#i don't know if i like it or not. i tend not to sketch with hard inky brushes but.

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[morlock-holmes]

I will also say, the vagueness of the term "AI Art" is, at this point, becoming actively misleading.

There's a sort of impression given off that you just type a simple sentence into a box and a picture pops out.

One picture I rather liked in the test was this one:

I particular, I like the extremely asymmetrical composition with the one figural bit being on the far left.

But the question I have is, how was that produced?

Because there are a number of possible answers:

The text prompt might not have mentioned anything about composition, and the AI model just happened to produce something I regard as interesting;

The prompter might have specifically directed the AI through the prompt, asking for, I don't know, "A woman on the far right";

The composition might originally have looked like this:

And the artist might have used outpainting to extend the side until the composition became more interesting;

Or maybe the opposite; it was a totally abstract picture and the artist used inpainting to insert a face.

I still haven't tried MidJourney yet, but even over the last year it has become significantly easier to art direct StableDiffusion, and especially to exert direct control over certain visual aspects, e.g. you can use lineart to direct the generation process in concert with a prompt.

At some point the process can get really involved:

Test a bunch of different models to get the look you want;

Use a 3d pose software to create a pose controlNet;

Use regions to block in the basic composition;

Turn that into a sketch or lineart controlNet and use that to control a different model;

Cut and paste new objects or use an image editing program to make broad corrections to the weird details and bad anatomy AI tends to produce;

Use image to image generation and inpainting to fuse those corrections in;

Repeat this a few times;

Use traditional techniques to do things like color correction, atmospheric perspective, add some bloom to lights, whatever;

Like, at some point the human being is starting to exert significant, direct control over a lot of aspects of the final picture, but in a way where the label "AI art" is still just as applicable as if they just typed a prompt and posted whatever came out.

Any sort of conclusions about AI art, and especially the future of AI art ought to really seriously take this into consideration, but in my experience they essentially never talk about this.

I keep saying it, but "AI art getting better" is basically synonymous with "Human beings exert more direct control over the final product"

Okay, guys, after reading a post by @centrally-unplanned I just took that ACX "AI Turing Test" that Scott Alexander did, and I am screaming, as the kids used to say.

You guys are way, way overthinking this.

I thought I would do better than average, and I guess I did; excluding three pictures I had seen before, I got 31/46 correct.

Not great if you're taking the SAT, but I feel like if I could call a roulette spin correctly 2 times out of 3 I could clean up in Vegas.

So, what is the secret of my amazing, D+ performance?

You have to look at the use of color and composition as tools to draw the eye to points of interest.

AI is really bad at this, when left to its own devices.

For example, here:

Part of the reason to suspect that this is AI is the "AI house style" and the bad hands that I literally only noticed right this exact second as I was typing this sentence. Even if the hands were rendered correctly, I would still clock this as AI.

The focal point of this piece ought to be the face of the woman and the little dragon she is looking at (Just noticed the dragon's wings don't match up either), but take off your glasses or squint at this for a second:

Your eye is being drawn by the bright gold sparkles on the lower right side of the piece. That particular bright gold is only in that spot on the image, but there's no reason to look there, it's just an upper arm and an elbow. The bright light source highlighting the woman's horn separates it out as a point of interest.

Meanwhile, the weird aurora streaming out of the woman's face on the left side means that it is blending in with the background.

In other words, the way the image is composed, and the subject matter suggest that your eye should be drawn here:

But the use of color suggests that you should look here:

That's a senseless place to draw the eye towards! It would be a really weird mistake for a human to make! In fact, I think there's a strong argument that the really close cropped picture of the face of the character is a strong improvement. It's still not a particularly good composition, but at least the color contrast now draws the eye to the proper points.

In fact, I would say that a good reason for my performance not being even better was this alarming statement at the start of the test:

I've tried to crop some pictures of both types into unusual shapes, so it won't be as easy as "everything that's in DALL-E's default aspect ratio is AI".

Uh...

