#i do think she has no issues betraying people

[austenpoppy]

I mean. Personally I think it was a great idea to have Dick be a cop, but apart from that, why is that job more important than others Dick has had ?

First of all, there's the role it plays in the story. Dick being a cop and then being fired from the force is a very important plotpoint over many, many issues. It just lasted longer (both in-universe and out-of-universe), and we have more moments of Dick being a rookie cop than we have of Dick doing almost any other job. Bartender ? It lasted a few months when he was working for Hog. Blackjack dealer ? It was over in one or two issues, Dick was undercover and it didn't have that much significance. Exotic dancer ? It merely lasted hours, it was a way for Dick to get into a building incognito. Trapeze instructor ? A few scenes here and there were included over several issues, but overall it was more in the background. Meanwhile, there are entire issues dedicated to Dick's time as a cop - like this time he was assaulted then accused of murder by corrupted cops.

It also ties with the overall theme regarding Blüdhaven : unlike Gotham, Blüdhaven doesn't have a lot of psychopaths, but the corruption is rampant. Dick had to fight against dirty police officers almost as much as he had to fight against supervillains - it's significant that two of Dick's enemies, Soames and Redhorn, are corrupt cops.

As an aside, as much as I liked the way Dick managed to get his hand on Redhorn's little book, I think that from a narrative standpoint, Dick should have won against the onslaught of corruption as a cop, and not as Nightwing (even if he knew who to trust because he was Amy's partner).

Speaking of which, Amy is one of the most memorable characters Dick's ever worked with - and again, the building of their relationship, from Amy being distrustful and scornful to trusting Dick entirely to feeling betrayed then protecting him at the cost of her integrity, took months, lots of issues, and is very touching.

I like Hog (and that guy never died, damn it, he didn't live in Dick's building) - but he was barely present. Cheyenne and Shawn were above all love interests, more than coworkers (even if we can skip Cheyenne because those three issues she figured in were...weird...and forgettable). Dick's circus friends ? They have names, but they're still more background characters representing the lost childhood of Dick than actual characters with character development. Dennis ? Seemed like a nice guy, I guess ?

Third, Dick put in a lot of effort to get into the B.P.D. He had to go through the entire police academy and take tests. Museum curator ? He got the post through his personal relationships, even if he had the skills for them. Trapeze instructor ? He was noticed when he helped a kid. Circus owner ? Come on, yes, he invested his money, but it wasn't about what Dick wanted to be "when he grew up", it was about Dick keeping his past alive. Model ? An accident. Taxi driver ? First time around it was the first job offer he could find. Second time... *cough* Ric Grayson era *cough*.

Fourth, being a cop had an impact on Dick's other relationships. Bruce hated that he was a cop (for multiple reasons : he loathed the idea of Dick using a gun, was worried about him, and thought Dick was risking their secret identities). Alfred was initially supportive, but he also started to get worried. Babs hated it because she didn't want her boyfriend to risk getting killed 24/7.

And despite this, Dick remained a cop even after the corruption got brought down, in spite of his loved ones not liking him endangering himself all the time. And thus this is the fifth reason for me saying Dick being a cop has a lot more narrative significance than Dick being an exotic dancer or a bartender, Dick loved being a cop. Genuinely. It wasn't something he did because he needed a job to remain connected to people and still be Dick Grayson. It wasn't "just" an undercover job. He was ecstatic when he got hired at the B.P.D. He was happy doing it, and at one point it became more than an undercover job - though was it even a job, guys, considering he was doing it for free (that absolute madman I swear to God) ? He kept postponing the moment he'd have to resign after his "undercover" goal was achieved. He was crushed when he got fired.

You have to see, for Dick being a cop was about helping people at their lowest/learning information about people he'd be able to help as Nightwing. And Dick loves nothing more than doing that, so doing it 24/7 ? Sign him the fuck up. Like, some of Dick's most significant "cases" at the B.P.D. were about 1) stopping an act of police brutality, 2) being there to stop a domestic abuser and getting back as Nightwing to tell the guy to flee the city, or 3) getting a letter from a little girl, Kesia, who wanted Santa to help her Dad, crying, and spending the time before Christmas investigating so he'd be able to track her (and if that doesn't move you nothing will).

So yeah, Dick's time as a cop was significant. Now you don't like it ? Let Dick do something that would have the same effect. Let him be in child protection services. Let him be a nurse in the I.C.U. Let him be a firefighter.

Now I know people will say that the gym he opened at one point in the Rebirth continuity had to be something he held dear. It's not false, but I don't think he prioritized it the same way or that it was shown to be as important to him as being a cop was. At that time in that continuity, doing so was also an act of independence (considering he was younger) and of convenience (it allowed him greater flexibility to be Nightwing, something being a cop did not, at least in terms of working hours).

I'm still angry about "Dick is a cop". Thing going on.

Dick hasn't been a cop in 21 years (he stopped in 2003) He had numerous jobs since and before that and he was doing it at the time to try to fight the corruption from inside (whether that was a good idea is up to debate it wasn't in my opinion) and he was written as cop by Dixon (deregatory).

Devin Grayson continued and stopped that.

His most common job is being a barista followed up by a gym teacher.

[louisferrignojr]

gotta say that i disagree that nobody fights for buck. in s5 taylor said it best: buck's life is full of meaningful relationships, actually. every person of the firefam would fight for and support buck. he is and will never be alone again in his life, especially during the hard times (which they reiterated in 8x05). meanwhile, we see thus being contrasted with tommy not having any kind if support system like that. the same seemed to be the case for taylor. i know people want tommy to fight for this, and i agree that i definitely need him to check his trauma and fears to work this out with buck. but buck is the main character that has had seasons of alleged development. he died and came back, got clarity, was supposed to finally feel good in his own skin, worked out his childhood trauma with his parents in therapy, formed a support system, now discovered he is bisexual and felt free with it. and now tommy is the only one who should grovel? i get the idea but. evan buckley is the character we have seen grow and learn. i want him to put in the work as well. look at how he fought for his job when he thought he would lose it forever. THAT is what i need from him rn. if he is just giving this up with a shrug, then i don't want bucktommy in canon. we have seen tommy taking care of buck and supporting him in all his shenanigans. i need to see that buck is absolutely serious about this and ready to fight for it. if he doesn't, he still hasn't found his true love or still doesn't know what he wants in life. i am bored by this. we have been here multiple times already. do something else with evan buckley finally or just allow him to be a bachelor forever.

okay yes buck has meaningful platonic and familial relationships.

no romantic partner has fought for him. abby ghosted him because of her own issues even though she's a fucking grown ass woman, ali got a reality check and broke up with him when he was in recovery after nearly dying, which okay, fair enough. and while i believe taylor did nothing wrong in reporting the jonah story, the narrative wants us to think she prioritised her work, and she did betray buck's trust which, again, buck wanted to protect his firehouse (which is his family) so he wasn't being objective. reporters exposing scandals within govt orgs that are supposed to protect the public is not a bad thing, actually. the only time he's broken up with someone first is natalia and we were told it's because she was obsessed with his died-and-came-back experience.

and listen. i love tommy more than anything. but buck is still the main character. we're going to see buck going through the breakup, not tommy. we're not going to get much about tommy's past. we're not going to get any scenes with tommy and another character if buck isn't also there. you remember karen going to chimney and them day drinking together because they thought hen was being unfaithful (again)? i wish we could see tommy and chimney talking about their buckleys. but the way the show got rid of all minor characters and consistently treats LIs as nothing more than LIs... i'm not hopeful. we'll get one scene with tommy's Explanation and i'm not even hopeful it's gonna be well written (but i'm sure lou will be serving. god. they wrote such a shitty break up scene and he fucking ATE.)

yeah, buck fucked up by jumping the gun and asking tommy to move in with him when he couldn't even say the i love you, and i hope this will be addressed in future eps. but tommy immediately ended the relationship because he Knows Better and left buck heartbroken. this is what happened on the show. the average viewer isn't doing ten layers of analysis to understand tommy's perspective, nor should they have to. i love the metas, i'm digging into tommy's headspace in my next fix it fic, but this is still the dumb weewoo show.

i don't think tommy needs to grovel, i don't think he's the Bad Guy in this story, i have a lot of empathy for tommy and so does the GA! they're not mad at tommy, they want him back! they want bucktommy back! and i want them both to fight for each other, to apologise and admit to their fuck ups and admit how much they care about each other and that they want to be each other's forever love! i want them to say i love you!

but buck is still the protagonist in this story and i don't want to see him running back to someone who broke up with him in such a way that had him asking "wait, did you just break up with me?" because again, this is what happened on our screens. i want tommy making the first move, opening the door for reconciliation, showing that he knows he made a mistake out of fear from his past trauma, for buck to then know he is wanted, that tommy came back for him, and then put in the effort to fight for them.

hope this makes sense. and as always, for people reading this - this is not the space for you to bash on buck's previous LIs, please take it elsewhere.

[andersdotters]

I think the thing that's easy to forget about Arlecchino is that she is not the original Arlecchino. The one that set up the House of the Hearth, the one that greatly abused its members, the one that lied to Freminet about his mother, the one that brainwashed the members to be willing to give their lives for their family was the original Arlecchino, not the current Arlecchino. The current Arlecchino was previously a child raised by the House of the Hearth that succeeded the original Arlecchino through some kind of "serious clash."

The original Arlecchino was painted to be a very cruel person. She'd would greatly punish members that did not succeed in their missions. She lied to Freminet that his mother abandoned him, then used his mother's well being as a way to threaten Freminet into obeying. Going off of one of her subordinates actions, she would've been fine with the creation of orphans if that met taking them in to become later members of the Fatui.

When the current Arlecchino got into power, she changed many things. Where the previous Arlecchino wanted them to give up their lives for the family, the current told them that they must value their lives. Every single one of them was important. Where the previous Arlecchino would punish members for failing missions, the current does not do so, but chooses to give missions suitable to the person.

What I find really interesting about the current Arlecchino is that she is not without morals. When Lyney asks to receive a delusion to help his sister, though she does not react outwardly, her eyes were described to be full of "wrath." She then shows a startling amount of emotional intelligence and asks if that is what Lynette would want. When it comes to Freminet, not only was she furious upon learning he was cruelly lied to regarding his mother, what I'm shocked is she knew about his mother in the first place. She knew what his mother looked like. Freminet entered the House of the Hearth before she became Arlecchino, but she still knew. If you want to look deeper into this, this implies that she purposefully looked into his past and sought out his mother for him.

People may say she's acting. People may say she is acting "nice" to groom the sibings her way, but anger is not something easily faked. Those seemed to be genuine reactions. I do not think that was a lie. However, I'm not saying that she's not lying or manipulative either.

What the most important thing to keep in mind about all of this is what Wanderer and Childe have to say about her. They both fully state that she is insane. She has no problems betraying people. She seeks to control others. She is insane. No ifs, ands, or buts.

I'm just really curious to see how Genshin will reconcile this conflicting information about her.

((check the tags for more of an analysis on her that goes a bit deeper))

[bosooka]

i wrote way too much for my original draft of this (and it turned into a "fuck jaster mereel" party) so here's an abbreviated version

Why Satine is a Better Ruler Than Jaster in 2 Simple Points

Point #1: Satine actually maintained order on Mandalore for decades

This one is simple. Mereel became Mandalore in ~60BBY and Tor Vizsla tried to overthrow him a mere two years later (and nearly succeeded). He was only in power for six more years before he was betrayed by the very same violent people he allowed to remain by his side because of his belief that a Mandalorian warrior was "merely a highly-paid soldier".

Contrast Satine: ruled from approx. 42BBY until 19BBY, a reign of 23-odd years. For twenty-odd years of her reign New Mandalore was completely peaceful and there were no challengers to her authority among the people or elsewhere. Death Watch only became an issue again when they received Separatist (and ultimately Sith) backing, and Dooku discarded them for being useless. Had Death Watch not allied itself with Maul's Shadow Collective I don't think she would have been overthrown at all.

