#i always thought she looked like this

[windmills123]

queen mary of magicant!

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[dunmeshistash]

I've always thought that Rin's expressions in this page (ch 66) were a little strange and at first I assumed she was uncomfortable cause there was so many people squabbling (similar to Toshiro) but then the last time I was going thru this chapter it occurred to me that it's probably more so because there's so many elves.

Poor Rin, It's even some of the elves that took her, I wonder if she remembers Flamela, since she looks unusual even for an elf.

[tooturtly]

Daily reminder that Alecto didn’t have to be a woman*. John could have made any body to shove the soul of the earth into. He could have picked a man, or a child, or literally anything. But he chose a woman.

And not just any woman! He specifically chose a barbie doll. An object. An object with heavy sexual and white beauty connotations. A doll which holds so much cultural weight and meaning for so many different people.

He could have chosen his mother or grandmother!!!!He could have depicted her as an actor or other real living person. But he chose a doll which had been part of his childhood expression (in both the complicated gender, sexuality, and power hierarchy meanings of that).

Which is so fascinating! It says so much about John as a person that in a moment which he himself describes as a level of insanity, he chose Barbie.

And I think we can say multiple things about that: he was physically manifesting his own complex relationships to gender by turning part of himself into a female form; he was upholding traditional gender norms by making her a woman; he was upholding white beauty standards of womanhood by picking Barbie; he recreated aspects of Christian creationism; he was insane and returned to the things he had been taught most basically.

And all of those different interpretations can be simultaneous! What John thinks he was doing (what he tells himself), what others think he was doing (how Harrow interprets it), what the reader interprets him as doing (see above), and the potential experience on Alectos part can all be different and bring new perspectives to the scene without there existing an “objective truth”.

What Johns experience says about himself, the reader, and our world that we live in is so fascinating. (The fact that he chose a human figure at all says a lot about how we as a collective value humans above all else) And I find him such an interesting character to analyse.

*I’m sidestepping the issue of defining woman, pls don’t ask me. It’s so complicated I couldn’t even begin.

[musubiki]

doodling mochi outfit concepts again

[clownowo]

Sometimes I wonder why Dahlia and Iris share a hairstyle. Who wore it first? Dahlia was not wearing it when she faked her death, so it's not just a hairstyle they've just been wearing since they were kids (not that I think either of them would want to continue Fey tradition anyway).

Obviously Iris mimics Dahlia to get the necklace from Phoenix, so maybe she continues it in remembrance of a time she was really happy. Or maybe just despite it all she still loved her? Could keep a piece of her sister alive even after she was executed?

Or maybe Dahlia mimics Iris. She saw Iris as a symbol of purity and innocence. The kindness that Dahlia projects is what Iris really had. So when she cultivates her false identity she looks to her sister for inspiration.

[souenkun]

Takashi living the warm, full-of-love life that reiko couldn't have (as far as we know in the current canon) feels very much like the grief that dawns for children when they finally realized how much sacrifice their parents didn't always tell them just to give birth and raise them.

Like, technically speaking, reiko only gave takashi a world of problems by passing down the sight and the book of friends decades after her death, but takashi also grasped the wholesome and the awful parts of interacting with both humans and youkai from the memories she had left behind, scattered among all these eternal monsters she had defeated, leaving in them unintentional, but important life lessons for him to find later on in the future. If it weren't for all those societal rejections that reiko received from humans and the hardships from youkai that led her to start the book of friends, takashi wouldn't be able to avoid repeating her mistakes (and, consequently, could be just as comfortable with isolation like reiko was), let alone make the precious balance we now see him have in the present time, where he can make genuine connections with humans and youkai while also maintaining a balance to them. Do you get what I'm saying 💔

[cent-scratchnsniff]

MALUTHHH!!!!