So how about this one:

This is a lot better anatomically and in terms of the use of color and light to draw the eye towards sensible parts of the painting. The lighting makes pretty good sense in terms of coming from a particular direction and it also draws the eye to effectively to the face and the outstretched hand of the figure.

It's also a really flat and meaningless composition and subject matter that no renaissance artist would have chosen. What is this angel doing, exactly? Our eye is drawn to the face and hand, and the figure is looking off towards the left side, at, uh, what exactly?

But then I thought, "Well, maybe Scott chopped out a giant chunk of the picture, and this is just a detail from, like, the lower right eighth of some giant painting with three other figures that makes total sense"

This makes sense as a piece of a larger human made artwork, but if you tell me, "Nope, that's the whole thing and this is the original, un-cropped picture" I'd go, "Oh, AI, obviously.

All of the ones I had trouble with were AI art with good composition and use of color, and human ones with bad composition and use of color. For example, this one:

This has three solid points of interest arranged in an interesting relationship with different colors to block them out. I'd say the biggest tells are that the astronauts' feet are out of frame, which is a weird choice, and looking closely now, the landscape and smoke immediately to the right of the ship don't really make sense.

But again; I had to think, "Maybe Scott just cropped it weird and they had feet in the original picture."

Here's another problem:

StableDiffusion being bad at composition is such a known problem that there are a variety of tools which a person can use to manually block out the composition. In fact, let me try something.

I popped open Krita (Which now has a StableDiffusion plugin) and after literally dozens of generations and a couple of different models I landed on ZavyChromaXL with the following prompt:

concept art of two astronauts walking towards a spaceship on an alien planet, with a giant moon in th background, artstation, classic scifi, book cover

And this was the best I could do:

Not great, but Krita has a tool that lets you break an image into regions which each have different prompts, so I quickly blocked something out:

Each of those color blobs has a different part of the prompt, so the green region has "futuristic astronauts" the blue is the spaceship, the orange is the moon, grey is the ground and pink is the sky, which gives us:

Still way too much, so we can use Krita's adaptive patch tool and AI object removal to get:

I'm not saying it's high art, or even any good, but it's better than the stuff I was getting from a pure prompt, because a human did the composition.

But it's still so dominated by AI processes that it's fair to call it "AI Art".

Which makes me wonder how many of the AI pictures I called out as human made because one of the traits I was looking for, good composition, was in fact, actually made by a human.

[kakusu-shipping]

HELLO THERE

My name is Emile, I'm a Proship selfshipper who loves drawing other people's Self Inserts above anything else and for this week and this week only I am opening $10 RUSH ORDER SKETCH COMMISSIONS!

Do you want a drawing of you and your F/O for cheap and don't mind it being a little rough? Consider DMing me and you could get something like This!

For the low low price of $10 a sketch!!!

And as a bonus!! If you end up liking your sketch and would like it lined, colored, or even fully rendered, you can DM me next week and I will happily slash the price of a full piece just for you!!!

From right this very second through Thursday night my DMs will be open to anyone interested! I only have Paypal to accept payment so please be aware of that!

Thankyou for your time!

[slingbats]

just testing a brush

[rallazart]

Ah fine I'll post somethin. Experimenting with designs and shit is all I'm doin. Nothin new.

(Not posting the colored in versions yet. These are only concept sketches. Keep that in mind)...

The digital "version" of ^this^ is just some lazy color blocking I did. (Pay no mind to the weird light effects); But it does add a little clarity to the original sketch that might be helpful. Note: the values will change to some degree later.

Full body type idea ^here^. The tail is fan shaped from proper perspective.

The basic blocks of his design include an array of different animal features i.e. plucked feathers and skin, goat horns and eyes, coyote skull and body, and lizard scales. Idk if anyone was curious though;

if anyone asks for more detail in the design inspirations and lore I might share it. I just don't really feel the need to post every part of my process yk (especially if I'm not 100% happy with it)

[tracle0]

How to give good feedback on art (from an artist)

I often see people talk about how they want to leave good comments on art, but don’t know how/don’t know what to say. As an artist, here’s what I often look for to have something to say to other people!

