#i also want i say i understand it's a show and plot and mystery take priority but i also feel like this would be THEE season for them to

[cowabungholio]

i think one of the big things that's missing from junior year is the party checking in on one another. the bad kids make for a phenomenal adventuring party, but they fail to check in on each other (which could be a matter of 'we're a party, we don't have to!'; believe me, i've been there as a PC). they obviously help one another out with big ticket issues, like cassandra and kristen and fig and gorgug's grades...whatever might affect the overall health of the party.

brennan seems to be mining for the small moments (riz and sklonda's conversation seemed like an action trigger for the others, his delighted reaction to the accidental fig-turned-gorgug gift to riz, how eager he was for fabian to take a rage token in order to destroy a personal relationship).

i think, because - for instance - adaine and fabian are doing well, superficially, there's no focus on their loneliness or monetary struggles (of course, adaine hasn't opened up about this, so there's only so much to be said there...but she also went from very rich to very poor very quickly in a way that is noticeable...). it's not a top priority, and the usual NPCs that would be around to do the checking in aren't there. fabian's stuff gets played as a bit constantly as well. which is like, that's fine to a point, it's a comedy show! they're all comedians and improvisers! but 10 episodes in and fabian and adaine are only opening up to mazey (newly introduced) and aelwyn (newly reformed - this one i'm not particularly fussed over, i want them to have a relationship)...feels not WEIRD, just strange. and the bit can only stay funny so long before it's just sad (fabian fabian oh fabian). there's always a bit of truth to every just kidding, or however that silly phrase goes.

they're so resistant to talking to one another (maybe because they're used to brennan's NPCs) and i wonder about that, if it'll come to a head or if it won't come to anything at all.

[senseandaccountability]

HR department romance plots

I just… beyond the surface level of enjoying a new game with new relationship dynamics to explore, I really can’t feel much about the DAV companions or their romances.

They all just seem so disconnected from the story, from Rook (who in turn is entirely disconnected from all kinds of feelings because Rook is just Employee Of the Year), from the world, from themselves. I feel like Cole here, looking at them and saying in my gentle, fleeting voice: even the dwarves don’t really remember dwarves. It really feels like the interpersonal relationships are written by the HR person who sits with you as union rep to tell you that you should use a positive language, that "we are all simply employees here, it doesn't matter what title you have", give a little pep talk about teamwork and how to get the job done. That's what we're here for. Everyone's equal. We all want the same thing here, your boss is your friend. Have you tried talking to this person, see their side of things, mmmm? It's just... yeah, they're cute, all of them. But why do they like each other? Why do they want to be with Rook? Who are they even in relation to the world of Thedas, what do they believe in, what have they overcome, what do they hate, what sort of prejudices do they carry around? I have no idea.

And since I’m also replaying DAI again, I wanted to compare these romances to my canon romances in DAI.  With Blackwall, you immediately get a sense of attraction and a sort of flirting on his part that suggests this is something he falls into quite easily - “you know a lot about girls” to quote Cole - BUT it’s also something he really, really thinks he shouldn’t be doing now. Why? He is tied to the Warden plot, if you bring him along you get a sense of a man hiding shit but you don’t really understand what, and he still comes to see you (flying/climbing up your balcony wall idk) because he can’t step away. You get to tell him he’s a good man even though you know shit about that at this point, like with Anders in DA2 you can give your PC over to this passion/love despite knowing that there’s something off, something potentially harmful or dangerous. There is conflict, there are things that jar, that can even make you uncomfortable. 

Blackwall as a character is open and compassionate. He approves of mercy, shows mercy, he isn't judgmental of others. In sharp and delicious contrast Blackwall’s crime is vile. He isn’t bound by any sort of oath, he can back down, there is no greater good whatsoever in his actions. It’s inexcusable. And yet. YET. You can CONTINUE THE ROMANCE. He killed a wagon full of kids, THEN RAN AWAY AND LET HIS MEN TAKE THE BLAME and hates himself so much that he tries to become someone else by erasing his previous self from the face of the earth. You can still kiss him and tell him you want him to live and redeem himself. It’s fucking incredible to think about this in the light of Veilguard actually. Your LI, the child murdering coward. 

With Iron Bull you have the doubts all spread out on the table. He’s a spy, how could you ever trust him? He also doesn’t respond to your flirting, why the hell not when you hear through ambient dialogue that he’s fucking half the chantry, isn’t he supposed to be a fuckboy? But he’s fun, he’s a mystery, he’s got fascinating banter with everyone, he’s brought his found family along, he’s a Qunari who at least somewhat believes in the Qun - he’s got AMAZING conversations with Solas that characterizes Bull as deeply intelligent (and Solas as much more caring than he’d let on) and knowledgeable about surprising things like architecture. Cole, as always, gives us more insight into Bull’s mind along the way and even before the offer to ride the Bull, the idea of him has been through some adjustments. You change his idea about a lot of things and in return, Bull challenges your idea of him, your idea of the Qun, your idea of the world and possibly, depending on how you react to his romance, your idea of intimate relationships. The game’s writing allowed me to imagine a rather frumpy circle mage in her mid 30s reluctantly forming a friendship with this strange fellow, only to find herself very much attracted to him, only to find herself being cared for in a way she would never have let anyone do before simply because Bull told her that was the only way he’d be with her. This is how we’ll do it, are you in? Your LI, the service top Qunari spy who is terrified he’ll run mad without his belief system to dictate his actions. 

And Solas. I mean mythical love stories culminating in mythical endings aside, what I really fell for in this relationship was the refreshing dynamic not of enemies to lovers but of two souls just sort of connecting instantly during strange events, taking a few hard looks at each other and going oh shit it’s you, you get me HOW is it possible you get me when nobody else does? There’s so much external drama surrounding them, which is why I personally LOVE and ADORE how calm their internal connection actually is. They know, so early in the game, that this is it. You’re my home, you understand the bones of me, you ask questions no one else thinks of asking, you care about the world in a way I haven’t seen anyone else do. He is LITERALLY the only one who understands your Lavellan when they make her the herald, when she protests and they keep pushing and pulling and sing their song after Haven, and Solas is there to be sarcastic about it. If nothing else, I'd fall in love with that. And there’s this sense of impossibility from the very beginning, a sense of it being almost unreal because the first kiss is in the Fade, the second is in a frenzy where Solas goes from 0 to I LOVE YOU, MY HEART and then leaves and you know, you know how this is coded and YET - he seemed so wise and kind and sad, it goes like this, the fourth, the fifth. And even with this connection of souls, things chafe - he’s an absolute bastard about certain things, he mocks your heritage and you don’t know yet that it’s because a huge guilt blanket rests on top of him since thousands of years back, you can just argue back and receive his disapproval. He says it’s selfish of him to start anything with you yet he does - WHY DO YOU DO THAT, SAD EGG? Your LI, the ancient god of rebellion, treachery and lies, depending on the story. 

Even beyond my favourites, there are conflicts. Sera is A LOT (affectionate) if you're an elf, with Cullen you get a substance abuse story-line tied to his general dismay about his past as a really fucked up templar, Dorian has personal trauma and cultural prejudice he struggles with for the entire game, Vivienne is so complex half the fandom hates her and has very awkward and uncomfortable banters with almost everyone (save for Bull because he treats her like he would a tamassran), Cassandra is constantly challenged in her personal beliefs, very clearly reflected in her conversations with Solas and Cole has a whole personal plotline about deeply existentialist matters. What does it mean to be alive? Who is a person and who gets to decide that? He could have been a person, Varric says. Isn't he already? Does this unit have a soul? Not to mention that Cole functions chiefly as a speaker of truths, bringing a lot of complexity to the others. 

DAI is not perfect by any means but I feel like I know these bastards. I feel like my PC or even I could actively dislike some of them, because they are written to create dynamic conflicts inside and outside of their own arcs. I can write fic about them, I can imagine what they're doing during the events of DAV because I know them.

Because they are written like actual people in a world where some people have power over others and some people have been raised with a certain belief system and some people just have shitty takes on society, may they learn. 

[autisticshadowthehedgehog]

OK Guys. I get the skepticism esp after the Knuckles disaster, but we also need to keep in mind "this is a trailer that won't spoil literally everything about the movie." ESPECIALLY in regards to GUN. They're not gonna put in the trailer "the military shot a little girl and that's why Shadow is mad so Sonic is going to never work with them ever." That's a great way to get parents to bring their kids to the theater, especially in America. (/s)

It's WAY more effective as a plot twist halfway through, where Sonic thinks that he's finally being accepted onto Earth via working with the government only to find out that they're exploiting him and Shadow the same. I can't guarantee this is gonna happen obviously but it's like a 90% chance just knowing how, like. writing works.

Esp considering the government has not had a good track record in the last two movies, I dunno if they'd do a heel-face turn into "actually they were always right" in the movie where a little girl needs to get shot by the government.

