#i am so sorry for all the words

[littlevices]

Bartender 2006 VS Bartender: Glass of God (2024)

I am not a drinker. Most times I've had an alcoholic beverage the sharp, bitter taste of the alcohol always soured the drink for me. As a result, I have not tried too many drinks. Especially not some of the fancy ones in these two anime.

Yet, I still found myself intrigued by both the original anime from 2006, and its reboot from 2024. I've also read some of the manga, but not enough to give my full thoughts.

Bartender, for those that don't know, is about Ryu Sasakura, a bartender that is capable of making many drinks to help the people that come into Eden Hall, looking for 'something'. Whatever that may be, and Sasakura mixing a drink for their troubles.

It was episode 1 of Bartender Glass of God that got me interested, and the first few chapters of the manga that got me wanting to watch. I probably shouldn't have been surprised by there being an older anime.

To be clear, I liked both anime very much. They were great to watch after a day at work or just a stressful day in general as both have relaxed vibes. However, 2006 is more episodic, choosing to focus on the individual stories of the patrons more heavily than any overarching narrative. While 2024 does have an overall plot, but is still fairly light with it while trying to focus on the patrons at the same time. It sounds messy, but it does work with some episodes being more plot heavy than others. I personally preferred 2024 over 2006, but both were a joy to watch for their own reasons.

Apologies for the long post, but I just want to share my love for these adaptations and hopefully, if you're willing, you'll hear me out. I also apologize if I don't remember as everything clearly, but I'll do my best.

Minor Spoilers below cut-

Bartender 2006

This is the one with a style more similar to the manga, obviously, but unlike the manga which seems to have a narrative like 2024, this one doesn't make much mention of it nor Ryu's past. Not that we don't get anything, but it is definitely focusing more on the side characters instead. (This is also the version I watched first after my preview of Glass of God episode 1 and what little of the manga I read.)

This isn't necessarily a bad thing. The stories are wonderfully heartfelt. Mature in their handling, and make it easy to like Ryu and the people he helps. A few of the stories made me tear up, such as episode 3, 4, and 9, with a man holding onto past regrets of an old love, a couple growing distant, and one of Ryu's failures as a bartender. Episode 8 was fun, as we see Ryu actually stepping in where normally he keeps himself as unbiased as possible when it comes to his patrons' problems. Episode 11, the final episode, is probably the only one that I don't feel the same for, but the sentiments expressed when it comes to Ryu's work are nice.

The OP is wonderful, but the ED is what stands out. It's live action with the singer being shown singing the song. However, if you pay close attention, you'll notice that the bartender changes the drink being mixed each episode, that drink being the one that had been most prominently featured. It should also be noted that 2006 here goes a bit deeper into the drink history and meaning than 2024 does.

Bartender: Glass of God (2024)

I have no idea why they decided to recreate the anime, but I'm glad that they did. I enjoyed the original anime, but, as I said before, I prefer this version.

Unlike 2006, this one focuses more on the plot line of Miwa attempting to recruit Ryu to Hotel Cardinal so they can open their newest bar. We also get characters that appear to be exclusive to this version and watch as they develop. From Kyouko coming into her own as a bartender to Kelvin wanting to gain acceptance from his father for his dreams. It is a little awkward that Miwa seems to just happen to be there for so many of the characters personal stories, but isn't too distracting.

Unlike 2006, Ryu gets more of a backstory here, though, admittedly not by leaps and bounds. However, it's still more characterization here than 2006, where we get to see a more goofy side to his character on occasion, as well as see him outside of Eden Hall. Like the 2006, there were stories here that brought a tear to my eye, but episode 11 was probably the most hearwarming, with Ryu finally talking with his old mentor and fulfilling an important request. Another, earlier one featuring a business man and a hospital nurse who both have deeper problems than they both think of each other. It should be noted that some of the stories from 2006 are also reused and redone in this version.

Personally, I prefer the song and visuals of the OP from 2024, but I feel the ED in the original 2006 version was much more creative, but this ED was sweet too with a nice art style.