Point #2: Satine kept Mandalore out of places it didn't belong

As we've established, Mereel had no issues with Mandalorians being mercenaries, used however their clients saw fit. I won't go into the weeds of the ethical implications of mercenaries and why they are illegal under international law on Earth, but in short: letting anyone pay one to kill others is the easiest way to become the cudgel of a fascist. Coincidentally exactly what the Fett clones become when Sidious uses them to exterminate the Jedi. Mereel's "reforms" of the Mandalorian ways did not prevent his troops from getting into a fight they couldn't win against the Jedi on Galidraan (and yes, the Mandalorians shot first:

not that anyone in the fandom remembers this...) after they but an insurrection down on behalf of the corrupt governor of the planet. To be clear, the True Mandos knew that the governor of Galidraan was corrupt and most likely harboring Tor Vizsla, but they still agreed to kill "insurrectionists" for money. Their problems came when Death Watch arranged to make it look like they had also killed women and children. Truly a war between saints and monsters.

Meanwhile Satine: the head of the Council of Neutral Systems, she refused to take sides in a war pushed by the greedy and violent. Yes, she was briefly protected by clones when it comes to light that Death Watch is aligned with the Separatists, but it was immediately followed by the Republic attempting to militarily occupy Mandalore and Satine risking life and limb to keep her people autonomous. Satine refused to become a useful idiot for warmongers, even knowing that it would have been economically advantageous for her to do so. Unlike Jaster Mereel, she has ideals that she values more than credits. He would have accepted an offer from the highest bidder and turned Mandalore into a machine of war for the Sith, just like his Crusader ancestors once did.

Tl;Dr

Satine was actually respected as an authority on Mandalore for literal decades and was only challenged by a miniscule faction of terrorists who had to get foreigners to interfere in their political processes (FML) in order to actually take power from her

Satine kept Mandalore out of conflicts it did not belong in, which largely protected it from military occupation and destruction until the year she died; Mereel made a career out of interfering in the affairs of other planets if they were paid to do so

Unlike Mereel and his successor, Satine had morals to motivate her decisions that were not the pursuit of cold hard cash, including the protection of Mandalorian independence and neutrality

So it's Satine vs Jaster, huh. I'm not sure I have another one of these in me TT

Yep. Here's to a finale that feels very painful to me, personally, in light of recent events.

Time to send in your propaganda for Satine Kryze vs Jaster Mereel for the Optimal Leader Of Mandalore!

I'm tentatively planning to have the poll go live Nov. 18th, but will delay if people would prefer that.

[bourgeoisiebirdie]

Agatha All Along Episode 5 Theory: Why It’s Weird and Short

So Episode 5 was by far the shortest episode we’ve had so far for the series. It feels different from the other trials so far which causes it to feel…scrambled in a way. Now you could blame poor writing for the craziness of this episode (along with the abrupt ending), but I usually reserve that judgement for after a series ends.

Here’s what I think is going on. SPOILERS AHEAD!

Agatha’s trial being in this episode was a bit of a surprise, but let’s be real, the show is called Agatha All Along…do we really believe that our favorite dramatic sad backstory mommy issues-filled witch only gets ONE episode for her trial?

The Ouija board makes the objective for this task clear: Punish Agatha. A task that some of the coven clearly have no qualms carrying out. But let’s think about the sequence of events after that message is delivered.

The coven tries to tie up Agatha which fails after Agatha becomes possessed by her mother. Agatha’s mother says Agatha must be left behind which causes her to freak out. Alice tries to save Agatha which results in Agatha accidentally(?) killing her. Agatha is only stopped when Teen says her son’s name and the door to escape opens after Teen says Goodbye on the Ouija board.

Notice anything?

Agatha is never *technically* punished by her coven. Each trial so far involves a task that 1. is specific to one witch’s ability, 2. involves a clear objective that the coven eventually recognizes and reaches together, 3. ends with growth, both power and character wise, of the witch/coven. This episode feels off because the formula is off. And the formula is off because none of it’s real.

Episode 5 IS Agatha’s punishment. Every trial has stirred up unwanted tragic memories from the witch it’s related to. It is no coincidence that this episode hits every. single. one. of Agatha’s problems.

It starts with an Ouija Board - Agatha has killed a lot of people, not all of them on purpose. We already know Agatha loves to pretend to not feel anything, but now she is forced to directly interact with her victims.

Punish Agatha - The coven turns on Agatha surprisingly quick to carry out the trial and surround her while she is on the floor…just like her old coven betrayed her. She fears betrayal.

Evanora Harkness - Self-explanatory, she not only forcefully possesses Agatha (which could tie in to fear of lack of control thanks to Wanda), but tells her she was born evil, something that Agatha looks devastated to hear. Mommy issues galore.

“I’ll be good” - upon hearing that her coven may leave her behind, Agatha freaks out and begs for them to not leave her. Fear of abandonment.

Alice’s Death - Agatha seems horrified after killing Alice with her powers (just like she killed her mother and coven in the past), and the rest of the present coven, especially Teen, are horrified by her actions and don’t believe her.

Nicholas Scratch - A devastating name to hear. And his voice calling to her is just the cherry on top.

And after she leaves the trial? Teen turns on her using magic similar to Wanda’s and then throws Agatha off the path to kill her. And Rio is suddenly nowhere to be seen? Another tumblr user made an interesting point that the aspect ratio doesn’t return to normal like it usually does after a trial. Because all of this has been the precursor to Agatha’s actual trial.

This may be all in her mind and it’s up to her coven to help her, guess we won’t know for sure until next week.

[morverenmaybewrites]

wait r we allowed to send these in for characters u write for? :o

cuz i’m curious abt this one “What freaks them out the most in a relationship?” for jason

Yes, please do!

"What freaks them out most in a relationship?"| Jason Todd

Honestly, I think Jason Todd is afraid to love again, simply because of the way he loves. He tends to love wholeheartedly, without reservation, often to the point of self-destruction.

Remember that this is the man who endured at least six months worth of torture just so he wouldn't betray his father. Not a lot of people are capable of that sort of loyalty. 

To add insult to injury, it's very likely that he never got to experience any sort of positive reinforcement when it comes to loving a person.

In my Arkham fanfics, Jason's father was an abusive drunk and his mother was a junkie. While he learned to avoid his father, I'd like to think that he did hold some sort of love for his mother. He tried, in his own way, to take care of her, keep her safe.

He'd put a blanket over her when she was lost in her heroine-dreams, he'd wipe the drool from the side of her mouth, he'd leave stolen food next to her sweat-stained mattress for when she woke up. And all it ever got Jason, I imagine, was an absent-minded sort of affection. Perhaps she'd give him a vague smile, her eyes bloodshot and glassy, as if she wasn’t really seeing him, perhaps she'd ruffle his hair.

And for a long time, he'd think that was love.

Something rare, something small, but something that kept him warm all the same (for East End was a cold place), and he'd sip it like rainwater between his cupped palms, because it was all he'd ever known.

But then he gets adopted, and suddenly his perspective changes. 

Love, he realizes, can be patient. It can be his father Bruce, who somehow never got angry at him during those early days, when hope had warmed the inside of his chest like a swallowed star.

Love can be easy, he learns. It can be something as simple as Alfred, waiting up for him after a long rainy night, bringing him towels that were somehow always warm. It can be warm soup on the days that he woke up with a sore throat and a fever burning through his skin (and even to this day, he marvels at the idea that in Wayne Manor, food can come so easily--without stealing, without a fight).

But, he'll also tragically learn (or so he thinks) that love has to be earned.

I've always had this idea (and I stand by it) that Bruce did love his kids, deeply. But because of his own issues, he couldn’t love them in a way that they needed to be loved (and isn’t that true of most parents?).

It is the way Bruce never smiled at him when he was Robin. 

It is long nights of training just for a hint of his father’s approval. 

It is the constant comparison to another son, one who is faster, smarter, and better in every way. 

It is the way he thinks–and becomes terrified–that if he doesn’t earn his place in Wayne Manor, if he doesn’t earn his father’s love, he will be back in that cold place in East End where nothing can ever keep him warm again. 

And then Joker happens.

And then Joker happens. 

And no matter how strong he tried to be, how silent, no matter how much he tried to endure. 

He breaks (clean in two, a crack so wide it will never heal, you can trace the fractured seam of him and find the exact place where his heart was broken). 

Even worse, Batman breaks: he leaves Jason for dead (or so he thinks).

And a part of him will always think: is it enough? Was I not enough? 

Was it not enough to endure? To stay silent? To keep his father’s secrets?

Had Jason somehow, through some fault in his won, not done enough to earn being loved, being saved?

(Is he always going to be that small child in East End, and all he will ever know of it are vague smiles through bloodshot, glassy eyes? Was this his punishment for hoping for more? He can drink and drink and it will never be enough, the rainwater will always slip through his palms). 

And then there’s you. 

And at first he thinks it’s easy (as easy as warm soup on days when he’s feeling sick, as easy as a towel after a night in the rain), because you are brave and reckless and you are quite pretty when you smile. And it has been so long since he’s had a friend. 

It’s easy because you’re easy to be with: you read into his silences, you calm him down when he falters and you are braver than he gives you credit for (and there are days when he wishes that you are less brave). 

It is easy until one day, Jason realizes what’s happening and the first thing he thinks is that he can’t go through this again. 

He cannot be that child in East End, who follows his mother for crumbs of her affection like a dog starving for scraps.

He cannot be the boy in the Batcave, practicing over and over just so he’ll finally get to see his father’s smile

He cannot be Robin in Arkham Asylum, with a bullet hole in his chest and a brand burning on his face

And yet, and yet, Jason does not know any other way to love. 

He does not know of any other way it does not end in tragedy (and hurt and pain and betrayal). 

Oh, he is terrified. He thinks he fears you more than any other living thing in Gotham. 

To love you, he thinks, is to give you the chance to destroy him all over again. 

And he can’t, he can’t go through that again. 

(But oh, there are days Jason thinks you will be worth it.). 

[heavensenthearty]

Do you guys ever think how Zuko is the only person who proves Katara that he won't leave her again?

Katara has abandonment issues. That's why she was so angry at Hakoda when they saw each other again, that's why she became so anxious when they had to separate, that's why she lashes out at Zuko himself, bringing up her mother's death. It's implied throughout the series that she has been abandoned physically and emotionally by the people she held dear.

Of course, Hakoda acknowledges and apologizes, but we don't see him making the effort to show Katara that he won't make her feel that way again—(which is probably due to the pacing of the story, although it's still a poor writing choice, but I digress).

But we see Zuko making an effort.

After betraying her, he is determined to make it up to her by any means. Even when she is openly hostile to him, he remains respectful and protective of her. He is constantly showing kind and heroic gestures. He goes out of his way for it in TSR to help her confront her feelings of grief and resentment, and saves her life yet again during Sozin's Comet. He expresses he has her best interest at heart through words and actions.

Thinking about all of that makes their relationship and personal character journey even more beautiful.

[ashwhowrites]

Hiiii, Can you do a Steve Harrington x reader? About how they used to be best friends since they were kids then high school came around so did king Steve. Anyways, the reader confesses her feelings for him but before he can reply, his friends laugh and make fun of her. The reader stops being friends with him because he never defended her. But now, Steve has changed and wants to make things right and finally be with the girls he has always loved.

I hope this is what you wanted and you enjoy it. Thank you for requesting 🫶🏻

High school mistake

Y/N never thought she would see the day her best friend Steve outgrew her. He was always shy and quiet, and they never left each other's side. They grew up together and now they were in high school and Y/N was struggling with the change.

Steve became popular once he joined the basketball team. Y/N remembered how excited she was when he made it, but now she wished he never tried out. It was selfish of her, but she missed her best friend.

The other issue was she was in love with Steve, pathetically and helplessly in love. She was always too scared to say anything but she didn't have to worry about much since no one looked their way. But now that he was popular, girls began looking his way.

Y/N was jealous and didn't know how to handle it. She figured she might as well try to go for it because it wouldn't be long until a girl beat her to it. So on a random day at school, she walked up to Steve.

She was terrified but losing him scared her even more.

She wished she could say it went well and they have been together since, but that would be a lie. She could never forget the look on his face as the words left her lips. He looked shocked, his eyes wide and mouth open. She confessed she was in love with him and he stood frozen. Before he could reject or confess, his friends around the halls laughed. They laughed as hard as they could as they ran up to them.

Steve never stood up for her, in the moment and after the moment.

It's been two years and she hasn't talked to him since. She was hurt and felt betrayed. The least he could have done was apologize after the fact and tell his friends to quit being assholes. But he never did.

Now, of course, people say he has changed. He now wasn't friends with anyone from high school. Apparently, he hung out with one girl, and the rest were younger children. It was a bit odd but it wasn't her place to care anymore. She hadn't seen him in months but figured she'd have to face him one day.

