#i could go forever about them

[lady-ika]

🪻🔮

If happiness was a tangible thing, it would be you.

If you'd have told me the feeling you'd bring, I'd think it untrue.

And people search for a wonder like you all of their lives

You still amaze me after all this time.

🔮🪻

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[sunflowersturn]

*shouldering off someone trying to hold me back* no, you see, the thing about sam is—stop it, man, give me a second—because she—dude LET ME—it’s about how danielle describes sam’s mental state as “if i keep smiling everything will be okay” and “i’ll fix it i’ll fix it i’ll fix it” and how she was so careful with the qhoyle because she knows how stories work and how wishes work and she was so desperate to save her friends and gave up a scene of introspection for her own self to save evan’s soul, did we all collectively forget that—and how she manages to charm people around her simply by being a pleasant person who likes to listen and smile and be kind, who approaches almost every conversation with a lack of guile and an expectation of the same in return—and how she has to work so hard to get people to take her seriously and understand her genuineness and kindness are not an act or a facade—and how when she does choose to lower her voice and be stern she DOES wield power and the people who love her the most understand that and even stand in the crosshairs of it if necessary—it’s about how her first thought when presented with the option was to preserve her friends’ free will over all else and ‘if they really wanted to, they’d do it on their own without having to magic about it’ and once again passing up on an opportunity to learn about herself and her magic to protect her friends—it’s about how i’ve never had the opportunity for success like sam britain/black, but i have so frequently had friends and family tell me they admire me for how outgoing i am and i can see that girl i was (and still am) in my early twenties, smiling through everything and offering solutions and pretending not to hear it when people say things about me but WHIPPING my head around if they said something about my friend—it’s about how danielle lies to you as a player and a performer and presents sam as simple and sweet when she is, in actuality, one of the most complex characters at the table—

[rameiixo]

xiaolumi resurrected from my heart for the new year!!

[tragicvampireromanceisland]

they are SILLY!!! and CUTE!!! and UNDERRATED!!! that is all!!! 💛💚

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[wardingshout]

I love your designs for them so so so much, your art in general is incredibly appealing!!! Your color works so beautiful, breathtaking honestly!!!

I’m super honored to be mutuals :D

SCREAMING CRYING PUKING THROWING UP WHEEZING HOLD ON HOLD ON HOLD ON OK HOLD ON HOLD THE PHONE THEY THEY THEM THEM!! THEM!!!!!

AAAAAAAAAAAAAAH I'm sorry this caught me so off guard but omg they are precious this is so so precious!!!;;;;;; 💖💖💖 I feel like I could look at them forever thank you so much!!;;; their poses are so cute and the colours are so nice and warm and pleasant and the fabrics look so comfy I feel so comfy and full of love I'm;;; it's them I cannot believe it's Them,,,, 💕💕

and what do you mean YOU're honoured, your art is absolutely insane I'm the honoured one !!!!!

all of your works are so incredibly done and you're so full of really cool ideas and concepts and you have Such a nice way of portraying all the characters like everything you post just feels so full of Care !!! ;v; the posing the expressoins the environment and colours and everything is just! a chef's kiss isn't big enough, it's 'blows a massive embarrassing smooch across the earth' kiss !!!! ;v; I'm so excited to see everything you're gonna create !!!!

and omg I am especially in love with your WW designs already I hope you have an absolute blast with the game !!! ;v; 💖💖💖

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[aceghostsarchive]

↳Please, please don't.

[onesnoopyaday]

I AM AT MY LIMIT

Snoopy #90

30/12/2024

description under the cut

[description: a cartoon-style drawing of Snoopy's head. Snoopy is a white dog with black ears. His eyes are shut and his mouth is a horizontal line. There are two large blue teardrops, one under each eye. The text "I am at my limit" is handwritten across the top of the image.]

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[corviiids]

ooh idk if you've talked about this one before, but what about goro akechi for the kira game?

