#i can Feel this image

[monkesupreme]

ref

a satisfactory answer for Selina

[hinamie]

to moving forward

[autumn-may]

Mostly spoiler free summary of my viewing experience

[notbecauseofvictories]

I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"

Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.

............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.

[raviollies]

Just who are you, Councilor Medarda?

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[azuronel]

my predictions for the end of book 7

EDIT: part two here

[drgnflyteabox]

red ochre [1]

series masterlist part one -> minium || part two -> woad and weld

pairing: viking goap x fem! nun reader summary: you become the unlikely treasure of two vikings who raid your convent looking for gold w.c: 4.3k tags/warnings: religious themes (DLDR), minor suicidal ideation, mention of viking raids (slavery, violence, death), kidnapping, threats, dubcon bathing + touching, mean simon (ish), established goap, reader is underfed and beaten in the convent (corporal punishment), difficult travel, some food description

Near the coast the wind scratches at you when it blows, full of sand and salt.

Once, you'd imagined this as your calling; committed to asceticism, married to God, serving under the abbess. Enclosed, you find yourself stifled more than devoted, pressing your face to the stone barrier that blocks the convent from the outside world.

Isolation, never being quite full, the slow and steady stripping of your identity. This is your life - hollowed out, like meat sucked from a crab, cracked open and used and hollow.

You couldn't have predicted Christ to be such an inconsiderate husband.

"Girl!" the voice is the crack of a whip in empty air. You don't jump, but the hair on your body raises, the welts on your thighs sting.

"Yes, mother?" you put your chin down to your chest, turning, pressing your back to the wall. Demure, submissive, utterly devoid of fight. And still, her grip finds you hard as iron and rough as the rock you'd just been touching, pulling you hard enough to make your shoulder ache back toward the heavy wood doors of the dormitory.

"You shirk your duties again, child? Leave your sisters to pick up your slack?" you didn't mean to, truly. It's only that you ache so deeply you're afraid you might never recover from the feeling.

"Please forgive me, mother, I lost track of time," you murmur. Your uniform is damp from the spray outside, and you relish in the scent and feel of it. Freedom, that's what it is. "Allow me to make up for-"

"Hush!" spit touches your cheek. You don't wipe it away. "You'll finish the tapestry tonight. No matter how long it takes you."

Desperately, you wish for God to strike you down. If you're there, father. You close your eyes. Please, please kill me now.

He doesn't listen, and the abbess pushes you to supper.

Dark bread, boiled turnips, fish and wine. Average, filling, but you'd hoped for more of the crumbly white cheese from yesterdays supper.

You know not to complain. And truly, you are grateful. With your family, it had been gruel upon gruel, often bear, and rarely flavour. Salt kisses your tongue now, and the wine makes your sore muscles relax.

The monks have it harder; you'd visited them once as a girl with your father to pray, but there was still labour to be done here. Cooking was often your job, as was doing the washing and the tilling for the vegetable garden.

Today sister Colette had assigned you weaving so that you wouldn't be out of practice. The muscles in your back and fingers ached from it already, and dread made your stomach sour to the food you ate at the thought of more work.

Mealtimes were quiet, as required. The other women eat mousily, looking down at their plates and pulling their food apart into small little bites, trying to make it last. Obedience, poverty. How silly it was now that you'd dreamed of this.

"Sister?" a whisper, next to you. Margaret was almost a friend, too pious to really confide in but so kind it was impossible to ignore her. "What were you doing?"

"I felt compelled," you shrug, lips oily from the fish. "I felt confined."

"Oh sister," Margaret pushes her bottom lip out, dark eyebrows pulling up. "You should never feel confined here."

You knew, and yet you did. It was like living in a stone coffin. All the work felt pointless since your heart had strayed from God. Even now, touching Margaret's elbow to comfort her in her worry for you, you're sick to death of even clearing plates.

There was one secret they hadn't found. None of the sisters, not even the abbess, had found your secret booklet.

Paper was more valuable than gold since the church needed so much to copy and produce texts. The writing room at the very top of the convent, where you were so seldomly asked, was full of it and guarded by lock and key.

Over months, you'd scrounged, stealing enough to make a booklet. In it, you felt sustained. Free. Titillated, sometimes, when your hand found its way beneath your soft worn blanket under your shift and you drew indecent drawings of men coming to save you. Of the farmboys from your village.

They were nothing like real art, not so detailed, but they lit inside you a spark of life. Without them, you'd be snuffed out.

Candles line the hallway toward the workroom, where you'll likely spend the rest of the night. It's near the very entrance of the convent, so that visitors may see the sisters hard at work and find reason to donate.

