#i am just rambling.

[sapphicdib]

tumblr is the worst designed website on the fucking planet bro

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[midnight-coffee94]

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

[maythedreadwolftakeyou]

Viago, when playing as Rook De Riva: you IDIOT you were my favorite fledgling why did you have to make a mess of this now I have to jump through all these convoluted hoops to keep you safe. Teia stop telling Rook how much I missed them it's not funny they could have DIED. also your room is exactly the way you left it please come home

Strife, when playing as Rook Aldwir: Why hasn't this weird bug i kicked out of our camp ages ago died yet :|

[exoflash]

a concerning amount of witchblr will be like "um actually new years was stolen by europeans from the ancient god scroobus mcdoobus" and then you actually try to research scroobus mcdoobus and it turns out he was invented in the 1940s by a conspiracy theorist who powdered every meal with ketamine and thinks that queer people are reincarnated fish

[hellishattempt]

nanami kento comes home on a saturday afternoon, hands full of groceries and hair freshly cut. in the distance, he hears his precious wife humming along to her favorite soundtrack. you must not have heard him come in. he smiles to himself, setting the groceries on the counter, but not unloading them. that can wait. right now, he wants to hold you.

he slips out of his shoes, padding quietly to the laundry room where you are folding towels. you have your back to him, headphones lodged in your ears. as nanami gets closer, the music bleeding from your headphones becomes audible. he chuckles softly. no matter how many times he tells you it's bad for your ears, you insist on listening to your music at just below full volume.

snaking his arms around your waist, you jump at the sudden contact. nanami presses his chest against your back as you take out your headphones, leaning into his touch. you sway in silence for a moment, nanami resting his chin on your shoulder. when you turn to face him, your expression changes at the sight of his hair.

"your hair," you state dumbly. "you cut it."

"yes," your husband muses. "is there something wrong with it?"

"no, no!" you assure nanami, studying his hair. "i just wasn't expecting it. you normally have me do it, which you know i don't mind doing."

"i know, but i didn't want to bother you on your cleaning day."

your expression softens at his words. nanami, your ever loving, ever caring husband, always thinking about you before himself. you reach one hand up, smoothing the hair down the back of his neck. as you bring your hand up, the freshly cut hair pricks your palm, and nanami lets out a low hiss.

you immediately apologize, pulling away. "did that hurt?"

"yes, but it's okay. it felt... good," nanami confessed. "... do it again. please." his voice is thick and demanding, and you obey without hesitation.

this time, you use just the tips of your fingertips to graze his undercut, beginning at the base of his neck. his breathing quickens as you continue to to run your hands through his undercut, going up and down, switching from one hand to both, thumbs caressing the sides of the cut. the laundry room fills with his melodic whimpers and faint groans. his eyes are shut tight, teeth digging into his bottom lip.

"fuck..." he cusses lowly.

"you okay, nani?" you giggle, stopping momentarily. his eyes flash open, pupils blown. "kento?"

"let's go to the bedroom," he insisted, grabbing your hand and dragging you towards the master bedroom. you barely have time react before nanami pushes you back on to the bed, practically ripping your leggings off.

"kento, what are you doin-" you try to protest, his hands clamping around your wrist and bringing them down to grip his hair. his head disappears between your leg, lips latching around your clit. involuntarily, your fingers tighten around his sharp undercut. he moans into your cunt, the vibrations sending waves of pleasure through your body.

from then on, nanami kento always got an undercut.

[suntails]

growing up!

[wormspoodle]

more

[a-scary-lack-of-common-sense]

I think I made some of you guys a little sad with my last post, so you can have some happy aftermath twins before part 2, as a treat ❤️

[quadrantadvisor]

Imagine if the GIW started gunning for Jason without the Batfam ever meeting Phantom. Like, Bruce has to figure out on his own that the guys in white suits with Lazarus guns are 1. a legitimate government agency, and 2. are perfectly within their rights to hunt Jason like an animal, because 3. there's secret government legislation that says that since Jason's body processes ectaplasm, he's classified as non-sapient and has no legal protections.

Bruce calling up Clark like

Bruce: I am currently in the process of breaking into a government facility in order to dismantle their operations.

Clark: Okay? Do you need... help?

Bruce: Yes.

Clark: Sure, I'll be right there.

Bruce: Not that kind of help. Oracle is sending you the files now. I'd like you and Ms. Lane to make these people wish they were never born.

Clark: [speed-reading the documents] Oh yeah, can do. This is truly disgusting. If the public is half as outraged as I am, we'll get this sorted as fast as the courts can manage.

So Clark Kent acts as a whistle-blower, the Justice League publicly condems the Anti-Ecto Acts as inhumane, the GIW is disbanded, and Batman gets pardoned for all of those crimes that he technically did by assaulting federal agents. And after all that gets sorted, some white haired kid pops up in the Watchtower like "haha thanks for that I really didn't want a war between Earth and the Infinite Realms" and the League are like "wait what"

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

[usurperss]

Created a hot lesbian tiefling sorceress for fun and

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[raviollies]

Just who are you, Councilor Medarda?

[meatgrinder-0]

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.