#i didn’t mean to write that much

[hannaxjo]

Alan Rickman, David Thewlis, Gary Oldman and all those are iconic in their roles in Harry Potter, but I’ll always be a bit sad about that casting, because having that ‘Marauders era’ cast be age appropriate would’ve just been so much better for the story.

Sirius wasn’t this old man who spent 12 years in Azkaban, no he got locked up at 21. He spent almost third of his life in a cell. He wasn’t this wise father figure to Harry, he was a reckless thirty-something who never really got the chance to mature past 21.

Remus was an exhausted, bone deep tired man carrying both physical and mental scars from the suffering he went through. Because he’s a werewolf, because of the war, because he lost all of his friends. And he’s only 33 when first introduced.

And Snape. Snape wasn’t an old bitter man who just hated everyone and enjoyed being antagonistic. He was 31 in Harry’s first year. He began to work for Voldemort as a teen, and as a double agent at 20. He’s a thirty-something bitter man, who never got to really live or make real connections. From Harry’s perspective he’s scary and intimidating, but really he’s just kinda…sad and pathetic. And then especially that scene where Snape is begging Dumbledore to help save Lily, and promising anything in return. (Because apparently Dumbledore needs something in return…for saving people.) He’s twenty. Barely out of his teens. Rickman was good in that scene, but having someone who actually looks twenty, would better show how scared, young, guilty and just desperate he was. That might not put Dumbledore in such a good light, though.

And then, the characters I think would’ve been the most important to cast age appropriately. And most people probably already agree and know who I’m talking about. James and Lily. They were 21 when they died. When Harry sees them in the mirror of Erised, they’re 10 years older than him. That’s the age difference Ron has with Bill. In that scene I might understand somewhat them being in their thirties, because that’s what Harry wants. He wants his life with his parents, he wants to have been raised by them. Though, I don’t know if the mirror could know what they might’ve looked like in their thirties, since they didn’t live that long. But then, in the cemetery when Voldemort’s wand spits the last spells cast, we see Lily and James as they were. 21. They’re telling their son to hold on just a moment longer. And they are 7 years older than him. In Deathly Hallows, Harry sees Voldemort kill them. They’re not this happy couple who’s got to love each other for a long time, only to have that happiness torn from them, no they started at Hogwarts ten years ago. They’re 21, and they’ve barely tasted that happiness. At the end of the book Harry talks to his parents. They comfort him and promise to stay with him, as he goes to die. Harry’s seventeen. James and Lily are four years older than him.

It wouldn’t have felt as nice. Harry being comforted by someone who looks almost his age. But it wasn’t nice. It was pretty tragic. Casting people who look 21, would’ve really made it land on the audience. It was a tragedy. They were barely adults.

[boysborntodie]

TUA S4 proved that Netflix cancelling their shows after the first season is actually a good thing

[everytimewetouch-dot-mp3]

christ more dragon god sy yapping:

all those b-points he got from finishing that first quest? gone. my mans got like 100 every time he blessed a new generation of peak lords, plus the 500 he got from finishing that first main quest {From the Ground Up}, plus whatever he got from fighting off all those beasties who tried to kill his little cultivators way back when.

but when he unlocks his human form, he does not unlock clothes, and he has to buy them from the system store! truly unfair! he looks pretty similar to how he looked in his first life, just a little less sickly. he also has to buy a sword from the system, which is frankly bullshit. but lanrui is a lovely sword—an almost pearlescent sheen to the blade, with peach blossoms inlaid in the hilt and a dragon scale sheath that…it’s almost certainly made from his scales, actually. weird. after buying everything he needs from the bullshit system’s scam shop, he’s left with about 150 B-points.

after his magical girl transformation from gigantic dragon god to gangly human wrapped in way too many layers of sumptuous green and blue silks, shen yuan is sent off the mountain on a couple of missions from the system. pop into the demon realm to slay this evil, fend off these fierce corpses attacking this little town—tutorial shit. it’s weird having such a small body again after six (or seven hundred???? he’s not thinking about the enormity of time right now) years as a gigantic dragon. his steps feel a thousand times lighter, and the first time he tries to pick a fruit from a tree, he kind of explodes it with spiritual energy. the tutorial is, unfortunately, necessary.

