#i don't even know how to describe it he's just so incredibly skilled | Explore Tumblr posts and blogs

emotionallychargedtowel · 2 months ago

Text

Kaito x Stacey: being seen authentically & the value of consent

A little background: Last February, I heard that Sekoguchi Ryo was going to have a significant role on Zettai BL 3 and I got really excited but had nowhere to channel that energy, so I decided to start a sideblog where I’d post one screenshot per day of Stacey, his character from Kikai Sentai Zenkaiger. To keep up my screenshot supply for the blog, I rewatched the series a lot, which led to thinking about the show in a deeper way than I had before. I'd already known I was a fan of the Stacey and Kaito ship, but I hadn’t given much thought to why. All that rewatching helped me develop my thoughts about it more.

I usually write this kind of relationship-focused analysis stuff about BL series. I don’t know if tokusatsu fans want to read this sort of thing about toku shows, or if the folks who read my BL posts would be interested in a relationship analysis about a toku ship. Well, I guess I need to get this out of my system either way, so here goes!

All of the gifs in this post were made by @my-rose-tinted-glasses, who is so generous with her time and considerable skills that, well, I don't know, I'm going to have to knit her a sweater or something. I mean, seriously, how pretty is the gif below? Even if you don't want to read my ramblings, I recommend scrolling through to look at the rest.

Special thanks as well to my sister @porridgefeast for talking through this set of ideas with me.

A very brief overview for the unfamiliar: Kikai Sentai Zenkaiger is a Super Sentai series that ran from early 2021 through early 2022. The lead member of the Zenkaigers—and, as it happens, the only human member—is Goshikida Kaito. (The rest of the team are all Kikainoids, robot-like inorganic beings from a different world that got mixed up with Kaito’s.) Kaito is the quintessential sunshine character. I’ve described him before as “a golden retriever who’s had three espressos," which sums him up fairly well. For my fellow BL-watchers, you'll likely recognize some actors in this post. Kaito is played by Komagine Kiita from 25 ji Akasaka de, and as I mentioned above, the actor who played Stacey, Sekoguchi Ryo, played Hatano in season 3 of Zettai BL. Mashiko Atsuki, of My Personal Weatherman fame, also has a prominent role in this series. But you won't be hearing much about him in this particular discussion.

In the sixth episode of Zenkaiger, an antagonist/antihero character named Stacey is introduced. At first you just know that he’s a hired gun for the Tojitendo (the Zenkaigers’ enemies, a Kikainoid dynasty led by its latest heir, Lord Bokkowaus, which went from being tyrants in their own world to taking over nearly every other world in the multiverse...and in most cases, turning those worlds into small metal gears—but let's not get into that). Stacey turns out to be the half-human son of Barashitara, a senior general in the Tojitendo who Stacey absolutely loathes. We’ll get back to him later on. Instead of being associated with his father, Stacey works for Ijirude, an evil scientist with a senior position in the Tojitendo court.

As the series progresses, Stacey and Kaito get increasingly close and (here comes an incredibly obvious spoiler that anyone could have predicted almost as soon as he was introduced) he eventually becomes one of the good guys. Any sort of romantic relationship between Kaito and Stacey is a matter of subtext during the series itself. (Though the subtext gets pretty strong at times! They even have an angsty heart-to-heart conversation at a playground at night.) In the TV movies and live shows that followed the series, that subtext starts to resemble (and arguably becomes) text. For example, in a DonBrothers movie where they make a (sort of) crossover appearance, Stacey writes Kaito a love letter that gets lost and starts a series of misunderstandings. In one live show, the stage lights go out and then come up again to reveal Kaito lying on the ground with Stacey on top of him. In another, Kaito gives Stacey a butt smack right in front of everybody. But during the series? Their relationship is clearly very important and fraught with emotion, but the show maintains a kind of plausible deniability at all points—there isn’t really anything that happens that the show’s screenwriter, Komura Junko, couldn’t explain by some other means.

As I said, while I was doing all of that rewatching, I thought a lot about why Kaito’s and Stacey’s relationship meant so much to me despite the fact that it mostly exists as subtext. Part of it is just that I loved Stacey as a character overall and took a liking to both Sekoguchi Ryo, who plays Stacey, and Komagine Kiita, who plays Kaito. But it’s more than that. As I kept going through the rewatch process, I identified some of those reasons—things that make this portrayal of a relationship special.

It’s a unique take on the time-tested enemies-to-lovers trope (or something like it).

Anyone who has spent any amount of time watching/reading stories that center on love and romance has come across the “enemies to lovers” trope. The relationship between Kaito and Stacey is closely related to the interplay between these two types of relationships, but it’s complicated. If you really want to get specific, it isn’t exactly an enemies-to-lovers story. Rather, I’d describe it as a story about two people, one of whom is trying really hard to be the other’s enemy but failing, and one of whom is trying really hard not to become enemies but keeps getting forced into conflicts with the other. Despite all the pressure he’s under to relate to Stacey as an enemy, Kaito keeps pushing back against taking that role. This pressure not only comes from his friends and compatriots but from Stacey himself. Stacey wants to relate to Kaito as an enemy, but he keeps finding himself helping him, sparing him, even worrying about him in spite of himself.

Of course, Kaito and Stacey really are enemies in a very real sense. They’re fighting on opposite sides of a war. They try to hurt and/or kill each other on many occasions, including one in which Kaito and his friends succeed and actually kill Stacey. (Soon after, Stacey ends up being revived—an advantage of being half-mechanical is that he can be brought back to life.)

But when Kaito and Stacey first meet, they don’t know they’re enemies. Even after finding out he works for the Tojitendo, Kaito resists fighting Stacey. In their first battle, he won’t fight or even transform into Zenkaiser (his superpowered suit form) until Stacey gives him no choice. At first, Kaito’s reasons for being friendly to Stacey and holding back from fighting him are a bit superficial. Basically, Stacey looks human, so Kaito is reluctant to do anything that might hurt him, and he keeps thinking that if he talks to him he might be able to get him to come around. (It probably doesn't hurt that he's an adorable twink, either.) Kaito doesn’t usually appear to be biased against Kikainoids, but he does seem to have a bias in favor of Stacey because he’s so human-looking. Thankfully, it isn’t long before his reasons become significantly more complex. For one thing, he starts to find out through stray comments Stacey makes that he's been through a lot of trauma and loss, including the mysterious death of his mother (likely either at the hands of his father or on his orders).

Stacey also bonds with Kaito’s grandmother Yatsude, who doesn’t realize he’s the Tojitendo soldier who’s been giving her grandson so much trouble (she mishears his name as “Satoshi” when they first meet and he rolls with it). His mom issues draw him to her at first, then her sweet, accepting nature helps them relate to each other in a really meaningful way. Understanding Stacey’s context better and seeing a different side of him through his connection to Yatsude convinces Kaito that Stacey really could be redeemed and brought around to the side of good, and he’s eventually proven right.

Which brings us to the next thing I appreciate about the relationship between Kaito and Stacey.

Kaito goes to the trouble of really seeing Stacey, which not only allows him to attend to those times when he shows his authentic self, but also helps him recognize when he's not dealing with the real Stacey.

Thinking that Stacey is capable of change is a sign that Kaito sees him more clearly than other people do. In this respect, he understands Stacey better than Stacey understands himself, because right up to the point where he switches sides, he sees himself as so irredeemable that joining up with the good guys must be an impossibility.

But Kaito also has other ways of showing that he really sees Stacey. One of the biggest ways this is shown is through the possession subplot that happens toward the end of the series. A being who claims to be God, the creator of all the parallel worlds, shows up and wants to team up with the Zenkaigers against the Tojitendo. (They eventually admit that they don’t have all that much power beyond the creation and destruction of worlds, hence their need for help from mere mortals.) This God can only communicate with people by possessing someone’s body, and when it’s time to get in contact with the Zenkaigers, they choose Stacey’s. But they don’t identify themselves at first—they just pretend to be Stacey instead.

When God is pretending to be Stacey, some of the differences in their behavior are obvious to everyone. But Kaito is the most observant by far of the disparity between Stacey’s current behavior (really God’s) and his usual way of acting.

The most noticeable difference at first is that Stacey is smiling, which is very out of character for him. He’s also acting unusually flirty and cute. “Is it me or is he extra cutesy today?” one of Kaito’s teammates observes. It’s true. He speaks in a slightly higher register than usual, enunciates words differently, and he keeps tilting his head and slowly blinking at Kaito in a flirty way.

(In an interview with Komagine and Sekoguchi translated by @mirai-e-jump here, Sekoguchi talks about first receiving a script in which he would play God. As his interviewer points out, the stage direction for the script instructed him to read the lines "sweetly." Sekoguchi says that he didn't know what to make of it at first, but it got him thinking about gender presentation and led him to decide to try to portray God in a gender-neutral way.)

In addition to God's flirty, "sweet" manner, Kaito notes that this version of Stacey is too easygoing, too ready to cooperate with others. When God first appears, the villain-of-the-week is called Headwind World. They put a sort of curse on the Zenkaigers that makes it so that no matter which direction they turn, they're always buffeted by a strong headwind. Discussing how different Stacey seems and his claim to want to join the team, Kaito says:

Maybe....If it’s the truth, I’ll be full power* happy! But something seems off to me....Whenever I’ve talked to Stacey, he was never like that. He tends to be more…sorta…Yeah! He’s a lot like this headwind! *Kaito's catchphrase is "zenryoku zenkai," which means "full power" or "full throttle" and is the source of the Zenkaiger's team name.

God-in-Stacey's-body makes things too easy. Trying to work with the real Stacey is like walking against the wind. And as challenging as that is, Kaito would rather work with the real Stacey than this flirty, easygoing impostor.

Later in the episode, when they fight side-by-side against Barashitara, “Stacey” seems to find him entertaining. The real Stacey could never find humor in the things Barashitara does. After all, he’s his abusive father and probably murdered his mother. After this fight, “Stacey” suggests that everyone should trust him now that he’s demonstrated his willingness to fight on their side. Kaito responds:

I still don’t get it. You’re not the Stacey I know. If Stacey was fighting Barashitara, he wouldn’t have been like that. He’d be more prickly and less compromising. He’d say stuff like “Stay out of this!” or “This is my battle!” Stacey’s feelings toward Barashitara aren’t like that.