The composition of the art – how different elements of the piece guide your eye, how certain parts are brighter against darker backdrop/darker against a bright backdrop. What catches your attention? How have they put the piece together to make this happen?

The lighting/shading – how have they rendered the piece? Do you like how the lighting is bright, harsh lines, or how it’s gently blended in? Do the shadows add extra depth that makes the whole piece look more 3D? Did they use funky, unconventional colours to shade?

The lineart – is it smooth? Sketchy? Are the lines thick or thin? Do they use lines at all? Are they in a colour other than black? How does it add to the piece? Do they just outline a piece, or add texture with lineart as well?

The colours – have they used a pallet of complimentary colours? Do they remind you of something specific – perhaps to the fandom, or to a season, an aesthetic, etc? Do they only use one colour? Do they use unconventional colours? Do they have one pop of contrasting colours against a monochrome background?

The anatomy – do they stick to exact proportions? Do they lean towards a more cartoon sizing? Is it like Powerpuff Girls, or like Tim Burton? 90s anime, or modern day anime? Do they make things very angular, or really smooth? What about it do you like specifically?

The texture – in the frame of digital art especially, have they used a specific brush to create a certain effect? Do you like how sketchy it all looks, or how they’ve blended the colours together? Does it look like watercolours bleeding, or a stamp/print made over the entire piece? Is it all rough, or super smooth?

The details – talk about how you love the tiny pattern on a blanket, or the multiple earrings in the characters ear. Talk about how you like how they’ve done the hair, or the little glint of light against a ring. Talk about the celtic patterns in the body, or the crooked teeth in their smile. Little things that jump out to you.

How it makes you feel – anything at all, but try to explain what in the piece evokes it strongest. Are you hit with isolation by the lonely figure in a wind-swept hill? Or joy, does that bright smile make your heart swell? Try and pick something out and babble about that.

Any meaning you can pick out – a little more tricky and often quite personal, but if you can pick something out that you think you can interpret, talk about it! I don’t think people ever get offended, even if you’re wrong – it’s interesting to see how other peoples brains work, and what they take away from something you’ve made.

Anything that stands out to you as a signature of Their Art – typically for artists you’ve followed for a long time – when you look at a piece, do you think ‘oh, this is by X’. How do you know? Is it how they draw the mouths? How they shade? The anatomy? The details? The colours? The composition? The expressions? Tell them!

I try to mix and match a few of these, focusing on things specific to the piece. Talking in depth about a piece helps an artist to know you haven’t just glanced it over and gone ‘oo cool!’ and moved on. If you want Tumblr to continue having a thriving art community, it’s beneficial to engage in and spread art around, as well as letting the artist know their work was seen and appreciated. They put the work out there for you to see for free! What can take you a few minutes of your day can make their entire week. Go support your artist friends!

[artsandstoriesandstuff]

H ow does one achieve 100 attacks in one artfight year

Sincerely, someone with 21 attacks in two years 😭

I'll be honest I genuinely have no idea. XD

I'm gonna guess it's some weird combination of my art style and technique and practice, and a giant burst of motivation from starting AF maybe.

Like I said, no clue.

[darkestrellar]

See I have a problem, and the problem is that every time I draw the character the art turns out a bit different

I drew these 3 in the span of like, 15 minutes, and they're all slightly different. Whether it's the shape of the face, the way the nose is, or something about the eyes

And that's not a bad thing?? Permanency in art style is somewhat of a contrived notion

But it does mean that often I find that I want to draw something with a specific feel in mind, and I can't figure out how to do it right, and it's because of stuff like this. And so I end up drawing it and feeling like it's off and being dissatisfied and not being able to figure out why

This becomes additionally complicated when you add digital vs traditional into the mix, because my sketches also turn out different when I do them with pencil on paper vs when I use my tablet, because the tools and experience feels different. It's actually much easier for me to make sketches that I like more on paper compared to using the wacom

Anyway, I'm not sure where I'm going with this anymore... arting sure is a process

[neverendingford]

.