the system is almost helpful when it shares his stats and all his cool dragon skills. his official name here is lord canglong, but honestly it would be so hard to explore this world if people were falling all over themselves when they heard his names. did dragon gods get personal names before courtesy too? fighting with the system gets him a corny, half-assed compromise.

he still gets to be shen yuan, but while his first life’s yuan was 垣 yuán (wall), in his second life it’s 愿 yuàn (desire, hope), and the shen he has is… very transparently 神, shén (god, deity). he’s got stupid amounts of spiritual energy, he doesn’t need to eat or drink, and sometimes plants bloom around him since he’s the also kind of the god of springtime?

right when he gets excited thinking about how he’s a god!! (the dragon god in PIDW!! that bastardization of qinglong that airplane wrote who never did shit to defend the realms until his mountain was being destroyed by binghe merging them!!) the system butts in to remind him that there are limitations. he can’t kill humans except in certain circumstances or else he’ll be punished, which—fine, he didn’t plan to go around murdering people anyway? his dragon form will be locked whenever he’s not on canglong peak (bullshit!! what kind of half assed nerfing—) and there’s a permanent penalty on his account, [Dragon Ex Machina], that threatens to penalize him if he uses his dragon god powers to bully the plot into going his way.

so what’s the point of being a dragon god, then!?!??!?!

he spends days bickering debating with the system while he learns to use his sword and qi without exploding whatever he touches, but the system refuses to budge. if he tries to bully the plot too much, he’ll be punished. it’s bullshit, but so is this whole novel he’s found himself in, so…

shen yuan is ready to spend a few more days acclimating before he gets a game plan together but that flies out the window when something starts burning at the back of his mind, screaming that something’s wrong, something is in danger, part of his territory is threatened. he hasn’t felt that since the last demon invasion, and before he can stop himself, he’s mounted lanrui and darted off toward that feeling that something is wrong, wrong, wrong.

he ends up having blown in a wall of qing jing’s discipline hall, the tail of shen qingqiu’s whip caught in his fist (and fuck, that hurt to catch!!! his hand is definitely bleeding) as he stares down the man who was really just about to start whipping a child. a couple of disciples have gone white; a couple others have fallen over. the only ones in the room unaffected are shen yuan, luo binghe whose eyes are wide as he gazes up at him, and fucking scum villain extraordinaire, shen qingqiu. and the scum villain’s first words to him, lord canglong, dragon god of qing jing peak???

“move, or i’ll beat you too.”

[specific-dreamer]

“because you’re our little brother and we love you… did you hear what i just said? i said i love you”

whatever you do don’t think about how before everything ponyboy would have been ecstatic to hear that.

don’t think about how ponyboy tried to convince himself that since darry didn’t love him, he in turn didn’t care about him but he failed everytime.

don’t think about how ponyboy stayed up some nights asking soda how come darry changed and why he didn’t like pony no more. and soda doing his best to convince pony that darry does still love he’s just tired all the time and he’s still having trouble adjusting to their new dynamic too but pony just doesn’t get it.

don’t think about how if darry just said i love you a little more often they wouldn’t have been in this mess. if he said it a little more than maybe he and ponyboy wouldn’t have gotten in so many arguments and soda wouldn’t have to have been caught playing middle man

definitely don’t think about how upsetting it must’ve been for darry to finally bare his soul and tell pony he loves him only to be met with silence in return.

dont think about how he darry might’ve thought that a simple i love you is what would’ve brought them back to normal, because he didn’t realise just how bad their relationship got to the point of him needing that olive branch later.

except (and definitely don’t think about this part) ponyboy knows atp that his brothers love him. but he still thinks they love him but don’t really accept all of him. because up til this point his friends hated darry for nearly going soc, so to a kid his age the message he got was “we don’t want all of you; we just want the part of you that’s a greaser”. so when darry asks to read his story, when darry extends that branch, he asking to understand/get to know all of ponyboy. something nobody else did except for johnny (and maybe cherry for that one night).