HI RAPS

verdict: im prepared for this to be controversial, but consider this: ive never been wrong in my whole life. i think goro akechi could beat kira, but i don't know if he'd be happy with the outcome.

could goro akechi identify light yagami

im answering this one first because i want to make a point about this. listen. i feel like due to akechi's whole Plot where he Fakes Solving Cases For Clout, people forget that he actually is a really smart person and a good detective. like, he's not the super prodigy genius he pretends to be, but he's not a fake detective. he faked solving those shutdown cases for extremely specific reasons:

he was the fucking perpetrator so it served him to take control of the public understanding of the investigation into them and control the narrative; and

those cases were particularly high profile and would have been impossible to solve by anyone else, so 'solving' them would catapult him into notoriety faster than anything else - it was a clout speedrun, which is what he and shido needed.

but there are numerous other cases and puzzles in various bits of p5 media that he solves without faking them, plus we see plenty of occasions where he demonstrates his high intellect. the casino is a great example because i feel like the game takes that palace as an opportunity and relishes in letting you know what akechi can really do. the anime and the mementos mission manga both have subplots where akechi solves / helps to solve legitimate mysteries. and of course the famed unused mementos request in p5r which i think about all the time. it's kind of a shame that akechi's fake cases end up overshadowing all his real ones when he's a legitimately competent detective, even if he's not the impossible prodigy he projects as and even if he's nowhere near the level L is.

of course there's also the obvious one! while we are all aware that the phantom thieves are the least subtle people on the planet, and all ren's confidants eventually work it out just because he's so deeply unsubtle about it, it is still the case akechi identified them as persons of interest very early on, before pretty much anyone else (partly by intellect, partly by his metaverse advantage, i'll get to that). that's relevant because i think the phantom thieves are reasonably analogous to kira in the sense that they're utilising supernatural methods to target individuals which are untraceable via ordinary means.

now i dont think akechi could identify kira nearly as quickly or cleanly as L could, but i do think that if you placed him in charge of the investigation with all the investigative resources of the prosecutor's office / police department, he would be able to identify light as at least a person of interest in a reasonable amount of time, for two main reasons

light is more sneaky than the phantom thieves, but also makes the same kinds of identifiable mistakes that the PT do (eg targeting people in a set area, operating in such a way that it's possible to identify him as a student, being easily provoked, etc); and

unlike L, akechi has supernatural powers.

which brings me to:

could goro akechi intuit the mechanics of the death note

no, i don't think so, not on his own. but he wouldn't need to, because he has access to the metaverse.

we're back at the universe question. i think to fairly answer 'could they beat kira' questions we have to give our detective character all the advantages they have access to in their home universe, which means that akechi not only has his intellect but also has the metaverse, his persona, and his experience traversing the collective unconscious. (by the way, here's my post about what if light yagami had a palace.)

which means that once goro akechi has identified light as a person of interest, not even needing to ID him as a particular suspect, he can check whether the metanav gives him a hit. then he could infiltrate light's palace / find him in mementos (let's be real it's gonna be a palace) and find out the rest of what he needs to know from there. the metaverse isn't only useful for changing hearts and causing shutdowns. shadows are very forthcoming about their evil plans. all akechi would need to do is find light's shadow, and he'd find out everything he needs to know about the death note and kira's new world.

(follow-up question for fun: if akechi didn't have the metaverse, would he be able to intuit the mechanics of the death note? i think that akechi would ultimately get to the same point as L, namely, that kira needs a name and a face, but the specifics of 'magic murder notebook' would escape him. so no.)

could goro akechi survive

i think this would really depend on the context in which this investigation is taking place, but broadly i think it's likely? not certain, but it's likely. it depends on how reactive light is and depends on how well akechi reads the kira situation early on.

akechi is pretty shrewd, with the exception of major blindspots where someone he has a grudge against is concerned (hence why he's vulnerable to shido and to ren's plots). but i think kira is dangerous enough that akechi would be on pretty high alert from the start. in canon he's cunning enough to make false statements to the media to trick the thieves into thinking he's at least partially on their side / not an unambiguous enemy (that's the same strategy used in romance ha ha ha) so i think once akechi identified a person of interest he wouldn't be stupid enough to publicise that he's closing in on them and would probably start leaking false theories to make light think he's completely off the trail - after all, unlike L, akechi's name and face are completely public, so it would be way too risky to make light feel cornered. it would be smartest to play up the shallow celebrity angle to make think light he's just a dumbass idiot talking a big game.

