#i don't play but she does

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[thoughts-reasons]

Djoker

[celtrist]

Let's make our own fate

Needed practice with Alastor's colors before going at it with the wip piece I have (which ironically enough is another red string of fate piece). But while I do oh so enjoy Alastor being an independent mammal who doesn't need no mate, I 100% still have fun shipping with him myself from time to time. And this ship is probably my favorite with him (and y'know what, you can take this as a QPR thing or romance thing, why not?)! And, might I add, severely underrated when it has elements of radiobelle, radioapple, and radiostatic (in terms of colors at least) wrapped up together- HOW ARE PEOPLE SLEEPING ON THIS SHIP HELLO???

Joking aside, Emily and Alastor are in a weird place for me where I like them in this ship dynamic (QPR or romantic), but I also like them in a dynamic similar to what Alastor and Charlie have if you're going the mentor-protege route or parent-child route. Which is a very strange to like those two very opposing dynamics (primarily the lovey dovey and parent-child aspects because y'know... )

I don't imagine these two will really interact much in canon, but I really would love to see how their interactions would go down and if they'd be at all different from how Charlie and Alastor interact (seeing as Emily and Charlie are a wee bit similar y'know?)

[ash-and-starlight]

modern au and esen’s honkers are haunting the instagram feed

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[prismaticsaltedink]

Scoria and Sakura are best friends! It's so cute when I see the things they do together, and it makes me so beyond happy that they both came to live with me so that they could share their lives with each other. They absolutely insist on it, and does so much good for the other.

I can't imagine how else they could have found happiness if things hadn't worked out exactly as they did. Scoria has basically been Sakura's "emotional support snake" while she worked through things from her past I'll never fully know that caused her a lot of issues with panic and fear. Sakura knows this too, and looks out for her sister, the only one she truly trusts and feels completely safe with.

The moment they wake up they both want each other to snuggle and play with. Scoria loves to be affectionate with both me and her sister who seems to have not had this earlier in her life- but Scoria is showing her how nice it is not only directly but demonstrating with me and Sakura also trying, copying what she has seen her sister do.

Sometimes when one goes to check on the other they'll join in on... I'm not even sure what they were doing. But they had a good time while taking a mandated union break from digging tunnels for the isopods.

So happy I get to share in the adventures of these two best friends! It makes me so happy to see them living their best lives together, and being beyond content snuggled together with their found family.

[fallinglikemagic]

Unfortunately, the real world isn't the same as a fairytale.

Well, that's why we're here! To make it better.

But...life isn't like a fairytale...

That's right! It's up to you to make things better...

Isn't it?

[cartoonybus]

i hope in the revival we get a couple of sibling moments between candace and ferb

[iztarshi]

I'm not sure it makes it better, exactly, given the tropes and also given the screentime her ghost gets, but in a way I think Sky Young's insignificance to the plot is the point. It's not just that she doesn't matter to the viewer it's that she doesn't really matter to Viktor.

We see that he met her at least once as a child, but it doesn't seem as if they formed a connection then, and if anything it's the formative experience where Viktor learns that other children don't connect to him. That he's beneath their notice. We never see any sign that he remembers or is aware that it was her later.

Once she's working for him we mostly see Viktor dismissing her, focused on other things, treating her like an assistant. It's only once she dies that he really notices her. Reading her notes he's devastated to discover the dreams she had and how much she cared about him, when he scatters her ashes he tries to apologise to her for not knowing where she'd want them scattered. I think it's only then he realises how much he's changed to think anyone is beneath his notice.

As a ghost she doesn't have much personality because it's not her, it's Viktor holding onto a memory of someone he didn't actually know as if he can make up for not knowing her after the fact.

[mamawasatesttube]

every time i remember how bendis completely destroyed the kon & clark bond i want to start biting and maiming. literally what is the point of it all!!!! just kill kon again im begging!! it'll be funny when the second time around comparatively nobody gives a shit fdklsjdjkd

[glimblshanks]

Mariner's story line this episode being about her seeking out domesticity and community was fascinating to me. Especially considering she starts the episode by complaining that she'd rather go to a (presumably fairly regular) Taquito Night with her shipmates than go on an undercover mission that's objectively pretty exciting and unusual compared to what the Cerritos normally does.

I've said before that Mariner gives "homebody who's idea of home just happens to be high energy space adventure", but damn this episode really leaned into that in ways previous episodes haven't.

[mohntilyet]

let me be clear i like veilguard but it does suck that no one disapproves anymore outside of like. three choices. i want to be fighting for my life earning approval back again someone has GOT to hate my ass. i should be careful about party composition and companion reactions again. i miss tactically taking fenris out of the party before i'm nice to merrill like those were the days

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[battertv]

absolutely adore how well re4 remake handled ashley graham. she went from this really flat character that is honestly really annoying at times and couldn't defend herself AT ALL to a character full of personality who can't fully defend herself but she TRIES & she's absolutely lovely. fuck yeah. need more remasters like this.

[poorly-drawn-mdzs]

Leave wildlife alone. He probably bites.

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