sure soda asked to, but when pony said he wasn’t too sure about reading it too them, soda was seemed as if he was going to let the conversation drop. he was going to let pony keep hiding so to speak. but darry wasn’t. well he might’ve if only to keep the peace, but darry asking to read the story himself shows that he’s willing to think things through rather than instantly being worried/shouting at ponyboy in the future. it shoes that he’s trying to put himself in ponyboy’s shoes to he can figure out where his head is at (something that darry previously made fun of)

[tidesreach]

Watching 2x01 and genuinely driving myself crazy with the realization that Buck actually falls for Eddie's personality. He's frustrated by everything else but the minute he sees Eddie being Eddie he starts paying attention. Eddie's intro is everyone else calling him handsome except for Buck. By the end of the episode Buck is cheering for Eddie the hardest and it all came because he likes EDDIE'S PERSONALITY. This following the pattern of him liking Abby before he even met her because he liked her personality?? TO BE SEEN AND FOUND AS A THEME AGAIN!

oh man stoppppp. you are so correct, anon. HE DOES. 2x01 actually makes me crazy. there is so much going on there. buck's immediate feelings about eddie are such a tangled mess. like, there's attraction there, which buck certainly does not recognise is attraction. (the fact that he is the only one who doesn't comment on how attractive eddie is makes me insane. it would have been less revealing if he did actually lmao.) so even though that physical attraction is there, it doesn't even register for buck. and then there's everything else, the feelings deeply rooted in his trauma. that this guy is going to replace him, be better than him, be more worthy than him, that everyone will love him more than buck. thus, the macho posturing and desperate attempts to prove his worth. like, almost immediately he sees eddie as ENEMY because of the perceived threat on his own worth. but then, yeah. eddie is eddie. he's good, he's compassionate, he's competent, he's understanding and non-judgemental. and that's the thing really. THAT’S what pulls buck in.

because EDDIE IS EDDIE. eddie, who sees past buck's knee-jerk reaction of hostility and distrust. like, by all rights eddie could bite back at buck and his deranged behaviour. he could write him off as a dickhead with a big ego and not bother with him, because yeah. buck is being a bit of a dick (affectionate). but he DOESN'T DO THAT because he, well. sees buck. he sees the personality beneath the posturing. he sees that there's more there. that there's some insecurity there. like, buck is constantly trying to provoke a reaction but instead of rising to it with the same hostile energy, eddie's like okay man. what's your problem? then actually listens to what buck's problem is and tries to reason with it. and there's a distinct shift after that. like, even before they pull the grenade out of that guy. there's a moment where eddie's explaining the intricacies of a grenade and its components, and that hostility and exasperation is gone from buck's expression. instead, he looks well. a little impressed. and then, the clincher i think is after, when eddie tells buck that he's badass under pressure. like, GOD. the way buck says "me?" like he’s genuinely asking "wait really? me?" and yeah. THAT’S IT. that's where he falls for eddie's personality, because he's been nothing but hostile towards him and eddie's just like. man, you're great. you can have my back any day. INSANE ACTUALLY.

in hindsight, it really sets up their entire relationship. the way buck just wants to be seen (eddie seeing beyond buck's hostility). and the way eddie just wants someone to be there, to have his back (buck getting into an ambulance with him where there is a live fucking grenade). WILD.

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[myokk]

💘

[ironunderstands]

Double Indemnity, Spellbound and how a retroactive plot twist kicked the communities ass (which also has some VERY interesting implications for Aventio)

I had a very enlightening conversation on TikTok about the nature of these two romance/thrillers, and while unfortunately, I have no idea how to watch them, the plot synopses I’ve seen and analysis other people have made have caused me to come to this conclusion/interpretation of these references:

On the first viewing of the Double Indemnity questline, the reference to the DI movie is meant to be played straight, with Aventurine and Ratio being just as doomed to fail as they are in the movie, and their relationship as equally as toxic and fake.

On second viewing, it’s the complete opposite, and the track (and other movie reference) you receive at the end, Spellbound, proves it.

Let’s start with Double Indemnity.

