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tetitous · 5 months ago

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Everyone, I have done it.

So, the post about Yugo and queerness in Wakfu is a 3 parter due to my use and abuse of pictures. You'll be able to enjoy part 2 here, and dw I'll add one at the bottom too

First, I would like to preface this by saying that, while I do believe they didn’t create or write Yugo with the idea making him queer in mind, I do not think the creators made things unintentionally either. What I think they actually wanted to do with Yugo, was to have a character that felt as gender neutral as possible, in order to make him relatable to the show's originally young audience, without alienating girls or boys. A character not leaning too much one way or the other.

But as such Yugo is a character that can be read within a queer lens without that much of an effort. I know a lot of people on this site hc him as on the aro and/or ace spectrum, some degree of nonbinary and in my specific case as genderfluid bi/pan, and I'm even considering possibly intersex.

Wakfu also happens to be the kind of show that, whether intentionally or not, just finds itself to have a ton and a half of queerness in it: from simple implications to actually out queer characters, the world depicted in the show is a diverse one, in that sense and more.

That’s why I genuinely think that it's not just random readings that come from fandom's typical queering goggles, I think there are elements in the show that do help these readings, precise elements as well as elements that need a little more digging.

So here's what this post aims to do: to find those elements and compile them in as clear a way as possible. Please do take into account that I am very easily prone to reaching so if you don't see it, that's totally fine, and I may end up structuring things in very chaotic ways, but I am doing my best.

I decided to separate my writing between the gender elements and the sexuality elements, with a listing format. One element, one dash. Since I am french and don’t know much about the english translation, I’ll be illustrating everything using screenshots as reminders, and will be adding some small notes and quotes translated by myself when needed. Well then, let's get started!

The gender category, or as I'd like to call it "this could have been an email- but make it about a trans character":

Yugo's name: first, this one is 100% due to a fic I read that made me reflect on a very interesting fact: in s1ep1, when Alibert finds Grougal's message, Yugo's name is never mentioned.

During that scene, he’s only called “this child” and “that small one”

What that means, given that Yugo's name has been "Yugo" since previous lives, is that either Alibert somehow picked the right name on first try, or, more logically, that he didn't. That Yugo got called another name for some years, until he got old enough to correct them.

And you would think the argument stops there, but in s2ep12, a character gets openly deadnamed and mocked for it by literally everyone, saying "his real name is…". There is one exception to this,

Yugo, who never mocks him and says "It’s not because your parents named you… ", which is a very interesting nuance in phrasing. It implies that, while to others the name their parents chose is a "real" name, an immovable fact of life, to Yugo it is a choice made by others for them, that can be wrong, that can be changed.

Yugo's relationship with femininity (and masculinity): Have you ever noticed that the Brotherhood of the Tofu very frequently separate themselves with gendered terms? You’ll often hear Tristepin and Ruel call Amalia and Eva “the girls” and Eva and Amalia call them plus Yugo “the boys”. Prior to the OVAs Yugo only does so in one episode, s2ep21, the one episode where he's magically seduced into being aggressive towards "the girls".

“You are so strong and smart, right guys?”

“If you aren’t happy you can go with the girls!”

Prior to this, Yugo never really plays into gender roles, and after it will be mainly due to his aging process, which we will discuss.

Yugo seems to treat socially gendered activities as if they weren’t, I believe it is also noticeable with his relationship to heroism, though that one can only be inferred in contrast to Tristepin's former very strict hero/princess binary viewpoint.

(Here I would have put an exception about the OVA and him admitting he always wanted to save a princess, but given that in the most recent manga the term is used as a pet name for him I guess I’ll let that one slide)

During s1ep4, Yugo crossdresses and not only is he comfortable with that fact, not only is he the one who came up with the idea (although Amalia gave him an unconscious push), he is thriving in it.

Look at the joy on his face upon putting a bow on.

I feel the need to remind everyone Yugo is 12 during s1, an age at which young boys are definitely aware of a gender divide and typically reject girly stuff like the pest.

Back to the Boufbowl episode once more, in s1ep10, you may have noticed Ruel calling being a cheerleader “being the girls”, and while Yugo may be on the bench as a substitute, he does participate in cheerleading right in the next episode.

Two three very motivated children and their unconvinced chaperone.

Actually he is the only character in the Brotherhood of the Tofu to be a cheerleader during both Boufbowl arcs.

His outfits are also not strongly gendered, especially compared to Tristepin's chest-out s2 design or Eva and Amalia's early short skirts, his most gendered character design might be his adult-form one, and even then, when compared to Nora's, you’ll notice Yugo is only ever wearing the same thing as her with added details (royal details?) and his own color palette. My take is he’s actually meant to look like the Eliatrope goddess, with his cape reproducing her hair.

S4 teaser Yugo because we don’t have a clean pic of his s4 design, and I did my best for Nora.

Yugo's aging process as a metaphor for transness: as we all know, from the OVAs until the last quarter of s4, Yugo is a young adult trapped within a child's body. He gets mocked and infantilized on the regular, his status as king belittled. The only thing that he maintains some form of respect for is his status as a hero. And you can tell it is weighing him down. For one, this body is an obstacle to his relationship with Amalia, not just due to the eyes of others,

"I grow slowly whereas she, she became a queen, a woman...", with the implication "and I'm not a man” or “I don't pass as one"

but also due to his own degrading self-perception.

“Let’s see who’s small!”

(notice how easily he gets tickled by a simple comment on his size, how the mere notion of his body being revealed becomes reason enough for violence in s3ep7).

Yugo gets angry and violent, a lot, and more than is typically expected of him.

“I tried thinking like Yugo, I’m sure he would have preferred this to the hit-you-in-the-face method.”

“Dear little brother, I don’t know what happened to you these last few years, but I don’t recognize you anymore!”

A result of trauma, sure, but if you're like me you may have noticed how turning into an adult made him feel very… relaxed, suddenly. In a way that can be compared to the disappearance of symptoms of body dysphoria with people who go through a process of gender-affirming transition.

As an aside, his s3 design really makes him look like he's wearing a binder, in addition to the turtleneck that would hide the absence of an Adam's apple, the look is very transmasc.

That one particular art of him is what really marked me, because of the slight shade under the chest. Doesn’t mean it is a binder, just means it could look like one.

Yugo's Eliatrope hat as a metaphor: There may not seem like there is much to say, but the fact is that this hat was very mysterious for a very long time. If you were part of the fandom before the s2 finale you may have been theorizing on a forum about what was going on behind that hat (I was on the "a second pair of ears but these are shaped like cat ears" team, but still slightly unconvinced), and you knew that there wasn't anyone more curious about this than Nox.

“We may finally get to find out what you hide under your hat.

-Even my friends never forced me to tell them!”

was a very iconic line, one that definitely could remind people of the infamous "what's in your pants" question.

Well the Brotherhood was curious as well, but mostly respectful and patient with their friend.

It was clear that there was discomfort with that part of him that he refused to reveal, so much so that he probably never washed with any of his friends. When they would hang around for days, when the girls wouldn't care between each other (and neither would Eva and Pinpin between each other, wink wink), when they would all sleep together, Yugo probably would still never take it off in front of them.

Overall my point is just that inthe rare times the hat gets discussed, it just doesn't sound cis.

the Eliotropes: they're coming back in the sexuality section, dw.

But, as Yugo himself says, they are "versions" of himself. The interesting question now is "in which way?" Since they are not "past versions" of him, and since they seem to "inherit" some of his personality/physical traits, I do believe them to be an expression of his own fragmented sense of self. Some of them may be men, as a reflection of his own perception of himself as one, but then some may be women for that same reason, and well some are women, some even are canonically enby.

Character on the far left is enby and character on the far right is a woman. Obviously Echo is not an Eliotrope.

One could even go as far as considering these traits can physically express themselves only because Yugo's anatomy reflects them, and in that case we can go into not just a gender reading, but into an intersex one. Pushing further into it, Yugo, being their creator, effectively gave birth to them, and as such they call him father, but the act of giving birth itself is typically associated with the feminine, sowe could argue that Yugo’s position is both one of father and of mother.

Of course they also have physical and mental aspects that are separate from Yugo, like none of the ones we met are the same sandy blonde as Yugo is for example, but the ambiguity of the existence of the Eliotropes is and will always be a matter of "where does Yugo end and where do they begin?".

A little question mark for the road: In OVA2, as a joke, Rubilax “reveals” that Tristepin was actually a woman all along. This is a sample of everyone’s reaction:

1st, Amalia is so bi it’s insane, but that’s not my point here. Yugo’s reaction being of absolute shock, even more so than Tristepin himself always had me wondering what was going on in his head. Through a queer lens it remains just as hard to read through, so my personal take is that Yugo is amazed at how male-“passing” Pinpin is, so much so he may think “You mean to tell me I knew that guy for years and never realized he was trans too?!” I don’t know, I’d love to get some feedback on that one.

That first section was 2 pages-long without the pictures, so let’s take a tiny break and enjoy some Yugo cuteness as a breather.

Just the cutest. He doesn’t even need to try.

part 2

#wakfu #wakfu spoilers #wakfu yugo #yugo #yugo the eliatrope #lgbtq+#pride month #wakfu meta

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dickloeb · 2 years ago

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Quizás no es una pregunta muy adecuada y puede resultar raro pero leí que Loeb quizás estaba en el espectro asexual, otros decían que era bisexual o incluso gay. Como crees que él veía las relaciones sexuales? Porque por lo que se no mostraba mucho interés

Hello! I’m so sorry but I don’t speak spanish so my answer will have to be in english. Also, I translated your ask through google so I’m sorry if it misinterpreted something.

In general you’re asking about what I think Richard’s sexuality was. This is a hard question because as of right now there’s no 100% right answer to it. It’s all just speculation. It’s especially hard for Richard because all we really know of his sexuality comes from the psych report which isn’t the greatest source considering he could have been lying or omitting information, and there’s so little to go off of in it. The psych report gives us the information that Richard didn’t care for the actual sex act but enjoyed other parts of a relationship. It also tells us that in the beginning he was curious about sex with Nathan but soon grew a distaste for it. However it should be noted that those two had a sexual relationship for a while before the compact came into play.

You listed him potentially being bisexual, on the asexual spectrum or gay. If we are just going off the psych report I can see the asexual argument since the quotes from him and the information given sounds close to being on the asexual spectrum, but it’s so hard to say. I’m inclined to not believe it. I think there’s a good list of reasons for why Richard, a teenager, could find sex to not be enjoyable. He could have just had a lower sex drive than other boys, alcohol can be a problem and he drank a lot (which he admitted it slowed him down), i’m willing to bet that the situation with Hamlin didn’t help his confidence with sex, getting an STD after his first time having sex and being treated for months, and just all of his self esteem issues he was having. His young age seems to be forgotten a lot in discourse over this and I think all of those things combined could have affected his sex drive more than we might think.

As far as bisexuality goes, we know that he went out with girls a lot but we don’t have (to my knowledge) anything from him saying that he felt obligated to do it. The only negative thing I can think of that he said about girls is that he would lie to his friends about having sex with them. Girls were present in almost all of his fantasies but I wouldn’t necessarily correlate that to sexuality. And for him being gay I can see the argument more, but there’s still so little to go off of. The only man we know that he had any kind of sexual relationship with was Nathan, and even though he apparently didn’t enjoy it that doesn’t mean he’s not gay. He very well could have been gay and just not attracted to Nathan lol.

I think Richard’s sexuality is a big debate point in the case of Leopold and Loeb. I’m not so quick to file him away as straight like many other people do because I don’t necessarily agree with that. I really hate that theory people throw around that he manipulated Nathan with sex or that he “didn’t have a sexuality.” I don’t even know if Richard knew what his sexuality was in 1924. There’s people like Nathan who basically know what their sexuality is right at birth, there’s some who discover it at a more slower pace, and then there’s people who never fully discover it or understand it. Richard could very well fall under that category.

#asks #l&l #richard loeb

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selfshipdorito · 2 years ago

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💪 Describe a theme or other element of the original source material that you feel is strengthened or reinforced by the presence of your ship.

ask game link

alrighty, I'll be doing this for N.ito and me. And I will be considering the original source material his song (n.itro).

Yes, this is a platonic ship and yes, it's because of kin stuff, but I've given it a shot nevertheless!

In this informal essay thing, I explained, in a not so thorough way, the song and its story and themes, my selfship and how it is and, lastly, how it correlates with said themes.

I didn't count how many words this has, but it's a considerable amount, so it's under the cut.

I hope this is what the prompt asked for. sorry, my english comprehension skills can get rather uncooperative sometimes.

but yeah, without further ado, I present you: whatever this is.

-> 1) N.itro: Brief story and themes summary

First of all, I think I should begin this by giving an overview of the song's story and theme.

So, N.itro by G.uchiry is centered around J.irou N.ito, who serves as the commander of a radical student movement group called "Revolutionary Army" (don't quote me on this. I've translated it from the producer's website).

From what I picked, the place where it takes place is ruled by some sort of corrupt party and the "Revolutionary Army" aims to overthrow it in some way. There's this big building (I think it has a connection with what they're trying to stop) and our guy Jir.ou, wanting to "carry out his own "justice"", attaches a bunch of explosives to himself, goes into the building and explodes it along with himself.

The lyrics often talk about how the protagonist wants to get rid of the world's corruption and how idiotic the rest of the population is for ignoring their current situation.

Here's a translation of the first chorus, for you to get an idea:

"Burn it up, just be gone with it, this corrupted world's depth psychology, all of it.

It should just blow up till nothing is left!

That's why this time, I will see everything, everything, erased by my hand."

-> 2) Kin aspect of the self ship: Context

Second, where do I come in here? Well, this is a selfship for kin reasons, undoubtedly. So I should also mention that kintype. It's Mi.chi.ko, aka. the girl from the other Gu.chiry song R.ain Ro.ad Gi.rl (Am.amic.hi S.houjo).

How are my interactions with Nito, since they don't appear in the songs at all?

Well, I'd often wander around aimlessly around the city. Sometimes, I'd just sit around there, letting everything sink in and wonder where to go next. I'd find N.ito a bunch of times walking around too. He'd notice me, how I was, and offer help. Maybe some warm bread, maybe some sort of shelter from the cold and rain, but his company itself was good. He is a really kind guy, even if he might have a tougher exterior.