And I'm not gonna say "trust and form a parasocial relationship with a film director" but we should keep in mind that Jeff Fowler got his start working on Shadow's title game and has stated in interviews that he understands how important Shadow's backstory is to his character. Not to mention how the internet has been exploding the last two years with enthusiasm over this story actually getting shown onscreen, enough that a studio would fucking notice at the very least that this is what the people want. I can't guarantee they'll actually listen, but saying that they're absolutely not because "Sonic was in a GUN helicopter in the trailer" is insane. Especially with the fact that GUN is not with Sonic when he goes to Eggman. We just see Team Sonic alone meeting with Stone, and I will bet you it's because there's no way in hell GUN would let them near him, what with the Robotnik connections to the ARK.

Also the Gerald thing is rather worrying, esp with the lack of shit they gave Pachacamac in the miniseries, but honestly I think that was just a marketing push of "Jim Carrey will be playing TWO characters!!!" Considering he's only seen in one trailer scene AT the ARK (where all of Gerald's technology was and, more importantly, where the Eclipse cannon he needs someone to set off is) AND we know from movie 2's credits scene that there was a fifty-year timeskip, I severely doubt that's the real Gerald who's just completely unaffected by his granddaughter being murdered.

And ofc there's things to be concerned about in the trailer. The lack of Rouge for instance– I obviously keep posting my theory that Krysten Ritter's character will be her undercover but the fact we don't know how much time she'd actually have with Shadow, if at ALL, is worrying. The fact that Rouge might not be here period. The weird pacing of the Knuckles show and the fear that could bleed over into the movie. But there's also stuff to get excited about– the epic fight scene choreography, the brief glimpse we got of Maria and Shadow's bond. Reeves's voice actually fits Shadow and at least from what the trailer showed us it looks like the Green Hills storyline is taking a backseat to the action and mystery of Project Shadow.

tl;dr guys calm down for like five minutes. if the movie sucks in december we can riot then. right now let's just band together against mufasa

[lkfarrout]

I need everyone to understand that Stan and Mabel are SMART. Ford and Dipper are often portrayed as the smart ones while Stan and Mabel are the "stupid twins" but here's the thing: Stan and Mabel are just as intelligent as their twins, they just care about different things.

Alex himself, in one of the episode commentaries (Little Dipper, I believe) says that Mabel is just as smart, if not smarter than Dipper, and could beat him at chess if she wanted to. But she cares more about playing pretend with the cute horses instead.

Mabel is also a genuis when it comes to crafting. If you've never done something like knitting before, you have no idea how hard it is and how impressive it is for Mabel to make all the sweaters and things that she does. Maybe not all her sweaters are handmade, but the Waddles sweater and Goodbye Stan sweater are crazy impressive on their own. There's also Wax Stan, all the puppets, and many other examples. Those types of things take a lot of planning, math, practice, and expertise.

Stan is portrayed as being lazy and dumb in high school because he copies off of Ford in class and has a very lame science fair project compared to Ford, but Stan shows ambition in other areas during that time of his life.

For one, he builds what we can assume to be a sea-worthy vessel out of basically scraps of old wood ("Tony Stark was able to build this in a cave! With a box of scraps!"). I personally don't know anyone - much less a teenager - who could do that, especially in a time before youtube. And while Ford definitely did help Stan with the boat, we can tell by their feelings about it that Stan really did put in most of the work and care.

Another example, and a more subtle one, is that Stan was able to save up and purchase a nice, new (7 or 8 years old at the most) convertible catillac by the age of seventeen. He probably spent a lot of time working outside of school to accomplish that, while Ford was more focused on work inside of school. It's highly doubtful that Filbrick would have bought the car for Stan. Stan was highly ambitious during this time in his life, just like Ford was, but in different areas.

In the Land Before Swine commentary, Stan talks about working on the portal and says he had to learn "high school math". He really thought that what he was doing all that time was high school level math when really, it was probably closer to masters-level theoretical physics. This tells me that he probably didn't struggle with the math parts all that much, and because it wasn't super hard for him, he assumed it must have been high school level because he's far too dumb to do anything harder than that. Yes, it still took him 30 years, but that's mostly due to him not having access to all the blueprints that Bill helped Ford create.

All in all, I believe that Stan and Mabel are just as smart as their twins, but it isn't picked up on because the areas that they like to focus on are seen as silly and girly (in Mabel's case) or unprofitable and a waste of time (in Stan's case). In constrast, Dipper's intellectual efforts of solving mysteries, cracking codes, and doing things like converting a CD into a record (impressive!) further the plot of the show and are thus seen as more important. Just like how Ford's academic efforts are seen as profitable and thus more worthy of praise.

I'm of course not saying that Stan and Mabel are better than Dipper and Ford in any way - all the characters have their strengths and weaknesses and I love that about them. I love all four of the Pines Twins so much - they all have so much to offer and are all so smart. I really love this show and they way it creates depth with the characters, and I love analyzing them and writing commentary on them.

[sixosix]

SOMETHING HAPPENS | XIAO

summary verr goldet and huai'an playing matchmaker, basically

warnings wc 1.7k, this fic is xiao pretty much watching over reader in his very xiao way so if you’re not into stalking elements pls don’t read LMFAO + xiao having a crushhh

You’ve felt the looming presence of someone watching you ever since you’ve set foot in Liyue.

It wasn’t anything sudden—in fact, no ordinary human being would have noticed it. But you’ve been trained to deal with all sorts of animals, from wild Rishboland Tigers down to slippery Red-Tailed Lizards. You could sense the tiniest snap of twigs and freshly fallen leaves that could have only occurred from an interference.

And having dealt with animals for so long, you can safely conclude that whatever has been following you for the past ten days is definitely not an animal. If it were, it would’ve been some skilled predator that somehow disappears into thin air when you steal a glimpse. The only possible trace you could find is the barely discernible mark on the dirt.

It also helped your Vision gave you the blessing of being attuned to the wind and the shift of air from a heavy presence.

You thought you’d be dead by the fifth day of your stay—murdered by this newly-acquired stalker of yours, but nothing happened. You asked (politely, with a please) this person to reveal themselves and save you both the trouble, but nothing happened.

You even went as far as to throw yourself into the first hilichurl camp you saw to see if anything happened, yet while you were defending yourself against one, all of them fell to the ground limp once you turned back to them. You search for more camps nearby, but they’ve all been cleared—and all of them were freshly beaten as if your stalker made quick work once they figured out what you were up to.

“It’s hard to tell if you’re out to protect me instead of murdering me if you don’t show yourself,” you say to the empty field, hoping for at least one answer, but nothing happens.

You suppose all that matters is that it’s hard to feel lonely with the constant presence.

“You been hanging around Wangshu Inn lately?” asks the man you went up to. It is in case you weren’t alone in what seemed to be the beginning plot of a horror movie. At your reluctant nod, he snorts, “Well, aren’t you a lucky one? Or perhaps it’s the complete opposite if you’ve been up to no good and disrespected an Adeptus.”

You don't understand what this man’s point is. You’ve briefly heard of the term ‘Adepti’ floating around Liyue, but you’re not quite sure if it’s one person or something else entirely. Have you done something to offend any deities in Liyue? All you’ve really been up to is researching the wildlife and tracking down the stalker. 

“What does Wangshu Inn have to do with this?”

“Why don’t you ask and find out yourself?”

You frown. “It would save me hours if you just tell me now.”

“I already told you what I know, kid,” says the man to you, a full-grown adult. “But I suppose I can let you in on one secret: you’ve piqued the interest of someone.”

This man is crazy.

You sigh. You’ve only been hanging around Wangshu Inn for shelter, but the sun is setting a little too fast, and the warm lights and delicious aroma of their food are starting to speak to you—you suppose there is no other way.

Making your way up to an inn has never been more interesting.

While walking, you belatedly realize that you feel the presence of the stranger again. It’s stronger than before, says the winds, and they never lie with what they touch as they fly by.

You also take it upon yourself to ask the merchants and customers alike, calling yourself new and curious as to what they know about the Adeptus lingering around Wangshu Inn.

“An Adeptus? All I know is that this inn is hiding a mysterious secret, but none of us have really gotten to a point where we found more about it.”

A secret.

You’d really prefer if the man you met before weren’t lying, as you would want your stalker to at least be some sort of god than an ordinary human being who has been watching you for no other reason.

You mull this information in your head as you climb up the inn. And then your limbs lock in place once you hear a voice. It speaks to you, for some unknown reason—as if the winds have quieted down to make you listen. You’re not sure if it’s the rasp or the absolute command his voice demands that gets to you, but—

“The next person to come here will ask about me. You will say you know nothing about my whereabouts.”

Then, a new, feminine voice speaks up. It breaks the brief trance you’ve been under. “…Is this the same person you’ve been watching over for the past two weeks, Adeptus Xiao?”

Adeptus Xiao. Watching over…?

Yet when you pick up pace and hurry to the counter, it’s just a woman alone, wide-eyed as she looks at you as if you were the one acting stranger.