“Stacey” tries to play it off, but is clearly frustrated by his skepticism. But Kaito doesn’t waver. His facial expressions and body language in this scene are really noteworthy. His face looks stern. He looks at Stacey fixedly, seldom blinking, and his hands are balled up into fists at his sides. This is really out of the ordinary for him—he's typically friendly to a fault. It's unusual for him to even look this way at an enemy. But it won't be the last time his affect looks this way around God.

Kaito is the first to realize that this person who appears to be Stacey isn’t really him. Explaining to others—both his teammates and God themselves—how he knew this gives him an opportunity to show the audience how well he knows Stacey, how much he has observed about his personality. But that’s not the only way in which the theme of being seen shows up.

One of the ways Kaito sees Stacey authentically is by noticing and acknowledging his deeply painful experiences with trauma and loss. Despite pressures to the contrary, Stacey eventually does the same for Kaito.

Stacey goes through quite a process to get to the point where he can acknowledge that Kaito has had his own difficult history and continues to struggle in ways he can relate to. When he first meets Kaito, he fights him but claims it’s “nothing personal"—but that changes quickly. The second time they interact, they have a conversation in which Kaito wrongly assumes that Barashitara is helping Stacey and that he's doing so out of parental concern. Naturally, given how far this is from the truth, this is makes Stacey extremely angry. He retaliates by needling Kaito about his missing parents. He mentions the possibility that, given their apparent involvement with the Tojitendo, they could be “lying dead in a ditch somewhere, just like [his] mother.” Then he decides to twist the knife a bit more. “Maybe they weren’t kidnapped, but they abandoned you! Like Barashitara did to me.”

Kaito responds by passionately defending his parents and insisting that they would never do that to him. Kaito's faith in his parents infuriates Stacey. He feels envious and bitter because the only parent he could believe in is long dead and his father was never worthy of his trust. Kaito’s defense of his parents pushes all of these buttons and more and Stacey becomes enraged. He tells Kaito that fighting him is no longer “nothing personal.”

Later in the series, the shift in how they relate to each other is both illustrated and deepened when Bon World (a villain-of-the-week based on a Japanese holiday) becomes the latest adversary to try to take over Zenkaitopia. Bon World causes characters’ ancestors to return from the dead to visit them. Stacey gets a particularly surprising and poignant visit from his mother, Lise. At first he doesn’t trust that she really is who she purports to be, but eventually he’s convinced. He gets to spend a little bit of time with her after their years apart.

But like a lot of the Worlds the Zenkaigers fight, Bon World’s powers have a two-step effect. First, they bring back ancestors. After a while, these ancestors snap and start going after their descendants, trying to kill them—including Stacey’s mother.

When the ancestors manifested by Bon World start to turn homicidal, the Zenkaigers have their hands full. Zyuran’s great-grandfather turns on him at the same time the Goldtsuikers are attacked by their grandfather. Kaito’s friends need him! But he leaves, trusting them to handle the situation themselves, so that he can come to Stacey’s aid. Why? Because he has a realization during their fight. One of the people he has to battle is Hakaiser, a Tojitendo “experimental soldier” who Kaito has recently learned is actually his brainwashed and physically altered father, Goshikida Isao. He tells Hakaiser he understands why it’s so upsetting for the others to have to fight their ancestors because he’s being forced to fight his own dad. This causes him to remember that one of the returned ancestors was Stacey’s mother. He asks Hakaiser where Stacey is and they both rush to his aid (with Kaito in Super Zenkaiser mode).

After he comes to Stacey’s rescue, the rest of the Zenkaigers defeat Bon World and the ancestors all disappear. Stacey asks Kaito why he would come to his rescue. After all, they’re enemies. Kaito tells him, “I knew that you and your mom would both hate this happening.” Here’s what I think he means. It’s obviously a bad thing to be visited by an ancestor who tries to kill you. That was true for everyone who had that experience because of Bon World. But for Stacey, seeing his mother again and then having her attack him involved a whole other level of pain and trauma. It was deeply triggering and a terrible insult not only to Stacey’s memory of his mother but also his mother’s love for him. Kaito could see this from Stacey’s perspective as well as Lise’s. For Kaito, this meant that this particular instance of an ancestor attacking someone was a bigger deal than the others and required a more urgent response. But it wouldn’t have been quite so urgent if it weren't for the fact that Stacey means something to Kaito.

Stacey is profoundly touched by Kaito’s actions and what he told him about his reasons for helping him. This moment ends up being a big turning point in their relationship. This isn’t just because Kaito helped Stacey (though he did) or because he was kind to him (though he was). It’s also because Kaito showed a remarkable degree of sensitivity and understanding in realizing what this experience meant for Stacey. He showed that he paid close attention to things he had learned from and about Stacey, viewed those things as important, and took them into account. I think it’s also clear that as someone whose parents disappeared when he was a kid, Kaito has a better understanding of the loss Stacey has experienced than other people would. And of course, it matters that Kaito prioritized helping Stacey even though his teammates and allies were facing similar challenges.

Stacey ends up keeping Kaito’s experiences in mind and acting on them in a similar way. The biggest example of this is his decision to stand aside while Kaito deprograms his father, Hakaiser/Goshikida Isao. Hakaiser had been Stacey's friend prior to that point, something exceedingly rare in his experience. In fact, Hakaiser may well be the first friend Stacey has ever had. It helps that despite his brainwashing, Hakaiser retains a lot of Goshikida Isao’s warm, optimistic, Kaito-esque personality. Hakaiser quickly becomes really important to Stacey. So when he learns that Hakaiser is really Goshikida Isao, he feels conflicted because his concern for both Kaito and Yatsude pulls him in one direction while his desire to keep his friend pulls him in the other. At first, Stacey turns his back on the Goshikidas in favor of keeping Hakaiser in his life. But once Kaito protects him from his mother's ghost, Stacey can’t keep that up for long. And he doesn't just stand aside during the Zenkaiger's deprogramming efforts. He also leaks data to the Goldtsuikers that helps the team to safely extricate Hakaiser from a giant mecha superweapon he’s controlling (without which the team would have been forced to either endanger Isao or risk countless human beings getting hurt or killed). Naturally, this also means helping the good guys to take the giant mecha out of commission—a blatant act of treason against the Tojitendo.

Stacey doesn’t say much about why he decides to let Goshikida Isao go. But he makes it clear that he sees how unjust and hypocritical it would be to keep Hakaiser around at Kaito’s expense while decrying the way his father took his mother away from him. It's also apparent that the bond he's formed with Yatsude and Kaito plays a role.

To go from resenting Kaito's faith in his parents to helping Kaito get his father back involves a lot of growth. Just as earlier, the differences in their respective situations angered Stacey, the similarities between them eventually lead him to shift toward helping Kaito rather than hurting him.

Now I'm going to circle back to the possession storyline to talk about some of its other implications.

The possession storyline allows Kaito to show how much he values consent and bodily autonomy—particularly Stacey's.

Remember how Kaito suspected immediately that the possessed version of Stacey wasn’t really him? An episode and change later, Kaito and the rest of the Sentai finally find out that Stacey is being possessed by God. Kaito doesn’t say much about this when it's first revealed to him, but his eyes are glued to God-in-Stacey’s-body and he turns stone-faced again. He remains like this for the rest of their conversation, while God aims more head-tilting and slow-blinking his way.

The next time they confer with the Zenkaigers, God is in a hurry to get them to agree to work together. But Kaito says there’s something else he needs them to address before that can happen. He asks God what happens to Stacey when they’re possessing his body. Their answer is disturbingly flippant: “His consciousness takes a little nap.” Then he asks God if they have Stacey’s consent to do this. “Do I really need it? When I’m a God?” they ask contemptuously. That’s when Kaito tells them that he can’t trust someone who would use another person's body without their permission, so they won’t be able to work together—unless God sets Stacey free. He offers to let God possess him instead in order to communicate with the group, and the other Zenkaigers chime in to say they’ll volunteer as well. God agrees to this and leaves Stacey’s body for the last time.

Consent isn’t a common theme in tokusatsu, at least not in any of the shows I’ve seen so far. I don’t know of another toku show that's had an entirely analogous possession story, but it’s not uncommon to see some kind of variation on this theme. Ankh from Kamen Rider OOO is an ancient supernatural being who possesses the body of a random young man on the verge of death, Ryotaro from Kamen Rider Den-O is possessed by a whole cadre of beings from the future at different points in the series, Wataru from Kamen Rider Kiva is briefly possessed by his own father, Otoya, and I have no doubt that there are other examples I'm not thinking of or just haven't come across yet. I've seen the moral implications of possession get some degree of attention in these shows, but I’ve never seen consent foregrounded in this way. (That said, I haven’t seen the entirety of either Den-O or OOO, and there are plenty of other series I haven’t seen, so there may well be examples I’m not aware of.)

It helps that consent doesn’t just come up in an implied way, in the background, or on its own. Instead, Kaito brings it up specifically and intentionally. The plot is racing along toward the climax of the series at this point. It would be easier for Kaito to allow God to continue to gloss over the question of Stacey’s consent. It certainly would have been easier for Komura Junko, the show's screenwriter, to skip over this question. She could have just used God as her story’s deus ex machina (no pun intended) without exploring the deeper implications.

It’s fitting that Kaito’s insistence on Stacey’s consent comes up in the form of an interruption that stops the forward momentum of the story, because when people are ignoring important consent issues and someone has to speak up about it, it’s often seen as an unwelcome interruption of things that are viewed as more important. Bringing up consent in those situations means bringing other matters to a halt and raising uncomfortable topics that others have tacitly agreed to ignore. As with so many important issues that we need to speak up about in our daily lives, raising the subject of consent is often intensely awkward. When Kaito brings it up, God is surprised and clearly put out, and it means the story has to take a detour before the Zenkaigers can defeat Bokkowaus with God’s help. Kaito doesn’t let any of this stop him, though. He understands how important it is. Even though collaborating with God is by far the best chance the Zenkaigers have of overthrowing Bokkowaus and saving the multiverse, he holds fast and insists that he’ll only work with God if they stop possessing Stacey without his consent.