Really, it's a temptation. Those massive doors, ready to open and let you free.

But what could you do, really? If God were a kind man and Christ a good husband, they'd turn you into a horse so that you might run, might feel your hooves beating the earth and the coarse air on your skin.

Regrettably human, you sit to work on the tapestry. Curse the abbess and let the holy father hear your thoughts. This is worse than hell, you think. Your fingers cramp and the chair is hard, flat wood. It's made to be uncomfortable on purpose, everything is. After you finish you only have a thin mattress to look forward to, even thoughts of drawing hunky carpenters doesn't draw you out of the misery that is embroidery in the dark.

Is this string strong enough to hold you, should you hang yourself? You're being dramatic, but you feel you've earned the right.

Footsteps walk down the hall towards you. They're sure, heavy. Maybe sister Catharine, tall and splendid, is coming to release you from torment?

"Hello," you say jovially. Please be sister Catharine.

"Look what we've got here, Ghost," it's a male voice. You freeze. The accent is unfamiliar. Had you missed the visit of a monk, an abbot, a priest? "Darlin' little lass, all by herself."

Shivers overtake you. It hurts to straighten from your hunched position, but you have to do it to see properly.

You come face to face with a skull, towering over you from the doorway.

A scream builds, filling your chest, hanging off the tip of your tongue.

Stopped only by the glint of candlelight against a blade, and the quickness of the another man reaching you.

You shake, all sound stuck in your throat, feeling arms as strong as petrified wood circle your arms and pull you toward the door. The pressure, the scrape of rock against your feet, it's unreal and barely registered against the terror that builds when you look to your left and see the skull, sewn into cloth, with the soft clank of bones hanging from his waist.

His eyes find yours, dead and mellow in the eyesockets, piercing through you. Blood rushes through your ears, deafening you, until you leave the room and reality sets in.

Devils, come to sack the convent.

Who will likely kill you and all your sisters. Even the abbess, with her punishment cane and severe face, doesn't deserve that.

You shriek, finding your voice, twisting like a cat in a bag. Their hands tighten against you, growling orders at you to be still, girl.

It's then that you hear the cries, the crashes. Sounds of chaos, a cacophony of harsh voices and the search of the convent. Some of the women weep, some pray, you scream.

"Hey!" Skull snaps, shaking you hard. "Behave and we won't kill you." You comprehend that, but the animal urge to struggle for your life still has a grip on you.

The other man twists towards you, lips snarling. "Ye want to die, then? I'm not opposed to slitting ye open throat to cunt, if that's what ye prefer."

You still, sag, mouth turning downwards in misery. Sweat sticks to your skin, from fear and exertion.

"Good girl," Skull says.

The nuns have been crowded back into the dining room, cowed and cowering, trembling lambs against the storm of awful armoured men ravaging the sanctity of the space.

Some have already found gold, crosses and busts of saints and reliquaries. The abbess weeps to see the bust of Mother Mary, thrown so roughly to the ground that baby Jesus snaps off.

You watch it all happening, eyes wide, shaking despite yourself. Adrenaline makes your legs cramp in their position, curled, back to back with another sister.

"Cap," a younger man runs up, hands full with an ornate chest. "What'cha think of this one?"

"Lookit this one," the man from earlier is giddy, slapping the young one on the back. He holds St Augustine, gilded in gold and jewels. "Not too shabby, eh, Gaz?"

"Not too shabby at all," Gaz grins back at him, turning towards the third man.

"Good job, boys," he says. He's mustached, tall, steadier and calmer than the rest. A leader, clearly.

It smells of smoke, or blood, but you can't see anyone bleeding.

Maybe that's their natural scent, violence clinging to them cloying like they'd bathed in it before coming.

"Soap," Gaz calls. He's run through the library, tossing shelves to the ground, taking one or two books. Walked through the dormitories, throwing open the chests at the ends of each bed. "Take a look at this one!"

A little booklet. Your booklet, tiny in the hand of the devil.

Anxiety crawls up your spine. There's no way they'd know it was yours, but you're still afraid of another kind of raiding, should they discover your sin.

The men laugh, looking with hungry eyes, glinting, mouths stretched and wet.

Look at the ground, be quiet, be still. You want to survive, you want to draw again and feel the air against your skin. You're scared of these men, huge and muscled as they are.

They wear furs, leather, clinking chainmail, wrapped shoes. Weapons hang by their sides and are clutched firmly in hands, though no nuns nor abbesses have been harmed.

Yet.

"Gold ain't the only treasure, eh?" Soap looks down at you while others use pillowcases for bags, stuffing their bounty inside with loud clangs.

