#i also understand that the evolution of her fashion is just in line with the irl evolution of trends but still

[lesbianspeedy]

i miss dinah's outfits she had so many cute little ensembles in the 70s and i presume the 80s. let dinah be fun again 2k23

i AGREE, she can rock a leather jacket with the best of them but i miss all her button ups and blouses

pink was kinda her colour huh

[ineffablebardwrites]

Good Omens Fic Masterlist

Aziraphale/Crowley (Ineffable Husbands)

The Ties That Bind

Not too long after time began, Aziraphale learned how to braid hair.

Not too long after that, Crowley's hair became his favorite thing to braid.

Little Talks

Crowley wakes in the middle of the night to the feeling of being watched.

A brief investigation leads him to the kitchen where God is waiting for him.

Things Unseen

Aziraphale honestly didn't think his time in Hell had affected him that much.

He was wrong.

Flash Flood

Aziraphale Fell on a Sunday afternoon.

The rain started shortly after.

Wait For Me (I Will)

After his Fall from Heaven, Crowley wants nothing more than to return to Aziraphale's side.

Their reunion doesn't go quite the way he'd imagined.

The Principles of Protection

Aziraphale reveals what it really means to be a Principality.

Crowley ends up witnessing it firsthand.

Out of Time

Crowley knew that falling in love with a vampire would have consequences.

He didn't think bleeding out in an alley would be one of them.

A Song of Selkies

All Aziraphale wanted was to go home.

Crowley doesn't understand why he can't.

Things My Heart Used to Know

Aziraphale always felt like Crowley reminded him of someone.

He's just not sure who that someone is.

Journey to the Past

Anthony Crowley is searching for the lost heir to the throne of Eden, Prince Aziraphale.

Enter Ezra, a young man with no memory of who he is or where he comes from, but bears a strong resemblance to the missing prince.

Spring Flowers, Autumn Leaves

Aziraphale, Lord of the Underworld, was used to waiting for Crowley to come home.

However, he wasn't used to Crowley being late.

--

A Hades/Persephone AU

Make A Wish

In the aftermath of Aziraphale's choice, Crowley finds comfort in a star shower and the hope brought on by a human's tall tale.

If You Hadn't Found Me (I Would Have Found You)

Aziraphale Fell, renowned cellist and musical prodigy, yearns for more than the hand he's been dealt.

Anthony Crowley, lead singer for the band The Fallen, is trying to find a new sound.

The two meet under unusual circumstances and somehow manage to find everything they'd been looking for.

Trials of the Serpent King Trilogy

The Fallen Prince

Ezra Fell had read The Trials of the Serpent King numerous times throughout his lifetime. He could quote nearly every line by heart and owned multiple versions of the entire series, including a recently obtained first edition of The Fallen Prince.

Upon opening the cover, Ezra finds himself within the pages of the book and traveling alongside Anthony J. Crowley, the exiled king of Eden, while he marches the path towards the redemption of his throne.

The Road to Eden

In the aftermath of The Fallen Prince, Ezra Fell continues his journey alongside Anthony Crowley as they make their way towards the Kingdom of Eden.

But the journey back is filled with perils and with a traitor lurking in their midst, Ezra's task of keeping Crowley alive has suddenly become a lot more difficult than before.

Salvation of the King

Following the events of The Road to Eden, Anthony Crowley and his company find themselves reeling from an unexpected betrayal, but continue to push toward their goal of reclaiming the throne which is now well within their reach.

However, their journey, while being so close to ending, is still far from over and Ezra Fell will find himself not only fighting for Crowley, but also fighting to remain in the world he now calls home.

Ineffable Wives

To Noise Making (Sing)

There had been a time when Aziraphale had loved singing.

Crowley isn't sure why she ever stopped.

Heart of Ice

The legend of the Snow Queen told a sorrowful tale of a woman whose heart turned to ice upon the loss of her beloved.

The Snow Queen herself has little memory of this person.

Antonia Crowley is intent on helping her remember.

Rhythm of the Night

Aziraphale and Crowley explore the evolution of fashion at the Moulin Rouge.

or

Aziraphale dresses up and Crowley loses her mind.

Ineffable Spouses

Through the Centuries

In order to assist Aziraphale with an assignment, Crowley suggests they pretend to be married.

When the end draws closer, Aziraphale is surprised to find she doesn't want it to end.

Love Is A Song (That Never Ends)

Upon their Creation, every angel was given half of a song.

The other half was given to their soulmate.

--

In which Aziraphale and Crowley are soulmates connected by a single song and how they slowly come back together following the Fall.

A Quiet Place

Once upon a time, a silent angel and an outspoken demon met on a wall.

Over time, they manage to find some common ground.

Ineffable Bureaucracy (Gabriel/Beelzebub)

It's Quiet Uptown

Gabriel hadn't always been this way.

In fact, he used to be very different.

Then again, after the Fall, no one was really the same.

---

Prequel to Things My Heart Used to Know

[newmusicradionetwork]

Ashley Elle Drops “Death of Me” Just in Time for Sad Girl Autumn

In a mesmerizing fusion of musical prowess and emotive lyricism, Ashley Elle’s latest release, “Death of Me,” emerges as a profound exploration of transformation and vulnerability. The single, now available on all digital music platforms, invites listeners to embark on a cathartic expedition of self-discovery and letting go through its evocative melodies and poignant narrative. “Death of Me” gracefully opens with a tender but haunting guitar riff, immediately transporting you into a contemplative realm of reflection. Ashley Elle’s vocals gracefully emerge, ethereal and delicate, bearing the weight of raw sentiment. As the song progresses, the production gradually builds, incorporating atmospheric electronic elements and a driving beat. Produced and co-written by longtime collaborator, Cazz Brindis, this dynamic arrangement mirrors the emotional journey Ashley Elle takes with her message in the song. Lines like “Cut my hair, dyed it blonde” and “I’ve been running backwards, looking for some answers,” communicate a sense of shedding old layers and embracing a new identity. This personal evolution is not without its difficulties, as the lyrics also touch on the struggle of leaving behind what was familiar. “I moved to Los Angeles four years ago to attend college and pursue music,” explains Ashley Elle. “While I love it out here, there are many moments where I wish I could run home to my small town in Wisconsin. ‘Death of Me’ is a song to LA – a place full of dreams and possibilities wrapped in competition and insecurities.” The musical elements of the song create a safe space for listeners to embrace their own vulnerabilities while also finding empowerment. Ashley Elle embarked on her musical journey by developing a strong admiration for Taylor Swift’s artistic prowess, which ignited her enthusiasm for music. She initially began by learning the piano and self-teaching the guitar. This experience led her to discover comfort and a means of emotional expression through both songwriting and singing. With her father’s support, Ashley Elle confidently embraced her undeniable talent and established herself in the recording studio. By collaborating with skilled producers, she refined her captivating and irresistible musical style. Her ultimate objective revolves around creating a connection with her audience, a goal that is evident in the profound lyrics of her compositions. Despite the vulnerability this process involves, Ashley Elle’s distinctive approach sets her apart from others, culminating in her signing a publishing agreement in 2019. Subsequently, her music has received praise from various sources, including CelebMix, Kings of A&R, and Fashionably Early, in addition to being featured on numerous Spotify playlists. In a world where personal growth and transformation are universal experiences, Ashley Elle offers a comforting companion for anyone navigating the complexities of change. Through its evocative melodies and emotionally charged lyrics, “Death of Me” provides solace and understanding, reminding us that the task of letting go and embracing the unknown is an integral part of our human experience. Grab a pumpkin spice latte and get ready for Sad Girl Autumn by streaming “Death of Me.” Stay connected to Ashley Elle by following her on Instagram @AashleyElle or by visiting AshleyElleMusic.com. Read the full article

[raayllum]

i’ve talked about it before, but it truly is astounding how well tdp works its episode structures into the show in a cyclical fashion in order to show off character development. for ex, the evolution between 1x03—2x07—3x08—3x09 with the repeated choice/motif of rayla choosing to protect a dragon at great risk to herself, and how callum steadily steps up to the plate to stand by her side to be the one protecting/saving her. 

but by far one of my favourite parallel structures is how much 1x06 and 3x04 parallel each other. callum and rayla’s plot line has basically the same structure each time: Rayla is hiding / doesn’t want to talk about something, and Callum tries to coax her into doing so, with irritation building more with each try; three times, actually, with Rayla rebuking him each time.

Then, Rayla’s breaking point, where she can’t deny her pain or secrets any longer in the face of Callum’s compassion

And it all comes spilling out, even if now isn’t the best time for it.

But this leads to them having a new level of closeness and understanding that comes with shedding her armour - literally and metaphorically. For Rayla, it’s realizing that she can trust the boys - trust Callum - and that he will pick her up when she falls. For Callum, it’s at first realizing he can truly trust her as her friend, and then expressing just how amazing she really is; how could he ever have doubted her?

And even when it all results in disaster - specifically with Zym - striking

They still handle the fall out as a team

And I think it’s one of the reasons that 3x04 feels so satisfying, because we’re watching them repeat patterns with new levels of understanding in growth. In 3x04, Callum isn’t angry or mistrustful he way he was in 1x06, because now they’ve been through significantly more (even just in 1x06 alone) and he knows where her walls are coming from. And Rayla is struggling more under a purely emotional pain rather than a physical one, with a larger emotional fallout. But it’s not the first time she’s trusted Callum with things she doesn’t want anyone else to see, and it isn’t the last.

The fundamental question has changed from Can I trust you? on both ends to When will you let me help you? for Callum and Can I accept help when everyone else has left me? Won’t I just let you down too? for Rayla. And luckily, Callum is an iota more stubborn than she is, and Rayla has also grown to let her walls down and accept his care and concern (mostly, but that’s a meta for another time). It’s a really nice, specific microism of the more general way they emotionally evolve to meet each other in the middle.

[porgthespacepenguin]

Thoughts about episode 2.7 (2/2)

Ready for more incoherent rambling about last episode and the future of season 2? Then buckle up!

(Also, I said this post would be mostly about team!Picard, but I actually lied. No surprise, there's a lot of Q and Picard in there too.)

The Borgification of Agnes Jurati

From very early on, I've had the feeling that Agnes is in fact, the Borg Queen we meet in 2.1.

There's a few reasons I'm now 100% convinced it's Agnes:

The Queen called "Picard" for help. Agnes always call him that way;

She's not like previous queens. She's not actually hostile: she doesn't kill anyone, and the "power" she needs is likely just energy to restore herself;

Agnes desperately wants what the Collective offers, much as it scares her. She wants that belonging, that merging.

The obvious: Agnes is now on her way to becoming a Borg Queen.

At this point, it would make no sense for the team to "cure" Agnes, only for a different Borg Queen to appear later on.

If this Queen is indeed, as I suspect, Agnes, then it's extremely likely that she's heralding a new age for the Borg, the next step in their evolution, and perhaps even a peaceful one.

And this brings us to Picard's sin.

Now look what you've done

Back in episode 2.2, Q angrily told a confused Picard that everything that's happening is his fault. The viewer is left to wonder, what, exactly, Picard has done that's so terrible as to make Q so furious.

And Q is furious, more angry that we've ever seen him. Most of that anger comes from sheer terror (and we are now starting to understand why) but also from frustration. And who can blame him?

Not only has Picard has commited a grievous sin, something so grave and so devastating it's literally destroying the timeline (and Q along with it), but when Q tells him so outright, that what's happening is a penance, Picard refuses to listen.

At first glance, it does seem like Q is talking in riddles, but he really isn't. In fact, in this episode, we learn almost everything we need to know:

"Show them a world of their own making (...)"

"You are the very board on which this game is played"

"I am but a suture in the wound"

"I could tell you, but you are far too clever to listen"

"This is not a lesson. It's a penance."