“Sorry,” you blurt. “I’m, ah… I thought…”

Were you really just imagining that? No. That’s impossible.

The lady smiles. “I’ve seen you around the Inn recently. My name is Verr Goldet, the boss here at Wangshu Inn.”

“Oh, yes, nice to meet you.” Embarrassed, you choose to stare at the cat resting on the edge of her desk. You wonder if that cat can sense your distress; it’s blinking up at you innocently, surely the eyes of someone who has witnessed what you’ve missed. “My name’s Y/N, and I wanted to book a room…”

Verr Goldet brightens, but you suppose anyone receiving a customer would be, too. “I see. Have you considered the room on our highest floor?”

“Not…really?”

She hums, then smiles like she's letting you in on a little secret. “You should. If not, then at least consider climbing up the stairs and see the view for yourself. Most of my customers book rooms solely for that reason.”

That does sound appealing, and you have time to spare. “I will; thank you for the suggestion.”

Pleased, Verr Goldet turns to her desk to assumably book you a room. In the silence, you find your voice, “Hey, boss.”

You look up, and Verr Goldet’s eyes are sparkling. “Hm, yes? Oh, your expression looks terrified.” She laughs, sliding a key across the desk and urging you to take it. “I’m just used to correcting people who call me ‘boss lady’. What was your question?”

“Well, I’m pretty new, and—I’ve heard something interesting about this place.”

“There are a lot of rumors about this place. You’d have to be more specific.”

She might either kick you out from where you’re standing or understand what you’re about to say. “Well, ever since I arrived here at Wangshu Inn I always felt like I was being watched over… and then a man I met outside from here told me that there’s an Adeptus nearby?”

“I see. So you’ve met my husband,” she smiles knowingly. “You’re not from Liyue, aren’t you?” You shake your head. “Usually, no one knows about this, but my husband must’ve caught it, too. You’re looking for Adeptus Xiao, and I have noticed that he’s been lingering a lot more recently. More so than usual—I’ve concluded it’s ever since you arrived.”

“Should I be scared?” Because you’re not. Your heart is pounding. It’s a little messed up, but the thought of someone so highly esteemed having noticed you sends a thrill down your spine.

“Of course not. Xiao is the slayer of demons—he keeps Liyue and, most notably, this Inn safe from harm. Of course, I can’t blame your curiosity: no one else has seen Xiao with their own eyes.”

“Am I correct in assuming my stalker could be this Adeptus?”

Verr Goldet laughs. “Why don’t you head up and find out?”

Breathtaking is the first thought that crosses your mind as you finally reach the terrace. You can’t hold back your elated gasp seeing the place from this height—the lanterns, the people, the scenery.

And then you say, “Adeptus Xiao, are you here? Verr Goldet told me you’d be.” She didn’t say it directly, but the implications were there.

The wind shifts as a presence materializes behind you. It’s an all-too-familiar feeling. Goosebumps arise in your arms, and it’s not from the breeze. You turn, and come face-to-face with the most beautiful man you’ve ever met.

Xiao clicks his tongue, his pale skin tinted red. “I did not ask for them to resort to matchmaking.”

“You heard that? So you’re not denying that you’re the one who’s been stalking me ever so creepily?”

“Do not disrespect the Adepti with your accusations,” Xiao quickly retorts, like it’s second nature.

But you now know that one of the Adepti has a little crush on you, so you hardly care less about that at this point. “I’d say that invading my privacy is more disrespectful.”

Xiao’s silence embodies a scolded puppy.

You grin, stepping closer. It widens as Xiao stares at you warily, yet doesn’t disappear. The moonlight brings out the color on his face. He’s beautiful and acting unbelievably adorable. “It’s nice to meet you, Adeptus Xiao. Thank you for protecting me during my stay in Liyue.”

It must’ve been the sincerity in your voice that has him clearing his throat, scrambling for some sense of control again. “It’s—It’s my duty.”

“To watch over one person in particular?”

Xiao glares weakly, caught red-handed. “Do not get so presumptuous.” He says, yet he hasn’t disappeared into thin air while talking to you, unlike what Verr Goldet says usually happens. That alone says a lot.

“It’s hard not to when you look at me like that.”

Xiao visibly startles, losing his calm composure by blinking. “How do I look at y—“

“I think I’ll be staying in Wangshu Inn for a little while longer,” you voice aloud, the grin on your lips never once faltering. “I’ll be in your care, Xiao.”

Xiao cannot, in fact, handle this, as his entire face goes up in flames, and he disappears into wisps of teal and black. You’re not too worried. You can still feel his presence, the way you’re already getting used to.

A/N OH MY GOD. A XIAO FIC. FINALLY. FROM SIXOSIX. SELF-PROCLAIMED XIAO MAIN... im shaking as i post this like im so nervous. and i hate this. but out of all the xiao fics i tried to write this one has been the one i actually completed without throwing out halfway through

[lxkeee]

BEGGING FOR A LUCIFER X FEM!READER SMUT ABT HIM EATING READER OUT AFTER SEEING HIM DO THAT GESTURE AT THE LAST EP PLSSSS 🛐🛐🛐🛐 would do anything for that man omfg I'D KILL FOR HIM TO CALL ME GOOD GIRL

genre: plot with some smut ig

warnings: cunnilingus, oral (fem receiving), soft dom! Lucifer, thigh marking, praising (both receiving), pet names (love, darling, sweetheart), whiney Lucifer.

notes: I don't do porn without plot so yes... There's a little bit of plot to this 💀 it is quite long as they're not having sex but making love soo you better bet he's going to take his time with herr... This one is hella long btw.

additional notes: banners are made by cafekitsune, reader wears gloves and I can't explain what kind but the kind Child/tartaglia wears from genshin impact. Also, I don't know if this will be good as it's been a long time since I've written smut 💀

tags: @adaizel @xx-all-purpose-nerd-xx @thedarkitten (I can't tag you </3) @brithedemonspawn @dinawss @froggybich

“Good luck kiddo.” Lucifer said to his daughter before eventually slowly teleporting away from the hotel and back to the palace. His body manifested on the arm chair that's in his room and his shoulders sagged a bit. A heavy sigh left his lips.

“She grew up so fast but I still can't help but get worried...” he muttered underneath his breath as his eyes gazed upon the hanged picture frame of Charlie. Removing his hat from his head and placed in ton the table then his eyes slowly gazed into the framed picture that was on the table it was him and his new lover, [y/n]. He gave himself a second chance at love and he met [y/n], the only sinner that he actually likes being around with. Despite her mysterious yet charming personality, [y/n] is a nice woman, very patient and understanding. Although, there are moments his heart would yearn for his ex-wife, Lilith during his relationship with [y/n] but surprisingly [y/n] herself is very understanding, she understands that he cannot immediately and completely erase a love that lasted for so many years and with that, he is grateful for [y/n] and with that he always reassure her that he loves her and is happy with her. Though, right now, he is completely missing her as she's currently away for a week due to her status as an overlord. Despite [y/n] being an overlord, she didn't become one because of cruelty but many sinners would want to work under her as she treats her souls with care, providing a roof under their head, food, medicine, and protection as long as they follow her orders. [Y/n] didn't really specify how long she'll be gone as there are important matters to deal with but she promised that it won't take two weeks. She reassures him and vice versa.

“Oh [y/n], I've missed you.” Lucifer says to himself, shaking his head with a small toothy grin on his face that shows off his perfectly white sharp teeth. The circles of his cheeks turning a darker shade of red as he thinks about her. He sighs longingly as he squeezes a rubber duck that looks like her, the small rubber toy making a loud 'squeak' sound.

He didn't realize it as the arm chair was facing the opposite direction of his door, he didn't notice the said woman arrived awhile ago and decided to surprise him and opened the door without any sound. [Y/n] grins as she watches the man she loves plays with his rubber duck, her body leaning against the doorframe and her arms crossed over her chest.

“[y/n] come back soon, I need your insights on whether my decision of allowing Charlie a meeting with heaven was a great idea.” Lucifer whines to himself as he talks to the rubber duck version of [y/n].

This caught the woman's attention, [y/n] has met Charlie and she absolutely loved the girl. She heard that Charlie's opening a hotel that redeems sinners, she saw it on the TV and she honestly found it funny how she fought the TV host. She supports her cause but [y/n] thinks she wouldn't be joining it, not because she doesn't believe it will work but she doesn't want to leave Lucifer alone.

[y/n] let out a silent sigh as she continues to listen to her lover ramble to the rubber duck version of her, “If only you could see how motivated she is, love. I couldn't say no and I am afraid they'll crush her dreams like they crushed mine.” he says softly, his voice dull as he recalled what happened to him when he had so much hope and dreams for his people.

“I am sure Charlie would be fine, she's an amazing kid and she has an amazing father who will support her.” [y/n] says with a small smile, finally announcing her arrival. Lucifer slightly jumped from his seat from hearing her voice, turning around quickly to see his beloved leaning against the doorframe with her arms over her chest, the black suit she was wearing hugged her figure perfectly, the red tie adding a pop of color to her outfit. She looked gorgeous, she always does.

