many different ropes you could really make with how i'm planning the rope to move, so i'll probably end up prototyping the graphics with chloe to figure out how to lay out the sprite sheets, and if they should actually have a seperate hand-grabbing-the-rope sprite for skin purposes. it'll definitely make things really confusing, but if i go for a mobile release i don't want to run ads, and so a currency you can buy with real money (and maybe one or two goofy supporter skins that cost real money, like a solid gold guy or something, as a form of donation) is a good way to make a lil bit of money from people who like the game.

all of this is fun to think about, but it's important to remember that the next thing i have to do is that walking ai. i've gotta Make The Fucking Game before i can do all this crazy other bullshit. i'm sure the ui design for all this is gonna be soooo fun, but i need a game to attach it to first :p

this went on reeeally long but i figure if this is a dev diary or w/e it's gonna end up running long no matter what, and the more info, the more i have to look back on fondly and say "oh shit, i know exactly when this was!", which is kind of the end goal of the project. of course, these incredibly long posts about shit that only matters to me are also incredible content for you, Michael, so i'm sure you're just eating this shit up. enjoy, you weird little man.

[giantkillerjack]

Ya know. I spent most of my life with horrible painful soul-crushing social anxiety.

And after about 25 years of continuous hard work, suddenly, people started pointing out - to my utter bafflement - that I had, in fact, achieved my lifelong dream of being charismatic. I'm 29 now; I feel comfortable in most social situations, and it is a very rare person whom I cannot make laugh.

I am, undoubtedly, finally, charismatic.

But do you know what I found?

I found that now that I have an understanding of which social rules serve which functions -- Now that I have an understanding of just how much damage my awkwardness was doing to people, well,

I found that, actually, my awkwardness never really hurt anyone at all. People were just judgmental dicks to me about it.

Now that I have the skill-level to (most of the time) creatively vocalize what is in my head as soon as I think it and without fear, I can confirm once and for all what I had always suspected:

I was worth talking to when I was quiet.

I was worth talking to when I was awkward, and when the words in my head took time and patience to hear, and when most of my jokes didn't land. I was worth talking to the whole time.

So I just... I hope that if you've ever wondered whether you are worth communicating with, the answer is yes. Absolutely yes. Each of us has a soul worth sharing - and if you and I were talking, I would happily wait for you to speak (or communicate in other ways) without condescending, and I would never shame you for that harmless awkwardness that so many people feel the need to violently stomp out.

You are worth talking to. You just are. And you deserve people who will speak to you with kindness, with patience, and with the basic immutable respect owed to all people.

(I talk about this with some frequency, both on tumblr and in real life. At some point, maybe I'll gather all my thoughts on the matter into one post. At some point, I wrote about my personal experience trying to build my social skill. But I felt the need to say at least a little bit tonight after seeing this other lovely post, and I'm glad I did. It will happen again.)

[lesbianfrottage]

Okay but I need to be someone's beloved wifepet and belong to them completely and be able to pour my whole energy into just loving them. When will it be my turn!