His foot nudges your thigh, and you shift away as much as possible, still looking away, still scared.

Skull comes back. Soap calls him over and calls him Ghost, so you switch the name in your head.

Ghost is big, but he glides through the air.

"See that, Ghost?" Soap nudges him, the way he nudged you. Eyes crazed.

"Mm," Ghost grunts. He hasn't looted, not like the others. Just walked through the halls and gathered one or two other stray nuns shuddering in various corners. "You want 'er?"

You blanch, breath leaving you.

"Can we?" He looks back at you and leans down, thick fingers finding your chin, tilting your face up. "Pretty little hen, so scared, aren't ye?"

"Take 'er."

With Ghosts permission, Soap moves his fingers from your face to the meat of your arms, dragging you up, using your stupor to help him.

"Dinnae worry, hen, we'll take good care of ye," it's not reassuring. You think you feel your knees hitting each other from the force of your shaking. "Awe, don't cry."

Two rivers have sprouted form your eyes, tracking searing hot salt down your cheeks, hands twisting in your habit.

The men regroup. You were right about the mustached man being a leader, and learn his name is Price. He commands them like any armyman you've ever seen, clearly holds a lot of authority.

You're the only nun that's a part of the spoils.

The only one tied with coarse rope around the wrists, chafing, tossed between Soap and Gaz through the convent until you reach those big wooden doors.

Those doors you'd dreamed about opening, those doors that you dread opening now.

"Keep walking," Gaz says. He's mellower than the others, but you'd be a fool to underestimate him.

Or ask him for help.

Reality hasn't set. You're in purgatory, stumbling across the wet grass in just wool socks, growing wetter by the minute from mist and dew. The men hoot and cheer and clank their gold, throwing fists and weapons in the air.

A bloodless victory, unless they change their mind and decide to kill you.

Soap jumps, accidentally pulling you forward in a jerk that brings you to your knees. The tears come back, and the pebbles nearing the beach digging into your knees makes you sob.

"Careful!" Ghost barks. Behind you, he reaches under your armpits and helps you up. His hands are still rough, but he lets go of you quickly to yank the rope out of Soaps hands. It doesn't help that it's still near-pitch outside, not yet morning, hard to see.

"Ach," he rubs a hand behind his head, watching you cry and walk like a deadwoman. "Got a little over-excited, darlin. Forgive me."

"I'll be better to ye, don't worry," he falls in beside you, using a knuckle to brush away your tears.

When you reach the beach, you see a few boats, supplies, but that's all. No camp, nowhere to sleep. Did they jump straight from the boats, marching up the hill to the convent to pillage?

God, they're so big. Warriors. Why just you?

"Right," Price calls them to attention. You're stuck next to Ghost, sniffling, shivering a little, praying mentally for the first time in a long time. Dear God, please help me, please strike these men dead and let me run back up the hill.

You miss what Price says, whispering under your breath with your eyes closed and palms together until Ghost puts his hand on your shoulder and pushes you forward again.

"Walk, then get on the boat," his voice is a growl.

"Dinnae worry," Soap chips in. "We brought meat."

They did - dried fish hangs like your laundry across each boats. The gold is loaded alongside you, stuffed to one side, and you're left trying to avoid the men tossing things in your direction.

Ghost ties your wrists to a wooden loop on the side of the boat.

It was built for this. For prisoners, slaves, taken in conquest.

"Ready?"

"Ready!"

Price shouts, the men answer. It's loud, a cacophony of voices and waves and the scrape of the boat against the sand.

You're going, going, gone. Floating. Adrift. Tied to the side of a viking ship with nothing but your thick, woolen habit and woolen socks. At least they provide some warmth, the air colder over the water.

Eyes look you up and down, not just from the two that took you. Gaz smiles to himself and punches Soap in the thigh, then they play wrestle.

You wonder what will happen to you- are you being taken as a slave? A prize?

The positive side to your time spend as a nun is that you know how to work, and you know that if something awful happens, you could find a way to meet God early and put yourself down.

Blood rushes in your ears again.

You register from somewhere outside of yourself that you're panicking again, caught wanting to run and having nowhere to do it. Tied down.

A hand touches your nape, and you turn with wild eyes and desperation all over your face to Ghost.

"Take a breath," he says, low enough that only you hear it, firm and commanding. "In and out, girl. Do it."

You do, if only to save yourself passing out. In and out, in and out, you breathe.

"That's it," he leans down, brown eyes finding yours. The skull is bleached yellow, old, but you try to ignore it. "You're alright."

"No I'm not," you shock the both of you by speaking, voice high and wavering. "I'm not, you're going to kill me or worse-"

"You think we'd take you just to kill you?"

