#i considered making a rant post too

[sleepanonymous]

This is a reminder to everyone in North America who is unable to get tickets for the pre-sale and general sale of Sleep Token’s Teeth of God tour. DO NOT buy resale tickets through third-party vendors like StubHub, Seat Geek, Vivid Seats, etc. Tickets for the Teeth of God tour are mobile-only and non-transferable. This means the seller will not be able to transfer the tickets you purchased from them. The only reliable way to purchase tickets to this tour is through Ticketmaster or your local venue’s ticketing system. Please protect yourself and do not get scammed. If you do not have tickets and need tickets, check out the list I’ve created below the cut. Once pre-sales/general sales are over, I’ll update this post with more links. For more context, check my post here.

Saturday, April 27 – Las Vegas, Nevada Sick New World Music Festival Purchase Tickets through Sick New World’s Website. Third-party sites and sellers can transfer mobile tickets.

Tuesday, April 30 – Phoenix, Arizona Arizona Financial Theatre 400 W Washington St, Phoenix, AZ 85003 (602) 379-2800 Purchase tickets resale through Ticketmaster.

Wednesday, May 1 – Albuquerque, New Mexico Revel Entertainment Center 4720 Alexander Blvd NE, Albuquerque, NM 87107 (505) 321-0406 Purchase tickets resale through Prekindle.

Friday, May 3 – Austin, Texas H-E-B Center 2100 Ave of the Stars, Cedar Park, TX 78613 (512) 600-5000 Purchase Tickets resale through Ticketmaster.

Saturday, May 4 – Dallas, Texas Toyota Music Factory 316 W Las Colinas Blvd., Irving, TX 75039 (469) 840-9730 Purchase Tickets through Ticketmaster.

Monday, May 6 – Tampa, Florida Yuengling Center 12499 USF Bull Run Drive, Tampa, FL 33617 (813) 974-3111 Purchase Tickets through Ticketmaster.

Tuesday, May 7 – Atlanta, Georgia Coca-Cola Roxy 800 Battery Ave SE #500, Atlanta, GA 30339 (470) 351-3866 Purchase Tickets through Ticketmaster.

Wednesday, May 8 – Asheville, North Carolina ExploreAshville.com Arena 87 Haywood St, Asheville, NC 28801 (828) 259-5736 Purchase Tickets through Ticketmaster.

Friday, May 10 – St. Louis, Missouri The Factory 17105 N Outer 40 Rd, Chesterfield, MO 63005 (314) 423-8500 Purchase Tickets through Ticketmaster.

Sunday, May 12 – Morrison, Colorado Red Rocks Amphitheatre 18300 W Alameda Pkwy, Morrison, CO 80465 (720) 865-2494 Purchase Tickets through AXS. Third-party sites and sellers can transfer mobile tickets.

Tuesday May 14 – Des Moines, Iowa Vibrant Music Hall 2938 Grand Prairie Pkwy, Waukee, IA 50263 (515) 895-4980 Purchase Tickets through Ticketmaster.

Wednesday, May 15 & Thursday, May 16 – Chicago, Illinois Salt Shed 1357 N Elston Ave, Chicago, IL 60642 (708) 967-2168 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Saturday, May 18 – Columbus, Ohio Sonic Temple Art & Music Festival Purchase Tickets through Sonic Temple’s Website. Third-party sites and sellers can transfer mobile tickets.

Sunday, May 19 – Pittsburgh, Pennsylvania Petersen Events Center 3719 Terrace St, Pittsburgh, PA 15261 (412) 648-3054 Purchase Tickets through AXS.

Monday, May 20 – Philadelphia, Pennsylvania The Met 858 N Broad St, Philadelphia, PA 19130 (800) 653-8000 Purchase Tickets through Ticketmaster.

Wednesday, May 22 – New York, New York Radio City Music Hall 1260 6th Ave, New York, NY 10020 (212) 465-6000 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Friday, May 24 – Boston, Massachusetts MGM Music Hall 2 Lansdowne St, Boston, MA 02215 (617) 488-7540 Purchase Tickets through Ticketmaster.

Saturday, May 25 – Laval, Quebec Place Bell 1950 Rue Claude-Gagné, Laval, QC H7N 0E4, Canada (514) 492-1775 Purchase Tickets through Ticketmaster.

Monday, May 27 & Tuesday May 28– Toronto, Ontario Massey Hall 178 Victoria St, Toronto, ON M5B 1T7, Canada (416) 872-4255 Purchase Tickets through Massey Hall.

[peak-dumbass]

*swinging a pocket watch back and forth in front of your face* oOoOoO you think I’m funny OoOoOo you want to watch RiD2015: Combiner Force oOoOoO

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[sunscall]

NOOO i never noticed mac's annoyance at dee's rant was the reason why dennis made dee go away that's so funny in an evil homo way

[starrysharks]

i want to delete my twitter account so fucking bad

[clegfly]

Getting REAL sick and tired of how omori TikTok views sunny.

