#i always liked the idea of someone enjoying my art to the point of wanting to commission me

[ricoka]

Someone asked me about commissions earlier, which only happened to me once before by a friend, and I'm freaking out a bit, but more on the panicky side

[kuroakikitsune]

.

[ceilidhtransing]

I've cropped out the username because I have absolutely no desire to start drama or make a personal “callout” or have people go harass someone or anything like that (and if you take this kind of thing as an opportunity to go and be horrible to another Tumblr user then that is terrible and you should stop), but wow, I have never seen such a clanging example of amatonormativity. I don't think OP necessarily meant it this way, I don't think they meant any harm, I don't think they're consciously arophobic or something - it's far more likely that they're simply unfamiliar with aspec issues, and I always prefer to assume good faith - but I want to talk about this post anyway because it provides a really good and explicit example of the way society just sort of... asserts the centrality of romantic attraction and entirely forgets aromantic people exist.

I do want to first say that I actually agree with the initial point this post is making. Romance as a genre is unfairly derided as some kind of “lesser” form of art, and this derision very frequently comes with generous helpings of misogyny. I totally agree that romance is not at all an unintellectual or superficial thing to write about, and it's bad that it gets treated that way and that readers and writers of romance get so often mocked and condemned. Romance is a totally valid genre and enjoying it doesn't make you vain or stupid or superficial.

HOWEVER. As an aromantic person I find the rest of the post just... I don't know, it's just so perfect as a probably unwitting expression of baked-in cultural amatonormativity. It's brilliant. It's so funny to me. I can almost do a line-by-line breakdown of the way it so completely forgets the existence of aromantic people. In fact, let's do that.

It is so fundamental to us. The issue here should be pretty obvious. The assumption that romance is some integral part of The Human Experience and that it's fundamental to All People is pretty much amatonormativity 101. It reinforces the idea that people who don't experience romantic attraction are “lacking”, forever sitting apart from The Human Experience, and possibly in some way not quite fully human, since we don't experience the thing that is apparently so fundamental to humans.

To want to love and be loved. The post seems to be incorrectly equating “romance” with “loving and being loved”, when in fact there are many people who don't experience romantic attraction yet absolutely love and want to be loved. (And of course loveless aros, aplatonic people, various folks who don't “want to love and be loved” also exist, and it's important to emphasise that this desire, just like romantic attraction, is also not necessarily integral to all people.) “Love” is not automatically “romantic love”, but this post seems to imply that romance is the only, or default, form in which love can exist.

If you don't think every great work of literature. philosophy. metaphysics. was ultimately about romance. I don't think you were paying enough attention. OK this is the line that elevated this post from “sigh, more casual amatonormativity to scroll past” to “I just have to respond to this”. Where to even begin with this assertion. This is a level of “assuming romance is central to everything humans ever do and ever create” that I've almost never encountered before. It feels like a manifestation of the tendency for alloromantic people to declare that, because romance is very central for them, it is thus central to Everything. And I'm homing in on “romance” because the post doesn't say “ultimately about love” - which would still be a reach, but less of a reach - it specifically says “ultimately about romance”. As an aromantic person who is an academic at heart and highly educated in the humanities and social sciences, the idea that my ability to understand literature and philosophy and metaphysics is somehow greatly hampered by the fact that I don't experience or relate to romantic attraction is just... what??? This idea is really very funny to me but also genuinely pretty insulting, even though I'm sure it wasn't meant that way. Not only does it feel like the summation of every patronising “oh, you couldn't possibly understand” directed to aromantic adults who are, in fact, entirely capable of understanding, but it also flattens the incredible breadth of human intellectual experience into “being about romance”. I sometimes find myself wishing that alloromantic people would peak outside the bubble of amatonormativity and realise that actually, there is an enormous swathe of human experience and intellect and creativity and expression that has nothing at all to do with romantic attraction and romantic relationships. And no, stating that, I don't know, the Book of Job is not actually about romance has nothing to do with our society's misogynistic denigration of romance as a genre; it has everything to do with the fact that the Book of Job is not actually about romance. (And if you aren't familiar with Job or for some reason don't consider it a “great work of literature”, replace with whatever other example you can think of; there are many.) It's insulting to imply that aro-spec and/or ace-spec people are somehow less able to participate in art and literature and philosophy etc because we might bring a perspective that doesn't include romance or sex at all and we're just not capable of understanding that Actually Romance And/Or Sex Is Central To Everything. It's genuinely absurd to argue that all the pinnacles of human intellectual achievement really, at their core, come back to romance, and it speaks to our very blinkered society's tendency to declare things like “everything is really about sex” or “everything is really about romance” or “everything is really about breakups” or whatever and then look at aro-spec and ace-spec people like we're aliens and go “but like... how do you even live?” Newsflash, there is so much more to life than romance and love and sex. You can live an entire, very fulfilling, very meaningful, very thoughtful life without these things being at all relevant to you. That's not to dismiss those things as minor or unimportant - they are indeed very central to a lot of people's lives, and they're not “dumb” or “shallow” or whatever - but they're not central to everyone's lives, and they're hardly The Only Things In The World.

And if your response is something along the lines of “well OK there's a tiny minority of people who don't engage with romance and/or sex, or relate to it in the same way most people do, but that doesn't mean that romance isn't still at the core of humanity, or that all the most important things don't still have romance at their heart”, imagine telling a woman that “well, you can focus on a career if you want, but what's really fundamental to being a woman is being a wife and mother - in fact, motherhood is the most important thing in the world, it's fundamental to women, it's what all women's literature is about”. Or, hell, telling a person of any gender that “parenthood” is the central pillar of all of humanity and that every great work of art ever produced is ultimately about parenthood and obviously parenthood is fundamental to everyone's being - forgetting that actually some people will never be parents, and implying that their childlessness makes them less able to understand The Human Experience. That might give you some small idea of what it's like to be an aspec person and be repeatedly told that feelings you don't experience and relationships you don't have and attractions you don't relate to and acts you don't engage in are somehow Fundamental To Humanity and are what lie at The Core Of Everything: how excluding that is, how alienating that is, how oppressively stifling that is.

Feeling that love and/or romance and/or sex are very important to your own life is totally valid, but I wish alloromantics and allosexuals could be more capable of opening their minds and imagining and empathising with an existence for which these things aren't central. Our lives aren't lesser, or emptier, or sadder, or shallower for lack of romance or sex. Our experiences are part of The Human Experience. Our perspectives on art and life and relationships and philosophy and humanity and everything else are just as valid. We are just as capable of profundity, of creativity, of insight - because romance and sex aren't “at the core” of any of these things. We are here, and we're tired of being forgotten, ignored, sidelined, dismissed, erased, talked over, talked past. It would be great if society at large actually remembered we exist once in a while, and that our lives are just as beautiful and important as anyone else's.

[jonnywaistcoat]

Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.

To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.

On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.

But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.

At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.

As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.

[navybrat817]

Eye of the Beholder

Pairing: Bodyguard!Steve Rogers x Female Reader

Summary: Steve is your beautiful bodyguard and he thinks you're beautiful, too.

Word Count: Over 1.7k

Warnings: Bodyguard trope, fluff, tension, Steve Rogers (he's a warning, okay?)

A/N: More Beach Fun Nonsense! Hope you lovelies enjoy. Anon requested for Bodyguard!Steve (who still does art) to dig his Toes in the Sand (fluff) with prompt #45 in bold. Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

You shuffled through your closet with an audible sigh. You had to make an appearance at a party tonight and still didn't know what to wear. It was ridiculous since you had a wide range of dresses and outfits to choose from, but your heart wasn't in it. Maybe because you didn't want to attend. You’d rather curl up and watch a movie as you fell asleep, but it was part of your job to socialize and look pretty.

You weren't going to complain when many out there had it worse.

“Why don't you get some rest instead of going through your closet? Again?”

You turned and stared at your bodyguard who sat across the room. With his short blonde hair and blue eyes, Steve Rogers was stunning enough to be a model. With his intimidating stature though, he made the right call by becoming a personal protection specialist. Easy on the eyes and built like a brick house, today he wore a tight blue shirt that showed off his broad shoulders and chest. He looked like the type of man who could toss you around if you asked nicely.

But seeing the sketchpad in his lap, you wondered if your paths ever would've crossed had he focused on an art career instead.

“You know you don't have to be here until tonight, right?” You asked, ignoring his suggestion as you shut the door. “Or do you like spending your time off watching over me?”

It wasn't your idea to hire a bodyguard, but you understood your agent’s insistence for you to have one. There were overzealous fans and creeps out there who wanted you. Ones who would stop at nothing to have you. All because you were a model. And while you weren't aware of any recent threats or danger, you needed someone like Steve to watch out for you.

Better safe than sorry.

But Steve himself? He was a pleasant surprise. You expected a stoic but polite man since he called you “ma’am” with the most serious expression upon meeting you. The more time spent with him, you realized passion lurked beneath the surface. Beyond that, he was authentic. In a world surrounded by plastic smiles, fake talk, and people ready to knock you from the pedestal you never asked to be set on to begin with, he was a much needed breath of fresh air.

“Technically my next day off is two days from now, ma’am,” he gently corrected you. You could listen to him talk all day. “But day off or not, I don't mind spending any extra time with you.”

“Oh,” you said, your cheeks hot. You spent days around gorgeous people who didn't make you bat an eye or stutter, but any sort of compliment or kind word from this man always got to you. “Hey, haven't I told you not to call me ma’am?”

“You have. On more than one occasion over the last couple of months.” A smile touched his kissable lips. “I guess it slipped my mind.”

You leveled him with a cool gaze. “So, your eidetic memory is limited to visual aspects and not auditory memories?’ You asked.

His face lit up when he smiled. “You remembered that I have an eidetic memory?”

You pointed a finger at him. “Keep calling me ma’am and you’ll be out of a job,” you said, deflecting from his question.

He chuckled, not at all afraid of your threat. “You won't fire me,” he said.

It was true. Steve had lasted longer than you expected because you liked him. More than that, you trusted him. He was the kind of man who would lay down his life for you and also keep your secrets safe. Not that you had many, but you wouldn't hesitate to tell him anything.

Anything except how your thoughts about Steve were sometimes unprofessional.

“I guess I won't, but don't think I won't make you carry my clutch around if you keep that up,” you teased, taking a seat on the edge of your bed. Steve has been in your room countless times and it always felt a bit warmer with him there. “On that note, I’m sorry you have to go to the party tonight.”

At least you didn't have to bring a fake date. Lord, you couldn't stand PR stunts like that. You didn't judge those in the industry who did it since you understood why. It just wasn't for you.

Would Steve have been jealous if you did? Or would he have insisted that you go alone for your safety?

“Don't apologize. Where you go, I go,” he assured you, your heart swelling. You reminded yourself that it was his job to do that and nothing more. “Just give me the signal when you want to leave.”

Steve didn't just keep an eye on you for protection, but looked out for your well-being. He made sure you got rest when you were tired, food when you were hungry, and privacy when the crowd became too much. Your past boyfriends never paid attention or cared that much. Why was a bodyguard so concerned?

“Do you ever get tired of this?” You asked, leaning back on your hands as you regarded him. “Keeping an eye on me? Going where I'm going?”

He stopped sketching to look at you, his eyes sparkling with affection that you liked to imagine he reserved for only a select few. “I say with complete sincerity that not only am I not tired of being your bodyguard, but you’re the best client I’ve ever had the privilege of protecting.”

You were certain stars shone in your eyes. “You flatter me, Steve.”

“I only speak the truth.”

You covered your mouth when you yawned. “Flattery. Truth. You’re still good to me and I appreciate it.”

Steve sat up straight and put his pencil down, concern etched in his face. “You’re tired. I think you should take a quick nap while you can.”

The man had a bossy tendency at times, but it was for your own good. You waved him off anyway. You could sleep later tonight. It wasn't that big of a deal. “What are you drawing?” You asked.

“Take a nap,” he said again, his voice low.

You couldn't help but shiver. That kind of tone almost made you blurt out “yes, sir”, but you refrained. “You're drawing ‘take a nap’?” You asked instead, doing an inner cheer when his lips twitched in a smile. “Show me what it is and I’ll get some sleep. Just for you.”

“Just for me?” He asked.

“I think if anyone could get me to do anything without too much of a fight, it's you, Steve,” you said sincerely

He ran a hand through his hair and shyly ducked his head. “I can't say no to those eyes.” He brought his chair closer so you didn't have to get up. “But no insulting my work, okay? My ego can’t take it today.”

“Since your ego can't take it today, I’ll save the insults for tomorrow,” you giggled, but it stopped the moment he showed you the page.

It was a drawing of you.

You almost touched the page before you stopped yourself, not wanting to smudge it. The details were immaculate, down to your facial features and how you held yourself. You couldn’t say it was like looking in a mirror because you had never seen yourself look so beautiful, but it was still a reflection of you and something deeper.

He captured an essence that no camera ever had. One you didn't know you possessed. It was a tender and sensual story told through his eyes. Was this really how you looked to him?

“Steve, this is…” You lost your breath as you looked in his eyes. Where he had been shy a moment ago, he held his head high. Proudly. He should be proud of his talent. “It’s beautiful.”

“You're beautiful,” he whispered, his gaze a combination of soft and heated. A combination that made you lick your lips and set your heart ablaze. “It’s, uh, also not the first drawing I’ve done of you,” he admitted, running a hand through his hair again.

You saw color in his cheeks as you smiled at him. “You think I'm beautiful?” Plenty of people told you that, but you liked it more coming from him. It was an earnest sort of declaration without demanding anything from you in return. “And you have more drawings of me?”

Part of you hoped he drew you in intimate positions since you selfishly wanted him to desire you.

“You're the most beautiful person I've ever known.” Steve placed a large hand on your cheek and you didn't hesitate to lean in, your heart racing faster. Could he see your pulse racing in your neck? “And I do have more. Maybe if you're good, I’ll show them to you.”

Please.

You thought he was going to close the gap and kiss you, but a knock at the door made him pull away and reach for the gun in his holster. It was both sexy and disappointing to see him slip into his bodyguard mode. That was why he was there though. To protect you. Your safety came first.

“Steve?” An unfamiliar voice called from the other side of the door.

Steve’s shoulders relaxed, but he shook his head. “New guy. Doesn't know the knock yet. I’ll be right back,” he muttered, surprising you by brushing his lips against your forehead. “Lay down, please. I need you to get some rest for both of us.”

You watched him walk to the door and waited until he grabbed the handle to answer. “Maybe you can join me. Sir.”

The muscles in his back tightened, his gaze dark as he glanced back at you. “Be good,” he growled, leaving the room quickly. It was a sound you hadn't heard before.

Giggling, you flopped back on your bed. Steve drew you. He thought you were beautiful. He desired you. At least, you hoped so. Now the question was, how long would you stay at the party tonight before you picked up where you left off?

And would you behave?

I hope I did this justice. Love and thanks for reading! ❤️

Masterlist ⚓ Steve Rogers Masterlist ⚓ Ko-Fi

[seospicybin]

DON'T THEY KNOW IT'S THE END OF THE WORLD?

PART I

Lee know x reader. (s,a)

Chapters: Part II

Synopsis: Making a contact with an ancient object, you meet a demon who takes form of the man you desired and forces you to commit terrible acts to stop the world from ending. (14k words)

Author's note: I indulge myself with a spooky fic and demon Minho in it. Read with cautions and enjoy x

Based on an episode of Black Mirror. Content warnings: Violence, gore, mentions of abuse, assaults and graphic imagery. Reader's discretion is advised!

"Carving is easy. You just go down to the skin and stop." - Michelangelo

-

Oh, no! You're doing it again.

When you think you're talking in your head, you're actually talking loud enough for everyone in the room to hear. It's even worse that your voice is echoing in the big chamber of the empty gallery.

They seem to not care about it or pretend to because Kim has just walked in to check everyone's work. She's your friend from art school turns an art dealer and she has a way to control everyone around her.

"I told you to let us do it for you," she says, clicking her tongue at you and crossing her arms in front of her chest.

The gallery is having some of your pieces of art displayed for the exhibition tonight and you want to make sure that they're presented the way you envisioned it.

You carefully step down the ladder and stand next to Kim, looking at the sculpture you made of a man holding an arrow with an apple stuck at the end of the arrow.