i think akechi would bank on kira's MO of only killing criminals. after all, light didn't try to kill L until L deliberately goaded him into it - it's unlikely that akechi would have a reason to think that light would try to kill him just for investigating. up until that point kira has been masquerading as an icon of justice, so it would (and canonically did) take a lot to make kira veer from that ideology into killing investigators just because they threatened him. however, it's not impossible given nobody really knows anything about kira at that stage, so while akechi might make it public information that he's investigating kira, he wouldn't let on that he thought light was a threat.

then he could either:

initiate a surprise raid on light to get the death note based on information gained from light's shadow - risky because if it goes wrong light will kill him, but this will net him the most glory

(pre-phantom thieves) kill light - stops the murders but means akechi doesn't get clout for solving the kira murders single-handedly, not preferable

(post-phantom thieves) change light's heart - akechi also doesn't get credit and would be reluctant besides

so it depends how we're defining success i guess. could akechi beat light by killing light? likely yes, by simply causing a shutdown before putting light on notice that akechi was on his trail at all. could akechi beat light by apprehending light? maybe, it depends, it's risky. could akechi beat light by changing his heart? only if the thieves are involved.

so i guess the answer is yes i think akechi has the capacity to beat kira but probably not in a way that akechi himself is satisfied with and it wouldn't be a sure thing. it could go either way.

[honeyspotpie]

Normal and Scary honestly have one of my favorite dynamics in the entire series - be it romantic, platonic, querplatonic whatever!! They just can't escape my little head they're permanently trapped in there and I desperately need to yap about them more AUGH... Yes, all Normal ever sought was feelings pride from his family; but in a way what he really wanted was unconditional love. People who would love him and applaud him for simply being himself, doing his best and not needing to "mask" or hide his interests to receive approval. And Scary was one of the only people who ever did that. Who actually unconditionally loved him. Didn't use or manipulate him, or lie about true feelings to comfort him. Yes she occasionally teased him or made meaner remarks (especially early in the season) but by the end of the story the feelings of pride she feels towards Normal and his achievements were SO REAL AND PIERCING. SHE'S ONE OF THE ONLY PEOPLE WHO WAS GENUINELY WITH HER WHOLE HEART PROUD OF HIM. PROUD OF THE REAL NORMAL. PROUD OF THE STICKY, MESSY GLUE THAT HE IS. BECAUSE SHE KNOWS "HE'S ENOUGH JUST AS HE IS". AND THAT IN AND OF ITSELF MAKES ME SO ILL. COME ON.

[vaguely-concerned]

the way harding goes in so aggro on lucanis right off the bat (lmao I love you too harding it's good to know you always have my back❤️️I am trying to score here tho sooo pls don't actually shoot him maybe?) and then fairly quickly she's clearly like '...oh no he's like. sad sad huh :(' hfhaskjfa. one (1) nice solid sensible fereldan girl saddled with the burden of having to rep the southern attitude towards spirits in a sea of mourn watchers and other assorted freaks and doing her damn best to be firm but fair even so. I love these two so much tho, the way their friendship develops is everything. he makes her a guard in his mind because he trusts that she would never let anything out that could hurt someone he loves, he knows she WOULD use the arrow. and she knows it wouldn't even be his fault if she had to..... the early phase here is such a mutual state of 'you know what. that's incredibly fucked up and also incredibly sweet'

[s0undsinmyhead]

If I see one more “they’re platonic soulmates 🥹🥰” comment on a tagged Caryl post I’m gonna go Carol on these mfs.

If you don’t ship it move on. Creeps. Only thing worse is when they follow up with “she’s like his mother. They have a mother-son relationship.” Wtf show are you watching?! They’re the same age??? Carol has adopted many children. None of them were a middle aged man named Daryl who she flirts with a dreams about being married too.