-> 3) Relation between given context and song themes

And so, now that the context has been given, I shall answer the initial prompt: how all of this reinforces/strengthens a theme or element of the source material.

Him helping a random girl he just found on the street, and somehow ending up being in friendly terms with her from the amount of encounters they both had; all of this kindness and selflessness really highlight the justice part, in a way. Because he's doing the right thing by helping others, with his own hands. Because the tiny things like this also matter for a bigger revolution.

thanks for reading my ramblings until the end! I hope this was an enjoyable read to you (considering the inherently self indulgent nature of a personal kin selfship essay).

#thoughts of the wind #kin tag #self shipper #selfship community #self shipping #selfshipper #f/o #selfship #pile of leaves #kin selfship #proselfship #asks #travel companions #nito tag

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oumakokichi · 4 years ago

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hello! could you talk a bit more about the original (as in jp, not localization) ouma's personality and speech patterns? you've mentioned that he tends to trail off or speak more softly when it is implied he is speaking the truth, etc. and how he is not so loud/intentionally obnoxious. //btw when does he call himself a fairy? that's so cute

I got a couple of questions asking about the fairy line Ouma has, so I don’t mind sort of rolling them both into one! And I’m more than happy to talk a little more in-depth about Ouma’s speech patterns and personality in the original game, too!

Since I’ll be covering some late-game spoilers, I’ll put the bulk of this under the cut, so be careful when reading!

First off, I cannot stress how much I recommed playing ndrv3 with the Japanese voices enabled. If you’ve already played through the English dub but never experiened the original voice acting cast, I promise you won’t be disappointed. The Japanese cast are all fantastic, incredibly talented VAs who, unlike the dub, were hired specifically for these roles and not just re-casted from previous DR games.

Hiro Shimono as Ouma gives an absolutely incredible performance. The localization might still have many flaws in its translation and omission of certain lines or punctuation, but you can still very much get a feel for how Ouma’s character was intended by listening to Shimono’s performance. Re-playing the game with the Japanese voices will definitely let you hear how soft and tonally different Shimono’s performance is in places from the English dub, and compare it to the way in which many lines are written and punctuated as if Ouma’s yelling at everyone.

That isn’t to say that Shimono’s Ouma is never loud or excited: Ouma is a character whose moods and façades are all over the place, and therefore his performance requires a voice actor who can similarly change moods and intonation on a dime. Ouma is very much loud and haughty and deliberately annoying when he’s supposed to be, but his voice is also low and ominous at other points when he’s trying to be scary. And again, it’s soft and hesitant in places where he’s considering divulging some of his information, or when he’s insisting that all the things he does are for everyone’s sake, because he cares about them and doesn’t want anyone to die.

These moments feel so much more genuine in the Japanese version of the game--because they’re meant to be. As fantastic of a liar as Ouma is, it’s much easier for us, the player, to tell when he’s lying on a re-play, knowing the information from chapters 5 and 6 that we do, and looking at cues like his sprites (often his blank-faced ones) and, yes, his delivery of certain lines.

This probably sounds like me just gushing about what a fantastic voice actor Hiro Shimono is, and in part that’s exactly what it is, but I want to stress that pretty much every single voice actor in the Japanese cast is just as fantastic and that they all do their jobs incredibly well. With all that gushing out of the way, I’ll move on to talking about some of Ouma’s actual speech tics and the way he refers to other characters.

Like most things about him, Ouma’s speech patterns are sort of an interesting mix and even seem a little contradictory at times. He uses the very masculine pronoun “ore” (オレ), but he also refers to nearly everyone (with only a handful of exceptions) by their surnames and the much more childish honorific “-chan” (i.e. “Saihara-chan,” “Akamatsu-chan,” “Amami-chan,” etc.)

The use of “-chan” is very interesting. Honorifics in Japan are extremely complicated and tend to mean different things depending on who is using them. Typically, “-chan” is seen as a very feminine way to refer to someone else, commonly used in close-knit friend groups among school girls.

There are, of course, a few notable exceptions to this however: often times, middle-aged or elderly people will call a child “-chan” regardless of gender, as a way of showing they find them cute and endearing. And sometimes, people will use “-chan” to refer to other things they find cute, such as pets, or even to refer to themselves in a sort of informal, tongue-in-cheek way.

The fact that Ouma uses “-chan” as an honorific to refer to nearly everyone in the game stands out quite a lot: by and large, boys don’t use this term to refer to other boys. Using “-chan” to refer to anyone you’ve just met or don’t know very well is already somewhat frowned upon, but a boy using it to refer to other boys is especially rare. This helps set Ouma’s character up as someone who is both incredibly casual and informal with others (not to mention, you know, quite coded). Considering childishness and lightheartedness are traits Ouma values, and how much emphasis is put on him having “a very innocent, childish streak that’s hard to hate,” it makes sense then that he would talk like this.

Not counting Monokuma and the Monokubs, the only characters who Ouma doesn’t refer to with “-chan” are Gonta and Kiibo, who he simply calls by name. This also says some interesting things about his character.

Gonta is easily the character who Ouma interacts with the most often, as well as the charater he hurts the most in the end. Ouma’s choice to exclude Gonta from his usual way of calling people is, I think, a testament to how much Gonta really wanted to be friends with him, even if their friendship was never exactly on equal footing.

Meanwhile with Kiibo, I feel the choice to exclude him from his usual way of addressing others is indicative of how much Ouma tried to remind himself that Kiibo “wasn’t human,” and therefore how suspicious he found his presence in the killing game. We know Ouma suspected Kiibo and likely even had an inkling of his role as the audience proxy/camera in the game, due to how Kiibo’s picture is one of the only others set aside on his whiteboard besides Saihara’s, with the word “weird” written next to it (he also clearly guessed about the cameras after Gonta’s line in chapter 2, as we see from how he commissioned Miu for the bug-vac).

Ouma clearly enjoys teasing Kiibo a lot, and their banter reads very much like a manzai comedy duo; I feel like Ouma often tried pushing himself to remember that Kiibo “wasn’t human” on purpose in order to not get too attached to him or too distracted from his goal of ending the killing game. I don’t think Ouma’s decision to exclude Kiibo from the way that he very particularly referred to most of the rest of the group was just an accident or a coincidence.

Honorifics aside, Ouma also refers to several characters in interesting ways. He often uses “daisuki na ___-chan” (大好きな) to refer to some of the other characters, a phrase which more or less equates to “my beloved.” He uses this phrase with Saihara more than any other character of the game, but there are a few other instances where he does use it with Amami, Momota, and (if I’m remembering correctly) Kaede. Pretty much every single instance where the localization put, “because I love you” or “because you’re my favorite” whenever Ouma was talking to Saihara was usually a point where he would specifically call him “my beloved Saihara-chan.”

In chapter 4 during the scene where Ouma is alone in the parlor of the VR world, he also specifically, exclusively refers to Saihara as “suki ni natta hito” (好きになった人), literally: “the person I fell in love with.” This line was changed in the localization to, “when there’s a person I like,” which is more or less literally correct--however, the phrase “suki ni natta” is much heavier and more loaded with explicitly romantic implications than “suki” would be on its own, as it’s often used in Japanese love songs and shoujo manga love confessions.

Worth noting in my opinion is the fact that this is the exact same phrasing Maki uses to describe her romantic feelings for Momota. Since Maki’s feelings for Momota are considered canonically confirmed because of this, Ouma’s feelings should be considered equally canon, but a lot of people don’t know this because, well, it’s sort of been lost in translation.

And now, on to the fairy line! Ouma calls himself a fairy in chapter 3, when he pops up in the middle of Saihara and Korekiyo’s discussion of the katana in Korekiyo’s lab. Full of enthusiasm, he decides to touch the sword and examine it for himself; Korekiyo starts to object, but Ouma interrupts and says:

“Come on, it’s not a big deal! I’m like a fairy, so it’ll be fine!”

I’ve always really loved this line and thought it was super adorable, both as a nod to how fairies aren’t supposed to be able to touch steel in most fae mythos, as well as the fact that fairies tend to also have a love for mischief and pranks and lies. The localization apparently didn’t like it so much though, because this line is simply changed to, “Come on, would I lie to you?” instead.

One final thing I can think of as far as Ouma’s speech tics go is that his laugh in Japanese is romanized as “nishishi” instead of “neeheehee,” as this is closer to the Japanese onomatopoeia for the sound horses make--but I actually don’t mind this localization change at all! “Neeheehee” definitely looks a lot closer to the word “neigh” and helps capture that horse joke in a way that I feel like western players can more easily understand.

All in all, while I still definitely feel people can like and enjoy Ouma’s character from playing the localization alone, I still stand by my opinion that listening to the original Japanese voices helps give a much better picture of how the character was intended to come across, and really shows how much depth Hiro Shimono put into his performance. He’s quoted in the official ndrv3 artbook as saying that he believes Ouma is someone who’s actually “really meek if you take away his strong wish to outwit everyone” (credit to @kaibutsushidousha for the art book translation), and I think this interpretation of Ouma really shows through in so many of his lines.

Thank you both for the really fun questions! I hope I could provide some more interesting information about Ouma and the translation!

#danganronpa #kokichi ouma #ouma kokichi #new danganronpa v3 #ndrv3 #ndrv3 spoilers //#ask #my meta

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entamesubs · 3 years ago

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Yu-Gi-Oh! SEVENS Episode 69 Sub Release

Torrent | Google Drive

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This was a nightmare episode to work on that’s finally dethroned Sebastian’s intro episode (19) for the worst SEVENS episode ever to translate and time.

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Please make sure to read the FAQ if you have any questions.

Below are extended translation notes, so spoilers ahead.

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“Watchful eyes” & animal vs human eyes joke

Gakuto keeps saying this episode that everything within the “whites of his eyes” will be subject to regulation or something like that, and while this can be translated, the joke Umiko makes in response to this can’t.

She says something like “humans have more sclera ratio to other animals” (either more sclera or more pupil, I don’t quite remember) which is just incomprehensible to an English speaker. Getting to this line felt like I was listening to complete gibberish.

The joke was changed to be about humans having worse eyesight than animals (which isn’t true) and the earlier Gakuto phrase switched to “watchful eyes” so it makes sense in English.

Shomumu

Umiko’s entire existence this episode is a reference to a 90s TV drama called Shomuni (or Power Office Girls). It’s a show about office ladies who have committed some form of “grave mistake” that leads to them being demoted to the “general affairs” section and has them perform menial tasks like changing the light bulbs or other maintenance work in order to get them to quit the job (because firing someone in Japan is expensive). Their office in the drama is also a little room in the basement tucked behind something else.

I teetered between keeping it as “Shomumu” or localizing it to “Power Office Gill” so the joke carried in English, but I realize the entire joke relied on having previous knowledge of Shomuni in the first place, so I kept it as-is.

Department of Redundancy Department

You’ll notice a lot of the department names this episode seem to be repeated or entirely redundant - that’s part of the joke since this is satire on Japanese office life and company structures.

This is just a note in case anyone thinks we made a mistake or left something in that we shouldn’t have. The departments were redundant on purpose.

Fiendish Commander Yameruler -> Yamiruler the Dark Delayer

I already wrote something similar in my BD translation notes for Dragias, so I will just redirect you there.

TL;DR This is the official TCG name of Yameruler, so I’ll be using it in subs from now on.

Yameterasu summoning chant

The summoning chant is a reference to the stone cave legend, about how the god Amaterasu locked themself in a cave with a giant rock and had to be enticed back out or else there would be no more light in the world.

As Gakuto was pretty heavy-handed with the theatre and performance references this episode (as is usual), especially with his chant, I chose to translate it in a way that carried the same feeling—in this case, quoting Shakespeare.

But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun.

Which was extremely apt considering Romeo was using this line to describe the appearance of Juliet, whom he compared to the sun. And Amaterasu is a sun god.

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All in all, this episode was a veritable hell to translate and also time. So sorry about the lateness without warning - it required a little more TLC than I initially thought, and there were numerous other things in this episode that I poured over a lot in order to find the best way to phrase or translate it, especially when divorced from its original Japanese context.

If I made a translation note for everything I had trouble with, this post would probably be 10x its current length.

As is the norm for Gakuto episodes, really.

#yugioh #yugioh sevens #yugioh sevens spoilers #ygo sevens #sevens spoilers #entamesubs release #E069

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the-evil-authoress · 3 years ago

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GX Month Day 29: “Frontline Base”

Even heroes need some downtime. Show us what the schoolyard crew gets up to when they’re not saving the world or studying for finals. Sleepovers perhaps?

BROT4 GOOOO!

Seven pages of pure, nonsensical fluff.

Jesse jerks as the door bangs open and Christina leans in, breathless and giddy. “Jay, movie night at Lexi’s!”

“Sweetness!” Jaden scrambles to his feet, all but abandoning the cards spread out between them as he sweeps his deck back into its box.

Hold up. “What?” Jesse glances between his new friends in confusion.

“We watch movies in Alexis’ room,” Jaden says like this is a perfectly natural occurrence.

“Yeah, no, I got that.” Jesse frowns, trying to think back to the rules and regulations sheet he’d been handed at orientation. “I thought guys weren’t allowed at the Girls’ Dorm?”

Jaden makes finger quotes and winks. “You coming?” he asks, already halfway out the door. Christina shouts at him to hurry up from the distance.

Oh, okay. So this is a thing. “Sure.” Collecting his own cards, Jesse slots them all neatly into his deck box. He isn’t about to turn down an open invitation, arbitrary rules be damned. Christina hangs out down here enough.

The smile Jaden gives him looks like a miniature sun. Then he charges down the stairs after Christina. Jesse hurries to catch up.

The Slifer Dorm and Obelisk Girls’ Dorm are the farthest from each other, so it’s a fair bit of a walk. Jesse tries to pay attention to the route to remember it later and fails, because it’s either that or lose track of what his new friends are saying. As it is, the pair use terms that Jesse isn’t familiar with yet. Christina’s quick enough to translate or explain as best she can; Jaden’s English is a lost cause.

The building finally comes into sight. Jaden immediately veers off to the side as they approach and makes a choked noise as Christina grabs him by the collar. “It’s a different room!” she hisses and proceeds to lead them around the back of the building.