You hear Kim dreamily sigh then look at you, "You're going to sell..." She pauses to emphasize the word she's going to say next, "Big!"

Money isn't the reason why you create these sculptures but you need it in order to keep being able to do this. You have no idea how expensive a block of stone is!

The reason why you made these sculptures is because this is what you love doing: envision your imagination onto a block of stone and you carve it to bring it to life.

Why did you choose stone as the medium? Because they're durable, stubborn yet resilient. It takes time to create one sculpture but once you've seen the result, you forget about the hard work behind it.

Kim puts her hand on your shoulder and snaps you out of your reverie, "Stop worrying about your sculptures," she says.

She turns you around to force you to face her and puts her other hand on your shoulder, "Go home. Get dressed. Put some color on those cheeks. Have a pre-party with a glass of wine or two."

Dressing up sounds like a lot of work, you'd rather stay in your dungarees and striped top, "Can I just wear these?"

It's like she has just heard someone dies, Kim's hand flies to her temple and screws her eyes shut for a second, "Trust me when I say that the people coming tonight wouldn't expect the artist behind these magnificent sculptures to look like Chucky," she says with a sneering smile.

She squeezes your shoulder and tilts her head to the side, "And that's me putting it the nicest way possible because you're my friend."

It's still a mystery how you ended up friends with someone like Kim, she's the opposite of what you are, an extrovert, a tolerable narcissist, she likes attention and is forthright to the point it's borderline insolent. You're so used to her audacious way of treating you and the blunt words that come out of her red-lipped mouth.

She's been like this even before you met her and you are the friend who likes to suffer in silence, you think that's why you became friends. Nevertheless, Kim treats you better than she treats anyone else for that matter.

That explains why the gallery staff are so afraid of her. It's always best to get out of her way unless she wants you to be there. You pick up your bag from the floor along with your jacket.

"I'll go then," you meekly say.

She grabs your elbow before leaving, "Go home," she says with a glare.

"Home. Not your studio," she says again, making it clear to you.

She knows you well enough to know that you like spending your days in your studio instead of your apartment. You sling the strap of your bag on one shoulder, "Go home. Get dressed. Come to the exhibition late," you repeat the things she wanted you to do.

Kim smiles and gently cups your cheek, "Good girl. Now go!"

Once you get home though, you spend hours just sitting in the emptiness that lingers in your apartment that is too big for one person to live in it.

This is why you prefer to stay in your studio, you like to keep your head occupied rather than being alone with your thoughts like this.

And your thoughts, they're mostly of unkind things and...

Your phone rings from inside your bag and steers your mind back to your head. Without having to look at it, you can tell who it is. There are no other people who call you daily except, well, if it's an emergency call.

"Are you getting ready yet?" Kim goes straight to the point.

"Uh... yeah, I just showered, I—" you jolt awake from lying down on the sofa.

"I'm having problems picking what to wear," you add a laugh in the hope of sounding convincing.

There's a wave of laughter from her end of the phone call before Kim talks to the phone, "Stop joking. Do you like it?"

You get completely confused because she suddenly compliments herself out of the blue, "Huh? What?"

You can hear her dramatic, low sigh and you can imagine her subtle eye roll as she's doing it, "The dress. The one I hung in your closet," she tells you.

You quietly trudge your way to the closet and open it to find the said dress.

"Yes, it's beautiful!" You hurriedly say, not wanting to let her get suspicious as she waits for a response.

"Aren't you lucky to have me as your friend?" she exclaims, sounding so confident with her words.

"I am the luckiest," you tell her as you observe the dress and already regretting hastily approving the dress as you notice it has a plunging neckline.

"I know," she brags and her smirk flashes through your head.

In the background, you hear something is calling her and Kim answers with a shout, "I'm coming."

She dramatically sighs before talking to you, "Work is calling. I'll see you tonight, okay?"

"Yeah, sure, see you tonight!" You're more than relieved to end the phone call with her.

It's too early to celebrate as she hasn't ended the call yet and she always ends the call first. You have an inkling that she'll call your name.

Indeed, she is.

"Hey, don't forget to take your meds, okay?" She says.

That's probably the only yet the most endearing thing she does to you and what makes her your friend.

"Yeah, don't worry about it," you tell her.

It's time to fully assess the dress and you're in awe of how much skin you'll show if you're wearing this. Of course, you have the option not to wear but it all comes down to wearing the dress or facing Kim's wrath.

The former seems to be the safer choice and also because you're not a confrontational person, you like to avoid conflict.

Not wearing the dress means you're going straight into conflict and you don't want that.

With a defeated spirit, you put the dress on even though you have no idea how to move in such a tight dress. You summon up your below-average make-up skill for tonight and put some colors on you.

Not forgetting Kim's words, you take your medicine and wash it down with a long gulp of water. You give yourself a few minutes as you wait for the medicine to work while you sit on the couch holding a glass of water in both hands, staring out at the view from your apartment.

Kim insisted you take this apartment when you're okay with living in the studio. Not only that it's too expensive of a place to live on your own but a big place only makes you inexplicably lonely.

However, after seeing the view from up here, you feel like you're not part of this world in the most humbling way. Seeing the city and the buildings look like pieces of block makes you realize that they don't matter that much. They're all just... material things.

You sigh as you get hit by a wave of melancholia and you take it that the medicine is working.

-

Uncomfortable walking out of your apartment in your dress, you put on a coat as you leave the apartment with the sounds of your heels clicking against the floor.

The owner of the building passed away yesterday, there are so many guests visiting the penthouse where he lived. The first elevator that arrives on your floor is crowded so you skip on getting on that one. You patiently wait for the next one to arrive while clutching your purse in front of you.

A minute later, the other elevator arrives and the doors slide open, you see there's someone else inside. You believe he's been from the penthouse from how he dressed in all black.

You look down to avoid eye contact and step inside, standing at the back of the limited space while trying not to look at the man's face on the reflection from the mirror that walled the elevator.

Arrived in the main lobby, the elevator dings open and the man doesn't waste time but walks out with hands shoved inside his coat pocket.

You fix your coat before stepping out and you feel your feet kicking on something, it's clattering across the floor. You bend down to pick it up, something that you guess is a pocket watch.

Your first thought is that it belongs to the man and you look around to see if he's still around to give it to him, but he's nowhere. It's as if he's gone with the wind.

"Miss, your driver has been waiting outside!" The concierge informs you from behind his desk the second he sees you.

"Yes. I'm coming!" You hurriedly shove the pocket watch inside your purse.

As Kim instructed, you come late to the exhibition and it's already filled with people dressed so impeccably for the occasion. You take a deep breath before entering the scene that is the least you wanted to be.

You take your coat off and hand it to the girl handling the coat check, along with your purse. You feel naked even though you're not, but it's not just the dress, being in the crowd is not your forte.

The first thing to do in a situation like this is to find Kim. You avoid making contact with everyone you're walking past as you look for her in the crowd. It's not hard to spot her when she's always the center of attention anywhere she is.

"There she is!" She gasps the moment she sees you're coming her way.

She puts away her champagne flute and walks up to you, embracing you like the trophy you are, "My rising star!"

Kim puts her hand on the small of your back and smiles brightly while discreetly judging your look.

"Isn't she amazing?" She brags you off to the group of people she's talking to.

You can only sheepishly smile next to her and avoid everyone's eyes.

"She is the artist behind those magnificent sculptures," she adds with that saccharine smile of hers.

They're starting to throw praises at you and you can hear all of them talking at once, making you more uncomfortable staying in there.

You take a step back but Kim's hand does not allow you to escape, she glances at you and takes the cue.

"Excuse us," Kim says to everyone, "Enjoy the exhibition!"

Kim steers you away and pulls you aside, before you can comment on her choice of dress, she snatches the chance from you.

"You could've picked nicker shoes," she whispers through her gritted teeth at you.

You automatically look down to see your heeled shoes which you think match the dress you're wearing.

"I–I think it's—"

She cuts through your words, not giving you a chance to explain. She grabs you by the elbow, "We have no time to change it," she says, then steers you somewhere.

As Kim continues to brag you around like you're the art piece instead of the artist, you start to get that feeling that she's using you.

As a matter of fact, she used you to propel her career as an art dealer. Ever since you agreed to let her sell your art for you, her career took off.

You're more than happy to be of help but she does everything extra and she's been taking you to meet a lot of people that their faces started to blur and it's getting overwhelming that you need to get out of it.

"I'll just—" You barely finish your sentence when you walk away and find somewhere to gain some composure.

You keep walking until you find the restroom and push yourself inside, lock yourself in one of the stalls just sit on the toilet, and just breathe.

You hear the ruckus outside the stall and someone probably needs to use the toilet, you reluctantly get up to start heading outside.

The plan to leave unnoticed comes to a failure when Kim is already there right outside the restroom, "Where have you been?"

You take a deep breath to calm yourself and try to explain, "Kim, I don't think I can do this anymore. I—"

Then again, she never let you finish your sentence, "One more. I need you to meet your new potential buyer."

You grip the side of your dress and you feel like tearing it apart, "No, Kim. You know how I do with people, I don't— I just want to go home," you desperately tell her just to let you go when you're an adult and can do whatever you want.

Kim lets out an exaggerated huff and sends her fringe flying off her forehead, crossing her arms in front of her and you know what's coming for you.

"You think I'm doing this for me?" She asks.

Actually, yes. The initial plan is to sell your art but in the end, she makes it all about her.

"I'm doing it for you!" She says, turning it all on to you. She always finds a way to turn it all on to you, making you feel guilty and defeated.

Talking back to her means that you're saying yes to war and you don't want to fight a losing fight. You fist the fabric of your dress trying to suppress the anger brewing inside you.

"Just one more person," you meekly say.

Her face softens at the sign that you're once again giving her the power, "That's right. Just one more and I'll let you go."

You finally let go of your dress and you wipe your sweaty palm down the back of your dress as she guides you back to the gallery.

"All you have to do is stand next to me, smiling and explaining your art to people," Kim instructed like that wasn't what you've been doing all night.

Except that she forgot that you need to fake all of that.

Kim takes you to one of your sculpture displays and three people in suits have been waiting, talking with drinks in their hands.

"Hello, gentlemen," Kim says with an extra polite voice that makes you shudder at how fake she sounded.

"Heard you're looking for the amazing artist behind these beautiful sculptures?" She continues, presenting you like you're the one who's about to get sold, not the sculpture.

One of the three seems to be the one in charge with a stance that oozes confidence and power, a smirk that only someone who grew up with a silver spoon stuck to his mouth can master. He looks years older than you but his face shows no fine lines but that's just because he never had to frown in his life.

"I adore your art so much," he praises with a teeth-baring smile.

Kim turns at you and introduces him, "This is Nicholas de Ville from the de Ville family."

The way she enunciated his last name only means that this person holds importance and she expects you to impress him.

He holds his hand out next with an expensive, shining wristwatch decorated his wrist, "I'm Nicholas de Ville. You can call me Nick."

He may seem nice and polite because all privileged people learn manners but they only apply that lesson in real life occasionally.

You take his hand or else Kim will force you to do it. You shake his hand for a while and accidentally meet his gaze as you try to take your hand back.

"It's a pleasure to meet you, Mr. de Ville!" You say as politely as you can.

"Nick, please!" He insists with a smile.

"And the pleasure is all mine." He adds with a smile that says so many things and they send a chill down your spine.

Kim lets go of her hand and lightly touches you on your arm, "Mr. de Ville wants to know more about your sculptures so..." she quietly pushes you his way.

Nick courteously laughs and says, "Would you be kind enough to give me the tour?"

You consider it for a moment but seeing Kim's glare, you know you have no option.

"Yes, sure, I would love to," you answer with a strained smile.

"Great! Please, lead the way!" Nick says.

When you think the other two are coming with you, it's just you and Nick, walking through your sculptures and you explain each one without trying to bore him like Kim has taught you a few times.

"... it's inspired by the Greek mythology. The apple in the arrow means that when it comes to love, we know no rules, we follow our desires—"

Nick is too busy looking at you instead of looking at the sculpture you're tirelessly explaining to him. Guessing that he isn't interested, you stop talking altogether.

"I'm sorry if I'm rambling," you sheepishly say to him and keep looking at the sculpture.

"No, no, that's okay," Nick says with a smile and takes a stand close to you, also looking at the sculpture.

"Your art is as beautiful as you," he says.

You're getting uncomfortable at how close he is with his elbow brushing yours. You nervously swallow air and lowly mutter, "Thank you."

Nick takes it the wrong way. He takes it that you're replying to his flirtation when you thought he was earnestly complimenting you, he starts to place his hand on your shoulder.

You reflexively shrug his hand away but that only sends his hand down to your back where he can touch your exposed skin. As his fingers make contact with your skin, you take a step back until his hand drops.

"I'm sorry," you regret apologizing for something that you didn't do wrong.

He looks at you as if he didn't just do something wrong or touch you without your consent. You feel repulsed by yourself and take another step back, "I'm sorry, I just need to—"

You keep walking away, away and never looking back.

-

The musty smell and dust that hang in the air welcome you to the studio.

You take your dress off the first thing you do when you get there and put on any clothes you can find in the dresser, a black T-shirt and worn-out jeans.

You put your earrings inside your purse and the pocket watch you collected earlier spills out of it, falling onto the couch.

You're intrigued to see inside the locket to get a hint on who the owner is, you're trying so hard to open it with the strength you have but it won't budge.

Exhausted from trying to open the antique-looking object, you give up and walk over to the sculpture you're working on. You put the pocket watch down on the table next to your carving tools, then pick up a chisel and a hammer.

For every hit of the hammer, you feel like unleashing something that makes you feel lighter and lighter and makes you hit the chisel harder and harder.

You eventually get exhausted and take a step back, leaning against the table while looking at the unshapen block of stone in front of you.

You grope around for a bottle of water and take a sip, putting it down as you wipe your mouth after. Your fingers nudge something as you place your hand on the table, it's the pocket watch blinking under the fluorescent light.

It seems to be calling for you, inviting you to try and uncover the mystery inside.

Looking at the small chisel next to it, you decide to give it another try by prying it open with the chisel. You slip the sharp end in the crack and use your strength to push it open only for the chisel to slide to the slide, cutting the side of your finger.

You drop the pocket watch as blood drops from the wound onto the table. It's not the first time you injured yourself, you know what to do. You go to the bathroom, wash your finger under the running water then grab your first aid kit from the drawer.

After tending to your small injury, you decide to not continue working when you're angry. You take another sip of water and lie down on the couch.

With the quiet that hangs in the room, you slowly drift into sleep.

-

SEVEN DAYS TO THE END OF THE WORLD.

The darkness greets you even though you have opened your eyes.

Pretty sure you kept one of the lights on when you went to sleep but it's all dark now in the room, you can't see anything but lights that shine through the cracks of the blinds.

You slowly get up from the couch to turn the light on, carefully walking to where the switch is, and once you flip it, lights flood the room.

The first thing you see is the pocket watch that is now open, you walk over to the table and pick it up to see inside that it's just a normal watch but it doesn't have numbers on it like all watches have.

You close it and see that your blood tainted the lid, this time, you can easily open it without a hassle.

"Hello!" A voice says.

Surprised to hear a voice coming from it, you drop it back onto the table. A moment later, you laugh it off, thinking that you misheard it considering that you just woke up from sleep.

With hesitancy, you pick the pocket watch again and look at it. Your thumb wipes the glass cover of the watch.

"Hi, Hello, I'm Minho. I'm a demon. You anointed this talisman with your blood so now we're bound together and—"

It speaks again and in response, you hurl it across the room until it hits the wall and drops onto the floor. You stand there, frozen on your feet, and wonder...

"Look, I've got a whole introductory speech here," the voice says again, coming from the part of the room where the pocket watch is.

For protection, you stand behind the open bathroom door and look at the pocket watch talking like a lunatic you are.

"We got to work together," it says.

You whimper hearing the voice again and you know that it's real, you're not making this up.

"Can you pick me up? Just pick me up. Come on, pick me up! Please?" It demands.

You take cautious steps to get to where the pocket watch lies on the floor.

"That's it, come on. Come on. I won't bite, I promise. Come on," it says as if it could see that you're coming to pick it up.

You swallow air and slowly bend down to pick it up from the floor, holding the pocket watch in your hand.

"As I was saying, you anointed the talisman and the rules are you've got to carry out three human sacrifices over the next seven days or else the world is going to end," it speaks again.