[theabigailthorn]

yesterday I was panicking because the next video seemed way too big and impossible to finish on time, and today I've written five pages of the first draft and I've got that "Ooooh it's cooking!" feeling. Gotta trust that the Little Spirit who comes up with all my creative ideas has my back

[o3o-lapd-o3o]

okay here's part 6! this literally was not meant to be as long as it is, but i got carried away while doing some archery research... and here we are.

hope you guys enjoy! part 7 will be uploaded tomorrow!

(p.s if you're an archer/know archery and i get stuff wrong please don't yell at me, google can only give me so much info hdshdshdh)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 7 | part 8

there's a masterlist now!

*athena had left not long after midday, but not before saying she’d see them all later at dinner*

*telemachus, odysseus & penelope are all together in the palace gardens*

*penelope is sitting on a bench, with odysseus also laying on it & his head in her lap as they watch telemachus practice using a bow and arrow* 

telemachus: *trying to aim for the centre of the target in front of him*

telemachus: *struggling but wants to show his parents what his training with athena is doing for him*

telemachus: *lets the bowstring go*

*the arrow flies through the air, but misses the centre of the target completely and hits the edge of the target*

telemachus: *drops the arm holding his bow to his side and sighs in disappointment*

penelope: *looks at her son and then looks down at odysseus*

odysseus: *looks up from his son to meet penelope’s eyes*

*both seem to have a conversation through their eyes*

odysseus: *smiles and nods at penelope*

odysseus: *gets up from penelope’s lap and walks over to telemachus*

penelope: *smiles while watching odysseus head over to their son*

odysseus: don’t be disappointed son, go ahead and nock another arrow

telemachus: *does as his father says*

odysseus: now draw and anchor, as you normally would

telemachus: *again does what odysseus asks*

odysseus: *looks at his son’s pose* ah i see some of the problem

odysseus: *gently takes hold of telemachus’ drawn back elbow* 

odysseus: ok your elbow needs to be a bit higher, and just straighten your back a little…

telemachus: *follows odysseus’ instructions*

odysseus: *stepping back so he’s not in the way* that's perfect! now breathe in as you would, but not to the point it hurts! 

odysseus: and then as you go to let the string go breathe out but not all the way, about only half way

telemachus: *breathes in as he aims for the centre of the target again*

telemachus: *steadily breathes out and releases the string*

*the arrow flies through the air again… and hits just slightly off the centre of of the target*

telemachus: *looks at the target in disbelief but in also joy*

odysseus: *cheers in happiness for his son* you did it!

penelope: *clapping and calling out to her son* well done telemachus! 

telemachus: *drops his bow and turns to his father*

telemachus: *gives odysseus a hug* thank you father!

odysseus: *hugging his son back* no need to thank me, i’m happy to be able to help teach you!

telemachus: *lets odysseus go while smiling*

odysseus: *looks down at telemachus’ bow then picks up it up and grabs an arrow*

odysseus: *nocks it with ease and shoots it in the blink of an eye*

*the arrow hits the dead centre of the target* 

odysseus: *turns and hands the bow back to telemachus*

odysseus: now, how about you keep practising? once you have this completely down i’ll teach you other things you can do with a bow

odysseus: *hand under his chin in thought* i’ll have to get an archer’s ring commissioned for you

telemachus: *stares at his father in shock at how easy he made that look* i didn't know you knew so much about archery- i mean…

telemachus: *thinks back to when odysseus shot an arrow through 12 axe heads*

penelope: *giggles to herself as she realises even their son doesn’t know about his father’s mastery & skill with a bow*

odysseus: *looks over at penelope, and then he understands just why she's giggling*

odysseus: *now looks at telemachus with an amused expression*

telemachus: *sees his father’s expression*

telemachus: *holds his hands (with the bow still in one of them) up hoping he hasn’t offended his father*

telemachus: not saying you didn’t know how to use one! 

telemachus: i thought you just knew the basics and that ‘trick’ you did to prove yourself, was originally just to impress mother?

telemachus: *puts his arms down and then looks down towards his father’s hands* besides, that ring you wear on your thumb is just a normal one like the other’s you wear isn’t it? 