Like, they view any scene of him being emotionally vulnerable, affectionate, or even just making an expression outside of just being completely neutral as “mischaracterised”. He’s not some cool, stoic, unwavering badass, he is a traumatised teenager. Don’t cry whenever he dares to give his friend a hug or (god forbid) be SAD about something??? Isn’t like. Part of the point of his development about him allowing himself to break down the repressive walls he built when he shut himself in? And being able to rely on his real friends instead of imaginary versions? And isn’t the game like. Meant to SHOW that he still cares about them despite isolating himself?

It’s really stupid to get mad at a character like that showing emotion or affection personally, especially since he’s not used to expressing it properly after so long. But that’s just me

[stupidrant]

SANTA MONICA STUDIOS GIVE ME MORE ANGRBODA CONTENT AND MY LIFE IS YOURS

PLEASE WE ARE BEGGING WE ARE GETTING FRUSTRATED 😡😡😡😡 💔💔💔💔💔💔💔💔💔💔💔💔💔💔

[batfossil-fr]

I’ve been really thinking of reopening my art shop soon… I’ve been taking some practice doodles (hence all the posting lately) while I shake off my rust and I’m finding things I enjoy working on again. I miss trying my hand at more dragons/OCs and colors. my shop’s so broken rn lmao but that’s a problem for a later date it’s just nice getting back into art

[aria0fgold]

Hmmmmmm I think some is wrong with my copy of OMORI

[triglycercule]

me when i find the PERFECT mtt song (yamitsuki,,,,,,,, maretu my king how did you do it,,,,,,,,,,,,, literally HOW did you do it why is this song weirdly accurate wtf and its for a completely different character 2??? HOW DID YOU DO THIS??? THE ENTIRE FUCKING SONG FITS??? THE ENTIRE SONG COULD BE MADE TO HAVE CONNECTIONS WITH ONLY MILD REACHING??? HELLO??????) (this translation!!!) (the translation is not.linking i will be shooting myself. its the on on the vocaloid wiki NOTthe video....)

literally like. 1/3 is horror. 1/3 is dust. and then the last is killer. in that order. the first 2 verses talk about bloodshot pain (bloodshot EYES.... HORROR'S EYE) and a rotting fatal wound (THE FUCKING HEAD CRACK!!! HIS GODDAMN HEAD WOUND!!!!). commiting brutality. i dont think much else is needed. wrong/right and judging biases,,,,, jesus fuck wtf. AND THEN in the next verse there's a mention of "starving for necessary evil" HELLO!!!! HELLO!!!!!!! him starving himself while also feeding snowdin human which totally sucks,,,,,, horror sans,,,,,,???? chorus of shrill voices (duh snowdin. or also could be undyne and royale guard. i like snowdin more). and then the last line of the second verse mentions sadism. nothing more to say. horror sans i mayhaps perchance mightve just encountered you in a song. or maybe the translation is freakily accurate and the song itself isnt that specific (probably but hey i can dream)

and then th next 2 verses r dust except i dont really know about the first verse but also a line that says "this is the death of the conflict, come and see me" could be referring to the human's death which like. man. and then the next verse is just dust sans but in a single verse. give me more excellent pain could be interpreted as LV but also the mental pain that comes with yk..... killing all you love.LOVE. LV. he needs more LV... anyways. mad off the beaten track. MAD. MENTION OF MAD LIKE CRAZY LIKE MAD TIME LIKE DUST SANS!!!! echoes of a haughty voice resound,,,,, phantom paps,,,,, "severe punishment, 100 renouned sights, i long for pure pessimism" i cant explain this one well i think but just think about it okay. this time you get to be the one coming up with the ideas (σ´∀`)σ

killer only has one verse that i can link this song 2 but i also think its th most freakily accurate. verse 1 is "through instantaneous joy, entertain me for my whole life, i'm cunningly"LUCKY". i get completely bored. give me pleasure without worry. and now, right away." and then "i'd rather head to eternal darkness. i'll abide by you always, emptily "HAPPY". i shed tears from my clear white eyes. come and show me your best smile!" HELP HELP HELP THEYRE SHOOTING ME HELP HELP!!!! THEY JUMPING ME (these lyrics) because WTFyhis isFREAKILY accurate. the entire first verse and its spiel on boredom and having someone else manage the entertainment/emotions,,,, and the cunningly lucky part is just. i think the word cunning is just really good to describe killer (sneaky little bastard) and then he's "lucky" emphasis on quotes because idk he got chosen for whatever the fuck his chara wants. what luck. really bad luck but whatever. and then MORE on the following another person and EMPTILY!!! EMPTY!!! KILLER FEEL NOTHING EMPTY!!!! fake happy too,,,, and killer has white eyelights sooo IM NOT REACHING!!! also he literally cries

in conclusion MARETU is a god amongst men and somehow this song managed to fit the mtt i have no idea how. next coming up: how NAMIDA fits horror. how thirst fits dust. how i'm high fits killer. idk if i already said this one probably did BUT JUST IN CASE maretu also has maegamist,,,,, maretu i knew i listened to you for a reason. so i could make totally irrational and unreasonable connections of your songs to the fucking murder time trio of all things. what joy

[lizzerswillpoststuffmethinks]

Spoiler: I didn't go to sleep. But I will shortly after this post

[quirkle2]

I was wondering if there are any rare happy ritsu moments in ur zombie au since hes always miserable I think,, like is he always miserable or is he happy/not miserable and feeling kinda good sometimes?