It's worth noting another context in which consent comes up in the series, and that is the portrayal of Stacey's late mother, Lise, and her relationship with his father, Barashitara. Lise was Barashitara's 893rd "wife." I'm using scare quotes here because while we don't know the details of how Lise ended up tied to Barashitara and bearing his child, there's no particular reason to believe she consented to the relationship and a number of indications that she didn't. When she appears again in ghost form, he refers to her having always been "feisty," which seems like code for "didn't just let me do whatever I wanted without any resistance." She, on the other hand, seems to hold him in contempt. In Komura Junko's current series, Kamen Rider Gavv, the protagonist's human mother is kept prisoner by a non-human father who refers to her as if they're in a relationship despite her protests that she never sought or consented to a relationship with him. This seems like a more explicit version of what was implied about Stacey's mother in Zenkaiger.

Stacey obviously has strong feelings about the way his mother was treated. When Barashitara reaches for her, commenting on how he's never been with a ghost before (and implying he'd be up for changing that), Stacey hurries over to pull his hand off of her and rushes her out of the room after yelling at Barashitara to keep his hands off of her. Again, Stacey's human mother and Kikainoid father could have been used as a plot device without digging any deeper into the nature of their relationship, but this series not only doesn't avoid the subject, it makes a point of commenting on it.

The themes of consent and seeing/being seen end up working together in a way that undercuts the ship in some superficial respects but ends up emphasizing what really makes it special.

I mentioned earlier how one of the first clues that God isn’t really Stacey is their facial expressions, speech, and other ways of communicating with others. Well, they continue smiling, speaking in a cutesy voice, and doing flirty mannerisms—and the biggest recipient of these gestures is Kaito. They also call Kaito by his given name, something Stacey doesn't do until the series' penultimate episode. When you add it all together, they’re pretty clearly flirting with him.

Some stories would take this as an opportunity to develop the ship between Kaito and Stacey. If God-in-Stacey’s-body flirts with Kaito, you could easily arrange things so that this helps him recognize or develop an attraction to Stacey that continues when the possession has ended. (It’s certainly been done before in other shows.) Any possession or body swap story is going to be partly about contrasts—that’s a big part of their purpose—but they can still foment changes that continue when everyone gets their own bodies back. Basically, if Stacey is too conflicted to flirt with Kaito, well, God can do it for him. It works in the other direction, too. If there are things Kaito would do with Stacey if he weren’t so considerate of his feelings, if someone else is walking around in his body, suddenly different possibilities appear. (And yes, I think some version of all these possibilities could be done even if the ship remained at a subtext level.)

There’s just one problem: Kaito may not figure out for certain that God isn’t Stacey right away, but within moments of meeting them, he’s 95% there. They can’t make him see Stacey in a different way if he doesn’t believe they’re him at least for a while. He isn't even open to relating to them in a positive way. It really is remarkable just how unfriendly he is to God-in-Stacey’s-body considering how friendly he always is to almost everyone else. And when they flirt with him? He’s not into it in the slightest. In fact, it just pisses him off.

Another thing about possession stories is that they can be a way for writers to cheat to get characters—well, close facsimiles of them who are mistaken for them by other characters—to do things they couldn’t justify otherwise. But Kaito refuses to let this happen. He gets suspicious of God almost as soon as they show up, he begins to grow hostile toward them even before he has fully processed the truth about their identity, and once he’s had a chance to think about the situation, he takes his next opportunity to refuse to work with God unless they set Stacey free as soon as possible.

By having the hero of the story behave in this way, Zenkaiger prioritizes consent and, by extension, the individual right to bodily autonomy. It prioritizes consent over ship advancement, over plot advancement, even over getting the danged heroes into the evil overlord’s castle so they can have their big showdown. There are moments where it’s on the verge of becoming annoying. As TV viewers, especially if we’re habitual tokusatsu watchers, we’re pretty used to possession plotlines of this type. When they start making things happen, we get caught up in escalating events. Having someone like Kaito suddenly show up and say, “Wait a second, is Stacey OK with this?” feels like a weirdly abrupt interruption.

It reminds me a bit of something Kathleen Hanna from the band Bikini Kill says in The Punk Singer, a documentary about her life. She says that speaking out about sexual violence often results in a "who farted" moment—one in which a group is collectively uncomfortable and looking for someone to blame, generally the person who mentioned a taboo subject like sexual violence.

Kaito fearlessly embraces a “who farted” moment when he asks about Stacey’s consent or lack thereof. Of course he does—that’s who he is. A principled, morally rigorous guy who would rather be cringe as fuck than hurt someone unnecessarily. It’s no wonder he’s able to turn the “demon prince of the Tojitendo” to the side of good…and even get him to write him love letters.

In other words, by refusing to exploit the possession storyline for a cheap version of ship development, Komura Junko develops the Kaito x Stacey ship even more, and more meaningfully.

Could this storyline have been written by the typical cishet dude tokusatsu screenwriter?

It seems noteworthy that this choice was made by one of the few women to have held a head writer position on a toku series. Of course, women are not the only people who care about consent and bodily autonomy, just as they aren't the only people who are subjected to their bodily autonomy being compromised and their right to refuse consent ignored. But women, people who are perceived as women, and men who don't fit into a normative cishet image are more likely to have such experiences than cishet men and thus more likely to find such themes salient, so it would make sense if a woman writer was more likely to include them in a series than the (ostensibly) cishet men who make up the vast majority of tokusatsu screenwriters.

I would argue that the importance of being authentically seen is also particularly salient for many women and that this may have played into the way Komura weaves that theme into the Kaito and Stacey story. Women and people perceived to be women tend to experience a great deal of objectification, and being authentically seen and acknowledged is basically the opposite of objectification.

I recently ran into Martha Nussbaum's typology of objectification for the first time and it turns out that it applies to God's possession of Stacey remarkably well. In the interest of time and length, I'll leave it at that for now, but I'll probably talk about in a separate post at some point. Suffice it to say that God's treatment of Stacey illustrates a number of the facets of objectification Nussbaum lays out. So what does this have to do with the Kaito and Stacey ship? It comes back to my point about how the show presents the possession storyline with all of its potential for ship development and has Kaito refuse to engage with any of it out of concern for Stacey. This makes God a kind of foil for Kaito that gives him the opportunity to show that his interest in Stacey isn't based on objectification.

So there you have it. There are plenty of reasons to appreciate the Kaito x Stacey ship without digging into issues like these. The characters are interesting, affecting, and fun. Their personalities fit together in a classic cinnamon roll/tsundere way. The actors have great chemistry with each other. But the way the story treats these concerns, which I contend is colored by the different perspective Komura Junko brings to toku based on her gender, is part of what makes it particularly special.

#kikai sentai zenkaiger #zenkaiger #stacey #stacey zenkaiger #sekoguchi ryo #ryo sekoguchi #komagine kiita #kiita komagine #stacy #suteishi #goshikida kaito #kaito goshikida #kaito x stacey #komura junko #tokusatsu meta #zenkaiger is a BL

49 notes · View notes

ruegarding · 9 months ago

Note

hello! I hope your having a good day! If you don't mind me asking, what is your opinion on the Cupid Scene in Hoo? And if you could how would you change it?

my opinion on the cupid scene…well, i don't think a traumatic coming out scene is automatically bad. the problem i have w it is that rick capitalized on shock value instead of good writing. rick retconned a bunch of things to make nico alone and miserable so that he could have this scene, and it was completely unnecessary. ppl can have friends without coming out. and, as i’ve repeatedly said, the way hoo is written is literally a repeat of his arc in pjo but worse, because we’re acting like important events in pjo didn’t happen in a series that’s supposed to be a sequel to pjo and rick is inconsistent so the payoff is questionable.

the solution is…good writing. creating a cohesive and intriguing plotline where this scene is either necessary or scrapped if it isn’t.

thus begins an unnecessarily deep dive into all the retcons, inconsistencies, and general what-the-fuckery of nico’s arc in hoo bc i’m the verbose king and we've accidentally stumbled into something i have a lot to say abt.

first retcon. in son, frank explicitly says that nico does not make him nervous and describes nico as mysterious. not weird, creepy, off-putting, or anything similar. and nico is! he is clearly hiding things and shows up infrequently. this is a neutral description, and frank goes on to say that pluto’s powers, and specifically the underworld, isn’t enough to make him dislike pluto or nico.

also this, showing nico is comfortable enough around frank:

but then in hoh, frank thinks going somewhere with nico, alone, is terrifying.

at worst, frank would’ve felt awkward. they’ve never had to talk alone bc nico is at camp jupiter for hazel and doesn’t have any reason to talk to frank by himself. if frank didn’t want to be alone w nico bc of that, it’d make sense. but that’s not what’s said or implied! and nothing has happened! nico got kidnapped, they saved him, and since then he’s been chilling on the boat, exactly as weird as before, if a little more understandably distressed. like, nothing happened to change frank’s opinion this drastically. even the difference between pluto and hades (wealth vs death) doesn’t matter bc nico uses his powers in son. also frank literally summons a skeleton guy in son and hazel is a zombie, like…

(the source isn’t important but i've been quoting these five seconds for years)

oh! and that’s not all, it gets worse!

these scenes from hoh are incredibly infantilizing. why are we treating nico like a feral dog that needs to be domesticated??? yikes. and once again, it’s not true! nico was fine talking w ppl in pjo (if a bit over-enthusiastic). and then in son he was perfectly civil and was fine having the conversation abt the quest. his issue w ppl was that his powers/parentage put ppl off, and, even in son, that he had to keep a secret.

nico is perfectly capable of speaking like a normal person and working as part of a team (see: final botl battle, final tlo battle, the sword of hades). like, nico’s struggle in hoh should be 1) that ppl are calling him creepy behind his back (and therefore has nothing to do w his social skills) and/or 2) that he just survived an incredibly traumatic experience and is understandably withdrawn. neither of these are properly addressed and instead the implication is that nico is hiding himself bc he’s gay and everything will be solved if he accepts himself.

edit: i never actually explicitly stated this, but nico's queer coding and disability coding overlap, which is why this infantilization/ableism is important enough to highlight despite the conversation specifically being abt the queer aspect of it.

second retcon. percy…as i’ve said many times before, percy explicitly calls nico his friend in tlo.

this immediately makes hoo trying to act like they don’t know each other and were never close a retcon. they were friends, they saw each other frequently, nico made silly jokes w percy…and we’re ignoring all of this in hoo.

i've talked abt this previously (in response to tsats), but nico is the one putting distance between him and percy. percy reached out to nico repeatedly thru pjo.

when percy notices that nico excludes himself, percy finds a private place to talk to nico and assures him that percy wants him around and offers solutions to his discomfort (this is not percy’s responsibility. percy is a child). when nico insists that he won’t stay, percy sees it from nico’s perspective and, instead of forcing nico to do something against his will that may totally backfire, says “i hope we don’t have to be enemies,” leaving room for nico to decide whether he’s willing to be friends.

bc percy understands the root of nico’s issue (that no matter the accommodations made at camp, there’s always going to be the implicit message that he doesn’t belong there), he addresses it and uses his wish to make sure that nico has a home at camp.

and when nico tries to prove he’s useful, percy proves he would’ve invited him in whether nico was or not. bc he thinks nico deserves to be a kid.