But there is one sentence from 2.3 that ties it all together:

"Shall we see what else has been lost in the wake of your fear?"

What has already been lost, I suspect, is the opportunity for the Borg to evolve peacefully.

By detonating the Stargazer out of fear, Picard has killed himself, the fleet, Queen!Agnes -- and any hope for peace with the New!Borg.

Hence the "blood on his hands". Q tells him he has an opportunity to atone, earn forgiveness; when Picard asks what for, Q answers:

"I think you know."

Of course, in typical STP!Picard fashion, Picard decides to utterly ignore Q and set about treating the symptoms of the problem and completely overlooking the cause.

In fact, when Q tells him he won't be alone to set his wrongs to right (implying that Q will help him), Picard flatly answers that, whatever it is:

PICARD YOU MUPPET.

So Q disappears and starts to help from the shadows. Since Picard refuses to even think about why they're here in the first place, he now has to find a way to make him confront the fear that caused this mess in the first place.

Which, by the way, ties in neatly with not!Bashir's line in this week's episode:

“Only you can stop it. (…) Why do we think we’re here?”

In fact, I predict we'll end the season right back where we started, on the Stargazer with the Borg Queen, only this time, Picard will make the right choice. He will face his fear of the Borg, of the unknown, and finally overcome it.

Maman Picard's story even tells us so: "All was right again".

But we know that everything is upside down in Picard's story, so it's likely not everything is right again. Something is wrong: the Sorcerer isn't evil at all, but he still dies and is forgotten.

So the price for putting almost everything back the way it should be may very well turn out to be Q's life. And if they don't save him in season 3...

The benefits of hindsight

While we're here, let's rewind a tiny bit, back to episode 2.1, now that we know more about what the season is all about.

Picard gives a speech at the Academy, and I didn't realize just how much foreshadowing they had packed in it until today:

"The true final frontier is time. In command, as in life, what we do in crisis often weighs upon us less heavily than what we wish we had done. What could have been. Time offers many opportunities, but it rarely offers second chances.

Time doesn't offer second chances, no. You know who does?

That's right, our friendly neighborhood Q. Let that sink in for a moment.

But wait, it gets even more interesting. Picard concludes his speech by saying that he is the last of his line,

But him being the last Picard is not a sad thing, because all good things must come to an end. And the Picards, as human beings, have done (almost) everything they set out to do.

What they need, what Jean-Luc needs, is a new frontier to explore.

And how better than as an ascended being -- for example, a Q?

Not convinced? Fine, how about this, then: he then quotes his mother, who always told him:

And he did.

He went to the stars. He explored space, the "final" frontier (which turned out not to be final at all, but that's neither here nor there). He did all that a human could hope to accomplish.

But at the end of "All Good Things", Q told Picard that the real exploration that awaits him lay not in "mapping stars and studying nebulas",

The true final frontier for Jean-Luc is ascension.

But Picard isn't ready yet. He has to let go of his fears before he can finally "look up" and ascend. I do wonder if Picard will have to lose Q before he does, however. I fear it may be the only thing that works at this point.

Oh, Rios, no

When Rios appeared on screen this week, I immediately thought: "Oh, this guy has at least one bad decision left in him, I reckon."

Lo and behold, the bad decision:

Seriously, mate, what are you doing? I get that Teresa is awesome (she's the only rational one of the bunch, and I love her) and that you want to be a space dad. I get it.

But you're in the past! Where any changes could be catastrophic!

(Rios is lucky the timeline is already so broken that it may not even matter in the long run, but wow. Rios, sorry, but you're a muppet too.)

Federal Bureau of What Now?

When Guinan and Picard got themselves arrested by FBI!Guy at the end of the episode, I sighed. Three episodes left, and they introduce a new plot line? WHY.

But then @celestialwarzone unearthed a very interesting tidbit: FBI!Guy is not, in fact, FBI!Guy.

Surprise!

Meet Lieutenant Ducaine from Temporal Investigations. The DTI is a Starfleet Department which apparently keeps a watchful eye on the timeline to prevent temporal contamination.

(Yeah, they're not doing a very good job.)

I'm still baffled they're introducting new characters and new plotlines this late in the game (unless Lt Ducaine has Q in custody as well, which would be. Hum. Something. But I doubt it.), but at least we might get some information about what's wrong with the timeline.

Or maybe not, since Ducaine seems to have arrested the only two members of Team!Picard who haven't been playing fast and loose with the timeline.

Someone really ought to tell him about Rios beaming civilians onto his space ship. Or, hey, the Borg Queen on the loose in Los Angeles. Just saying.

[spockandawe]

Well, this is interesting! So, in that post yesterday, there was one line that really baffled me, a thing about people brushing off a character as an asshole “because he shows literally zero growth.” I kind of set that aside because it was such a weird non-sequitur, and guessed that it was just someone’s sentences not quite keeping up with their train of thought, which has happened to me many times. Apparently I was wrong! I already spent long enough on that one post, I’m tired of talking about that, but this is new and interesting. 

Okay. I kind of wanted to see if I could talk about this purely in terms of abstracts and not characters, but I don’t think it’ll work. It would be frustrating to write and confusing to read. It’s about Jiang Cheng. Right up front: This isn’t about whether or not he’s an abuser. Frankly, I don’t think it’s relevant. This also isn’t about telling people they should like him. I don't care whether anyone else likes him or not. But I do like him, and I am always fascinated by dissecting the reasons that people disagree with me. And the process of Telling Stories is my oldest hyperfixation I remember, which will become relevant in a minute.

I thought I had a good grasp on this one, you know? Jiang Cheng makes it pretty obvious why people would dislike Jiang Cheng. But then the posts I keep stumbling over were making weird points, culminating in that “literally zero growth” line.

So! What happened is that someone wrote up a post about how Jiang Cheng’s character arc isn’t an arc, it’s stagnation. It’s a pretty interesting read, and I broadly agree with the larger point! The points where I would quibble are like... the idea that it’s absolute stagnation, as opposed to very subtle shifts that still make a material difference. But still, cool! The post was also offered up as a reason why OP was uninterested in writing any more Jiang Cheng meta, which I totally get. I’m not tired of him yet, but I definitely understand why someone who isn’t a fan of his would get tired about writing about a character with a very static arc. Okay!

Now, internet forensics are hard. I desperately wish I had more information about this evolution, because I find this stuff fascinating, but I have no good way to find things said in untagged posts, reblogs, or private/external venues. But as far as I can tell, that “literally zero growth” wasn’t just a slip of the tongue, it’s become fashionable for people to say that Jiang Cheng is an abusive asshole (that it’s fucked up to like) because he doesn’t have a character arc.

Asshole? Yes. Abusive? This post still isn’t about that. This is about it being fucked up to like this character because he did bad things and had a static character arc.

At first, that point of view was still deeply confusing to me. But I think I figured out the idea at the core of it, and now I’m only baffled. I’m not super interested in confirming this directly, because the people making the most noise about this have not inspired confidence in their ability to hold a civil conversation and I’m a socially anxious binch, but I think the idea is: ‘This character did Bad Things, and then did not improve himself.’

Which is alarmingly adjacent to that old favorite standard of ‘This piece of fiction is glorifying Bad Thing.’ I haven’t seen anyone accusing mxtx of something something jiang cheng, only the people who read/watched/heard the story and became invested in the Jiang Cheng character, but things kind of add up, you know?

Like I said, I don’t want to arbitrate anyone’s right to like/dislike Jiang Cheng. That’s such a fucking waste of time. But this is fascinating to me, because it’s like..... so obviously new and sudden, with such a clear originating point. I can’t speak to the Chinese fans, obviously, but exiledrebels started translating in... what, 2017? And only now, in 2021, do people start putting forth Jiang Cheng’s flat character arc as a “reason” that he’s bad? I’m not going to argue if he pings you in the abuse place, I’m not a dick. I’m not going to argue if you just dislike his vibes. I’m just over here on my blog and in the tag enjoying myself, feel free to detour around me. But oh my god, it’s so silly to try to tell other people that they shouldn’t like him because he has a static character arc.

I want to talk about stories. I don’t know how much I’ll be able to say, because it’s impossible to make broad, sweeping statements, because there are stories about change, there are stories about lack of change, there are all kinds of media that can be used to tell stories, and standards for how stories are told and what they emphasize vary across cultures and over time. But I think that what I can say is that telling a story requires... compromise. It requires streamlining. Trying to capture all the detail of life would slow down most stories to an unbearable degree. Consider organically telling someone ‘I made a peanut butter and jelly sandwich’ versus the computer science exercise of having students describe, step by step, how to make one (spread peanut butter? but you never said you opened the lid)

Hell, I’ve got an example in mdzs itself. The largely-faceless masses of the common people. If someone asks you to think about it critically like, yes, obviously these are people, living their own lives, with their own desires, sometimes suffering and dying in the wake of the novel plot. But does the story give weight to those deaths? Or does it just gloss by? Yes, it references their suffering occasionally, but it is not the focus, and it would slow the story unbearably to give equal weight to each dead person mentioned. 

Does Wei Wuxian’s massacre get given the same slow, careful consideration as Su She’s, or Jin Guangyao’s? No, because taking the time to weigh our protagonist with ‘well, this one was a mother, and her youngest son had just started walking, but now he’s going to grow up without remembering her face. that one only became an adult a few months ago, he still hasn’t been on many night-hunts yet, but he finds it so rewarding to protect the common people. oh, and this one had just gotten engaged, but don’t worry, his fiancee won’t mourn him, because she died here as well.’ And continuing on that way to some large number under 3000? No! Unless your goal is to make the reader feel bad for cheering for a morally grey hero, that would be a bad authorial decision! The book doesn’t ignore the issue, it comes up, Wei Wuxian gets called out about all the deaths he’s responsible for, but that’s not the same as them being given equal emotional weight to one (1) secondary character, and I don’t love this new thing where people are pretending that’s equivalent.

When Wei Wuxian brutally kills every person at the Wen supervisory office, are you like ‘holy shit... so many grieving families D:’ or are you somewhere between vindicated satisfaction and an ‘ooh, yikes’ wince? Odds are good you’re somewhere in the satisfaction/wince camp, because that’s what the story sets you up to feel, because the story has to emphasize its priorities (priorities vary, but ‘plot’ and ‘protagonist’ are common ones, especially for a casual novel read like this)

Now, characters. If you want to write a story with a sweeping, epic scale, or if you want to tightly constrain the number of people your story is about, I guess it’s possible to give everyone involved a meaningful character arc. Now.... is it always necessary? Is it always possible? Does it always make sense? No, of course not. If you want to do that, you have to devote real estate to it, and depending on the story you want to tell, it could very possibly be a distraction from your main point, like the idea of mxtx tenderly eulogizing every single character who dies even incidentally. Lan Qiren doesn’t get a loving examination of his feelings re: his nephews and wei wuxian and political turnover in the cultivation world because it’s not relevant, and also, because his position is pretty static until right near the end of the story. Lan Xichen is arguably one of the most static characters within the book, he seems like the same nice young between Gusu and the present, right up until... just before the end of the story.

You may see where I’m heading with this.

Like, just imagine trying to demand that every important character needs to go through a major life change before the end of your book or else it didn’t count. This just in, Granny Weatherwax and Nanny Ogg go through multiple novels without experiencing radical shifts in who they are, stop liking them immediately. I do get that the idea is that Jiang Cheng was a ~bad person~ who didn’t change, but asdgfsd I thought we were over the handwringing over people being allowed to like ““bad”” fictional characters. The man isn’t even a canonical serial killer, he’s not my most problematic fave even within this novel.