His eyes widened before a smile finally found its way back to his gorgeous face, “[y/n]! You're back!” he exclaimed, jumping out of his seat and quickly running towards her. [Y/n] chuckles as she moves away from the door, spreading her arms open for a hug—only for Lucifer to hug her and dip her, the action causing her to place her hands behind his neck for support and his actions caught her off guard when he finally kisses her.

The lovers stayed in that position, Lucifer supporting her weight as he held her waist while in the dipping position. Her hands behind his neck, playing with his light blond locks, causing the man to groan against her lips. Sharp teeth occasionally clash as they kiss, two weeks apart made them yearn for each other.

Lucifer's lips slowly moved away from her lips making [y/n] whine softly as he began to kiss the side of her lips, her jawline, and then her neck. Wet sounds of his kisses fills the room, along with [y/n]'s whimpers as she felt the devil himself began to mark her flawless neck with his hickies. Lucifer gave her a smirk before placing a gentle kiss on the newly made mark he just made on her neck.

“Welcome back, love.” he says softly, looking down at her flushed features. Admiring her as he held her in a dipping position. [Y/n] chuckles softly, her cheeks warm and red after the passionate kiss, “Oh, Lucifer... You always know how to make me swoon.” she mutters and he laughs, his laugh is like a gentle breeze that calms you down, so soft. His cheeks are turning a light shade of pink, “Well, it's a natural thing I can do when it comes to you.” he says with a chuckle before eventually helping her stand properly, making her chuckle softly.

“Aren't you romantic today?” [y/n] says with a small laugh escaping her lips, he could listen to her laugh all day and not get tired of hearing it. Lucifer smirked before softly holding her hand, bowing to place a gentle kiss on her knuckle, “I just missed you, that's all. I haven't seen you for almost two weeks.” he says before the hand that was holding her hand slowly glides across her arm, reaching her chest by her tie and then gently tugging her tie downwards so he could reach her face, “And we have a lot of catching up to do, my love.” he says with a smirk, making [y/n] blush slightly at the action and from the tone of his voice, “Indeed we do...” she replied with a suggestive tone and eventually closed her eyes as Lucifer presses his lips against hers, tugging her tie to lower her more and turn the kiss deeper. [Y/n] chuckles against the kiss, parting away from him for a few moments as a smirk finds its way to her lips, “My... Someone's eager...” [y/n] says teasingly making Lucifer blush slightly and pouted, “Don't blame me, I have truly and deeply missed you.” he says before slowly intertwining his hand with hers, pulling her towards his bed and [y/n] complied with a smirk, deciding not to tease him further. She wants him and he wants her. It's been so long since they've last touched each other. They needed this.

Lucifer gently pushed her down into his bed, [y/n] landing on the soft mattress on her back with a soft 'thud.' Lucifer followed soon after, climbing on top of her, his hand caressing her jawline while his other hand supporting his body weight. They stared at each other, eyes dilated and filled with love and adoration for each other. [Y/n] shudders a little as she feels the soft material of his gloves against her skin, her eyes looking up at him, admiring his beautiful features—the red aesthetic of his room making his light blond hair and pale skin pop, complimenting his beautiful ruby colored eyes, sharp jawline, pearly white sharp teeth, so angelic yet sinful, “You are so beautiful...” she murmurs softly and she swore his eyes dilated more before his hand moved back to her tie and gently tugged her upwards so their lips pressed against one another once more.

Mouths moved against each other, soft whimpers leaving their lips as they tried to match the other's pace. Lucifer groans softly as he feels her fingers combed through his slicked back hair, making it messy but he doesn't mind. He can taste the cherry flavor of her lipstick as he kisses her, the taste of her making his mind swirl, “Fuck... I can't get enough of you...” he groans softly as he gently bites her lower lip, asking for permission in which she obliges, parting her lips slightly to allow him to slip his tongue inside.

[y/n] moans softly, fueling his passion for her. Sharp teeth clash against each other as they lose themselves in the moment. [Y/n]'s hand slowly found its way to his, intertwining her hand with his own. Lucifer squeezes her hand as he continues to kiss her, savoring the sensation of her lips against his and his tongue exploring her mouth.

Her other hand is exploring his body, caressing his chest through his suit, making him shudder slightly. Lucifer's kisses once more moved away from her lips, moving downwards from her jawline to her neck, placing a gentle kiss on the previous hickey he made awhile ago before gently pulling her arm that had her hand that he was squeezing, bringing her hand to his lips and gently bit the end of her gloves with his teeth to pull her glove down. [Y/n] gulped from the action, her body heating up from how attractive he is. Fuck... Why is he so hot?

“You're such a tease...” she mutters softly with a pout making him laugh as he holds her other arm and does the same thing to her other glove, biting it down to remove it before throwing the gloves somewhere out of the bed, “But you love it, don't you?” he asked teasingly with a smirk and she sighs softly with a smile, “I do, I really do.”

“You better say those exact words to me one day but that time, it better be when I'm kneeling down in one knee.” he says teasingly making the girl blush and groan softly and nodded, “that's my girl... Now, how about we take these off as it is in the way hmm?” he asked as his finger traced her chest, running across her suit, a silent question for her consent and she nodded.

Lucifer began to loosen her tie, throwing the red fabric across the room before he began to unbutton her top. Revealing her lacy black bra underneath, fitting her breasts perfectly. Ah fuck, she's so gorgeous...

Removing the black fabric off her figure, finally showing off her torso. [Y/n] did the same to his suit, helping her remove his clothes as he could feel the heat of his skin beginning to heat up more.

Slowly and surely, one by one their clothes were removed. Leaving them naked for each other's eyes. Both Lucifer and [y/n] had to avoid each other's eyes as they felt shy, it has been awhile since they've done something so intimate.

[y/n] slowly moved her eyes back on him, admiring Lucifer's bare figure—hair messy, cheeks red, eyes shy and avoiding, beautifully handsome face and body—clearly sculpted by God. She allowed her hand to graze at his arm up to his jawline, holding his chin gently and then slowly tilt his head back so he's now once more looking at her.

Lucifer's breath hitched as his eyes finally landed on her, [y/n] looked so beautiful—her hair sprawled behind her, her [h/c] complimenting her gorgeous face, half-lidded [e/c] eyes and dilated pupils looking at him with so much need and adoration, plump lips that he oh so wanted to desperately kiss all the time, her body most especially... He just wants to leave kisses all over it.

“You're so beautiful, I can't believe you're mine.” Lucifer whispers softly with his cheeks flushed while he was above her, his arms supporting his weight. [Y/n] blushed and chuckled, “You tell me that everyday, love.” [y/n] says with a small smile and Lucifer can only chuckle, “It's because I want to,” he says with a small smile, pausing a bit, “I want to remind you everyday, that my love and adoration for you will never change and I am grateful that I've met you.” he says softly, his voice gentle and vulnerable as he expresses his love for her, his hand caressing her cheek. [Y/n]'s blush turned into a deeper shade of red as she listened to his confession, a small and flustered smile on her face as she intertwined her hand with his once more, “With that, I am eternally grateful that you chose me, for loving me and with that I would love you till the end of time.” she says softly, Lucifer can only smile—the same dorky smile you always loved seeing on his face.

Lucifer leans down so he can kiss her again, [y/n] instinctively snaking her as arms behind his neck—pulling him deeper into the kiss. Their kiss was needy, fiery, passionate yet gentle, soft moans and whimpers escaping past their lips. I love you's being muttered occasionally between them and against each other's soft lips. Occasionally, Lucifer would let out a small whine as [y/n] began to stroke his cock while they were kissing, his whines were music to her ears, “Y-yes... That feels amazing...” he whimpered softly against her lips, his hips thrusting against her hand for more friction. She could feel how hard he is for her, she can feel the veins running from base to the tip, she can feel the precum staining her hands.

Lucifer's kisses once more slowly went down—to her jawline, neck, collarbone and finally on her chest. He looked up at her, his eyes needy and dark with desire and love for her before he finally took one nipple into his mouth, suckling and swirling his long tongue around the sensitive nub while his other hand played with her other breast.

Whimpers and whines left [y/n]'s lips as her hand moves away from his cock and squeezes the pillows, Lucifer really knows how to pleasure her, her other hand running through his hair and massaging his scalp while he moves to her other breast.

“Luci... Mhmm... That feels so good...” she softly moans out and Lucifer feels a sense of pride from hearing that, his mouth continues to suckle on her left breast before eventually releasing it with a small 'pop.'

Lucifer's eyes went back to gaze on her face—disheveled, flustered, and cute.

“So utterly beautiful...” he murmured before moving his body downwards as he finally reached her legs, “Spread your legs for me, love.” he asked with a small teasing smirk, enjoying the flustered look on her face. [Y/n] obediently followed and shyly spreads her legs for him, avoiding his gaze.