That day arrived faster than she wished. She was out at the mall when she saw his hair over the racks. She felt herself stop breathing and ducked down. She looked around the store, wondering if she could sneak by before he sa-

"Y/N?"

She squeezed her eyes shut as she heard his voice. She slowly stood up and opened her eyes.

"Steve," she greeted him with a small smile.

"I haven't seen you in forever, how are you?" He asked, a big smile on his face like everything was cool. She froze when he wrapped his arms around her. He pulled back when she didn't move.

"I'm good. How are you?" She asked, trying her best to be polite.

"Good! Not much to complain about. I'm taking Dustin suit shopping so I better get back. But maybe we could get coffee or something? Catch up?" He asked, his hands in his pockets as he turned his head.

She forgot how pretty his brown eyes were. Years later he still made her heart race.

"We really don't have to do that, Steve." She sighed and he frowned at her response

"I want to" he fought

"I don't," she snapped, she took a deep breath to calm herself. "See you, Harrington."

Steve watched hurt as she turned around and left. Dustin was yelling his name but he couldn't move until her body vanished from his vision.

~~~

The run-in happened a week ago and Steve was still thinking about it. He hoped there wouldn't be hard feelings after all these years, but he was clearly wrong. He did want to talk to her, get the chance to apologize, and maybe fix things again.

He never forgot about her and missed her. He missed having his best friend and he knew it was his fault she left. He could have fixed it many times and he never did. But this time he was going to.

He showed up at her house or hoped she still lived there. He was right when she opened the door.

It took a lot of convincing but he made it inside, sitting on the familiar couch he slept on during sleepovers. He remembered how he wanted to sneak into her room and wrap his arms around her body. The countless times he fell asleep thinking about kissing her.

"What do you want?" She asked, already tired from the mess. Ever since she saw him it was like she started all over.

"I want to apologize for the shit I did in high school," he said but she just scoffed.

"Many years late for it to matter, or fix anything. Is that all?"

"Can you give me some mercy please?" He pleaded, his stupid eyes begging

"Why? You never gave me any" she shrugged, looking down at her hands as she played with the pillow on her lap.

"I know and I do mean it when I say I'm sorry," Steve said, softly touching her hand to make her look up. She froze but looked into his eyes.

"You gave me many chances to fix it and fix us. I was stupid and never did. I know I don't deserve to be here right now, and it's fair for you to hate my guts. But I miss you."

"I miss you too but I don't know. I lost my only friend and I suffered. You have to be popular and live life. Now you come back because it's all done? That makes me feel like shit." She explained

Steve listened to every word, moving closer as he moved the pillow off her lap. Now he held both her hands as his body leaned closer.

"Hit me, scream at me. Do whatever you need to do, I don't care. But after can we please start over? I never forgot what you said."

"Please don't bring that up," she mumbled embarrassed as she yanked her hands away. She stood up to give herself space from him.

"No, I will because we never talked about it," he fought as he stood up

"And who's fault was that?" She scoffed as she crossed her arms. "I get over it, so let's move on."

"I didn't though," he whispered

"What are you saying? It's been years, Steve. Do you think I still am completely in love with you after you rejected me?" She rolled her eyes, praying the front she put up was enough to fool him.

"Kiss me," he said, now standing right in front of her

"What?"

"Kiss me and if you don't feel anything, and you know there's no love in your heart anymore. Tell me that while you look in my eyes and I'll leave you alone." He explained, his voice getting lower and deeper as he moved closer. His face was inches away from hers as she tried to control her breathing.

She wasn't sure if she could lie to his face but what did she have to lose?

"Fine," she said, leaning in and pressing her lips against his. She planned to do a soft peck but then his hand landed on the back of her head. He made the kiss way more passionate and she fell into the trap. She clung to his shoulders as she kissed him harder.

It was as perfect as she always thought it would be. His lips were soft, warm, and in control. It took her breath away and made her head fuzzy. It was like everything melted and she was a puddle in his hands.

She gasped as his tongue slipped inside her mouth. And then he pulled away. She fought with everything in her not to chase his lips.

She blinked a few times as she looked into his eyes, trying to regain her thoughts.

She had the words on her tongue, ready to tell him he lost his chance and she could live with that. But he was finally doing what she dreamed about. He was fighting for her, and he planned to leave if she said the word. If she said it, he'd move on and fall in love with another girl. What would she win? Pride? But at the cost of a broken heart and never loving him for the sake of herself.

Maybe it wasn't what he deserved but what she deserved. And fuck it, she deserved to have her heart fixed.

"I love you," she whispered

She could see his eyes light up and the shy smile on his face.

"God, I love you too," he whispered, closing the space between them.

[feralforbeanix]

Thinking about how Trucy Wright seems to do her best to just...brush past all her trauma. And I don't mean this in a "it's bad writing" way, I mean that her way of dealing with things seems to be to mostly ignore it. To move on as quick as possible and try to ignore the more emotional implications.

Yes Zak Gramarye was her dad and yes he abandoned her but Trucy doesn't talk about it more than she has to. She just immediately accepts Phoenix's offer to adopt her, calling him Daddy as soon as he told her it was okay to. She even seems to take the Wright last name with no complaint, she even seems to take pride in it!

When Apollo finds out she's actually adopted and her real father was gone, this exchange happens:

Yes Trucy is visibly sad here, but she just as quickly moves on from the subject

When Apollo reveals to the court that Zak was the victim in case 1, he looks at Trucy. Presumably expecting her to be upset, cry, or something

Yet all she does is encourage Apollo to continue with his case

I've seen people compare her to Maya, and while they definitely both have the "smile through the pain" thing going on, I do think there is a subtle difference. Maya downplays her trauma, but it seems Trucy doesn't like to let herself feel at all.

No, I think she acts more like Phoenix.

Phoenix, who is practically known for being cagey and as vague as possible about important events in his past. Especially in this game.

He doesn't talk about his ex girlfriend who framed him for murder, he just moves on to becoming a lawyer. He doesn't talk about Edgeworth "choosing death", he just continues trying to be a perfect defense attorney. He doesn't even talk about important details about his disbarment until he absolutely has to, when it's relevant for his jurist test.

Phoenix, who has been betrayed and left before, who desperately clings onto every person who shows him even a little kindness, who focuses on everyone else's problems and pasts before he acknowledges his own.

This is the man who adopted a girl who most certainly had abandonment issues, because chances are so does he.

He understands her better than anyone not just because he's her legal father but because it takes one to know one

[alygator77]

♬♪ ᴺᴼᵂ ᴾᴸᴬᵞᴵᴺᴳ : beat of my heart ♬♪

♬ pairing. college au // drummer! gojo x psychology major! reader (f)

♬ summary. being a psychology major with a passion for music, you're no stranger to chaos—between juggling school, caring for your mother, and working at a local music shop, you've learned to keep your cool. but when a cocky drummer pushes your patience to the limit, a chance encounter with satoru gojo—an enigmatic, sharp-tongued musician—turns your world upside down. as you're drawn to his dangerous charm, an unexpected connection deepens, but so do the secrets you've both been running from. will you get caught up in his rhythm before you realize it’s too late?

♬ warnings/tags. 18+ MDNI, nsfw, slow burn, smut, angst with comfort, some fluff, readers mom has dementia, mentions of suicide, alcohol/weed usage, unresolved trauma, commitment issues

♬ words: 7.3k

♬ a/n. hi lovelies, welcome to the debut of this fic :) very excited to explore this dynamic between satoru and y/n, thanks for reading ♡

♬ taglist: open

series masterlist ♬ next chapter → pending...

ch 1 // the first measure

“Emotional regulation is defined as the process by which individuals influence the emotions they experience, when they experience them, and how they express them in response to different stimuli.”

Staring at the neatly printed words in your psychology textbook, your mind automatically begins to dissect the concept.

Emotional regulation. The holy grail of human behavior, wrapped neatly in clinical terms. It’s the ability to keep yourself in check, to craft a perfect mask that hides what’s boiling beneath the surface. The world only gets to see what you allow. If it were as easy as the textbook made it sound, half your classes wouldn’t exist.

Letting out a breath, you sink deeper into your chair.

People aren’t simple equations you can balance, after all—people are… complicated.

Emotions, even more so.

They ebb and flow like unpredictable tides, swelling when you least expect them, crashing down when you think you’ve regained control. They are messy, stubborn, and relentless—especially when the brain stops following its own rules.

Your mothers face comes to mind—uninvited. Her once-bright eyes are now dull with confusion, emotions flickering in and out like static on a broken TV. Dementia has stolen the filter that once kept her reactions in line with reality. It’s as if her mind is betraying her, one piece at a time.

You press your fingers against the pages of the textbook. Will any amount of psychology truly prepare you to untangle the complexities of the human mind? Can it allow you to help her—or at least understand her—before she’s lost entirely?

Before you can sink further into that thought, an ear-splitting crash reverberates through the store, jolting you back into the present. Glancing up with a sigh, the peaceful hum of the music store is shattered by the clumsy cacophony of someone abusing a drum kit like it owes him money.

Clearly, emotional regulation isn’t on that guy’s radar.

Yet, somehow, you’ve grown used to it. Working part-time here has taught you how to tune out chaos, as if the dissonance of the store has become its own kind of background music.

It’s chaotic, but it’s your kind of chaos.

The strings of guitars being tested, the pounding of drum kits, the chattering of customers—it all blends into a rhythm you no longer notice.

You’ve been working part-time in this quaint little music shop for so long that silence has become unsettling. If it’s too quiet, your mind starts wandering, spiraling into places you don’t always want to go. And so, the chaos is your anchor—it helps you focus, keeps you present.

Studying in silence feels foreign.

“Ugh… I have such a headache,” Utahime’s voice breaks through your thoughts, her hand pressing to her temple. Standing a few feet away, she shoots a glare towards the drum section. “He’s been at it for practically an hour now. Like… come on. Is he trying to destroy that kit or learn how to play it?”

Glancing up from your textbook, you eyes land on a brawny guy with jet-black hair, slamming away on the drums with no sense of rhythm, no control—just brute force.

“Has it really been that long?” you ask, blinking at the scene. The noise had faded into the background for you, becoming just another layer of the store’s soundtrack.

Utahime gives you a look that screams disbelief.

“You didn’t notice?”

You shrug.

“Guess I’ve learned to tune it out.”

“Tch… wish I could do that,” she rolls her eyes, rubbing her temples like the sound is physically burrowing into her skull. “That guy is killing me.”

Oh, shit. Now that your attention is focused, you notice just how bad it really is. It’s not just noise—it’s borderline offensive to music. He’s not even playing the drums—he’s assaulting them—completely unaware of the sonic devastation he’s unleashing on the store.

Utahime lets out another long, exasperated groan, her entire body sagging as she leans forward in defeat.

“I swear, if he keeps going, I’m going to snap,” her elbows rest on the counter, and she presses her forehead into her hands. “y/nnnn,” she whines, lifting her head just enough to glimpse at you. “Can you please do something?”

Glancing around the store, you catch the irritated looks of other customers—one guy near the synthesizers is glaring openly at the drummer, his hand gripping a set of headphones so tightly you half expect him to snap them in half.

It’s like the whole store is holding its breath, waiting for someone—anyone—to make it stop.

A sigh escapes your lips as you close your textbook. It’s one thing to tune out the chaos when you’re focused on studying, but now that you’re paying attention, the noise feels like an assault on your senses too. You can’t blame Utahime for losing her patience—though she’s never been one to take matters into her own hands.

“Fine, I’ll handle it,” you mutter, pushing yourself up from your seat.

“Oh, thank God,” she breathes, finally peeling her hands away from her temples. “Please, work your magic. Before we all go deaf.”

You roll your eyes internally, though you can’t help the grin tugging at the corner of your mouth.

Magic. Sure—that’s one way to put it.

What Utahime calls ‘magic’ is really just years of learning how to manage other people’s shit without losing your cool.

It’s not magic—it’s survival. A skill you’ve honed out of necessity, not desire. And sure, maybe your love for psychology helps—you’ve got the theories to back up the practice—but most days it feels more like wrangling toddlers who never learned how to grow up.

Taking a steady breath, you step into the fray, weaving through the store’s labyrinth of instruments and displays. As you get closer, the vibrations from the drums rattle through your bones, crawling up your spine. The sound is unbearable, like nails on a chalkboard amplified through a megaphone.