"You're a heathen, aren't you?" you gasp again, wiping your face on the fabric of your sleeves. "Sister Catharine says heathens sacrifice virgins. Please don't."

He startles you by laughing, a ragged thing ripped from his chest.

"Not gonna sacrifice you, lamb," his hand squeeze your nape, his thumb rubbing the edge of your jaw where he can reach. "Gonna be a long journey, you'd better settle now."

It's hell. You were mistaken before, and you'd do anything now to go back to embroidery. You'd let the abbess cane you bloody, you'd kneel and pray with the passion of Christ himself if it meant you could come off the boat.

The boat, the men. The godforsaken fish, too-salty, not much better than the biscuits Soap insists on feeding you by hand.

"Your hands are tied, pretty lamb, how are ye gonna feed yourself?" He breaks it up, wiping crumbs from your cheeks.

You hope Ghost will step in, but he doesn't. He watches, a specter, still wearing that mask on his face. You wonder if it's because of you, or if he's just like that. Private, hidden. Intimidating.

"Open wide," Soap seems fond of holding your face, squishing your cheeks and puckering your lips. He's extra zealous since catching a sea-bird, keen on making you taste it.

The thought makes your stomach roil, despite being sick of the fish and biscuits. You turn your face, trying to avoid him, whimpering when he squeezes a little too hard.

"Come on, hen," he leans closer. "Fresh meat is good, no?"

"Johnny", Ghost saves you again, finally. Pulls on Johnny's shirt until he's sitting back on his heels. "Let her be."

"Awe, just wanna giv'er my catch, Si," if a heathenish, kidnapping devil could whine and pout like a child, it would look like this.

Horrific, is what it is. You tuck your face into your elbow and close your eyes.

You've been doing that most of the journey, closing your eyes and breathing deeply like Ghost taught you. Or Simon, what you've heard Johnny calling him.

Dread sneaks in every once in a while, wakes you up from fitful sleeps or seizes your ability to speak. Nobody else has spoken to you, not even Gaz who keeps glancing at you. Nobody but Simon and Johnny.

"Here," Simon says. You look up.

In his hand, an apple. Your eyes go wide, prickling, and you look even further up to him.

His eyes reveal nothing. Brown, flat.

"For me?" you ask.

"You see me offering it to anyone else?" from the corner of your eye, Soap is staring at you, smiling.

"I can have it?" an apple. You could dance. Days and days of travel after living in the same town and then the same convent to taken by force on a boar. An apple.

"Take it before I give it to Johnny," he grunts.

Suddenly, you feel a kinship with Eve.

Seasickness luckily doesn't affect you, and the melancholy is kept at bay by the apple. You think of it when you think you can't take anymore, remembering it's sweetness.

Simon becomes the safest person, and often if you feel scared your eyes find him.

When a minor storm rocks the boat, pelting rain, waves beating against the front, you tuck yourself close to his side and let Johnny take your hands into his.

Too easy to lean into them, to accept Johnny wiping your face gently with a cloth and eat fresh fish from Simons fingers. You're exhausted, and Simon doesn't push.

He just remains steadfast against chaos, even when Johnny fights with another one of the men and he has to pull them apart by their shirts.

"Si'down!" he barks, the loudest you've ever heard him. It makes you flinch, hiding again, until he sits heavily down beside you and you scoot as close as possible again.

"Not the smartest, are you?" he looks down. That hurts. You're just scared, is all. "Doesn't matter who's there, you'd cling right to them, wouldn't you?"

No, you want to say. But you just hide your face in your arms and cry again. You want to tell him the apple was special, that you know nobody else has one or got one, but you don't.

Your heart beats hard against your ribcage, that dread coming back again, feeling heavy and small under the weight of your predicament and his judgment.

"He didnae mean it," Johnny croons. He strokes your hair away from your face, thumbs finding your tense brows and smoothing them out. "We know you're a good girl. S'why we took ye."

You sniffle. The rocking of the boat has become both maddening and soothing.

You wonder when this journey will end.

Your clothes are stiff with salt, wetted and dried and re-wetted. Your skin itches, wrists burning, welts unhealed from before when the abbess has caught you sneaking mead.

She had accused you of indulgence, of trying to get drunk. Truthfully, you'd just liked the taste of honey and missed it.

Nuns didn't eat honey, at least not there. Cheese and wine were already over the top, God forbid anyone ate anything sweet. That's why you loved the apple, had held each bite long on your tongue, letting the sugars sit there a moment to savor them.

"Hey," someone nudges you, bringing you out of your half-sleep. Easier to be less conscious, less aware, trying not to feel your anguish and your physical pain. "Come on, get up. We're here."