Lucifer smirked as [y/n] spread her legs for him, his eyes turning into slits as he saw how turned on she was and how much she needed him, “Good girl.” he praises, his voice teasing, “Only for you.” [y/n] replies with a smirk of her own.

“You better be...” Lucifer says with a chuckle as he begins to kiss her thighs, leaving hickies while his hands squeeze the softness of her flesh, his lips slowly going up and dangerously near her womanhood. Looking up at her, his eyes were soft but filled with want, “May I?” he asked and [y/n] looked at him shyly and nodded.

Lucifer's smile widens before he eventually allows his head to dip into her most intimate part. His mouth began to suckle on pussy, moans escaping both of their lips.

Lucifer felt hungry and he can only satisfy this hunger with her. He suckled greedily like a man dying of thirst. His tongue lapped along her folds, circling her clit that invokes loud moans from her. He misses this, he misses her so much.

[y/n]'s eyes rolled back and her back arching from the pleasure, toes curling, whimpers escaping her lips. She can feel the texture of his tongue against her most intimate part, a gasp left her lips as she felt him slip a finger inside, his long and slender finger thrusting in and out while his mouth worked wonders along with it.

“So utterly wet and so good for me, sweetheart,” Lucifer praises as he continues to eat her out before finally adding a second finger inside her, he could feel how easily his fingers slide in and out—a perfect manifestation of how much she wants him, he enjoys how she can no longer form coherent words aside from moans she let out. He is incredibly hard but this isn't about him but this is about her pleasure, she always comes first after all.

“You are so good to me... I love you...” [y/n] whimpered softly making him chuckle, “I love you too, darling.” he murmurs with a small smile, his tongue flicking through her hidden areas of her intimate area while his fingers continue to thrust in and out. Skins heating up from the passion.

Lucifer can tell whenever she's close, from the obvious sign of how her toes curl, how high pitched her moans are becoming, how hard she is gripping his hair and how far her eyes rolled back at the back of her head.

“Is my love gonna cum?” he asked teasingly making his girl whimper, “Yes...!” she replied and he chuckled as he increased the pace of his fingers and tongue, “Be a good girl for me and cum for me, [y/n]” Lucifer says and that was enough for the knot in her stomach to break, “I'm gonna cu—” her voice was cut off as she let out a loud whine.

Lucifer greedily lapped at her essence, like a nectar from the gods that he cannot get enough of. Small whimpers leaving [y/n]'s lips as she felt so sensitive.

He eventually removed his lips from her intimate area and along with his fingers, he looked up at her disheveled, breathless and flushed but beautiful face. Lucifer smiled, “Are you okay...?” he asked, his voice was gentle and worried and [y/n] nodded, “More than okay, my love.” she replied with a small smile, “We can stop here if you want? I don't want to force you or anything...” he says and [y/n] shakes her head, their love was both giving and receiving afterall, “I can still go on and besides, I know you need help with that.” she says with a smirk as her eyes landed on his painfully erect cock that was begging for her and he blushed, “Now, be a good boy and let me take care of you this time.”

[pinkerthings]

the significance of mileven simply not understanding each other (pt 1):

(others have brought this up before but I think it’s a bit overlooked imo)

There are numerous times throughout Stranger Things where Mileven is shown to not be on the same wavelength, and the Duffers like to make it quite apparent to the general audience.

Starting with the obvious scenes:

“BLANK makes you crazy”

El is literally staring at Mike like she has NO idea what he’s trying to say.

Shes STILL confused even after he tells her it’s something old people tell each other:

Like girl…. i KNOW you were watching them soap operas and old timey romances during that year in Hopper’s cabin. You really expect us to believe you have no clue what he’s trying to say?

This scene was written like this on purpose for two reasons: comedic effect and diving deeper into mileven.

Back to not ever being on the same wavelength:

I talked in this post here about Mike being okay with El standing up to bullies in the past when it came to Mike or Will, but Mike suddenly not understanding when it comes down to El defending herself against Angela, showcasing the idea that they are definitely not in agreeance over what happened at Rink-O-Mania.

The Duffers like to purposefully write Mileven out of step with one another.

It seems as though every season has something negative in store for the couple, and not in a fun, slow-burn agonizing romance type of way, but in the frustrating “why can’t they just work it out” kind of way.

Season 1 obviously has El “dying” and leaving Mike for a year, but on a smaller note also has Mike trying to explain to her that if she moved into his house, Nancy would be like her sister, but he would not be like her brother. She does not understand this, and has her classic confused face on.

Season 2 has her being gone and coming back to see Mike with Max, and even though nothing happened between the two of them, El was still cold to Max when they first met, showing even if El is incapable of knowing what the word “love” is, she still somehow knows what jealousy is.

Season 2 also brings us an interesting scene with Erica and Lucas, where the dialogue just seems….really off and random.

Lucas catches Erica playing with his He-Man action figure and gets mad, taking it from her. To which she says, “Hey! They’re in love!”

Lucas responds with:

The scene is extremely random and the dialogue is just weird to me, the only explanation it being a metaphor for something in the show, and the only viable explanation is Mileven.

Season 3 has the entire “boyfriends lie” side plot, resulting in El dumping Mike for lying to him about his grandmother after Hopper’s talk with him. Their relationship the entirety of season 3 is the epitome of immature pettiness caused by jealous and hormonal teenagers who don’t understand what being in a real relationship entails--

We get El and Max spying on the boys:

Eleven is a mystery to Mike, he pretty much says it himself.

Their whole relationship is based on immaturity, and the audience knows that. The audience can see that the two of are clearly immature and don’t have what it takes to be in a real, committed relationship. That’s the point. Their relationship in season three is almost entirely to move the plot around in whatever way the Duffer’s want, and to showcase the idea that their relationship in screen is nearly always shown in either a comedic, pre-teen immature light, or a jealous, misunderstood, and petty light. There is almost no stable relationship between the two of them in season 3. It’s either too clingy or too toxic or full of lies or immature, blah blah blah. The only scenes of them either not making out or fighting is the last scene of them together right before the Byers move, and that’s a whole scene in itself to unpack!

Season 4 is where things get a little chaotic, as if things weren’t chaotic enough.

There are so many miscommunications and misunderstandings with Mileven this season, but the big ones include:

El feeling like Mike thinks of her as a monster-

and Mike looking at her like she just spoke badly about his favorite Star Wars movie-

Directly after that we have Mike saying El is being "ridiculous" because she's upset that he won't tell her he loves her, and him calling her a superhero, the complete opposite of what she wants to hear in that moment, but Mike doesn't understand that, because who wouldn't want to be called a superhero? (his way of thinking)

Later on we get Mike recounting this to Will, saying, "and if I would have said that thing..." etc.

Mike can't even say that he loves El to other people, and we're expected to believe it's still true?

We also get this:

another misunderstanding on Mileven's part. El thinks Mike doesn't love her (at this point, does he?) so she finishes her letter the same way he has: From, El.

Next we have Will and Mike's conversation on top of the car:

"I think it's just scary to open up like that, to say how you really feel, especially to people you care about the most, because...what if they don't like the truth?"

I've said it before and I'll say it again,

why would El NOT like the truth if the truth is that Mike loves her?

Mike nods at Will's words and looks away, seemingly lost in thought. Why would he agree with Will---that it's hard for him to open up to El because she might not like the truth---if the truth is exactly what she wants to hear?

It literally makes no sense.

We also get the Byler van scene, where Mike compares her to a superhero yet again, something she clearly does not like (I don't have a vid but here's the official script, where he says the same thing):

Also El being Superman and him being Lois Lane in the analogy....okay.

Next we have him calling her a superhero YET AGAIN ! during his monologue:

Like girl if I was El I would just give up at this point. This is the last thing she wants to hear. She doesn't want to be a superhero all the time, she just wants to be a person ! a girlfriend ! a friend ! a daughter ! yet Mike is making it seem like the main reason he loves her is because she's a superhero, which she hates.

And lastly we have:

"Did she...talk to you at all?"

"Not much, I mean...a little bit."

Let me get this straight......you finally confess your love to your longtime girlfriend in the midst of her fighting a literal monster & monster from her past while she is being strangled and held captive all while she's also trying to save her friend from death, and she doesn't say anything to you for TWO days after?

Ladies...the Mileven break up is writing itself, really.

And that is a thread on how the Duffers intentionally write Mileven to be on different wavelengths with each other every single season without fail to showcase how incompatible they really are.

They are setting this relationship up to where you want more for both parties; El deserves to be loved the way she wants to be loved, and Mike deserves to be loved the way he needs to be loved (if u know what i mean)

In part 2 I will discuss the importance of byler understanding each other, juxtaposed to mileven hehe bye !

part 2 analyzing Mike & Will here !

[c-u-c-koo-4-40k]

Here's a funny kinda nostalgic post for commenting on.

In Husbandry Warhammer what media normally designed more for kids do Space Marines enjoy? (Aka what media are they latching onto because it is healing their traumatized inner child?)