Also disclaimer I’m gonna be over simplifying the plot/themes of these movies because a) both are singular references, DI is only referenced in the name of the quest itself and Spellbound is only referenced in a track you receive once you complete DI, and references this small probably aren’t meant to be anything more than a fun Easter egg for those who notice it b) this is hoyoverse they aren’t clever enough for that anyways c) the nature of references isn’t going to be having everything be the exact same anyways, so I’m just going to go with the overall interpretation of DI + Spellbound/their impact, picking the stuff which aligns with the actual plot of the DI quest, I don’t care what happens in one frame at 30:01.56 minutes in and neither do the writers

Anyways, how does the Double Indemnity reference on the first viewing seem?

On our first play through of the Double Indemnity quest, we are made to believe that Dr. Ratio and Aventurine do not trust each other, but they are begrudgingly working together for the sake of stealing Penacony for the IPC. Then, Aventurine makes it seem as if he wishes to use the singer Robin’s- also the sister of Sunday, the head of the Oak Family and the one they are negotiating with- death as a means to pressure Sunday into forking over some of the Family’s secrets, which Aventurine will then use against him in future negotiations.

With this setup, the Double Indemnity reference is a solemn warning- Aventurine and Ratio will fail.

You see, in the movie, Phyllis Dietrechson intends to kill her husband in order to earn the money from the Double Indemnity clause (which is a real legal thing btw!), roping in one Walter Neff when he falls for her. However, their relationship isn’t stable and in the end, Walter betrays Phyllis, ratting her out to the investigator Keyes, ultimately meaning they don’t earn the DI clause, also killing Phyllis in the process.

Hopefully you can already see where I’m going with this, but it’s time to draw some fun parallels.

Sunday is Keyes, Ratio is Walter, Aventurine is Phyliss and Robin is Phyliss’s husband.

Although Aventurine a) isn’t married to Robin and b) he didn’t actually kill her, he is the one who witnessed her “death” and in the first viewing of the Double Indemnity quest, we are made to believe he intends to profit off of it, although this time the payout isn’t money: it’s Penacony.

To do this, he enlists the help of Ratio- albeit not seducing him, but still convincing him to help nonetheless- and together they go to meet Sunday for negotiations.

However, Ratio “betrayed” Aventurine, ratting him out to Sunday behind his back and informing him of his plan, which mirrors how Walter confesses to Keyes. This results in Aventurine being sentenced to death, much like how Phyllis dies by Walter’s hand, Aventurine seems like he will die by Ratio’s, calling him a wretch before slinking off.

And there you go, their partnership is as doomed as the one in the movie, failing because their trust + love didn’t hold up till the end, a devious foreshadowing.

At least, that’s how it seems on the first playthrough.

Because Aventurine and Ratio’s plan SUCCEEDS.

And on the second viewing, knowing that the betrayal is fake, you realize they succeed because they do the one thing the people in DI (and I’ll get to Spellbound) DONT do- they actually TRUST each other.

Ratio and Aventurine’s plot is a success. And it’s because they deliberately made it seem like they were doing a Double Indemnity plot. Like they were going to make the same mistakes as the characters in the movie. Sunday falls for the false appearance hook, line and sinker, and that’s his downfall.

They win because they TRUST each other, you can even say because they actually LOVE each other, unlike the characters in the movie, where it’s more list than anything else. Walter and Phyllis don’t make it together to the end but Ratio and Aventurine DO, and they get to continue on with their lives because of it. The reference to Double Indemnity in this quest is genius because it works both before and after you learn the retroactive twist of Penacony. It makes you believe Aventurine + Ratio are doomed to fail, and it makes you realize they were always going to succeed, expertly dawning the false appearances Sunday expects from them, becoming literal actors playing out the roles of two people who will fall short due to their selfishness. Sunday believes he’s seen this film before which is why he BUYS IT, and god it’s just beautiful looking back on it. He thinks he’s Keyes about to uncover a dastardly plot to profit off his sisters death, and in turn he paints Ratio and Aventurine with the identities of those he believes would do such a thing, which they do their best to play into. Ugh it’s amazing.

And now, for Spellbound.

You receive this track after completing Double Indemnity, containing the description above.