That's a lot of information to take in, not to mention that you're already having a hard time wrapping your head around the fact that the pocket watch is talking to you.

"W-what?" You breathlessly say.

"If you want me to help you, you need to permit me entry."

Entry? That sounds like a bad idea. You just stand there and look at the pocket watch.

"Do you permit me entry? Yes or no?" It asks.

You shake your head and convince yourself that maybe it is not real.

"You have to say yes. Just say the word yes."

This is not real, you tell yourself out loud.

"Or let's do this, if you say yes, I'll... I'll stop, okay? I'll go away. You'll never hear from me again like this didn't happen." It persuades.

This is not real, this is not real, you chant in your head.

"Just say yes. Say it! Say it. Say it. Say it," it chants louder and it starts to fill your head, endlessly echoing.

You want it to stop so you impulsively say, "Yes."

The chants stop and the light flickers off, filling the room with darkness again. You whimper in fear as the pocket watch starts ticking in your hand.

You hear something deeply breathing a few feet from behind you. Curious, you spin around on your feet to see what it is, but you can't see it as it's lurking in the dark

However, you feel good about not being able to see it as fear creeping up inside you. You walk backward until you hit the wall behind you.

"Hey, come on, what's the matter?" The thing says as he takes a step forward, revealing his form to you.

The first thing you can make out the shape of that thing is two long horns on his head and two red eyes.

"All right. I lied about going away," he says in a deep, growling voice.

"My regular appearance is a bit too much for this realm."

He takes a step back and disappears in the dark. After a while, he takes another step to the front and has already taken a different shape. He looks normal now, as in looking like a human and not just any human, he looks like...

"I peered into your soul and apparently, this is a physical look you find appealing so..." he says with his arms spread out and a proud grin on his face.

"I don't know. Let me have a look!" He walks over to the mirror hung on the wall next to you.

He looks just like the sculpture you made, he has a sharp nose, chiseled jaws, and a hair color as intense as red roses go. You feel a mix of fear, awe, and confusion inside and it's getting overwhelming.

He leans close to the mirror and fixes his hair, "Wow!"

He seems impressed by how he looks, "Okay, isn't it what you want?" He turns to you.

Not getting an answer from you, he smiles, then says, "Uh... I mean, I can work with this."

You can only whimper with your mouth parted open, having a hard time wrapping your head around this situation. If it's happening or not, is he real or not, did you take your meds or not?

"You have to calm down so we can talk. Just talk to me!" Minho says, noticing that you're in a state of panic.

For a split second, you see his eyes flash like those belonging to feline creatures, gleaming like two marbles in the dark. You can feel cold sweat on your back as you slump down against the wall until you're sitting down on the floor.

He squats down in front of you and reaches for your head but you're quick to dodge away from it.

"You know, we have got to work together," he assures you.

It's not fair that he has a face that came from your imagination, it gives you a sense of familiarity that lures you to give in. However, you're not sure if you should be giving in to him.

You bang the back of your head to the wall, close your eyes, and repeatedly chant like it's a mantra, "You're not real. You're not real. You're not real."

But that is not enough to expel him. You open your eyes and still find him there. hand and a grin.

"Like I said, we have got to work together," he tells you again.

To give you the space to gather your thoughts, he walks around the studio while talking, "You marked the talisman. I don't make the rules."

With the lights turning back on, your eyes can easily follow his figure going around the room and looking at the sculpture you're working on.

His fingers slowly graze the rough surface of the carved stone and then he turns his head at you.

"Basically, we need to deliver three human sacrifices by next Friday or else it's..." he informs you again as if you haven't heard him the first time, "burning skies time."

You can feel anxiety rising inside you and your throat is closing up, making it harder for you to breathe.

"I sense you need convincing. Uh..." Minho walks up to you again and offers his hands to you.

You look at his hands for a moment before letting him help you to get up from the floor. You imagine your hands reaching for fragments of your imagination but instead of that, you feel his warm skin and firm grip as he hoists you up until you're standing on your feet.

If he's not real then how can you hold him?

He looks at you for a second to make sure you're okay then nods, "Let me show you how this will play out, alright? What will happen if we don't succeed," he says.

He walks to stand behind you and puts a hand in front of your eyes, "You ready?" He asks, his hot breath fans your neck as he speaks.

You're not sure what he's asking you to get ready for. You're not even sure if you're living the reality right now.

"Ready?" He asks again and once again his breath tickles your ear.

"3, 2, 1!"

As if you're being transported to another time and place, you open your eyes to see fire. It's the studio but it is on fire.

"This is what we're dealing with!" Minho says but you can't see him anywhere.

Fire is everywhere and you can feel the heat of it burning your skin and thick smoke filling your lungs that you start coughing, retching for air.

"Scorching wall of flame. It's agonizing death for all and so on," he continues.

You're flailing around to get air, walking to the window to open it only to find it hot to touch and you see that the whole city burns with you. You hear people screaming and sirens blaring everywhere but anywhere you look, it's just blazing fire.

You get away from the window until your back hits the table behind you and snaps you back to reality. Your head turns to the side and see Minho there, leaning against the table next to you.

"See, burning people they smell like... a burnt slice of meat on a griddle. It's better if you dissociate from it," he coyly says.

The images are so vivid that you feel the need to escape it, run away from here and so you do. You make a run to the door and he's already standing there next to it.

"If we're being honest, I don't want the apocalypse to come about any more than you do," he says.

You turn the knob and open it, running through the hall that leads to the exit door. Yet Minho is already there too.

"So let's stop it happening, you and me, mmh?" He says to you.

"All we have to do is deliver three sacrifices in seven days," he pops at the end of the hall.

You yank the door open and find him standing outside the door.

"It's only three killings," he says with a malicious laugh.

You rush to climb down the steps trying to escape what you know is like trying to get out of your head, it's inescapable.

"Animals don't count. You have to do humans," Minho informs at the base of the stairs.

You hurriedly unlock the iron gate and pull it open, running into the street in the middle of the night but of course, he's already there too.

"We can do like one kill a day but I'm good with one kill in two days and—"

You decide to go the other way from where Minho is standing and just aimlessly walking to avoid him. You know the neighborhood but not as good as when it's at night.

You walk down the stairs that lead to the riverbank, feeling more afraid of Minho instead of being mugged at night.

"That is fewer people than die falling off ladders in the same time period," Minho magically appears on the stairs, leaning against the railing.

"You'd be less lethal than a ladder," he adds with a sly smirk.

Your eyes are watery either from the cold wind or the anxiety taking over you. You sniffle before talking to him, "If I talk to you, you're real so I'm not going—"

You walk away before you can finish your sentence and walk along the riverbank, hugging yourself.

"Well, we started conversing already so that ship has sailed."

You can't believe that he's still following you when he knows exactly why you are trying to get away.

"No, it hasn't," you persist when you know he's right.

"Oh, oh yes it has," he talks back with a mocking tone.

You stop on your track and grunt in frustration, bending down to pick whatever is close to you.

Minho stops walking as well and says, "Don't worry. We're a team. I'm on your side, you know?"

He takes a step forward and keeps talking, ignoring that he's the reason why you're so frustrated.

"Let's just get kill number one under your belt, mmh?" He says in a softer tone.

You turn at him, your finger pointing right at his sharp nose and sternly tell him, "You can stop it because I am not killing anyone!"

You take a deep breath to calm yourself down and try to face him again, "You're not real so I don't why you keep talking to me," you snarl.

Minho coyly smiles at you and calmly responds, "That's what I'm here for. Moral support!"

He takes even a closer step to you and lowers his voice, "So, just hold on to that rock and hit someone with it!"

You get confused by what he said, "What rock?"

He eyes your hand on your side, "The one in your hand, love!" He answers.

You don't even realize you've been holding it until he pointed it out. The moment you know, you can feel its weight in your hand.

You gasp in surprise and glare at Minho, "I'm not doing what you say."

You hear footsteps coming from under the bridge and turn around to see a middle-aged man, "Are you alright, Miss?"

But Minho sees it as an opportunity, he stands and looms behind you, whispering evil things into your head.

"Mmmh... yeah," he hums in victory.

"He's perfect. No witnesses. Talk about beginner's luck," he whispers to you so close that it feels like he's living inside your head.

You feel his hand resting on your shoulder as he further persuades you, "Just one quick pop to the head and you're done."

For a second, you wanted to do what he said just so he could stop bothering you. However, the conscience in you is talking you out of it.

You walk toward the man and try to seek help from him, "Please, make him stop!" You say, gesturing to Minho who's standing right next to you.

The man looks confused by what you said and asks, "Make who stop?"

Disoriented by what's real or not, you keep looking back at Minho, then at the man, getting pushed to where you hit your limit.

The man walks up to you, feeling more concerned for you that he asks again, "Is everything alright?"

The relentless demon he is, Minho stands close next to you and whispers, "Would it help if I told you I can see into this man's soul and he absolutely deserves to die?"

This time you know it's his way to get what he wants, to get you to do the deed. You look away and hastily shout, "Shut up!"

Yet Minho keeps talking about the man as he's giving you a stare, one that you're way too familiar with, and convinces you that he thinks you're crazy.

"He has a wife and a daughter, you want to know what he does to them?" Minho's words hold intense hatred in them like you can feel the bitterness of it on your tongue.

You look at him to see if he's just tricking you to kill the man, "Don't trust me? Well, get a load of this!"

Minho covers your eyes with his hand again and this time, images of the man abusing his wife and daughter over and over again that you can't bear to watch anymore.

He snaps you back to reality again and says, "You'll save them both from years of pain, shame, and guilt."

Fueled by the rage from what you've seen through Minho's vision, you launch yourself at the man and hit him hard on the head, sending him tumbling to the side and into the river.

You stand there watching his body sinking into the water until the air stops bubbling to the surface of water and that's when you're certain that he's dead.

The man is dead.

Despite the shock, you manage to walk away while still carrying the rock in your hand, and once you realize you've been holding to it long enough. You throw it into the river then break into a run back to the studio.

You vomit everything into the toilet bowl once you're back in the studio, retching nothing but saliva and air.

Minho is standing at the doorway of the bathroom as he says, "It takes some used to but a couple more of that and I'll be out of your hair," he says.

You flush the toilet and sit on the bathroom floor, looking at him with teary eyes and the shock that hasn't left your body yet.

He pulls out the pocket watch and shows you that the Roman number written inside has gone one line, "See? One line has gone which means one sacrifice registered. Two to go."

You get up from the floor and drag yourself to the couch, feeling so drained by whatever has driven you to do unimaginable things, one that you thought you'd never done in your life.

-

Morning has passed but you can't find the energy to live for the day.

You're lying down on the couch watching the sky turn brighter with every hour passed. It hasn't sunk in yet what you did last night. It feels like a dream but at the same time, you can still feel the weight of the rock in your hand.

Minho has been quiet but you know he's lurking in the room and he decides to interfere by standing in front of you.

He tips his head to the side and asks, "How long are you going to stay like this?"

He then sits on the other end of the couch and says, "Well, you have to, at least, do whatever it is you do as a sculptor. You can't have people getting suspicious."

How come he takes it lightly? How did he get so calm after telling you to kill a man and watch you doing it?

"Fucking shut up!" You shout at him.

Talking to him makes everything unbearably real and it makes you recollect what happened last night. The guilt, the disgust you feel for yourself, the blood on your hands, you can see everything now under the daylight.

"I killed a man," you croak, saying it hurts that tears start to crawl out of you.

"I've killed someone," you meekly say with a tear rolling down from the corner of your eyes.

"Yeah, but that was hours ago," Minho nonchalantly says.

"I keep feeling the crack of his skull on the rock," you pause to sniffle and turn to look at Minho, "I did that."

But he wouldn't get what you feel because he's not a human in the first place. Minho is a demon.

"It's your fault. You're not even—" You stop talking because it's no use to talk to an entity that knows no compassion.

You brush your hair to the back and deeply sigh. Turning your head at Minho again to ask, "Why is this happening to me?"

You use the heel of your hand to press on your eye to stop crying, "I'm not a bad person."

"No, no, no," Minho quickly denies.

He moves to stand behind the couch and leans close to you, "It wouldn't work if you were. It has to be someone corruptible," he explains.

Your forehead wrinkles and forms a questioning look on your face, trying to make sense of what he said.

"If you think about it, what's happening here, it reflects really well on your character," he says with a smile.

What he said only assures you that you are a bad person. What you did is the reflection of what you truly are, a bad person.

You nod and wipe your wet cheek with the back of your hand. You get up to sit on the couch and grab your purse, rummaging inside to pull out your phone.

"What are you doing?" Minho asks with a panicked voice.

You dial the police line on your phone and show it to him, "Calling the police."

He jolts on his feet and sits next to you on the couch as you hit the call button.

"But why?" He asks.

You can hear the dialing tone ringing so close to your ear, "So they'll arrest me," you simply answer.

Minho nervously chuckles, "Then you won't be able to do the other sacrifices," he reminds you to rethink your choices.

"Good!" You shortly respond, trying to stay in your right mind this time.

"Then the Apocalypse will happen and billions will die. I know, I know, I get it. You don't want blood on your hand but if it saves billions..." He's babbling, desperately trying to stop you from turning yourself in.

The way he puts it that way, he makes you choose the lesser between the two evils. 

"Hello, police department, may I help you?" The operator speaks on the phone.

Kill three people who deserve it or save billions of innocent people?

You find yourself hanging up the call and putting your phone away, once again failing to do the right thing.

"See? You're a good person!" Minho says as he exhales in relief.

To be honest, you don't know what's good or bad, right or wrong anymore. It's one big blur to you.

You feel frustrated once again, you feel like a failure but on the bigger picture, you're trying to stop the world from ending.

But can you really save everyone?

-

You can't wait to dwell on everything in the comfort of your apartment. Before you can do all that, you need to set boundaries with him. You face him and look him right in the eyes, "I have six days to kill two more so please, give me a break for now."

Minho gets quiet for a moment before nodding in agreement, "That's fair."

Feeling the need to wash yourself from whatever it is clinging to your body, you get a shower and take your meds to help you decompress while sitting on the end of your bed in your bathrobe.

"I don't know why you take those pills," Minho says as he enters your room.

You quietly sigh at him and say, "Can you at least give me a few minutes until it's working?"

"Want to wash it down with wine?" He offers, showing the bottle of red in his hand.

You shake your head, "I can't drink alcohol after taking antidepressants," you answer, not sure why bother answering him.

"That sucks!" He says and puts the wine bottle down on top of your dresser, "I was thinking we could celebrate our first kill."

You feel a little faint at the mention of the word kill and celebrate being put in one sentence. You climb onto the bed and pull your duvet, "I need to rest."

Minho appears at the end of your bed, looking down at you with his dark, wide eyes, "That's right. We have a lot to do tomorrow."

"Can you turn the lights out for me?"

"Certainly."

The room turns dark but you get a newfound comfort in it.

"Goodnight," Minho's voice caresses your ears like a spring breeze.

You don't want to get used to this but you feel inexplicably at ease that there's someone else with you in this vast emptiness.

"Goodnight, Minho."

-

SIX DAYS TO THE END OF THE WORLD

You jolt awake to the sounds of your phone ringing on your bedside table and you know who it is without having to look at the contact name. Your fingers are tapping the phone screen as you squint your eyes to make sure you hit the accept call button.

"Yeah?" You ask as you put the phone on the side of your face while you're lying on your side with your eyes closed.

"You're still sleeping?" Kim asks, noticing the sleep in your voice.

"Mm-mmh," you hum in answer.

"You know what time it is?"

"I don't know. Nine or ten?" You wildly guess by how badly you want to go back to sleep.

You hear her sighing from the other line of the call, "It's almost 2 in the afternoon," she says.

You force your eyes to open to check the time yourself and see that it is indeed two in the afternoon.

"Oh?" You innocently gasp.

Realizing that may piss her off, you hurried to shift the conversation elsewhere, "Yeah, uh... why are you calling again?"

You fear that she's going to be mad about you abruptly leaving the exhibition or worse if she knew about Nick. You hold your breath, anticipating her answer.

"Oh, yes, I have good news," she says with a smile that you can feel from your end of the line.

"You sold four sculptures, darling!" She squeals.

That's exciting news but you don't have it in you to participate in that excitement, yet you feel relieved you can properly breathe at ease.