The guy doesn’t even look up, his head bent low over the drum kit, raven hair falling in messy strands across his forehead. His arms move with the rhythm of someone who has no idea what rhythm actually is, and the muscles in his forearms ripple with each heavy-handed strike as he slams the sticks down like he’s personally offended by the drums.

You stand off to the side for a moment, watching him have at it. You’ve dealt with a lot of difficult people working here, but this guy? He’s so oblivious to the fact that the rest of the store is on the verge of mutiny.

Clearing your throat, you raise your voice, hoping to break through his focus.

“Excuse me!”

Nothing.

Another crash of the cymbals, loud enough to rattle your skull. Your jaw tightens as you try again, this time louder.

“Excuuuuse me!”

Still nothing. He’s completely in his own world, bashing away with reckless abandon. It’s like he’s in a vacuum, utterly disconnected from the chaos he’s creating around him.

Jesus this guy… your patience thins and you step closer—close enough now to feel the heat radiating off him from his overexertion. His shirt clings to his back with sweat, and the muscles in his arms continue to ripple with each reckless swing of the drumsticks.

He’s not just playing hard—he’s playing like he’s got something to prove.

As you reach out to tap his shoulder, you try to keep your touch firm but not aggressive, although, the moment your fingers make contact with him, his entire body jerks—drumsticks freezing mid-air as he whips his head around to face you.

His dark eyes lock onto yours, sharp and filled with a flicker of annoyance.

“What?” he snaps, voice dripping with irritation.

Keeping your expression neutral, you try not to let his attitude get to you.

“You’ve been at this for a while,” you begin, as calm as you can manage. “We have a limited selection and there are other customers who may be wanting to try this kit.”

His eyes narrow, clearly unimpressed.

“So?” he drawls, waving the drumsticks lazily, like your request is beneath him.

Fighting the urge to roll your eyes, you press your lips together in protest. Stay professional, you remind yourself. Shifting your weight slightly, you square your shoulders and look him directly in the eyes.

“So,” you continue, voice firmer this time, “store policy is thirty minutes per instrument. You’ve been playing for over an hour.”

A low, sarcastic laugh bubbles from his chest, the sound filled with mockery as he tilts his head back slightly.

“And… what are you gonna do about it?” leaning forward, he rests his elbows on his knees like he's settling for a show—eyes glimmering with amusement as his lips curl into a smirk. “Throw me out?”

You bite down on the inside of your cheek—every fiber of your being is itching to knock this guy down a peg.

Ugh. What a tool.

The condescension in his voice grates on you like sandpaper, but you force yourself to stay composed.

“Look…store policy is pretty clear,” you reply evenly, nodding towards the sign behind the counter. “You either give someone else a turn, or I’ll have to ask you to leave.”

Your words seem to pique his interest—his smirk widens, eyes flicking over you slowly, appraisingly. Suddenly you’re more interesting to him than this drum set. He pushes himself off the stool in a slow, deliberate movement, and you hold your breath the moment he towers over you.

He’s by no means, a small guy.

The light behind him is blocked from his broad shoulders, and there’s a new edge to his gaze now. The moment he invades your space, it is just a little too close for comfort.

“Oh yeah?” your stomach turns from the low suggestive timber of his voice, “And what if I don’t feel like leaving, sweetheart? You gonna make me?”

Ick.

This guy might take the cake for being the most difficult prick you’ve had to deal with here, and that’s saying something. Working in this music shop, you’ve come across a lot of full of themselves wannabees, praising themselves like the next big thing—acting like God’s gift to music when all they want to play over and over again is ‘Stairway to Heaven,’ and ‘Wonderwall.’

A surge of discomfort ripples through your body, but you stand your ground. You know how this goes—he wants a reaction, and you’re not about to give him the satisfaction of seeing you flinch.

“Look dude, I’m not asking,” your tone sharpens, leaving no room for argument. “This is your last warning”

His eyebrows shoot up in mock surprise, and a low whistle escapes his lips, as if he’s impressed—but it’s the kind of faux admiration that makes your skin crawl.

“You’re a tough one, huh?” he muses, chuckling softly.

Leaning in, the heat of his breath brushes against your skin as he invades your space once again—far too close for comfort—and you feel his gaze sweep over you slowly, lingering in a way that feels slimy and unwelcome.

“I like a girl with a little fire,” he adds, voice dropping lower. “It always makes things more fun.”

Gross.

Your hands curl into fists by your sides and you fight the urge to recoil as a surge of revulsion twists through you like a knife.

But before you can respond—before you even have the chance to formulate the sharp retort already forming on your tongue—the air shifts and a new voice cuts in.

“Wow, did I just walk in on the world’s worst pickup line, or are we about to throw hands over a drum kit?”

Turning your head towards the source of the voice, your eyes land on a tall figure standing a few feet away—his hair is a striking shade of snowy white, messy and untamed, falling in tousled strands that almost brush against the black sunglasses obscuring his eyes, and even with his face partially hidden, there’s no mistaking the mischievous glint tugging at the corners of his mouth—like he’s watching the scene unfold for his own amusement.

Despite the casual nature of his appearance—jeans slung low, a loose-fitting hoodie—there’s something undeniably striking about him. It’s the kind of presence that demands attention without asking for it

Who the hell is this guy?

Clearly irritated by the interruption, the drummer straightens up—his smirk faltering as he sizes up the newcomer.

“This doesn’t concern you, man,” he growls, tight with irritation. “I’m just having a little conversation with her.”

The snowy stranger’s grin turns sharp, though his voice remains light.

“Yeeeah, see, that’s where you’re wrong,” he steps up beside you, and without hesitation, his arm slips around your waist, pulling you smoothly into his side like you’ve always belonged there. “Everything concerning her concerns me.”

Your heart skips a beat, caught off guard by the sudden, possessive gesture. Part of you bristles at the boldness, but another part… feels oddly safe in his grasp—like he’s been by your side forever.

There’s a shift in the atmosphere as the drummer's eyes narrow—like the balance of power has tipped—the presence of this stranger throwing him off.

“Oh really? And just who the hell are you?” he snaps.

Your mysterious stranger doesn’t miss a beat—he chuckles softly, his sunglasses sliding down the bridge of his nose just enough for you to catch a glimpse of his eyes—brilliant, vivid blue, and gleaming with a spark that teeters between playful and dangerous. It’s the kind of look that makes your heart flip.

“Oh, me?” he feigns innocence with a nonchalant shrug, like this whole thing is just mildly amusing to him. “I’m nobody special.”

Sliding his sunglasses back into place, he casually pulls you in a bit closer, and you are met with the warmth of his body as he leans into you just slightly.

“Just here to make sure my girl doesn’t have to deal with assholes. Y’know how it is.”

Your mind scrambles to catch up.

Your girl? You blink, heat rushing to your cheeks as the words rolling off his tongue begin to register. You barely know this guy—hell, you don’t know him at all—and yet here he is, acting like the two of you are something.

But…maybe it’s working? Because the drummer’s eyes narrow further, his expression twisting as a furrow darkens over his features. Ah…but then you realize he’s not focused on the claim your stranger just made—no, his attention is locked on a different word entirely.

“Asshole?” he echoes, voice rising with indignation, practically spitting the word back. Clenching his fists, he steps forward with a scowl twisting upon you face. “You calling me an asshole?”

“Well, yeah,” your stranger remarks casually, like it’s the most obvious thing in the world. He shrugs again, utterly unfazed by the tension mounting between them. “When the shoe fits…I mean, you’re acting like one, aren’t you?”

Pure rage flashes across the drummer’s face, and you can visibly see his fists trembling slightly.

Uhh… on second thought, is this guy even helping?

Now you’re not so sure if your so-called rescuer is making things better or worse, because clearly, the drummer is on the verge of snapping.

“You better watch your mouth man,” the drummer snarls, fury simmering beneath the surface.

But the stranger’s grin only widens, and he exudes a confidence that makes it clear he’s not worried in the slightest.

“Heh. That’s a warning I get a lot,” he muses, tilting his head slightly. “But y’know what? I don’t usually listen.”

It's a wonder the drumsticks the drummer is fisting haven't cracked under pressure, given how tightly he clenches them—his knuckles turn white.

“You think you’re funny, huh?” he growls through gritted teeth.

A low hum rumbles against your strangers’ lips as he ponders the question thoughtfully.

“I mean, I’ve been told I’m pretty hilarious,” he scratches the back of his head, like he’s seriously considering the statement, then, glancing at you, his eyes gleam with amusement as his sunglasses slide down the bridge of his nose slightly.

“Whatcha think babe? Am I funny?”

The question—and that pet name—catches you completely off guard, leaving you momentarily speechless.

But the drummer isn’t interested in the little game your stranger seems to be playing. His jaw clenches—teeth grinding audibly as his face hardens into something feral.

“I’m about two seconds away from wiping that stupid grin off your face,” he spits, taking another aggressive step forward.

Fucking hell, is a fight really about to break out at your work?

Your pulse quickens, and for a split second, you think he might actually swing at him.

“Whoa, whoa, whoa,” the stranger says, still grinning like none of this phases him.

He releases his hold on your waist and steps forward with a smooth, almost lazy movement, placing himself between you and the drummer. His hands slip casually into his pockets, posture relaxed, but the air around him shifts.

“Let’s pump the brakes, big guy,” he tilts his head slightly, a dangerous edge creeping into his tone. “You’re welcome to try. But I’ll tell ya right now—” his teasing lilt diminishes, replaced by something colder, more commanding, “you’re not gonna like how it ends.”

His words—a warning and a challenge wrapped in one—hang heavy, and for a moment it feels like the entire store is holding its breath, waiting to see what happens next. Glancing around, you notice a few customers watching the scene unfold.

Fucking hell—this has gone from bad to worse.

And yet…the drummer doesn’t swing. He doesn’t move—doesn’t even flinch.

He’s seething—rage evident in the set of his jaw, the clenched fists at his sides—but something about the stranger’s calm, unwavering demeanor is throwing him off balance. It’s almost impressive, really.

No, scratch that—it is impressive.

You misjudged this guy. He might have walked in here like a cocky troublemaker, throwing out cheesy one-liners and pushing your buttons, but now? Now, he’s cool under pressure, defusing a situation that could’ve easily escalated into violence.

Body language often says more than words ever could, and his is completely in control—relaxed, hands in his pockets, not a single muscle tensed for a fight, yet there’s a sharpness beneath the surface—an unspoken control that demands attention.

It’s brilliant in a way. He’s defusing the threat without lifting a finger—a textbook example of how to manage tension without aggression. This guy is winning a psychological game the drummer doesn’t even realize he’s playing.

Their silent standoff stretches, until finally, the stranger breaks the silence with his smooth and almost disarmingly casual voice.

“Look, man,” he shrugs one shoulder with a nonchalance that seems almost practiced. “This is me giving you a chance to walk away with your dignity intact.” Tilting his head slightly, he gestures toward you with a subtle nod. “She asked you politely to stop. This is a store, not your personal garage. So maybe it’s time you pack it up and go before you make things worse.”

There’s a moment—a pause that feels like it stretches just a beat too long—where you can practically see the drummer’s gears turning in his head, weighing his options, trying to hold onto whatever’s left of his bravado.

Then, finally, he mutters through gritted teeth,

“Whatever.”

The word is spat out, dripping with frustration and barely-contained rage, and with a sharp movement, he tosses the drumsticks onto the kit—the wooden sticks clattering against the drums in a final act of defiance.

“You’re not worth it, and this place sucks anyway,” he mutters, full of aggravation, but his heart no longer in it—it’s clear his fight has deflated.

Turning sharply on his heel, he shoves past both you and the stranger with a forceful shoulder, storming toward the exit, and once the door slams shut behind him, the sound reverberates through the store with an unmistakable finality.

Just like that, the tension breaks. It’s like the whole store exhales at once—the weight lifting from the air as the distant murmur of customers resumes.

Before you can fully process what just happened, the stranger beside you turns his attention back to you.

“Well, that was fun,” he remarks, “Could’ve gone worse though. I mean, I didn’t even get to throw a punch. Talk about anti-climactic, huh?”

You barely manage to take a breath as he closes the space between you just a little more, his movements slow and intentional, and your heart flutters the moment his sunglasses slip down slightly, just enough for you to get a direct glimpse of his eyes. They lock onto yours—those bright, vivid blues—and for a second, everything else around you fades into the background.

“Seriously though,” he murmurs, voice softer now. “You okay?”

There’s something undeniably genuine in his tone, something that cuts through the playful exterior and lands right in your chest. You weren’t expecting that—this tenderness from someone who moments ago had brushed off a near-fight like it was nothing.