“Right…”

They enter through a tiny door that Jesse would bet money students aren’t even supposed to know exists and weave their way through the hallways up to the second floor. The layout is definitely different than the Obelisk Boys’ Dorm from what little time he’s spent there. Still stupidly posh. Jaden charges headfirst into the room as soon as Christina points to it.

“Yo, Lexi! First movie night of the year!” He flops face first into the mattress. “Man have I missed these beds.”

“Nice to see you too.” Alexis huffs with a grin, glancing up from the adjacent desk as Jesse shuts the door behind himself. She visibly startles at the sight of him, and Jesse freezes as he considers for the first time that he might have received the invite from the wrong person.

Well, shit. This just got awkward.

“Oh, right, uh-” Sitting up, Jaden glances between Alexis and Jesse before giving Alexis a big, cheesy grin that looks nothing short of terrified. “-plus one? If you don’t mind.”

Surprisingly, Alexis relaxes with no more than a breath. “It’s fine. Just send me a heads up next time.”

“Heads up!” Jaden chirps with another smile made of sunlight. No idea what that means, but Christina starts giggling and Alexis shakes her head like an exasperated parent. She doesn’t seem mad though, so Jesse figures it’s safe to join Christina by the couch instead of letting his Beasts guide him back to his own room for the night.

“You’ve got a single room this year,” Jaden says, glancing around the space. It looks a lot like the one Jesse was given - really big and really empty with far too much space for a single person.

“Yeah. I got one too, not that I’ll be using it.” Christina shrugs as Jaden hops off the bed and belines toward the window.

“You’ll probably end up crashing here when you’re not at the Slifer Dorm,” Alexis agrees, clicking out of the program she had open on her computer before standing.

Christina beams. “You know me so well.”

“You have a balcony!”

“Which is why-” Alexis holds out a key between her and Christina, seemingly ignoring the Slifer leaning out her window. “-I got an extra.”

Squealing, Christina snatches the key and hugs the other girl. “They can’t keep besties apart!”

“Hey!”

“Oh, hush.” Christina waves a hand at Jaden’s offended expression. “You’re my boy bestie. Lexi’s my girl bestie.”

For a moment, Jaden pouts and Jesse wonders if he just stumbled into some friendship drama, but then the Slifer shrugs and returns to studying something outside below the balcony. “Fair enough.”

Should Jesse really be here? He took up the offer - that wasn’t even from the person who’s room this is - on a whim. He’s barely known these people two weeks when they’ve all known each other at least two years.

“Jaden, get back in here.” Alexis twists to chide the Slifer still standing transfixed on her balcony.

Jaden doesn’t budge. “As soon as I figure out the best route!”

“Route?” Curiosity overriding the sense of displacement, Jesse joins Jaden on the balcony.

“Yeah, up and down.” Jaden leans over the balcony railing, face scrunched up in concentration. “Climbing’s easier than sneaking through the hallways every time.” He says that like he does this often. So this is definitely a thing. Jaden and Christina struck Jesse as the rebellious type; Alexis not so much. But hey. Jesse likes being wrong; means he gets to learn new things.

Poking his own head over the railing, Jesse looks down the side of the building, already spotting places to grab hold or balance a foot. “There’s a few…” he mumbles, sliding back into his mother tongue. Getting to them from the balcony is the tricky part. Glancing up at the treeline, he spots an overhanging branch just close enough to grab hold and reaches up to give it a tug. It holds firm so he shifts his weight, braces, and swings himself up with a practiced ease. Jaden gapes like a fish and Jesse smirks.

“Get down!” Alexis hisses, sharp tone chasing away most of his pride. “It’s still daylight!”

Right. And he and Jaden aren’t supposed to be here. Jesse doesn’t fancy getting himself kicked out this soon. He can understand the intention behind not allowing boys in the Girls’ Dorm but the fact there’s been no indication of a similar rule for girls at the Boys’ Dorm does imply a few things. Jaden still looks starstruck when Jesse lands next to him. “Dude, teach me?”

“Sure. Later?”

“Sweetness!” Jaden bounces back into the room with an enthusiasm that, for once, looks entirely genuine and Jesse finds himself smiling too. “So what are we doing first?” Jaden looks to the girls for input.

“Well, since you’re here-” Alexis turns a confident grin in Jesse’s direction, and Jesse has to stop himself from shying away from the sudden attention. Alexis’ eyes are as sharp as her smile “I wanted to get a better look at that deck.”

Oh, okay, this is familiar. Running thumb over his deck box, Jesse feels his Beasts vibrate with anticipation. He grins. “Sure. Duel?”

“Game on.”

They spread out the cards between them on the coffee table, sitting on those pillow things the Japanese substitute for chairs. Christina bounces between rooting for Alexis and rooting for Jesse play by play.

“Who’s side are you on?” Jaden asks, chin propped on Jesse’s shoulder where it’s been pretty much the entire match.

“Both!” Christina chirps from her seat next to Alexis.

“That’s not how it works!”

Sure it is; Jesse tries to hide his laugh behind his cards. Although he’s flattered that Jaden’s apparently willing to take his side, who really wants to pick sides between friends?

Christina hums, leaning back with a suspiciously smug expression. “Should I tell you that next time Sy and Hassleberry start fighting over your attention?”

Jesse feels Jaden cringe as he pulls away. “They don’t duel over me! That’s different.”

“They did once.”

“What?! When?!”

“You were in space chilling with a dolphin man.”

“What?” Jesse jerks, misplaying his next card as he gapes at the redhead.

Christina only breaks into giggles as Jaden angrily pouts. “You’re never gonna let me live that down, are you?”

“Nope!”

“Space??” Jesse repeats in an effort to distract himself from the horrible position he just put himself in on the board as he passes the turn to Alexis. He had to have misunderstood that.

“Neo Space,” Jaden says in English which does absolutely nothing to curb Jesse’s confusion. “Not actual space. It was like…” He trails off with a frown.

“A separate plane of reality,” Hummingbird says from where he’s been perched over the game board with vested interest. “Another dimension.”

“Yeah, that.”

“Yeah what?” Alexis asks without even looking up from her cards, and Jesse automatically braces for the backlash.

“Uh, a separate plane of reality,” Jaden repeats. “Or dimension, I guess?”

“So like the Dominion,” Christina muses.

“Makes sense.” Taking out his defense, Alexis sets a card and passes the turn to Jesse.

Oh, right. Even Jaden’s friends who can’t see them too just kinda accept that he can see spirits. Feels weird to talk about it so casually, but Alexis doesn’t look bothered at all. “So what’s this Dominion place?” he asks as he draws his next card. Ah, sweet! He needed this!

“You don’t know?” The confusion in Christina’s voice pulls Jesse’s attention away from his cards again.

“No?” But now he feels like he should.

“It’s where they come from.” Christina gestures to the cards on the table. “The Dominion of the Beasts. Well, most of them.” She glances at the Neospacian perched on the arm of the couch.

Jesse should probably be less surprised that duel spirits are from an entirely different plane of existence. “And ya couldn’t have mentioned that?” he turns to grumble at the tortoise by his side.

Emerald blinks slowly and sounds far too honest as he answers, “It wasn’t relevant?”

And Jesse thought Athena had been cryptic. Actually, why hadn’t she or the other fairies ever told him about this Dominion place?

“To be fair, I don’t hear a lot of other duel spirits talk about the Dominion.” Jaden plops his chin back on Jesse’s shoulder and squints at the cards in his hand. “Oo, that one!” his hand snakes around the other side of Jesse’s head to tap a spell in his hand. “I only know about it cuz of you and Dark Magician Girl.”

“And we’ve been there,” Alexis says, and Jesse’s head snaps up again.

“Oh, yeah, that,” Jaden agrees far too casually.

This is probably the part where Jesse should just stop asking questions.

“Ugh, don’t remind me,” Christina groans flopping backwards onto the floor. “Or I’ll have to go track down Pharaoh to kick Banner’s ghost.”

“Banner’s what?” Alexis and Jaden ask at nearly the same time and Jesse is glad to finally not be the only one in the room with no idea what’s going on.

“I…” Christina hesitates, staring at the ceiling. “I don’t actually want to explain that one.”

“You can see ghosts?” Alexis stares at the other girl with no small amount of shock.

“Yup.”

“What does Pharaoh have to do with it??” Jaden almost looks afraid of the answer, and frankly, Jesse doesn’t blame him. Does this Banner guy possess the dorm cat? He’s seen that cat hang out in the rafters of Jaden’s room. And now there might be a dead guy watching them.

“You don’t want me to answer that.” Christina pulls herself back up to sit properly on her floor pillow with a sigh. Jaden squints her a while longer before turning his attention back to the nearly forgotten duel.

“Okay, but seriously, if you combo these cards-”

“No backseat duelin’!” Jesse tries to shake the other boy off as he taps the cards in Jesse’s hands again.

“I’m trying to help!” Jaden whines petulantly.

“Well yur not!” Jesse would rather fight his own battles, thank you very much, at least when it comes to a fair match like this between friends. Also Jesse can’t always follow Jaden’s scattered brained logic for card combos and still doesn’t understand how the guy won his last daily match.

"Ungrateful!" Jaden huffs, sitting back with his arms crossed and cheeks puffed out like a child. Jesse has to stop himself from reprimanding Jaden for it.

Alexis creams him. But Jesse spent half the duel distracted, so he’s not surprised. Just means they’ll have to have a rematch sometime to find out each other’s true strength. Jesse looks forward to it. By the look in Alexis’ eyes, she feels the same.

They end up smooshed together on Alexis’ bed watching movies on the obscenely large TV. Jesse stares at the screen like he’s never experienced an in-home theater and Christina has to admit the awestruck expression of complete immersion looks cute. Near the end of the movie he starts to fidget, pulling restlessly at his hoodie. Jaden didn’t even bring his jacket, so he’s just in his black t-shirt and the school issued track pants. Christina’s wearing her usual tank top and shorts, and Alexis changed into her pajamas before setting up the movie. Jesse’s the only one wearing long sleeves.

“Hey, å, do any of y��all care if I take this off?” Jesse asks as the credits roll, pulling at the white fabric.

“Was wondering why you were still wearing it,” Jaden mumbles.

“It’s...it’s my shirt,” Jesse says after a moment’s hesitation.

“Dude.” Jaden giggles against his shoulder.

He’s not wearing anything under it? Alexis sends Christina a glance and she shrugs. She sleeps at the Slifer Dorm most of the time anyway. Shirtless guys don’t bother her.

“No, that’s fine,” Alexis says.

“Cool.” Jaden sits up as Jesse pulls his hoodie up and Christina does a double take at those abs. What? She wouldn’t call it ‘chiseled’ by any means but, even in the dim light, distinctly defined muscles shift and ripple as the hoodie goes up over Jesse’s head. Hi there, pretty biceps.

“You work out?” she hears herself squeak and quickly clears her throat.

“Freerunning, mostly.”

Free what? Christina’s brain stumbles over the unfamiliar phrase. She recognizes both words but she’s never heard them mashed together like that, and just running does not give you biceps like that.

“That counts,” Alexis says. Glad one of them knows what he’s talking about. “Atticus tried it in middle school. He broke his arm and sprained his ankle.”

Jesse winces. “Yeah, it’s challenging. I’ve taken my share of tumbles.”

Okay they’re obviously not talking about just running. So what does the ‘free’ part mean? “Someone gonna explain?” Christina asks, glances between her friends. Jaden looks as confused as she does at least.

“Å…it’s like…” Jesse trails off as mumbling a few words in a language Christina doesn’t recognize. “Jumping off walls?” he tries.

The image that conjures is decidedly not the one Jesse is trying to convey. He makes a frustrated sound as Alexis reaches over Christina for her PDA. “I’ll look up a video. It’s hard to explain even without a language barrier.”

“Thanks,” Jesse mumbles, slumping into the pillows as Jaden leans on Alexis’ shoulder to peer at the screen. The video paints a much clearer picture of people running through back alleys and vaulting over walls and scaling buildings with their bare hands. It’s like the shit she and Jaden used to do in his backyard but cranked up to eleven.

“Teach me,” Jaden repeats, breathless with awe.

“Sure? It’s not something you learn overnight,” Jesse warns.

“Don’t care,” Jaden declares and flops back against the other boy’s shoulder. “You’re warm…” he sighs, immediately twisting to drape himself across Jesse.

“Å, yeah?”

Christina smirks. “Jay’s a heat leach.”

Jaden grumbles as Alexis reaches past him to place a hand on Jesse’s shoulder. “Okay, human heater goes in the middle.”

“Hva?” Jesse reacts with that word again that Christina can vaguely guess means something similar to ‘what’ in terms of expressing shock and confusion.

“Human heater goes in the middle,” she agrees and Jaden whines.

“But I wanna be middle!”

“Then you and Jesse can share the middle,” Alexis says, prompting Christina off the bed with her to make room for the shift. “Now come on, scoot.”

Whining the entire way, Jaden wiggles across the bed, dragging a still very much confused Jesse with him. A quick game of roshambo later, Alexis glares at her traitorous fist while Christina crawls in on Jesse’s other side. Ohhh, he is warm…

They debate over their next movie before finally throwing another one on. Christina doesn’t remember the end of it.

Jesse wakes with his face in a pillow, sandwiched between warm bodies and Jaden on top of his back.

He could get used to this.

#gxmonth2021 #jesse anderson #johan andersen #jaden yuki #yuki judai #alexis rhodes #tenjoin asuka #ygo gx #yugioh gx #yu gi oh gx #long post

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salomewithfeather · 3 years ago

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MORSE-CODE

There's this cute little morse-code-tapping idea going around in 'incorrect-quotes-blogs' or 'writers-prompts-blogs' and I would just like to maybe make it easier for everyone to a) read the dashes and dots b) stop others from innocently propagating false information even if it's just via a cute little trope.

For the sake of brevity and maybe legibility and logic I'm going to talk about the most basic (Western) alphabet only - there are more advanced morse codes for numbers, abbreviations, asterisks and language-specific letters but I'm going to call them garnish to the main course that is the basic morse-alphabet (as I learned it).

Throughout this rant please remember that I am mostly talking of my subjective and personal experience. This is a hopefully helpful rant, not a scientific essay.

So...

Intro - How I learned Morse

The way I learned Morse-Code when I was young (10?) was by using cue-words for the alphabet's letters. The cue-word for the letter A would be "An-ton", for example. And we'd learn to break these words/phrases into their syllables.