“i wonder if [nico] had ever had a birthday party,” percy thinks at his own birthday party where he didn’t invite his friends bc he felt it was too much of an inconvenience, in a story where he never had friends prior to these ppl he didn’t invite, and the only person he had for twelve years of his life was his own mother. and percy uses his own loneliness to empathize w how lonely nico is.

percy is not some distant figure nico is idolizing. he's a kid trying his best to care for another kid at a time where no one else did, while experiencing his own trauma. all of their hang-ups exist bc of that.

going back to their relationship in hoo, even trying to make percy uncomfortable w nico’s powers (and therefore not wanting to associate w nico) doesn’t work bc percy has gone on record and said he thinks some of nico’s powers are cool and has neutral responses to others, not to mention percy is also a big three kid who makes other ppl wary (i could write a whole meta on how what percy finds disturbing w nico’s powers is directly tied to what percy finds disturbing w his own powers, but i’ll restrain myself. please clap).

and if that wasn’t enough, the entire reason percy stood up to hera in botl is bc she was willing to let nico die specifically bc he doesn't fit in bc of those powers.

this plotline was tired before it even began.

you could argue that all of this changed w nico’s betrayal in tlo. but then why didn’t percy tell anybody when it happened in tlo (annabeth would’ve reacted to it if he had)? why did percy trust nico to come when he called? why didn’t any of percy’s animosity come out afterwards at camp? and in the throne room, percy didn’t have to single nico out w his wish. he didn’t have to watch nico to make sure he was settling in. but he did. and because he did, any writing that suggests percy doesn't trust or care abt nico bc of that is bad writing. maybe rick forgot this, but u can be angry w and hurt by the ppl you love and still love them.

even the justification that nico lied in son isn’t good enough to completely change their relationship, bc it’s pretty clear why nico lied and percy says he can’t stay angry at nico when they rescue him, and let me remind u, anger is a core part of percy's character. while nico lying might be enough for characters like leo and jason, who have no rapport w him, to doubt him, it’s not enough for percy. and why are we so obsessed w dismantling percy and nico’s friendship anyway? why is that necessary to the story? like i said before, ppl can have friends without coming out. isolating the only queer character (at the time) isn’t necessary.

this conflict doesn’t even work in hoo bc their distance is still one-sided…

when did percy not give nico a second chance in hoo? the only times they’ve interacted prior to this was when percy remembered nico in son and tried to talk to him and then when they saved his life. and then nico brushes off percy's gratitude and tells him to back off. this is not nico idolizing percy who doesn't care abt him. this is percy reaching out and yet again nico putting distance between them.

and, obviously, this doesn’t work at all w pjo when the entirety of botl exists, you know, where percy chose to trust and protect nico and then went out of his way to make sure nico knew percy held none of nico’s anger against him. it’d be one thing if nico was supposed to be wrong, but considering how there’s an entire arc in hoo abt jason being the first person to trust nico, and tsats seriously acts like percy only ever talked to nico when he needed something, it’s safe to say this comes from a place of stupidity.

ok. this sections getting long, so i moved the it was stupid to have percy give jason a reason to doubt nico section to a new post. but know that i'm aware and i think it's stupid.

back to the point of all these retcons w percy. there's nothing in hoo that necessitates changing percy and nico's relationship from pjo. while percy in hoo is never cruel to nico, they act like strangers for some reason. so, it's changed for no reason and it's written poorly.

sigh. and then all of chb is retconned (or recycled if you’re feeling generous).

the ppl at camp accept him while his cabin gets built. pretty nice. then in boo nico reveals they got tired of him after a week–which is still summer–despite there being an influx of kids from all descents, some of whom would be weird or uncomfortable or whatever this justification is. that’s not even mentioning how percy’s own experiences (remember how he was ostracized…multiple times…) should have made them more accepting of nico.

why…was this necessary at all…? especially when u have an entirely different camp that treats nico as weird bc they didn’t have that good experience w him? this is really what gets me. if rick wanted to be lazy and repeat nico’s arc, he could’ve done so without retconning things.

for example, with the seven, leo, piper, jason, and maybe annabeth (she doesn’t have much to say abt nico in pjo), i could understand having animosity towards nico, as well as camp jupiter, but retconning established relationships to make ur only (at the time) queer character isolated and miserable only to then have his coming out be violent and traumatic is. well. bad! especially when the person who is w him for that experience is not someone he has built any sort of camaraderie w. nico isn’t choosing to trust jason, he’s being forced to.

and the whole nico-needs-to-learn-to-trust-ppl plot doesn’t work anyway bc of rick’s inconsistencies.

jason has a moment much like frank where he doesn’t want to go anywhere w nico bc nico is so weird and scary. nico has every right to pull himself away from ppl who treat him like he’s got something contagious. and there’s more:

“since when does jason defend nico,” as in they have shit on nico before and jason has not, in the past, defended nico. as in nico had every reason to not trust jason prior to this bc everyone, including jason, were talking shit behind his back. why are we acting like nico is being unreasonable? oh no, y’all are talking behind my back…clearly it’s my fault bc i push everyone away and that has nothing to do w ur behavior or anything…yes this is good writing.

and we’re supposed to believe that jason (and reyna and hedge and will) is the first person to be kind/reach out to nico, but we have this scene from botl where percy comforted nico and gave him a piece of his childhood back:

and this is after percy cleared the air to make sure nico knew he didn’t hate him and offered to make accommodations for nico at camp and then respected and understood why nico wouldn’t want to. like,

woah, you’re telling me that a character reaches out to nico after a traumatic experience in an act of kindness and this helps nico grow as a person? and it happens multiple times?! yeah, apparently rick and fandom have completely forgotten abt this (also hazel exists???). they’re even phrased similarly! “maybe it’s time to take a risk and embrace something you’ve pushed away.” furthermore, they both support their point by helping nico, percy by inviting nico into his home to enjoy cake and ice cream, jason by drinking from the chalice. once more w feeling: nico has been loved the entire goddamn time!

i get what rick was trying to accomplish w the whole cupid scene concept. which is that it’s okay to be gay and that it can feel very “othering” to be gay. nico has to accept himself in order to make friends. that’s what this

and this

are trying to say, right, but this doesn’t work when you’ve blatantly retconned established relationships to have characters push nico away for his powers/parentage/whatever. nico’s struggle is not an internal issue that can be solved by accepting himself, it’s an external issue caused by how other ppl treat him for his powers/parentage (which he has never been shown to reject btw).

the thing is, the powers-as-queerness metaphor only works when you don’t have, you know, characters who aren’t queer going through similar ostracization. not only was percy ostracized at chb in tlt for his powers/parentage (very similar to nico!), percy has a moment in this same book where his powers terrify annabeth, and then piper in the next book, in which he, you know, lets himself almost die to poison bc he feels like he “deserved it” for using those powers. again, this is not queer-coding for percy (unless…?). moreover, like i said, nico doesn’t reject his powers, so the whole queer-coding w powers and needing to accept himself is already iffy (...rejecting powers...hold the fuck up…percy isn’t…unless…). even the out-of-time metaphor doesn’t work bc it’s something he shares w hazel, who is not canonically queer (unless…?!). so, already, we’re on shaky metaphorical ground. all of this could work, theoretically, if combined w strong writing, but combined w the retconning and inconsistencies, this plotline makes no cohesive sense.

we’re supposed to believe that nico is the one pushing everyone away while they are secretly super supportive while simultaneously being shown that everyone talks and thinks shit that affirms nico’s thoughts abt them that makes him want to pull away. and then in boo we completely ignore that these ppl have been pushing nico away and suddenly everyone (reyna, hedge, will, etc) is supportive.

pick a struggle!

also nico’s coming out scene in boo sucked (yeah this is the segue).

this is the culmination of nico’s arc in hoo. he’s finally accepted himself enough to speak the truth without pressure. we ruined percy and nico’s established relationship for this. and they don’t even have a conversation. then nico walks over to will bc percy, “regular guy” percy, is “not [his] type.” don’t look too deep into that.

so, how would i fix the cupid scene? well.

there were a million different ways to write a better arc for nico and earn that cupid scene. for example, rick could’ve stuck to a plotline.

the trust plotline could’ve been good. bc this exact thing is what causes the accidental kidnapping situation in tlo. nico doesn’t trust percy enough to tell him the truth and chooses to manipulate and lie to percy instead. this choice is what sets up their conflict bc percy views this as betrayal (something that’s important to a guy who’s fatal flaw is loyalty).

it’s also interesting bc nico does choose to trust ppl in hoo; he eats the pomegranate seeds despite not knowing that someone is coming for him, he just trusts that someone will (we’re ignoring what boo says abt nico’s tartarus experience bc fun fact! that is also retconned). and it pays off, bc not only does he get saved, we see hazel and percy even willing to challenge the other members of the seven to make sure he gets saved. so, it’s not a lesson he’s already learned, it’s a lesson he’s learning. but, going back to the main question here, would the cupid scene still be necessary? was being dragged into tartarus and almost dying not enough spectacle?

regardless, my biggest problem w the cupid scene in all of this is that it gives the impression that u have to come out in order to have ppl love u and trust u. a much better message to send is that the ppl who love u will love u before and after u come out. no isolation necessary.