His eyes—soft but still burning with intensity—hold yours captive, and for a second, you forget how to speak.

“Uh… yeah,” you manage, “I think so.”

“Good,” he says with a nod, pushing his sunglasses back up the bridge of his nose. “Because I think you owe me a ‘thank you’ for that stellar rescue.”

You blink out of incredulity.

Thank you?

So much for tender—who does this guy think he is? You nearly scoff aloud. He wants a 'thank you' for a rescue that, truthfully, you weren’t even sure you needed?

Unsure whether you’re amused or annoyed by his arrogance, you open your mouth to respond—but before you can say anything, he cuts you off with a wink.

“Kidding,” he says with a chuckle, clearly enjoying your flustered reaction. “Always happy to help.” His hands settle into his pockets and he pauses, the corner of his mouth lifting just slightly. “Especially when it means I get to rescue a pretty girl like you.”

The compliment lands harder than you’d care to admit as you feel the warmth creeping up your neck and into your cheeks—betraying the fact that—against your better judgment—you’re not entirely immune to his charm.

A flicker of something stirs in your chest…

—nope. Let’s not go there.

Pushing it down before it can grow into something more, you refuse to let that feeling root itself.

You’re not looking for attention, especially not from a guy like this—a guy who flashes a cocky grin like he knows it works. The kind of guy who acts like the world bends to his whims.

Romance? No thanks. You’ve got bigger things to focus on. He’s exactly the kind of distraction you don’t need.

“Rescue might be a strong word,” you mutter, finally finding your voice again as you cross your arms over your chest. “I had it under control… mostly.”

“Oh, you did? My bad,” leaning in slightly, his voice lowers as if sharing a secret. “But trust me, that guy? He was one wrong word away from turning this into a full-on disaster. You’re lucky I stepped in when I did.”

You can’t help but raise an eyebrow at his comment, refusing to let him rattle you this time, and there’s a flicker of amusement creeping into your voice as you challenge him.

“Lucky, huh? So, what now? You expecting a medal or something?”

His grin widens—a grin that’s undeniably magnetic, but you resist being pulled into its orbit.

“Naaaah, I’m not that high maintenance,” straightening himself, he regards you with a slight tilt of the head. “But… I’ll take a coffee if you’re offering.”

You blink, momentarily thrown off by his response.

Did he just… ask you out?

“Wait, what?” you stammer, not quite sure you heard him right.

“A coffee,” he repeats smoothly. “Y’know, like a reward for my heroic efforts.” He pauses, just long enough to make it clear he’s toying with you. “Or is that too forward? I can settle for your number instead.”

You can’t help the scoff that escapes your lips—a sharp exhale that’s part disbelief, part amusement. This guy is unbelievable.

Nope. You’re not going to let him get to you that easily.

“I don’t even know your name,” you shoot back, lifting your chin just a little higher, “and you’re already angling for a reward?”

“Ouch, y/n,” he replies, placing a hand dramatically over his chest as if you’ve wounded him deeply—his grin, however, never falters. “That stings.”

You stare at him, your brows furrowing in confusion.

“How do you…?”

“How do I know your name?” he finishes for you, clearly enjoying this a little too much. He tilts his head. “Well, for starters, your nametag.”

Oh.

You glance down quickly and—of course—there it is, printed neatly on the tag pinned to your shirt, and now you are mentally kicking yourself for not realizing sooner.

“Right… of course,” you shake your head in mild embarrassment. It’s infuriating how easily he’s messing with you.

An amused chuckle dances on his lips and he leans back ever so slightly—hands in his pockets like he has all the time in the world.

“But that’s not the only reason I know you,” he adds, voice taking on a more playful tone, almost like he’s daring you to figure it out. “You really don’t recognize me, do you?”

You blink, trying to piece together where you might’ve seen him before. There’s something vaguely familiar about his voice…have you heard it before? Do you know him?

“I don’t…” you start, trailing off, searching for any spark of recognition, but you come up blank. “Uhh… should I?”

Flashing you a toothy smile, he's clearly delighted by your confusion.

“Ouch again. Double whammy,” with a dramatic sigh, he shakes his head in mock disappointment as his crooked grin curves up. “I guess I’m not as memorable as I thought.”

Your eyebrow quirks up at his theatrics, and despite yourself, the corner of your lips do too. Ugh. You want to be irritated with him but somehow, he makes it incredibly hard to be.

“Right… well,” tilting your head, your voice dips with playful sarcasm, “maybe if you told me your name, it might jog my memory?”

With a soft chuckle, he slides his sunglasses off and rests them on top of his head, and just like that, you’re greeted with the full, unobstructed view of his eyes—striking, electric blue, so vivid they almost don’t seem real, and they lock onto yours with an intensity that sends a flutter through your chest.

“Satoru,” he says smoothly, as if his name alone should be enough to make everything click. “Gojo Satoru.”

The name floats in your mind, like it’s circling around something, but still, nothing concrete surfaces. He seems so confident—so sure that you should know who he is—and it only adds to your frustration.

Do you know him?

Generally, you keep to yourself, both at work and on campus—with your moms condition you don’t really have time for the exciting college life. Tilting your head, your eyes narrow as you study his face—surely, you would have remembered someone like him... wouldn’t you?

“Gojo Satoru…” you test the name on your tongue as if saying it aloud might unlock some hidden memory. But still—nothing. “Sorry, not ringing any bells.”

Satoru laughs again, rich and unbothered, like this is the highlight of his day.

“Wow, I’m really striking out today,” he shakes his head in mock dismay. “I guess I’ll have to try harder next time.”

Before you can muster a response, he reaches out casually, plucking a pair of drumsticks from an endcap display nearby, twirling them between his fingers like it’s second nature. He examines them for a moment, then looks back at you with a raised brow.

“So, since we’re here and I’m feeling generous��� how about you check me out?”

You glance down at the drumsticks in his hand, then back up at him—his expression is unreadable, that signature smirk lingering as if he’s waiting for you to catch up.

“...you mean ring up the drumsticks, right?” you clarify, though your voice is uncertain.

“Sure, let’s go with that,” he murmurs, and then, with a sly wink, he adds, “But I don’t mind if you do both.”

For a beat, your breath hitches, and you fight back the urge to roll your eyes.

Okay—this is guy is definitely a flirt. You’re not falling for his trap.

“Wow… you’re really not subtle, are you?” reaching out, you snatch the drumsticks from his hand. “How many women actually fall for that?” you turn on your heel towards the counter, and he follows in step.

“Hmm…I’m not exactly keeping score,” he admits. “But let’s just say I don’t hear too many complaints.”

Glancing back at him, you arch an eyebrow as you approach the register—fingers automatically moving to unlock your cash drawer, and he leans casually against the counter beside you, propping his elbow on it—like he owns the space.

“Will say though,” he adds, voice dipping lower, “I don’t usually have to try this hard. You’re pretty special.”

You scoff, your fingers hesitating slightly over the keys, though you refuse to let him see how his words make a tiny flutter bloom in your chest.

“I bet you say that to all the girls,” you mutter under your breath, trying—and failing—to focus solely on the transaction.

Satoru hums, watching you with that same playful gleam in his eyes.

“Nah,” his tone drops to something almost conspiratorial, “you’re definitely one of a kind.”

Yup. He’s a smooth talker—and without a doubt, bad news.

Pressing your lips together, you force your gaze to remain on the screen in front of you. He’s playing a game, and you’re determined not to lose.

As you scan the barcode on the drumsticks, he casually pulls out his wallet to pay, and that’s when something catches your eye—a student ID peeking out from the clear pocket inside his wallet.

Narrowing your eyes slightly, your fingers hover mid-air as you get a better look. The ID is familiar—yet you can't make out the school’s name plastered right across it, but the logo and the colors are unmistakable.

Wait a second…

“We go to the same school?”

Satoru looks up, his grin stretching even wider and the glimmer in his eyes practically daring you to catch up—he’s been waiting for this moment.

“Took ya long enough,” he teases, playful but with a hint of smugness. “Yeah, we do.”

You blink, the pieces clicking together a little too late.

“Why didn’t you say something sooner?” you demand, unable to stop the half-accusatory, half-embarrassed tone that underlines your voice. A groan slips past your lips and you shake your head in frustration. “I swear…you’ve been messing with me this whole time.”

With an amused chuckles, Satoru lifts his shoulders in a casual shrug.

“Hey, it’s more fun this way,” he leans in a little closer, and for a moment, the world narrows to just the two of you. “Besides,” he pauses, tilting his head just slightly while his lips curve into a sly grin. “I like watching you piece things together. You’ve got this cute little furrow in your brow when you’re thinking hard.”

The intensity in his eyes makes your breath hitch, and no matter how hard you resist, there’s that undeniable flutter in your chest, warm and unwanted.

“How come I’ve never seen you around?” you ask, trying to steer the conversation back onto safer ground.

“Oof. You’re killing me, y/n. I pass by you every day, actually.”

You frown, narrowing your eyes.

“Every day? Where?”

“The water fountain,” he says smoothly, tapping his fingers on the counter rhythmically, just a light touch. “Y’know, where you sit and study. Every afternoon, without fail. I walk by almost every day.”

Ah. That’s why his voice must’ve sounded familiar. You probably heard him—another voice blending into the background while you were studying.

“Really? Guess I never noticed you.”

Resting his chin in his hand, a dramatic huff falls from Satoru's lips as they form into a pout.

“Jeez…you don’t quit. I can’t believe I’m that forgettable.”

You can’t resist the soft laugh that escapes you, despite yourself—it’s hard not to find his antics at least a little amusing, and though you’d never admit it, the way he’s so desperate for your attention is almost… cute.

“Maybe you just blend into the background too much,” you shoot back, raising an eyebrow while extending your hand, silently gesturing for his payment.

“Ouch...” he winces dramatically, pulling out his card before placing it in your hand. “Okay, that one stung a little.”

“Yeah, well… I’m sure your ego will recover,” you quip, glancing up briefly before focusing back on the transaction. But there’s a brief pause as you swipe his card—a silence that suddenly feels charged with something else.

You can feel his gaze lingering on you, heavy and expectant, and you try your hardest not to give in to the pull to look at him again—but the heat of his attention is unmistakable, almost like a gravitational force pulling you in, and you can feel your pulse quicken under his scrutiny.

“I gotta say, you’ve got a sharp tongue—I like it,” he murmurs.

Your fingers freeze for just a second, your breath hitching slightly as his tone shifts, and you can’t resist—your eyes flick up and he holds your gaze captive yet again.

“But it’s a bad habit, y’know,” he continues, his voice dropping, growing more intent as his eyes flicker over your features. “Not being aware of your surroundings like that...” leaning in just a fraction, his words become a quiet murmur between the two of you. “What if some creep tried to take advantage of you?”

The gentleness in his demeanor… is he genuinely concerned? It’s hard to tell—harder than you’d like to admit—and it’s easier to convince yourself he isn’t—that this is all part of his charming routine, because that makes it easier to ignore the subtle pull he has on you.

“Well,” you keep your voice steady, despite the flutter in your chest, “lucky for me, no one’s tried. Unless…” tilting your head slightly, a teasing smirk tugs at your lips, “you’re secretly admitting to being a creep.”

Satoru’s laugh spills out, rich and warm, breaking the moment just enough for you to catch your breath.

“Nah, I’m not creep,” his voice lightens as he straightens up just a little. “Just a concerned citizen looking out for someone who’s too absorbed in her textbooks to notice the world around her.”

You huff, though the corners of your mouth twitch upward against your will.

“I can handle myself, thank you very much,” you quip back, determined to maintain control over the situation. In a quick, defiant motion, you grab the receipt and shove it into his hand, a small victorious gesture.

“Right, right. You definitely proved that today when I swooped in for the rescue,” he teases, and his hand brushes yours ever so briefly as he takes the receipt—a touch so light is sends a tiny spark up your arm. “But hey, what if you don’t show up at the fountain one day? I’m gonna have to file a missing person’s report.”

You can’t help but laugh at his ridiculousness, the sound escaping before you can stop it.

“A missing person’s report? Seriously?” you roll your eyes.

“Yup,” he grins, emphasizing the ‘p’. “You’re there so often it’s practically routine. Same spot. Same time. Every day. It’s kinda predictable, y/n. If I don’t see you there one day, I’ll just assume some creep finally got to you.”

You narrow your eyes at him, though you can’t help the faint heat rising in your cheeks.

“Predictable?” you retort, trying to sound indignant. “I don’t think so.”

“Oh, you are,” he counters, clearly reveling in your reaction as he slips the receipt in his pocket. “But hey, that’s not a bad thing. It makes you easier to find if you ever disappear.”

Shaking your head, you roll your eyes, a snappy reply ready on your tongue, but he’s already raising his hands with a dramatic flair, like he’s about to paint the scene in vivid detail.

“I can see it now: ‘Missing: Cute girl who spends way too much time by the water fountain. Last seen buried in a psychology textbook. Answers to y/n.’”