I've learned that language-users break their syllables up in different ways sometimes, because other languages deal with silent vowels at the end of a word, or its beginning, where my mothertongue (German) has very few of these issues.

But there are some words I think you could loan, even from a language as difficult as German. I'll get to those later.

All Dots or All Dashes

There are at least seven letters of the alphabet you don't have to learn too hard for, seeing as they're relatively easy to discern because they're only dots or only dashes.

E, I, S, H are respectively one dot, two dots, three dots, four dots.

E . I . . S . . . H . . . .

On the other spectrum we have T, M and O which are respectively one dash, two dashes and three dashes.

T - M - - O - - -

Alternatively there is fourth all-dash character in the morse-alphabet, though the expression is not universal in all langauges. The two letters C and H coupled to make CH can be shortened from their respective two letters to a four-dash.

CH - - - -

It is possible that this morse-character is more useful in the context of the German language than the English one - I have had very little actual comparison.

When is it a dot or a dash

Here's the slightly disheartening thing.

In my research into the world of the international/ English morse-alphabet I was surprised to find that the use of cue-words or -phrases to remember the morse alphabet were as good as a non-issue.

I was more surprised to find that even in the context in which I learned the morse alphabet (as a fresh young girl scout) cue-words were still not a given rather than strict memorization of this letter is this blip-sound and this other letter is a combination of shorter and longer blip sounds. It makes it more difficult, I think, to remember and handle the morse alphabet.

As I stated above, when I learned MC, the letters of the alphabet would receive cue-words/phrases we'd break up into syllables. The number of syllables would indicate how many dots and-or dashes would comprise the letter.

Anton, for A, has two syllables - An-Ton - and is therefore made up of two blips.

But how would we know when to put a dot or a dash?

I don't know which genius made up the cue-words and -phrases for the German-speaking Scout Community, but they managed to twist it in such a way, that a cue-word-syllable containing the letter O would indicate a dash, whereas all other syllables without the letter O would indicate dots.

A for Anton would therefore be a dot and a dash.

A An-ton . -

Following this rule, we could make up all sorts of cue-words or phrases to the odd looking squiqqles (full Alphabet see below) - so long as we could break the cue up into syllables and ensure that every dash-syllable would contain the letter O.

Loan Words

Both because I mentioned them in the Intro as well as to illustrate my point, here are some cues for a handfull of letters that I think should translate well-enough even for English.

A An-ton (dot dash) . - C Co-ca-co-la (dash dot dash dot) - . - . I I-da (dot dot) . . M Mo-tor (dash dash) - - N Nor-den (dash dot) - . R Re-vol-ver . - . S Sa-bri-na . . . U U-ni-form . . - V Ven-ti-la-tor . . . -

The Entire Alphabet

A long list of dots and dashes, but without cues

A . - B - . . . C - . - . D - . . E . F . . - . G - - . H . . . . I . . J . - - - K - . - L . - . . M - - N - . O - - - R . - . S . . . T - U . . - V . . . - W . - - X - . . - Y - . - - Z - - . .

A few words to conclude

It may have come to your attention that some letters mirror each other - such as A and N, D and W, or K and R, and as someone who could never quite remember the cue-word for K it helped a lot to know that I simply had to invert the dots and dashes of the letter R to get there.

I'm sure there's a myriad of ways to actually remember the morse alphabet and the more I think about it, the more I believe that my research has been hasty. I don't believe that no one in the English-speaking community has come up with something like cue-words. So consider this more of a 'adding my own twist to it' rather than a 'this is how to'.

This is another way how to. One that ten-year-old me found much more easier to learn than dots and dashes.

I hope it might help you too.

#morse code #morse #dot #dash #morse alphabet #learning #learning morse #infodump #resources #useful #helpful #writing resources #small rant #sorry for the ramble

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ccborrega · 4 years ago

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The Anotherholic novel has quite some tidbits of randomness that I sadly haven’t seen anyone commenting so here I go (And keep in mind I don’t know how much you can rely on this one as it was written by someone other than CLAMP? But it seems they were involved.) :

Yuuko mentions ‘English gentlemen are the most honorable ones out there, they’d never be up to anything suspicious’ which is funny considering the one British guy she’s shown to know is precisely the opposite.

She’s also apparently really good at breaking codes- not magically, either. There is also something to how she’s apparently a really fast texter but in ‘Rou’ Watanuki says pressing the keys gets on his nerves, like- it’s funny the senior of them is better with tech than the junior.

She’s CONSTANTLY MAKING PUNS (They’re untranslatable most of the time but still.) much to Watanuki’s chagrin. You don’t understand, Yuuko making silly puns that make Watanuki want to murder is one of my favorite headcanons.

Watanuki can sense when people are having rude thoughts about him. It’s for comedic effect, I think but there ARE some hints to his sealed powers being still present in aspects where they’re there to warn him of things that could be bad for him, so it may be part of that (Which makes the whole thing with Himawari so much more WORSE.)

Going back to the rude thoughts- he usually pins it on either Yuuko or Doumeki.

Apparently, at one point Watanuki lost all of what he’d fared in Yuuko’s shop thanks to his big mouth- he made a gamble that if shiritori ever saved his life, he’d happily give away what he’d earned thus far.

Yuuko keeps calling him ‘My Watanuki’. (Not sure if it’s a different translation from the ‘Our Watanuki’ used in the manga to imply his ‘Belonging’ to the shop, but I’d be lying if I said I didn’t fucking melt.)

She also calls him ‘My adorable Watanuki’ but I’m not sure how serious she’s being there.

The single best exchange between them, hands down: ‘Now you’re starting to scare me.’ ‘I exist to scare you’.

There’s this joke I’m not sure I understand where she says two times in a row that she ‘Won’t give him a raise’, but the second time ‘Raise’ is in italics and my perv ass mind immediately went to the gutter. Looking up the word for ‘Raise’ and whether it had alternate meanings didn’t help much as it apparently has a ton, ranging from ‘To give someone an updo’ to ‘To bear a child’ going through ‘To fry’. In any case it seems like she’s implying something improper. Watanuki’s reaction being that he’s uncomfortable she’s making it sound ‘Real’ makes me lean towards that even more.

Yuuko owns a ten-gallon hat... and wears it indoors. To lay around on her sofa.

Apparently, the reason she smart-mouths him so much is she doesn’t want him to get a big head- which if we consider how powerful he’ll become in the future, is not entirely a bad call.

Another exchange ‘If I am forced to eat something besides flowing somen today, I may well die.’ ‘Glad to hear it.’ Kid. KID. I don’t know if the writer knew back then where this was going but oof those words are gonna haunt you.

Watanuki vowed to himself never to become like her at some point. I can’t tell if it’s more sad or funny.

The ‘Aerosol’ chapter of the novel is where the thing about his dislike of Doumeki on first sight being because the spirits were influencing his mood and keeping him away from the one thing that could help him draw them away came from. I’d seen that mentioned by fans before but wasn’t sure where it had come from. Though in terms of his character and furthermore the ‘Curse’ placed on him by Fei Wong , it made sense for Watanuki to reject someone that might save him and be attracted to someone that might kill him instead, so I accepted it.

There’s also a thing about how his beef with Doumeki is ‘He has what Watanuki wants and doesn’t have what Watanuki doesn’t want.’ but that one sounds like he’s just rationalized the visceral reaction.

‘Had he ever felt that keenly about anyone? He had good friends, and he had a family. He had a girl he liked. But were his feelings for them so powerful that he would make them into ghosts if they died? He might have eyes that could see spirits. But that did not mean they could see who was important to him.’ OK nevermind the writer KNEW.

Add ‘You think I’d be involved in anything GOOD?’ to the golden Yuuko quotes list.

Also apparently Watanuki thinks if he were to stop coming to the shop she’d starve. She does make a comment to that effect earlier on so he’s not entirely being sarcastic.

For a moment there, Watanuki thinks he’s paid enough to be able to stop working for Yuuko and just like in my wildest fanfiction dreams, he’s not happy. He gets sad that he’s never going to see her again and that he couldn’t even get to thank her, feed her one last time and say goodbye properly and can you tell I’m dead? ‘cause I am.

In the same instance, he finds he no longer finds Doumeki repellent and getting to know him better sounds like ‘A dandy idea’. Which I guess is because this seems to be timed BEFORE the ghost lady that made him sick and they aren’t really all that close just yet. Otherwise I think he’d try to stick to status quo a bit more.

The fact that he sees spirits bothers and terrifies Watanuki not because of the spirits themselves but because it makes him different from everyone else and he DESPERATELY wants to feel he belongs. Am I crying? Yes.

Around the end, it seems to also be the first instance where Watanuki asks Yuuko if there is any wish he wants him to grant for her. Followed by her asking jokingly (Or not?) if this is his first step in a campaign to take the shop from her?. Um. Ouch.

Also, Yuuko hints at Watanuki’s wish of losing the ability to see spirits ultimately not making him happy if it’s granted. Which we now know is probably right.

#xxxholic #CLAMP #Yuuko Ichihara #Kimihiro Watanuki #anotherholic

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schleierkauz · 4 years ago

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Q&A Highlights

Ok so bad news first: My questions were ignored. Cornelia did not clarify any of our death-related theories. Maybe next time.

There was A Lot of other stuff, though so... Enjoy!

- The stream starts with everyone wishing us a happy women’s day! Usually women in Erfurt (where the bookstore people are) get flowers but not today because... you know. Cornelia says America is starting to go back to normal, meanwhile Germany... :| Anyway. Don’t look over here.

- Cornelia says she probably won’t get the vaccine anytime soon because she’s just chilling on her farm anyway and people who have to be out in public/are vulnerable should get it first

- Question: When will Cornelia visit Germany again? In response to this, she gives us some exclusive news, not official yet, heard it here first: She’s gonna move to Italy! Apparently she bought an olive farm there which is cheaper, better for the environment (her current farm will be sold to some people who want to turn it into an organic farm) and obviously closer to Germany so she’ll be here more often. :)

- The 4th Reckless book will be released in English at some point this autumn

- There’s no definite release date for TCoR because she’s busy with Dragonrider but she hopes she’ll have finished writing it by the end of this year

- If she’s still alive after all that to work on Reckless 5, it’ll be the last book of the series... probably. She’s also working on a bunch of smaller projects with her artists in residence

- Question: What are Cornelia’s favorite stories by Jane Austen, the Brontë sister and Shakespeare? She’s not a huge fan of Austen or Brontë because she finds all those repressed emotions too exhausting to read about. With Shakespeare on the other hand she struggles to name a favorite because there’s so much greatness to choose from (she does name MacBeth and Romeo and Juliet though)

- The Black Prince’s legacy in the Reckless timeline may play a role in the next Reckless book or it might evolve into a whole other story. Either way, she’s thinking about it 👀

- Someone asks about Reckless characters and Cornelia says that Kami’en and the Dark Fairy felt very familiar to her from the start in that she always knew who they were as people. She’s not sure why that is. She thinks the Dark Fairy represents many aspects of womanhood, like the ancient forgotten Goddess. Same with Fox, who embodies different sides of that.

- If Cornelia had to date a man from the Mirrorworld, Kami’en would interest her

- Rainer Strecker randomly joins the chat to say hi and everyone is delighted

- Cornelia’s favorite book series is still Lord of the Rings

- Question: Why has the Black Prince never found his true love? Cornelia says she’s not sure that’s true - maybe he did found true love at some point and then lost it again? ‘...and they lived happily ever after’ isn’t a guaranteed outcome after all. Since he’s such a passionate man, she’s pretty sure he’s had at least one big lovestory at this point. She hasn’t asked him about that yet but hopes she’ll find out when she continues writing his story.

- Jumping off that question, Cornelia says she respects her characters’ privacy and lets them keep their secrets until the time comes to ask about them, just as she would with real people.

- Someone asks if Cornelia has ever written herself into a story and she says a part of her is in all her characters. Except the villains because she hates them. She feels closest to Fox because she also always wished she could shapeshift

- The bookstore lady jumps in and asks about Meggie, is she similar to how Cornelia was as a child? Cornelia says yes, especially because she also had a very close relationship with her father and they would bond over books. However, she always envisioned Meggie with dark hair and as a different kind of girl than she was. (Ok sidenote from me on that, I wonder what she means by ‘dark hair’? Because Meggie is explicitly blond, so like... dark blond? Or did we just unlock brunette Meggie in 2021? Cornelia-)

- Continuing the conversation, Cornelia says she doesn’t consider herself the creator of any of the characters in her stories, she feels like she met them and wrote about him but she would never say something like ‘I invented Dustfinger’ because that’s absurd. How would that even work. That’s disrespectful. No.

- Some characters pretty much demand to be written about and are very impatient (like Jacob), others are more shy and elusive and take effort to understand (like Will or Dustfinger)

- There probably won’t be another book like The Labyrinth of the Faun because it was created under such unbelievable circumstances. Cornelia does enjoy writing film scripts, though, like she did for the Wild Chicks recently

- Question: How does Cornelia come up with character names? She has a bunch of encyclopedias and when she knows where a story takes place she checks if there are any artists from there whose names she can steal. She always wants names to have meaning and to paint a picture of whatever character it belongs to. However, she says that sometimes the vibe of a name is a tricky thing: When she wrote The Thief Lord (which takes place in Italy), she thought ‘Mosca’ was the perfect name for a big strong boy. However when the time came to translate the story into Italian, the Italians told her that ‘Mosca’ sounds like the name of a tiny little fly. Oh well.

- Cornelia says a lot of readers have written to her about The Thief Lord because at one point Victor (the detective) calls Mosca (who is black) a “Mohrenkopf”. Context: ‘Mohrenkopf’ is a German slur towards black people and also an outdated name for this goddamn marshmallow cookie:

Fuck this cookie.

- Cornelia says yeah, Victor is being racist in that moment but that doesn’t mean that she, the author, is racist. Similarly, she used the term ‘Indians’ in Reckless and a lot of readers were upset which she did not anticipate. To her it’s a positive word since she admires ‘Indians’ so deeply and finds terms like ‘Native/Indigenous Americans’ very complicated. She wonders how much longer she’ll be allowed to say ‘Black Prince’

- She thinks it’s right to be vigilant about bigotry but simply searching for problematic words is dangerous because context matters

- Bookstore lady brings up Pippi Longstocking and how the N-word has been removed from modern copies (think Pippi’s father). She think’s it’s wrong because the original text is part of the cultural heritage and shouldn’t be hidden from children but instead explained.