And here is where it’s a little more relevant that I would quibble with that original post about Jiang Cheng’s arc. He’s consistently a mean girl, but he goes from stressed, sharp-edged teenager, to grief-stricken, almost-destroyed teen, to grim, cold young adult (and then detours into grim, cold, and grief-stricken until grief dulls with time). He does become an attentive uncle tho. He..... doesn’t experience a radical change in his sense of self, which... it’s...... not all that strange for an adult. And bam, then he DOES experience a radical change, but the needs of the plot dictate that it’s right near the end. And he’s not the focus of the story, baby, wangxian is. He has the last few lines of the story, which nicely communicate his changes to me, but also asdfafas we’re out of story. He was never the main character, it’s not surprising we don’t linger! The extras aren’t beholden to the needs of plot, but they’re also about whatever mxtx wanted to write, and I guess she didn’t feel like writing about Jiang Cheng ¯\_(ツ)_/¯

But also. Taking a step backward. Stable characters can fill a perfectly logical place in a story. Like, look at Leia Organa. I’m not saying she has no arc, but I am saying that she’s a solid point of reference as Luke is becoming a jedi and Han is adjusting his perspective. I wouldn’t call her stagnant, the vibes are wrong, but she also isn’t miserable in her sadness swamp, the way Jiang Cheng is.

Or, hell, look at tgcf. The stagnant, frozen nature of the big bad is a central feature of the story. The bwx of now is the bwx of 800 years ago is the bwx of 1500+ years ago. This is not the place for a meta on how that was bad for those around him and for him himself, but I have Thoughts about how being defeated at the end is both a thing that hurts him and relieves him. Mei Nianqing is a sympathetic character who’s also pretty darn static. Does Ling Wen have a character arc, or do we just learn more about who she already is and what her priorities always were? I’m going to cut myself off here, but a character’s delta between the beginning of a story and the end of a story is a reasonable way to judge how interesting writing character meta is, and is a very silly metric to judge their worth, and even if I guessed at what the basic logic is, for this character, I am still baffled that it’s being put forth as a real talking point.

(also, has it jumped ship to any other characters yet? have people started applying it in other fandoms as well? please let me know if this is the case, I am wildly curious)

(no, but really, if anyone is arguing that bwx is gross specifically because he had centuries to self-reflect and didn’t fix himself, i am desperate to know)

And finally. The thing I thought was most self-evident. Did I post about this sometime recently? If a non-central character experiences a life-altering paradigm shift right near the end of the story (without it being lingered over, because non-central character), oh my god. As a fic writer? IT’S FREE REAL ESTATE. This is the most fertile possible ground. If I want to write post-canon canon-compliant material, adsgasfasd that’s where I’m going to be looking. Okay, yeah, the main couple is happy, that’s good. Who isn’t happy, and what can I do about that? Happy families are all alike, while every unhappy family is unhappy in its own way, etc.

It’s not everyone’s favorite playground, but come on, these are not uncommon feelings. And frankly, it’s starting to feel a little disingenuous when people act like fan authors pick out the most blameless angel from the cast and lavish good things upon them. I’m not the only one who goes looking for a good dumpster fire and says I Live Here Now. If I write post-canon tgcf fic, it’s very likely to focus on beef and/or leaf. I have written more than one au focusing on tianlang-jun.

And, hilariously. If the problem with Jiang Cheng. Is that he is a toxic man fictional character who failed to grow on his own, and is either unsafe or unhealthy to be around. If the problem is that he did not experience a character arc. If these people would be totally fine with other people liking him, if he improved himself as a person. And then, if authors want to put in the (free! time-consuming!) work of writing that character development themselves. You would think that they would be lauded for putting the character through healthier sorts of personal growth than he experienced in canon. Instead, I am still here writing this because first, I was bothered by these authors being named as “freaks” who are obsessed with their ‘uwu precious tsundere baby’ with a “love language of violence,” and then I was graciously informed that people hate Jiang Cheng because he experiences no character growth.

[morimakesfanart]

Sindria's Prophet #13

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12]

[AO3]

((edited because I figured out to add some more history facts that I think are important))

~POV Sinbad~

"The Kou Empire, huh?"

"That is going to make things risky."

With all of the Generals caught up with what happened in Balbadd, they needed to start planning for King Sinbad's trip to the Kou Empire, as well as catching him up with everything that had happened in Sindria while he was gone.

"LadY YamuRAI H AA AA A" A yell came from the hallway accompanied by the sounds of running.

((Sinbad is hidden on the left. There's a hint of him poking out.))

A panting magician gave apologies for disturbing their meeting and ran to the head of Sindria's magicians. "I wish I knew you were here so I didn't search the tower first~" Then he started explaining about some magical proof. Most of his words sounded like gibberish to the rest, but it was clear that he had made some kind of break though.

Yam jumped out of her seat. "How did you finally figure it out?! Who figured it out?!" She whipped her head to her King, "Sorry your majesty," and then looked back to the other magician.

"It was the work of the Prophet!” the magician answered. "We were talking about her illness and she pulled out scrolls that- you just have to read them for yourself!”

Mori had said that she had written other scrolls before she started coping down Fate. This must have been what she was working on.

Both magicians bowed out to go test out this new information. Before they could leave, Sinbad ended the meeting; there was no way he was going to wait to learn what other information Mori had blessed them with. Ja'far followed as did a few of the other Generals.

When they got into the court yard, the doctors that had been sent to take care of Mori were already pushing their supply cart back to their main building. The magician that had stayed behind spotted them and raised two scrolls up triumphantly. "She let me take the scrolls!"

---

News of the scrolls written by a Prophet spread throughout the Black Libra Tower within an hour. Yamuraiha and the doctors explained their significance to King Sinbad.

If even a fraction of the theories in the scrolls proved true it would completely changed their understanding of how illnesses work. If Mori wasn't sick she would undoubtedly be swarmed with questions and demands for proof. According to the magicians, nothing in the scrolls went against any known information. Instead, they gave explanations to why certain things that had been attempted in the past had failed. What she wrote about 'cells' was what really caught the eyes of the white magicians and doctors. As an example, according to Mori's writing there were blood types and most couldn't mix; that would explain why most past attempts at blood transfusions had failed.

The 2nd scroll showed a break down of even smaller particles, and how the structures of different particles made up everything. This was going to bring alchemic magic to a whole new era. Sure, such things would most likely be limited to high magicians, group efforts, and the Magi, but it looked possible now. A lot of common magic of the current day took extreme amounts of magoi in the past because they hadn't found the right formula yet. Mori's writing -if true- could easily be used as a guide to finding the right order of commands for many spells.

And even more than that, Mori had said that she had even more information to share; she had just ran out of scrolls and ink.

Mori's presence in Sindria, and everything that went with it were Fate and the Rukh's guidance. King Sinbad could see it -the future he wanted.

---

~POV Mori~

In Sindria's Palace there is a Great Bell. It is rung during celebrations, and to signify the King returning home like it did earlier that day, but it's main use was to ring every 2 hours to tell everyone the time since clocks weren't invented yet. So even though I was a sick person trying to rest during the day, I was woken up by the Great Bell every 2 hours... which of course is also situated right on top of the guest tower.

For obvious reasons, I was awake again.

I wish I knew how the others responded to the scrolls. I really wanted to know Yam's opinion most. Those scrolls basically gave away the secret to Yunan's signature alchemy magic.

I still had the first scroll I had worked on -the one on the science behind blimps-, and the last science scroll I had started. That one was on DNA, and reproductive systems. It was the last one I started in Balbadd. I hadn't started working on it until sunrise on my 2nd sleepless night and it showed; there were missing words everywhere, many incomplete sentences, and I couldn't stay in topic.

These mistakes were too great to fix with an ink knife. Editing was going be super annoying and time consuming since I couldn't work digitally. I'd have to physically cut up the first draft to put everything in the right order before making the next one.

Wait- Did this world have scissors???

Back home the first evolution of shears that could be labeled as scissors was in Roman barber shops in the last hundred years or so before Rome fell. China would spontaneous also create something akin to scissors not long after. Reim and the Kou Empire seemed to line up with Rome and ancient China for the most part, so I tend to use them to place the time period, but the dress Princess Dunya wears is centuries off and throws all historical accuracy questions out the window. Rome was long gone by the time boning was added to women's undergarments, and that dress had all the signs of boned corsetry.

Fuck it. I'll ask for scissors and if they don't have them I'll just invent them myself. I had been drafting professionally for the past 4 years. That may have been for microelectronics, but it uses all the same skills; I could do this. I needed to get a ruler -or at least a straight edge- and a drafting compass which they probably have based on the look of maps in the series, and pencils, or at least colored inks if they had them. I probably needed to reinvent the French curve(stencil tool used in art & drafting)...

Since I was struggling to fall back asleep I moved to the table and pulled out my test scroll. It was full of random marks and some of my early drawing attempts that I used to practice with the dip pen -it's also where I wrote down the dreams from the Rukh. I'd write the list of things I needed, rip the section out of the scroll, and pass the list to someone who could get me what I was asking for. I added some living necessities too like sleep wear and a comb.

The maids that came to give me dinner, and next dose of medicine were not pleased that I wasn't in bed -I was an important guest who was sick after all. And I wasn't pleased to have to drink more of that bitter medicine, but we can't have nice things all the time, now can we?

My voices was strained but I managed to communicate enough. I gave them my list, and laundry (the clothes I wore on the boat) before they left. They'd get me the things the next day. I was instructed to sleep until someone brings me breakfast the next day... which is what I was going to do anyway since the sun was practically gone. I might be a bit of a workaholic but I'm not going to let myself pull an accidental all-nighter when I know I'm still sick. I'm far more self aware than that.

And besides, the Great Bell didn't ring at night.

---

Maids brought my breakfast (& meds) the next morning and let me know that my clothes would be cleaned and dry by the end of the day. I guess they didn't use magic for everything.

They also gave me all of the drafting and inking supplies I asked for except for scissors. In one of the omakes Sinbad was shown cutting his hair with a knife as a part of his normal grooming. I had hoped he was just old fashioned.

For the greater good and the future of my own hair care, I drafted up detailed designs for a few different types of basic scissors. They wouldn't look fancy, but hopefully I had put enough of a detailed explanation on everything for the smith to figure out what I was asking. Steel wasn't developed until the middle ages and some of the counties of this world matched that so I hoped

that God and anime were on my side. I really wanted scissors that would be a good quality.

And if that didn't work I'd just have to get used to using knives and bladed rollers like a regular person.

The Great Bell rung for 10 am. There were at least another 2 hours before someone would show up, to give lunch, that I could ask to take my draft for the scissors to a black Smith.

I should be resting as a sick person. I should be more exhausted and in pain as a sick person. What was making me recover this quickly?

I still didn't feel like laying back down, so I decided to start drafting up the materials and equipment for proving everything I had written in the scrolls I gave the previous day.

Globally, micro-organisms, viruses, and bacteria were not really accept or proved until the late 1800's. Since Magi seems to take place some time around our 100AD-1300, and Yunan hinting at chemical compounds was seen as shocking by Yam, I knew that my bio scrolls were probably causing an uproar in the Black Libra Tower. I refused to use actual people or wait for an outbreak to prove it like how it happened in history -like how John Snow proved it when finding the cause of cholera outbreaks in 1848 and 1854 England. No, I needed to show how to prove these things in a lab, and to do that I was going to need to explain how to keep samples and invent a way to see microorganisms.

First was for a glass petri dish and other containers for samples. I'd need at least 3 -preferably more. I know glass works have been around since BC, and that this world had glass windows in some scenes, but I worried about the quality of the glass contaminating the experiments. I was going to have to boil them beforehand to sterilize them anyway.