[cyberjam]

ATSV HEADCANON: they have a crush on you . . . ☆

warnings - none really, super fluffy and adorable :), semi-proof read so i apologize for grammatical errors if there are any! no use of name or y/n, gender-neutral reader!

word count - 2.1k

main masterlist <3

☆ . . . miles morales

I imagine you two already being well-acquainted friends with each other once he realized his feelings for you. For quite some time he had a crush on gwen but now his heart strings are pulling him towards you, so he's struggling when it comes to addressing his feelings.

If you're in the same room as Miles, he will stare. Any conversation that he was having before is long forgotten and all that's on his mind is you.

Miles doesn't need to study, he's one of the top students in school. But he continues to go on study dates with you because he likes being in your presence and sharing his headphones with you while eating yummy pastries.

He has an entire journal dedicated to you. Said journal includes: small journal entries of his day with you, little quotes of the funny/cute things you've said that stuck with him throughout the day, candid drawings of you that he created whenever you two hung out, cute sketches of you and him stargazing or slow-dancing together (and other secret drawings of him saving you as spider-man and cradling your body in his big strong arms but we won't get into that...)

Miles really can't get enough of you. He laughs extra loud at your jokes even if they aren't funny, his heartbeat quickens at the mention of your name, he'll offer you his jacket even if you don't need it, he always smiles when something reminds him of you, he'll share his headphones with you and shyly ask if you and him can make a "study playlist" (he listens to it at night while drawing you), and overall is just madly in love with you.

He wants to be with you more than anything, he's just struggling to find the right time to ask you. <3

"Hey, don't touch that! It's- No! It's not a diary, it's just...secret."

☆ . . . gwen stacy

She's pretty awkward herself. You were assigned to be partners for a project that would play a big part in your final grade, she came off slightly cold and seemed to be annoyed at your presence which made your relationship start off rocky. In reality she was just stressed, juggling her spider duties, getting kicked out of her house, and then school on top of that, it was just a lot. But when you made the effort to plan things and work around her busy schedule (that you didn't really know anything about) she started to become grateful for you.

Your parents welcomed her kindly each time she came over to study and whenever she would leave she was happy with a full belly and a sore face from smiling and laughing with you all night. The project was supposed to be done by the end of the semester but you and gwen were able to finish it the first month you got it. That didn't stop her bi-weekly visits, that then turned weekly, until she was suddenly walking home with you everyday, from and to school.

She likes to compare hands, shoes, and height just to see the difference in sizes. On walks back from school she'll give you a piggyback ride if you ask nicely. She also likes laying her head in your lap, if you run your fingers through her hair she'd be fast-asleep within 5 minutes.

You and her tend to share your oversized clothes together, You always wash her jackets/sweaters after you wear them, which she absolutely loves. She's fallen asleep curled up in your hoodie, inhaling the scent and listening to whatever song you rambled about the previous morning on repeat until she finally asks you to just make her a playlist. Hobie definitely knows about you, only because she slipped up by saying too much.

She enjoys staying over your house during rainy days. She tends to tense up whenever you're watching tv together on your bed and your head falls on her shoulder. During missions in other spider-verses gwen has taken little souvenirs from different worlds and given them to you, she always does it in a nonchalant way as if she wasn't grinning ear to ear on her way back, excited to see how you'd react.

You don't have sleepovers often but when you do they always seem more intimate than your usual hangouts. When you wake up and see gwen flustered on the other side of the bed you never understand why, not knowing that when you were fast asleep she woke up cuddled into you, nuzzling her body into yours.

"I-uhm. I-uh just had a weird dream. Nothing to worry about, heh.."

☆ . . . pavitr prabhakar

It's very obvious he has a crush on you, it might as well be written on his forehead. He follows you around like a lost puppy. He's constantly offering to carry your books, opening doors for you, paying for your snacks, and even giving you hand massages when you've been writing an essay for too long. He's just completely whipped for you and you're not even dating (yet).