telemachus: it certainly doesn’t look like any archer ring i've seen before at the markets…

odysseus: *laughs to himself and holds up his hand* oh this? you’re right it doesn’t look like an archer ring.

odysseus: *rubs his thumb along his index finger* that's because it isn’t a normal one

telemachus: *looks again at his father’s ring to see it now has a point to it like any standard archer ring*

telemachus: *looks up at odysseus’ face, then back down to his hand and then back up to his face again* 

telemachus: but- you- it- hOW?

odysseus: *rubs his thumb against his index finger again and the ring is back to looking like any standard ring* 

odysseus: *looks from telemachus to penelope* ask your mother, it was a gift from her

telemachus: *immediately swivels to face her*

penelope: well, as you’ve now found out…your father isn't one to let people know he’s a skilled archer, so i ‘commissioned’ an archer ring to be made for him that could hide as a normal ring when not needed. 

telemachus: wow! the jeweller who made this certainly is skilled then

penelope: *thinks back to asking athena if she could try to get hephaestus to make one*

penelope: yeah skilled indeed 

telemachus: *turns back to odysseus* so why didn’t you want people to know? about your skills as an archer i mean.

odysseus: sometimes it's best to not reveal all your strengths

odysseus: *grins while shrugging* keeping people guessing is also fun

odysseus: *walks to telemachus and ruffles his hair* anyway, back to practising! i’m going to head back over to your mother, but call me if you want me to assist with anything ok?

telemachus: ok!

*time passes as telemachus keeps on practising, odysseus is back to laying in penelope’s lap while she caresses his hair*

*odysseus wants to keep watching his son but is struggling to not fall asleep from penelope's motions*

*telemachus notices so decides to discuss some final dinner plans with his mother*

telemachus: so the cooks have everything they need for tonight, right? are you sure you don’t need me to quickly run down to the market for anything? 

penelope: *smiles reassuringly at telemachus* they do, and if on the off chance they don’t i'm sure one of them will go to the market themselves. no need to worry yourself my son.

telemachus: *nods while getting another arrow ready* 

telemachus: *starts pulling the string back when he has another thought*

telemachus: oh what about the seating plan? i should probably tell fathe-

penelope: *who knows about athena’s seating plan, and also knows that odysseus doesn’t (hey she wants to have some fun too ok?)*

penelope: *forgetting about her husband peacefully half-asleep in her lap*

penelope: *jumping up from the bench* NO-

telemachus: *not expecting his mother’s outburst*

telemachus: *lets the string go accidentally and also having lost his aim*

odysseus: *falls off penelope’s lap and the bench with a startled yelp*

*meanwhile the loose arrow now wizzes straight past the target, through the garden trees and over the palace cliffs, heading into what looks to be its final destination of…. the sea*

telemachus: *turns to face his parents* mother, are you ok? why did you yell no?

penelope: oh um… i’m sorry for shouting telemachus 

penelope: what i meant to say was, there's no need to spoil anything. we’ll keep it as a surprise!

telemachus: uh ok…

odysseus: *face down on the ground and groaning from the sudden series of events*

odysseus: *pushes himself up and looks at his wife*

odysseus: penelope why?

penelope: *laughs a little at odysseus’ rumpled state* 

penelope: *helps him up* 

penelope: i’m sorry my love *kisses him on the cheek*

odysseus: *smiles at the kiss and then brushes his clothing free of dust*

odysseus: what were you two talking about anyway?

telemachus: uhh-

penelope: -the final bits for dinner! speaking of which, we should all go and start getting ready!

penelope: *points at the sun starting to set* helios is not long from being done for the day, and i'm sure when selene takes to the skies, our dinner guests won't be long!

penelope: *starts to head inside* come along you two!

telemachus: *to odysseus* what about the archery equipment?