"Hmm?" You're so tired, hissing and whimpering when your wrists are jostled.

Untied. They're being untired. Your head lifts too quickly, making you dizzy. Gaz is squatting in front of you, holding your leash.

"You awake?" he squints, tilting his head. "You look rough, sorry 'bout that. You good to stand?"

Too many questions. You're forced to lean on him heavily to try to stand. He's as solid as the others, just leaner. Kinder, honestly, as he mostly carries you off the longboat.

Muscles like a new foal, you take a seat on the soft wet sand and slump onto a crate. It's a struggle to walk on solid ground.

Men move around you, dumping and lifting and talking. Less excited than the last time they were on the beach, but there's still a buzz aflutter.

"Can I bring'er up?" Johnny is looking at you, his hand on Simon's forearm. Their affection is the quiet kind, something you only noticed the last couple days of the journey. Small touches, murmurs.

"Go ahead," Simon touches him back, moving towards Price when Johnny comes towards you.

"Awe, lamb," he coos, hauling you up with an arm around his shoulder. His other arm goes to hold your waist, squeezing. "Dinnae worry, I'll get ye in a bath soon 'nough."

He's not lying - after a painful, difficult walk, you make it to a wooden cabin. Looking around, there are a few of similar make, a little town.

"Go on in then, sweet hen," he pushes you just enough for you to shuffle your feet in the door.

Modest wooden furniture greets you, a one-room house with a large bed, fireplace, and table. The rest is beyond you once you spot the tub.

"Sit, let me get it ready for ye."

You nearly fall asleep, or maybe you do, because when you open your eyes Johnny has steaming water filled to halfway in the tub, wooden slats fragrant. He's crumbling a dried flower in as well, humming to himself.

"Alright, s'ready," he helps you up again. Modesty is forgotten, you're too tired and weary to care when he slips the woolen habit off and leaves you in a plain shift, finally untying your wrists. "Pretty girl." He says it under his breath, like he can't help it.

The water is better than the apple. You hiss when it touches your wounds, your sore muscles.

You're tired to your marrow, could weep about it, eyes still opening and closing. Around you, Johnny searches through various bags and chests until he finds a bar of soap.

The soap is better than the water.

"Feels good?" he whispers, dipping his hands in and lathering up. How he's up and about, you have no idea. Even his hands near your bare breasts don't phase you - that's how wiped you are.

"S'good," you mumble. "Thought I ws'gonna die."

"We wouldn't've let that happen, sweet girl. Too precious, our treasure," a kiss, on your shoulder. He rubs the soap on your skin, your arms and down to your fingers, washing them each one by one.

"N'ver want to do that again," and then, because you forget he's your captor. "Please."

The attention is soft, patient. The soap washes away salt and dirt and sweat, even tears when he wipes your face with a rag. This is a second baptism, a better one, with gentle hands massaging your scalp and the barest brush against your nipples.

"Sit up," he pushes you forward, rinses your hair, washes your back while you're there.

The rag swipes over your cunt when he gets there, once, twice, eyes boring into you. Your exhaustion mutes the squeeze of anxiety in your chest, closing your eyes to avoid his gaze.

"Right, all done," he helps you back out and into a long, thin shift.

The bed is soft, so soft, covered in furs and actually stuffed enough to cradle your body. You sink into it immediately, just barely registering the door opening again.

"She asleep?" It's Simon, carrying luggage.

"Aye," Johnny says. You hear them kiss, wondering if they think you're asleep. "Anything else?"

"No," he's gruff, to-the-point. Drops bags in the corner with a clank and a chest by the door with a thud. "She give you trouble?"

"Sweet as a lamb, our girl," he sounds proud.

You open your eyes, one last attempt at self-preservation, and see them looking down at you.

Simon swipes a thumb over your cheek, under your eye, still wearing the skull.

"It's alright, go to sleep," he murmurs. Johnny leans his head on Simons shoulder. "Perfect girl, knew we did good takin' you."

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[panthermouthh]

Where Johnny goes, the Devil follows; where Johnny goes, the Devil is already there.

Based on "A cornstalk fiddle" by the incredible @notbecauseofvictories

Finally finished this comic after months of zero progress. I adore this story and think about it often, and am so happy to finally be able to share this fan work with you. I hope you all enjoy!

[arcane-gold]

good morning before i get on this flight have some pavellan

[hinamie]

new official illust of them with puppies healed something in me

[lesbomaticlove]

so i had another idea because of pinterest

[passionpeachy]

I love skirts like this so much but it also highlights my Tummy Pouch and it makes me feel so self-conscious I want to actually cry 💔

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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