It’s impossible not to laugh again, the sound bubbling up as you watch him weave his ridiculous scenario with such confidence and flair. His eyes flick to yours, and a satisfied grin tugs at the corner of his mouth—clearly pleased with the effect he’s having on you.

“Wow,” you manage between chuckles. “You’ve really thought this through, haven’t you?”

“Mhm,” he hums in agreement, leaning slightly closer. “Gotta be prepared. I don’t want anything happening to my favorite water fountain girl.”

Your heart flips—and for a second, it feels like he’s given you some kind of title you didn’t realize you wanted. You try to brush it off, to ignore the warmth spreading across your cheeks, but it’s not so easy with the way he’s looking at you.

“Riiiight… well, lucky for you,” you manage, attempting to sound nonchalant, “I’m not planning on disappearing anytime soon.”

“Good,” he murmurs, low and smooth. “Because I’d miss seeing you.”

You raise an eyebrow, trying to keep the upper hand, though the small smile that tugs at your lips betrays you.

“Uh-huh. Sure you would.”

There’s a brief moment, just the two of you—his gaze still locked onto yours, when—

“Ahem.”

You jump slightly at the sound, turning to see Utahime standing beside you, arms crossed, a knowing smile pulling at the corner of her lips. She gives you a look—a very knowing look—that sends heat rushing to your cheeks all over again.

“I’m taking my break,” she says, her tone casual but her eyes dancing with mischief as they flick between you and Satoru. “So… don’t get into too much trouble while I’m gone.”

Suddenly hyper-aware of the tension in the air, you swallow hard and offer her a tight smile.

“No promises,” Satoru quips, that cocky grin returning to his face as he leans against the counter slightly—clearly unfazed by the interruption.

After Utahime saunters off, he continues smoothly, picking up right where he left off.

“So...” he starts again, “What do you say? How about you give me your number? Just in case I need it, y’know, for emergencies.”

He’s relentless, isn’t he?

Heat creeps up your neck as you blink from his boldness—with a soft, incredulous laugh, you desperately try to find your footing again.

“You really don’t give up, do you?”

That familiar and confident gleam glistens in his eyes as his grin widens.

“Not when it comes to someone as interesting as you.”

There’s a flicker of something in your chest—a flutter that you’re quick to squash.

“Mmm… sorry,” you murmur, tone sweet but firm. “But I don’t think you’re ready for that kind of disappointment. I’m really not interested in players.”

For the briefest moment, his grin falters, and something unreadable flashes behind his eyes—a momentary crack in his facade. It’s so quick, so subtle, that you almost miss it. But there’s just enough time to wonder if maybe you hit a nerve.

Still, Satoru recovers in an instant, his playful charm sliding back into place like nothing happened.

“That’s cold, y/n,” his voice light and teasing, though there’s a trace of something deeper, almost wounded, lurking beneath. “You really think I’m that kind of guy?”

Tilting your head slightly, you cross your arms over your chest as you study him—gaze sharp but not unkind.

“Yeah, well, I’ve met enough guys like you to know how this works.”

With a soft chuckle, and a smooth, almost lazy motion, he lowers his sunglasses from where they’re perched atop his head—resting them back on the bridge of his nose as the dark lenses now obscure his eyes from you.

He’s hiding behind them—letting them do the work of shielding his real thoughts. Huh. Typical behavior for someone who enjoys the chase but avoids real vulnerability.

“You’re quick to judge. I’m just a guy who knows what he wants. And right now? I just want your number.”

Classic deflection—you think. He’s not even denying it. Still... something about the way he says it makes that familiar flutter stir in your chest, and you hate it.

“Yeah... that’s not happening,” crossing your arms more tightly, you try to maintain control of the situation.

His hands come up in mock surrender as a small, amused sigh slips from his lips.

“Bummer,” he concedes, though there’s no real disappointment in his tone, only amusement. “But hey,” he picks up the drumsticks from the counter, “offer’s on the table if you ever change your mind.”

“Right... I’ll keep that in mind,” you dryly reply, knowing full well that you won’t.

“Please do,” he shoots back with that infuriatingly confident grin. “Besides, I’ll be seeing you around, water fountain girl.”

The familiar nickname brings an unwanted warmth that you attempt to shake off.

“I wouldn’t get your hopes up, Gojo.”

But Satoru just steps back toward the door, exuding that same unshakeable confidence. “Oh, I’m not worried,” he says with a cocky smirk. “You’re predictable, remember? I know exactly where to find you.”

You open your mouth, ready to fire back with something witty, but before you can, he’s already halfway out the door, twirling the drumsticks between his fingers with effortless ease.

“See ya around, y/n,” he calls over his shoulder, the door swinging shut behind him with a soft jingle before you even have a chance to respond.

And just like that, the store feels quiet again, as if the air shifted back to normal now that he’s gone. You stand there for a moment, blinking at the closed door. You should feel relieved that he’s gone, that the exchange is over, but instead, you’re left with this strange, restless feeling you can’t quite shake.

What the hell just happened?

Shaking your head, you exhale a breath you didn’t realize you were holding. There’s a part of you that’s frustrated—frustrated at how easily he slipped under your skin, how effortlessly he managed to unsettle you with nothing but a grin and a few flirtatious remarks.

You hate that you’re even thinking about it. About him. He’s just another guy with too much confidence for his own good.

But something about the brief crack in his facade sticks with you. That fleeting moment where his grin faltered, and something else—something almost vulnerable—flickered behind those cocky blue eyes.

What was that?

With another shake of your head, you push the thought aside. He’s a flirt. A player. The kind of guy who never takes anything seriously.

That’s all there is to it.

You don’t have time to psychoanalyze every flippant guy who crosses your path, even if there’s a part of you that’s still curious.

Just as you’re about to shake off the thoughts entirely, your phone buzzes in your pocket, snapping you out of your daze. You pull it out, glancing down at the screen.

Kyoko: Hey sweetie, just wanted to let you know your mom's been having a rough day today. She’s more confused than usual, keeps asking for you. Maybe you could visit soon?”

Reality crashes back in—grounding you in the weight of your responsibilities.

With a sigh, you run a hand through your hair, already mentally preparing yourself for the evening ahead.

You: Thanks for the update, Aunt Kyoko. My shift is almost over, I’ll be home soon.

Focus. There’s no room for distractions—not right now.

Not with Satoru Gojo. Not with anyone.

a/n. thanks for reading the debut of bomh (or i guess the re-debut since this is a rewrite? hehe). i'm excited to explore a lot of topics in this fic, and rewriting it definitely helped rekindle my passion for this story. so, i'm looking forward with whats to come! hope ya'll enjoyed 💕 → you are currently all caught up ♪

taglist:

@gojoslefttoenail @satoryaa @ninjaturtletoes @murtabuckz @sorcerersseestars

@reagan707 @sakurasimppp @sugxryratz @tkyemfk @lovelyjkook

@lovebittenbyevans @kaemaybae @bloopsstuff

[watcherintheweyr]

'Rhaenyra is a bad mom bc she knowingly gave birth to bastards and she knew how much danger they'd be in!!!!'

1. She had no way of knowing those babies wouldn't pop out looking exactly like her, beforehand. And unfortunately she couldn't stop at Jace. The throne needed an heir. Driftmark needed an heir. And a spare was needed as well, given the sheer rate of Targaryen children dying untimely deaths.

2. She had to provide heirs to the throne, and to Driftmark. If she hadn't, society wouldn't have blamed Laenor, they would have blamed her- which makes her position even more unstable, bc then she 'can't fulfill a woman's duty' so why would men think her 'able' to fill a 'man's role' by ruling the kingdom? And she and Laenor tried. He was either unable (meaning infertile or impotent, or unable to get it up), or unwilling. (And they did try. We dont know what they tried but Rhaenyra is shown to be clever in the show so honestly i have no doubt she attempted what Margaery suggested with Renly.) Laenor was in on the entire thing. He was aware of every part of this. He wasn't duped, he wasn't cuckholded- it was a plan greenlit by him, bc this way he and Rhaenyra would both have their heirs and a family. This cannot in any way shape or form be compared to Cersei cuckholding Robert (fuck Robert Baratheon tho), seeing as Robert was **not** at all aware that his children weren't his, and wouldn't have been OK with that.

Either way- she chose not to maritally r*pe her husband and put him through more trauma after it was clear their attempts weren't working. Yall are always so upset for Alicent (rightfully so, bc show!alicent was maritally raped, even if it wasn't considered as such in that time), but you... WANT Rhaenyra to do that to Laenor? Hello???

[And no. Rhaenyra did NOT rape or coerce Criston Cole. The actors, writers, and directors have all stated their sex was consensual and 'an act of love.' It was Rhaenyra going to someone she felt close to and trusted after feeling abandoned and unwanted and betrayed. In that scene you literally watch, as after Cole tells Rhaenyra to stop undressing herself, she moves aside so she isn't blocking his way to the door. The director states that the moment they show Cole folding and setting down his cloak was him choosing his desire over his oaths. And Criston Cole has known Rhaenyra since she was 14. He knew damn well the sort of person she was- and she was not the person who would have harmed him for saying no. She was an intoxicated and emotionally vulnerable 19 year old- Criston was in his late 20s to early 30s. And it's explicitly stated in ep.9 that the ONLY person a Kingsguard cannot refuse is the king. In ep.7 Criston disobeys a direct order from Alicent when she wants him to mutilate Lucerys. Criston Cole was not assaulted. Stop trying to assign Aegon's sins to Rhaenyra so that you can feel better for supporting him.]

3. In the books, the rumors of their bastardry at large halted when all of Rhaenyra's boys' cradle eggs hatched. The ONLY people who continued to try and raise issue were the core green faction. But the realm at large *did not give a fuck* why? Because every actually relevant party claimed those boys. Repeatedly and without flinching. Laenor claimed and loved those boys even face to face with Alicent's bullshit. Corlys claimed and love those boys- he was proud of them, and it's been stated by the actor in the show that Luke was his favorite- that given the... events of ep.10, Corlys will be out for blood. And Viserys repeatedly insisted upon their legitimacy- because Laenor and Corlys claimed them, because he knew that by forcing Rhaenyra to marry Laenor in order to repair the damage his insults caused House Velaryon, that he had backed her into a corner.

Rhaenyras boys are remembered to history as Velaryon. Even **Green supporters** noted that they were good, capable, intelligent, and **worthy** princes. That their deaths were unfortunate *for the realm.*

Legally, those boys are legitimate. They cannot be proven illegitimate without Laenor renouncing them, and he never did. Furthermore, trying to declare children illegitimate due to their appearance is a stupid, dangerous precedent. The fact that it's people who have no ties to House Velaryon pushing these rumors and pushing for disinheritance makes it even worse, because they're meddling in the succession of a House that *is not theirs.* if that became a standard, imagine the feuds and conflicts that would erupt- lords pushing for the children of rivals to be declared illegitimate all for the sake of trying to grasp and steal land, power, and influence as a norm? The realm would tear itself apart. Not to mention the sheer danger that would place women in, in Westeros.

Furthermore, even whilst usurping her, even while calling her children bastards, the Greens also imply Laenor's homosexuality was inherited by the Velaryon princes- that they would use Rhaenyra's 'promiscuity' and Laenor's 'predilections' to turn the Red Keep into a brothel- ironic, considering that's more what Aegon would've done. So even while claiming that Rhaenyras children are bastards that shouldn't inherit, they try to state that what the boys inherit or learn from Laenor makes them unfit for the throne. They can't keep their own damn story straight- because their usurpation was never about what is moral, what is right, or the greater good. It was about greed. Power. Sexism.

It doesn't matter what those boys looked like, especially seeing as Rhaenys had dark hair in the books. What matters is that Corlys and Laenor and Viserys claimed them and declared them legitimate, and that they **never** deviated from that.

As for Vaemond, he was a second son. And he waited until Corlys and Viserys were dying and too ill to stop him to make a grasp for power. Youre not supposed to look at that and feel hes in the right. Youre supposed to look at that and see a man consumed by greed, and literally trying to bury Corlys' will and intentions before the man is even in a grave. He was NEVER Corlys' heir- he just wanted power. It wasn't about his House, or their legacy, it was about him.

(And before yall start shit about Rhaenyras boys stealing Laena's girls' inheritance... Rhaena and Baela are *TARGARYEN*. Not Velaryon. Their claim was to the throne or to any holdings in Daemon's name. NOT to Driftmark.)

Rhaenyras boys being betrothed to Rhaena and Baela tied up any issue of 'Velaryon blood.' Baela would have been queen consort of the seven kingdoms at Jace's side, and they very clearly adored one another in book and show. Rhaena would have been Lady of the Tides- which she never would have had a chance for, without Rhaenyra (and Laena) making those betrothals. She and Luke were also canonically very close- and in show she's very encouraging of him whenever he looks nervous or uncertain. They had a bond.

Rhaenyra stole nothing. She gave those girls more. And she loved them- they were the only daughters she got to have, seeing as the Greens treachery caused the early death of baby Visenya. If she hadn't loved them, she wouldn't have trusted Rhaena to look after Joffrey or give her Morning's egg from Syrax. She wouldn't have immediately invited both girls to the table when she was queen, which is something her father did not do for her until much, much later. He allowed Rhaenyra's voice to be silenced too often when she was first made heir. Rhaenyra did not repeat that hurt to her girls or her boys.