I'm gonna go through some of my totally unbiased opinions. And if you're favorite legion isn't on here...

Comment it with your thoughts!

Thousand Sons - Take your damn pick there's so much magic based media but of course the Owl House is up there for recent examples.

...some of the Loyalist Thousands Sons do get a bit...existential when the plot line of the tyrannical Emperor Belos gets expanded upon.

Ironically despite its fictional nature Thousand Son or other psycher space marines use certain scenes in it almost like training videos for their offspring.

Ultramarines - You can't Tell me these guys wouldn't like Bob the Builder, and Thomas the Tank Engine. The main characters are Blue and so much of trains and building is logistics! And Cyberspace! Logistics is mostly math so Cyberspace is in there too.

Death Gaurd - Zoboomafo, the focus on flora and fauna is quite enjoyable for marines literally in tune with the cycle of life. Children's shows in general often use simpler language which is easier to understand or translate for Marines still coming to grasp with ancient terran languages. The similarly enjoy The Wild Thornberries

Nightlords - Goosebumps. They LOVE Goosebumps and 'Are you afraid of the Dark?' No I will not explain it.

Blood Angels - Art Attack! Never watched the show myself but Damn it looks fun! And perfect for craft inclined Blood Angels.

Alpha Legion - The animated Carmen Sandiego cartoon! Deception, mystery and most importantly disguises! What more could a hydra want? And Blue Clues...because.

Salamanders - Dragon Tails. Love watching it with their family or kids. The show has a big focus on family itself and giant lizards it's practically made for them! Would probably also like Dinosaur Train.

Emerperors Children - Steven Universe. The art, the music, the messy drama of the characters that makes them weep and the existential dread of being similarly tied to a parent or family that is...complicated.

They find a lot of comfort and catharsis in it.

Black Templars - Veggie Tales. Okay JK kinda they would like that just swap out God for God Emperor. Also...Winnie the Pooh.

Is it just because Pooh is Yellow like their gene father? That's not entirely it but they approve of the little yellow bear who isn't the brightest but he does his Best Okay!

I could also see them using it as another weird allegory for the God Emperor loving and protecting because in quite a few episodes of "The Many Adventures of Winnie the Pooh," Christopher Robin shows up to help Pooh and Friends out of their predicaments.

Iron Warriors - Reboot! My sister loved this show as a kid, and given its focus on computers/a digital world I could see them enjoying it! Also they like Cyber Space because Math. And...Chip and Dale rescue rangers But! They like it specifically for the scenes with Gadget because she makes cool things and they also want to make cool things/find a way to make them work.

See a video on AstartikTok about an Iron Warrior making a remote controlled roller skate and putting the families pet rat on it.

The rat is unharmed and even seems to enjoy the ride.

Dark Angels - Redwall. God that series gave me Nightmares but it Was still technically a kids show....technically. Also Jane and the Dragon, they like the medical aesthetic.

Space Wolves - No I'm not saying paw patrol. Blue Clues and Bluey! But All the legions have Marines who like Bluey! There's hardly a demographic on this planet that doesn't have a legion of Bluey Fans!

Also the old Tarzan Disney animated series because it was actually pretty damn hot shit! And full of cool action scenes fighting giant frightening animals.

White Scars - My Little Pony Friendship is Magic. Yes because horses, and yes because it espouses the values of community and collaboration and it has a kicking soundtrack. And White Scars are one of the few legions who both accept psychers but also acknowledge their inherent danger. They have a big focus on meditation and not becoming lost to the power you wield and finding support in those around you. They appreciate the similar messaging in the show.

War Hounds and World Eaters - Lazy Town. Because all of them want to become as strong as Sportacus and be able to lift a fuckin pyramid with a grappling hook from an airship!

Please stop them, the Pyramids of Giza need to stay where they are. Don't let them cause an international incident.

Ravengaurd - Ruby Gloom. They enjoy the macabre atmosphere merged with the cheerful main character. Plus the music isn't half bad.

Some tags for ya'll if you wanna jump in! And don't hesitate to comment about legions already mentioned if you've got more ideas about shows they'd like.

@egrets-not-regrets @gallifreyianrosearkytiorsusan @bleedingichorhearts @barn-anon

@kit-williams @bispecsual @angronsjewelbeetle @virozero @sleepyfan-blog @passionofthesith

@beckyninja @felinisnoctis

[denv2]

It's been a long time,, I've been reading Inky Mystery for a while, but lately I tend to read it all at once when I have a few stories piled up. But recently I saw 349 and 350 and thought I should draw Felix and Oswald, so I drew them right away.

It's so good... So much fun... I love it!

No seriously zany felix < this is so good the more I think about it. He's out of the zany, but he's still got it in him? Oh my God, it feels so good... Do you know what I mean? Felix admitting that to me is really... Actually, I'm not exactly sure about zany because I just understand the concept as a feeling... but it just feels so good. I wonder about Felix's zany days... Even more so because of the current situation where Felix denies those days.

I also loved the jump to Oswald's side in episode 350, and the scene where Felix came to visit him in a bad mood really made me smile. I feel sorry for Felix, but it was good.

I also loved that Oswald brought up the past, the kids and Ortensia... Oh God, I need to watch episode 350 again.

Ha... I love how Felix and Oswald come to an understanding about fatherhood... or should I say, I love how they talk about it...

But... I couldn't hold back a sigh at the mention of Mickey. Oh my God, I'm so dreading the day when the series will reveal the news about Mickey's ink illness, but I'm looking forward to it...

Of course, I also read episode 351 posted today. The plot is getting more and more interesting...

This has nothing to do with the novel: I recently went to Tokyo DisneySea and Disneyland! The parades were so fun, impressive, moving, and fantastic... I especially loved the DisneySea parade, and I'm so glad I bought official Oswald merchandise! I got a doll and a key ring! I also saw two Disneyland stage shows, both of which I loved, and I got to meet Pluto and Donald Duck and take pictures with them, which made me so happy... I want to go to Hong Kong Disneyland and meet Oswald, so my next goal will be Hong Kong Disneyland.

I'm still in love with Inky Mystery and the cartoon characters. Epic Mickey rebrushed is coming out soon, I'm definitely going to play it.

[izartn]

What's good about KnH is (besides its main char and bc of Maomao) the way it manages the power dynamics and what life was as a woman without falling into utter pessimism and powerlessness or full romanticism; which is a reason I usually avoid like the plague historical/pseudo-historical fiction with female leads.

Usually I'd be super skeeved out by the power Jinshi has over Maomao but the way the series presents both of them, their personalities and their agency (limited as it is for Maomao but it's there and it counts very much) it brings out all the best and interesting parts. I trust this series to get twisty with them bc it establishes so well Maomao own character and understanding of her situation and the ways Jinshi can and does or doesn't take advantage of his power over her.

Like. It's presented as a problematic element, but also unavoidable given their social situation and the world they live in, so I can trust given everything else this show has done when solving the mysteries and presenting us the situations of other women, that the romance will be treated with that same weight.

Honestly if you've read over what I like to read/watch in my tumblr you'll notice that twisty and even toxic/unhealthy dynamics are very much within my favorites, but it needs to be told in a certain way. And I'm much more difficult to satisfy when talking about het romance.

So to watch KnH, notice it's primarily about Maomao life and the various misteries/medicines/palace intrigue and the romance is playing second fiddle riffing on all the themes presented on the plot? And it's complex, and plays with messy power dynamics of gender and class, but never loses Maomao her personhood? Wow.

Also. Jinshi is so BL chara coded omg XD like, he's very clearly based on a kind of shojo ML prototype (hello tamaki suoh!) but it also pulls from BL in his case (nothing to do with their romances but I think of Yan Xiaohan re:his relationship with the imperial power, from Golden Terrace lol)

And yet his romance with Maomao wouldnt work near as well for what is trying to say if they weren't a man and woman (which I love in their case, is what has me fascinated). Yes~! Get into the meat of how fraught it is for a man and a woman to be together when the man has so much power over her. Get into it!!!!

He's so so messy and fun as a chara too. Sheltered and not at the same time, you really notice all the things he misses by way of his privilege of being a noble born man (and specifically royalty, last ep (19) left that very clear he was doing a ritual probably by proxy for the emperor and also bay exchanges people. Maomao noticed and buried that thought far far below her subconscious but we all now who he is lol). Like. The way he fumbles and ends up essentially harassing Maomao at the start sometimes, which is both played for comedic effect and also upsetting. Mmm.

Like I said, I like complexity.

Also that part when he buys Maomao contract and he goes to collect her and she's all dolled up, and the clear implication by everybody but our mains (who clearly prefer to live in willfully blind land although for Jinshi I think the subtext of what he's doing lands when he sees her) is that in any other case she'd be his concubine/side-wife. It's not their situation wight now, and she's put to work as a live-in maid and apothecary and put to study (he wants her to assist him in politics lol I love that, but also he's so so lonely) but it's very much what the palace rumor mill says.