"That's... That's great!" You meekly say while raking your hair to the back with your fingers.

"I've been calling you since yesterday, you know that?"

"Oh? I, uhm..." You take a moment to think of an answer.

Summoned a demon? Found out that you have seven days to the end of the world? Killed someone to stop it?

"I needed—"

"Never mind!" She rudely cuts you off, "Guessing from how tired you sounded, you must be going straight back to work, huh?"

The sculpture is still a chunk of unshapen stone but yeah, you worked on it just a bit. Well, a work is a work.

"Yeah, I-I did," you sputter your answer yet thankful that all of her guesses are off the mark.

"I'll come with the paperwork tomorrow. For now, you can rest now or work some more, knock yourself out," she says, couldn't care less about what you're doing now that you've made money and she got to feed on a few percent of it.

"Thanks, Kim!" You say, because it's better to always be on her good side.

"Oh, come on! We both working hard," she kindly refuses but you know she feels entitled to this.

"Let's have a dinner to celebrate," she suggests.

"Yeah, yeah," you half-heartedly answer.

"Talk to you later, okay?"

"Okay."

"Bye!"

You don't even bother to say it back knowing that she'll hang up right after she said her bye. Since you've woken up already, you sit up on the bed and pull your knees up, hugging your feet as you gather your thoughts.

In your peripheral vision, you see a flash of red from the doorway of your room. You turn to look and see Minho standing with the side of his body leaning against the doorframe.

The all-black outfit he's wearing makes his honey skin glow and his hair look like a blazing fire under the sunlight. He smiles once he notices your eyes are on him.

"Morning, sunshine!" He sweetly greets you with a smile that is a little unsettling but a whole lot attractive.

He crosses his arms in front of him, exposing the veins coiling his forearms, "Oh, wait, it's way past noon," he says with a grin.

Looking at him only reminds you of the responsibility you're carrying on your shoulders: saving billions of people from being incinerated.

"Are you always like this or...?" Minho asks, breaking the silence that hung in the room as you think of the dire situation you're in.

Minho approaches you and stands at the end of the bed, "You can't stay in all day. We only have five and a half days left," he reminds you of the time-sensitive quest you're in.

The only way to save those billions is by killing three people. That's the only thing on the pro list, there are just too many cons, mainly on the killing part. The only good thing that comes out of it so far is that you only need to do two more killings.

God! What have you become?

"What should I do?" You hopelessly ask him even though it's a bad idea to ask a demon such a question.

"Just carry on as usual so the people around you don't get spooked," he answers.

It's you and him, him and you, there's no one else you can seek help from.

Minho is right. You can't just sit here and watch the day goes by or else the thing you've done would come to a waste.

You slowly scoot over to sit on the edge of the bed and rub the sleep of your eyes, not ready to face the day when you know you only have six days left to stop the end of the world.

"And while we're going on about the day we can decide who to kill next," Minho adds.

The devilish grin looks beautiful on his sculpted face but everything he says sending a chill down your spine.

-

"Oh, an old lady!" Minho exclaims as an elderly lady enters the elevator.

You silently watch as he scoots closer to her and smells her head, "She smells like... oh! She's sweet."

You silently groan in the corner watching what he's doing.

He places his hand on the lady's shoulder and says, "She can't stop thinking about the end though. She can't wait for it to come."

He looks at you with that wild grin plastered on his face, "You'd be doing her a favor."

You lightly shake your head at him to make him stop playing around the poor lady but he doesn't get the clues.

"She dreams of death. Even now—"

"Shut up!" You say through your gritted teeth.

The old lady turns to look at you, "What is it, my dear?"

You quickly put on a smile for her, "Oh, nothing," you politely say.

Minho walks up to stand next to you again and whispers in your ear, "Just do it. No one will miss her."

"Shut up!" You whisper back while throwing daggers with your eyes at him.

"She's nearly dead already!"

Thankfully, the elevator dings open and shoots his idea down as you step out of the elevator.

"We need to start to pick someone!" He persists as he follows you walking in the lobby.

Minho is such a nuisance.

It's hard to ignore him when he keeps talking, making remarks about everyone he sees, and constantly around you the whole time.

It's when you're working on your sculpture that you get to immerse yourself in your work and disassociate from reality.

All you hear is the slamming sound of your hammer on the chisel and pieces of stone falling onto the floor. Looking down at the mess you made, you spot one particular piece of stone lying close to your feet. You stare at it for too long you get the recollection of that night.

The weight of the rock in your hand, how you bashed someone's head with it, and the splashing sound of the man falling into the water, all of that vividly playing in the back of your head.

You stagger backward and drop your chisel onto the floor, the clattering sound echoing in the spacious studio.

"I've been meaning to tell you this," Minho appears from behind the sculpture, startling you.

"We should order food," he suggests.

You put away your hammer and take off your mask, walking to the mini fridge to get a bottle of water.

"You're a demon. You feed on..." You think for a moment to finish your sentence as you unscrew the cap of the bottle.

He snatches the flyer stuck to the fridge door and asks, "Pizza?"

You close the fridge and walk over to the couch, plopping yourself down before chugging some water into your system.

"You need to eat so you can—"

"Kill?" You finish his sentence.

Minho scrunches his nose and sits on the armrest of the couch next to you, "I was about to say think but yeah, that too," he says.

You untie your pinafore and throw it aside, he isn't wrong to say that you need to eat. What's the point of saving the world if you're going to die of starvation?

You let out a sigh and grab the flyer from his hand, typing the numbers on your phone screen.

"Cheese pizza, please? With a lot of pepperoni!"

How can you believe that he's a demon when his choice of pizza topping is like a toddler's?

-

"Good evening, Miss!" The concierge greets you as he sees you enter the door.

"Hi," you greet back, impatiently wanting to get back to your apartment to dwell on your fate again.

"Miss Kim came by and dropped something for you," he informs, taking out a big envelope from your mailing box.

There's a faint sound coming from the small TV tuned to a news broadcast when you come to the desk to collect it.

"Here it is, Miss," he slides the big brown envelope across the shiny surface of the desk. There's a note on top of it which you immediately recognize as Kim's.

You open to do a quick check on what's inside when you hear a glimpse of the news from the TV.

"...man found dead in the river has been identified as Ben Watson, a financial officer of a bank company, leaving a wife and a seven-year-old daughter who has been notified about his tragic death..."

You glance at the small screen and see the photograph of the man you killed that night. You can't possibly be wrong about this when you remember the horror on his face as you lifted the rock before swinging it hard to his head.

"Is there anything wrong, Miss?" The concierge asks.

You snap yourself out of your daze and put the envelope close to your chest as if someone about to steal it from you.

"No, no," your voice is quivering in panic at the sight of the man you killed.

"Thank you," you abruptly the conversation with gratitude and walking fast to the elevator.

The warm water doesn't work to calm you down when you're tainted inside. You feel filthy, inside and out. You feel sick seeing your reflection in the mirror.

You've been holding your medicine in your hand but you need something stronger, you ditch the pill and run to the kitchen.

You pull out the wine you have in the kitchen cabinet and drink it straight from the bottle, chugging it like it's water. You gasp when you stop drinking, taking the bottle with you as you sit on the sofa while you're still in your bathrobe.

"This is how you're going to end the day?" Minho asks, taking the bottle of wine from you to take a sip.

"Can you stop talking about killing for just—" You choke on air as anger bubbles up inside you.

Minho holds his hands up in defeat and leans back on the sofa next to you, "I'm just saying..." he meekly says.

The silence only resides for a minute until he speaks again, "Look, the earlier you get it done—" he stops talking when you shoot him a glare.

You take the bottle of wine from him and take a long gulp, a drop of wine escapes the corner of your mouth, dripping down your chin.

You aggressively wipe it with the sleeve of your bathrobe and recline on the sofa, looking out at the city lights that look like pinpricks in the dark of the night.

"I'm crazy..." you sadly remark.

Those words remind you of a sobering fact that what people think of you: crazy.

Ever since you were still an art student, people often found you talking to yourself in class, always in your little world with your imaginary friend. That leads you to this solitary life because normal people avoid crazy.

"People are right about me. I'm crazy," you state again, and saying it out loud makes your heart aches.

Minho turns his head and looks at you with his dark eyes that weirdly provide you warmth, "You're not crazy."

But why would a normal person kill a person because a demon told him to? You don't even know if he's real and not a product of your imagination.

"I'm a murderer..." you say with a heavy sigh and an even heavier heart.

He scoots closer until he sits close next to you, his shoulder bumps with yours on the big sofa that could fit five people. He looks at you and gently says, "Yeah, but not a crazy one."

Minho has a way of looking at bad things positively. You chuckle at the irony of his words. You can't tell if you should be happy that you're not crazy or sad that you're indeed a murderer.

He slumps down on the sofa to be on the same level as you, also turning his head to look at the view, "Want to know something?"

Instead of answering, you take a sip of the wine. You know he'll keep talking even if you refuse him.

"This is actually my first assignment," he shares.

He drops his hand on the space on the sofa, merely inches away from yours, "It's more of an initiation, sort of earning my wings."

You look at him and get a little taken aback by the proximity you can see yourself in his eyes. You almost forget what you were trying to say to him, "What are you trying to say?"

You look away because he looks exactly like the one you envisioned on your sculpture, divinely beautiful that it's hard to comprehend.

"I'm saying that I'm new to this too," he answers.

Again, you can't tell if you should be happy or sad to know that. Strangely though, you find comfort in his words.

You look at his hand splayed so close to yours and it evokes the curiosity in you that needs to be fed. You gently flip over his hand and gently slip your fingers on the spaces between his fingers, you can feel the warmth and the roughness of his finger pads on each finger.

Minho is real, he's real, you perpetually assure yourself.

You glance at him and he's looking at you, your eyes meet in a tender gaze.

"Are you real, Minho?"

You're aware of how much that question weighs. If the answer is no, you know the insurmountable pain you brought onto yourself.

He slowly blinks and you can see his dark lashes fanning out so beautifully. His crimson-red lips open and says, "I'm as real as you want me to be."

Words aren't enough to convince you. With the despair filling your heart, you lean in and innocently put your lips on his. It's a kiss that feels more than just a physical act, one that you didn't know you needed.

After getting the reassurance that you need, you pull away. However, the hand lingering on your jaw tells otherwise. He touches your face with just his fingertips yet it's enough to send a tingle inside.

Slowly, he leans in to kiss your closed eyelids ever so softly and before you know it, he brings your face closer to place a tender kiss on your lips. 

And for the first time in your life, you feel the warmth no one has ever given you.

-

FIVE DAYS TO THE END OF THE WORLD

"You wake up early!" Minho says as you dress up to get ready for the day.

You ignore his words, continue collecting your things around the room, and put them into your bag.

"Are you trying to match your clothes with me?" He says, looking at your all-black outfit while sitting on the headrest of the sofa.

This morning, you woke up on the sofa still in your bathrobe and a blanket covered your body. The first thing you remember is you kissed him last night and somehow, it convinces you to keep going with the quest.

However, you still feel conflicted with what you do. You need to make sure of one thing.

"How about this handsome fucker?" Minho asks, pointing to the other person riding the elevator with you.

The man looks indeed handsome, he dressed so impeccably when it's only ten in the morning. He catches you looking and smiles at you.

You politely smile back and look away only to face Minho who's standing on the other corner of the elevator.

"He'll be losing his hair at the age of 32 and spends the next 29 years taking it out on his wife," he whispers even though no one can hear him but you.

The taxi ride to the hospital only takes fifteen minutes and you know where to go right away from the array of flower arrangements outside the separate building from the main hospital.

"Please tell me you're not doing what I'm thinking?" Minho asks in a concerned voice.

You wish to be able to shut him up for a few minutes until you can find what you're looking for. The hall is packed with people in black attire to what you can safely assume are the guests of the mourning family on the two funeral services being held by two different families.

You read the sign that leads to the Watson family yet pretend to be the one visiting the other family. Before you can sneak into their funeral service, you see someone taking the daughter outside.

"This is a bad idea!" Minho panickly says.

It's kind of alarming to hear because it's the first time he sounded genuinely concerned. You follow where the little girl is being taken and turns out, she's being taken to the park outside, probably to avoid her feeling overwhelmed.

"You're not a relative. People will get suspicious of you!" Minho nervously whispers.

You come over to the two men chatting and kindly ask for a cigarette even though you don't smoke. You stand at the other side of the door and take a drag of the smoke to be seen convincing.

"I know you're worried..." Minho sighs.

He stands next to you with his head hovering close to your ear. He takes a breath before talking, "She's not in mourning. She's not not mourning," he says as you both quietly watch the girl sitting on the bench and drinking a juice box.

"Happy that it's finished but sad that he's dead. But it has finished!" He emphasizes the last word.

You take another drag and accidentally do it excessively, sending you into a coughing fit.

"You spared her another five years of it. A lifetime of therapy," Minho explains, "a lifetime!"

You look at him to see if he meant what he said. He's a demon after all, the vision he forced you to see could be misleading, a trick to make you do what he says.

He looks back at you and smiles, "She's a mom at 29. A nan at 57," he shares.

See? He knows how to comfort you even though you don't ask for it. You give up on pretending to smoke and stab the cigarette butts onto the big ashtray. You shove your hands into the pocket of your jacket and start walking away to the parking lot.

"Why are you telling me this?" You curiously ask.

He nonchalantly shrugs as he walks next to you, "I just thought you'd like to know."

-

"Did you see that?" Minho shouts as he leisurely watches TV with his feet up on the couch.

You pretend not to hear him and continue sculpting, hitting the hammer harder, louder to drown out his voice. As if he read your mind, he appears behind you and places both of his hands on your shoulders.

"You should see this!" He insists, steering your body and making you watch the TV.

It's a broadcast of night news about climate change and he magically changes the channel to show news about nuclear testing.

"It's manifesting. Do you understand?"

Minho keeps switching the channel to show you every bad there is happening in the world, everything that shows the sign that the world is close to ending.

You lightly shrug him off and say, "We got this kind of news a few years ago but—"

Minho holds you by the shoulders and shakes you awake, "This is real. We don't have much time and you're the only one who can stop it!" He reminds you of the harsh truth.

Somehow that only makes you question why you have to be the one to bear such responsibility. Billions of people on earth and they chose you?

"I'm not ready yet. I'm—"

"Don't you want to see that little girl live her peaceful future?" Minho asks.

This is where you know he's being the demon he is, using your weakness to his advantage and making you give in to the temptation.

It's not so much a temptation when you have no other options, it's killing or being engulfed in flames on Friday. You muster up your courage and think of something to do.

The first killing was what Minho said it was: a beginner's luck, the man happened to be there and an abusive bastard, even in his grave, he shall not rest in peace.

This time, you plan to do it meticulously and without mistakes. You walk to the kitchen and pull open the drawer, taking out a knife you occasionally use to cut your sandwiches.

Minho shakes his head in disapproval of your choice of weapon, "You're not a knife person," he concludes.

You look at him, demanding an explanation behind that haste conclusion.

"It's messy. You could hurt yourself," he explains.

That sounds right. You put the knife back into the drawer and look around the studio to find potential killing weapons.

Minho leans into your side and whispers, "Let's choose something that is more you!"

You look at him and see that he's eyeing the table full of your sculpting tools.

You pick up the medium chisel and show it to him to seek his approval. You meet another disapproval as he strongly shakes his head.

"It's too specific. They'll know it's you. You're the only sculptor living in the area," he gives you an insight into how the devil's mind works.

You must admit that he just saved you from making a mistake. You pick another weapon that you're familiar with but also gives you the upper hand to do the killing. You pick up the hammer and turn around to show him.

A smile rises on his face as he nods in approval, "That's you! You're a basher!"

You bring the hammer close and observe it, it feels good around your hand since it's a tool that you work with most of your life.

"You've had the practice now. It'll be easier this time," Minho says with a sinister smile.

You want to believe his words so much but the nerves get to you. Your breathing becomes erratic once you realize what you're going to do with the hammer.

Minho puts his hand on the small of your back and holds you steady, "Liquor courage! That's what you need! Booze!" He suggests.

"I don't keep any alcohol in the studio," you meekly say.

Considering that sculpting involves a lot of sharp objects, it's wise to not keep anything that would dull your focus.

"Also, I just took an antidepressant an hour ago," you inform him.

"Oh, shit!" He curses and leans his body to the back, against the table.