- Cornelia says that in America she sees the hurt that’s connected to that word but she doesn’t think it’s right to simply remove the slur and expect everything to be fine. After all, the text in which it was used is still the same so any harmful ideas would still be in there and that needs to be discussed. Simply whitewashing things doesn’t make them any less racist.

- Cornelia brings up a visual example: The Asterix comics. She always liked them but the fact that the only black character is drawn as a racist caricature is harmful and wrong. It’s time to listen when black people express how hurtful depictions like that can be. Many white people never noticed racism growing up because it never affected them and that’s why it’s important to learn

- The ‘from rags to riches’ American dream was usually reserved for white people and Cornelia thinks a lot of (white) people are waking up to that fact. The way black people are still being criminalized and the way prisons use inmates for cheap labor is horrible and like a modern kind of slavery

- The bookstore people try to say something but Cornelia is not done: We Europeans are not off the hook either because the sins and wounds of colonialism are still felt around the world, not to mention the way other countries are still exploited today. Our wealth rests on the shoulders of poorer nations. Many doors are opening and it’s difficult to step through but we have to do it and admit to the things we may have been blind to due to privilege.

- The three of them agree on that and go back to reading questions

- Question: What are Cornelia’s tips for young authors? She advises to never start writing a story on a computer, always get a notebook and collect ideas & pictures for your story. Don’t rush things. If you have more than one story, give each story its own book and feed whichever one is hungry. It’s important to follow the idea where it leads, if you use cliches your readers will recognize them. And then it just takes time and passion. And trust in your own unique voice. She paraphrases a quote by Robert Louis Stevenson who once said no one cares about stories or characters or whatever, people read books to see the world through the goggles the author puts on them. I’m sure he said it prettier, I’m paraphrasing the paraphrase.

- That said, Cornelia thinks authors who say things like “I’m writing to express my innermost turbulences” are kinda dumb. She thinks it’s important to write about the things that happen everywhere else and around yourself and to try to find voices for others, not just yourself. Just like how carpenters build furniture for everyone else, a writer should use words to build things for others, whether it’s a window or door or a hiding place.

- Speaking of notebooks, as most of us probably know Cornelia has a lot of those and occasionally publishes them on her website. She says she’d love to let people look through them in person, maybe at the new farm in Germany (Cornelia sure does love farms)

- Speaking of writing things on paper, all three of them stress that everyone should write more letters because one day they’ll be old letters and curious people will want to read them, just as we like to read old documents now.

- Last question: How come both the Inkworld and the Mirrorworld feature a character called Bastard? Cornelia thinks that’s a good question and she should probably think about that. (Am I stupid? Are they talking about Basta? I’m confused)

...And with that, the livestream ends. They’ll get back together to do this again two months from now, until then: I’m going tf to sleep

#its 4am fuck me this took SO LONG-#cornelia funke #info #reckless #inkheart #man this was a long one #a lot to unpack here #thanks cornelia i have more questions now hdfhkjghd #i googled way more slurs than i had planned for today ngl #i really really hope i managed to accurately translate especially that part of the conversation #honestly i cringed a bit hearing them talk about it #but it is an important discussion i suppose #also @ the people who actually read my tags:#thank you for the good luck wishes for my interview today!! it went really well!#i was vibrating the entire time bc its been so long since i talked to a stranger #but i got the job :) so all is well

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everything-laito · 4 years ago

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What do you think that Yui did different that didn't made Laito feel tediousness, other than being supportive and being able to break his walls? I know that she is the surrogate of the player so her writing is limited, but I never found her that unique, of the few characterisation given to her.

Ooooh! Interesting question, anon! This will be fun.

Ok first of all, Yui’s character has quite a bit of characterization and development to her. Yes she’s the “surrogate” character, but compared to other otome games like Mystic Messenger, she has enough writing to her to be treated both as the player character, but also as a character on her own.

You are entitled to your own opinion, and I’m not here to change that despite me disagreeing, but I am going to list some examples of unique Yui related characterization. If you’re talking about her in the anime, she’s completely watered down and is written very poorly. As always, rant under the cut!

Before I get into the specifics of her character with Laito, one of the big things about Yui’s character at first is definitely her relationship with religion. She’s a Roman Catholic I believe, which is a pretty strict denomination of Christianity. I don’t practice a religion, but I do have some Catholic friends and my family is Methodist, so I do have some brushes with that specific religion. Catholicism these days are all over the place, sure it’s more strict (from what I’ve heard) compared to other Christian denominations, but some people who are Catholic these days are more lenient and just take the Bible with a grain of salt. That goes for all denominations of all sorts of religions; there’s a lot of conflict with what’s “right” practice and what’s “wrong.” However I’m just talking about Catholicism now from what I know.

We do know that Yui was brought up in a pretty strict area. It’s canon that she wanted to be a nun as well. She was prepared to be devoted to her god for the rest of her life. In Laito’s chapter, she still continued to pray to god and to ask them for help, despite all the awful things Laito has put her through. The reason why I believe she can be a character of her own and not a surrogate character is this niche characterization given to her. I’d say most people playing DL aren’t Catholic, so putting in specific writing stuff such as that doesn’t make her a typical “surrogate character.”

Yui’s an extremely strong female character, and her religious belief definitely gives her strength, and many people in real life also gets strength from their beliefs as well. Again, I’m not sure how that works personally, but I do know it gives most people some kind of optimism, and you can extract that from Yui’s reactions.

Yui doesn’t break easily because of her optimism and caring nature. She doesn’t feel too alone in the Sakamaki mansion because she has her god, so it doesn’t make her despair easily. I know I’m talking about one niche characterization given to her, but I’ll be talking about more as I continue with Laito in the picture.

Laito definitely has a corruption kink. He projects what Cordelia did to him on poor Yui. He’s attracted to Yui’s innocence and says this in Limited V of HDB in Dark 07:

“Haa…Such an innocent smell of someone who does not know what it’s like to be defiled yet. Say…Become more and more dirty until you’ve fallen. Show me that side of you who has genuinely surrendered themselves to me.” (Limited V edition)

A motif I’ve come across Laito’s route is him telling Yui that he will make her “fall.” I use my translations from @/dialovers-translations, and at the beginning of Laito’s route, she makes this T/N to this quote:

Laito: The pleasure that comes from falling. (4)

Vee: (4) The verb 落ちる or ‘ochiru’ used here literally means to fall, such as falling from a building, etc. However, it can always be used to refer to ‘falling’ in the sense of giving in to lust or any other vice. (Think of English expression like ‘fallen angel’)

Laito references this many times throughout his HDB route. He claims a couple of times that he likes to take his “sweet time” tainting Yui. He’s taken a liking to her because of her purity. I believe Yui probably reminded Laito of himself. I elaborate on this even more in this analysis as well.

I mention in that analysis that Laito takes a liking to Yui because he considers her as a challenge. Not only does he take pleasure in making others “fall” to make himself feel better about himself and more powerful (I’ve said this before but he’s a typical bully), but he also gets bored easily. Laito mentioned how he’s never met a girl like Yui. She’s stubborn and sticks to her own morals, and it takes a bit of time to make her completely give up her own morals and fit them to Laito’s. It takes until the Ecstacy prologue for her to ask herself if she has a right in praying to them anymore. It’s also mentioned how someone has never survived this long into the awakening before. Either the process is too much for the girls, or the brothers just get bored and find the sacrificial bride a nuisance.

On top of Yui continuously being caring to Laito (I don’t mean not standing up for herself, because she definitely does that; although it doesn't faze Laito) and entertaining to him, there is the mystery of her blood being Cordelia’s. Obviously we know the answer to that, but Laito didn’t, and he found it more peculiar as well. Here’s another post in regards to that as well that someone else wrote. Yui’s also smart, and although Laito has power over her, she continues to try to outwit him and stick to her guns. She does that a lot in MB from what I remember, although I can’t think of specific examples (if anyone has any, please lmk!). By then in MB, she kinda knew how Laito ticked mid route, and was able to get her way temporarily by tricking him.

This kind of went all over the place I apologize, I just love Yui and her character. It breaks my heart at the end of Laito’s route with her saying she doesn’t deserve to believe in her religion anymore and the one thing that got her through most of Laito’s character was crumbling. I’m not even religious like I mentioned and that even got me in the heart. It’s scary how someone can do that.

I hope I was able to answer (and if this mess made any sense haha) but if you have any further questions or need more clarification, don’t hesitate to reach out, anon!

#analysis #laito sakamaki #sakamaki laito #ask corn #raito sakamaki #sakamaki raito #diabolik lovers #dialovers #dialover #dl #Komori yui #yui komori

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fromthefishbowl · 4 years ago

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10 italian songs that are terribly horny

Kind of a sequel of this post I wrote about the three Italian songs every Italian knows without fail, here comes another in the same vein and, as you might guess from the title of the post, they all are horny.

Because there’s absolutely no need to title your fic about Nicky losing his virginity after a Hozier song, when the Italian music scene of the 1970s has already blessed us with Cristiano Malgioglio!

Beware that this list features: threesomes, implied choking, implied masturbation, lengthy descriptions of dicks, and a whole lot of “dying”.

So, if you’re new to the Italian music scene, I bet you now have two questions: who is Malgioglio, and why is that “dying” in between quotes?

Cristiano Malgioglio is an Italian songwriter who has been working in the music industry since the early Seventies. Now known mostly for his flamboyant style and white strand of hair in his otherwise completely black head, he was a close friend of Fabrizio de Andrè, who was actually the one who introduced him to the music world. He has written a lot of songs that are LGBT+ themed and has always been very open about his sexuality, to the point that he has never even felt the need of coming-out. Out of the ten songs here presented, he has written three of them, and one of them is about one of his boyfriends.

As the censorship didn’t allow for song lyrics to be too explicit, songwriters and singers had found a way around it: rather than saying “coming” or “orgasming”, they would go with “dying”, which was a lot more elegant and could be inserted in literally every song without the censors being able to complain. And, trust me, there’s a lot of dying.

Here is the list, from the least horny to the most horny.

Chi Non Lavora (1970), by Adriano Celentano

Link to lyrics and translation here.

Commonly called Autunno Caldo (Hot Autumn), the workers strike that begun in 1969 and dragged itself into the August 1970 greatly influenced this piece (but for all the wrong reasons). Workers were demanding safer working conditions, which had been completely ignored up until that point. As the days went on and the more people joined the protests, the police got more and more violent, to the point that they had begun shooting people on sight. This caused a huge uproar from the protestors, and when the voice that people had been shot and harmed by the law enforcement, even more workers and even students joined the fight. Through a year of strikes, they forced the Italian government to create a new set of laws that would protect both workers and students.

The song mocks this movement: the singer complains about the fact that, since he is on a strike two days out of three, he cannot give his wife enough money and therefore she’s going on a strike too and won’t have sex with him. Basically this song is nothing but the woes of a privileged, extremely wealthy man who thinks that people protesting for the rights of a safe work environment is inopportune and stupid.

The only reason why I included this song is because “Chi non lavora non fa l’amore” (Those who don’t work don’t make love) is still very much used to this day. If you want a piece of media that actually explores the protests and the work environment of the time, I suggest watching La Classe Operaia va in Paradiso (The Working Class goes to Heaven), a movie from 1971.

10 Ragazze per Me (1969), by Lucio Battisti

Link to lyrics and translation here.

Lucio Battisti is a national treasure and if I’ll ever do more of these, he’s surely going to end up in more of them. Whereas De Andrè would write more traditional music and focus on the lyrics, Battisti’s music was a lot more danceable and his lyrics a lot lighter, usually focusing on loneliness and heartbreaks rather than social issues.

In this song, the protagonist is bragging about how he wants ten girls for himself, all for different reasons (one because she knows how to dance, the other because she’s a virgin, that other one because she has been with everybody but him). It is soon revealed, however, that the only reason why he’s doing it is because he’s still thinking about a very specific girl who broke his heart.

Remembering the note above, peep that “And red lips to die upon”.

Gelato al Cioccolato (1979), by Pupo

Link to lyrics and translation here.

First song written by Cristiano Malgioglio and also the one about his ex! And yes, it was sung by another man, but... oh, well. The lyrics are the same.

I feel like the only thing I need to say, about this song, is to quote it directly: “Chocolate ice cream, sweet and a little salty”. And that’s it, because the subtext is right there and it’s impossible to miss what it implies.

What I think should be added is the fact that the singer had absolutely no idea of what the song was about. Like none. It was only in 2007 that Malgioglio told him that he had been inspired to write it after spending a torrid summer in Tunisia, where he had gotten a boyfriend with whom he’d often get ice cream.

Carlo Martello Ritorna dalla Battaglia di Poitiers (1967), by Fabrizio de Andrè

Link to lyrics and translation here.

Translating this song absolutely murdered me: Paolo Villaggio, one of De Andrè’s best friends and an extremely important figure in Italian entertainment history, wrote it to play over Middle Ages sounding music, so the words chosen and the way sentences are structured are reminiscing of that time, and it was incredibly hard to find English words that matched.

This said, it’s possibly one of De Andrè’s most light-hearted songs (probably because he and Villaggio wrote it while their wives were giving birth to their sons), even if it does mention social issues.

King Charles Martel comes home from Poitiers but has lost the key to his wife’s chastity cage, so he doesn’t even go home before looking for another girl that can quench his thirst. He sees a beautiful maiden taking a bath and, seduced, convinces her to have sex with him. It is only when he has finished that she reveals that she’s actually a prostitute and now he has to pay her, but he runs away before doing so (but still after having complained about the rising prices).

The lyrics of this song were censored and fought against by the censorship so much that, even to this day, records with the uncensored version are extremely difficult to find.

Una Carezza in un Pugno (1968), by Adriano Celentano

Lyrics and translation here.

Yes, another Celentano song. I don’t like him either, it’s just that we cannot get rid of him for some reason.

Anyways, here we begin to get into hotter waters, as this song is about a man asking his girlfriend to think of him while she masturbates. Of course, since he cannot be left out of the question, he will think of her while he jerks off too.