LIKE. I love the messiness! It could go soooo badly, but it also could not and there's Maomao living at the edge bc despite herself and what she says, she wants more from life, but also as she says the rear palace isn't all that different from the high class brothels and ugh. That tension. She has to depend on the favor of a man as a women of low class but she also could lose her head! GAH. And then there's feels involved! Aaagh.

[cloudmancy]

I have no desire to get you in trouble but I would be curious to hear your thoughts on the new episode and the preview because I also have.. thoughts and I'm interested in what other people clocked as not great or kinda.. idk. other people's concerns, because I have had a lot of them and I never see people really talk about those things

they're doing a new format this season where they film a bunch of rp episodes in a row then take a break when there's a battle so the crew can get the battleset ready, so I understand the dissonance. but the tone of this episode from the tone of last episode was SO jarring. I was ready to chew drywall at the end of episode 17 but we head into the episode 18 fight and at the end all I can say is... damn! that sure is a battle that happened. the entire fight felt really low-stakes even though objectively a few of the bad kids were in mortal danger, but the mood at the table was so relaxed and chill and there was almost no roleplay at all... which drove me so crazy

>no rp except for fun silly party stuff (no callbacks to the adaine elven oracle in a storm thing? after all the fun setup last time??)

>fought 8 different antagonists and none of them said a word

>nobody questioned why or what oisin's grandma or all those dragon were doing there they just started taking them out one by one like raid battles in world of warcraft

>cassandra/nightmare king showed up only to not make any impact or get a single word in

>dos2 lady vengeance fight did the floating boat/ballistas/dragon fight better SMH

and then after all of that we're headed straight into ANOTHER battle episode judging by the preview... and it's against the rat grinders and porter/jace! let me out I want PLOT & DIALOGUE fhjy cannot end like this (5 hours straight of battle where they just kill everyone that moves). there's 2 eps left so I really hope they do the last ep as a 4 hour long roleplay only epilogue episode because as we've all seen ending campaigns on a battle leads to frankly really rushed character and world decisions. it's ultra disappointing too because I loved this entire season so much so far. the setup and buildup and plot points and mystery of fhjy is the best they've ever done it in dimension 20 period

ep 18 fhjy battle was a letdown to me... not giving the party an rp episode after 3 hours of loredump + going straight into a final battle without being able to interact with the world after gaining info is bad. they should've had a chance to process everything they learned about house sunstone, porter's plan, the rat grinders being used as ascension fodder, whatever the whole deal behind ambrosia and lucy frostkettle and why they needed a helios cleric in buddy IN ROLEPLAY. I don't want all this stuff explained to me after the battle by brennan or in some throwaway lines in the adventuring party - I want the bad kids to talk to people! I want them to investigate! I want fig to pull some BS with porter knowing the full extent of all his plans. it really sucks for us as an audience too to be hit with all this lore and get approximately 0 time for it to sink into the implications of how the worldbuilding was shaped by it or realizations of "ohhh that's why that happened at the beginning of the season" before we go straight into killing everyone.

with the way this is going I don't have any confidence they're gonna be able to actually empathize at all with the rat grinders too before they start lopping heads off because in battle episodes everyone kind of just. becomes numbers and an objective to take out except for pet favourite npcs of the cast. and they've mostly been interacting with the rat grinders as nuisances all season 😭 I'm PRAYING to be proven wrong and the last 2 episodes of this are fantastic but it's not looking good folks

[what-eats-owls]

Hello! I'm a fan of Tangled and its spinoff series, and I'm curious about your upcoming book "Rootbound."

It sounds like it explores many of the same plot elements that Tangled the Series did (ie Eugene's identity/past, understanding Rapunzel's Sundrop powers, and traveling to a mysterious kingdom). I really like that it also focuses on the awkward phase of personal growth that comes after escaping an abusive situation/surviving severe trauma. (I'm in that phase right now, and I'd really like to see Rapunzel get the chance to work through it herself.)

I was wondering if you could go into more detail about your vision for Rootbound in relation to Tangled the Series. Do you see the book as "your version" of the series (meaning it's what you would have written if you were in charged of the show's plot)? Or do you think of it as a continuation of the movie that's completely different/separate from TTS?

(If you explained this already, I may not have understood due to my Autism. I'm genuinely curious to know what your perspective is tho!)

Hi friend! If this sounds short at all, I promise it's not because I'm upset, haha—I just want to be really clear so readers have the right expectations going into Rootbound! (While also not getting too deep into the fifty pages of publishing context.)

Your second option, that it's more of a continuation of the original movie and separate from TTS, is pretty much right on the money. The one thing I'd like to clarify is that I wouldn't call it solely my vision/version! When I was approached for the project, the lovely folks in charge had an early seed concept for the story, and from that, I was able to build a more detailed outline, and once that was approved, draft the manuscript. This is pretty normal for when you're working with another entity's IP!

That initial seed concept directly followed the original film, but did not draw on any characters/plot/lore introduced in TTS, and explored different takes on some things TTS covers, such as Eugene's history. Now obvs, I'm not an official spokesperson here, but my view on it is that Rootbound is only as canon as you want it to be. TBH, I think that's the better approach—the TTS fandom is enormous and passionate, and I'd rather not tinker with a story already told so well.

(And if anyone's worried that Rootbound will be the basis for a sequel film... let's just say for multiple reasons, no one would be more surprised than I, haha.)

So tl;dr: characters and lore from TTS are not part of Rootbound, I think that's a good thing (why mess with perfection?), I hope y'all enjoy my spin on things while knowing TTS isn't going anywhere.

[laststandx3]

Okay, okay, just finished the last season of tua and I understand lots of the critics I've read so far, mostly were about five and lila and valid and all, but my problem is that this feels so much like the last season of game of thrones, nobody in the writing room wanted to spend more effort than what they had too. This season of tua was terribly uninspired, they wanted to be done with this project as fast as possible and they wrote the flattest most direct way to get at the end of the story.

Find a girl. Touching the girl causes the apocalypse. The only way to stop the apocalypse is to die. End

The fact that finding the girl is a little complex at the beginning is the only redeemable part of the season. The rest of the story doesn't know what to do with the characters and keeps on separating them and giving them side quests. It's like the writer(s) didn't know what to do with them, in fact we got zero character arcs this season, barely diego overcoming his everyday life disappointment.

this is also the reason they're all so out of character, the story needs them to give up so they give up and die. This is why Five (whose only character motivation in 3 season, and 50 in-story years, was to prevent the apocalypse and save his family) this season gives up on preventing the apocalypse and taking care of his family. It's what the plot needs of him. He doesn't even crack the mystery of the underground by himself, he doesn't reason at all. Another version of himself gives him the answers he needs. Five has met his past self before and didn't trust himself, there's no reason why he should trust this other version of him. Except the plot needs him to be stupid. And the writers didn't know how to explain the trains how they worked and why so they just didn't let five figure it out. We don't even get to see other time lines because the writers were lazy. There's no lila meeting different versions of diego and falling in love with him again. They don't meet anyone else even if they could access other people and places. There's no five meeting some woman named Dolores (if they really wanted him to have a love interest). There's nothing in the subway except a time skip montage.

Then when the apocalypse comes everyone accepts death as a solution immediately, a couple of tears and lets end this thing all together. Nobody in the family complains, there's no brainstorming trying to understand what to do or if there are other options. They don't EVEN TRY. They barely ask where Five found those informations. Because the writers want this show to end, so nobody has to oppose the plot. No matter if klaus met god a couple of seasons ago. Or if there are multiple ways to time travel. There's no need to find out anything about reginald or abigail or their world or what kind of aliens they are. There's no need for that.

I don't know if it was a budget problem they couldn't film on many locations or sets or if it was all writers choices. What i can say is only that they took the easiest way out of a story that could have ended in SO so many different ways, and yet the writers chose the most definitive one.

[variousqueerthings]

watching this Paul Gross thing he did in the 80s (chasing rainbows) and ive been enjoying it despite the knowledge that there'd be some kind of a het love triangle thing going on and that the other two characters simply aren't that interesting, but. oh boy. is... is the woman in this constellation meant to be read as a villain???