Minho crosses his arms in front of him, then rubs his chin as he thinks of something. He then leers at you with a smirk dancing on his face, "Well, do you want a drink?"

-

There's a bar a few blocks away from your studio.

You got here in need of liquid courage and there's plenty of them here. You plan to only consume enough alcohol just to calm the nerves but not too much to lose your focus.

It gets you anxious to step into a new environment. You decide to go straight to order drinks.

"Whiskey, please?" You say to the bartender with a handlebar mustache.

Bartenders tend to remember the faces they have seen and yours must not have registered into his memory bank. He puts away the cloth he's holding.

"You want ice with it?" He asks.

"I'll have it dry," you answer since you came here for the alcohol, not for refreshment.

"Easy, love. We have work to do," Minho reminds as he props a hand against the countertop.

Knowing that one drink wouldn't be enough and you don't want to bother the bartender again for a drink, you decide to double.

"Make that two, please!" You hurriedly say before the bartender starts making your order.

"You don't have to get one for me," Minho grins at you.

The bartender takes another glass with him to finally fill them with your choice of potion.

"I didn't," you whisper back at him.

You immediately pay for it and bring your drinks with you to the empty spot in the corner of the bar, hidden behind the pool table.

You slowly sip your drink and feel it running through your system, stripping a layer of senses off of you, making you less aware of your surroundings.

"Okay, you see anyone tasty?" Minho asks as he sits next to you.

He cranes his neck looking for the next human sacrifice among the people who are enjoying their concoctions. His finger points to the guy with a beanie and drinking a pint of beer.

"Oh, that one perfect!" He exclaims.

He stacks his hands on top of the table and leans forward as he further speaks, "Burglaries. Mostly target the elderly. What do you reckon?" He turns to you for opinions.

The alcohol is not quite there yet so you take a longer sip. You feel the alcohol burns your throat and you wince from the bitter aftertaste.

"No?" He asks as he looks at you.

You know he's asking about the human sacrifice, not the alcohol but the answer is the same, "No."

Minho moves on. His eyes are pacing around the room to study people and check their backgrounds with his evil power.

He taps your shoulder as he finds his next candidate, "See that girl with the pints?"

You can easily spot the girl with curly hair, carrying two pints of beer in her hands.

Minho leans in close to your ear to give his intel, "She went on holiday when she was 12 years old and saw her sister drown in a swimming pool."

He suddenly lowers his voice as he tells you the rest of the story, "She could have pulled her out but she just stood there and watched."

Maybe it's true that people are the scariest.

They may look ordinary and good and all yet inside, lies this darkness that they buried deep inside them. If Minho hadn't told you, you would have taken her as a pretty girl with a nice smile and nothing more.

Minho pulls at the sleeve of your shirt and points to another guy, talking to his friend by the pool table. You're about to wave him off again until the guy turns his head and you know who it is.

"How about him? He likes to secretly film girls by drug them and once he—"

"Sent a girl into overdose," you finish his sentence.

Everyone knows who Tim Shaw other than a student in our faculty and more importantly, people know what he likes to do to innocent girls yet no one dares to make him take responsibility for what he did.

Until one night, he drugged a girl and left her on the cold floor of a club, unconscious. There's no evidence that he drugged her or it was he drugged, ended up with him getting dropped off of all charges.

You have one more drink to finish and you gulp it in one go, wanting to use this opportunity to get back for what he did to that poor, innocent girl.

Minho triumphantly smiles, knowing that you have set a target on Tim's head.

"I think we have a contender," he concludes.

-

Tim is exiting the bar and you take it as an advantage.

You don't need to lure him out, you wait a minute before you follow him outside to not seem conspicuous. Once you're outside, you look side to side to see where Tim is going.

"Perfect location. No witnesses," Minho answers as you both find him turning to the back of the bar.

Tim seems to hear your rushed footsteps and turns around to see you. He seems to be taken aback and you doubt that he'll recognize you. Being crazy has its advantages, you're off the asshole's radar.

You nervously laugh as he looks at you. You quickly think of something to say, "Oh, my God! It's really you, Tim!" You say with fake enthusiasm.

"I'm sorry but who..." he gets all defensive.

"I'm—" You don't know how to explain yourself other than 'the insane one from art school'.

"Oh, wait, you're that girl, the sculptor, the... uh," he brakes before he can say the infamous title of yours.

"The freaky one?" You playfully say.

He bursts into laughter and nods, "Hey, don't get me wrong. I like freaky," he says.

Minho points to the carts of empty bottles and gestures for you to use them instead of the hammer inside your bag that weighs your shoulder the longer you're carrying it.

"I was just getting a drink but it doesn't feel good drinking alone," you lie even though that's how you prefer to enjoy your poison.

"Yeah, I bet," he says with a grin that showcases his whitened teeth and malicious intent.

"How about drinking at my place?" He offers.

"Home turf. Even better," Minho comments, appearing behind you.

You don't want to seem desperate to be with Tim because honestly, you're just stalling to find the perfect opportunity to kill him. It's time to put what you learned from Kim into practice.

"I, uhm..." you rub the back of your neck and shyly smile at him, "I don't think that's..."

As you pretend to consider his offer, he's secretly checking you out. His eyes travel up and down your body, you bet he thinks of lewd things even though you're dressed like a bible salesman with the same outfit you wore to the funeral service.

He takes a step forward and smiles at you, "I live not far from here. You can easily crawl back here if you think I'm a bad drinking partner," he seduces.

Tim must have thought you were as gullible as the other. Oh, he has no idea the surprise you have for him!

"If you don't mind, yeah," you say with a low giggle.

"Okay," he says with a triumphant smile.

His house is indeed only two blocks away from the bar and he keeps boasting about how he owns a house from his inheritance and the rising price of property these days.

"Please, come in!" He lets you into his house.

You step on a crumpled beer can as you enter the living room and are horrified at the amount of trash littering the place.

"A few friends and I watched a football match last night," he concisely explains.

He takes off his jacket and hangs it on the coat rack, "How about we drink in my room?"

You uneasily glance at Minho and he nods. You look back at Tim then put on a fake smile for him, "Yes."

He leads the way up the stairs and you follow him, climbing the steps with the hammer getting heavier and heavier inside your bag.

Tim turns around and sees you being hesitant, "There's no need to be shy now," he says with a lopsided grin.

You respond with a smile, keeping your head tilted up, and continue climbing up the stairs.

"Now!" Minho orders.

"Hit him with the hammer now!" He says again so close to your ear.

Your head snaps in his direction and hisses through your gritted teeth, "Shut the fuck up!"

Tim catches you talking and looks over his shoulder, "What's that?"

"Can't wait to see the bedroom!" You lie and add a giggle to sound convincing.

He smirks at you before pushing the door to his bedroom, "Come on in!"

His room is less messy than his living room in which he helplessly tries to make it seem tidy by flattening the pile of his duvet.

"You can sit down here," he says, patting the space next to him on the bed.

"You're not really going to have sex with him, are you?" Minho asks as he quietly watches you from across the bed.

A deadly glare is enough to answer him and he immediately refrains from pressuring you.

"I was just checking," he adds.

It's when you're in his bedroom that you start to fear Tim, not when you know what he is capable of. But at the same time, it fuels your hate fire, it reminds you of the reason why you need to eliminate scum like him.

"You keep your alcohol in your room?" You ask.

It's obvious that he took you here for different intention. He's taking you here for the sole reason that is to ruin your life.

"Oh, yeah, the drinks," he smacks his lips together and awkwardly paces in the room.

He reaches for the portable speaker on top of his dresser and turns it on, "You can wait for the drinks while listening to music," he says.

You nod, "That sounds nice!"

He gets out of his bedroom and heads back downstairs. While he's doing what you believe is spiking your drink with substance, you think of a plan on how you're going to kill him.

First, you take the hammer out of your bag and practice your swing. You get panicked with each second passed and haven't found a way to catch him off guard.

The footsteps on the stairs signal you that he's on his way here. You decide to do the classic way by hiding in the back of the door, planning to strike him from behind.

You see his figure entering the room, carrying two glasses of drinks in his hands, "It's your lucky day because I found a bottle of—"

Without thinking, you swing your hammer hard and hit him right on the side of the head. It's a weak blow and you can see that from how he's staggering backward, still conscious.

There's no turning back now that you have done it. You come charging at him, attacking him while he's still disoriented from the first blow.

He collapses onto the bed and not giving him time to recover, you keep hitting his head with the hammer with blood splattering the bed and wall with every swing of the hammer going onto his head.

You whimper as blood gets on your face and see that Tim is lying cold on the bed, dead. However, you land another blow just to make sure you've done it and leave no room for mistakes.

"You're good, you're good," Minho says from across the room.

That's when you stop and take a step back. It feels like your soul has left your body, you suddenly feel drained and the hammer drops onto the floor.

You look at the mess you made, the bloody mess and dead body, your life that is once far from all of it. Your throat suddenly closes up and you find it hard to breathe.

After a moment, Minho gets to your side to say, "You can't have that lying around," he's eyeing the bloody hammer lying on the floor.

With your mouth gaping for air, you bend down to pick it up and shove it back into your bag.

"Cleans anything you touched," Minho instructed.

You take a handkerchief from inside your jacket and use it to wipe surfaces you probably made contact with even though you're sure there aren't any.

You leave the bedroom after wiping the handle of the door and make a turn to the stairs when you hear the front door creak open.

You peek from the top of the stairs and someone is turning the lights in the kitchen.

"Get out before he sees you," Minho whispers.

It's bad when he needs to whisper like that even though no one can hear or see him, but you. The adrenaline is still pumping and you make the most of it by bracing yourself to make a run down the stairs and to the front door that is only a few meters away.

You take a deep breath before quietly descending the stairs without making any noise. You can feel your heart beating in your ear yet you keep going as the door is only a reach away.

You successfully land on the base of the stairs when your bag accidentally hits a flower pot, sending it breaking into pieces on the floor.

"Tim?" The man calls.

He looks at you with confusion drawn on his face, "Who are you?"

It's too late for you to break into a run as he sees your face and officially makes him an eyewitness. You can't leave an eyewitness, at least, not until you've done all three human sacrifices.

Is it necessary to kill him though?

You can think and consider as much as you want but it all comes down to the one question: kill or end the world?

-

Support my blog by kindly reblog, comment or tip me on my ko-fi!

taglist: @svintsandghosts @abiaswreck @septicrebel @cursed-mars-bars @ppiri-bahng @drhsthl @tangylemonade @bluenights1899 @thisisnotstraight88 @elizalabs3 @avyskai @is2cb97 @simeonswhore @marvelous-llama @linovely @jisungsleftcheek @hanjisbeloved @luvsskzs @knowleeknow @army-stay-noel @djeniryuu @bigsobs4skz @toplinehyunjin @channies-luv @foxinnie8 @biribarabiribbaem @dalamjisung @moasworld @sherryblossom @fawnpeaks @lukeys-giggle @obeythemasters @primoppang @devilsmatches @skz-streamer @freckleboilix @idkluvutellme @laylasbunbunny @cherry-edibles @cutiespaghetti @yourmercibeaucoupsblog @hanjisunginc

[deliciousangelfestival]

"Darling, bad luck seems endless." - Bucky Barnes - 2

Summary: You've always been haunted by bad luck your entire life, despising it deeply, until you meet someone who finds it amusing.

Character: softdark!Bucky Barnes x Female!Reader

Chapter 1 , Chapter 2 .

Author's Note: Hello, everyone; this story is for thesleepover eventhosted by @the-slumberparty. What I chose is a strawberry sundae with gummy bears as the topping.

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more.

Bucky didn’t trust you yet. To test if what you said about your lousy luck was true, he sent you to his competitor, Damien, a mafia boss who owed money to Bucky.

Damien spent most of his time at a museum. Bucky gave you an order, “And I want to see if what you said is true.”

You didn’t thoroughly dislike the idea because, as an artist, you enjoyed going to museums. The museum was a grand, historical building with high ceilings and intricate architecture. Walking through the halls filled with timeless masterpieces, you felt a sense of calm despite the task at hand.

As you wandered, you spotted Damien. He was exactly as Bucky had described: an older man, about the same age as Sir Galileo, with an air of authority and a sharp gaze. You stood at a respectful distance, admiring the same painting he was fixated on—"Portrait of Madame X."

Noticing your interest, Damien turned to you. “A fine piece, isn’t it?” he said, his voice rich and cultured. “John Singer Sargent’s ‘Portrait of Madame X’. It caused quite a scandal when it was first exhibited.”

You listened intently as he explained the history and significance of the painting. His passion for art was evident, and you found yourself genuinely engaged in the conversation.

Suddenly, your phone rang. It was Bucky. “Where’s the bad luck? I see you talking to him without anything happening,” he demanded.

“Uhm…” You hesitated. You never knew when bad luck would strike.

Just then, a scream pierced the air. “Kyaa!”

You turned to see another visitor pointing in horror. The painting you had been admiring had fallen off the wall, landing dangerously close to Damien. You were too stunned to speak.

“No kidding,” Bucky muttered through the phone, equally shocked. It seemed impossible for a securely hung painting to suddenly fall in a museum. He was beginning to believe your curse might be real.

For the second test, Bucky sent you to a café. “Just choose a table and sit near my other competitor, Ivan. It’s an easy task,” he instructed.

You entered the cozy café, its atmosphere warm and inviting with the smell of freshly brewed coffee and pastries. You found a table near Ivan and started sketching another jewelry design for Bucky.

Ivan, seated nearby, glanced over and noticed your drawing. “That’s quite impressive,” he remarked, leaning in slightly.

“Thank you,” you replied, offering a polite smile.

“What inspires your designs?” he asked, genuinely curious.

Before you could answer, a waitress tripped and spilled a hot cup of coffee right onto Ivan’s thigh. He yelped in pain and surprise, the conversation abruptly ending.

Bucky, watching everything unfold on a screen, was astounded. “You really do bring bad luck.”

“...” You remained silent, unsure of how to respond.

“But I’m getting all the advantages,” Bucky continued with a sly grin. “Thank you.”

You didn’t know whether to feel offended or relieved that Bucky was starting to believe you.

The last incident that convinced Bucky was when he brought you to a ball party hosted by another gangster whom Bucky despised, who was there to show off his wealth.

The host planned to reveal a rare diamond during the party, but it was stolen. This was unexpected and seemingly impossible due to the high level of security. While everyone else panicked, Bucky remained calm. He looked at you and said, "You’re my lucky charm."

🍀🍀🍀🍀🍀

All these experiences made your once dull life exciting. You started to appreciate the bad luck you had. You realized that working with Sir Galileo was the longest job you had ever held.

One day, you asked him if he had ever faced misfortune. Surprisingly, he said, “I did. My former driver got into an accident, and the electricity short-circuited on the first day you worked here.”

You were shocked and felt guilty. “It must be because of me.”

He shook his head and said, “It’s nothing. I’ve lived a long time and faced a lot of things, especially working with gangsters and mafia. I just keep on living.”

‘Just keep on living.’ He’s right. Even with bad luck, you continued living. Life always punched you to the ground, but you got back up again.

Slowly, you started liking your bad luck. You experienced exciting events, even assisting Bucky in getting rid of his rival businesses.

But then you noticed that your bad luck didn’t happen as often. In fact, you started getting lucky.

You found $100 on the street one day, got a free coffee when the barista mistakenly made an extra, and even won a small prize in a local raffle. It felt like life was turning around.

Curious, you revisited the same paranormal. She said, “Bad luck left after you started liking it.”

“How?” you asked, bewildered.

“It’s complicated,” she replied with a knowing smile.

You still couldn’t believe it. You remembered the saying, “Fall in love with your problems, and maybe they will leave you too.”

Damn. Even bad luck left you.

If there was no bad luck, how could you help Bucky?

Since then, you stopped meeting Bucky, leaving him wondering. Days turned into weeks, and Bucky felt your absence deeply. Determined, he went to find you.

“Do you think I only wanted you because of your bad luck?” he asked, his eyes searching yours.

“Didn’t you?” you replied, your heart pounding.

Bucky stepped closer, his gaze intense. “I said before, you’re the only woman who’s willing to risk her life for me.”

You felt a warmth spread through you as he spoke. "Bucky, I—"

He interrupted, "It's not just your bad luck. It's you. You're brave, resilient, and you’ve changed my life in ways I never expected. I don't want to lose that. I don't want to lose you."

