#i am not in love with tis one

[thingsilikeincaseofamnesia]

[panstarry]

my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟

[hinamie]

completely innocuous vash sheet :) fr practice

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[clarkgriffon]

Cordelia Chase + Outfits (Season 2)

[charmwasjess]

sometimes I have a post break containment into the wider Star Wars fandom (who seem to not remember that Sifo-Dyas is even a character in Star Wars god bless) and oh! oh, no! sorry, this isn't about an infantilized version of your blorbo!

...This post is actually about two men in their seventies in a highly toxic relationship having fucked up sex. 👉👈

[rose-above-dark]

Day 1 of writing ultrakill: hehehe machine powered by blood!! Mankind is dead, gabriel wants to fuck that machine

Day ???? Of writing ultrakill: hell is alive. Hell is alive and we are the entertainment, marked by blood as the fuel. The terminals watch us: for they and we are ultimately what’s left of humanity. They are an archive of everything mankind has ever achieved and one of its last remaining idols. There is nothing left to consume but yourself. The loop will endlessly repeat until either entropy- or yourself finally, mercifully ends it. You and Gabriel are tools now without purpose and now you must find it. Through Gabriel are you able to reach peak performance, the penultimate version of yourself. Through V1 Gabriel is able to achieve a form of deliverance- ecstasy through a newfound freedom. This is a wretched, bloodied love story that’s alive with every player as its intestines and entrails- eating itself whole. By killing each other- you will destroy everything you have left. You must break the loop today or the loop will repeat tomorrow. Gabriel really wants to fuck that machine and V1 wants that angel BADLY

[snixx]

nina salazar-roberts is such a beautiful case study in comphet and I genuinely think her arc deserves so more appreciation

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[geraskierfanficprompts]

Prompt 4

Geralt is the captain of a pirate ship, named "Kaer Morhen." Perhaps he's still a witcher, perhaps he's just a regular old human (with white hair and golden eyes? Lol) His brothers (and "cousins" from other witcher schools) are his crew Now I can see this going two different ways, so choose a favorite (or make up your own, I am only the beginning, I hold no affront of being anything more) Jaskier is a nobleman's son, aboard his family's ship, possibly on his way to be forced into a marriage to a woman he doesn't love. And either he falls overboard or he's shoved off as a murder attempt, but he's lost in the ocean. Lambert (or someone else, but I love to imagine how Lambert would attempt to call this out to his captain who he doesn't take seriously 90% of the time, #brothers) calls that he spots a man bobbing in the sea, and they haul him up. The majority of the crew sees sight of his jewels and finery and insists on holding him ransom. But when the prisoner wakes up and isn't afraid of death, Geralt looks into this a little more. Apparently their prisoner won't get a ransom because his entire family despise him and his want to run away and become a bard. Funny. Most pirate ships have entertainers aboard to help the pirates deal with months of nothing but ocean. Perhaps they'll have use of this dumb twink after all. OR, option number two Jaskier is a nobleman's son, chained and starved for the crime of wanting to become a bard and not wanting to marry some prissy noblewoman. He hears a lot of loud noises and screams and then a bunch of burly men in fur cloaks stomp down and start rifling through their supplies. One catches eye of him and immediately yells to the captain. The captain is a very handsome man with silver locks and bright eyes, and the dreaded pirate captain is treating Jaskier with more kindness and gentleness than his family or their workers ever have. The pirate hauls Jaskier up into his arms and carries him to their own ship, laying him down in his own bed, and looking over his injuries and sending one of his crewmembers to make hm a fine meal. Jaskier begins telling the captain of his abusive life beforehand and mentions that all he's ever wanted is to spread music and love, and shockingly enough, this big scary (gorgeous) man doesn't even laugh at him for it.. Oh fuck he's falling in love-

♡!Optional addons!♡ • Geralt gayly teaching his bard how to swordfight!!!

• Perhaps Jaskier's family is crueler and has done more than beat him, perhaps they've stabbed him or something, and the very last thing he sees before he passes out from bloodloss is Geralt (Maybe he even thinks he's an angel! Lmfao)

• Geralt getting lovingly bullied by his brothers for taking care of his songbird so well

• Geralt's crew revenge-robbing or revenge-killing Jaskier's family if we do Option one for the story (attempted-murder route), since it's implied it happens in Option Two while they ransack the ship-

• Perhaps I'll do a sequel for this prompt one day for Mermaid Jaskier, I do LOVE mermaids, take this as a much smaller and much less detailed prompt for if you want that idea, too! Perhaps the Pankratz ship has a captured mer aboard, parched and dehydrated (I just mostly think it'd be funny if Geralt was checking his pulse and if he has any injuries while random other witches dump buckets of sea water on him-)

[skitskatdacat63]

2009 Brazilian Grand Prix - Jenson Button

[brynnmclean]

saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:

First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.

The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.

If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?

At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.

In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.

One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.

[swinging-stars-from-satellites]

when I want to write something self indulgent to give me all the angsty and cuddly hurt/comfort feels but I can't because I end up feeling guilty because I'm seeking after feels that I feel in an inappropriate place because my mom told me one time when I was 15 that I shouldn't search that out or it's probably sexual sin but it confuses me because ALL the feels happen that way for me even if it's entirely platonic and nonsexual and so I don't know if it's okay to want to write to that because apparently all pleasure of any sort, even over platonic stories, is sexual or comes with a possibly probably sexual feeling and I also am having a hard time figuring out what's genuine conviction from God and what's just my anxiety/OCD/perfectionism/fear of failure

[venvellan]

i routinely think about the horrible torturous waking nightmare it would be for lavellan to find inquisitor ameridan. you've spent weeks chasing after his trail under the assumption that he's human and only just discovered that telana was elven after historians/the chantry tried to erase her existence entirely. it's only by breaking his spell over hakkon and un-freezing him out of time that you realize he's– dalish? "andaran atish'an. i am glad drakon's friendship with our people has remained strong." oh, god, no.

you can tell the world he was dalish. you can try to correct history and give him the rest he deserves, but would they even believe you? the dalish inquisitor lavellan finds the only other inquisitor in chantry history and he was also dalish? you have to try, and some will believe you, but the human lords don't care. you'll find the most resistance in "educated" circles of historians, where they'll likely be whispering that you made it all up.

you may have spent your entire career as the inquisitor questioning how you'll be remembered, and the answer lies in finding ameridan. one day you'll be lost to time, and the few who remember you will do it incorrectly. public perception of you now is that you're a tool and servant of the chantry, despite not being andrastian, despite direct opposition from the chantry, but hundreds of years from now? some of the dalish may remember who you really were, but in a future under the chantry, they'd be fighting an uphill battle trying to keep that version of you alive. your only chance is to catalog your life, your identity, as dutifully as possible. write journals and letters reminding the world of who you are. leave little pieces of you behind, in hopes that it'll make a trail through time straight to you. the real you.

that's what my lavellan does, anyway. finding ameridan awakens such dread in him that he starts recording as much of himself as possible. the weeks after have him holed up filling journals with who he is, where he's from, his beliefs, his family tree. the choices he's made and exactly why, the people he wants to fight for. he keeps up that habit in the months and years afterward, writing as much as he can fit on the page about any relevant topic. varric could write about the inquisition, and he'd do his best, but a good story — a story that sells — is about fighting the templars and the demons and defeating corypheus. being elven would take up a paragraph at most in varric's story, and it's just not enough. people could forget him regardless, no matter how hard he tries, but he'll fight it as long as he lives.

and if all else fails, mythal forbid, hopefully the name 'lavellan' sounds elven enough.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.