Now, this is a reference to Spellbound, another one of Hitchcock’s films.

The main characters in this one are Dr. Anthony Edwards, a man suffering from amnesia, and Dr. Constance Peterson, a psychoanalyst who he was meant to replace, who discovers a dark secret about Edward’s while they fall for one another; he’s an imposter. He believes he killed the real Dr. Edward’s, but she thinks he’s just suffering from a guilt complex. Fake Edward’s goes missing, and the real Edward’s assistant arrived and informs them that he’s missing. She finds Fake Edward again, living under the pseudonym John Brown, and although he tries to leave, she convinces him to stay, telling him that with the help of her mentor, psychoanalysis can help recover his lost memories.

Through an incredibly complicated psychoanalysis of dream, Constance begins to uncover the truth- learning the person who believes himself to be Dr. Edward’s (and is using the pseudonym John Brown) is actually a man named John Ballantyne. Ballantyne accidentally caused the death of his younger brother in the past, resulting in his deep guilt, as well as recalling the location where the real Edwards died- skiing off a cliff to his death. With his memories, they find the body, but it has a bullet wound, so Ballantyne is taken into custody.

However, her boss, Dr. Murchison lets it slip that he actually used to know (and didn’t like) Dr. Edwards, and through another complicated sequence gets him to confess his guilt and ultimately kill himself, which frees Ballantyne, ending the movie with the two going on a honeymoon.

So, what does this mean in the context of the quest line?

Well, let’s say Ballantyne and Constance are representative of Ratio and Aventurine respectively.

“Every psychoanalyst must first have someone else diagnose them.”

If we read Aventurine as the psychoanalyst (Constance) and Ratio as the diagnoser/doctor (Ballantyne), it reveals an interesting interpretation.

That being that they knew the truth from the start/ they had already succeeded.

Or in other words, unlike in Double Indemnity, in Spellbound, they actually succeed.

In the film, Constance is the one doing the diagnosing, the one trying to figure out the truth, and you can see that in Aventurine pretending he’s trying to find out the truth behind Robin’s death. However, in the DI quest, it’s the opposite. Ratio’s as Ballantyne is the one doing the diagnosing for the psychoanalysist, Constance, or rather, Aventurine.

To diagnose someone, you must be very familiar with them, or at the very least the ailment plaguing them, and Ratio he knows Aventurine through and through at the start, and what plagues him (his own sense of meaninglessness) unlike the protagonists in Spellbound who despite falling for one another quickly, don’t begin being intimately familiar with one another.

In this way, they have already succeeded. Aventurine and Ratio already know one another, and while they might not know the reason behind Robin’s death, that was never what they were searching for in the beginning, meaning they effectively can skip through all the drama (aka the ups and downs of Spellbound, finding out the truth behind Robin’s/Edwards’ death), and reach their happy ending- a honeymoon; or in DI’s case, Aventurine attaining his cornerstone, and fulfilling his end of the plan.

Interestingly, Aventurine slots into the role of Ballantyne and Ratio as Constance equally well, with the phone call Constance makes to save Ballantyne being reminiscent of the note Ratio makes to save Aventurine, as well as Aventurine being the replacement, or in the sense, the one to find the truth about Robin.

Personally, I think Aventurine and Ratio are reminiscent of both the main leads in Spellbound, which is why it’s complicated to discern the meaning of the reference. Oh how I wish I knew what the original Chinese description for this was (if you do please tell me 🙏).

Is it just meant to signify them being in love? Is it meant to signify that they will succeed, due to how well they know each other? Is it both, which is what the inclusion of Double Indemnity (the movie) suggests?

Either way, it adds onto the already present idea that the trust between Aventurine and Ratio is what allowed them to succeed in Penacony, and that’s not just something expressed by these movie references.

Think Aventurines Eidolons: Stag Hunt Game and Prisoner’s Dilemma, both of which are game theories about trust. Or how Aventurine says that Ratio knows him best, or how Ratio entrusts Aventurine with close secrets of his, like him being the “Genius” of the council of Mundanites.

“Do you trust me?” “That depends on you.”