#shows up over a month late w an essay-length response as to why nico’s arc in hoo sucked #are u not entertained?#also hi! just realized i never said that lol #nico #rr crit #hoo crit #disability #queerness #answered #min talks pjo

121 notes · View notes

genshinemblem564 · 1 year ago

Text

Genshin Isekai Headcanons

These can be sagau, but they don't have to be.

• Xinyan is stoked that you love her music, and is excited when you offer to play her some music from your world, but she's confused by some of the lyrics. She understands metaphorical lyrics, like the person described in the song isn't actually a rocket, but some of them don't make sense or feel like they were added just to fill a void. Aside from that, she kinda wants to perform some of these songs, now if only she had some band members.

• Tartaglia doesn't have much to say about the guns of your world. The pyro and hydro fatui agents already use guns of some kind, and the cryo fatui agent uses, um. What would you call an ice based flamethrower? No, what he's interested in is the immense amount of new weapons that Teyvat doesn't have, or they probably do, and we just don't hear about them. Like chain blades, I don't know what else to call them, essentially a flail, but instead of a mace, it's blade. I would write something about axes, but I feel like saving that for my crossover series. A scythe is often seen as a special lance, but you tell him that it's much more complicated than that specifically pointing out the blade, and depending on your own skill, you give him a demonstration. He is way too excited to learn all of these new weapons, like a kid excited about a new toy, you can't help but smile.

• Baizhu is perplexed when he first prescribes medicine to you, as you give him a list of allergies, if any, and are more than willing to go through proper examination to learn how resistant your body is to certain toxins. He's even more surprised when you tell him that his unique practice is actually common in your world, so that's why you don't bat an eye at potentially poisonous ingredients.

• Bennett is rather surprised. When you hang out, his bad luck seems to go away. It's actually just you using a bit of foresight, like checking the date on a flyer before rushing to a sale that had already ended, but seeing that glimmer in his eyes, you decide to let his imagination roam.

• You and Cyno are reference lords. You two reference everything, Cyno, his favorite book or book series, and you, your favorite media source. Now, if only people actually understood them, and yes, you do quote Yu-Gi-Oh when playing Genius Invokation.

• If you're an artist, then you quickly catch Albedo's attention. When he sees your drawings, he is quick to ask what you used as a muse, and your answer will have great impact on his reaction. If you point to an object or animal, his response will be normal. If you draw from memory though, he is astounded, especially if what you drew was a scene of some kind, with people, animals, or what have you. Drawing all that from memory is incredible. If you say it's something you made up, he'll compare it to when he's commissioned for his own art.

• Depending on your own interests, you'll be interacting with several different characters. I can't think of anything in depth for these few, so here's a general basis. Barbara is relieved that you're so open to different views. She knows how cruel people can be when they're closed-minded, and she's happy to teach you about the Church of Favonius and Barbatos. Noelle was lamenting not being a knight yet, which led you to bring up the seven chivalric virtues. Yae Miko and Xingqiu are very interested in the stories of your world. Xingqiu hoping to learn more about your worlds code of chivalry, but he ends up learning about justice's different forms. Yae is simply searching for new inspiration. She often calls on you when her old nemesis, writers block, appears. Nahida takes interest in you right away, wanting to gain knowledge from your world, and you seem fun. She knows better than anyone how dangerous knowledge can be, so she asks you to omit potentially dangerous subjects.

• Mona was shocked when you said that you only wanted to know the bad stuff coming your way, not that she could help you, with you being an outworlder and all. When she asked why, you told her "It's best to be prepared for all the bad coming your way, and if you know all the good coming your way, it takes away from life's natural wonder." Which was promptly followed by you asking "Where did that come from?"

___________________________________________

I'm thinking making more of that last one, like " Characters reaction to reader who is randomly philosophical" might need to work on the title a bit. Also, as stated above, these can be sagau, but can also be normal isekai, so I'll use both tags so they can be found more easily

#genshin impact #isekai #sagau #genshin headcanons #xinyan #tartaglia #childe #genshin bennett #baizhu #cyno #albedo #mona megistus

285 notes · View notes

jo-gakky · 4 months ago

Note

Can you express how much you love Nezha? I’d love to read about your rambles ❤️

WAAAAAAAAA this is such a flattering ask to get!

I'm really bad at expressing myself when it comes to things I love, but I LOVE talking about and pointing out the little details about my favorite little guys!!

(also a quick note! I tend to describe things using examples/scenarios. If it gets a bit confusing, please don't be afraid to ask me about anything <3)

Nezha, specifically the LMK version of him, brings me a kind of stability and comfort that no other character really does/ever has. The comfort derives from sort of a combination between his general presence/movement, ideals and actions.

Have you guys ever met someone who just OOZES stability? They're dependent, and manage situations with grace, even despite their own troubles?

That's the kind of guy I read Nezha as! He's a noble guy with a stable moral compass, and he's self-assured in his actions and his righteousness, however, he's not afraid to admit his own wrongs when they pop up. He's stubborn, sure, but not to a fault. Despite knowing of Wukongs reckless behavior, he entrusts the responsibility and himself to Wukong’s plan(s). And to be honest, what deity in this show is NOT a bit stubborn?

Nezha is everything I'm not, and I ADMIRE that so much. There is something comforting in watching him whenever he comes on screen, because he is what every other deity pretends to be. He is just an honest guy, and honestly what's better than that?

He's just the type of guy you could trust wholeheartedly!

Again, I could be reading his character wrong. Rewatching LMK always makes me notice new things about characters that provide a new context to them, and Nezha is no different.

But that's absolutely okay with me, because that means I get to re-explore all these characters over again!

But for my current impression of Nezha, I read him as a stern guy with a heart of gold!

I could imagine, even if he was on duty, he'd be the type to help out if someone asked him for a hand. He'd probably hesitate, but only because leaving his post probably feels like sacrilege to him, but in the end he can't neglect a person in need of a hand. He's a generally kind, nice and reliable guy, but betraying that trust would make him incredibly doubtful of whoever slighted that trust, for a long while. His trust is preserved for those who deserve it. He seems to be a good judge of character, and wont give his full trust to those who are suspicious.

I also just feel like he's the stern type, that actually hides a side that's more cheeky, but in fear of becoming a joke or looked down upon, he represses that side of him.

I don't know how to really express exactly what I mean with all of this, but I generally just love him so much for being such a stable, kind, responsible and grounded character!

Something about him screams safety, and I'm genuinely so sad that I didn't pay him much mind on my first watch.

Aside from his general character, his design also just SCREAMS comfort and happiness to me!

The Pretty pinks and teal speaks to his calmness and general kindness and goodness, while the bright reds give a hint of his ferocious battle skills and power. And perhaps his temper, but I don't really think he has much of a temper. He gets a bit annoyed, but if i'm being honest, i would get a bit irked too if someone who could help wasn't taking something, possibly dangerous, seriously.

Beside his pleasing color scheme, his general shape-language is GORGEOUS and i love it so much! His hairstyle specifically makes me so happy! It's so beautiful!

He's also just generally really fun to draw, which adds a lot when it comes to a character's appeal for me.

This is just a minor detail, but I thought I'd add it anyway : His english voice BRINGS ME SUCH JOY! His voice is such a perfect fit for the kind of person he is! (tbh all the english voices are perfect, but specifically Nezha's voice strikes a chord with me.)

yeah

That's just the basics!

TL;DR : I really like Nezha bc he's very cool and nice and awesome and responsible! <3 He makes me happy :)

#lmk #nezha #lmk nezha #lotus prince nezha #Lego monkie kid #monkie kid #artists on tumblr #Gakky rambles #fanart #art

34 notes · View notes

nartml · 9 months ago

Text

To Pimp a Butterfly and 1989: a rant

Listen here, three things about me are that I'm a) white as snow, b) Greek, c) still a minor.

What does this mean? It means that I obviously wasn't raised with hip-hop, and I got into Kendrick Lamar's music pretty late.

As in, early this year.

I've known of him for some time, and the moment I found out he had a Pulitzer prize at some point in late-ish 2023, I decided I had to sit my ass down and pull out Spotify.

Now, as an avid reader of both fanfiction (ao3 raised me) and books [I feel the immense need to clarify that I don't associate myself with mainstream booktok. Capitalism's consumerism has overrun that shit and all I see are the same 20 books being recycled and recommended (a substantial amount of those are Colleen Hoover and her variants). Tropes and spice* are officially the defining factors of whether a book is worth it (*your porn addiction ain't cute) and quantity is heavily prioritized at the expense of quality. Also, diversity who?], I was, for a lack of a better word, hyped.

A Pulitzer prize is nothing to scoff at in general, more so in music, more so in hip-hop.

(Edit: Upon quick reflection, I realize that putting emphasis on hip-hop can come across as coded.

I am in no way, shape, or form trying to undermine hip-hop or say that it's somehow less 'sophisticated' than, for example, classical music. I'm very aware of the amount of skill and technique one needs to write a masterful hip-hop album, and I'm not doubting that there are hip-hop artists out there who are also incredibly deserving of such a prize. I meant it in the sense that I've unfortunately never heard of another hip-hop artist who won a Pulitzer before, which is quite telling.)

That's some huge shit, and I'd be a fool not to be intrigued.

Admittedly, I didn't get on that immediately. For a while I procrastinated, because I wasn't in the mood to hyper-fixate on anything new just yet.

Which of course meant I ended up forgetting about it for a few months, because of course I did.

But then I came across a TikTok that talked about how it was insane that '1989' won the Grammy when To Pimp a Butterfly was right there.

Now, a fourth thing about me is that I don't fuck with Taylor Swift.

And a fifth thing about me is that I'm not baseless in anything that I do, say or feel, and that includes annoyance.

Her immature understanding of activism and feminism leaves a bad taste in my mouth. The way she built up her fan base around this portrayal of her as a relatable girl's girl, her refusal to accept criticism, and always making a victim out of herself (even now when she's in her thirties and is a fucking billionaire) while never using her position of power and privilege for good are all reasons that serve to fuel my dispassionate dislike.

And before any Swifties get on my ass, no, I don't think that "But she's a singer! Why are you expecting so much out of her, she isn't even qualified to speak on XYZ—" is a good enough excuse.

She has always been rich, and now she's a billionaire. There are no ethical billionaires, and that includes her.

Fame is influence is power. Uncle Ben said it all: With great power comes great responsibility.