Basically, unlike what a first read might make you think, the “fist” he makes while thinking of her is not because he wants to beat her up.

Il Triangolo (1978), by Renato Zero

Lyrics and translation here.

Renato Zero is another extremely flamboyant personality of the Italian music scene, and “Il Triangolo” is one of the songs of his that are best known.

As the title may suggest, this song is about a threesome. The protagonist goes on a date with their boyfriend and finds out that he has brought a second man, with the intention of convincing said protagonist to have a threesome. Although at first they need a little convincing, the protagonist then agrees to it and finds out they enjoy it a lot, to the point of coming to the conclusion that “Geometry is not a crime”!

Kobra (1980), by Donatella Rettore

Lyrics and translation here.

This song is about dicks, there’s no way around it and there’s nothing else to say. The singer sees a certain man and thinks about his dick, getting wet and fantasizing about the many things she could do with said dick. That’s it.

Pensiero Stupendo (1978), by Patty Pravo

Lyrics and translations here.

Second threesome song!

Unlike “Il Triangolo”, this song is a lot more subtle. It’s clear what the singer is talking about, but the lyrics are not as on the nose and leave more to the audience to feel it, rather than hearing it through words.

The song begins with the three people part of the threesome that are already doing it, and are still doing it by the time the song ends. It’s not about the act in and on itself, but more about the sensations it brings.

Ancora ancora ancora (1978), by Mina

Lyrics and translation here.

Second song written by Malgioglio!

Mina is probably one of the best known Italian singers, as her voice is said to be one of the best in recorded history and has an impressive rage of three octaves, so it really says something, the fact that this piece is so difficult that even her voice broke while holding a note (in an incredible way that only gives it character, but still).

The lyrics play with the fact that in Italian the word “ancora” can be translated and understood as “still”, “again”, and “more”. I couldn’t really give it justice in the translation, but it’s as if she was saying “Your hands still”, “Your hands again”, and “More of your hands” at the same time, and this kind of logic is repeated for every “ancora” she sings.

Even if the lyrics are suggestive, what was censored in this case was the video (the one linked with the song), as the close shots of the singer’s face, and especially of her mouth, were considered to be too sensual to be freely aired.

L’importante è Finire (1975), by Mina

Lyrics and translation here.

Third and last piece written by Malgioglio!

The story behind this song is a little nebulous, but I have read that apparently Malgioglio wrote it for Dori Ghezzi, De Andrè’s wife, but that that project never came to life and, in the meantime, he had managed to meet Mina, and had tried to get her to sing it. But... not sure if this story is directly related to the song in question or not.

Anyways, even for this piece it’s impossible to escape it’s meaning, to the point that, even if it didn’t contain any forbidden words, it was censored anyways for weeks, forbidding radios to air it and Mina to sing it on TV. However, people were so eager to listen to it that it still managed to climb the charts and was, eventually, allowed on air.

#italian sources #italian songs #sources for tog writers

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thewhitefluffyhat · 4 years ago

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Thoughts on Karin’s Magical Girl Story

Another collection of thoughts and reactions, plus analyzing some small changes the NA translation made (similar to the translation comparison I did for Alina’s MGS a while back).

Starting off with not a change, but an interesting note: Karin and Alina’s club situation is rather strange. Alina is the “outsider” from the Art Club, while Karin is part of the Manga Club. The classroom they share, though, doesn’t appear to be the main space for either club. I’d initially assumed that it was the room originally used for the Manga Club, but once Arc 2 updates these backgrounds...

It turns out this actually is an art classroom! I guess the school just has two?

First major change: Just like in Alina’s MGS, they removed direct references to Karin and Alina’s ages. The reference to Karin’s age at the start of the Magical Halloween Theater event was also changed.

(In JP here, Alina was said to have won a lot of different awards “for a 16 year old,” while Karin stated her age as 14 in the MHT event.)

Again, unsure of why the change, but it could be in order to fix the continuity issues. Because good lord, that continuity is snarled...

I think the order that makes the most sense is Karin MGS > Alina MGS > Magius forms > one year passes > MHT > Main Story Ch5 > Holy Alina’s MGS. In theory, then Karin should be 13 and Alina should be 15 in their Magical Girl Stories and then 14 and 16 in the present, but as mentioned that’s contradicted by the start of Karin’s MGS in the original Japanese.

There’s also the weirdness around when/how Karin learned Alina was a magical girl, since Karin seems aware of it in MHT, yet it’s unclear if she knows in Holy Alina’s MGS.

… Anyway, stuff like this is why I gave up on constructing a coherent timeline for Magia Record. There’s just too many continuity tangles. ¯\_(ツ)_/¯

References to Karin being in her second year in middle school and the third years leaving – also changed. Probably because it’s both an uncommon way to refer to grades in English, and also, once again, another continuity issue. (If the third years left, why is Alina still there in one years’ time if she’s at least one grade ahead of Karin?)

Another change: some specifics in why Karin and Alina are in the same classroom together. In JP, it’s not specified who made the deal to let Alina use the room. If anything it seems like Karin is the one making a deal directly with Alina.

Which actually makes far more sense all around – why does “the school” care that Alina is giving informal lessons to some random kid?

And it makes more sense from Alina’s perspective too, in that it explains why she tolerates Karin constantly bothering her – putting up with Karin is explicitly the price she’s paying to Karin for using the space.

Oh boy, this. Karin having this mindset is why it took me so long to really ship AliKari. Because the dark undertone to “if only I improve, then surely Alina will treat me better” is that Karin is blaming herself when Alina is cruel to her. And that can very easily slide into an abusive relationship - if you don’t consider it one already.

Alina treating Karin decently should not be dependent on Karin’s art skill. Or anything else, for that matter. Full stop.

(Tangent time, including some Arc 2 spoilers)

What ultimately made me come around to AliKari is some of the early Arc 2 stuff, where Karin starts thinking the reason Alina disappeared is because Alina is mad at Karin for not improving. Karin’s explanation is spectacularly wrong, so I’m now more trusting that the game is implying that Karin’s mindset is going to change. That she’ll stop believing she’s at fault for Alina’s actions - and hopefully stand up to Alina too while she’s at it.

The other half of the equation is Alina, who as far as I can tell, is genuinely not interested in bullying Karin. She certainly has every opportunity to do so – especially given how her teacher punishes Karin for Alina’s behavior – but Alina never takes advantage of it. So while she is overly harsh and blunt about expressing her opinions to Karin, I don’t get the sense there is any manipulation underlying it. Indeed, very unusually for Alina, we also never see her enjoying or fantasizing about Karin’s pain or distress. She really, truly, just wants Karin to get better at art already!

Obviously, for any kind of relationship between the two to work, they would both need to undergo significant character development. But that’s the draw of AliKari – while other characters have stagnated (sigh, RikaRen), Alina and Karin are still some of the most dynamic characters in the game. And in general, the direction has been that despite starting out in a bad place (like Karin’s mindset above), they’re growing to become very positive influences on each other.

(End tangent)

Enjoying the extra cliches thrown in here and there, and in general how they translated Karin’s dramatics by adding additional cheesy and on-theme descriptions. Stuff like “dark and dreary night” or “cauldron of trouble” aren’t in the original Japanese, but they’re wonderfully in-character – honestly probably an improvement over the original!

Not a change, but more reminding myself that I really need to read Kamikaze Kaitou Jeanne. I’m like 97% sure that’s what’s being referenced here – the plot description and even the comments Karin makes about “Phantom Thief Kirin” In her later Magic unlock quotes are all a very close match.

Interestingly enough, I’ve heard KKJ mentioned as an earlier dark magical girl series that Madoka Magica rips off. So it’s quite interesting to see it referenced again back in a PMMM property – I wonder which part of the creative team was responsible for this detail?

Hm, so, the subject and detail of Karin and Alina’s conversation in the middle differs between translations. In JP, the subject is vague, so the fan translation has Alina going off on an extended metaphor comparing the history of art to the protagonist of Karin’s manga. Meanwhile, in NA she just makes vague comments comparing her own growth as an artist.

I think I prefer the former - Alina usually doesn’t like talking about herself, but she sure loves to ramble about art history.

The translation I can find for the metaphor Karin’s grandmother uses here in JP renders it “barely able to keep a business going” - so did Karin’s grandmother possibly own a business herself? That’s a bit more interesting than just “struggled to make ends meet.”

Speaking of Karin’s grandmother, I really like her as a character. Her relationship with Karin is really sweet - I mean, how often do you see a teenage girl and an older woman being fans of something together? It happens in real life plenty of times, but it’s so rare to see this kind of interaction represented in fiction.

And it’s nice to see an example of mental illness being treated as just that – an illness. I especially like that there’s consent to the cure – Grandma outright says she wishes to be cured, rather than Karin deciding as such on her own. (As Karin is often wont to do…)

This is a fun illustration of how Alina has a very strong internal logic to her, but she’s really terrible at communicating it to other people.

Karin, naturally, takes Alina’s comment here as an exceptionally mean thing to say – it sounds like Alina is callously implying the thing Karin worked so hard on was so bad it wasn’t even worth Alina’s time to destroy, so she’s making Karin suffer even more in having to destroy it herself.

And the way Alina elaborates makes it quite clear that yes, she did mean to call Karin’s work garbage. This isn’t Alina having difficulty with Japanese or English.

But while Alina’s sense of taste can be quite sadistic, I don’t think that’s what she was aiming for here. Remember that Alina believes that “only the artist themselves has the right to destroy their work.” So this is actually Alina acknowledging Karin’s work as art, and therefore only Karin has the right to rip it up.

And why rip it up? Because whenever Alina finds her own work unsatisfactory, she destroys it. Hence Alina’s question at the end of this little back-and-forth:

If Karin doesn’t want to rip up her manga, then according to Alina’s logic, that means she must be happy and satisfied with it. But even Alina can tell that Karin is still unsatisfied and lying to herself, hence Alina’s frustration and confusion at Karin not destroying her work.

Another timeline note: Alina doesn’t lie, and even if she did, she doesn’t have a ring here. So I think it’s pretty settled that Karin’s MGS takes place before Alina learned about magical girls.

Oh huh. In NA, Alina thinks she’ll be the one in trouble if Karin isn’t ready. In the fan translation I’m used to, it seems like Alina is saying she’d just be mad herself… but I think NA has it right here. (In the original JP, Alina is using the passive form of “get angry” without a subject.)

Both work, but the impression NA gives with both this change and the earlier one is that someone at the school is basically putting Alina in charge of supervising Karin. Which… what the hell, Sakae Academy?

Going back a bit, Alina’s advice and its effect on Karin is interesting. One of Karin’s flaws really is that she makes excuses for herself and only half-commits, so Alina pushing her to think about what she truly wants and work hard to get it was genuinely what Karin needed to hear at the time.

However, Alina is also an obsessive perfectionist that tends to push herself to very clearly unhealthy levels…

So it’s rather fitting that on following Alina’s advice, Karin ends up pushing herself into doing something very dangerous: insisting on fighting a witch alone even though Kaede tries to get her to retreat. Karin is so determined she’s risking her life to fulfill her goal – something Alina would no doubt approve of. But also a great illustration of why Alina and her advice is flawed too.

Which, come to think of it, is part of why Karin and Alina’s MGS actually form a nice pair of complementary short stories. If you read them in chronological(?) / original JP release order, you first get to see how Alina helps Karin to grow as a person, and if you think hard about it, you can kind of see foreshadowing for Alina’s own issues. Then in Alina’s MGS, you get confirmation of that foreshadowing about Alina, and furthermore, the payoff to Karin’s development with her now being the one to give Alina some hard-hitting advice.

#magia record #misono karin #alina gray #alikari #magia record analysis #my ramblings #na translation changes #magia record na #magia record jp #read more

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rosesmith18 · 3 years ago

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(PnF) Headcanon #11 Thomarie Nitpicks #2 Pt.1 Clothing

This is sort of a sister post to post #6 & #7, it mentions characters from post #6, and is connected to my current series of post about the problems I have with the MnT(Marie and Thomas) Universe. I want to make it clear that I like these characters...to an extent, but to another extent I don't. I want the best for them as they were a big part of my childhood, and so in this post I want to make some tweaks to their clothing and personalities, as I find them currently sporadic and dated.

*Disclaimer: The MnT Universe is centered around (OC)Maria Flynn & (OC)Thomas Fletcher. Marie belongs to angelus19 & sam-ely-ember deviantart. Thomas Belongs to Melty64.

Maria's Child Clothing: Okay, so a lot of people have made the claim that Maria's design is generic which I will not deny. It's a blatant ripe off of her mothers clothes with a change of color palette, and while I enjoy the idea of Phineas designing her clothes to be that way, it's a waste of potential(as are most things I will mention in this post). Maria canonically adores France, and in my headcanon was born there, so I think some Parisian style could be added to this design. I'd draw instead of writing about this, but I have no artistic talent. For starters, based on my research(as I myself am not French)puffed sleeves are a common occurrence in French clothing culture, so giving Marie puffed sleeves in place of her mothers regular ones would be nice. Instead of basic shoes, ankle boots are also a common item in French clothing followed by white and/or black tights. Now, ironically enough the style of belt Isabella has on her clothes is similar to a French Skinny belt called a Maison Boinet, so just change it from being one color to a light brown with a metal clip, and it can stay-as can the main outfit. Lastly, to quote https://leoncechenal.com/french-girl-style-guide/ 'And I think the ultimate goal of all French girls is to find their own style (what they like and what they don’t) and to stick to it.', so in summary this doesn't need to look perfect or fancy it just needs to look natural.