These are 2 lines in their 2.0 conversation that really stick out to me. Ratio will always offer his trust so long as Aventurine can prove himself worthy of it, and as we have seen, Aventurine always delivers, proving himself long before Penacony in the Final Victor lightcone, albeit in his weird homoerotic way.

Therefore Ratio will always trust him.

And because of that, they win.

Now whether you take the deep trust between them to be romantic or platonic, or infer the literal honeymoon at the end of Spellbound to mean something for Aventio, either way the feeling absolutely there, and it’s crucial for an understanding of their relationship.

Also damn, the retroactive plot twist fucking slaps.

[feverdreamsandlucidnightmares]

Yes yes Jean and Neil would be wildly codependent if they’d grown up in the nest together but if I can just get through finals I can also make them fairly codependent rn

[candyheartedchy]

Do you have a most loved f/o or ship? Ofc i get it about loving all equally but there are few that have special just for them place in heart

There’s at least TWO f/os that I’m gonna bring up here because both have a very special place in my heart for different reasons.

Placing the rest under the cut because… ooh it’s long…

Let’s start with Scratch.

The show and character appeared in my life during a time when I was doing, not so well mentally (I didn’t want to live). When I first saw promo art on twitter years ago, I thought his design was cute and didn’t think much of it. Until I watched the first episode and was immediately hooked on not only the art style, but Scratch’s introduction. I kept watching and started to realize that I had a crush on his character. Again I had A LOT of fictional crushes throughout my life so I didn’t think much, until I started noticing similarities that I shared with him. The more the show continued, there was hints at his backstory and would feel myself tensing up watching certain scenes because at how familiar they felt to my own experiences. Example from the show’s bible:

I spent my late teenage years and young adult life like this. I was terrified of everything. I isolated myself for at least a 10 years with no friends or anything. Of course joining the self ship community a few years ago did helped me be more open about who I am as a person, but also made friends. Heck a lot of my friends found me through my self ship stuff with Scratch!

When the finale aired, I think something rewired in my brain. That seeing Scratch reunite with his body and seeing him excited to live life again, it was like a wake up call. That it’s okay to start late in life. That even when you’re afraid, it’s better to try than to not try at all.

Now onto Bugs…

If Scratch is who I am as a person, Bugs is who I want to be. Ironically Daffy was my first fictional crush, ever, Bugs was the second. Growing up watching the cartoons and movies, I always found myself awestruck by Bugs as a character that the admiration I had for him soon became longing. Not only did I discovered things about myself because of him, but his cartoons is what inspired me to draw!

Before Scratch, Bugs was my main f/o until I had to drop him for a while due to personal reasons. Eventually I was brave enough to bring him back and it feels like returning to an old love.

I would go on more about the dynamics of the two ships and the meaning behind them (especially the one for Bugs), but I already feel like wrote a lot here.

[leonardalphachurch]

the reason why out of all of tucker’s line of shitty boyfriends templetucker is the one that compels me by far the most as an actual ship is because. like. they’re both sim troopers! they come from the same place and kind of have the same base desire? “i just want to stand around and talk to my friend but he’s gone now” like… tell me you cannot picture temple opening up about biff in a way to relate to tucker losing church and finding himself for the first time he lost him actually being able to process his real emotions about it instead of covering it up with dramatic ~evil villain~ reactions. despite his act of seducing tucker being done in an attempt to use and manipulate him there’s basically no way that temple did not genuinely like tucker and wouldn’t actually fall for him.

[everytimewetouch-dot-mp3]

disciple luo binghe climbing dragon god sy’s peak after sqq throws his little temper tantrum abt not being allowed to abuse binghe anymore. luo binghe curling up in this massive dragon god’s coils.

this dragon who claimed this mountain long before cultivators settled it, who has more claim to the sect than the sect leader himself, who is the actual god of the cang qiong mountains—

this great god called binghe gifted, clever, capable. this god looked at sqq and said he was afraid of luo binghe’s potential. it seems ridiculous to luo binghe; he’s made no progress with his cultivation since arriving. shen qingqiu took one look at him and knew he was worthless, but their sect’s god looked at him and decided the opposite.