You looked into his eyes, seeing a depth of sincerity that took your breath away. "I never thought I'd hear you say that," you said softly.

"I mean it," he replied, taking your hand in his. "You bring something into my life that no one else ever has. Bad luck or not, I want you with me."

For a moment, you hesitated, memories of your past misfortunes flashing through your mind. But then you realized that with Bucky, you had faced and overcome those challenges together. And now, without the constant shadow of bad luck, you felt a new kind of strength.

"You really mean it?" you asked, needing to be sure.

He nodded, a small smile playing at the corners of his mouth. "Yes, I do. We make a great team. And I want us to continue, no matter what comes our way."

You smiled back, feeling a sense of relief and joy wash over you. "Alright, Bucky. Let's face the future together."

With that, he pulled you into a tender embrace, holding you close. "Thank you," he whispered. "For everything."

You looked up at him, your heart full. "Thank you for believing in me."

From that moment on, your life with Bucky was filled with new adventures, challenges, love, and support. Together, you faced whatever came your way, more vital than ever. And you knew that, no matter what, you would always have each other.

-the end-

Taglist:

@thezombieprostitute

@thetravelingtyper

@scott-loki-barnes

@mostlymarvelgirl

@chemtrails-club

@dexter99

@seresingirlie

@missvelvetsstuff

@kjah97

@tfatwsoldir

@buckysdoll85

@lokislady82

[wukong-s-only-wife5000]

Heyo! So I was thinking about that baby fever thing I @ed u in earlier and I was thinking if maybe u could do some headcanons on what u think uh Reborn Wukong would be like as a dad to his newborn baby? I feel like he’d be such a good dad 🤭☺️

Reborn!Wukong: Papa Canons.

Pair: dad!Wukong x mom!Reader.

Content/Trigger Warnings: cuteness overload, my 1st shot at writing headcanons.

Authors Notes: CAN I JUST MENTION HOW FUCKING CUTE HE LOOKS IN THIS PICTURE?! LIKE.... OMFG, MY HEART. Anyways, IDK if I did it right, but this had to be the first one I did. The idea has been plaguing my mind since I saw both this request and this art you're referring to. Might make a part 2, but I dunno.

Hope you enjoy! Wanted to make this extra special bc your support and feedback always make me smile. <3

The audacity of this child to look so much like you. 

Looked at his precious baby from over your shoulder just as the little angel opened their eyes and made eye contact. Made his world stop and his stone heart explode.

He was so cautious and a bit nervous when you asked him if he wanted to hold the baby. The second he had that infant in his arms… his world stopped for the second time.

They had his eyes, tail and little fuzzies all over, but they had your facial features, complexion, and hair colour that matched the fur.

If you thought he was overprotective with you, get ready for him to be the most vicious Monkey King there ever was. 

He always made sure that you held that baby from beside him, not letting the child out of his peripheral vision. 

Someone tried to kidnap the child once… let's just say they didn't live to regret it.

He tells the little one a lot of stories when they can't sleep, only if you and the others are asleep, though. He doesn't need you or Pigsy teasing him about being ‘adorable’ and all that nonsense, but he also doesn't want the little angel to disturb your sleep.

Sure he was lenient with forcing you to sleep regularly, but now? He made sure that an hour or two at most when the sun goes down, you and the baby are asleep. Whether that means he has to carry you both in his arms or not. If that became the case or even if your feet hurt too much to walk, then so be it.

Oh how he enjoys when such occasions do occur. Usually he’d carry your things so you could focus on the bundle, but when he has to carry you both, of course he forces Pigsy to carry them.

He loves holding you both in his arms, especially when you rest your head against his shoulder and tell him how much you love him. Thanking him for blessing you with your bundle of joy as you often did to her.

Whenever you camp out, too far from any village, he makes sure to make shelter for you and the baby near a tree to keep the little one out of the dew. 

Makes the nest with the best items he could find and if it’s not enough for the both of you, he runs off to find other things that are even better. 

If you pass a marketplace that sells anything soft? He ensures that the most comfortable ones are procured exclusively for you and your infant.

He enjoys watching you feed the bundle… cause… ya know. You're his wife. He also thinks the little sneeze they do every time they’re finished is absolutely adorable, and it melts his heart every.single.time.

He watches the baby closely when they reach the age to sit up on their own. He makes sure to be ready for when they fall over in case you're too slow to catch their head.

He loves the kid, sure, absolutely without a doubt… but sometimes he doesn't like it when all your attention is on the baby to the point you don't acknowledge him.

He's an amazing dad, but he’s an amazing husband and mate first. GIVE HIM ATTENTION, DAMMIT! 

He’s still the same possessive Wukong, of course he’d get jealous if even the baby gets more attention than him. Give him snuggles when you get the chance, a plus if you hold him and the baby.

He still often gets you little gifts and things he thinks you may like, especially since he knows how stressed you've been since you got pregnant. It’s his doing, so it was the least he could do.

When the baby holds his finger and gurgles with that furrow you frequently did, he tells them not to talk to him with that attitude. Something that makes you smile, trying your best not to laugh. Especially when he scolds you for passing on that attitude to his precious infant.

When the baby does it with that large gummy smile that also reminded him of you, his heart soar. He'd have that content smile that makes any hardship worth it. You absolutely love that smile the most.

Despite the times he would frequently tell them not to ‘talk’ to you like that, he liked to say it served you right for passing down your sass in the first place.

When the baby gets old enough to eat mushed up fruit? He collects the ripest and juiciest ones for the both of you. Yes, he will beat Pigsy to a pulp if the gluttonous pig tested his luck to try taking some.

[wonderingpanda]

Remember back in high school the juiciest gossip was always about someone like-like-ing someone else? Will you write headcanons or something about the Mayhem boys hearing a rumor about someone (Reader) like-like-ing them? What would they do with this super important information?

I just really need some fluffy goofy high school shenanigans now-a-days.

Have You Heard?

MM!Turtles x Reader

This was so much fun to write. I loved adding hints of my own comedy and little cliches while giving each turtle their own individual story to follow. Thank you for the request, enjoy!

Leo

This was unexpected

Oh this was VERY unexpected

See Leo was a loser

He didn’t get to be cool, he didn’t get to be  smart, he didn’t get to be funny and he didn’t get the girl

At least that’s what he thought

According to April though, this was entirely inaccurate

According to April, you’d had a crush on him for the last month

Someone went a whole MONTH harbouring romantic feelings for him!

And not just anyone; his cool, pretty friend whom he had fallen head-over-heels for the first day they met

This was unbelievable!

Of course his brothers didn’t believe him

I mean, why would they? According to them, he naturally makes girls gravitate away from him

Now it’s not like you knew April told Leo this

You had simply shared the information during a sleepover and blindly trusted her

A bad choice really considering sharing news was her whole gig

Still you were none-the-wiser the next day as to why Leo was anxiously pulling at his shirt

Or why he avoided your eyes like the plague

Or why when you chose to sit next to him in geography he felt like his heart was about to erupt

You had no clue

So what was Leo to do in this situation?

Trust in April’s words and confess his feelings, risking the possibility of making things more awkward?

Or stay silent and let fate decide when was right, risking losing the chance to be with you forever?

It was a tough choice

But Leo’s a wimp so obviously he wasn’t going to say anything

That was until his brothers forced him to

Donnie had cleverly hacked his computer to send an email to you, asking you to meet in one of the art rooms

He in turn did the same to your computer and gave explicit times to ensure you both crossed over

It was believing those emails that lead you to to your current situation

Locked in an art room by April and Leo’s insufferable brothers, forced to wait it out until you found a way to escape

Heart pounding, mind racing and palms sweating

Leo knew exactly what they wanted out of you two and he had no idea how to do it!

So… Guess we’re stuck, in here … Seems like it’ll be a while- Did I upset you Leo? What, no!? Really? Cause you’ve been acting weird all day Not because of you! Well it sure seems like it’s because of me! How!? You literally made a point to stare at nothing but the ground the second I tried talking to you today! I was nervous! Why were you nervous!? Because I really like you! I really, really like you And I guess the thought that you might like me back is so thrilling it’s kind of terrifying But I-I don’t expect you to feel the same, I get this is probably off-putting with the green and the shell and the baldness- Leo! You grabbed his head and forced him to finally meet you face-to-face No tan, hair-covered, bare-backed guy could ever make me feel the way I do for you

You quickly kissed him and upon pulling away realised he had melted into a puddly, flustered mess

And you were released from the art room

Eventually

In the end it was a win-win

April got to succeed in her matchmaking schemes, you got to kiss the turtle of your dreams, Leo got a girlfriend and his brothers had something new to tease him about

Ok, so maybe it wasn’t a 100% win for Leo but close enough

Raph

Raph had met you first when he joined the wrestling club at school and you just so happened to be there

You also happened to be there when he tried out for the track team

And footy team

And basketball team

And cricket team

And just about every single sport he experimented with

For some reason you were consistently always there, always in his head with your stupid pretty face and swooshy hair and bright eyes and dumb little smile

GOD WHY WERE YOU ALWAYS THERE &$!#%!!??

Well… since you seemed to follow him everywhere Raph figured he may as well befriend you

And you two got along well, soon enough it seemed like he had found his new best friend

Also it may have turned out that you’d been widely involved in the school’s sport program for years but we don’t talk about that!

Anyhow, you guys stuck together pretty consistently

Always hanging out and goofing off, ranting about teachers and friends

In a weird way you were also each other’s therapists, being forced to be the reasonable one whenever the other was in a firey state

His brothers greatly appreciated it as it meant they had to deal with less violent endeavours from him

If only Donnie hadn’t been feeling so bored that day, maybe then he’d still be alive

Or at least have a chance of living to the next day

See you and Raph had just been chilling at your locker while you grabbed stuff for class

No biggie, the closest you contact you had was Raph’s arm being slightly around you

But when Donnie came around and saw you two he couldn’t think of a better way to brighten his day than to embarrass his brother in front of the girl he’d been talking about for weeks

So as he walked by he slyly turned to you two, eyebrows raised and commented “You two look comfy” before contently strutting off

Raph’s face blended in with his mask as he stared angrily at his brother’s back

I’m gonna kill him Don’t I have P.E with him today

Donnie ended up returning home with a LOT of bruises that day

But it was worth it for the information he managed to squeeze out of you

All which he spouted to Raph like a proud toddler

Raph didn’t believe him

He genuinely didn’t

No way you had a crush on him

You liked to watch him wrestle for the fight not the visuals

And the only reason you were insistent on having him at your locker every morning was so you had someone to talk to. You’d replace him with any of your friends if they arrived earlier

Also, the fact that you showed off your muscles to him at a swim competition was purely to brag and in no way hinting towards any feelings!

Raph knew you didn’t like him and he could prove it

So Donnie dared him to ask you

Then after regaining consciousness, told Raph he’d call him out for being a wimp if he didn’t

3 beatings in one day, way to go Donnie!

So Raph wasn’t feeling too psyched the next day when he was talking to you and noticed Donnie’s lingering gaze but a guy’s gotta do what a guy’s gotta do (terrible under other context but you get the point)

Ok Y/n, now this is totally random but stupid Donnie has been nagging me to ask you. Do you like me? Like, like-like me Donnie told you that? No he just wanted me to ask- Well he’s right Huh? He told me you feel the same way, I’m assuming you do After all it would make sense as to why you’re constantly displaying signs of high dopamine, noradrenaline, releases of phenethylamine and hormonal changes around me I don’t know what any of those words mean but I love you You turned to him with a genuine smile I love you too, but it has only been a few weeks so can we just take things a bit slow for now? Uh huh Awesome

You gripped the top of his plastron and pulled the lovestruck turtle into a small kiss

Sadly you were torn apart when an annoying voice called out from across the hall

I told you so!

He bolted, but at least you two had managed to get together. Raph may have actually killed Donnie otherwise

Donnie

You and Donnie were childhood friends, platonic besties, a power duo of friendship

There were no romantic feelings between you two AT ALL

…

So it started in maths

You, Donnie and Leo were being the ultimate nerd trio, figuring out equations and such when one of the annoying kids, Harvey, thought it would be funny to call out

Hey Donnie! Did you know Y/n likes you!?

Some kids started laughing and others talking while you sat there with your face beet red

Donnie’s face flushed as he stumbled over his words, desperately trying to defend you which he didn’t succeed well in

He did take note of your reaction to the whole scenario which peaked his interest

(Side note: Leo did slightly enjoy the whole thing, finally not the butt of the joke 😃)

After that day Donnie’s thoughts grew

He had pictured these scenarios a thousand times in his head but never had they felt so possible

Asking you out, you asking him out, going on dates, exchanging gifts, hugging, crying, kissing

Then it happened again, sort of

He and Raph were leaving class together

Easy, simple, completely normal

Till a random girl, who he recognised as your friend, yelled from behind

Donnie, do you like Y/n!?

He panicked. What was he meant to say?

He couldn’t say yes, what if you didn’t like him? But what if you did like him?

However, they were getting further away and he only had seconds to answer

So he made the “smartest decision of his life” and called back

U-uh, um, no!

Since then you’d been more distant

And with all this evidence; Donnie became a full analyst

He noted down your behaviours, how you acted before and now

How your interests changed with him, when you were louder and quieter, what gestures you made to hint any feelings

He looked deep and saw all the signs

Sadly you were still pretty distant after what you heard from your friend and Donnie was determined to change that

First off, he tried to initiate more conversation and when you attempted to cut it short he kept pushing

No matter how hard his social anxiety was screaming he knew he had to keep conversations going

He also kept making an effort to sit next to you

Any scenario be it lunch, class or just general group hangouts; he was always by your side

And after a week or so when you seemed to be loosening up more he chose to take things a step further with physical contact

He’d give you a high-five, fist bump or hug as a greeting

Maybe lean on your shoulder or get closer when you were showing him something

Sometimes if he was feeling particularly happy he’d sneak his hand over yours

Soon enough, it seemed like you had finally gotten over everything and were back to your old self. But there was still something you had to address

Lunch time, alone. That’s when you chose to bring it up

Donnie, do-um… did uh my friend ever tell you anything a few weeks ago? He began choking on his food *Cough* N-no uh why? Well it’s just that the last few days you’ve been different Different how? Uh… just small stuff like the hand thing and I guess you’ve seemed a bit closer Oh! I mean psh, I just thought you were upset or something so I wanted to cheer you up, no big deal You thought I was upset? Why? Well you were acting more distant and I didn’t want to bring it up cause I thought it might be sensitive so I figured I’d just help on the side, you know? That’s actually really sweet. But are you sure there’s no other reason for it? Uh nope! None, I mean why else would I want to hug you and hold your hand and stuff it’s not like I have a crush on you. Cause that- that would be crazy you and me together like whaaat? A mutant and a human who, how!? Donnie Yes Did you lie to my friend? Maybe … So it wouldn’t be weird if we dated? I’d love it if we dated

Of course you kissed and both of you loved it

Donnie had never felt this happy in his whole life, not even when they saved the city!

And he had enough blackmail to shut his brothers up if they ever tried teasing you two

Mikey

You two were the best of buddies

Two peas in a pod

Always acting and performing at each others side

Mikey loved it

Mikey loved you

And the day he heard you may feel the same caused his mind and heart to simultaneously explode

It was Leo, of course it was Leo

They were in art discussing the struggles of having human crushes

It was when Leo said “At least yours likes you back” that he knew he screwed up

Mikey wasn’t panicked though, Mikey’s Mikey

He was of course very happy when he heard the news and didn’t leave Leo alone about it for days

Every waking moment was spent getting updates from Leo and insights into your friend group

And whenever you two saw each other be it before school, after school, breaks, in class or at improv, he was ecstatic

This guy just couldn’t get enough and made every effort to let you know he liked you

Soon enough he felt like he had enough confirmation on your feelings and gained the confidence to just go for it

It was during a game of freeze tag when he tapped out the person you were previously with and started a new scene

Jessie! Hey, thank gosh I found you Lucas, what’s up? I haven’t seen you in a while Oh well, you know, I’ve just been busy; things have been a bit different lately Different how? Well the word is that someone I know likes me but I just don’t know who That sure is a dilemma Yeah, if it’s the person I think it is though I recon it’ll end pretty well You got some hopes do you? Ahh just someone, nothing to worry about I don’t know if you’re associated Try me Alright well… they have h/c hair ooh and pretty e/c eyes! They’re also one of my closest friends and I don’t think they realise just how much I like them Wow Lucas that must be really keeping you on edge Yeah, if only I knew who it is At this point you and Mikey had moved so close to each other your hands were almost touching Mikey I- FREEZE!