Gosh I wish I had access to nonporous, air tight containers, and a temperature controlled environment. The heat and humidity of Sindria could easily mess everything up.

Wait... I suddenly remembered a scene from the Magnostadt arc when they showed how a sample was being stored. They already had good enough glass. I knew there were magic bio experiments but I had no idea how they worked.

With the realization that I was getting ahead myself, I switched to writing about how to use the scientific method to test for germs. It was basically the bread in a bag test to teach young children about germs but with petri dishes. I also wrote about how to analyze samples with a microscope to see micro organisms so I was going to have to figure that out next.

Lunch came as the perfect break.

Just thinking about reinventing this thing made me nervous. I knew magnifying glasses existed in ancient Rome, but they would be nothing like what I was used to. I had to explain how light moves and made multiple diagrams showing how concave and convex lenses affect light as well as the material of the lens. I ended up also showing how to make a telescope even though I knew Yam already had one.

Magicians were the only ones shown with glasses. Maybe now the rest of the world could have them too.

4 o'clock came and so did 3 doctors and a magician. It was less than yesterday, but still more than necessary to treat or analyze one person. I only recognized one of the doctors from the previous day. All of the new faces looked nervous. None of them looked young by any measure, so I really doubted this was their first time treating someone.

They weren't happy to see me at the table and made me return to my bed -their loss.

The doctor from the previous day was the one doing most of the talking. "Your recovery is amazing. You will most likely be better in another 3 days at this rate if not sooner. It's practically a miracle."

I smiled. "It's pretty shocking for me too." As long as I spoke quietly and kept my comments short, I found I could talk again for a bit.

The doctor was silent for a moment before changing the subject. "I know you need rest, but would you be willing to answer a few questions about those scrolls from yesterday?

The 3 other men looked expectant. This was why they were here.

"I don't mind as long as you don't make me talk too much."

Then came the question I was expecting since I had first made the scrolls. "I know you are a Prophet and the information came from your visions but is there any way you can prove what you wrote?"

I pointed to the table with the scroll I had started earlier. "I can't prove it with the current equipment I have, so I've been drafting up the needed equipment and processes for proving it."

They all turned to look at where I was pointing.

I added, "It's not done, but you're welcome to read what I have so far."

I was thanked as they went to the table they had called me away from when they entered.

'He called it 'visions?' Really?' I had to ask Sinbad later what he was telling his people about me so I could keep the story straight.

The magician confirmed for the others what I wrote about light bending. There was magic to do that, but not everyone is a magician. I had just invented a way for non-magicians to bend light.

Just wait until I show them a prism that can split light into colors. Or teach them how light is perceived in the eye. Or even better, show them the double slit experiment that proves that light is a particle not just a wave... Did they know light was a wave yet?

"Lady Prophet."

I was pulled out of my thoughts.

"You said this isn't finished and there is plenty of space in this scroll for more, but would you let us take this back to the tower so we can get started?"

I wanted to say 'no.' I was still coming up with things to add to it, but I also knew that holding things back because I wanted to save paper was a fool's game. Besides, I could always add more to it later.

I nodded and they thanked me before making me promise not to leave my bed. They were grateful for this new scroll but not at the expense of my health -they were doctors after all.

And then they left.

It was probably about 5pm if my internal clock was on schedule, so I had about an hour before the next ring of the Bell.

Even if I wasn't a man of my word, I would have lost the motivation to work with my current project taken from me while I was still in the middle of making it.

So, I did the thing I grew up doing when I was bedridden from illness: I looked out the window. From the bed I could only see the tops of the buildings on the other side of the courtyard. The Tower that was just poking in from the left had to be the Black Libra Tower.

The waves in Sindria were calmer yet stronger than those in Balbadd. It was probably due to Sinbad's influence. He brought stability and security to his people. I could understand why so many chose to follow him or ally with him. But I knew where all this would lead. As he obtains more power and influence he will stop being able to see himself from the pedestal that he and everyone else put him on; his greed will make him blind to the wants and needs of others, and like a middle aged parent that isn't ready for their child to leave the nest he will take out his frustration on the world that was moving on without him. When Sinbad dies at the end of the manga, Drakon realizes that they all put too much on Sinbad's shoulders.

To change Fate, I was going to have to make sure I never put him on that pedestal nor rely on him for much. And I was going to have to convince the 8 Generals to do the same -or at least to start pulling more of the weight.

The 6 o'clock Bell came faster than I expected, as well as my dinner not long after. They brought my clean laundry, a sleeping gown, and some other common clothes and things for my convenience.

I would have preferred something much shorter for the night gown since I hate having a lot of extra fabric around my legs when I already have blankets. I was not going to risk being walked in on by doctors or whoever when sleeping naked, so I would make do for now.

There was no way King Sinbad wasn't going to reward me for those scrolls. If it was some kind of treasure I'd sell it and buy a new wardrobe for myself that actually suited me, and if the reward was a request then I would ask that he pay for everything directly.

The light coming in my windows changed, and I watched my 2nd sunset in Sindria.

When Sinbad found this island 10 years ago, he completely terraformed it. He didn't get rid of all of the vegetation that was here, but he did break down one of the sides to allow for easier access by boat. The side he carved out faced northish towards all of the other known countries, so no boat would have a reason to circle the island. It was a decision that would benefit the merchants and make it easier to defend.

It also meant that my windows faced west, so I could watch the Sun set every day. I couldn't help but see that as a blessing and a curse. Sure not getting the sunrise meant I'd need to put more effort into

waking up in the morning but that wasn't the part I was worried about.

See- The thing is... I have synesthesia (having 2 or more senses overlapping). I see sounds, letters, and numbers as colors and textures. I have it mild enough that I can normally block it out so it's not too distracting (thank God because music is a main stim), but sometimes I'll hear something and get overwhelmed by how it looks.

Each letter and number is a color. So every voice can make every color, but language, pitch, tone, and accent all affect the colors and textures I see from a person's voice like a filter. There have definitely been some people that I struggled to give my full attention to when I first met them because I was entranced by how their voice looked. The more I hear a person's voice the more I'm able to move its visuals to the background so I can focus -desensitizing myself to it.

Luckily, Sinbad's voice is normally not so distracting that I stop paying attention. Since it's like a merger of every voice actor I've heard play him (All the characters I had met so far were like this.) I'm already desensitized. The similarities across all of the VAs meant that his voice looked like a sunset -full of deep purples and magentas, and bright reds, peach, and gold, and with a smooth and flowing texture like painting in acrylic with a wet brush -like a painting of the last moments of a sunset.

His voice was as pretty as he was.

I hadn't actually gotten to see or hear him for a whole day. But I'd get to look at his voice's equivalent every day while living under his protection.

It was frustrating to admit -I barely knew him as a real person- yet I couldn't deny that I missed him. I feel asleep watching the sun set.

((I wasn't going to write about my synesthesia, but this is my fanfic and I thought it might be fun to reference the colors peoples voices make when the characters talk. I'm not going to paint every VA and head cannon, but I will describe them as I go. Ja'far's Japanese and English VAs have voices that look very different so finding the middle ground is proving tricky.

Also, anyone who noticed that the purple I see in Sinbad's voice is the same as the purple I've been using for the illustrations and comics is super smart and cool.))

[liunaticfringe]

(via Lucy Liu's Independent Woman - Interview Magazine)

There have been many great sidekick pairings in the history of modern literature. Huckleberry Finn and Tom Sawyer, Phileas Fogg and Jean Passepartout, Winnie-the-Pooh and Piglet…the list goes on. Yet, it seems there has never been a delightfully tumultuous relationship that comes close to echoing the one embodied by rogue detective Sherlock Holmes and his faithful friend and assistant Dr. John Watson. Written in the form of short stories by Arthur Conan Doyle between the late 19th and early 20th centuries, the opium-den loving Holmes would terrorize London with his intellectual, astute, and stubborn prowess, with Dr. Watson providing medical expertise and chronicling their entertaining exploits along the way.

Doyle’s works have now long been entered into the public domain, with many film and television adaptions cropping up every few years. Still, when CBS announced in 2012 that it would be turning Doyle’s works into an hour-long crime-drama series titled Elementary, it elicited an unusually high response—this was mostly due to the news that a woman would, in fact, be portraying Watson. Her name would be Joan, not John. And she’s now a fallen from grace surgeon-turned-sober companion and private detective, forfeiting her “Dr.” title in the process. The woman chosen to take on this exciting, contemporary role of Joan Watson was none other than seasoned actress Lucy Liu.

Liu, who’s best known for her roles as a fierce and ill-mannered lawyer in Ally McBeal, an ass-kicking “angel” in the rebooted Charlie’s Angels, and an equally ass-kicking bad girl in the Kill Bill series, certainly provides the yin to the yang of Jonny Lee Miller’s gritty portrayal of Holmes. Elementary chronicles the duo’s relationship as they consult for the NYPD on various criminal cases while living in a shared brownstone in Brooklyn Heights. Initially starting off in Season One as a substance-free friend to the fresh-out-of-rehab Holmes with a keen interest in solving crimes, Watson quickly transformed into a sharp and observant right-hand woman who now clearly has the aptitude to work on her own. And it appears she’ll be doing just that—the end of Season Two left viewers witnessing Watson’s decision to move out of the brownstone and start a new career as a solo private detective, seemingly fed-up with Holmes’ erratic behavior.

The warm and delightful Liu recently called up Interview from her home in New York City to discuss Elementary’s upcoming third season.

DEVON IVIE: Were you on set today?

LUCY LIU: I was running around like a maniac, yeah. It’s beautiful today, it started getting a little bit cooler again. But of course I’ve been bitten by the two mosquitos that are still alive in New York City.

IVIE: I know you were recently at New York Comic Con. How was it?

LIU: It was amazing. It’s such a spectator place. Not only do you get super fans, but you also get people who are curious and inventive and imaginative. It’s fun.

IVIE: Did you run into any cosplayers dressed as Joan Watson?

LIU: Oh, no, I don’t know about that. That’s funny! We did a panel with a huge audience so I couldn’t really see if anyone was wearing anything specific, but it’s an excuse for kids and adults to get dressed up and just be crazy. You know you’ve made it when you have super-fans out there.

IVIE: When you first read the scripts for Elementary, what was it that attracted you to the role of Joan?

LIU: I liked the fact that it was going to be about [Joan and Sherlock’s] relationship and their friendship, and bringing that into modern times. And I thought it was wonderful to change up the gender.

IVIE: Did you immerse yourself in Arthur Conan Doyle’s work as preparation at all?

LIU: I did, I did! I started reading the short stories. I never read them before so it was a really great excuse to read them. I can’t believe it was written so long ago, because it’s so current. The characters are so colorful, which is why I think there are so many incarnations of Watson and Holmes.

IVIE: Do you have a favorite story? I love “A Scandal in Bohemia.”

LIU: There were some pretty amazing stories. The one that stood out to me, which was a Watson story that I got to know him a little more through, was “The Hound of the Baskervilles.” He really is on his own in that. Of course it turns out that Holmes has been there all along, but it’s interesting looking into his interior.

IVIE: Yeah, the entirety of “The Hound of the Baskervilles” is narrated just by Watson. And his diary and letters, too.

LIU: Yeah, I think it’s really cool. We started incorporating that into the show, too, the letters and journals.

IVIE: Has this detective genre always appealed to you? Did you grow up watching or reading detective whodunits?

LIU: I remember more of the old school Nancy Drew and Hardy Boys sort of thing. I also grew up with the Scooby-Doo mysteries. Remember when the villain would go, “I would’ve gotten away with it if it weren’t for you rascal-y kids!” Those were the kind of the things I immersed myself in. I have to say that my mother has always been a huge fan of Columbo and Murder, She Wrote, so this show was her dream come true. I don’t think she totally understood what was going on with Ally McBeal. [laughs]

IVIE: I’ve enjoyed witnessing Joan’s evolution throughout the course of the show, starting off as a sober companion and eventually ending up as a trusty sidekick and confidant to Sherlock. What can we expect from Joan in Season Three?