Maria's Teen Clothing: Okay, this one is even worse in my opinion, but the whole one color thing is killing me! So, for this I did a COMPLETE recall and came up with this; A purple beret, orange bow wrapped around her neck mimicking a Parisian scarf, dressed in an orange & purple horizontal striped sweater dress that hangs off her shoulders, and a pair of black single buckle ballet flats. She would have a gold chain-link belt to replace her Maison Boinet one, a cameo necklace of the Virgin Mary, and a gold choker with small bells. Based on my research actual Beret's aren't that common in French culture anymore, though ironically striped shirts and dresses are, but Marie's is canonically the one her mother wore in the episode 'Summer Belongs to You' and familial connection is super important to Maria-so I decided to keep it. I kept her Garcia-Shapiro bow as I am appalled they tried to get rid of Isabella's in AYA(Act your Age)! Vivian clearly still has her from when she was young, and I believe every Garcia-Shapiro who wants one should keep them to some extent throughout their life! Off shoulder tops and dresses are pretty common in France as are sweaters, so I gave Maria an off shoulder sweater dress. And, ballet flats are some of the most common footwear for woman in France, they have many styles like the single buckle that don't actually look like ballet flats we American's would usually associate with ballet. The jewelry wore by French woman is wore all the time, and is rarely below the quality of 10-carrot gold. Layering necklaces of different sizes such as a cameo necklaces and a choker is normal, and chain-link belts are considered appropriate for any and every outfit. Chokers are a bit longer than some might expect them to be, and I went with a cameo necklace of the Virgin Mary as I headcanon Maria to be a serious Jew. Lastly, make-up in the French world is some of the most neutral in color and shade, so I gave Maria a soft pink lip and nose bridge blush at best.

Thomas' Child Clothing: I heavily dislike Thomas' child design. It lacks any personality in my opinion when compared to Ferbs or Vanessa's. I appreciate that it isn't a ripe off like Marie's, but that doesn't make it good or interesting. Also, this ties into my biggest problem with Thomas, but he's too...boyish. There is nothing wrong with having a practically boyish character, but that kind of personality and style is better used on a character intended to be boyish, and not characters who happen to be boys. I mean Thomas is the son of one of the most headcanon'd nonbinary characters in the whole show, and one of the most headcanon'd bisexual's in the whole show. This is why I mentioned these characters being a bit dated. They definitely came out before LGBTQ+ representation became popular in the fandom-at least compared to the extent of today. So, for Thomas I want to propose a few heavy changes to his child design, starting with...SKIRTS. I petition Thomas to have an either black & white(or purple and green), plaid skirt that reaches his knees. This style of skirt is popular in both British and German(Drusselstein) clothing culture, and is something his family would so support! I mean the potential Thomas has for normalizing clothing as gender neutral is being completely wasted! A white polo shirt inspired by his fathers and his original design underneath. A tweed blazer-of the same color scheme-which is considered always in style in Britain, and the Haferlschuh which are the most popular type of shoe found in Germany-and suit any outfit. Add some tracht socks in white and you have the perfect style!

Thomas' Teen Clothing: This design wasn't horrible, I actually quite like the overall vibe it was going for, but it's not specific enough. I don't find this design to be more than a vibe; It doesn't go deeper than that when it could. So, I summarized it into this; Ripped up, leather pants, sleeveless, white turtleneck, high-heeled, black boots, and to top it all off a trench coat and leather satchel. Considering Thomas is the lead singer and bass guitarist for a classic/heavy rock band I think some ripped leather pants with a bell bottom are perfect. I kept the sleeveless, white classic turtleneck that came from his original design as I do think it's appropriate. I also wanted to pay homage to his mothers almost iconic heels by giving Thomas a similar pair himself; A pair of black, over the knee boots, with a stiletto heel. The trench coat MADE his original design, and the traditional leather satchel is a perfect accent to it, both are British classics in the world of fashion.

Thomas' Rock Outfit: I'm added a subsection for Thomas' clothes as we NEED to talk about his band outfit. I want to say this first, I don't like the original name for the band. Clair is a generic name that doesn't sound too rock-ish in my opinion. It's supposed to represent Maria as it is a French girls name, but it's too simple for someone like Thomas. So, I changed it to Église des Gémeaux which represents Maria in more ways. The name literally translate to Church of Gemini from French to English. It represents Maria's French heritage, her connection to her Jewish Religious roots, and contains a reference to her birth month of June-her birth sign Gemini. The band in itself is canonically represented by The Spill Canvas which is an American Alternative rock band which I also changed. I gave the band a more Eisbrecher/Queen style as Thomas is German(Drusselstein)/British. Eisbrecher is a German Neue Deutsche Härte rock band(translating to New German Hardness aka Industrial Rock), and most of us know Queen the British rock band known for helping to start the rock genre making them a Classic rock band. Major headcanon to this band I want to add, Thomas primarily sings in German(Drusselstein) as he himself has a heavy German(Drusselstein)/British accent. His canonical outfit is a leather top similar to his mothers teenage attire, some basic jeans, and some black boots. I have rewritten this design as such; Ripped up, bell bottom, leather pants, long-sleeve, purple, deep V-neck top, covered by a studded, leather jacket, and keeping his pair of black, over the knee boots, with a stiletto heel. Accent this outfit with some studded, leather cuff bracelets, silver chain choker, and industrial piercing as well as some crescent moon 2nd/Upper lobe piercings. Now, the style of rock/punk is highly personal and changes heavily from generation to generation, but as someone whose family is highly involved in the antique business; It can be expected that Thomas would have a classic rock style inspired by the band he loves such as Eisbrecher, Queen, The Rolling Stones, Mozart L'Opéra rock, Amon Düül II, etc. Some of the elements of his outfit repeat such as his pants and heels, though his deep V-neck is inspired by a picture of Queen. His studded jacket is inspired by MANY rockers of the past. And, his jewelry has a very punk aesthetic. His make-up can be expected to be heavy with intense eyeliner, mascaras, and aided with a plum lip to match his V-neck. While I do enjoy the Grunge style take for Fred & Xavier; I personally find it underwhelming for someone such as Thomas.

I'll end the post here for now as it's getting pretty long. I'll make a post about personality changes at a later point(likely my next post). If you have any questions, comments, etc about what changes I've made feel free to share them! If you have any expertise with French, German, British, or Rock attire and believe I've been misinformed than please tell me! I remind you I am not an expert on fashion, character design, and am only aware of American trends. These changes are entire based on what knowledge is available to me, and my own personal feelings about clothes and characters, but I'm open to learning! I apologize if my opinions come off as harsh, I am merely opinionated about things I enjoy, but I hold no ill-will towards anyone who thinks differently. At the end of the day, I don't own Marie or Thomas or Phineas and Ferb, and am merely expressing my freedom to make or suggest changes. I encourage anyone reading this post to do the same, and be has intense as you feel, of course WITHOUT being insulting of the people you disagree with. Thank you!

#phineas and ferb #marie and thomas #headcanon #oc #clothing #marie flynn #thomas fletcher #phineas flynn #isabella garcia shapiro #ferb fletcher #vanessa doofenshmirtz #next gen #phinbella #ferbnessa #pnf

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wedreamedlove · 5 years ago

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Bai Qi - Character Study

Archiving another post from Reddit. This one is more outdated...

This post was supposed to unleash my ode to Bai Qi, my one true love, onto the world though LOL.

Spoilers include up to Chapter 15. Plus calls, dates, and ASMR in CN server. Still using JP and CN as sources here because of Elex's translation issues.

I want to start this post off by saying that I disagree with Bai Qi's archetype being a "bad boy". If anything, he's just a lone wolf or maverick. Putting aside how there's another character that fits being a bad boy to a T, the common points of a bad boy archetype are:

exudes confidence, and allows his interests to take priority

moody and paradoxical, making him hard to understand

displays an attitude, has an edge, gives girls a vicious thrill

rebel with or without a cause

likely engages in dangerous hobbies

I don't know about you guys, but Bai Qi is REALLY simple. He has basically two goals in life: upholding (mostly conventional) justice and caring for the MC (who he has devoted his life to).

He's not rebellious for the sake of sticking it to the world, he just has his own views on how justice should be carried out (and it's still on the side of light; he's not a vigilante). Maybe his motorcycle is a dangerous hobby, except he always ensures MC is safe when riding with him. Honestly, this guy is so far from being a bad boy LOL.

Heck, even the other common trope of a bad boy having a painful past that is the reason behind their nasty attitude doesn't apply to Bai Qi because he confronts his painful past and gets over it (with the MC's help) before she even officially meets him.

CHIVALRY? CHAUVINIST?

First, let's tackle the big issue: the "sexist" things Bai Qi might say. It's an inescapable fact that this game is an Asian game and (given Elex's confusion over what to localize and how you can only change the base so much) this seeps through, so there are heavily gendered concepts.

However, it should also be noted that these games for women are usually made by women in the industry. Yes, there's internalized misogyny but this isn't it here.

Coming back to Bai Qi, you have to realize that he comes from a strict military family: his father is a lieutenant general [Campus Date] and was extremely harsh, meanwhile Bai Qi describes his mother as gentle and someone who cried in the shadows for him whenever his father went off on him [Seize: Sad Thoughts Call]. It paints the image of his mother being a dodder flower, the classic housewife.

Then, after his mother's death in high school when he was 15 years old [CN Character Profile], he went to join the special forces. Undoubtedly, this was another environment where he's surrounded by men and military ideals. And yet, through all of this, not only does he keep his own idea of justice, but he comes out WITHOUT looking down at women.

"Bai Qi is excellent and one day he will be the "sharp blade" of the special forces. The only pity is that he is too attached to the justice in his own heart, and he's blinded his own eyes. But at the same time I am looking forward to what direction his convictions will take him to." - Commander Leto

[CN Character Profile]

Gavin's character type is being the quintessential male.

But he's completely supportive of MC's work, helps her out with her production shows, and sends her to and from work whenever he has the time. He never disparages her work.

In [Seize: Sad Thoughts Call], there is a point where MC tells him that she'll always be by his side and he can rely on her. Bai Qi chuckles through his tears (ZHANG JIE! YOUR VOICE!!) and says "Silly, I'm a man. You should leave these sort of words to me. But, hearing you say this, makes me really happy."

I think it's doing Bai Qi a disservice to think he's being sexist here. Perhaps, you can feel sorry that this sort of standard of masculinity is something he upholds but I'd argue that he was making a joke to break up the heavy mood and he doesn't say ANYTHING about her not being allowed to say that. Instead, he's actually happy to hear that from her. He openly shows his emotions to her here about his past and sorrow. Again, considering his military upbringing and his mother, it's probably engraved in his bones to do his best to take care of his loved ones.

Look, some people just have dominant personalities and Bai Qi is one of them. He's probably one of the closest of the men to being classically masculine, but the way he's an enormous puppy for the MC breaks him out of the stereotype. (Like how Victor is the classical CEO, but his Souvenir side breaks him out of that stereotype).

Going along with, what I'd call his chivalrous (NOT chauvinist) attitude, is how natural his actions are in taking care of the MC and being considerate of her.

In [Photoshoot 5-7], MC drops her chopsticks and Bai Qi picks it up, gives her his, and wipes hers off before using it to eat.

In [Main Story 12-13], Bai Qi shows up on his motorcycle and passes her a pastel-colored helmet. Meaning that, not only did he consider her safety, but he also went out of his way to pick a color that he thought would suit her.

In [Wish Date], MC drops a plate and it shatters but just as she bends down to clean it up Bai Qi picks her up and moves her away.

In [Warm Palms ASMR], Bai Qi keeps MC comfort by sitting beside the bed on the ground to look over his documents. He doesn't assume he can just get on the bed and actually double-checks before he does.

In [Gentle Touch CN ASMR] Bai Qi is concerned about MC getting tired from standing on tiptoes to help him shave and tells her to stand on his feet. Later, he boosts her up onto the sink counter.

TRACKING BRACELET; PROTECTIVENESS

Tackling the second big issue: the tracking bracelet and Bai Qi's "overprotectiveness". Honestly, if anyone is overprotective in this game though it's definitely Li Zeyan LOL. Bai Qi may take second place, but that's still far below Li Zeyan.

Anyway, addressing the tracking bracelet first, I think it's interesting that, after Bai Qi gives MC the tracking bracelet in Chapter 2 and the events happen, he gives MC the [CH2 Story Call: Tracking Bracelet] and there he asks MC if she's at home. I don't know how the English version did it but in Chinese, after MC reminds him that he sent her home just an hour ago and did he forget, you hear him clear his throat awkwardly and then he says "Oh, I was just making sure. Don't go out anymore tonight." Hm, wouldn't he know she was at home already if he was using the tracking?

In [CH5 Story Call: Production Show Investigation] Bai Qi calls and asks "Are you home yet?". Hey, again, wouldn't he know if he was tracking her? He knows MC went to the orphanage and implies that he knows she went there because of the bracelet. But here's another thought: he was clearly investigating the old orphanage because he appears there later in Chapter 6 to save MC. So, perhaps he and the special forces already had surveillance on the old orphanage and the surrounding area.

In [Main Story 12-18] Bai Qi hears that MC is in the hotel and panics and asks the reception for her. If he was using the tracking bracelet, wouldn't he know exactly where she is? For something that everyone feels like he's violating MC's privacy with, he barely seems to use it for its actual function LOL.

It happens again in [Starry Date], although you can argue dates might be different, but MC pranks him in a call and, at the end, he asks her for the address of the karaoke place she's at so he can pick her up. If he was tracking her he wouldn't need to ask the address now, would he? She's definitely wearing the bracelet in dates because in [Trio Date] Bai Qi reminds her to have the bracelet on.

On a side note, I also find it interesting that he never FORCES the MC to wear the bracelet. In [Main Story 12-11] in Chinese he strokes the bracelet gently and then says "Remember to wear it". It's always said as a suggestion, as if he thinks that she does take it off at times but he doesn't press her to constantly wear it.

In [Main Story 15-4], Bai Qi reveals that even without the bracelet he can still find MC so it's not a tracking bracelet. I'm sure he thought implying that was the only way for him to give her that bracelet.

Now, regarding his protectiveness, he doesn't actually limit or cage the MC in anyway:

In [CH5 Story Call: Production Show Investigation] he suggests for her to avoid the orphanage but considering they meet again in Chapter 6, he clearly didn't do anything to stop her.

In [Photoshoot 5-1] MC has to interview a criminal and Bai Qi is there to escort her, but he doesn't stop her from going to meet the man. Because she's working and he knows better than to interrupt her.

In [Follow-Up Date], I agree that MC did something crazy by following him in, but he doesn't freak out at her afterward. He scolds her and whatnot but then calms down.

In [Seize: About Film Studio Call] Bai Qi picks MC up and removes her out of the shooting location because a bomb threat was called in. But he apologizes immediately when he realizes what he did, recognizing he was wrong for doing that, and actively works with MC and includes her into evacuating the rest of her employees.