You were a transfer student and he was assigned to show you around Mumbai. He found himself getting giddy at your cute reactions to the different sights he took you to. He adored how you were filled with so much curiosity and wonder, the awestruck look in your eyes when you saw the pretty lights at night and just how genuinely excited you seemed to stay and explore Mumbai. Since then, he's been glued to your side.

He's such a gentleman, you can tell he was raised right. Whenever you're talking his full attention is on you, nobody else matters in this moment but you. He'll even get a bit upset if someone cuts you off, ignoring whatever they're saying and urging you to continue. His legs feel wobbly around you, he gets dizzy at the sight of you, and he feels like he's floating whenever you smile at him.

There have been multiple occasions where you've caught him staring at you, depending on how he feels that day he'll either smirk and gently wave or quickly turn away with a blush on his face. He gushes about you to Hobie and Miles all of the time. They know so much about you and they've never even met you.

A true romantic. He buys you a singular flower one week out of the day, always explaining the meaning and where they originate from. (all of them are a variation of romance/love)

He tends to lean into you whenever you speak. More than one person has pointed out that you both tend to mirror each other's actions. He's feigning for your touch more than anything, a simple brush of your shoulders and he's full on putty in your hands.

He won't outright confront you when he figures out you like him, instead he'll invite you on a nightly walk. Taking you up to a rooftop with a gorgeous view, and gently resting his jacket on your shoulders. You'll sit for a while enjoying the scenery before he turns to you and says...

"a person as beautiful as yourself shouldn't wander this world alone.."

☆ . . . hobie brown

What a nightmare. He is constantly teasing and flirting with you. Always doubling over in laughter when he sees you get all flustered and the words you so badly wanna spew at him get stuck in your throat.

I imagine you both to be spider-people, you're a little more stuck-up than he is which is why he likes to tease you so much. Little by little your reactions fueled something deeper in him. He no-longer found himself flirting with you because he liked seeing how aggravated he could get you but because that was his way of approaching you and saying all of the things he wanted to while being able to play it off as a joke.

Besides teasing you relentlessly, he can be really caring and attentive to you when he wants to be. If you're in the medic he'll stop by pretty often to make sure you're okay. The only reason you found out is because you woke up to him fast asleep next to your bedside, feet propped on your bed and his vest laid across his torso like a blanket.

He'll eat the foods on your plate that you don't like. If you fall asleep he'll lay his vest onto your body and even move your position if it looks uncomfortable. If he senses danger before you he'll move you of the way as fast as he possibly can, but if he's not close enough he'll give you a heads up before anyone else. He tends to stare at you sometimes, always smiling gently to himself.

When you two get closer as friends he'll play any song on his guitar if you ask him nicely. He'll even give you lessons if you really want them. Carefully throwing his guitar over your torso, he brings his much larger hands to yours. You can feel his chest against your back, and the waves of his warm breath on your neck as he teaches you how to play. He'll also let you wear his jacket, saying it looks better on you than him. He might let you keep it, only in exchange for one of your jackets. (he sleeps with your jacket on, it makes him feel close to you.)

Hobie often checks up on you during missions, sometimes saying teasing phrases to get you riled up but mostly to make sure you're holding up okay. "you alright there, peaches? you took quite the hit."

Once he finds out you like him, he eases up on the teasing, but he doesn't refrain from dropping subtle hints of his knowingness that you like him. He's just waiting for you to finally say something.

"Yknow, if i ain't know any better i'd say you were doing this 'cause you like me."

☆ . . . miguel o' hara

You worked beside him in Alchemax, the two of you were assigned as partners. At first he didn't care much for you, simply telling you to stay out of his way and that he didn't need any help, but after Lyla practically forced him to be a cordial lab partner and work with you, he started to take a liking towards you. Sadly, it took months for him to tolerate you and even longer for him to like you.

Although he was quite stuck-up and practically seemed on edge most of the time, you were able to break through those confined walls and have a comfortable-playful work relationship with him. Every-time you made a joke or a light quip about his attitude he'd always respond with sarcasm, still not being able to hide the tiny smile that graced his face at your foolish acts.