it’s a lot for binghe to process. a part of him is waiting for lord canglong to turn and say it was all a joke and binghe’s a fool for believing there could possibly anything worthy about him. but instead he vanishes back to his peak just as swiftly as he came, and when luo binghe arrives he’s in his dragon form again.

and he pats luo binghe’s head.

maybe it’s because he doesn’t really understand lord canglong’s expression when he’s like this, but luo binghe finds himself weeping. and when he cries, lord canglong guides him to rest on his serpentine body and curls around him like—like binghe’s something to protect, something precious. when was the last time anyone protected him?

luo binghe cries himself to sleep curled up against shen yuan. his heart aches for the little protagonist. this poor kid. yeah, he’ll grow up to be a badass demon lord with more wives in his harem than the stars in the sky; but right now, he’s just a kid.

these are his mountains, even if he’s been asleep for most of the past 700 years. they’re still his territory, and the sect is made of his cultivators; didn’t they swear themselves to him or something when this generation ascended, just like the last seven generations? now that he’s awake, shen yuan is going to make sure his mountains survive. shielding luo binghe from shen qingqiu’s cruelty is just step one, right?

[Quest {Master of Masters} at 2% progress! USER_002, please continue your efforts!!]

[nicolegmattos]

I Fell For You

I fell twice.

Ironically, never from Heaven.

But for you. Twice.

When I first fell for you, you were still an Angel creating the stars.

I fell for your light, your joy, your smile. Your enthusiasm about that beautiful nebula.

Then you were the one to fall. Not for me, but from Heaven. And I had to silence that feeling the best way I could.

We could no longer be together. We were an Angel and a Demon. Hereditary enemies.

But the years passed. And centuries after centuries you showed me that you were not as evil as you liked to paint yourself. You were actually a good person.

Multiple times you helped me and saved me when you could have just walked away.

Multiple times you went against Hell’s orders and did good deeds even when you knew they could punish you for it.

You could have just left me all those times. But you never did. You were always there for me.

And then I fell for you again. When we were in the middle of the Second World War.

You were crazy and bold enough to enter a church and walk on consecrated ground just to save me from the nazis.

And when you saved my books you made me realize you knew exactly how important they were to me. You were paying attention the whole time.

But I guess falling twice wasn’t enough for me in the end. Because now I’m doing something completely unusual.

I’m rising for you.

Rising for us.

To save the place we love the most. And the people that live there.

I hoped you’d come with me. But you didn’t.

For the first time I’m alone. For the first time in six thousand years I don’t have you by my side.

And I know there’s no guarantee. But I hope you’ll be there for me when I get back to you.

Because that’s what I want the most. To be an “us” with you.

[miupow]

Yandere prince kai who falls for a commoner girl and takes her virginity and makes her pregnant so no one else could ever want her and then manipulates her into marrying him

i’ve been gatekeeping this ask for like two weeks because it’s so life ruining that i almost wanted to keep it for myself. this is like full long angst smut fic 10k words material anon you’re INSANE you’re CRAZY i love you

i need everyone to see this and tell me their thoughts i’m losing my mind

yandere prince kai… falls for not just a commoner girl but a maid in his parents castle, pretty untouched virgin girl who acts so shy and demure, makes his cock twitch with her cute innocence,,, he wants to ruin her so terribly

yandere prince kai who demands she become his personal maid just to spend as much time with her as possible, hates when she has to give someone else attention..

parents are in the process of finalizing his own wedding plans with the princess from a neighboring kingdom, a girl he’s met only a handful of times and has no interest in whatsoever >> he hates her and his situation, just wants to be with his pretty maid <3 but he’d never be able to wed her like he wishes :( may as well woo her behind closed doors <3 gets her in his bed, takes her virginity and fills up her womb w his hot seed >< can’t stop himself from ruining her completely even as she scratches at his shoulders and whimpers and cries about how big he is ^^ all his now, no one else’s!! your body and soul belong to him, your pussy and womb belong to him <3 cant ever escape his grasp now..

getting his perfect lil maid pregnant, pretty and round with his heir… would he be able to sway the courts to let him wed her if they had a child out of wedlock?

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