LIU: When you see them in the third season, you see some friction between the two characters. Joan is now on her own, she has her own detective agency, has a boyfriend, and has been without Sherlock for eight months. She’s got her own apartment, she’s settled, and he shows back up. I think she’s a little bit hurt by what happened and how their relationship and partnership ended, which was basically his decision and his choice, and he left it all in one little note for her. I think she felt that their relationship was much deeper than that, and that he was dismissive in the way that he handled that.

IVIE: How would you define the relationship between Joan and Sherlock?

LIU: I think that it’s a really positive and good relationship, overall. They really have a good chemistry together, work really hard together, and understand each other. They acknowledge each other and respect each other, which is a really important way to have a friendship. And they can learn from each other, you know? She’s very curious about him and I think he sees that she’s a very smart person—that’s vital for him in having respect for someone, having them be intelligent and thinking for themselves.

IVIE: Do you see any of Joan in yourself?

LIU: I do to a certain degree. She’s a lot more measured and patient, for sure. She’s a very curious person, which I think I am, and I think she isn’t afraid of change. She was a doctor, and then became a sober companion, and then jumped off and became a detective. I think sometimes it’s good to make big leaps.

IVIE: You’ve probably been asked this question many times, but do you think a romance between Joan and Sherlock could ever fittingly happen?

LIU: It’s a question that’s often asked and I think it’s really up to the executives. Rob Doherty, the creator [of Elementary] really feels incredibly strongly about keeping their relationship platonic. He has already taken great strides to keep the relationship as clean as possible according to the literature, but he has also changed so much of it by changing the gender of Watson. To have them have a romantic involvement would turn the whole thing upside-down in a way that might really jump the line. [Doherty] felt really strongly about it and I think that’s the one thing he really wants to stay true to.

IVIE: I totally agree. Even on the BBC’s Sherlock, there are campaigns to get Benedict Cumberbatch’s Sherlock and Martin Freeman’s Watson to become romantically involved. It’s like, enough already, no!

LIU: No way, that’s so weird! People do have that level of friendship oftentimes, but it doesn’t mean it’s physical. I think that everyone just assumes because there’s chemistry the next thing should be happening. I would vote “no” for a romance. I think for sure the creator would vote no on that, too.

IVIE: I’ve talked to both women and men who watch Elementary, and they all consistently mention how well dressed and fashionable Joan is. Do you collaborate with the wardrobe department on styling decisions at all?

LIU: That’s awesome. Yes, I collaborate with Rebecca [Hofherr], who’s the costume designer, who’s wonderful. She’s very easy to work with. One thing we try to maintain about Joan and her style is that she’s a bit wrinkled, you know what I mean? Sometimes it looks like things are really put together, but we always want to make sure things aren’t too tight and are comfortable, kind of like she throws things together. We don’t want it to seem so business-y, so we go away from suits. Chic, but not corporate. Also just to make her seem like her outfits aren’t so put-together all the time. But I’m glad that people really seem to like it, it’s a relief! We don’t splurge a lot on the show, we try to do cheaper things, like things Joan would wear a lot. She wears the same white jacket and shoes frequently.

IVIE: Will we be seeing more of the infamous Clyde the Turtle in the upcoming season?

LIU: Clyde will indeed be in it again. We have to share custody of Clyde.

IVIE: Is it true that Clyde is actually two tortoises? Pulling a Mary Kate and Ashley in Full House on us?

LIU: Yes. It’s just like having twins on a show. Just in case one is crying and screaming and passed out or something.

IVIE: You made your directorial debut for an episode of Elementary last season [“Paint It Black”]. Do you have plans to direct an episode again soon?

LIU: That was so exciting. I’ll be directing another episode again very shortly in December, so you’ll be seeing it in a month and a half.

IVIE: Where did your interest in directing come from?

LIU: I guess I was curious about it. Having been in this business for a while, you kind of see and get a glimpse of everything doing film and television. I think it seemed like a natural progression to go into directing, and I hope to explore more of it, because it’s very exciting and a really good way to collide all the things that you’ve known and experienced in the business and put them all into one.

IVIE: Is there an ideal guest star that you’d like to see on the show in the upcoming season?

LIU: I would love to see Mycroft come back. I really think there was a wonderful tension for Mycroft and Sherlock as well as the triangle that occurred when Joan became involved with him. There’s something very deep about that relationship, and I also think that Rhys Ifans is a fantastic actor. He commands the screen, but off-screen he’s incredibly lovely. A real treat to have on the show.

IVIE: I remember the first few episodes that I saw Rhys in, I was like, where have I seen this guy before? So I looked at his Wikipedia page and it became obvious: he was the crazy guy from Notting Hill!

LIU: Yes, the roommate! So good! Everything he does, he just kills it, no matter the role.

IVIE: And it’s always good to have some MI6 action on the show, which Mycroft provided. Some international flair.

LIU: [laughs] International flair, exactly, some added spice. Just throw some spy stuff in there to throw people off their game. You just don’t expect it, you know? It came out of nowhere.

IVIE: That whole three-episode arc at the end of the second season…

LIU: That was awesome. I was lucky enough to direct one of those episodes, which is more narrative in tone. It’s more fun in some ways, too.

IVIE: You’ve done a range of acting work for both television and film. Do you now find yourself preferring one to the other?

LIU: I love both of them equally. The lack of predictability with television is something that’s constantly changing what your perception of who you think your character is. Suddenly I have a father that’s schizophrenic, or I discovered something else, or I have a relationship with Mycroft. The things that pop up and change the game for you and always keep you on your toes. The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it. And the process of that can be longer, like editing and advertising and testing the movie, so it’s very different. Television you just continue going, no matter what’s happening outside of your world. You get lost in that vortex a little bit.

IVIE: It’s interesting that America is now embracing the “mini-series” format that has already been so heavily utilized overseas, where there are a set amount of short episodes, and that’s it. In a way, it’s kind of like a cinematic experience.

LIU: I like that, too. It allows you to have a freedom of creativity and at the same time you don’t feel like you have to be contracted to something for that long; you’re really working on a piece of art. And then you’re done and you move on, or it comes back, like Downton Abbey. You don’t know. Those things become little masterpieces. The thing about television is that you see a range of actors now that you may not have seen five years ago even, 10 years ago absolutely not, and I think now there’s no wrong about doing television. There’s no definitive category for what kind of department you fall into anymore.

IVIE: What’s a fun, secret fact about your costar Jonny Lee Miller?

LIU: A fun fact about Jonny Lee Miller is that he oftentimes does handstands on a wall before he does a take, sometimes with pushups, to get blood to his brain and get him geared up for a long monologue that he may have. He stays there, hangs a little bit, and then turns around and does the scene. Most of the time in the brownstone more than anywhere else. He’s in full costume and everything. That’s trivia!

IVIE: I wish I could do wall-handstands by myself.

LIU: Oh my god, I need someone to push my legs up and then hold me there. I’m a cheat!

ELEMENTARY PREMIERES THURSDAY, OCTOBER 30 ON CBS.

[thehouseofgrey]

what do you think about magnus in neons??? *eyes emoji*

Funny you should mention 👀

As a teenager I wasn’t allowed to be like,,, emo. Like our parents just wouldn’t let us wear all black. Probably an attempt to keep our mental health from tanking but 🙃🙃🙃. Point being, since I couldn’t wear black, I went the opposite direction. I wore exclusively neons from ages 11-15. It got me bullied a lot. But I don’t care cuz I loved it then and I intend to bring it back into my wardrobe now at first opportunity. All that said,,,

MAGNUS IN NEONS IS SO FUCKING GALAXY BRAIN YOU DONT EVEN UNDERSTAND

Okay okay organizing thoughts. The first thing y’all should know is that we’ve already seen Magnus in a neon. Electric blue is a neon. This is electric blue for reference:

[ Image ID: just the color electric blue]

I’ll put a note here that pure red is also technically a neon but it’s a neon I hate with a burning passion so we will not be acknowledging her further. Magnus rocks red so really it’s rather unfortunate that neon red sucks so fucking much

But there is, I would argue, a much better much sexier sister color to red that looks lovely in neon and would look so good on Magnus I’m getting lightheaded just thinking about it. NEON PINK! Neon pink, I would argue, is the god of all neons. Even if you hate neon green, blue, orange, yellow, purple... I’ve never met someone who hates neon pink. (If you do, no you don’t ❤️ /j) Magnus in pink lipstick or eyeshadow

[Image ID One: a close up of shiny neon pink lipstick on tan white skin

Image ID Two: a close up of a matte neon pink eyeshadow with black eyeliner and false lashes on a heavily airbrushed white woman

End ID]

Like the pink eye shadow with a black dress, pink fishnets AND a pink leather jacket. God sign me the fuck up. Magnus in a bright pink pencil skirt. Good shit. Chefs kiss. Mwah. Pink heels pink heels pink heels. Especially like a pump. Or like a chunky heeled boot. God I’m getting carried away. Okay okay okay.

Right.

Let’s also talk about a underrated babe: neon purple

[Image ID Left: a very skinny white woman with a handful of small tattoos on her arms. She’s wearing a short tight dress that’s purple with blue and green glitter.

Image ID Right: a mannequin in a knee length, holographic purple A line skirt.

End ID]

We never got to see Magnus in purple of any kind which feels like a crime. But neon purple would present such an opportunity for him to play with glitter and shimmery silvers. Neon purple was made for holo silver. You can’t change my mind. I’m right. And neon purple and holo silver were made for Magnus Bane.

Right okay my next points require addressing a bit of an elephant in the room. I love hsj with my whole chest and he makes a magnificent Magnus. But, Magnus would be dark skinned. He’s Indonesian. And there are just some colors, especially bright colors like neons, which look better on darker skin. None of this is up for debate.

That said, Magnus would also rock the fuck out of neon yellow orange or green. Like there’s no color this man couldn’t own. Dark skinned people are out here in real life inventing color all the time. Magnus has had hundreds of years and all the money to perfect this. And neons lend themselves so well to mixing colors and patterns in ways that regular colors, I’m sorry to say, just don’t.

[Image ID: a Japanese teen girl standing in a brightly lit parking lot. She has her hair in two braids which she’s holding, one in each hand. She’s wearing a neon pink baret and a neon pink button up shirt with big red, yellow, green, purple and black flowers. it’s tucked into a bright yellow and white checkered skirt held with a medium sized black and gold belt. She also has on pink socks and pink platform sandals. End ID]

This is what I mean by pattern and color mixing by the way. (And Magnus in a miniskirt? Inspired. Effervescent.) Fashion, makeup, jewelry, and generally self decoration is one of the most fundamental ways humans have always expressed themselves. Magnus knows himself. Knows what fits him. Knows his colors and patterns. I’m sure he could come up with combinations I can’t even dream of. And neons provide an excellent medium for it.

Magnus could inspire even more gender envy in neons tbh. He’s not androgynous in the way of like man plus woman or woman plus man. He’s androgynous in the way of like where you’d never doubt what gender he is even though he’s made gender his bitch, y’know? He’s fully feminine, fully masculine, and fully androgynous all at the same time. Idk what this paragraph is for actually now that I’m at the end of it.

Basically, Magnus is a bit of a peacock. He’s hot, he knows it, he flaunts it. The neon aesthetic just suits the mould of what we already know him to be. Neons is the next evolution of the glitter and matte orange or blue eyeliner.

Don’t let me get started on this shit or we’ll be here all day

[Image ID One: a close up of black and white checkered lipstick. The mouth is hung slightly open so you can see the front teeth.

