#i am not very good at explaining things

[thebeppiestbeppster]

yknow it's so interesting to me that people see chuuya as a dog and dazai as a cat. because like. they have qualities of both. dazai is defined as a cat person because of his elusiveness and i think generally the port mafia era as whole--not to mention, i feel that cats are harder to gain the trust of. he also is just kind of. built like one (look me in the eyes and tell me he doesn't look like a wet fucking cat.) but he also has dog qualities. like. for example. he's always in everyone's space (kunikida, chuuya,,,sometimes atsushi i think) just like how a dog has no spacial awareness (specifically big dogs) for just HOW big they are. With how he acts in the ADA, it seems he's also very loud and energetic. He's got a certain allure to him that i think lets him socialize with people easier to get what he wants--like how dogs are (in a stereotypical sense) friendly. meanwhile, chuuya is typically defined as a dog. He's loyal, he's loud--he definitely bites if you press him too much. He can be friendly, but that's not really what i think of when i think of chuuya. But he's also stand-offish, and i wouldn't be surprised if he had a sarcasm streak. he's highly independent and impulsive, much like stereotypical cat behavior. I feel like the mafia also works more at night, and cats are typically nocturnal. Cats (may i remind you, stereotypically) are also agile and graceful, as well as hard to bribe or catch when they don't want to be caught. i jst think they're neat tbh.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[darealsaltysam]

okay but why is this season of the boys such a mess. like. episodes 1 - 5 were actually pretty good (especially 4 and 5, specifically the homelander + hughie and his dad plotlines respectively in those were SO good), then ep 6 was a clusterfuck outside of butcher's stuff, and i kinda thought we were on track for something pretty okay when annie took hughie's assault seriously at the end of the episode only for it to just be brushed off this episode AND hughie gets SA'd AGAIN?????? HELLO?????

[winds-of-zephyr416]

My dad just asked me where I post all of my art. My guy, no. No, no no no no no. You don't understand.

You do NOT want to see my tumblr man. I don't even draw NSFW I just don't wanna explain what angbang is to my very christian 49 year old father 😭😭😭

[plushie-lovey]

FINALLY!! At long last, I've gotten my hands on a Pumpkin Kitty, after a whole year of wanting and waiting.

Her name is Latte! (Short for Miss Pumpkin Spice Latte) You can also call her Miss Spice!

[ingravinoveritas]

I know that this moment has been talked about ad nauseam, but for some reason I have only just now realized how much of a dick joke Michael is making here. Like, full-on heavily implying that he and David have actually "touched tips." 👉👈 And then you have David there completely aware of what he is saying and smiling beatifically because he damn well knows it's going to fly right over people's heads. I need to lie down...

[yellowocaballero]

Continuing the JJK posting: Gojo is such a mystifying character.

Action show where swinging out the gate you introduce a character who is so incredibly powerful you then have to, before every fight, establish why Gojo can't just show up and fix the problem in seconds. His existence weakens the stakes of everything. The rest of the show you are backflipping ridding yourself of him. He jobs two major bad guys off the gate and every subsequent extensive fight with them feels like cleaning up his leftovers. Put him in a box, he's ruining the game balance. So absolutely broken. As a writer it makes your job so difficult, but it's also the entire point of him. "Hey I want to write the single most badass character of all time who can do the most insane shit but I will also engage with that", rock on king.

I think he's most interesting when understood as somebody who is fundamentally alien and removed from ordinary human thought processes. In his world there is absolutely nothing he cannot do, and the thought 'maybe I can't do something' just doesn't occur to him. He is capable of doing whatever he wants and of killing anybody who tries to stop him from doing what he wants. If he is not doing something, it is because he does not want to do it. If he wants to do something (kill all of his superiors) and he's not doing it, it's because he doesn't think it's the most effective route towards what he has decided to do. I think this informs the majority of his actions (and, importantly, what he doesn't do)(murder). I think he's reasoned out that you should have a general reason to do things, and it feels like sheer luck that he places value and meaning in human life, and as such you shouldn't kill them without a strong reason. Watching the flashback arc, if I hadn't seen a) JJK and b) Naruto and you asked me which shitty teen became a law abiding school teacher and which became a mass murderer I would have guessed the wrong ones.