And let me tell you, I don't see her owning up to that responsibility, especially after all that talk about how she supports women, supports the LGBTQ community, and supports the BLM movement. Has she ever actually put her abundant money where her mouth is?

I've never seen her speak about anything that doesn't immediately concern her.

Don't get me wrong. She's not the only celebrity like this out there. I'm sure there are worse cases. I know it for a fact.

To wrap this segment up before I get even more sidetracked, I'll outright state that I don't hate her, because hating her would by definition mean that I, in some way, actually care about her, and that just sounds exhausting.

Best way to describe me is indifferent, leaning towards distasteful.

She's annoying.

And that's how I feel about both her as a person and her as an artist.

I'm not denying her talent, nor her impact on the industry, nor the fact that she does have good songs that even I like.

A select few, of course, but still.

Apart from those...what? Ten songs? I have never, ever been able to listen to any other song of her's all the way through.

I get bored. They do nothing for me. They sound empty. Hollow. Plastic. Repetitive.

Her lyrics, that are praised by fans for being deep and complex, sound pretty surface level to me.

Not all of them. But I'm a sucker for analysis. A literature nerd. Greek is my native language. I can tell when something's deep and when something wants to be deep.

(Not necessarily including Folklore and Evermore in that category. Her storytelling ability is actually great.)

Her music largely sounds like it wants to be deep.

Most recent example being her latest release, The Tortured Poets Department.

Anyway, back to Kendrick.

My initial plan was to listen to 'DAMN.' first, because that's what he won the Pulitzer for in the first place.

There was a change of plans after that TikTok.

I decided to compare the opening tacks.

I put on Welcome to New York, and predictably, I felt nothing.

The rhythm is dance-y, I suppose. But there's nothing substantial about it. There's nothing exciting about it.

The lyrics are juvenile, and I get it, it's a pop song and she was in her twenties.

Nobody is expecting Shakespeare (no matter how much you scream or kick your feet, the only reason Shakespeare couldn't write Taylor Swift is because he's in another league entirely) or Odysseus Elytis. Nobody is expecting mind-blowing lyricism.

But it's the opening track to an apparently Grammy-worthy album. The very least I'd expect from it would be some additional levels of artistry.

Am I being harsh? Probably. Do I care? No.

Disappointed but unsurprised, I put on Wesley's Theory.

I ascended within the first minute.

Don't get it twisted, I barely understood shit.

Not only am I white, I am also entirely removed from America and its culture as a whole. I don't know what's going on there in y'all's daily lives.

And this was baby's first proper introduction to hip-hop as a whole.

My untrained, white-ass ear barely caught two references. I got what the gist of the song was about, and that's about it.

I had to look up analyses of the track to fully grasp what Kendrick was on about, and even then, there was obviously still a disconnect.

And I expected all of that.

I didn't expect to get hooked on that song within the first listen.

I swear to fuck, the beat is addictive. I swear to fuck, even when I was fighting to understand what the lyrics were referencing, I was having the time of my life.

Even I, an amateur in every sense of the word, could tell that there was depth and there was quality and there was intentional meaning in every line of that song.

It didn't matter that I couldn't understand it. It mattered that I knew it was there. Not because someone told me that was the case. But because it was audible.

I listened to the next track. And the one after that. And the one after that. I had listened to all of the tracks, before I knew it.

And the evident permeance of quality, of substance, carried on throughout the whole album.

It had exactly the type of lyricism I'd expect a Grammy-worthy album to have. It had exactly the amount of artistry I expected a Grammy-worthy album to have.

Even better, it had all the ingredients I expected a timeless album to have.

The poetry Taylor Swift fans insist hides in her discography, I found in plain sight within Kendrick Lamar's.

After meticulously reading the lyrics, I watched video essay after video essay, searched for analysis after analysis on this album, each time understanding the meanings behind it a little better.

Needless to say that the Grammy's are rigged and I love Kendrick Lamar.

Hip-hop is gorgeous.

#tpab #to pimp a butterfly #kendrick lamar #he's awesome #hip hop #1989 #taylor swift #just to be safe #anti taylor swift

107 notes · View notes

discountsoysauce · 10 months ago

Text

I don't understand the idea that Victor has no backstory. Like- yeah, his backstory isn't as horrifically tragic and detailed as Eli's is, but we do know a good bit about him from what he's said so far.

His parents are pretty successful, so we can assume he grew up rich. Victor states that they write all of these books about family but have never taken time out of their day for him, even saying something along the lines of the last time they put aside time for him was his birth (not exact quotes, I don't have the energy to look back through the books rn), so we can assume that they were incredibly neglectful, most likely leaving him at home for days, weeks, maybe months at a time and probably not paying much attention to him even in times when they were home. Whether they paid someone to take care of him in that time or he had to learn to be self-sufficient is debatable.

I personally don't think they were physically abusive, and there doesn't seem to be any evidence at present that supports that idea. Verbal abuse is more likely, but I still don't think it was the case. It doesn't seem like they were around him long enough to do either. I don't think those things really need to be a part of his backstory to make it interesting or compelling. His parents were neglectful, and it shaped pretty much everything about who he is.

The biggest and most obvious one is Victor's obsession with attention. There are multiple references throughout the books of Victor craving attention from those around him, namely Angie and Eli. More than anything, Victor wants to be seen. He wants to be a part of something. He wants to be remembered and acknowledged and thought about. He craves the attention his parents never gave him. He doesn't want to be left behind or forgotten.

Being left behind is another big fear for him (I'm mostly speaking about Lockland here, as he becomes a bit less dependent after he becomes an EO, though there can still be an argument made about him latching onto Mitch and Sydney and Dol and Dominic in a kind of makeshift family he never had). He hates seeing Eli succeed because it feels like he's being left behind. He wants to be so intertwined with another person that they can't possibly forget him. He wants to form a connection so deep that it's impossible to sever. To Victor, there's a connection between 'success' and being left behind. He doesn't want to just be an expendable sidekick or an accessory. He wants to be an integral part of someone. Victor's life revolving around Eli is a symptom of his upbringing.

His social skills and general demeanor are also something that can be analyzed. From the beginning, he's set up as the antithesis to Eli, from social class to backstory to appearance to demeanor. They're the same at their core, but opposites in nearly everything else. Compared to Eli, Victor is a total recluse. He hates being around people, he avoids parties, and we barely see him interact with or pay attention to anyone except the people he genuinely cares about unless he absolutely needs to. His demeanor is off-putting, and he doesn't really make an effort to hide that, although he does just enough to make sure he isn't a complete social outcast. Victor grew up in one home with no siblings and parents who were hardly around. Compared to Eli, who was carted from home to home, meeting new people and learning how to blend in all the time, Victor likely doesn't have much in the way of social experience. He didn't have to hide who he was nearly as much as Eli did because there was no one there to see it anyway.

This being said, he is described as being a good liar and able to fool those around him, although notably worse at it than Eli. This one is more of a longshot, but I don't think it's improbable. Victor's parents were successful published authors who garnered their success based on the books they wrote about family. It's possible that Victor had to make press appearances at some point when he was younger, and learned how to lie for the cameras, or he just spent so long out of the company of others that he started seeing other people as more objects to use and less real living people, making it easier to learn the motions of manipulating them. Either way, Victor learns how to do or say the right thing to get someone to believe him, but he states that Eli is much better at actually faking emotions than he is. This is because while Eli spent his life following his father's death surrounded by people and thus learned how to change his entire self to appear more presentable to the general public, Victor only learned how to manipulate people through speech or actions. He can tell you exactly what you want to hear, but he can't put on a fake persona the way Eli can because he never needed to.

In conclusion, Victor does have a backstory, and it informs every aspect of his character, including his relationship to Eli.

#this isnt me defending victor this post got away from me a bit lmao #a not entirely serious mention of the idea that his skewed morality could also be a result of his upbringing #i mean #the man had no role models #and was pretty much raised on crime dramas #cmon #hopping off my soapbox now #i got tired near the end can you tell #Victor's backstory isnt explicitly outlines the way Eli's is but its There #i came up with most of this as i was typing #vicious ve schwab #vengeful ve schwab #victor vale #villains series #eli ever #eli cardale #vicious #vengeful

94 notes · View notes

nthtotaldramasideblog · 5 months ago

Text

What would Sierra be like if she was on Total Drama Island?

I've seen mention of a couple of fics and fan art of Alejandro on the original Total Drama Island but that made me wonder what Sierra would be like.

Because she couldn't be obsessed with Cody or any of the other cast members at this point. So in this scenario, she would be so incredibly different to what we know of her in World Tour and All-Stars.

Even just visually, her hair and pants would be different (her hair is based on the colour of Cody's bruises, and she wears the same pants Cody's mum wears). Black-haired Sierra, who wears pants similar to Chris's anyone?

She would probably still be advertised as the "obsessive fan," but this time, it would just be for Chris and Chris alone. She treats the rest of the cast members as human beings (though she is still very socially awkward about it).

Outside of her fandom side, she would probably be characterised as by her mutliple random talents and her addiction to the (early 2000's) internet. It would depend on what team she was on, but I would like to see her develop a friendship/understanding with Harold; two awkward nerds with a varied assortment of skills.

If Sierra was on the screaming Gophers, maybe Heather would add Sierra to her alliance. The reason for this could vary, like maybe she saw how Sierra's sucking up effected Chris, or Heather saw how desperate Sierra was for friends. If Sierra did join the girls aliance there's the possibility for her to have a friendship with Lindsay and Beth.

Now the big thing, would she start crushing on Cody again? And would it be any different to how she crushes on him in canon? This is hard to answer because we don't know what was it about Cody that drew Sierra in in the first place. She tends to describe him as more rugged and "manly" than he actually is, but also treats him like how a toxic small dog pet owner would smother said small dog. So perhaps how "Codierra" occurs would depend on one's interpretation of where Sierra's feelings came from.

Finally, if Sierra lasts a long time, I feel like her arc would be realising that Chris is a jerk and that it's not good to put these kinds of people on pedestals cuz even if you like their stuff that doesn't mean you know them. (Don't know if they would make this same message in 2007 or whenever, but anyway...) On the plus side, this might mean she would put more emphasis on the real people/relationships she has (camera pans to the friends she has made on the show).