Image ID Two: a picture of acrylic nails. Some of the nails are painted black with rainbow roses. Some are black with abstract rainbow ribbons. Some are painted rainbow tie dye with black drip lines coming down from the cuticle. The rest are clear acrylic with rainbow splatter lines.

End ID]

Neon Magnus Supremacy.

That is all.

[captainkurosolaire]

Cavalry

Silv’a’s terrifying plan sprouted. But before he could rejoice too far. More of the Captain's Crew would arrive to intervene. A dazzling spark of steel came bursting forth before attempting to behead the demonic caster from his ritual. Caught as a parry with his mere hands. The steel blade drew forth an intense breath of flame. With Klethera showing up with a sapphire glare. Her innocence flashing, looking around for Captain and Shiro supposedly who were here. But unable to stay attentive as Silv’a prepared a counterattack launching a feint volley to try lead her into his projected aim for the Voidal Relic, Staff of the Erasing to wipe her memory and bring her to a brink of insanity. A quick solution to deal with this nuisance. Her lantern earring’s began resonating with a hum trying to forewarn her of trickery or lie’s written, but her movement’s couldn't’ be cancelled. Sword fashioning with a wavers of danced petal’s attempted to shelter her with whatever this relic could do, uncertain because of inexperience. As twilight began ushering throughout, Silv’a would be dropped kicked into the leg and disrupted by a black sheep seemingly sentient as he stood upon two-hooves. “The main event arrives!” Sol baa’d excessively. Before being bashed, swatted effortlessly to that sheep, he achieved no significant damage to the caster. He’d point an index and send an icy lance towards the animal, seemingly his Emperor’s Eyes. Didn’t achieve full effectiveness. While Casta remained a helpless and literal sheep from her weak fighting strength, this one somehow had a minimum enough. Not even thinking that was a possibility ever with his own ability. To describe Sol is to know him as a dice-roll on the Crew. Except, it was a six-numbered dice, with five numbers all one, and the sixth being a two. Attempting to scurry as four legs now he’d barely get out of dodge. Klethera took her opportunity to attempt to weave a spin into a flourishing heat of lotus fire but Silv’a one offhandedly reached in and managed to grapple and lob it directly at her own companion. Which to Sol hadn’t always been the first-time he was attacked by Klethera since often came in with strong-cheesy lines trying to advance on her but at unavailing by always making them so drastically horrible. A polar opposite to Captain’s often succession rate. He often viewed Captain as a rival, but never was viewed by that in return. So many things laid in his own head bred by envy but also mixed somehow with being friendly and supportive of his friend. Right before using his hind’s to hop behind a bust and pillar the flame’s caught up and blazed off and singed away a chunk of his fleece. “Yep, that’s it, I’m done. Was a good journey but I don’t save worlds. I’ll go make a fortune off my own fleece.” Strapped ammunition was wrapped around him only kissed by dumb luck that he didn’t explode. Garlean’s crest tattoo of his was arranged from his shape-shifted body to his tarred-singed bald spot. Only to get to the front door and recognize he was undoubtedly stuck within the veil. He picked a corner instead and decided to nap through this. Klethera was struggling to understand just what sort of evolution or the depths of this enemy was on. Nearly a hundred times more powerful and potent than any advisory fight before, even Captain and Shiro hadn’t come across this. Though she wouldn’t waver in hope, or condone in allowing this to harm any innocents. Waging onward the female Seeker of the Sun drew a trace of claw strikes in the open air launching her volley wickers to burn old ice, to conduct a trace of mist and sink into it. While spreading and engulfing the battlefield to recreate sparked opportunities.                                              (Previous) << (Voidal Relics) >> (Next)  

[mc-critical]

Glad to see you’re back to taking asks!❤️ I hope all is well for you!

A bit of a simpler one this time around, I felt like Gülfem closer to the end of season 4 started to come off a bit..ingenuine to me? If that’s the right word? I mean she spent previous seasons partaking in plots against Hürrem and what seemed like hating her or at the very least expressing open disapproval of her actions and what she stood for to..consoling Hürrem’s restless conscience after Hürrem was diagnosed with a terminal illness? I just remember her saying things like she should be proud of the life she lived, that she wasn’t a bad person, that she shouldn’t think of her illness as a punishment etc etc. I suppose we could give Gülfem the benefit of the doubt and say that she saw no point in openly opposing Hürrem anymore (like Fatma or Mahidevran felt towards the end) but why not just leave the palace as they did? Perhaps they kept her around for the sake of the story but I feel like they didn’t do much with her arc past that point, they just did a time jump then revealed to us in a flashback she died? I think I’m just more confused than anything. Why not keep Gülfem’s feelings towards Hürrem at least somewhat consistent like Mahi/Fatma?

I'm fine, thank you! ❤❤ I closed my ask box mostly due to school work, the end of the year exams can be intense heh

I definetly get your sentiments since that sure seems to be an inconsistency to Gülfem's character at first glance. It may indeed turn out as a contrast to the remainder of what we have seen.

It isn't such a big problem for me, however, because we have to take two things into consideration:

Gülfem's stance of Hürrem plays a part in reflecting the tone of the final episodes of S04. The whole last chunk of the show before Hürrem's death did its best in recognizing her alleged legacy in ways it hadn't before. It suddenly began acknowledging her power, showing SS prove considerably more affection than ever before (that makes the most narrative sense out of everything, but still), folk praising her for the first time ever and most notably, various characters in the show, with positive, ambiguous and negative relationship with her alike, either praising her or consoling her. Gülfem is one of the more neutral characters in the castle and the most nurturing one, the one most able to empathize and console. It is only fitting to give her such a role to fit the message the writers want to deliver. Acknowledging Hürrem's legacy just now and like this is truly as much of a copout as it is fanservice, but at least it's not completely out of nowhere (especially the acknowledgment of her fondations) and they do give us some consistency with what Gülfem does along with everyone else in this whole ordeal.

S04 extends on Gülfem's role as a conscience character-wise, besides utilizing it in favor of the narrative voice. In these last episodes in particular, she seems to be the conscience of everyone in the castle, given her nature and that she's the last person left there who could do that. That includes Süleiman, as well as it includes Hürrem.

These things aren't presented in the best way, writing-wise, and could be sometimes more subtle than necessary. Gülfem herself could be a little underdeveloped as a character and has comparatively lesser screentime than the rest of the main and secondary cast. Her conscience is her clear role in the narrative, but her relationships, with the exception of Hatice (and the other sisters of SS to an extent), aren't as well defined. Look at her relationship with Mahidevran, for example: we got hints of their supposed past rivalry, we got hints of resentment, but these hints only turned into an inconsistent mess. There were much more scenes where they were in good terms with each other and anything else was so few and far in between, it only appeared to be a contrast. We got no true perspective of their past in Manisa and Gülfem's more personal opinion on Mahidevran, leaving it only as a static, but pretty good relationship. (which is why I'm grateful that S03 removed this set-up of their relationship, rendering it still not that well fleshed out, but more consistent.)

In a similar fashion, we never got a proper exploration of how exactly she felt about Hürrem, too. What I think I can say with confidence though is that certainly didn't hate her - Gülfem is a very patient and just woman, which I can only admire her for. She is a voice of reason, trying her best to be unbiased in her outlooks and stand for what is right. She has happened to knock Hürrem down a peg, but not because she disliked her, but because she thought she was crossing the line or offending the people she cares about. The closest we got to a look into a tiny resentment of Gülfem's of Hürrem was when Hürrem used her to make Mahidevran lose her rulership of the harem. It's normal that Gülfem would harbor such feelings, knowing that she didn't do anything to Hürrem before that and only supported her about Mahidevran wanting Valide's chambers. Being used in an intrigue like that clearly hurt her and her willing to stand even more against Hürrem was hinted at a little, but once again, that was a very short conflict. It would be a decent transition if the writers wanted that for Gülfem, but they didn't. It would run against Gülfem's forgiving nature at this point to hate Hürrem. Gülfem just is notorious in putting the past behind her. {hence on a thematic note, her backstory and origins not only didn't get revealed to us except for a few scenes, similarly to Mahidevran (Mahidevran got flashbacks, at least), but she, in contrast to both Mahidevran and Hürrem, has already adapted to her present, knowing that she cannot bring back what she has lost. And her adaption has already happened, it's not made out to be a character arc within the series.} Her feelings for Hürrem aren't kept consistent, because there isn't much to be kept consistent. Mahidevran and Fatma both have pivotal dynamics with Hürrem that play a major role in the narrative as they both play a more major part of the story. Gülfem and Hürrem's relationship as a whole seemed to have both its good and bad moments (as Hürrem herself recalled in E133) and the good moments were usually when both consoled someone and Gülfem consoling Hürrem now doesn't seem this strange anymore.

Gülfem also seems to put her own feelings behind her in favor of those of the others, probably in result of her huge loss. She always comforts the others, is there for them and shows her moral support. She seems to identify herself in their own struggles. That, I feel, gives her the ability to sympathize even with those she presumably doesn't like, because she's very open and honest overall. I don't think it's ingenuine, because Gülfem never showed signs of hypocrisy. Not to mention that every hypocrisy there is in the franchise, we know of: either through previously fully established dynamics, direction or character motive. (or at least that's a pattern I have noticed) I don't think they would put Gülfem, out of everyone, in such position. This consolation of Hürrem may have been moulded a bit, but it's certainly not ingenuine and runs in line with who she is. Besides, she did say she forgives Hürrem for every possible offense in E133. I think that clears the whole thing up.

I wouldn't say that Gülfem had no arc at all in S04, as well. [I wouldn't see them leaving her just for the story, either, because aside from E59-63, Gülfem usually didn't move the story in any significant way. They probably left her because she was the moral compass of the palace and she was one of the first characters after all, for her to stay as much as she can.] She doesn't have too much in the way of development or arc in the rest of the show, probably because she didn't have much to develop on her own and the writers didn't want to really flesh her out. The only thing she could develop is her relationships and most of them also didn't leave room for development (not even Hürrem, because she didn't do that much against her, except for the S02 finale, correct me if I'm wrong?), except for one: her relationship with Süleiman. Gülfem wants to preserve justice and Süleiman began to act completely counter of that. It's not a built-up arc, but it's only by S04 where SS's shadiest actions began to reach their peak, so only then would it begin to happen. Because she valued Süleiman before then.

She valued him to the point she dismissed his faults in the strife between his women and asked him the comfort question of whether he is happy with them when he called her to talk in E15. Their joint scenes had their continuation only by S04 where she similarly acted as his conscience after Hürrem's death. For she was the one close enough to him for him to confide in. Many people confided in Gülfem through the series, but Süleiman is one of the people that did it the most and it was as if this consoling went beyond the sheer usual support for her.

And what happens afterwards? The table begins to turn after Bayezid's execution. That angle is looked upon only after the time skip and during the flashback in E139, but it shows by its own merit alone a change, an evolution of Gülfem's opinion of SS and a reverse approach of her role as a conscience: Gülfem is so patient and understanding, but she has finally snapped. She has finally met her limit. In her words to SS in the scene we see how his actions have put themselves in a conflict far beyond what she can bear. She can no longer excuse him, she can no longer justify him.

That scene showed us her realization that he has the biggest part of the blame in the misfortunes in the palace. ("Even leaf cannot fall without your approval!") And she wanted to end him for that. I know it looks like this happened almost overnight, maybe looked a little too edgy and may feel like a contrived attempt to make an exit for her character, but it works well enough with me. Because after all, she has truly went through a lot and that suffering didn't even begin from Topkapı. It's only natural she would try to kill the root of the suffering for good. And here, for once, she stands up for herself, too, along with calling out all the unfortunate and devastating events.