Anyway, the way I like to think of him, he's a raging narcissist with a god complex to match. Horrifically, he's actually a good teacher, but he is also a teacher as an ego/'raising my child army' thing. He would be the kind of mother who is a good mother but lowkey had kids also as an ego/unconditional love/lots of attention/'surely my child will worship me' thing. Gets randomly into new hobbies, obsesses over them, gorges himself on the novelty factor, before dropping them in a week once he gets too good at them. Rinse and repeat. The only hobby that does not eventually grow boring is annoying people, so it's his only hobby. Geto told him age 15 that he'll never have any friends if he keeps on casually reminding people that they live on his sufferance, so he developed another back-up hobby more conducive for friendship of helping people forget that they live on his sufferance. This has convinced him that he's a god of subterfuge, intrigue, and trickery. Does eat women out, but is convinced that this makes him God's gift to women, and is actually pretty terrible in bed because his partner's desires never even occur to him. Is convinced he's as good at sex as he is everything else. Sex is actually the one thing he's bad at, but he's not ready to hear that.

In S1 he overall left me with the general impression that his entire idea of how high school worked was sourced from anime, and as such decided that being a teacher involved nothing but field trips, sports games, beach episodes, sports festivals, etc. Did not know how the classroom component worked so he skips it. Jossed, but also left me convinced that it would be very funny if he was an immortal 150-whatever years old and had founded the high school himself out of, you guessed it, an ego thing, and never once properly learned how high schools worked and just arbitrarily made his own aging students the new principals so he could continue engaging in training the kids who are too Misfit (TM) to get apprenticeships and living his fun slice of life anime life and raising a child army of kids who will worship him any day now. Annnyyyy day now. Any day now.

[ctl-yuejie]

a taste

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it

[hella1975]

so there's a reason my new job got back to me so quickly about my application and that's bc it's an absolute fucking shambles like actually perfect timing for me to decide to rewatch the bear bc i have never more felt like ive been thrown into a broke on-its-knees establishment trying to crawl its way up the ladder where i am somehow a godsend to them. my old job was crazy and shambolic in the sense that the industry is just Like That but this one?????? insanity. every 5 mins i am questioning what im doing with my life. ive already had a walk-in fridge moment

[greasydumbfuck]

thinking about frank and sex (in a sad way)

[dkettchen]

I got gendered correctly today by a guy whose only linkedin top voice is rishi sunak 😂

[cnwolf-brainrot]

Y’know that moment when you get a comment on a fanfiction you’re writing and someone says something like “we’ve done it!! We’ve gotten through the angst, now we get the soft content!!”

And then you just start cackling because you know what the next chapter holds, and you’re just waiting to see the absolute creeping horror as they realize just how far we have left to go.

[self-indulgent-paw-patrol]

Someone pointed out that the scene from the first movie where Ryder brings Chase back to where he found him to boost his confidence doesn't make any sense. At least on the scene where Ryder rescued Chase from the truck then say that He sees something heroic and braveness in Chase when he didn't really do much at all other than being scared. Like that scene should've been Chase confronting his fears by rescuing someone in danger.

Ah, THAT scene. I actually believe it MADE SENSE, so let me try to explain why they made it like that. Under the cut because it got kinda long too XD

First, let's take a look at the dialogue in that scene:

Ryder: I remember the first time I saw you. You were a tiny little pup, all alone in a big city. Chase: I know. You saw me and took pity on me. Ryder: Not at all. What I saw was a brave, heroic pup. Even though you were too small to look after yourself and you were up against all the scary things, you got back up and kept going. I didn't adopt you because I felt sorry for you. I chose you because you were the bravest pup I've ever seen.

Now let me just celebrate a moment here because HELL YES I'M DOING A LOT BETTER AT UNDERSTANDING DIALOGUES IN ENGLISH OMG I'M SO PROUD OF MYSELF RIGHT NOW THAT PART ABOUT BEING TOO SMALL TO LOOK AFTER HIMSELF HE SAID IT SO FAST AND STILL I UNDERSTOOD IT PERFECTLY IN THE FIRST ATTEMPT AAAAAAAAAAAAAAAA I'M SO HAPPY ok let's go

Now, it's time to break it down!