odysseus: *shrugs* we’ll deal with it later

*telemachus & odysseus follow penelope back into the palace*

[abylou]

guys I love this thing called having an idea an not knowing how to execute it but I think I'll get there

have the doodle of it in the meantime

[tommygotwrittenoff]

bobby says to eddie one shift where buck is home sick with chris. going home to see your boys? eddie smiles and says. yeah. and your boys just Sticks in eddies brain and when he gets home he sees chris and buck curled up on the couch asleep and the sight makes him pause cuz. yeah. those are his boys

[daeyumi]

au Impa 👁️💧

[sga-owns-my-soul]

im having a lot of thoughts today so i'm making it everyone else's problem sharing it with y'all but i keep thinking about how so much of rodney's character SCREAMS deeply closeted gay man??

like i think rodney's main issue in life (aside from being a genius child prodigy in a public high school in the 80s bc let's be real that wouldve Done Numbers on his mental state) is he Does Not Know the difference between Admiration and Attraction

when he sees a woman he admires and looks up to he assumes it has to be attraction, and Men are Supposed To Act a certain way around women, so he tries to do that and of course it fails horribly bc one- his idea of how to act around women is founded in extreme amounts of sexism and two- he's not actually attracted to them and is doing a terrible mimicry at it

like when you look at how he acts around sam, for example. everyone has seen that gif set of sam saying she hates him and rodney thinking they're flirting (which totally sells the idea to me that rodney has mostly if not exclusively had hate sex)(and also that his parents hated each other and fought constantly so that's his only example of "romance") right and we've all also seen that gif set of rodney admitting he's jealous of sam because she's brilliant and i think when you take those two conversations and put them side by side it's really easy to see a man who Is Not Attracted To Women but doesn't know how to act around them except through attraction so he takes all of these criticisms and anger towards him and assumes it has to be flirting because that's what men and women are supposed to do, you yell and scream at each other then have sex about it then do it all over again.

and on the flip side, i think when he sees a man he's attracted to, he assumes it Has To Be admiration because he thinks that's the only way he's allowed to feel towards other men (that or jealousy, which we also see a lot of) so instead of just having a crush on someone he feels the need to defend why they're so cool and amazing and perfect and wonderful because they HAVE TO BE because if they're not why else would rodney "admire" them or be jealous of them?

and i think this HEAVILY plays into how rodney sees john. rodney can't fathom his feelings for john as attraction which means it HAS to be admiration/jealousy and we do see that very often, ESPECIALLY around women. rodney looooooves to bitch about how john gets all the women but when rodney does have a woman actually interested and trying to pursue him he freezes up and stumbles and has no idea what to do or where to go (see: the brotherhood and inferno) rodney constantly goes off about how cool and suave and charming and a ladies man john is and those of us who have eyes and ears are very aware that john is None Of Those Things, and i think rodney's insistence that he is comes from the fact that rodney cannot comprehend that what he feels is attraction and because of his own deeply rooted internalized homophobia he NEEDS john to be this Prime Example of Male Perfection because why else is rodney obsessed with him? why else does rodney want to be around him all the time? if johns not this perfect example of a man, what does that say about rodney and his desire to always be with john?

[mermaidslabyrinth]

My OC Rhagerys Targaryen with the two people who he would do anything and everything for.

His younger half sisters, Baela and Rhaena. They mean the world to him. They are his weakness but also his strength to keep going. He is their big brother and has been taught to protect them at all costs.

The way I see the three are as the sun, moon, and stars. Rhaena is the Sun. Along with her dragon Morning. Baela is the Moon. Along with her dragon Moondancer. Rhagerys is the Stars. Along with his dragon Starsong. Each are present in one another's lives but in such different ways that people forget that they're connected to one another. That in some way they always will be.

This gorgeous artwork was done by the wonderfully talented @lonelymagpies. They did such marvelous job. The hair, the clothing, the jewels, their looks.

Also a special thank you to @dr-aegon. They reblogged a post mentioning that lonelymagpies was doing commissions. So, thanks to them, I was able to have this artwork created.