[ohwereusingourmadeupnames]

It’s This Jealousy 

Pairing: Peter Parker/Tony Stark Rating: Mature (M) Notes: I got tagged in this post right here by @starkerscoop and couldn’t pass up the opportunity to get my hands on it. It got a little smutty at the end - hope you don’t mind! (& @send-me-your-hcs asked for a tag, too!)  Warnings: masturbation  Summary: 

It's this jealousy Oh, and I just can't believe In this jealousy This jealousy for you

At the ripe age of 49, Tony never imagined he’d be best friends with an 18-year-old. After all the mess with Steve and Bucky, things were a little strained between Rhodey and Tony. It wasn’t anything personal, there were just lots of things between them now, the leg braces he worked constantly to improve not even close to the only thing. With Peter, Tony could simply be. Their shared history wasn’t filled with anything other than a little tension and some misplaced control on Tony’s part.

The more Tony started to see Peter as the intelligent person he was and not the kid he always made him out to be, the more he wanted to have the younger man around. There was something in the way he tilted his head to ask questions and babbled incessantly that Tony just felt drawn to. Try as he might, there was no escaping the magnetic pull that drew him more towards Peter every single day.

It wasn’t subtle, either – the way they just seemed to fit. Peter moved into Avenger’s tower after graduating; the transition from part time to full time was and easy one, he fit right in with everyone – especially Tony. It didn’t take long for the two of them to break off and head for the lab together or be found in the living room pressed together from shoulder to hip talking quietly amongst themselves.

If someone was looking for Tony, they always pointed him in Peter’s direction. There weren’t many times throughout the day that they weren’t together. Tony appreciated Peter’s brain – he thought from all angles and wasn’t afraid to be wrong. There were many times when Peter taught Tony something new or made him go back and look at things from a totally different perspective.

Just the other day, Tony sat with his head in his hands, the nanotech and its housing unit he’d been trying to manipulate for the last hour sitting uselessly on the desk. A soft touch on his shoulder had him looking up, a smile overtaking his face for the first time all day. “Hey, kid,” Tony said in greeting, his hand coming up to hold Peter’s to his shoulder for a moment. “Training go well?”

He’d been trying to update his suit, so he stepped out of the group training for the day. The transition from the mechanism on his chest to the full suit was still too slow – he needed at least another second off of the total time. The headache didn’t seem worth it at that point, though – he should have worked the frustrations out. His head ached and he wanted to pull the freshly showered Peter Parker closer to him more than usual.

When Tony let go of Peter’s hand, he was surprised to find that Peter didn’t move his hand from its place on his shoulder. In fact, the fingers there dug in, the tips moving up and down the line of muscle. He tried not to move – the last thing he wanted to do was scare the kid away; the touch felt amazing. It was almost enough to make the collection of useless tech below him not matter. Almost.

“It did – the new adjustments you made to the aiming system did a world of good. I was moving so fast today,” Peter answered, his voice excited. Tony forced himself to settle on the slightest flash of a smile – Peter loved being a superhero, it was so insanely obvious. More often times than not, Tony found himself working on Peter’s suit just to see the astonishing smile on his face – the very one that was beaming back at him right now.

Tony picked up the small screwdriver he’d been using to mess with the back paneling, his face burning a little from the rush of affection that washed over him. It didn’t make sense, feeling like a schoolboy with a crush. But he couldn’t help it – Peter was so wholesome and filled with excitability and life; it was hard not to be drawn to it. “Bummed I missed it. I’ll pull the data from EDITH later – we can do a little data spec. I’ll see it in real time that way.”

He heard Peter suck in a breath, then saw the smile on his face grow wider. “That sounds like a good idea. I also brought some new ideas for the next evolution of web fluid. I’m so close to a breakthrough.” He went about taking his StarkPad and old-fashioned spiral notebook out of his backpack, excitement written all over his face.

Sitting down next to him (instead of across from him like not too long ago) Peter leaned into Tony’s space, looking over his shoulder. “I don’t think it’s this,” Peter remarked, pointing to the external structure. “The adjustments you made on the shooters was in the programming. I don’t think it’s a mass thing, either. I think it’s in the transition.” To Tony’s surprise, he opened his notebook and pointed to a couple different equations. “I ran these this morning when I saw what you were looking at yesterday.”

Peter’s cheeks were red, and his body radiated the kind of heat that shouldn’t have been natural. It made his entire right side warm, the bare skin of his forearms prickling from the contact. Letting his eyes roam over the work, Tony leaned into him – an arm wrapping around his shoulder. “This is good stuff, Pete. I think I know exactly where to go now.” He kept his arm there for a few minutes, the two of them still lightly discussing the numbers and what brought Peter down that path.

A week later, his suit was ruining faster than ever before. Every time he punched the mechanism and the nanotech did its thing, Tony felt a warm drip of pride in the middle of his core – the little bits of attraction he’d been trying to hide getting harder and harder to ignore.

Especially because Peter seemed to think that their friendship came with an all access pass – to him, to the never-ending stream of thoughts that ran through his head, hell, to Tony’s things. Many times, he’d come back from a meeting and find Peter passed out on the edge of his bed, the huge TV dialed in to some anime show he couldn’t force himself to get into. He never did anything about it – how could he? Most of his daydreams revolved around that very instance.

After a few weeks, Peter started to talk – like, really talk. He started with the story of how his parents died and the struggle it was to get used to living with May and Ben. Peter talked about the things he missed because he didn’t have parents in his life, no matter how much his aunt and uncle tried. 

The more time they spent together, the more Peter let himself be free with his words. Tony knew what type of shampoo he preferred, how many times May walked in on him naked or unclothed, and all the different fanfictions currently all the rage.

They were close – plain and simple. There were a few times when their closeness seemed like it might be something else, but neither man acted upon it. Tony didn’t want to apply undue pressure to a situation that only few people his age were interested in. He didn’t know much about Peter’s thoughts on that matter – it was the one thing they didn’t talk about.

MJ quickly became a topic that strictly stayed in the friend pile, Peter’s interest in her weaning significantly after some sort of mishap during their trip to Europe.

Tony spent most of his time holed up in his bedroom the entire week Peter was gone, his mind and body exhausted from all the work he managed to get done in the comfort of his king-sized bed. He didn’t talk to anyone, Tony keenly aware that his behavior was not appropriate for an almost 50-year-old person.

He could never admit that Peter coming back was the best day of the entire summer – the two of them quickly catching up on his use of EDITH and the different aspects of the new suit he wanted to start working on for his patrols back in the city. It seemed like nothing changed between them – but relationships or anything related weren’t brought up again.

The idea that he wasn’t approachable in that area made his jaw clench. His history didn’t lend itself to a positive image, he could admit that. There were a few years when things were so out of whack that only going from one thing to the next could satisfy him. After the cave, Tony figured the person closest to him when he got back was the answer. The try he applied to his relationship with Pepper wasn’t lacking, they were simply better off as friends.

It smarted a little – how perceptive Peter was. If the reason he didn’t approach Tony was because of his past, he couldn’t begrudge Peter one single bit. The kid was smart and understood that bad habits weren’t to be repeated. Too bad Tony’s history wasn’t anything like the way he currently felt and thought.

----

Walking into the kitchen in the common area of the tower, Tony quirked a brow at the congregation of Steve Rogers, Wanda, Bucky, and Peter – they all looked up at him when they realized he was in the room. Peter’s cheeks colored, his eyes drifting down to the hands knit together in front of him. The rest of the adults at the table were looking at him with looks of curiosity and interest – Tony almost certain he could feel Wanda picking around in his brain, or something.

“Tony!” Peter exclaimed, one of his hands moving quickly to cover his mouth. It would have been comical if Tony didn’t know the kid so well. Peter didn’t do so well with lying or bending the truth – his face and expressive eyes gave him away. Staring at him now, Tony wondered what kind of snake pit he walked into. He gave the group a swift nod but didn’t stop to join them – he didn’t need spider senses to understand the prickly sensation on the back of his neck.

He was quick to get the hell out of dodge, a water bottle in his hand – the thought of making a sandwich quickly abandoned when all of the eyes in the room followed his every movement. Settling onto the couch, Tony put a random Netflix show on and turned up the volume – his ears ringing from the overdrive of his thoughts. Whatever they were talking about, he suspected it might have something to do with him.

It didn’t stay a mystery long. Tony saw Steve approaching him from the laid-back position he let himself curl into on the couch. Queer Eye sucked him in, so he let his brain check out, his body relaxing with the rest of him. The second he saw Steve, though, he sat up – the prickly sensation returning to his skin. He felt like he might throw up all over his fancy shoes, the thought that maybe throwing up would be a little less painful than whatever Steve might have to say crossed his mind.

“So – “ Steve started, his arms folding across his chest as he settled into the empty part of the couch. “I had a surprising conversation with Peter. Or well, he asked some surprising questions. Are things okay between the two of you?” Steve’s voice sounded a little patronizing – the big brother act something Tony could never get behind. At least he was here talking to him, though – it didn’t seem right to begrudge him that.

“What are you talking about, Rogers? I don’t know what kind of questions he asked you to know what you’re referring to. The last time I saw Peter, he was smiling over a beaker of web fluid.” Tony pressed himself against the side of the couch, the softness of it aggravating. In that moment, he wanted weight – something to ground him to this weird conversation.

In another life, Tony would’ve appreciated the tilt of Steve’s head, the curious look in his eye not the worst thing to look at. He knew what it was like to take on Bucky, though – he’d never win that fight alone. Shaking his head of the thought, he focused on Steve and the words it seemed he was trying to find. “He was asking about pleasuring himself. We all assumed you two were good in that department.”

Tony sucked in a breath, his eye bulging. “Pleasuring himself – what? Steve, we’re not together.” The words felt weird coming out of his mouth, like they were trying their hardest to cling to the surface of his tongue and not be spoken; speaking them made it true. Running a hand through his hair, Tony wished that the couch would open up and swallow him whole.

The emotions that swarmed around him made it hard to pay attention to anything else Steve said – his head nodding, but his brain not really processing anything. All he could think about was the fact that Peter went to Steve Rogers of all people to ask about the most personal of matters. Tony was good enough for everything except carnality – what a joy that was to learn. Without much thought, Tony got up, not really giving two shits about the still talking Steve gaping at him from the couch.

He took refuge in the lab – the sight and smell of familiar things enough to calm him down slightly. “FRIDAY, play some classic rock, will you? KISS, maybe.” Tony said absentmindedly – music would drown out the bottomless pit of things that only made him angry. His understanding of how irrational it was to be as angry and jealous and upset about something that wasn’t even his business made it all a little worse.

A whoosh of the door opening a little while later brought Tony out of the trance that he blissfully slipped into. Not thinking was a lot better than the war of emotions that threatened to consume him. His eyes caught Peter’s, his exterior softening for a second – his presence was soothing, even now.

Remembering Steve’s mistake and the weird feeling of betrayal, Tony lowered his eyes quickly – it would take ignoring the soft look in Peter’s eye to keep firm to his resolve to be mad.

“Tony – I’ve been looking for you everywhere.” Peter approached him like one would a wounded animal, slowly and with caution. He wondered if Steve was supposed to tell Tony about Peter’s questions – if he was betraying the kid’s trust to set the record straight. His blood felt like it was boiling – the direction of his thoughts not very productive in deactivating the bomb that was ticking down, each second a little closer to explosion.

He felt himself huff out a sarcastic laugh, his emotions getting the best of him. “Well, you found me. Now what?” Tony’s voice was harder than he ever wanted to use towards Peter – the pitch of it sending a shiver of shame down his spine. The subtle change in the room wasn’t missed – so he let the feeling take hold; what did he really have to lose?