However, what is boils down to is simple - Much like the drinks Ryu serves, it will depend on your taste which version you'll want. Do you want episodic stories with a heavy focus on personalized stories and the history and trivia of the drinks? You might prefer 2006.

Or do you want a more overarching narrative and gradual character development with drink trivia and the personalized character stories a little more interwoven into the plot? If so, the 2024 version might be what you want.

Regardless of the choice, either one will be a relaxing experience with wonderful character stories and moments that will very much tug at the heartstrings.

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[thetisming]

amatonormativity: a romantic partner should be the most important person in EVERYONE'S life

NOT amatonormativity: MY romantic partner is the most important person in MY life, but i understand this is not the same for other people

allosexnormativity: EVERYONE should have sex and sex is something EVERYONE needs/wants/should want

NOT allosexnormativity: I PERSONALLY enjoy sex and love having sex because it makes ME feel good, but other people dont feel the same and that's okay

platonormativity: having friends is important for EVERYONE and EVERYONE needs/has/should have friends

NOT platonormativity: having friends is important to ME and I PERSONALLY love having friends, but there are people who dont and theres nothing wrong with that

faminormativity (is that the word?): family is important for EVERYONE and EVERYONE needs to have their family

NOT faminormativity: family is important to ME and I PERSONALLY need my family with me, but other people dont feel the same and i understand that

lovenormativity (again, not sure if this is a word): EVERYBODY feels love and there's something wrong wiith you if you dont

NOT lovenormativity: I PERSONALLY feel love and love people, but not everyone does and that's completely okay!

NOT amatonormativity: i dont have friends/have any desire to have friends, i am happy with other relationships/no relationships at all

NOT platonormativity: i dont have any desire to be in a romantic relationships, and i am happy with my platonic relationships

NOT allosexnormativity: i like hooking up with people and having one night stands or friends with benefits

NOT faminormativity: i care about my family deeply and am close with family members

NOT lovenormativity: i feel love for people i care about

it's not normative to personally enjoy something, so long as you respect that other people simply arent like you and aren't going to like the same things as you. taking down normativity is a two way street, allos and aspecs need to do it. support your local aros, aces, apls, afams and other aspecs today! remember to challange all normativities, and to not enforce other normativity by saying how bullshit other normativities are!

nothing is universal. romance is not universal. sex is not universal. friendship is not universal. family is not universal. love is not universal. nothing is universal.

[starlightomatic]

"these jewish bloggers keep saying it's possible to talk about gaza without being antisemitic but keep saying everything i say is antisemitic so clearly they just don't want us talking about gaza"

it's actually really easy to talk about gaza without being antisemitic if you're not antisemitic, and really hard if you are antisemitic. hope this helps

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[lemonduckisnowawake]

You know, it's a tragedy that there are no (or very little) Vampire x Christian stories out there, not for angst or theology or forbidden seductiveness or whatnot but for the sheer comedy of it all. I mean, the Christian would technically be immune to all of the vampire's shenanigans, like for example...

Vampire: Fool, I am the most powerful vampire in the West. Nothing but the force of an entire holy temple could even deign to scratch me Christian: Idiot, I AM a holy temple. 1 Corinthians 6:19, fear me and the Spirit inside that can burn you to ashes

[yayll]

~ a little something about Beast Dazai and his inability to let you go ~

Your hand trembles as you're about to knock on the massive office doors and you wonder if you're about to make the biggest mistake of your life.

You got too close working for this terribly lonely man, and now you're knocking at his door with the only solution you can think of to put an end to your silly infatuations that have gone on for longer than you'd want to admit and can possibly handle. You open the door slowly, and walk into the elegant and massive office space, your eyes falling right onto the dark haired man in all black hunched over the desk, scribbling away as if he didn't hear you come in. You walk quietly, and when you reach the wooden desk, your voice comes out soft and firm.

"Dazai, sir? I wanted to speak to you about something sensitive, if I may."

You chew on the corner of your bottom lip, but quickly compose yourself when you see the face of the man you've spent so much time with, the unfortunate love of your life. if it weren't for his Maroon scarf, he'd look like nothing but a black void. A burnt Black cat. He looks up, narrowed eyes scan you as he takes a sip of his tea, replying in a monotonous tone.