In [Main Story CH12] Bai Qi brings MC to the special forces base and gets her involved with everything he's investigating after he gets permission. Heck, even when there was that rogue soldier, he just shuffles the MC into a corner and then goes to subdue the person.

Actually, in [Main Story 12-11] MC notes that this is the first time Bai Qi has said she's "forbidden" from going outside. This is when things get really crazy and Evols are going out of control, so it's not a surprise he wants her to stay put while he investigates the hotel. But this also shows that all the times before Bai Qi has never said anything forceful to MC and has only ever advised her not to wander around recklessly.

None of these are actions of a person who is crazily overprotective. Someone like that (cough Li Zeyan cough, at least until he calms down) would have locked her up in a room and kept her ignorant so she doesn't get any thoughts to run off and investigate things. Bai Qi tries his hardest to grant her wishes, within reason, and tries to answer any questions she has as long as he's free to do so. (And hey, no one talks about Li Zeyan's SP guard detail or Luoluo being able to track her through surveillance cameras; Xu Mo already got attacked for this so I won't bring the poor man up LOL).

Look, despite Bai Qi's maverick attitude, he still is part of a military organization and needs to follow orders. It makes sense too considering his military upbringing and no doubt, as long as it's not outrageous or touches his bottom line (the MC and sacrificing lives), he'll obey orders.

His joining of the special forces symbolizes the difference of his justice compared to his father. He will not give up on someone for any reason. If a sacrifice is necessary, then he will choose to face it alone.

[CN Character Profile]

But, anyway, he is protective to a certain degree and it's understandable considering how alone he's been since 15 years old and how in [Seize: Sad Thoughts Call] Bai Qi reveals that he feels like everyone he gets close to leaves him in the end (the death of his mother, his younger brother, his father (before he threw this man into the garbage bin where he belongs)).

He's also probably seen a lot of deaths of his comrades in the special forces. Heck, in [Main Story 12-6] Guzheng talks about a mission where the only people who survived was him and Bai Qi, and him only because Bai Qi came and saved him.

So, now that he's reunited with his one and only love again, you bet he's going to try and protect her. Not only is it in his blood, with his military upbringing, but also because he's just that sort of person. A trustworthy man who is determined to protect his loved ones without any sacrifices (or taking on all the sacrifices onto his own body).

HIS ENTIRE BEING IS ATTUNED TO MC

Okay, now that we got all the ugly things out of the way, this section is just for me to gush about what a gigantic soft puppy Bai Qi is with the MC. He's a tough, indifferent, lone wolf police on the streets, but an enormous puppy in the sheets in front of the MC.

Catch me crying every time over this Bai Qi Wish Date art by Honey Dogs because that's what Bai Qi is constantly doing everywhere. EVERYWHERE.

Like the art above shows, in [Wish Date] Bai Qi uses his third wish to stand in the corner and watch MC as she prepares his birthday meal. He's just a puppy who wants to be as close as possible! Watching his loved one! There's amazing description about the gentle smile in his eyes.

In [Prank Date] Bai Qi catches MC's eyes immediately when she just looks over at him across the room.

In [Follow-Up Date] Bai Qi saw MC trying to give him something, before that policewoman came up and tried to give him food and scared off MC.

In [Main Story 12-13] Bai Qi is just standing outside but he spins around the moment MC comes out of her building as if he sensed her. His eyes also creases when he smiles at her.

In [Main Story 7-4] when MC bumps into Bai Qi at their school, she sees him just standing there with his hands in his pocket and quietly watching her. A smile surfaces in his eyes when they accidentally ask each other why the other is here at the same time and then he waits for her to continue first.

In [Makeup Challenge CN ASMR] Bai Qi reveals that he watches MC put on her makeup quite a bit. He doesn't get all the products right, and he doesn't know what they're all for, but he gets a gold star for trying LOL. I'm just imagining Honey Dog art again with him leaning against the bathroom door watching MC with heart eyes. But also, when he takes her into an area with more light to put on her makeup, he just spends some time looking into her eyes because they're pretty in the light.

In [His Fingertips CN ASMR] Bai Qi notices that MC has pierced her ears. She did it to match him and the affection in his sigh as he calls her silly. SOBS. He also decides to get her matching earrings as a gift next time instead of a bracelet. On another note, in his birthday stroll, MC and him end up getting her clip-on earrings. CUTE.

In [Gentle Touch CN ASMR] Bai Qi is again over the moon with seeing her at such a close distance when she's helping him shave. He's also a gigantic puppy nuzzling her hand when she checks her work by smoothing her palms across his jaw.

In [Caressing His Face CN ASMR] Bai Qi again reveals that he watches MC go about her bathroom rituals. He sees the skincare she puts on her skin and, although not knowledgeable, is totally game with letting her play by putting it on him. AGAIN, with the nuzzling, because her hands feel too nice.

Don't touch me I'm so tender for how concentrated Bai Qi's attention is on the MC whenever she's around. Honestly, the way he's so openly honest and genuine about his feelings for the MC is what strikes him out for the bad boy archetype.

SHORTCOMINGS

Anyway, to be fair, we have to look at some of Bai Qi's shortcomings and "flaws" now. Bai Qi isn't perfect. Heck, no one is, which is what makes these characters feel complex and developed. However, his shortcomings or flaws certainly don't make him a toxic person (or else, we'd all be toxic people with our idiosyncrasies that other people don't like, lol).

Bai Qi can be really rude to people who aren't the MC. Not to mention, he tends to resort to violence and threats to people he really, really doesn't care about.

In [Relieving Date] Bai Qi tells the people who were hitting on the MC to scram unless they want to be beaten to a pulp.

In [Slightly Drunken Date] Bai Qi tells the bassist to take his beer and leave if he doesn't want his arm broken.

In [Moments] I believe Bai Qi nearly threw (or did throw) Minor over his shoulder when he was touched on the back? Minor also, at one point, says that Bai Qi nearly punched him a few times or something?

Fortunately, he doesn't go overboard with his force. But I can totally see how some people wouldn't be impressed with someone who chooses violence as an answer or threat. I'm totally a-okay with this, but then again I think characters with body counts are attractive so I'm not one to speak about this being a positive thing LOL.

But, despite being rude, he knows when to draw a distinction and be professional. For example, in [Follow-Up Date], he treated the policewoman with the bare minimum courtesy, despite being indifferent. He chews her out for endangering people in the field, but he doesn't do anything more than that.

In [Campus Date], it's shown that he beat up and got beaten up in high school, although those people sounded like they were part of a gang, so it wasn't like they were upstanding citizens LOL. However, there was that kid who stole the cash register money and got beaten up by Bai Qi, who then took the money to spend on something he wanted. This surprised me since he ends up working with the police and special forces to uphold justice, but well I'll just paste a section in his profile here:

Bai Qi has many informant friends that belong in the gray zone, and he often breaks what's known as the rules of convention. He uses methods that don't look so "just" to achieve his goals. Because of this, there's many people who can't understand him and feel that his actions are inappropriate. Towards all these misunderstandings, Bai Qi doesn't bother to explain and doesn't care. Even if no one understands, he will use his own ways to protect his convictions.

[CN Character Profile]

He's not squeaky clean, but I'd say he still stands mostly on the morally upright side (cough maverick archetype cough). In fact, he's a huge proponent for the preciousness of life and I guess almost how everyone has an inherent worth in them, which is ironic considering how little he applies it to himself. But, hey, it's normal to have different standards for other people compared to yourself.

Anyway, moving on, Bai Qi's protectiveness over the MC CAN get the better of him, but he apologizes immediately. I mentioned it above already but in [Seize: About Film Studio Call] Bai Qi apologizes for his actions of forcibly removing the MC to protect her.

Continuing on, because I see it brought up, there's the opinion that Bai Qi lacks personality because he has no opinions when it comes to MC. I'm going to argue here that this focus is on the wrong thing.

Bai Qi has a LOT of opinions (such as how best to protect MC, etc.) but his personality is the type not to care about what he considers "small details" which is why he's content to let MC make the decisions on what to eat (because he has no strong preference for food) and do the things she finds fun.

Actually, in [Your Loving Eyes: The Best Gift Call] MC is trying to get Bai Qi a present, but he just says "Sure" to everything she suggests until MC chides him saying "Hey, why is everything good? When did you lose your opinion?". In Chinese, you can hear Bai Qi respond with a startled and amused "Really?". It's clear that he doesn't believe this is the case either.

It's completely fine for that not to be your thing (which is why we have three other eligible bachelors), but it's reading Bai Qi's character wrong to think this makes him have no personality.

You can even see in [Moments], that Bai Qi does arrange for some outings, such as taking MC out to the arcade to play games. He also suggests going to look at the stars a lot, because he's an astronomy boy.

Hobbies #2: Astronomy. He likes the stars, and once did some research on them. He also really enjoys soaring through the night sky, the feeling of looking up at the stars, and Jupiter.

[CN Character Profile]

However, despite this not being that big of a deal in my eyes, Bai Qi and MC do get development in this area which is what makes their relationship so nice. A HEALTHY RELATIONSHIP. Cough, sorry I had to get that out.

In [CN SSR Crisis: Art of Speaking Call] Bai Qi is taking MC out on a date and she is conflicted over what shoes to wear, the hair clip to use, and the purse to bring. She asks him for his opinion, but he keeps saying that they're all good, as long as she likes it. But MC gets annoyed and tells him that it sounds like he's being perfunctory and doesn't care.

This takes him aback and he hurriedly tells her that wasn't his intention. He genuinely thinks those things. But he realizes that she does want to hear his opinion, so he strives to give her a choice, even if it barely makes a difference for him because he thinks she looks good in everything. The two end up promising to not say any "sure" or "whatever" that day, so that they answer each other with an opinion.

In [SSR Heat up: Pretty Boy Call], you also see Bai Qi getting called out for answering "whatever" to everything. He immediately works to correct his opinion and says he'll wear whatever she picks.

Honestly, the reason he's so happy to go along with MC is explained in his [Mediterranean Date] where he literally says "The missed holidays, the dates I couldn't make, and the many times I had to disappear without being able to tell you... I've never had the time to make up for all of these things. So, no matter what we do, no matter where we go, as long as the person beside me is you, I won't have a single objection.".

Lastly, I think the real issue with Bai Qi is that he has a terrible sense of self-worth. It doesn't express itself in him being timid or not confident, but in the way he's reckless with his own health. ESPECIALLY when it comes to the MC.

In [Campus Date] there's a line that goes "She probably didn't know that her piano saved the youth who was about to fall into an abyss of darkness, and she had no way of knowing that this youth swore to protect her with his entire life". On one hand, romantic, on the other hand... oh boy, Bai Qi has really devoted his life to the MC and he's a man who doesn't change his stance once he decides on something, and here are some instances:

In [Endless Abyss: Beside You Call] Bai Qi comes back from a mission and decides to send MC to work. He just came back from a mission and hasn't slept for an entire day, but he wants to see her because she remarked on how they haven't seen each other for a while and he feels the same. HELLO? SIR PLEASE SLEEP.

In [Bleary Dawn CN ASMR] Bai Qi has two instances of this. First, he's cuddling in bed with MC and thinks about how he should get out and go for a morning jog, but he doesn't want to leave her. MC is worried he'll catch a cold in the rain, but he says he won't since it's a light drizzle. However, MC gets upset at that and you can hear the genuine apology in his voice when he realizes that she's worried about him.

Second instance, in [Bleary Dawn CN ASMR] is when they chat about whether Bai Qi has ever slept in. His family didn't allow that (SCREW HIS FATHER) and then he joined the military so even less so. He never feels sleepy though since he sleeps early. However, if he can't sleep then he just goes through the entire night without sleeping. MC worries about him, he tries to brush it off again saying it's no problem, she gets upset, and he startles and gets genuinely apologetic again. SOBS please Bai Qi learn to treasure yourself.

In [Main Story 12-11] Bai Qi gets injured when he was subduing the out-of-control Evol soldier, but he doesn't seem to even notice it until MC brings it up and wants to treat it for him at her house. He even reluctantly shows her his arm.

It's understandable because his DOUCHE FATHER has treated him terribly throughout his life. In [Campus Date] we get a memory from Bai Qi about his father literally saying "Such a useless thing has no point in existing". Ever since his mother passed away (at age 15!) he's been alone.

Fortunately, like I mentioned at the start, Bai Qi gets over most of this trauma in [Campus Date] with the help of MC. But the marks still linger and it's not until he's 24 years old at [Main Story 12-18] where he asserts that his existence is absolutely not a disgrace/stain that he fully gets over his father's specter. Still, Bai Qi's pretty reckless with his health.

Anyway, both MC and Bai Qi need to realize that the best thing you can do for your loved ones is to take care of yourself, because your happiness and health is their happiness and health. Support each other, but treating yourself well for them is the best thing to do.

CONCLUSION

Overall, while Bai Qi is a lone wolf and maverick in public, he's the sweetest puppy around the MC. He's terribly reckless with his health (he's been trained to be a weapon and, no doubt, his father still haunts him), but he's slowly overcoming that with the MC. She also encourages him to be more expressive of his opinions, no matter how small or insignificant he feels they are (re: the things he really couldn't care less about).

In return, he gives MC courage to walk her own path no matter what anyone else says. His easy confidence and ability to ignore the gaze of the world is something that's admirable.

The two of them just provide each other unconditional love and support and it's gorgeous. She can act however she wants with him and he'll take it in stride and accept her. He doesn't want her to change, and neither does she for him. But together they encourage each other to express their opinions and feelings to each other more.

Anyway, congratulations to anyone who read all the way down to this point. You deserve a Bai Qi SSR and may you be blessed with Bai Qi pulls---. I also hope this provides a better understanding of Bai Qi and more appreciation for his character.

I didn't touch on Bai Qi's hobbies or character apart from the MC much, unfortunately, because the focus of this post was about his relationship with MC and his character around that. But, trust me, he has a lot of hobbies for himself! He's just low-key in the way he expresses those (cause he's too loud in beaming heart eyes at the MC), so it's like a "blink and you miss it".

His official weibo shows a ton of his hobbies though, like taking care of his (eternally dying) cacti. He has a hedgehog! He loves basketball (and other sports). He plays the guitar and sings. He loves astronomy.

#love and producer #mlqc meta #mr love queen's choice #mlqc gavin #mlqc bai qi #mlqc #love and produc(ing) meta

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