(ME DOING A BREAKDOWN ABOUT A SHOW NOBODY WATCHED AND NOBODY WILL WATCH ✌)

PG character -- a working class man who is fundamentally good to everyone in trouble he meets, to the detriment of himself more often than not, but scraping by until he gets his big break (which he also works very hard for) and becomes the owner of a relatively successful nightclub

other two characters -- come from rich backgrounds and sort of suck him into their lives by the coincidence of the two men having been at the front in WWI and PG saving the other guy's life and consistently don't realise he's got way more working against him than they do

the lady in this situation initially dumping said other guy "to find herself" when he comes back from the war, which, fair, it's 1919, she's going to college, she wants to be sure she can make informed choices, chill enough

said lady imprinting on our working class heroic character, because he's working class. i just. cannot read it any other way. she clocks him as such at a party (that he was invited to as a veteran) straight away, insults him, throws water in his face when he doesn't take it, but simultaneously is into the whole idk... rugged unpolished nature of him

discovers a diary written during the war with poetry in it that she presumes was written by him -- steals the book and reads it out loud to her college friends and is offended that he's not flattered by this

despite numerous protests that he didn't write the poetry (and he didn't, it was written by a kid he tried to save who was later shot in front of him for desertion), she just doesn't believe him, because she desperately wants him to have the "hidden depths of a poet" or some nonsense. never mind his actual good traits -- his kind-heartedness, his tenacity, his savvy, his sense of humour, nonono she wants a Poet

also, she is a failed playwright. she writes terrible plays about things she doesn't understand (including the war), asks his opinion and is offended when he (under duress) admits he doesn't think they're very good

and now she fucking... copied down the poems without his knowledge and published them under his name with an article she wrote about said hidden poetic depths!!!! gets incredibly offended when he is upset about this, first of all with a "I thought you'd be pleased" then with a "you should be happy for me for getting an article I wrote published in a major newspaper!" (because at the end of the day it's about her)

he initially -- not knowing how to handle the situation -- goes along with it, because what do you do now? go to the publishers and say it wasn't you? out yourself in the news?? I mean??? but pretty quickly re-emphasises He Did Not Write Those Poems!

the plot then mysteriously seems to pivot into saying it was his fault for "stringing her along" because the "hidden poet" bit was the only thing she really liked about him... and she vehemently denies this (but girl, tell me one other thing that draws you to him, and you can't say because he's pretty!) and says he's hurt/betrayed her by lying. i just... don't know... if the plot... is writing her like this because she's meant to be a self-absorbed college girl who has her working class dream-boat fantasy get broken, or if it's meant to be presented as him having betrayed her. it is. unclear

and now she's threatening to write a new article about how he's a fraud. im just. waiting for the plot to point out that she's done all of this herself and she also won't suffer for any of it in the way he will...

this boy can do better than these rich kid tourists 😔

[mahoutoons]

magic witch school franchises to support instead of h*rry p*tter

so with the hbo h*rry p*tter reboot being announced, here's some magic school/witch shows to give your attention to instead of giving the queen terf your time and money

little witch academia

atsuko "akko" kagari attended a show by the witch shiny chariot when she was a child and being enamoured with her magic, decides she wants to be a witch herself. she enrolls at the magic school, luna nova. things are hard for her at first being the only student from a non magic lineage while everyone else are witches. and she does badly at school. however she grows throughout the show, both in her magic and in character.

the first half is mostly lighthearted and focuses on akko and her friends' shenanigans. the second half introduces an antagonist and is where the story starts picking up. there are some really emotional beats it hits. but of course akko triumphs through it all and picks herself back up - with some help from her friends of course.

mahoutsukai precure

the thirteenth entry in the ongoing precure franchise. it follows a young girl named mirai asahina who spots a girl flying on a broom. on following the broom, she meets riko, a witch who's from the magic world and has come to her world (called the non magic world) in search of the linkle stone emerald. but when they're attacked by a minion of the big bad, they're able to transform into legendary witches known as precure.

this is more of a magical girl show and it doesn't completely focus on the magic school..there's also episodes that take place in the non magic world. but if there's one thing that's worth watching the show for, its the tight friendship between the main charcaters. they really feel like a found family. also the ending is one of the most emotional endings in the entire franchise.

this show is part of the ongoing magical girl franchise, precure. however you don't need to have watched the previous seasons to understand this season as all the precure seasons (excluding futari wa precure max heart and yes precure 5 gogo which ars sequels to previous seasons) are standalone stories

also a sequel for mahoutsukai is coming out in 2024 which will focus on the main characters as adults

witch hat atelier

coco has loved magic ever since the day a mysterious witch at a festival sold her a picture book about its wonders. however, witches are born with magic, not taught, so coco is forced to give up that dream. one day, she sees a witch named qifrey work his magic by drawing glyphs. coco decides to try it out and discovers she can do magic by just drawing glyphs. however, when she accidentally turns her mother into stone. so qifrey takes her up as his apprentice so that she could learn magic, and hopefully reverse the spell on her mother.

coco is swept up into a world of magic snd everything she knows before is called into question. she also meets three other witches, tetia, richeh, and agott, who are also qifrey's apprentices.

one thing i adore about this series is its art. it is beautiful and gives off the magical fairy tale feel. all the characters are also really fleshed out. richeh's arc especially stuck with me as someone who has major beef with the education system in my country. it also addresses topics like ableism and systemic violence. there's also poc rep and lgbt rep (both canon and implied slow burn)

i will say if you're planning to go into this manga, trigger warning for chapter 49 because it discusses sexual assault (in a respectful way of course). if you're triggered by it you can skip that chapter and you won't really miss out on the plot.

also an anime adaptation has been announced and is currently in production.

ojamajo doremi

this is technically not a magic school franchise but it is a witch franchise so i'm gonna go ahead and recommend it anyways.

doremi harukaze, the self proclaimed "unluckiest pretty girl in the world", dreams of becoming a witch. one day, she stumbles across a mysterious shop run by a strange old woman. taking a cue from what she's read in her stories, doremi recognizes the old woman as a witch. this turns her into a witch frog, as witches who are recognized by humans become witch frogs. with this doremi has to become a witch apprentice and learn magic in order to reverse the spell. she's later joined by some of her friends.

this is a kids show but its very fun to watch. it addresses some heavy topics in a way that's understandable for kids while still mantaining its lighthearted atmosphere. it also gets really emotional at times, especially towards the end of each season.

i will say that episode 12 of ojamajo doremi naisho has a character die of cancer (its never outright called cancer but its heavily implied). so if that stuff upsets you, you can skip that episode and you won't really miss anything in the grand scheme of things.

so these are some of my favourites. feel free to add more.

[sensitivehandsomeactionman]

Rewatched 1x02 Wendigo

It's an easy-to-follow adventure, and as the second episode, has a feeling of confirming story style and motifs. They repeat the use of fake IDs. There's a cheeky wink to the audience about how implausible they are when they're imposters along with reassurance that as the heroes they have plot armor. The ep revisits blood dripping mysteriously from above, leading to a jumpscare horror. And revisits Dean ending up a total, muddy mess. There's detective-like interviewing and exposition, reminiscent of The X-Files, as well as the tell-tale woodsy wetness of filming in Vancouver, and a ritual explanation as to why they're taking a break from hunting for Dad.

A week has passed, and they found no clues in Jessica's death. Sam is understandably having nightmares and is withdrawn and somber and on edge. I do love that on rewatch the audience knows that Sam is hiding a secret and a guilty conscience. Dean sends many concerned glances Sam's way. The dynamic I see is Dean trying to direct their energies towards something more positive, which is solving Haley's case; the job John sent them to. I think it's a consistent strategy for Dean throughout the series to seek a hunting "win" as an emotional reset. And by the end of the hunt, we see it does revitalize Sam.

Dean says the iconic "saving people, hunting things, the family business" line. It's framed as "saving people, hunting things" = "the family business," and that works for the Kripke years. Now, having been through the whole series, I hear it as three separate things. The business (or workings) of family really is its own theme as the show goes on, and sometimes it doesn't have to do with the other two.

DEAN: Do you want to tell me what's going on in that freaky head of yours?  SAM: Dean... DEAN: No, you're not fine. you're like a powder keg, man. It's not like you. I'm supposed to be the belligerent one, remember?

I do find it strange to hear Dean say, "I'm supposed to be the belligerent one," except maybe it's said jokingly to get a reaction from Sam. So far Dean's been quite stoic when challenged, and likely to respond to hostility with smirky humor. Sam's more direct and quicker to be confrontational. Nice bit of foreshadowing with reference to Sam as "freaky" and about to blow up with anger, since the appearance of YED will expand on that later.

A few things that I especially enjoyed in this ep -- Dean's charm and chutzpah. The way he improvises on the fly. He's flirty but in a surprisingly sweet way. Sam's earnestness, knowledge, and fearlessness. His exhilaration when they finish the hunt. I'm also amused that starting here, bears come up as a civilian explanation for monster stuff.

It's hard not to take it for granted now, their chemistry as brothers. They especially feel like they're in their own world separate from the normal one, and we're privileged to peek into their experience. We're also privileged to enjoy their beautiful faces in cinematic closeups.

There's smarmy low-brow humor that seems characteristic of Kripke. I feel like he enjoys making the audience squirm a bit over it, just as he does with the horror gore. This isn't a show for nice bougie people, he seems to want to say, we like 'em rough around the edges. It's a bit of a caricature, but it's different, and feels harmless.

Harmless, like Dean's flirting. We can see through the artifice; we're in on the joke. Part of that joke is a show that's sometimes rough around the edges. Like the ep's final scenes making a big deal of Sam taking the keys to drive the Impala, followed by a long shot of them in Baby, with Sam on the passenger side. Oops! 😂