"What is it?"

"After much consideration, I think.. I need to leave the Port Mafia. We've worked together for quite a while now, and I can assure you it's not about the quality or enjoyment of my work. You don't even have to acknowledge this beyond me simply saying it, I just have to confess something that makes my heart ache. You make my heart ache. I know how unprofessional that sounds and that you have no use for such affections, but I can't keep pretending. It's why I think it's time for me to move onto something else otherwise my work will become disrupt-"

A lifted finger is shoved into your face, signaling you to stop, and so you do. Of course you do. You always had a habit of word vomiting when you were anxious. Dazai is staring down at his tea, and he stays quiet for a long time, trying to pick what emotion he can mask his real outraged ones with. Finally, he flashes you an unbothered look, his eyes half lidded as they taunt you. A cruel smirk curls onto his lips.

"Oh? What an awful time for your honesty! I'm currently drowning in work and responsibilities, ones that you're supposed to aid me with, actually. Thus, I have no use for your confession." He simply says.

You can feel a sinking feeling in the pit of your stomach. You expected this. Looking down at your shoes, you chew on your lip again.

"I had to tell you.. Like I said, you can just forget about it."

"Well you see, that's the problem. I can't forget it. The moment you uttered those nasty little words to me, I realized I have to carry the weight of finding a new secretary. And I resent that."

He looks away for a brief second, his words are bitter and laced with what sounds like remorse and irritation.

You cross your arms and sigh, your voice comes out lower than your confidence.

"I just thought that we were... I suppose I should have never dared to assume you'd ever see me as more than a-"

He instantly leans over his desk, now placing a finger on your lip, his voice just above a whisper.

"... And though these feelings you have for me may be inconvenient, it doesn't mean that they're unwelcome."

He lets his finger rest on your lips for just a second too long, meanwhile you're frozen in place feeling like your chest is going to collapse in on itself. His voice becomes softer.

"Sit, please."

You sit down, now facing each other. It's quiet for a few moments as you both study each other's expressions. This form of intimacy was unusual to everyone else but the two of you, having spent countless hours in the past working across one another without uttering a single word, yet communicating in perfect sync. You were a part of each other's routines, a never ending spiral. Dazai feels himself teetering on the edge of something dangerous, something peeling away at his very soul. He's usually so arrogant and domineering, but in this instant, he suddenly feels an exhaustion wash over him trying to keep that going. He's kept it going for so long, he forgot that he doesn't like doing it with you. You don't deserve to be a part of all of this, and he doesn't deserve to want you.

Oh how he loathes his true identity: A simple man. A human man. Your man.

When he can't take it anymore, he slowly creeps his bandaged hand on top of yours, applying light pressure, but his eyes don't dare look into yours. Not yet. Finally, you break the silence, staring down with furrowed brows at the way your hands fit around one another. You mutter under your breath, tired of being vague.

"What are we to each other, Dazai? I mean really?"

"Do I really need to spell it out for you?" He snorts, trying to cling to the last of his cruelty but failing as he lets his emotions sway his judgement.

You sigh, flipping your hand over so that your fingers can fully intertwine.

"I just don't know how I could ever take up any space in your mind. I didn't think you noticed whether I stayed or left."

He looks up, flashing you a mildly offended look, his sharp eyes narrowing. He scoffs quietly, dropping your hand and standing up from his desk. He walks over to you, his full height now looming. He bends down and scolds you.

"What an obscene thing to say. You're invaluable. You have always been occupying my mind, every minute, every second, every microsecond. I always notice. I'd notice even if I was on my deathbed."

Your breath catches in your throat, and you finally manage to swallow the lump that's building up as you stare up at your reckoning.

"I just- I'd never try to leash you, sir."

His eyes soften, and he tilts his head slightly. You drive him mad with the way you don't realize what a dog he is for you. His voice comes out strained.

"You wouldn't need to. And don't call me that. You know my name, and as your superior l'm ordering you to address me properly."