Anyways, moving on.

You lot do also remember that Rhaenyra herself has Velaryon blood, right? Jaehaerys I's mother was Alyssa Velaryon. Aegon, Rhaenys, and Visenya the Conquerors' mother was Valaena Velaryon. It's not immediate, but there *is* Velaryon blood through *all* of Rhaenyras boys.

Ultimately, Rhaenyras boys were only in danger because of the core Green faction usurping the throne. If they hadnt- no succession crisis or rebellion could have truly threatened Rhaenyras boys- because none of them would have had dragons. All of Rhaenyras children loved one another- her sons by Daemon would not have turned on her sons with Laenor (and Harwin). They were a true, loving family- possibly one of the healthiest and most close knit one House Targaryen ever boasted.

And another thing... 'her having babies with Harwin was stupid, she should have picked someone Valyrian!'

Here's the thing. Rhaenyra had to be careful as hell choosing who would father her and Laenor's heirs. She had to choose someone who was physically close, and who could be trusted. Someone who wouldn't try to publicly claim those boys in boast or jealousy. Someone who would keep their mouth shut and had no ambition of their own in regards to the throne. Do you really think Vaemond Velaryon (as I see him suggested a lot) would've kept his mouth shut? That he wouldn't have tried to use this to blackmail Rhaenyra and Laenor for more power and status? Do you think Rhaenys would have ever fought for or supported Rhaenyra if Rhaenyra had tried to have Corlys sire her children? And flying to see Daemon in Pentos and having a purely Valyrian child 9 months later would have made things look even more suspect.

Furthermore... she chose someone who cared for her deeply. Who clearly had a positive relationship with Laenor. She chose someone so she wouldn't have to traumatize herself- she took power over her body in a way almost no Westerosi woman has ever been able to. They were a family unit- Rhaenyra, Laenor, and Harwin. Those children were loved and cherished by two fathers and their mother. They were raised never doubting their mothers love, nor their father's- either father. They were raised and educated to be true, good princes of the realm.

Rhaenyra fought like hell for her children. She was an incredible mother. Yall just believe everything the Green faction says without looking at it critically, and that's unfortunate as hell.

[fantasywater]

These are the reasons Stolas Horseman still gets dragged for his infidelity even though the circus was supposed to FIX THAT.

This is for Stolas's Western Entergy interpretation and for the fans who agree with it:

Stolas is an adulterer.

No one gets to change the definition of a word just because they don't like it being said about their favorite character.

He's a domestic abuse survivor and an adulterer. Both are true. 

The reason Stolas still gets criticism is because of the execution of how it was written and the Octavia factor.

We were introduced to Stolas and Stella's dynamic with her being pissed that her husband of at least seventeen years cheated on her.

That anger is empathy-inducing to a lot of people because being cheated on, or knowing someone who has, is a relatable experience. It also looks extra disgusting on the one who stepped out when a family is involved.

Even her throwing things at him could be excused because of the context in which it was happening.  

There's a reason why temporary insanity is welcome in legal circles because it gives leeway to the perpetrator in that it asks the question would they have done this awful thing if it wasn't for an extreme mental break forcing them to? 

Stolas's infidelity was that mental break.

Trying to kill him can also fall comfortably under temporary insanity. 

Plus having our protagonists kill innocents as a job also takes the bite out of it. 

It also doesn't help that both Stolas and Stella's voice actors gave their own explanations that pretty much stated what I said above.

Even our first episode was about a cheated-on woman going to extremes, but she was shown in a sympathetic light despite it. 

Yet the very next episode shows the same issue, but because Stolas is a main character we are supposed to fall in line that the adulterer is whose side we should be on. 

Octavia having a mental breakdown(twice now) because of Stolas's infidelity is also not endearing him to the audience.

What he is doing to his child is the biggest reason why his remorseless, continuous, infidelity is not a take-back-my-power move.

The inciting incident for both Stella's recurrent violent anger and death "threats", as well as Octavia's mental breaks, is Stolas's cheating. Therefore what is happening to him now is a consequence of his own actions.

The writing in the problem. We were introduced to a wife and daughter showing anger in different ways because a spouse and father betrayed their family, and yet Viv still expects us to feel sympathetic to Stolas.

In reality, Stolas is the antagonist of Stella, Octavia, and Blitz.

That role was especially blatant in Loolooland.

As for Stella Viv tried to course correct by being heavy-handed in showing her as a cartoonish monster in The Circus. 

However, because of the initial execution of writing her as a scorned wife due to her remorseless, repeatedly cheating husband for a whole season, she has forever poisoned the well for Stolas and she has no one to blame for that but herself.

She is the one who wrote one of her supposedly sympathetic main characters doing Sexual Extortion(Blitz), Adultery(Stella), Mental Break/Child Neglect(Octavia), but then seems to have an issue when a nice chunk of the fandom still thinks only his victims deserve sympathy.

Nevertheless, since the Circus is in the canon now does Stolas owe Stella loyalty and remorse? No. 

However, Stolas is not just a husband. Octavia exists.

Therefore Octavia will always be the reason why his (continuous) infidelity was a selfish and vile act. 

That's also why what's going to happen to him in the leaks is on him.

His karma warranty is up.

The problem is that the karma Viv gives is an illusion because she still wants you to feel sorry for Stolas. That's why there's always a sturdy flavor of demonization in the narrative toward anyone he's harmed to facilitate that.

However, considering the nature of his crimes his comeuppance is deserved, but she still writes like it's not and expects the audience to fall in line.

She also did the same thing with Blitz's issues with him.

So it's a pattern, and it exists because a fujoshi is writing this story. 

It's a failure in the execution when the author's intent and the audience's takeaway is this broken.

[tothepointofinsanity]

Sayaka Miki is a character whose, depending on who you ask, either her primary or secondary role, is walking the path of a volatile teenage girl who does not understand the way the world works, much less one involving magic, and denied grace from others because of her reactive nature. Of course it is relatable that a character who needs an abundance of understanding and compassion is also one who harshly rejects it; there was no tangible way for Sayaka to accept such a gesture when she was cornered by her own ideals and afraid of the ensuing shame with admittance that she is Wrong. Because things that are wrong to Sayaka cannot be written off as “okay”.

In any case, it’s self-loathing for her failures as a protective figure, a concept incompatible with her prior grasp on goodness, power, and responsibility. The vilification of her character as an unnecessarily angry girl due to heartbreak is not wholly inaccurate, but does not cover the underlying problems she carries as presented by the narrative. Most of her issues are birthed from her clinging to what is most acceptable to others, but her actions do not reflect these qualities, and she was never taught how to reconcile this dichotomy in herself, far too entrenched by her perception that the world of potential and magic she admired so deeply has betrayed her, and when magic isn’t enough to solve problems and they come in physical forms of people frowning upon her methods, I do not think there was ever a chance she could have properly internalised all those aspects together.

Some people are actually ashamed or bashful to admit that they find such a character relatable because of her flaws, but these flaws are realistic precisely as they are unacceptable by others in this world. Trying to be an exceptional human when you keep stumbling, both in actions and words, pretending to be someone you are not - that is why the mermaid returns to the sea.

[amomentsescape]

Can I request a Yandere Slashers with an S/O like Patrick Bateman (She is a rich narcissist, arrogant with others, always treating others as if they were inferior, but with the slashers she is sweeter, always showing affection for them)

Yandere! Slashers with Patrick Bateman-esque Reader

Slashers x Reader

Includes: Freddy, Michael, Jason, Thomas, Bubba, Brahms, Norman, Billy, Stu, Vincent, Bo, & Lester

Warnings: Some foul language

A/N: I love this request! Thank you, and I hope you like it! (No mentions of Reader pronouns in the fic itself)

Freddy Krueger

Honestly, Freddy finds it pretty funny (like most things)

He too is an asshole to pretty much anyone other than you

So together, you make quite the duo

He won't admit it, but there are times where you're honestly kind of scary

The way you can say the most traumatizing thing to someone without so much as blinking has him a little frazzled

Even he chuckles or shows some type of emotion

But when you're both alone, it becomes a different story

It's the only time he sees you smile and really relax

To think that you'd so much as hug someone is insane, but Freddy gets to see that side to you

It honestly just makes him trust you more

Knowing that he's the only one you're actually nice to puts his mind at ease

It's even gotten to the point where he feels comfortable letting you have some freedom during the day

He's still watching, of course, but he knows he has nothing to worry about

Michael Myers

He's probably the most similar to you out of everyone you've ever met

(It's why he became attached to you in the first place)

Seeing you say the most evil things to people without showing any emotion, and using your money just for yourself stirred something in him

And it still does

The connection was so immediate that he learned to trust you pretty quickly

He still likes to follow you whenever he gives you some "alone time"

But what originally started out as trust issues soon turned into entertainment

He likes seeing you move so confidently about your day and scaring all those around you

The way your presence alone silences a room is enchanting to him

And since he doesn't really like to go out much during the day, he gets to live vicariously through you

And when you come home with a smile and a quick kiss, it secretly melts him

You are perfect for him

Jason Voorhees

When he first got to you, his ability to trust you was hardly there

You seemed so cold and uncaring

It seemed impossible for you to return his feelings

But over time, he began to see you show more kindness and affection towards him

He was confused and just assumed that you were trying to gain his trust so you could leave him

But then he saw how you acted when he "wasn't" around

Whatever side he got to see of you wasn't the side you showed to everyone else

Because of this, you began to make him feel special

And his walls came crumbling down the as soon as they were put up

You spoil him, in his opinion

Lavish gifts, kisses, genuine laughs, and just overall attention has Jason melting in your hands

He honestly doesn't even care if it's just an act anymore

He's addicted to how special you make him feel

Plus, there's no way he's ever going to let you go anyways

Thomas Hewitt

It came as quite the shock when you were actually nice to him

He was enamored by you, clearly

But he saw the way to treated others as below you

It was a risk for him to take you as his in the first place

But when he noticed the little gleam in your eyes while looking at him, he knew he was locked in for good

He lets you initiate the affection most of the time, and he'll never say no to you

He even feels pretty comfortable letting you go into town and do what you want

He knows how you act around others, so there's no doubt in his mind that you wouldn't try to betray him

Plus, he loves the gifts you come home with after a day out

He's never owned anything nice before, so he truly feels like he's in heaven with you

You just can't ever act cold towards him

Even if he does something to anger you, you can't lash out

He will not hesitate to lock you in your shared room for the whole day if he sees it necessary

He likes your cold demeanor only when it's not directed at him

The moment it is, he will become immediately wounded

Bubba Sawyer

This poor man doesn't know any difference

You could step on his face and he'd be giggling

So he barely even notices your sour attitude with other people

He just thinks you're perfect no matter what you say or do

You can literally see hearts in his pupils when he looks at you

But thankfully, you actually enjoy your time with Bubba

The simplest touch or compliment given by you has Bubba kicking his feet and blushing

And when other people are around, you could call them the meanest name in the book, and he'd just be all smiley and giddy

He really is all around innocent

However, this sweetness only lasts for as long as you stay in the house with him

If you need to grab some things from the store or want to walk around by yourself for a bit, it comes with a price

He will beg, cry, and plead with you to stay

It doesn't matter how cold and uncaring you are with everyone else, he doesn't want you going anywhere

But if you insist, expect him to be pouty and silent around you for the rest of the day

But don't worry, by morning it's like it never even happened

Brahms Heelshire

Your calm and callous demeanor only fuels Brahms possessiveness

He loves how cruel you can be with others

And the money you have is fitting to him (having been raised a rich boy himself)

He'd prefer if you didn't interact with anyone at all, but he supposes your hatefulness makes up for that

Oh but when you come home with a big smile and arms outstretched for a hug, he becomes putty