And just like that, the scene was over

But not the story

At the end of the rehearsal you and Mikey walked out of school together and the discussion of feelings was unavoidable

You two were walking silently side-by-side till he finally said it

I like you Y/n Do you like me back? I like you so much Mikey you don’t even know

His face lit up as he cheerfully pulled you into a hug and spun around

You took the opportunity as he slowed down, cupped one of his cheeks and planted a kiss on his lips

From that day forward Mikey got to walk around boasting about having the greatest partner in all of New York

And you went on to kick Leo’s butt for exposing your secret so easily

Again, I loved writing this so much. Also I think I’m going to use indented for my Headcanons from now on (although I guess they’re more listed stories at this point). Anyway thank you for reading and please, have an awesome day/night wherever you are!✨

[olderthannetfic]

Genuine question: what's the point of writing fanfic? As in, what's the purpose? No one in the fandom I'm in comments on fics and I even got told off by one person for doing so, as it "encourages bad writers and makes them think they're good". So it seems that it's a lot like book writing, where people work hard and are creative, but instead of getting paid and getting comments on the work, you just sit there silently hoping someone will press the kudos button and make a number go up. I feel like that time and work could be better spent on making something you might get some kind of profit off of. Don't get me wrong, I love doodling fanart, but I don't post it, as I'm aware that there's no point to doing so, and while it's a nice way to fill the time on a commute, it's not something that takes me as much time and effort as fanfic does. So... why do people bother? Sometimes I describe ideas I have and people I know in my fandom will tell me I should write it, but I don't see why. I get more interaction from just saying "imagine if [thing here]" than I would by sitting down, writing for hours, editing and posting [thing here], so what would the point be? I'm not punching down or going "haha women and their fanfic lol!", I genuinely do not get what the point is and this blog feels like it might have someone reading who knows the answer.

--

Do you make art for profit? Genuine question.

There's nothing inherently wrong with being motivated primarily by external factors, but it's not actually why a lot of people create things, whether it's books or recipes or doodles in a notepad.

I enjoy the actual process of writing.

I think many people lose sight of that aspect in an era where tons of <500-word fics that are mostly outlines and "Imagine if..." posts get disproportionate attention for being easy to consume. But the satisfaction of doing a bigger art piece and doing it right is real and motivates a hell of a lot of creation.

I suppose you might be thinking "Okay, but why not just write it alone and never post?", but I like sharing. Showing off my finished creation is part of the joy, and sharing with other people like me is too. But those aren't quite the same thing as worrying about kudos. It's like dressing nicely when you leave the house because you feel great when you know you look good vs. needing another person to tell you you look good.

To be honest, though, this type of feeling has grown in me the better I've gotten at a craft. The closer my finished projects get to the vision in my head, the easier it is to find them fulfilling and to be excited to share them. When I fall short of my own ambitions, it's discouraging no matter how much attention I might get from others.

I feel like it's time for my regular reblog of Adam Westbrook's video essay series The Long Game.

The third and least known in the series is all about this idea of who you're making art for if you're not getting material rewards in the short term. It talks a lot about autotelicity—being internally driven instead of externally.

--

But if you really just want clicks, anon, start a blog that accepts anon asks and posts about wanky stuff. Actually tag things, unlike me, so people can find you.

No, writing for attention isn't worth it.

The time investment is too great and your brain will always fixate on the times people didn't respond instead of the times they did.

But that's not actually why most people write.

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[sysmedsaresexist]

Hello. I know I've sent in messages before but very very rarely. But recent events have caused us to have a question. Just this week, we got officially diagnosed with D.I.D and recommended the idea of getting a psychologist for the first time in my life, besides a psychiatrist. Two of my alts say they can't be serious but the other three think they are bout the psychologist and we are nervous. I saw you talking about disorganized attachment in your latest posts and was wondering if you could tell me more bout what that is because it sounds like I may have experienced that and I'm trying to understand myself and us more from others with experience with D.I.D and similar disorders. We hope that makes sense! We are still very new to all of this. Thank you so much for your time. - Us

First, congrats!!! Try to come back and tell us what therapy and the interviews are like! I'm certain my followers would love to hear about it. It's scary, I'm so proud of you ❤️

Disorganized attachment is both very complicated, and quite easy to understand. I just reblogged a couple old posts about it, but this will be shorter :)

This is my favorite image to describe it!

Note that disorganized attachment (DA, from here on) is linked to low trust in self AND others. All of these types of attachment have shown strong links to different types of disorders, but DA is most associated with dissociative disorders.

The most important thing I've learned is

Even well-meaning, well-intentioned, loving parents can cause DA

DA can be hidden trauma, its relation to neglect is much stronger than originally thought, and neglect is a lot harder to spot and understand than straight up abuse.

A quick note here: DO NOT play trauma Olympics-- with yourselves, with others, on this post, nothing. Trauma is a personal reaction to events, abuse, or neglect and can occur in response to literally anything. When it comes to CDDs, we're looking at cumulative responses resulting in psychopathology, and you don't get to decide what was enough for other people.

It's their reactions.

Mind your own business.

So, all that said, DA is about the child being both fearful and reliant on caregivers. They want to both flee to and flee from caregivers. When a caregiver is unpredictable, the child has a difficult time establishing a consistent view of the caregiver, and of themselves. In other words, the caregiver is both needed, and someone to be avoided, and the child may not understand what makes them a “good” or “bad” child, as the caregiver’s behavior is often confusing and unpredictable.

I'm going to throw out a couple examples here:

Parent A has yelled at you, and you're scared to go to parent B and talk about it - neither parent feels safe but they're your only source of comfort

You're hungry, but parents scold you for eating too much - you're both scared to ask for your needs and yet reliant on their abilities to meet them

Sometimes parent is attentive and kind, and sometimes very dismissive - you never know what you're going to get, but when they're dismissive, it kills your drive for things you thought you enjoyed - sometimes parent puts your art on the fridge and sometimes they throw it in the trash, and maybe that particular piece was important and you'd expected better reception

Parent gets physical when they drink but at school, parent is a model citizen and teachers and other students always tell you how lucky you are

Parents are openly homophobic and you think you might be a little gay - they're good people otherwise (you think), and maybe if you just keep that part of you down...

Parent struggles with their own mental illness and you never know what kind of reaction they'll have, but you treasure the good memories and hold out hope you'll see that side of them again, despite the many letdowns

Parent doesn't let you keep anything to yourself, it's to the point you want to avoid them as much possible, only seeing them for meals

Parent is... mean. Just flat out mean, and they'll tell you no one will listen to you. There's no point is trying to find help with other caregivers-- teachers, babysitters, friends. It's just you and them, against the world.

The start of DA is typically formed in infancy when a parent doesn't respond properly to their child. Missed feedings, not enough skin time, mixing "cry it out" with giving in, ignoring cries for food or changing. These first attachments in infancy set the tone for all your attachments going forward. Meeting needs and milestones help the brain develop in a healthy way. If some of these milestones are missed or slowed, you tend to see psychopathology of some kind as a result. Various future relationships are likely to be affected, and more often than not, you respond to your own children the same way-- a type of intergenerational trauma.

And this is only the grey areas. We haven't touched full and proper abuse and how that can affect someone.

The result of DA is that a child will try to push memories and feelings about their caregivers down so that they're not bothered-- they can interact with their caregiver, whatever mood they're in or whatever happened yesterday.

If you just kill your feelings, parent's outbursts don't hurt as much. If you just don't think about what they did to you, you can put on a smile and get through dinner.

This is, in and of itself, dissociation. A rejection of feelings or memories. DA on its own isn't very likely to cause a CDD, but with additional trauma, it's... oof.

Children with DA and suffering from abuse “are likely to generate two or more dissociated self states, with contradictory working models of attachment,” in order to handle their confusing relationship with the caregiver. This can go in several directions, not necessarily a CDD, but it becomes much more likely.

So, the child needs to maintain a relationship with the caregiver– they have no one else to turn to, so the child can develop dissociation as a way to make sense of themselves, and to maintain a child-caregiver relationship. They may “forget” the abuse, or deny it. “It is an adaptive and defensive strategy that enables the child to function within the relationship, but it often leads to the development of a fragmented sense of self.” This fragmented sense of self may or may not develop into something worse– namely, BPD and DID based on severity, frequency, and whether there was any sense of reprieve (i.e. a child can avoid the worst of dissociative symptoms if one of their parents was more supportive, because it helps them build some positive attachments).

I really hope this helps!

Good luck, come back soon!

[random-dragon-exe]

Okay, MAJOR SALT COMING! Also a long post!

So I have the Disney Villains tarot deck but before I go into the salt part of the post, let's go into the positives.

The cards have stunning art and each card is appropriately themed to the villain generally speaking about 98% of the time. (IMO).

Another positive is the roster of villains included. Seeing even a few minor/underrated villains is pretty cool and impressive.

Some examples of these villains include Bowler Hat Guy, Madame Mim, Madame Medusa, and possibly Yzma.

Now onto the salt.

As impressive as the span of villains is, two villains are absent who (IMO) deserved a card.

King Candy

Frollo

First, there are other villains absent, but I'm sticking to these two since I've seen these movies. Now going in order, it is an absolute SHAME (IMO) that King Candy doesn't have a card, but I have an idea of which card suits him best.

The King of Swords. Although this card is given to Scar, and I do love how it looks, I believe that King Candy deserved it.

Plus, Scar appears on like three other cards, so I think it's okay for him to appear three times (sorry Scar, I do love you too).

Anyway, I'm going to go into some detail as to why I believe King Candy/Turbo deserves the card by going into the meaning of it and how it relates to him.

I'll admit, I have a lot of points and can talk about this for days, but I'm going to condense them to 3-ish. I'll do the same for Frollo too in a part 2 post.

Going for a two in one here: The card is about being an authority who uses reason and their intelligence for good. while the reverse of this is being cunning to deceive people.

After Turbo hijacked Sugar Rush, he was very methodical about his approach to make it sound like he's their rightful ruler. He locked up their memories, then he fabricated the lie that she was a danger to their game. Turbo did his best to make sure nothing went unchecked and made sure to make the lie sound convincing to protect them (but mostly him). He's very strategic, and was able to come up with a plan to manipulate Ralph with 16 manipulation tactics in one go. He was even able to feign being concerned to play on Ralph's attachment to Vanellope.

I think the best line that best captures this aspect of the card is "Doing what's right, no matter what." AKA: He recognizes that it may sound harsh, but he makes his lies sound reasonable to protect his subjects and game.

The card also represents enjoying structure when upright. But it's controlling and oppressive in a need for order when reversed.

Turbo needs everything to be to be going his way, as he's a control freak.

Inserting the test animation here, he even says "You are a threat to my game, to the order I have maintained. And if there's one thing I can't abide, it's anything out of order!"

Also, the split-second something isn't in his control, he starts to fumble and break into either rage or nervously laughing. He's capable of coming off as cool and composed, but he's scared of being caught and it can cause him to lash out in anger (another aspect of the card).

Just as mentioned in the previous point, he made sure nothing went unchecked and made an entire world literally revolve around him. He can and WILL happily use all of his resources of excessive force he has like the cops, the Sugar Rush equivalent of S.W.A.T., and the fungeon to detain someone who stands in his way.

As a minor note, there's a line in the tarot guidebook that states the reverse of the card can represent "someone who needs to win at any cost." Which describes Turbo to a T. He not only wants attention but he's also extremely competitive. It's part of his programming, and it ties to his love for racing. To always come out on top and be #1. No matter who or what stands in his way.

That core drive (pun intended) was the cause of his villainy in the first place and earned him his infamous status in the arcade.

Okay, I don't want to sound too salty, but you can imagine my disappointment when King Candy didn't get a card.

Oh well, Its fine, I still love and use this deck.

So I guess we can call this the thrilling conclusion to the 3 part saga of including King Candy in Disney Villain merchandise.

Also as a sidenote: hypothetically if he did get this card, what would the imagery be?

I feel the card has the potential to get creative with the glitch effects. For example make it so that he's glitching between the Turbo appearance and the King Candy appearance. If we want to be a little cheeky, we could have it set in his castle, and out the window, we see a the cybug Ralph initially sent to SR flying outside a castle window. (similar to Hook's card as the crocodile is seen outside)

So basically, my interpretation would be a mix of these images and Captain Hook's card:

But, if anyone else has really cool ideas, I'd love to hear them! If you want, you could also draw it out to illustrate your point (pun intended) Honestly please do, I'd love to see other people's interpretations of this card for him. The possibilities are endless!

Join me in my antics next time when I analyze Frollo and and the card I think he should've gotten.

[luminiscented]

could you make hcs for ninja [+ pixal, morro and harumi] and their ideas for their s/o? i love your work sm,<3

ninjago characters x their perfect gn! s/o

----------------------------------------------------------

----------------------------------------------------------

Pairing: Ninjago characters x gn! Reader

Status: none

Summary: The perfect partners of each character (mentioned above)

Warnings: none

Type: headcanons

Note: I'm sorry if Harumi is a bit ooc!! I haven't really watched a lot after seasons 7 and 8!! Thank you for the request though!! IM VERY SORRY ABOUT THE DELAY!! IT'S EXAM SEASON AND I'VE BEEN HAVING SOME PERSONAL PROBLEMS!! :((

Lloyd

♡ Lloyd has a very unstable life, so I'm sure at one point he'll crave a partner who's very down to earth, but still has that kid in them!!

♡ Despite him being a warrior and a leader, Lloyd is very fragile. He can take just that much stress and hurt so he'd need you to be his safe space.

♡ In my eyes he'd need someone careful and gentle, but still someone who could be a kid along with him,,, someone who's willing to stay despite everything and listen to him. Someone to take him in their arms and shush him sweetly whenever the pressure gets too much,,

♡ Kai is a very outgoing, confident, fiery person, but behind closed doors he lets himself be the exact opposite. I see him having a partner that is ready to accept both of his sides,,

Kai

♡ I honestly see him dating a chill confident person who rolls their eyes at his pick up lines, but in the same time I see him having a s/o who's a bit nerdy and their eyes just light up whenever their favorite topic is brought up,, he's over there lovestruck while you gawk about your fixation,,,,

♡ Reassurment is constant with Kai - from both ends of the relationship and it means the world to him that for once he could get taken care of instead of always being the older brother, the caregiver, the parent

♡ YOUR SUPPORT WOULD KEEP HIM GOING!!!!

Cole

♡ A very simple, very very sweet guy, so I think an equally sweet s/o would definitely catch his attention!!

♡ If you have a thing for cooking, you're already his biggest crush

♡ I see Cole as a touchy person and he would def love it if your love language was physical touch and acts of service

♡ He's used to being the muscle of the team, always doing the heavy lifting, so it would be a relief to get pampered and taken care of after a tough mission,, he would melt if you took the time to tend to every scar,,,,,

♡ A sweet chill s/o would definitely be the perfect pick, since I think he would value stability a lot in his life.

Zane

♡ Zane's perfect match would be someone very patient and gentle!!

♡ He'd love a partner who's just as curious as him and someone who's willing to be patient with him,,,he doesn't have a very good grasp on all things romantic, but he's trying his best!!

♡ Zane really loves quality time over everything else!!

♡ Zane would be head over heels in love with someone who's very intelligent and interesting!! Bonus points if you're an artistic person,,,he tries his best to understand art and he enjoys it a lot!!

♡ He'd love a S/o who loves cooking or trying out new food, also one who loves to go out on small private romantic dates!! It's his type of thing, but he would be open to a slightly different type of outing if that's what you're into.

Jay

♡ He'd love a very energetic s/o who's just like him!! If you're into tech and stuff he'll be over the moon!!!!!

♡ Jay loves a sweetheart who could comfort him and reassure him that he isn't too much and that he's doing a good job,,

♡ If his s/o is into poetry he'd be smitten,,,yes of course he wants to hear what you wrote,,,,,

♡ Jay is the type of guy to want a very dynamic relationship with a lot of fun and surprises and dates!! He's always thinking of ways to surprise you and make you feel appreciated!!