Your cheeks flush, and you part your lips, letting out the breath you can't stop holding. A faint smile appears on your face, and you stand up slowly to meet him.

"You're like the moon, you know? You control everything like the tides. You control me, Osamu."

He shakes his head, and sighs deeply. If only you could see how wrong you were. He steps closer, moving his hand up your arm gently as he trails his way to your collarbone with ghost-like strokes.

"Did you know that sometimes when I'm laying in bed, all alone after a long day of controlling things, my only thoughts are about you?"

He confesses, sincerely. Dazai brings his face inches from yours, his voice now becoming a pleading whisper. His hand travels down to your waist, gripping it gently.

"Do you find it hard to believe that you bring me to my knees, the big scary Port Mafia boss? Because if so, you're a great fool! I love spending my time with you. I quite literally need you by my side in my times of need and at any random and mundane moment that passes. It brings me unimaginable joy when you nag me to get more sleep, especially when I don't listen because I can't wait to hear you say it over and over again. I don't like it when you have plans, or when you report to anyone else but me. I want you to stay with me tonight and every single night after and I don't care how awful this sounds. I don't care about you having a life outside of me."

Your throat feels tight, eyes wide at the fervor of his words alone. You reply with a shaky breath.

"Every single night after?"

"Every. Single. Night. After..."

"As if we were together?"

"We are together." He declares as if it were obvious this entire time.

Hearing Dazai be so blunt makes your mind fog over quickly, a whiplash of feelings that you never thought would ever see the light of day suddenly surface. He feels the same, realizing how much he's given away to you in such a short amount of time, but for him it's been rotting inside for years. He's been held together by the glue of your support too long not to kneel for you now. It's over for him, he's run out of masks to wear. He slowly guides your body backwards towards the opulent leather couch at the center of the room. You stop when you feel yourself backing up into the cool pebbled hide, and he slowly lowers you down onto your back with his arms supporting you. He delicately hovers over you, looking deeply into your eyes as he takes in the way your bodies feel against each other. For a moment he worries he might actually be trembling.

His breath hitches when you place a hand on the bandaged side of his face that covers his left eye. You stroke the fabric lightly, eyes twinkling with unfiltered adoration. He thinks about the only other person who's ever looked at him with such reverence, and how painful it is not to be able to tell his best friend he's in love. He leans into your touch, humming softly and closing his eyes as he molds his lips deeply into yours. It's not a kiss of sexual desire. This is a kiss born of romance and intimacy, a mutual oath of surrender. cold bandaged hands instinctively wander your body, starting at the waist down to your hips, and slowly exploring the plush of your thighs, kneading them. He runs them higher, lightly tracing your ribs with his index finger while the other hand cups your face. Dazai's mouth moves gently, and slowly pulls away from yours with a soft whine. His fingers trace your jawline as he stares at you. You taste like milk and honey. Like the moon and rain. He smiles at you, eyes sparkling like the night sky. You feel his heartbeat against your body. Every single pore of your skin is connected.

"Please— don't leave the Port Mafia, and don't leave me alone... Not tonight. Not ever. I'd become a tyrant without you."

"Is that also an order?" You murmur in between shallow breaths, dreamy eyes trained on him.

His eyes flicker over to your lips for a moment, then return to your eyes. His voice drops to something that resembles a soft whimper.

"Noo. No, it's not. I could never demand anything from you. But if you'll allow me to act selfishly, I just want to make you happy, to see you smile. I want you to keep greeting me with that tea you make every morning before our meetings. I also never want to hear you call me 'Sir' again. I am not your boss or your friend... I'm so much more than that. We've always been together. We will always be together— Is this too much?"

You shake your head, smiling uncontrollably at the way Dazai rambles in this moment, it's a side of him you've never seen in all the years you've known him. A stark contrast from the detached and cruel presence that frightens others on an almost daily basis. This seems like a person pretending to be the boss of the Port Mafia, an almost perfect imitation. You're not sure what barriers within him had to break for him to become the mushy and needy mess you see before you and what it all means in the long run, but you dismiss it for now. You get the feeling this might be the real Osamu Dazai. And that excites you.