Then it would be interesting to see that progress on Total Drama Action and World Tour (if she participates in them). Maybe a conflict in Action would be Sierra learning how to maintain these friendships she made, respecting boundaries, and figuring out what to do by herself if she is no longer obsessed with Chris. And who knows what this version of World Tour would be like since a big part of that season was how the "new" contestants shook things up.

So in short, this would be an interesting AU to see cuz it would give a chance to see what Sierra is like when she is NOT surrounded by the people she stalked for years. Would love to hear any thoughts!

#total drama #td Sierra #total drama au #total drama Sierra #total drama island #sierra td #fanfiction #total drama action #td harold #td heather #td cody #coderra #codierra

32 notes · View notes

hawkinasock · 4 months ago

Note

I feel like luocha would revive yanqing bc Yaoshi sees his (yanqing's) potential as a weapon for THEM, so THEY would send luocha to revive the boy and take him to the xianzhou to develop his skills so that THEY can control him in the future

Interesting. Ngl it makes me wonder if an event like that is what catalyzed Luocha's estrangement from the Abundance, assuming he is/was an emanator. It also makes me wonder how Yaoshi actually feels about the Xianzhou alliance. We know that The Hunt's entire purpose is to eradicate the Abundance, but is it ever clear if the feeling is mutual on Yaoshi's end? They seem so impassive and mellow from what little we've seen and heard of them, and they only take on the image of one particularly malevolent through the way in which the Xianzhou describes them, and the Xianzhou aren't exactly an unbiased source of information. Yaoshi creating what is essentially a sleeper agent is an interesting idea, but what if Yaoshi is genuine? What if Yanqing's entire existence is the thesis for their love?

Not to sound like some disciple lmao, but I think the idea of Yaoshi believing their power and ideology is as much a force for good as any other aeon is the kind of nuance I'd want the lore to lean into, and the potential irony put forth with the implication that Jing Yuan himself is using Yanqing as some kind of weapon can turn the tables in a super interesting way. Where the Abundance is the one committing the sin, in actuality, it's The Hunt.

Maybe I'm just a sucker for "the ones we thought were good aren't so innocent" pipeline. I've been having this sort of vibe ever since 2.4, during a very specific line from Huaiyan to Jing Yuan, where he made a firm stance in his belief that Jing Yuan's loyalty to the Xianzhou has "never wavered", to which Jing Yuan just... doesn't respond.

His expression only changes slightly, a faint furrow in his brows, then the camera just sits on him for a good couple seconds before Dan Heng speaks, and afterwards, Jing Yuan himself takes no part in the conversation for the next few lines. When he does, it's irrelevant to Huaiyan's original comment.

Idk it could be nothing, but with Jing Yuan already being incredibly suspicious in many ways, namely his guardianship over Yanqing, it makes me wonder if the entire Wardance arc was, to an extend, a red herring; a false sense of security. Now that hsr has explicitly brought up the possibility of an Arbiter General being disloyal and making two plot points out of it, the first being Feixiao's inner turmoil with the borisins and the second being TB defending Jing Yuan's innocence, I can't help but be even more suspicious of him.

I lost the plot a bit there... my bad. But to reconvene, I think it would be both plausible and in character for Yaoshi to revive one specific child, but I'm on the fence about their motivations being inherently malicious. Their power may be the cause of much pain and suffering, but as far as I can tell, they themselves don't see it that way. As biased as I admit I am about Yaoshi, I think that they would revive Yanqing simply because they love him.

I still think your theory, as cracked as it is, holds water. I'm fond of it, personally, if you can't already tell lmfao. Sorry this was a bit long btw. I just love to yap about my stupid little blorbos. Pls hit up my ask box again if you have more to say.

#hsr #ask #yanqing #yaoshi #luocha #hsr theorizing #abundance!yanqing theory #“love” is platonic/parental btw #on the slim chance that i have to clarify

27 notes · View notes

flaresanimedump · 8 months ago

Text

Why Fukuzawa is the Hottest BSD Character

*Cracks knuckles* ok here’s “what’s likeable about Fukuzawa/Why would Ranpo like Fukuzawa” because I saw that again recently

1) HAVE YOU SEEN HIM?!?!?

Twunks are agelessly hot. Don’t pretend you didn’t think movie stars 10+ years older than you were attractive as a teen. And everyone currently thirsting over BTS - he was the same age as they are when Ranpo met him.

2) You like strong, warm hugs where it feels like you’re swallowed up in the other person’s arms? You like the safe feeling it gives you?

What if those strong warm arms belonged to a bodyguard??

3) Ok now what if those strong arms belonged to a bodyguard who was also once a bad guy.

You know those hands can kill because they have before. But they’re gentle with you, careful. He’s on his way to being reformed but you’re seeing the good that was always there to start with, if only the world hadn’t pushed him into violence. This is Bungo Stray Dogs so just go ahead and briefly imagine this as a dog rescued from dogfighting that’s the absolute sweetest thing you’ve ever met. Now transfer that feeling to Fukuzawa, a man who was used by the government in a war Ranpo was too young to be part of, a rogue who’s learned the error of his ways and seeks to repent, a reformed bad boy with a heart of gold, you might say??? Incredible I’ll take 12.

4) Before we get into the long character analysis stuff I am going to try to impart to you the allure of an older man who isn’t a creep.

4.1) They’re wise and confident. They can offer help nobody your age can.

4.2) They stay calmer under pressure. An island of serenity.

4.3) When they get mad they usually get shit done. Way less drama. Fukuzawa may be a slight exception because of his former boyfriends but he has done his best to kill them both himself so I stand by the statement.

4.4) They’re still very human. Fukuzawa specifically gets passionate and loses himself in emotion when he’s worried or afraid, but it takes a lot to crack his exterior chill. It’s extremely hot when you get a reaction you had to work for.

5) Fukuzawa is about the most dependable husband-type we have in BSD.

He built up a whole agency to support his and Ranpo’s life together (a lifestyle they both wanted to continue, as mentioned in 4th anime opening Shirushi) despite initially being bad at 90% of the skills required.

(Rough Shirushi lyrics in question below)

Fukuzawa's described as "afraid of strangers" and thinks to himself how everything about leading a company is something he could never do in Origins,

and then we see him 12 years later and he's worked really hard to be able to do it. We get all these hints about how connected he is now

and we see how good he is at leading the ADA but there are times when it's clear it's something he adopted and not what he was born for, like when Mori started asking about strategy books and he'd only read the most common one, or how he plays Go but was reading a book about the rules in one of the official arts set in present day.

Of course, Tsun Tzu isn't exactly light reading, but I don't think Asagiri would make the character based on the most notable proponent of education in Japan be less well read than his opponent if it wasn't core to Fukuzawa's character in BSD. He's worked so hard to be what the ADA needs and wasn't/isn't a genius at it but still does well, and he basically switched careers on a whim at 33 to support Ranpo. Imagine if somebody did all that for you. If Ranpo wasn’t in love with him before I think that would be the killing blow.

6) Even if Fukuzawa’s not a genius, he’s able to understand and accept others more than any of the "normal" people in Yokohama.

He thought Ranpo was amazing when everyone else thought he was annoying (Fukuzawa also thought he was annoying of course, but the amazing part won out in the end). He experienced the full brunt of Ranpo’s observation and felt bad that he got upset over it when literally every other person who’d encountered Ranpo over the course of 2 years had been angry, shouted, and in the case of the Police Academy dorm head and presumably Ranpo's classmates, beat him for it.

We can guess from the agency members Fukuzawa employs that he’s a freak magnet and it’s probably because of this trait of his. I’d say he has ‘clear vision’ in that he’s able to see if someone is good or bad beyond societal norms even though he is aware of them himself.

Basically, Ranpo doesn’t like “common sense,” and while Fukuzawa is familiar enough with it to function normally in society, he’s one of very few like that who aren’t governed by it.

7) Fukuzawa is a genuinely good, kind person.

He listened to Ranpo more than anybody but his parents would, took him in when nobody else would. He refused to become a soldier, to go and kill other soldiers with no power over the outcome of the war, in order to assassinate the officials actually responsible for continuing the war.

I’d argue that Fukuchi was trying to follow in his footsteps with his grand war-stopping plan – that he felt Fukuzawa’s decision to kill the fewest possible people to end the war was correct. And Fukuzawa made personal sacrifices to do that, letting his best friend go to the front alone, not knowing if he’d live or die. Losing friends and losing the respect of those who did come back when he quit.

But even though there’s a good chance that what Fukuzawa did saved a lot of lives, and even though the people we're aware he killed were unquestionably evil, he still felt that his feelings at the time put him in the wrong. He was still horrified at what he was capable of and quit once all the officials who could restart the war were dead.

There aren’t many characters in BSD with that kind of moral fiber. Dazai’s not trying to repent in the ADA, he’s just there to do good because a friend said he should. Ranpo’s not a bad guy but he’s not exactly caring or in possession of a strong moral compass.

Atsushi’s obsession with doing good is so tightly wound into his own self-worth it’s almost involuntary, which takes away some of his agency in his actions. We know Tanizaki is willing to commit murder without fear, Kunikida was fine with letting Atsushi be kidnapped, and everyone in the Port Mafia is morally gray at best. Even the Special Operations Division is governed by a “needs of the many over the needs of the few” mentality.

Arguably the only other characters who even come close to this level of humanity are Oda and Chuuya, but Oda's not in this essay and even Chuuya doesn’t care as much about collateral damage. The only characters in the cannibalism arc who drew a line to stop their groups from killing each other and anybody who got too close were Fukuzawa and Mori, and Mori’s morality would require another essay. So I’d argue that in a series where many are great, Fukuzawa is a very rare good man.

As illustrated by his scene with Fukuchi and Teruko. Fukuchi is a great man willing to work himself to the bone and die for others, but he’s also willing to “curse” Fukuzawa, as Ranpo said in the finale, with the long-term burden of his plan, and to kill innocent people to make it all happen. Teruko is a great girl willing to carry out Fukuchi’s orders out of either devotion to him or to justice, but she’s willing to kill and frame a man she knows isn't a villain to do it. The ends justify the means.

(To be clear I think this makes her a great character, but not one whose allegiance is to simple good-ness.)