"I know. You saw me and took pity on me."

Here we see what has been Chase's point of view about that moment, which he believed in it all his life so far. He wholeheartedly believed that he was just an insignificant scared little puppy, worth nothing but pity. He was a nobody. He was nothing, and since then, up to now, he believes that it was Ryder who turned him into something, into the brave rescue pup he now is- or believed to be, until he's now back in the big city, feeling all his fears and trauma of being a nobody coming back up to swallow him whole, reminding him that he is nothing.

But then, Ryder tells Chase what was his OWN point of view of the whole thing, and what was his motivation to rescue and adopt Chase. First, let's see his point of view.

"What I saw was a brave, heroic pup. Even though you were too small to look after yourself and you were up against all the scary things, you got back up and kept going."

This is literally what Ryder saw. Chase was small, yeah. And instead of staying in a corner, of keeping quiet, or hiding somewhere, where he would be certainly safer, because he literally could NOT fend for himself... Chase was out there. In middle of the people, SO MUCH BIGGER than him. Risking being stepped on. Risking a car running over him. Risking an aggressive stray possibly finding and attacking him. He was out there, trying to move, trying to go - no matter where, he was on the move. He'd take a couple steps back to avoid being stepped on, and still press on to advance again, trying to cross the street.

He was afraid? Of course. Did it stop him? No.

THIS is the key for understanding Ryder's quote here. No matter how threatening things were for Chase, Ryder saw him out there, insisting, persisting, pressing on, even with all odds against him. Even if what moved him was the fear and uncertainty and confusion as to why his owners abandoned him there, Chase was NOT hiding away. He was trying for whatever, braving into the unknown, into the scary terrifying world of the big city. And it was traumatic, he was probably having a bad anxiety attack right there at that moment (note it's different than a panic attack, I explained a bit about it when I answered another ask earlier). But he was out there and not hiding.

While Chase saw himself as just a scared good-for-nothing baby, Ryder saw him as someone who didn't hide when faced with probably the scariest things ever in his life and facing it all alone. Which brings to the last part:

"I chose you because you were the bravest pup I've ever seen."

Not many puppies would do the same as Chase did, not in such conditions. "Oh but I've seen stray puppies following people and trying to play with them", yeah, same. I've had dozens of dogs in my life so far and all but one were strays I rescued from the street (or were born from said rescued strays). I've also seen tiny puppies trying to interact with people passing by. But in a crowded sidewalk? People walking nonstop, a wall of stomping feet not caring if you're in their way? With so many loud noises of people talking, cars driving by? Cell phones, cars honking, so many echoing steps. This is a complete nightmare to any puppy, they tend to cower in fear and wait for when the chaos is over or at least less chaotic until they venture out again.

This is the reason why Ryder saw Chase as the bravest pup ever. He was terrified, he was risking his life, but he was still out there.

Which contrasts with what has happened in the movie so far up to that point, if you think about it! Since Chase was taken back to the very city that left him traumatized as a puppy, his fears have been taking over stronger than ever and rendering him unable to keep going, much unlike what happened when he was a baby. And why's that so?

The answer is also simple, it's because since then, Chase's point of view was that it was Ryder who made him brave - he didn't believe he was already brave from the very beginning. He never thought of those moments as moments of bravery, like Ryder did. He thought of those moments as cowardice. These thoughts were what caused him to begin freezing and inducing him into this constant feeling of anxiety crisis and eventually leading to panic attacks, making him believe even more that he has always been nothing, and it's Ryder who made something else of him.

Chase never gave himself any credit for what he has become. For him, it has always been Ryder - and for Ryder, it has always been there with him from even before they first met. Chase just never associated it, until Ryder took him to that very place where they met and told him his own point of view, for the very first time, as apparently those two never addressed why Ryder adopted Chase ever before, which explains why Chase always held this belief that Ryder adopted him out of pity.

You see a scared puppy in the middle of a crosswalk, nearly being ran over by a car.

I see a brave little soul, pushing through against all odds and trying to get somewhere, anywhere, just for the sake of not standing still and waiting for who knows what, which might never even come.

And he fucking GOT somewhere and is indeed the bravest pup I've ever seen.

And he's not even my favorite pup XD