"Never too much. I'm here and I'm staying. I would always stay."

He chuckles, it's a broken shaky laugh bordering on a sob. He buries himself in your neck, smiling against your soft skin, nibbling on it. He lightly runs his tongue against the mark he leaves, and slowly lifts his gaze to meet yours

"... I know you would. You always do."

You tilt your head, and hum in mild confusion at his odd little comment.

"Do you know something I don't?"

He flashes you a knowing smile and speaks prophetically as he lightly traces a finger over a large vein on your neck, following it down to your soft chest. He murmurs lazily while bringing his lips down to where he won't be able to get them off for the rest of the night.

"I know everything, silly.~"

The Port Mafia can wait, he's going home first.

[unriding]

me n moze say good morning to the world !!! ᕙ( •̀ ᗜ •́ )ᕗ

art by @rabbbitseason of course <3

[coolnonsenseworld]

(it's a continuation of previous posts about the calendar)

For March Lance voted to do some tree hugging and grass touching in a constantly busy world of trying to pass exams and earn money and they had a picnic for an entire day. Keith wholeheartedly agreed, but also felt like it’s way too cheesy. Still, Lance didn’t even have to win him over with sushi. Sushi was just a nice surprise. When Lance reports back to Hunk how his Saturday went using the phrase "dancing underneath the moonlight", Hunk opts out of the details. Lance tries to explain it’s not an euphemism, but Hunk just politely reminds him he can keep speaking just. No. Details. (he does that a lot when Lance starts gushing about Keith)

[b1deo]

You said you drew Tim with too surgery scars in that one picture but covered them up because you liked his outfit, so are you able to do a drawing so we can see his scars? ε>

This is kinda rough, but you get the idea!!! Also added a Brian for dramatic effect (trans tape Brian, beloved… I miss him every day…)

ALSO! extra art and the original uncovered version here, cause it’s just been lying around pdfdhdd-

[whenuwishuponastar]

I liked you right from the start

[fattributes]

It's really hard for me to ask this, but would anyone be able to help me financially get home from work and a doctor's appointment this week? I'm already taking the bus as often as I can, but there isn't one that runs by the time I get off work, and I won't be able to get home otherwise. My next paycheck is expected to drop on the 15th, and I currently only have $5.26 in my bank account. I would really, deeply appreciate any help I can get. Thank you.

cash app: $fattributes ko-fi: fattributes paypal: fattributes@gmail.com

[fell-e]

Im not good at words-ing but

Koharu Sakurada and Aki Tamaki

Sakurada means "Cherry Blossom field"

Aki roughly translates to "Autumn"

Cherry Blossoms are not only associated with love, but their short lived blooms also signify the fleeting nature of life.

Autumn is the time of the year where trees shed their leaves, and is associated with grief in some cultures. But at the same time, it signifies new beginnings.

Koharu died young. Too young. Unlike Aki who had loved her since she was only nine years old, Koharu never had a chance to experience falling in love. And i think Aki feels guilty for that. For not confessing sooner, for not confessing later, for confessing at that place, at that time. Maybe then, she would still be alive, she would still have had a chance at experiencing love. And maybe she feels guilty for surviving the accident, for not being the one who died instead, for not being able to save her.

But she has to move on.

And moving on doesn't mean she didn't love Koharu any less, it didn't mean she didn't love her anymore. In fact, its the opposite.

Even years after her death, Aki still loved her.

She loved her for six years, and continued loving her for five more.

Aki loved her, and though that love and grief may not fade away anytime soon, she has to move on. For herself, and for Koharu.

Those cherry blossoms will bloom again one day, and though those flowers aren't the same as the ones from before, they are just as wonderful.

[edwinspaynes]

I DESPISE the fanon that "I was nervous around you" meant that Edwin had a crush on Simon. Like, no, he was nervous because Simon called him slurs and snatched his clothes off. Bffr. That would kill any attraction immediately, IF it was there at all.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[turtleblogatlast]

[ cw: dismemberment / ]

I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)

I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.