He always runs his projects by you before submitting them. (and then lyla to triple check) He'll stop by and pick up empanadas from his favorite store, always boasting about how it's the best in Nueva York and you'll never taste anything better. Eventually he brings in a hefty share of empanadas that you two share over lunch time, your conversation flowing naturally without the teasing but with a fluffier feeling flowing through the air.

He pretends to be annoyed when he catches you over-working but he's genuinely worried for you. Always shaking his head in a disapproving way when he finds you fast asleep on your desk, papers scattered, and drool falling past your lips. Quietly scolding you in spanish before throwing his lab coat over your shoulders and organizing your papers neatly.

He tends to act unbothered when you do something that shows you care for him but in reality it makes his heart stutter and his stomach feel all loopy. He hates it because it makes him feel like a middle-schooler when they get their first crush but another part of him absolutely adores it and his main motivation to get up to go to work in the morning is you, although he'll never admit it.

If a co-worker is ever rude to you he will be the first to defend you, not hesitating to get in their face with a nasty scowl painting his features. On Friday's he made it his personal mission to walk you home, you two slowly walk side-by-side, quietly laughing to yourselves as you reminisce on lab accidents and old memories. There's a slight gleam in his eyes when you make it to your apartment door. He turns to you almost hesitantly, before stepping closer to you. He whispers a question, so quiet and soft you almost wouldn't be able to hear it.

"Can I kiss you?"

omg i hope you guys liked it! requests are still open btw and thank you for reading! <3

likes, reblogs, and comments are always appreciated <33

[ros3ybabe]

🎀 Hobbies 🎀

I feel as tho I don't have much time to do things besides school, work, some chores, and survive right now, but I've been thinking about some hobbies I enjoy and would like to incorporate into my life when I decide to make the time without burning out!

Reading - I used to be big on reading just about any books I could get my hands on. Then I was really focused on reading self help, and now that I haven't been reading at all, I've been thinking about getting back into reading. Always looking for book recommendations, and I do have my eye on some books I'd like to purchase.

Gardening - if I had the time and space, I'd love to have a flower garden or a vegetable garden. It always makes me happy when the fruits of my efforts come to life, so tending to plants and gardening sounds super fun and relaxing.

Video Games - I used to play video games on and off, but I wouldn't mind owning a PS4 or a Switch and spending some time playing video games whenever I'd want time to wind down.

Cooking/Baking - I love learning things, and the sense of pride I've gotten in the past when receiving praise for things I've cooked or baked has really driven me to want to increase my skill. I've only baked something from scratch once in my life, but I'd really like to expand my skills in making desserts.

Exercise - I'm talking all forms of it! Dancing, martial arts/kickboxing type activities, yoga, pilates, running, swimming, spin/cycling, weight lifting (again), calisthenics, all of it! I don't currently look like the exercise type but I find various forms of movement to be so fun! If I had more time, I'd be trying new things all the time!

Volunteer work - This is something I used to do all the time, and it's a hobby that I enjoyed that kept me humble. Not only that, but I thoroughly enjoy showing kindness and compassion to others. Making a difference in anuwau brings me so much joy, and I love meeting new people and learning their stories. I also would love to volunteer with animals, because they deserve so much love and affection too!

Drawing/Art - I used to draw for fun but when I started college, I didn't have the time to devote to continuously increasing my art skills. I still own a sketch kit, coloring materials, and several sketchbooks so it really is a matter of having time.

Crochet - The thought of making things that I can gift to others seriously makes me so excited!! Crochet seems like such a fun, crafty, relaxing activity and the added fun of gifting those crafts to others would make it so fun!!

Scrapbooking - I don't know if I'd ever do this one, but I do Ike the idea of keeping my memories in a physical space, and not just in like pictures on my phone.

Learning - if school wasn't crazy busy, I'd spend all my time learning languages (ASL, Japanese, Spanish, Korean, Mandarin, Italian, etc), computer coding skills, how to make and do certain things, just anything I can do to keep my mind enriched.