He'll hold you for hours without so much as a motion to move

He loves that he's the only one that gets to see you like this

But just be careful

Brahms likes making up situations in his head

If he thinks you so much as blinked one too many times around someone, he will go berserk

He loves that you're cruel to everyone but him, but if he's having an off day, it's easy for him to see things that didn't actually happen

And once he has that thought in his head, it's hard to convince him otherwise

If he thinks you weren't being cold enough to someone, he will not hesitate to lock them in the house and place you right in front of them, making you do the dirty work

It doesn't faze you much thankfully, but it can become a bit annoying

Especially when your $800 shoes get blood on them

Norman Bates

Kindness is the number one policy in Mother's book

So he really isn't a fan on how you treat other people

Treating other's cruelly and not even attempting to share your wealth is all immoral in Norman's mind

He's tried having so many conversations to you about how you should be kinder

But his voice always falls on deaf ears

You'd think he'd be sick of it by now

But the main reason he can't give you up is because of how sweet you are towards him

You litter him with affection and sweet words

You gift him with just about everything he's ever wanted

He knows it's wrong, but he's addicted to how you make him feel

Could it all be an act on your part? Sure

But he barely cares, to be honest

He knows you'll be the death of him, but he truly can't imagine a better way to go out

Billy Loomis

He hates to admit it, but he finds it oh so sexy

You're quick with your words, and the slight raise of a brow is all it takes for someone to crumble to their knees around you

The control you have is awe-inspiring to him

And the fact that you become his little love bug at home only makes it more exciting

Seeing you go from rude and cruel one moment to sweet and kind the next keeps things interesting for Billy

He truly believes that most of humanity doesn't deserve the attention of people like you or him

You're both too good for them

With that being said, Billy's "body count" has gone up drastically since he claimed you

You're mean to someone? They deserve to die

You're a little too nice to a guy? He had it coming

Someone so much as bumps into you on the street? They'll be gone by the end of the night

He swears you're making him even crazier than before

But God, he loves it

Stu Macher

Look, Stu is all about hating other people

As lighthearted and goofy as he is, he really can't stand a lot of people

The amount of times he's murdered some stranger over and over again in his mind is outrageous

So he gets it

But at the same time, suspicion easily arises from people who see how outwardly cold you are

He's asked you time and time again to "lighten up," but it never changes anything

Which is why he's always so astounded by how you are when you both are alone

You laugh at all of his jokes, you plant his face full of kisses, and you even share his love for horror films

How you act with him is how he wishes you'd act in public

But at the same time, he kind of likes how two-sided you are

There's a part of him that loves being the only one who receives your kindness

It just makes it taste that much more sweet to him

And to be honest, if you ever did act nice to someone other than him, his whole mind would go dark

And you'd never hear from that person again

Vincent Sinclair

Contrary to what many people would assume, Vincent enjoys your callousness towards others

He hasn't come across many people during his life, but those he has met have always shown him nothing but disgust and hatred

Even his own brothers have ridiculed him and ordered him around like he was a slave (mostly Bo, but Lester has had his moments)

This only fueled a true hatred for most of humanity

It's a large part of the reason he set his sights on you in the first place

You stirred something in him, and he knew there was no going back from that feeling

But the way you acted around him was quite the surprise

You spoke so softly to him and touched him like you were a true angel on earth

You made him feel so special in a way that no one else had

There's no way he was ever going to let you go

It just feels so nice to have someone on his team for once

Your glare is so cold that even Bo doesn't want anything to do with you

Vincent has gotten his first taste of respect, and he only wants more

Bo Sinclair

He's always wanted his partner to have a little fire to them

But damn, you were a hell of a lot more than just a flame

He was drawn to you like a moth, and seeing how mesmerizing yet cruel you could be was like the total package to him

Anytime you told someone off, he'd just be standing back saying "that's my darlin' right there"

And at first, he didn't want to believe that you were being genuine when you cuddled up to him or gave him a passionate kiss on the lips

He thought is was all a game, and he was happy to play

But after some time being met with this affection, he soon became convinced that maybe you actually did return his infatuation

And that opened up a whole new world

He loves to take you to a night out in the next town over, showing you off

And between the money he's stolen off of visitors and the riches you have in tow, you both splurge on each other like crazy

This is quite literally a dream relationship

And with how manipulative you could be, the wax museum was booming more than ever

He'd be dead before he'd let you leave

Lester Sinclair

He finds your arrogance and cruelty a little unnecessary at times

But he doesn't ever push you too hard on it

As long as you're nice to him, that's all that matters

In fact, he lets you do what you want whenever you want it

You could walk all over him, and he'd still thank you for it

However, escaping him will never be an option

You're his, and your happiness is his number one priority

Just so long it involves being with him

But he grew to trust you pretty quickly

You're just so kind and loving towards him that he can't imagine you ever leaving him

It just doesn't make sense, right?

Even if you did try to leave, all you have to do is give him a big kiss, and he'd forgive you

Just don't talk to other people for too long

Even if you're saying the most hateful things to them, that attention alone is enough to make Lester insecure

If you want to spew anger at someone, he'll happily take it

Your attention is all he desires after all, good or bad

[zvtara-was-never-canon]

I believe Aang was right to end the war by sparing Ozai. But the only (imho) valid reason some people say he should have done it is because they wanted Aang to realize that pacifism is flawed.

I'm gonna disagree with you here, because a lot of the flaws fans talk about pacism and how ATLA in particular handles it as a concept are 99%:

1 - People being ignorant/racist and not knowing the difference between pacifist monks and "make love, not war" hippies.

2 - People being ignorant/racist and refusing to understand that there are different kinds of pacifism, even within the same cultures/people groups.

Aang is very clearly not the type of pacifist to go "You can NEVER react with ANY kind of violence towards someone else, even if it's to defend yourself/someone else" (which does exist, both IRL and in the show, just look at the owl spirit in "The Library").

We see him fight, and even be quite aggressive in said fights, in a lot of episodes. We also see he has no issues with invading the Fire Nation. More importantly, for the longest time the Avatar State was a result of him being pissed off enough at some kind of injustice that it makes him lose control, meaning he is very clearly affected by the horrors of war to the point of RAGE.

What makes him a pacifist is the way in which he doesn't WANT to lose control, doens't WANT go from aggressive to full on cruel, and, yes, wants to defeat his enemies, but not kill them.

And as I keep repeating, the show DOES make him question that last boundary he set for himself. He gets told by a past Avatar, who was also an air-nomad before anything, that, when there is such a large threat to everyone's life, including his own, he has to put aside his own spiritual needs and take a life - provided there isn't another option. But there was, so Aang took that, even after he decided that, yes, if there was no other way, he WOULD kill Ozai.

What people don't like is that Avatar, although questioning some types of pacifism, is far more interested in questioning the way people are WAY too eager to use violence to solve their issues, and, more importantly, expect someone else to get their hands bloody.

Fire Lord Sozin starts the war because he, according to himself at least, wants what's best for everyone and would like to share the Fire Nation's glory and great life with the other nations. He tries to do by invading foreign territories, killing his best friend, and commiting genocide. The fucker even has the dragons, an obvious Fire Nation symbol, to be hunted to extintion.

When Jet is angry at the Gaang for ruining his plan to free a village from the Fire Nation's control by blowing up a dam, Sokka asks "Who would be free? Everyone would be dead."

Zuko is banished because he spoke out against a Fire Nation higher-up's plan to use soldiers as fresh meat to bait the enemy into a more vulnerable position, thus assuring the nation's victory in that battle. He openly says "These men love and defend our nation, how can you betray them?"

When Zhao wants to kill the moon spirit, Iroh tries to stop him by pointing out that the Fire Nation needs the moon too (seriously, if it wasn't for Yue's sacrifice and Zhao's death, the Fire Nation would have had to create a word for "Big-ass wave that wrecks everything and kills people" like Japan did).

When Aang is deliberately trying to trigger the Avatar State because he doesn't want anyone else to die in the war, Katara, who had her life ruined by said war, is against it because while she opposes the Fire Nation, she cares about Aang and, in her own words, seeing him in so much pain and rage hurts her too. When Aang can't force himself to go nuclear, an Earth Kingdom ruler attacks Katara and makes both her and Aang, two very traumatized child soldiers, think he is going to kill her.

More importantly, when Ozai wants to burn down Earth Kingdom cities, he says "A new world will rise from the ashes, and I'll be supreme ruler of everything", to which Zuko concludes that, if they don't save the world before his dad takes over, there won't be a world to save.

And what does he say to Aang when he is about to kill him? "You're weak, just like your people. They didn't deserve to live in world, in my world."

Avatar does questions pacifism, and is critical of it on ocasion (again, watch "The Library"). But it's biggest theme is being critical of VIOLENCE, of resorting to it immediately without considering any other option and acting like it doesn't have long-lasting negative consequences, both to the person suffering it to the person inflicting it (see Azula's breakdown, Zuko's angry outburts only making him more miserable, Jeong Jeong growing to resent being a firebender, Zhao accidentally burning his own ships, etc)

The show is constantly highlighting that, yes, sacrifices need to be made for the greater good - but that CAN'T be normalized because it inevitably leads to a never-ending cicle of cruelty, as well as suffering to the one who has to do the dirty job (because lets not forget there's a big difference in how a soldier that is constantly in battle sees the war and how a king that just gives the orders but never goes into the actual combat sees the war).

The show embraces pacifism, despite knowing some versions of it are flawed, because the narratives themes are:

1 - EVERYONE is capable of great good and great evil

2 - No group has the right to impose it's own lifestyle onto others

3 - If everyone is either dead, mentally (and physically) scarred for life, or preparing to kill someone as revenge, then being killed by someone who wants to avenge that person, who will themselves be killed for revenge later, then the "greater good" you're sacrificing everything for doesn't actually exist because NO ONE will have a good life in a world that is stuck in the cicle of violence.

[barrenclan]

Ok so I adore basically everything about the most recent issue but my absolute favoritest thing is Slugpelt's section because like. Despite everything a part of her is still grieving over him. It doesn't undermine her anger if anything it probably adds to it but it still hurts so much more than if the betrayal wasn't there

There's a lot of loaded behavior in four short panels for Slugpelt and Rainhaze. He betrayed her horribly, murdered her daughter, and joined the villains attacking her. But he is never going to stop being her brother, no matter how much she wishes he could be. He's never going to stop being the person who held her when she was little while she cried. It's completely impossible for her to separate those two parts of him in her mind. Pinepaw also struggles with this;

Because Rainhaze was such a different person in very formative parts of both of their lives, there is just a part of them that will never be able to fully let that image of him go. And being aware of that is horribly painful, because they want to hate him so badly and simply for what he's done.

Slugpelt also has extra complicated feelings because of her relationship to Dustfeather and Rainhaze. Without going off on rambling tangents, the emotional abuse she endured while growing up led her to form an idea in her head of herself as the "broken one", while Rainhaze was the "good one". Despite how fragile she felt herself, she could always rely on him to be the one who had everything together - no matter if she resented or appreciated him for it, depending on what she was going through. But if Rainhaze was actually just as "broken", what does that make her?

Slugpelt doesn't think of herself as good, or whole, or happy. Dustfeather's parenting constantly posed them as opposites to each other, Rainhaze doing everything "good" while she did everything "bad". That dichotomy became a part of her fundamental understanding of who she is as a person. But if things have been so rapidly, utterly destroyed, she's left on shaky foundations while still trying to build and mend relationships with other people, like her children. Rainhaze was such an importat part of her life that him being torn out of it leaves her unsure of what to even think. Does that make both of them "broken"? Who's she supposed to be now?