VWHDGDGD NO YEAH OFC HE'S HAPPY SOMETIMES im just horrible and enjoy putting him through misery

ive never been able to get a genuine smile to look right on his face in my art style either i think thats part of it. as ive said his face is just built to be mildly uncomfortable and bothered and i lean into it sm it's starting to get kinda funny

but yes ritsu is happy plenty! i think, canonically, he just seems like the type of person to me that tends to turn lemonade back into lemons. he's easy to scare and his first reaction to things is often Dread and Anxiety. he dwells on the negatives a lot and seems to be a "hope for the best, expect the worst," kinda guy, but there's a section in this post abt shigeo always loving the little things in life, and ritsu steadily learns throughout the journey on how to do that and how healing it can rly be. even if he had to grow up too fast during this whole thing and learn things a kid should never have to, the journey also gave him some good insight and lessons in other places! ritsu is smart, he figures it all out

in terms of little things here n there he's the happiest lil guy on the planet when he finds one of his favorite foods—swings his legs while he sits and munches on a kitkat bar like he's got absolutely nothin in the world to worry abt. sometimes mob does smth funny that he laughs at; for the longest time i've had this silly image in my head of mob accidentally knocking down a bucket from a store shelf and it lands on his head and he just kinda stands there and makes noises.when the noises continue out of pure curiosity about the weird echoey quality it's giving them ritsu cannot help but lose it

besides tiny things tho, when tome comes around ritsu in general is a lot happier, just cuz he has somebody to talk to that will actually respond in some way. they're sorta reluctant partners in crime at first (at least on ritsu's end) but over time and over bonding they grow to rly like each other's presence. they bicker constantly but it's almost always fond eventually, and they shove each other and playfight until mob gets antsy enough to get worked up about it. rly, tome is a godsend to ritsu's mental health—after months and months of being effectively alone with his thoughts, he finally has another person to converse with. a person His Age, too!

tome is rly good at knowing when ritsu is thinkin himself into oblivion and she's Also rly good at being the most annoying girl on the planet to yank him outta that and replace any misery with Oh My God Get Off Me You Freak. she doesn't even do this on purpose at first, but over time she learns how to tell when he's thinking too hard and, ofc, she's grown attached and she cares, so she's as obnoxious as possible to lighten the mood

when they find reigen n teru, ritsu gradually gets Much happier still. now that he knows they're safe and the gang is finally back together (and now that there's an Adult present and he can relax a lil and let himself be taken care of) his stress levels r exponentially lowered. having teru back is another instant lift to his mood—im always a big fan of teru and ritsu friendship, and i think adding tome to their dynamic simply makes it more chaotic. truly a trio of the 3 most normal teenagers in existence which will surely bring nothing but good (reigen sweats offscreen)

actually this makes me feel bad for forever torturing him im gonna go draw happy zau ritsus brb ,.,.ok imback <3

[risingsunresistance]

twitter is entering their "rts > likes" phase now that likes are private after they spent years calling us ungrateful for being demotivated by ratios lmao

[seancamerons]

it's been 84 years and like i'm still pissed/salty that peter used his moms connections when she was principal to plant drugs in sean's locker for the sole purpose to get him expelled and then lied about it and continued to be a sneak and then was only found out too late the after the fact. why was anyone surprised after what he pulled with many bc she didn't want him romantically so he posted her video online on his palm pilot like a pos!) he also got away with the whole thing with the street races like slap on the wrist when sean went down. peter pursued the race ok? he is just as guilty if not more guilty. a video apology? sean got beat like jail? i know he's not a rich guy but he didn't deserve that shit. ughhhh it makes me mad. sean like was supposed to graduate with his friends and be the first in his family to do so. it was important to him, and it's his fault that sean couldn't have that. it's peter's fault that sean had little options in town after that, so he had to leave all over again. sean is my favorite, he also was disrespectful and called him scum. (even tho s6 is my least favorite season for sean for a myriad of reasons AND I'm a semma shipper. whoever he was, wasn't sean ok?) peter is still worse. THE WOOOOORST. so basically f peter. this is my villain origin story. roses are red and violets are blue that storyline sucked, and peter stone also sucks. glad to be apart of this group.

[sengenism]

just realised how i usually dislike or feel indifferent about shounen mcs but senku and gon hxh are the only ones who actually manage to enter my top fave characters of their respective fandoms... they're so well written

[mariathechosen1]

Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!