Upcycling/Altering Clothes - I would love to upcycle or alter articles of clothes into more personalized pieces for myself. The thought of having a personalized, hand made closet full of clothes makes me really want to buy a sewing machine and learn how to use it to my advantage!

That's all I can think of for now that I'd like to someday incorporate into my life. Having hobbies is always so fun, but I've been so busy and tired that I don't mess with any of the hobbies I'd want to do. If anyone has any tips for time management, or resources for beginning new hobbies, please let me know!!

til next time lovelies 🩷

[mtkmsp]

THE RETURN OF COVID Horror/thriller movie style!! I don't think I could find enough words to express how much I love doing those posters............ For this one, I felt like the cast of "antagonists" of the movie would make for a pretty awesome composition and mood, and paired with the church setting I think I got something pretty interesting, haha. More below!

As it happens, a fandom friend asked if I could maybe some day record my process, and therefore I did! (and went the extra mile adding goofy horror songs to it...) Check it out if you're interested :)

I've detailed it in the YT vid description as well, but my process is rather straightforward. I tend to be a "lazy person" in that I like to, ideally, spend the least time possible on anything, and so far this process is how I've best achieved that while still managing some rather complex pieces. I like to be extremely rough with my sketches and prioritize dynamism and composition, and I usually take my time repositioning the characters until I'm satisfied before I go any further. I don't have the best mental visualization so I usually try to have a very rough idea of what I want before I directly jump to sketching and mostly ideate there. The lineart is very straightforward as well. I come back later to adjust line thickness here and there but otherwise I just "trust my brush". The fake fisheye perspective is entirely wrong and made up so I needed some custom perspective lines to know roughly how to position the background elements.

I do come back with composition guides after I'm done with the lineart, just to check how the illustration is doing. I prefer not to use them at first because it tends to "constrain" me a bit too much, and I like to remain very free as to maintain a feeling of spontaneity, which is why I will only fix the composition afterwards (when I do). Coloring is then fairly streamlined, with background colors/atmosphere guiding the overall color scheme followed by character coloring and additional details. The most fun part comes with the post-processing, where I go wild with additional fog and light shaft layers to add depth to the entire thing. I use a bunch of additional tone curve layers to adjust the colors and make it more uniform, as well as one blurred, flattened copy of the illustration with strengthened contrasts, in overlay mode, to add some vibrance, and a noise layer for texture. That's it! Thanks for watching, for those interested :))

[sukinapan]

hiii!

ive seen you share some of the programs you used before, and if it isn’t too much trouble or too silly to ask, I wanted to ask where along in your process you add text to any of your images (specifically those you made in blender), as well as what program you tend to lean toward for it. i wanted to ask because the style of text you have (and your work overall) really inspires me. thank you so so much :]

no worries :3

for the blender pieces i usually add the extras on photoshop. this one for example:

i exported the models on transparent backgrounds and then built the whole illust on photoshop. i could make it all inside blender i think, i do if it's just a photo bg or plain color, but i'm really experienced with PS so it's quick and easy for me that way

one exception is animated text like this:

it's so much more practical to animate in aseprite, which is what i usually use for pixel art. it's a pixel art oriented software, but since most of my 3d art is low res and pixelated i have no problem~

(iirc for the weather pieces i used both ase and ps, i don't mind using multiple programs if it serves a purpose)

sometimes i know beforehand that i wanna add text, sometimes i think about it later. i usually start with an ugly, lazy sketch like this then jump straight to 3d

i think for the first one i just thought of the quote and then built an illust around it

thanks for the ask (⁠ᵔ⁠ᴥ⁠ᵔ⁠)🌷

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[jinwoosbabyboo]

𝑨 - 𝑳𝒊𝒔𝒕𝒆𝒓

My headcanons of the LADS Men w/ a Singer/Idol reader [Requested by: liz9898]

𝚉𝚊𝚢𝚗𝚎

He's a doctor before anything else, but he's making it to every show that he can

Tends to make it to your rehearsals more than your actual shows

wants to read over your contract with your label before you sign anything

always has flowers delivered to your dressing room on the day of your show

He owns every album and ep

"You know you don't have to buy the physical copies right? I can give them to you for free" "Yes I do I'm your number 1 fan will you sign this?"