Fukuzawa isn’t willing to kill someone who isn’t evil. He WAS willing to kill his evil mad friend to save his other friends. We saw that when he first struck Fukuchi down, so it wasn’t the closeness of their relationship that stayed his hand after he understood Fukuchi’s plan. It was that he felt the ends did not justify the means.

Virtually every other character in this series would have done it, thus: Fukuzawa is a good man in a series full of great people.

And that is what I ultimately think made Ranpo attach himself to Fukuzawa and listen to him without question despite Fukuzawa being an idiot in comparison. Let's face it, Fukuzawa's a bit of a himbo. But Ranpo realized he could trust Fukuzawa to know right from wrong at the same time he realized he couldn't trust himself to know: when Fukuzawa shouted at him after his rescue in Origins.

Ranpo was in the process of doing exactly what all the other characters do: whatever it took to catch the bad guys/stop the bad thing from happening. He allowed himself to be kidnapped and accepted the risk that he might be shot in order to find the hideout of the men responsible for, so far, a murder and a kidnapping conspiracy with Very Bad implications for the peace in Japan (kidnapping Natsume is not something they would do JUST for a ransom).

Objectively, without considering the human element, this appears to be the correct choice. Ranpo being in temporary danger isn't a big deal when the grand scheme has such major red flags for national security. Many many more people were probably in danger, and we now know the group was somehow tied to Fyodor so yeah, he was on a Very Troubling Thread. But even without knowing Fyodor's connection it seems sort of brilliant and ideal.

The ends justify the means.

But Fukuzawa didn't see it that way. He didn't care about catching the bad guys, he didn't care about efficiency or Ranpo's plans or anything of the sort. He was the only guy in the city whose main focus was on the human element - on Ranpo. Fukuzawa presented a fundamentally different way of thinking that Ranpo and the majority of the cast just aren't capable of, and it's natural to him. And I think Ranpo understood that in a split second when Fukuzawa said he shouldn't put his life in danger and decided that even if Fukuzawa was essentially blind compared to him, Fukuzawa's decisions would always be better than his.

SO that's what I think Ranpo would like about Fukuzawa and what makes Fukuzawa attractive!! Also he's really sexy :D

#fukuran #ranfuku #fukuzawa yukichi #character analysis #dogfighting #mention #idk I thought I'd tag that just to be safe #I also think this is why Fukuzawa dying would be very very bad even if Kunikida is in place to take over #He's still not ready #Ranpo would be like a pokemon too strong for its master lol #unruly and disobedient because Kunikida's liable to get sucked into the numbers instead of focusing on right and wrong #idk if this makes any sense I just wrote this in a haze #bungou stray dogs #bungo stray dogs #bsd analysis

45 notes · View notes

mysticpear · 6 months ago

Text

running list of my favorite moments from Paris 2024

the rapper who now sponsors women's wapo

stephen from penn state and everyone being obsessed with pommel horse now

SIMONE BILESSSSSSSSS literally eating after tokyo and at age 27 (dont fact check me im not doing google searches)

jade carrey's grace after her quals on floor

womens gymnastics having qualifiers on every event in the top 3

womens gymnastics leading all teams by FIVE WHOLE POINTS and the 2nd/3rd difference being 2 TENTHS (aka 5.0 vs 0.2)

synchronized diving bros tm

the new womens gymnastics commentators who are focusing on the incredible skill of the athletes and their resilience and safety rather than a single flexed foot like in the past

aly raisman is there love

waiting for track events bc i just want to see hurdles and sha'carri richardson

womens rugby absolutely demolishing great britain

con't:

12. snoop memes 13. simone's response to reporters asking about hezly, simone's caption under the team gold win, simone's response to aly raisman asking what the team nickname is 14. stephen from penn state again for becoming an overnight national hero 15. the main woman on the rugby team (ilana?? not sure) whos fully an icon and a beast and knows it as she damn well should 16. my friends and coworkers tolerating my gymnastics infodumps

con't part 2:

17. SIMONE GETTING BLOCKED BY MYKAYLA LMFAO 18. continuation of stephen memes i love them keep it up 19. just saw that apparently martha stewart is joining snoop for equestrian events bc "he's afraid of horses" 20. ILONA MAHER MY ICON MY LOVE 21. tom daly's sweaters and children 22. simone biles' husband (no he will not have a name) sitting with her parents and keeping their scorecard. v wholesome 23. aly raisman asking the team what their name is and simone fully glitching on how to not say "fuck" at a press event

WAIT SAME DAY BUT I THOUGHT OF MORE

24. pregnant fencer winner, can u imagine growing up like "yeah i technically medaled at the olympics bc my mom had been growing me for SEVEN MONTHS already" that kid is gonna have incredible stories 25. simone and her biggest competitor Rebeca Andrade cheering each other on even tho they're both going to all around medals on different teams. they FUCKING GET IT that's girlhood 26. katie ledecky eating it up year after year

part three of the day:

27. the gymnast who's sponsored by cheese?? jealous 28. the swimmer whos obsessed with the muffins so true king chase your passions 29. i found my favorite meme, allow me to quote: "gay men thirsting over the lithe sun-kissed swimmers' bodies of Team Italia and lesbians thirsting over a woman in a backwards hat and severe bob doing shooting - this is what those people at Stonewall died for" with a gif of the pistol icon queen (do not know her name) (also this is obv dramatic, we know Stonewall is a deep and complex history, don't @ me) 30. a clip of synchronized divers from (i think) china and the commentators were talking about how they had to come up with a new term to describe their water entry and it was something along the lines of splash disappear magic or smth. crazy

I'm back and worse than ever 31. HAPPY SHA'CARRI RICHARDSON IS RUNNING DAY 32. Alice Bellandi, who i just found out about. LETS GO LESBIANS LETS GOOOOOOO 33. i just.. something about the olympics exposing how much progress there is to be made in the world. year after year. from women's rights to gay rights to trans rights to racism to sexism and on and on and on. some dumbos were like "yay international competition" and instead got lesbians celebrating their gold medals w their gfs and women sharing about how they had a therapy appt right before they competed. its kind of a beautiful testament to the validity and worldwide nature of these issues 34. simone sharing that she met w her therapist the morning of her all around gold win 35. once again SIMONE'S FAMILY AND THEIR SHIRTS IM CRYING 36. im kind of obsessed with seeing noticeable mistakes intermixed with perfection 37. PIN TRADING specifically the clip of ilona maher trading w simone

anotha one

38. Jade Carrey medaling on vault 39. Suni medaling on AA 40. stephen again. SLAY individual PH medalist!!!! one of my best friends texted me to make sure i'm also obsessed with him and i told her about my deepdive into his gf's NCAA career lol. PS stephen you should come visit ur alma mater because you genuinely seem like one of the coolest people ever and i wanna meet you. 41. shoutout to frederick richards (also men's usa gym) for tearing it up all the damn time. i think he posts a lot on social media and the men's all around gymnasts should be getting a whole bunch of hype 42. Sha'Carri Richardson. so beauty so grace. she didn't even look like she was trying for the last quarter of her 100m qual. 43. related: im obsessed with the purple track like hello???? iconic 44. video of the camera man for trampoline. just up down up down up down 45. honestly every new thing i find out about the shooting events (incl the post about america not medaling at all but phrased as a clear dig at our firearm policy) 46. how (and maybe this is just me) women are fully dominating the news cycle in terms of what i hear about the olympics. the only men i've heard about are stephen and the Dad energy guy shooting for turkey, everything else is THE GIRLS 47. katie ledecky holding so many consecutive spots on every event record list she's on

hello again

48. Snoop ACTUALLY with martha stewart and both of them in full esquestrine (??) fits 49. WOMEN HAVE WON THE V A S T MAJORITY OF USA INDIVIDUAL MEDALS YAAAAA 50. ilona maher still shes just. ugh. (as i write this i get a post w a pic of her and stephen captioned "asking a bisexual woman to explain her type" lmao) 51. KAYLIA (?) AKA ALGERIA'S FIRST GYMNASTICS MEDALIST 52. proposal 53. the mixed doubles couple in ?? badminton?? who broke up to focus on their sport then won together and got back together <3 love is real 57. not only the pregnant fencer but I also just saw about a pregnant shooter??? again these kids are gonna have top tier bragging rights. also women are sick as hell 58. maybe already said this but im not reading the last fifty seven entries to check so any of the women's gymnasts and their just proud af smiles when they hit an incredible stick. like the way they just stand there for a sec and slowly bring their arms down bc they previously accounted for an extra beat while landing. chefs kiss ugh 59. whoever the hell made stephen an american flag cape 60. omfg saw a post with a bunch of people talking about stephen and one of the connections was "so and so who is in the pommel horse specialist group chat" because a) that is a thing that exists??? im so delighted and b) what he was saying was that he usually logs on to see that stephen is playing some NERD ASS VIDEO GAME (i am not that direction of nerd so i dont remember which it was). obsessed 61. IMANE KHELIF. get angry yall. saw someone say "all it took was the other woman saying she had never taken a hit that hard. but girl ur in the hit people hard sport. at the most elite level." like ya. reading up on the "transvestigation" which is a term i just learned and genuinely needs to be cut tf out because the implication that ALL men will be and are biologically stronger than ALL women is absolute bs. 62. Noah Lyles: "America. I told you. I got this" so true king 63. the medal counter that added a ring category for the couple that got engaged lol very wholesome 64. jade carrey coming back to the olympics simply because she didn't perform up to her standards at Tokyo 65. omg the pic of simone touching up her lip liner SO iconic 66. oh the other name for the womens gymnastics team (other than fuck around and find out) being the golden girls because they're the oldest team to compete maybe ever? for usa 67. the owner of stephen's former (? current?) gym saying the phone has been ringing non stop with parents signing their sons up for classes 68. DID I ALREADY SAY LAURIE HERNANDEZ COMMENTATING + HER W ALY AGAIN??? 69. as the sixty ninth entry this feels appropriate. the paris pole vaulter who didn't win bc his dick caught the bar. 70. also sha'carri richardson's silver but also her in team USA and a ponytail... idk if i love or feel a Type of Way bc shes so known for her own style but also this feels super affirming that she's competing for team USA but not in a way thats something she needed, more like we needed. does this make sense

#olympics #paris 2024 #gymnastics #rugby #track #diving #recap #commentary #list

21 notes · View notes