♡ Physical touch and gift giivng are his love language!! Prepare to be smothered in kisses on a daily basis and have a ton of handmade gifts!!

Morro

♡ He is in denial to the very end.

♡ He isn't very vocal about his love, but he's like a puppy trust me,,

♡ Morro'd love a peaceful s/o,,, someone who could balance his temper out and keep him down to the ground. A calm partner would definitely be his best match. He would be very passionate in his love, just like Kai, so he'd appreciate a bit of spice as well.

♡ He's very into intelligence!! He is also head over heels for some confidence and cockiness.

♡ Morro pretends he's a very tough unlovable guy even after getting reformed, but the truth is that he's fragile. He's been that way ever since he was a kid, so he's not going to trust you with his emotions in the beginning. He needs constant reassurement even if he doesn't say a word about it. You need to pick up the subtle signs by yourself if you want to figure out what's with the change in his behavior.

♡ Make him his favorite dish, give him some cheek and chest kisses and some kind words and he's not going to leave your arms for the rest of the day. Make him feel appreciated and enough and it's going to be returned tenfold.

♡ This man will adore every single thing you do.

♡ Quiet dates are his thing, even if it's just laying in bed cuddling he's there and fully engaged. He'd love a fancy date tho,, you get a bit from both worlds.

♡ Quality time and physical touch are Morro's type of thing, his hand is always around you - rubbing your shoulder, holding your hand etc. His hand is on your waist outside and you're always getting kisses on the top of your head.

Pixal

♡ If Pix is in a relationship, she'd be fully invested, so she'd want a partner who's fully engaged as well.

♡ Her projects and work are very important to her, but you always come first.

♡ Pixal would be the type to fall for a person that takes interest into her own interests, or if it isn't their type of thing, pay attention to her, ask her questions, try to engage, show interest and she's going to appreciate you sm!!

♡ Her love language is gift giving and acts of service, but she's going to melt for some sweet words and reassurement!!! Sucker for pillow talk!!

♡ I feel like she'd love physical affection as well, especially cuddles!! Stroke her head and kiss her cheeks while letting her feel your body warmth and pixal will be so happy!!,,

Harumi

♡ She WILL treasure you and adore you every day!! Fresh flowers included!!

♡ She's pretentious and bratty and no one can truly please her you're perfect how are you doing this

♡ She's going to be protective of you, surely.

♡ She'd love to do things for you to express her love, since I think she isn't going to be the best with words - cleaning your room, doing your makeup, making you food, memorizing your medicine or your hair products etc etc.

♡ She'd be head over heels if you made her home cooked meals,,,,Harumi would love a partner who celebrates all her accomplishments with her and also one who looks after her even if she pretends she doesn't want to be,,, she's fussy, but painfully in love whenever you take care of her bruises or fix her makeup if it's smeared before she goes out,,,just little things like that make her day better,,<3

[jojo-schmo]

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

[cheapshrimpysheep]

When Can I See You Again?

SUMMARY: After classes you go with Ortho to Ignihyde to play with Idia. You end up eating noodles with him for dinner, and before you leave is when your conversation warms up a bit.

CHARACTERS: Pairing with Idia. Ortho and other characters as secondary.

TAGS: Fluff; GN Reader; Flirting; Kissing

WARNING: Spoilers from: Book 6; The Phantom Bride; Twisted Halloween (1st and 2nd parts); The Harveston Sledathon; Camp Vargas 2: The Art of Survival.

WORD COUNT: 2.640

COMMENTS: This is for the @briarvalleyarchives “Anthems of Old” event. I was invited to join this twst writers network and this is the first thing I write for it. I took this more as a challenge to myself. I was happy with the result and I hope you like it too. And it wasn't until later that I realized that I chose a song from a movie about villains not really being villains.

Check out the Song I chose -> Owl City - When Can I See You Again? (From Wreck it Ralph)

You and Grim were having lunch with Ace and Deuce. Until Ortho showed up and asked if he could sit with you. He wasn't carrying a tray.

“We can arrange a sit for you on one condition.” Grim said “You don't eat because you're a robot, right?” Ortho confirms. "But now you're a student right? Aren't you entitled to a meal too?"

“Aaah, I think I know what Grim is getting at.” Ace comments.

“I think I know too.” Ortho says. “You want me to go get my meal and give it to you, correct?”

“Yah! If you do, you can sit with us.”

You tell Ortho he doesn't have to do that and Grim starts to protest.

“Ha ha. It's okay, prefect. As far as I know, the necessary amount of food is prepared for all students. If they do it with me as one of the students who will consume the food, that means at least one meal will be wasted. So maybe giving it to Grim is the best thing to do.”

Everyone approves of his point of view. Some for better reasons than others. He goes to get his meal to give to Grim and sits down with you.

You start chatting and, eventually, Ortho starts talking about a new game that Idia and him started to play and that a lot of people say it’s good. It was a cute and fun co-op game about a couple. And when you see some parts of the gameplay that he shows you, you show interest in playing too.

“So why don't you play with my brother? I'm sure he will enjoy playing with you.”

“Don't you want to play?” You ask.

“Hmm... yes, but I would like him to play in real life with someone else besides me. You know?” You do. “Why don't you come with me to Ignihyde after school to play? We can reset the game for you. We haven't made that much progress anyway, don’t worry.” he was clearly very happy about it.

“I pass.” Grim says with his mouth full.

“Hum? WHY?” Ortho asks.

“Because this guy always wants to treat me and pet me like I'm a cat! I'd rather take a long nap in Ramshackle Dorm with the ghosts.”

Ortho sighs, but he says it's okay. The truth he won't reveal is that it will even be better that way.

After school, Ortho accompany you to the Ramshackle Dorm to drop Grim off. And then, you two go to the Hall of Mirrors to go to Ignihyde.

When you arrive at the door of Idia's room, upon recognizing Ortho, the door opens without any problems and you two enter. Idia was sitting in the desk chair with his back to you at the door, with headphones in his ears. Ortho chuckles mischievously.

“Hey, (Y/N)?” he whispers to you. “Do you want to surprise him?” And you do! He gives you an idea and you execute it.

Idia was focused on the screen. You approach slowly, lean in beside him, and give him a quick peck on the cheek. He jumps off the chair and lands on the ground. And as soon as he sees you, the ends of his hair turn pink.

“WHAT? WHEN... W-when did you spaun here?”

You laugh. "Didn't Ortho tell you I was coming to play with you?"

He looks at his younger brother.

“Surprise!” Nope, Ortho didn't tell him. But now he tells him about your lunchtime conversation. And about you two playing from the beginning.

“But I like to play on hard mode.” Idia mutters, thinking you can't hear him. “In that case I'll have to beat the game on easy mode.”

“If this is so painful for you then why don't you just tell me you only play with pros?” You say, crossing your arms and raising an eyebrow.

“Hep!” he genuinely hoped you hadn't heard. “No! That's not- I didn't- I wasn't-” he seems unable to finish a single sentence.

Seeing him so flustered is so funny to you, to the point of being a little cute. You can't hide the urge to laugh and that makes him revert to his gloomy self. And sulking a little bit that you're laughing at him.

“So... you're not upset?”

“Oh, I am. But seeing you panicking is revenge enough for now.”

“Oh yeah? Let's see who panics when we're playing.” he smirks evilly.

You turn serious all of a sudden and worn him: “Don't put it on-”

“I'm not putting it on hard mode.” he answers you slightly intimidated. One of the sides he likes most about you and something that he will never admit.

It's a co-op puzzle game. Which means he becomes a cocky bastard for solving puzzles in seconds. He annoys you with his arrogance and you annoy him by messing things up in the game. While you're playing, Ortho left you two alone and none of you noticed.

You were having so much fun that it wasn't until your bellies rumbled that you realized you hadn't eaten yet and it was past dinnertime. You start to worry about Grim. Not because you think he would have been starving without you, but because he could eat who knows what without you around.

“It’s been fun but now I’ve got to go.” you say and your belly growls again.

“It's still going to be a long time before you get to your dorm and still have to cook dinner.” He says “If you are as hungry as I am, you should eat as soon as possible.”

“I know. That's why you should go now.”

“I have a lot of instant noodles. And I would say your best strategy right now would be to make yourself a cup of them and eat before you go. If you leave now with your hunger bar that low you could collapse halfway through.”

“Thank you for showing me the worst case scenario.”

“Oh, believe me, this isn't the worst I can imagine.” he smiles in a slightly creepy way, like someone who prides himself on predicting the worst. But then it goes back to normal. “Hey, it's just an offer. I'm going to make myself a cup now. If you'd like to come.”

You accept his offer and follow him into the kitchen. He asks you what kind of noodles you like best. If you ask him what kind of noodles he has, he will reply: "All kinds. Meh heh heh... Take a shot!" You say which one is your favourite. “IN STOCK NOW!” He says in his best Sam impersonation. It was so good that it surprised you and made you laugh.

He takes out two cups of your favourite noodles, one for you and one for him. He places them on the table where you sit while he goes to prepare the water in the electric kettle. He starts talking about the game you were playing together, but you're paying more attention to his small gesture of "making dinner" for you.

When he turns to you and sees your face, he shuts up and then says: “W-why are you looking at me like that? Has my hair turned a weird colour?” You chuckle but say no. “Then why that look?”

“Cause I think you're cute.” His hair does a PUFF in surprise and the ends of his hair turn pink and his face a little flushed. “Now yes, your hair is in a funny colour.” And you keep smiling at him.

“Meh heh... I may be a noob at this game but I still know how to play it.” He says, with a smirk and that confidence you only see once in a while.

“What do you mean?”

He puts his hands behind his back and slowly walks towards you while smirking. And you feel yourself blushing a little. When he gets in front of you he leans in, his face so close to yours that you almost feel hypnotized by his strong yellow eyes.

“Heh heh, looks like we're both cute when we're flattered.” He's speaking in that deep voice of his. “What's the matter? Not so confident when it's my turn?” He takes one of his hands to your face, thumb on one cheek, three fingers on the other and pinky under your chin, because his hand is relatively big compared to you. He's not hurting you, but he manages to gently get you to form your lips into a kiss pose. “(Y/N), dear, hon, you know very well at this point on a PvP between the both of us, I win. He he he...” he whispers, as he gets even closer “...cute...”

POP! He jumps and straightens up when startled by the electric kettle's signal that the water is already hot. And you laugh. He sulks, but turns and goes to get the water to put in your noodle cups.

Meanwhile, other Ignihyde students started to enter the kitchen to also prepare their dinners and eat. So, you couldn't continue your "little game".

You finish eating and he walks you out of the dorm.

“When can we do this again?” You ask before you leave.

“Well, that depends.” He answers. “When can I see you again?” and then he starts talking very fast. “I mean, I'm always at my room. In the best case scenario. You're the one who's always busy solving the problems of an incompetent headmage. And having fun with those two single brain celled of friends. And having meeting and stuff with the other housewordens. So, hey, you're the one who should text me whenever your free.”

That sounded a little suspicious, didn't it? You look around. You don't see anyone else but you two.

“Idia?... Was that a jealous speech?”

“What? Jealous? No, of course not.” He's still speaking quickly “This is just the speed up speech I use to spit facts and vent in someone's face with the expectation that even if they hear me they won't understand what I say and will just be confused and think I'm weird enough to leave me alone.”

“You want me to leave you alone?”

“W-wha- NO! I-I-I-...” He sees you start to lift the corners of your mouth. In fact, it's funny to see him flustered. “*Sigh*... It's a blessing and a curse to have a weirdo who can understand me even when I speak in my turbo speech mode.”

“I'll take that "weirdo" as a compliment.” you say, smirking.

“As you should.” He says, a little lower and with that sweet little smile. You cherish that smile until you remember what you two were talking about.

“I wish you would go out more often. Ortho too. Wouldn't you like to take a walk with me one day?”

“Surrounded by normies who wouldn't take their eyes off us? No thanks.” He says and you sulk. “Oh, come on. You know very well I'm not saying I don't want to be with you. I will not continue to fall on your sulking face.”

“But you didn't like the other times you left Ignihyde?”

“Oh yes. Being kidnapped by ghosts into a forced marriage was the most romantic experience I've ever had. Getting kidnapped to a Halloween party in the Spectral Realm and being possessed? What an adrenaline rush! Go to a camp and get kidnapped by Couch Vargas and forced to squad until my legs are in agony? The outdoor exercise I've been needing. I just realized I have a problem with being serial kidnapped.”

Even his sarcasm makes you laugh. “Can't say you don't have a point there. But what about the Halloween before you were kidnapped? For example?”

“Ah, what delightful visitors Magical Monsters are.”

“First, what about the normal visitors? Wasn't it good to see them appreciate your work? And second, you're not going to tell me you didn't enjoy terrorizing Magicam Monsters, are you?” He answers you with his smug smile. “And what about that gaming afternoon at Ramshackle Dorm? Everyone was so impressed with your gaming skills.” his sweet smile comes back. “Aaaaand...” you were going to play your trump card and you tried to imitate him in his fanboy mode “Epel's grandma is the inspiration for the team leader os the show I'm obsessed about? DUUUDE. SHE'S BEST GIRL BY FAR! Would you autograph my guidebook? And can I take a picture with you?!”

“OKAY OKAY, I GOT IT!” He was so embarrassed, for both of you. Fortunately, no one was there to see it. “And BTW, the show is called Sled Over Heels, the team is called Beauties Sleeping and the character is called Ai. Thank you very much.”

“Did you regret leaving the dorm that time?” you ask, knowing the answer. But he doesn't answer, he doesn't like to give the other person reason so soon. “Would you regret taking a walk with me one day?”

“Maybe.” He says, you sulk. “Not because of you, because of everyone and everything else. Can't we take this getting me out of the room thing slowly?”

“That reminds me of a phrase. Life is way too short to take it slow. But in your case, yes, we can take it slow. What if you come to Ramshackle Dorm and play together then? Maybe you can pet Grim.”

“That's very appealing. You're good with deal, I must say. Perhaps you can compete with Azul.”

“So, is that an yes?”

“*Sigh* Fine, I will... try.”

“Just try? What if i buy some candy?”

“Damn, you really are persistent. But since you're raising the offer” he smirks “what if I try to see how far it goes?”

“Do you want a kiss?” your cheekiness makes his hair explode in pink, and he blushes a lot.

“I-i-i-is that an a-actual offer?”

“Perhaps. But with such a high offer, do you really think just going to my dorm is enough?”

“Hum...” he thinks for a second. “How about that walk with you? There are not many people on the beach at this time of year.”

“But don't you need permission to leave college?”

“Heh heh heh. You remember who my family is right? Do you really think I can't bribe the headmage? As if it were difficult.”

You two were smiling like partners in crime.

“We have a deal then.” you say “so... what kind of kiss would you like?”

“Any one I want?”

“Any one you want.”

He looks around again, there's no one there, but he still pulls you into a corner. Lift your chin with his fingers and bring his face closer to yours. You were lit by blue and pink fire lights.

“Then why don't we finish what we started in the kitchen?”

You kiss him as your answer. You feel the warm his hair emits and his delicate but passionate lips on yours. You just broke away from the kiss early, because you were in a place where someone could show up at any moment.

When you get to Ramshackle Dorm, you find Grim and Ortho sleeping on the couch in the Lounge. The ghosts tell you that Ortho showed up there to keep Grim company and feed him dinner. He got some cans of tuna for himself. They also say that Ortho commented that his batteries were running low when he went into sleep or economy mode.

You wake Ortho up gently. And asks if he wants to spend the night there. You can arrange a place for him.

“It's ok. I was saving my energies to have enough to go back to Ignihyde anyway.”

He really wants to ask how the afternoon went with his brother, but it's late and he can ask you the next day. Or simply see in what mood Idia is in when he gets to their bedroom.

If you would like to read more from me, you can find it in my pinned post: INDEX

ABOUT THE SONG: "When Can I See You Again?" is one of the 3 theme songs from Disney's 2012 animated feature film, Wreck-It Ralph. It is an uptempo dance-pop and synthpop song written and performed by Owl City.

The song is played during the credits showing Ralph, Felix, Vanellope, and Calhoun's game-jumping adventures.

The song is the main theme of the Paint the Night parade at Disneyland and Hong Kong Disneyland, and is played at the end of Move It! Shake It! Dance and Play It!.

SOURCE