loves surprising you when you're getting off stage with a small gift or flowers in hand

sets his favorite song as your ringtone

sexy dance with a partner? Absolutely hates it! "Do you have to do that part with him?" "He doesn't touch me Zayne it's just a body roll" "I'm not a fan"

when he can't make it to your show he livestreams it

buys you a bracelet with his name and birthstone "Wear this so you think of me" "Is this so everyone will know I'm taken?" "Thats only a plus"

plans his days off around your return dates when you go on tour

always sends an encouraging texts or calls before your shows

if you dont want your picture taken by paparazzi and he's with you he'll cover every lens with a sheet of ice

comes to your studio sessions when he can and if he can't make it he'll sit on the phone with you.

𝚁𝚊𝚏𝚊𝚢𝚎𝚕

FANBOY FANBOY FANBOY

He's buying every album and ep and damn near setting up a shrine for you

He's at every single show

he has the option to be backstage or front row vip section he's front row 90% of the time

Captures the best angles of you while you're performing

Knows every single word to every song he's singing his little heart out right along with you

That fan page with 2 million followers? Thats his. Those fan edits that keep going viral for how good they are? Thats him.

He's backstage with you massaging and helping with ice packs to cool you down.

"Ice cold water isn't good for her vocal cords bring us room temperature!" suddenly he's the boss?

showers you in compliments after your shows and don't worry if your pre-show nerves start getting to you he's right there gassing you up

Now a sexy dance with a partner? he's not feeling it "I swear he wants to do a little more than dance" "well that would be shocking since his boyfriend is also my backup dancer" "Oh ._."

would 100% pack up and throw himself onto that tour bus the minute you ask if he wants to come with you

covering your face from paparazzi when you don't want your picture taken

those crazy stalkers and haters that are trying to harm you? strange how they keep disappearing huh

flowers and gifts before and after every show

sketches and or paints during your studio sessions; will spend all night/day in there with you he doesn't care he loves watching you and the process

𝚇𝚊𝚟𝚒𝚎𝚛

supports you in every thing you do he's almost like you're personal bodyguard though

"no pictures" he says calmly as he places his hand on the lens of a pap who was hiding scaring the person shitless because how did he see him and how did he get there so fast

waits patiently backstage so he can carry you back to your dressing room

surveys the crowd silently even though you have security

follows all your fan pages and constantly scouring the internet for any bad press or hate so he can get rid of it

stands outside your dressing room while you rest so no one disturbs you "Xav get in here stop scaring my crew!"

goes over every minor detail with your label and publicity manager when a tour is brought up

tried to cook for you one time while on tour .... your manager nixed that expeditiously

that sexy dance you had with a partner? he got so jealous that you had your choreographer change the dance so he would stop sulking

prefers to carry you around because "you work so hard on stage"

changes your shoes for you and kisses your knee every time

takes naps in the studio when you're recording

𝚂𝚢𝚕𝚞𝚜

this man is a mafia leader you think he has time to keep up with your hectic schedule? You bet your ass he does! Priorities baby and you're number 1

he is going over your contract with your label before you sign anything

you're going on tour? He's buying you the best and most comfortable tour bus money can buy

helps you in and out of costume changes

waits backstage with a pair of fluffy slippers and a bottle of water "You were amazing Miss Idol"

tries to sing your songs all the time "Hey baby who sings that?" "You." "Let's keep it that way"

Your dressing room, tour bus, and hotel rooms are always flourishing with gifts

Constantly praises you

follows your fan pages

either gives you a massage or has massages schedule for you to keep you nimble.

buys a recording studio for you so you don't have to pay the ridiculous studio fees

the twins end up becoming two of your backup dancers

gets rid of pictures online that you dislike; stops paparazzi from taking pictures by ruining the cameras with his evol

dont even worry about a stalker or crazy fan with malicious intent Sylus & the twins got that ass taken care of

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️