“What? Tony, I – “ Peter spluttered, words not coming despite his demand for them.

“You what? You’ve told me your entire life story, every little intimate detail, but you seek out Steve Rogers for sex advice? I don’t get you, Peter – a little piece of me is licking a wound. It kind of feels a little like betrayal.” Tony inwardly cringed, his own desperation so very evident. The dam inside of him was broken – there seemed to really be no going back. “I’m good enough for everything but this?”

Peter’s face fell, his usually bright eyes clouded over by confusion that was swiftly mixing with hurt – it pained Tony on a molecular level, seeing that gorgeous face anything but radiant with happiness. “Steve’s such an asshole,” Peter muttered, his eyes dropping to the floor. Tony wanted to pick Peter’s head up and rub his cheeks until the red hue and shine came back to his face.

“I didn’t come to you because you’re the one driving me crazy – I’ve been so on edge around you and I can’t – there hasn’t been any relief. I thought I’d ask people who are just as souped up as me about it. I thought maybe there was something wrong with me,” Peter admitted quietly, his eyes peeking up to gauge the look on Tony’s face.

Shaking his head, Tony cursed himself for not being the stonewalled person he made himself out to be. The cracks in his armor were ones he couldn’t buff out – no matter how hard he tried. Words he longed to hear sat on his skin, his body trying to decide how to process the stimulus of actually getting the thing he wanted the most.

The few steps it took to close the gap between them felt like miles – Tony couldn’t get his hands on Peter fast enough. “I’m driving you crazy?” Tony mumbled; his hands grabbing Peter’s hips. “You walk into the room and I’m completely lost. I’ve thought about bending you over every one of these tables – kissing you breathless against the damn fridge you lean into and search for food that isn’t there.”

Peter wrapped his arms around Tony’s neck, his enhanced strength pulling Tony against him before he knew what happened. There wasn’t any space left between them, their noses brushing with every hitch of breath either man took. “You’re my best friend, Pete – I haven’t wanted to fuck that up.”

Their lips touched then, both of them leaning in to close the distance. Tony’s fingers clenched, the hold on Peter’s hips tightening. The t-shirt Peter was wearing rode up a little, a bare stripe of skin available for his fingers to touch. At first brush, the body against him squirmed, Peter pulling away to let out a soft gasp. “Fuck!” Peter grunted out, his eyes clenching closed.

Tony watched Peter’s reaction, a rush of heat collecting in the boiling pit of his stomach – his cock throbbed against the zipper of his jeans. He’d thought a lot about what Peter would look like in the throes of passion – the sight was exponentially better than anything his brain could dream up. The flush on his cheeks made them seem fuller, the globe of them looking tasty enough to pull into his mouth. Glazed eyes and a hanging jaw had Tony moving – his lips desperate to be pressed against Peter’s once again.

“We should move this elsewhere,” Peter babbled against Tony’s lips, his fingers fisted in the front of Tony’s shirt. “I want to feel your skin, Tony.” His hands were uselessly tugging at the buttons, the fabric of it starting to tear with the force of his grip.

Groaning, Tony forced himself to take a couple of steps out of Peter’s grip completely. It would take too many brain cells to get to the elevator and up to the floor his rooms were on if he were still anyway attached to Peter – his hands achy to touch, to finally feel the thrum of Peter’s heartbeat pulsing in his veins.

“After you,” Tony mumbled, his chest heaving as he watched Peter walk in front of him, the articulation of his step hitched a bit from the stiffness in his pants. His steps were quick and the view from behind was nice – a good enough distraction to get him from the lab, into the elevator, and then down the hall where he grabbed Peter’s hand and pulled him along.

The slamming of the door in his bedroom was more satisfying than he figured something small like that had the right to be. Peter’s breath hitched when Tony’s eager fingers slipped under the edge of the soft t-shirt covering the long limbs he’d been thinking about for months. It got caught on Peter’s ear as Tony pulled it off, both of them laughing. “I can’t believe this is happening,” Peter admitted, pupils blown wide.

Tony grinned, the tips of his fingers trailing down the hard planes of Peter’s sides – “It’s real – I’m real,” Tony answered, his hand grabbing Peter’s and placing it over the hardness trying to escape the confines of his jeans. “That’s for you.” He let a chuckle slip, the reaction of Peter’s hand tightening on his crotch surprising him.

They made quick work of clothes after that, Tony kissing him breathless between the unbuttoning of his shirt buttons and the fumbling it took to get shoes, pants, and briefs off. Peter ended up in the middle of the bed, Tony settled between his spread legs. “Touch yourself. Steve may be enhanced, but I know what it’s like to feel good,” Tony’s voice dropped, his eyes wandering over every single inch of Peter stretched out below him.

Peter didn’t wait to do what he said, long fingers wrapping around a thick erection before Tony even finished speaking. His grip was tight, Tony taking stock in the way he slid his hand from the head to the base, and the flick of his wrist on the upstroke. Dark eyelashes flickered, the edges of them just barely moving along the edge of Peter’s cheek.  

Without saying anything, Tony let the fingers of his right-hand trail along the inside of Peter’s thighs. He kept the touch light, the skin pebbling with his caress. “The best part of what you’re doing is the build-up. It starts with the littlest itch. You grasp on and try to itch, but the pressure you’re using isn’t enough,” Tony flattened his hand, his palm running down the front of Peter’s balls. They were slightly hairy and drawn up – the sheen of sweat on Peter’s skin telling him just how much Peter seemed to be enjoying the tease.

Gripping both of Peter’s balls in his hand, Tony gave a tug and rolled them between his fingers. “So, you grip a little harder and move your hand a little faster – it’s the sweet combination of pleasure-pain, the relief of almost curing the itch and the slightest dig of your fingernails into your skin.” Tony let his left-hand wrap around his own length, the tip completely drenched in precum.

Tony slipped his hand from Peter’s balls down his perineum and in between his cheeks, his finger tracing around the tight rim of his asshole. Peter’s hand was moving quickly over himself, his eyes wide as he tried to stave off an orgasm and catch every move of Tony’s hand that he could. “You should cum, Pete. Finally scratch that itch.” Tony’s finger pressed ever so slightly against the rim as he spoke, the tip barely slipping inside. “Cum, Pete.”

The clench of Peter’s muscles was almost enough to pull Tony over the edge with him – Peter’s hand was flying over his length, the start of his orgasm splashing against the bottom of his stomach, then pooling between the ab and pec complex up towards his chest. Tony’s name dripped from his lips, Peter’s free hand fumbling around until he grasped bare skin.

It took a couple more strokes for Tony to follow him over the edge, the sight of Peter’s cum coating his own stomach and the blissed-out expression on his face more than enough to fuel Tony’s fire for a long time to come.

Without much thought, Tony collapsed on Peter’s chest, their legs tangling. He didn’t care about the cum that smeared against his skin when he moved in to press a kiss to already swollen lips – Tony hoped to spend many days covered in Peter’s cum and sweat. Now that the dam was broken, there’d be no holding back the feelings he tried his best to keep under control.

Peter’s arms wrapped tightly around him, Tony feeling the boy’s sigh from his position against his chest. His skin was warm and slick – the softness of it a contrast that made Tony want to hunker down and be surrounded by it forever.

[swanlake1998]

Pointe Magazine Article: Chloé Lopes Gomes Speaks Out About Racial Harassment at Staatsballett Berlin

By: Chloé Lopes Gomes As Told To Laura Cappelle

Date: December 1, 2020

(tw: racism, anti black racism, abuse)

In November, the French dancer Chloé Lopes Gomes went public with accusations of institutional racism against Staatsballett Berlin, first reported by the German magazine Der Spiegel. In the article, several anonymous dancers confirm her account. Lopes Gomes, 29, who trained in Marseille and at the Bolshoi Ballet Academy, danced for the Ballet de l'Opéra de Nice and Béjart Ballet Lausanne before joining Staatsballett Berlin as a corps de ballet member in 2018, under then co-directors Johannes Öhman and Sasha Waltz. After the company told her in October that her contract, which ends in July, would not be renewed, she shared her story with Pointe.

I didn't know I was the first Black female dancer at Staatsballett Berlin when I joined the company in 2018. I learned that from German journalists who came to interview me almost immediately. I grew up in a mixed-race family—my mother was French, my father from Cape Verde—and I was educated to believe that we all have the same opportunities.

My brother and my sister also went to prestigious dance schools [her brother, Isaac Lopes Gomes, is now a dancer with the Paris Opéra Ballet], and I didn't really think about my skin color while I was training. I spent four years at the Bolshoi Ballet Academy. I didn't necessarily feel safe in the streets in Russia because people stared at me, but I was still awarded scholarships and my teacher loved me.

I quickly realized that auditions and company life were a different story. The day after my audition in Berlin, in early 2018, one particular ballet mistress told a colleague of mine in the company that she didn't think the Staatsballett should hire me because a Black woman in a corps de ballet isn't aesthetically pleasing. This ballet mistress was in charge of the corps, and for over two years, she discriminated against me because of my skin color.

That colleague warned me before I started, but I was hopeful I would also work with other ballet masters. No such luck: I was under her supervision 90 percent of the time, and we started with Swan Lake. I was one of six new women, and the ballet mistress immediately took a dislike to me. She bombarded me with corrections, and when the premiere arrived, she told me that all the women needed to color their skin with white powder. I told her that I would never look white, and she replied: "You'll just put on more powder than the others."

I spoke to Johannes [Öhman, co-artistic director at the time], who decided I should stay as I was. The ballet mistress took the fact that I went to him as an affront, as if I'd undermined her authority, and she started saying overtly racist things.

Since I didn't speak German and she didn't speak English, we communicated in Russian initially, so my colleagues didn't understand when she would say casually: "You're not in line and that's all we see because you're Black." And then, when she was handing out the Shades' veils for La Bayadère, she got to me and laughed, in front of other dancers: "I can't give you one: The veil is white and you're Black."

I again told Johannes, who said it was unacceptable but explained to me that she had a lifetime contract, which means you're untouchable in Germany. Johannes asked if I wanted him to talk to her, and I said no, because I was worried it would get even worse.

I was so anxious and unwell that I ended up with a metatarsal fracture. I should have been back after two months, but six months later, I was still in pain, and the doctors didn't know why—until a neurologist told me it was linked to stress and prescribed antidepressants. Suddenly, the pain went away completely.

Johannes left Staatsballett Berlin abruptly last January. On the day he announced it, the ballet mistress told me that now I was going to have to use white powder. I ran into the current interim director, Christiane Theobald, in a hallway while in makeup for Swan Lake. She asked why I had whitened my skin and said that I wasn't supposed to do it, but the ballet mistress was in charge of rehearsals and didn't leave me much choice. I felt like the company's ugly little duckling.

This ballet mistress also had me and a few colleagues re-create a painting of a Black dancer surrounded by white dancers. When I asked what the photo was for, she said she wanted to show her friends that they had "one of those" too in the company, as if I were a zoo animal.

My colleagues didn't want to take the picture, but there is an atmosphere of fear in the dance world. The ballet masters are the ones who are in the studio with us all the time, who hold the keys to our evolution. If you're on a one-year or two-year contract, it's very easy for the company not to renew it, whereas some ballet masters are employed for life. They're more privileged than even some directors, and that creates a power imbalance: We should be on an equal footing contract-wise.

The Staatsballett doesn't have a safe way to report discrimination or harassment, and there was still blackface in the repertoire when I joined. In Nutcracker, some children were required to paint their faces black, while I stood in the corps behind them.

I was called to a pre-dismissal meeting with Christiane Theobald in October. She did not dance professionally, so she said she relied on the ballet masters' advice. I was told that they needed to let some dancers go due to COVID, and that I would be happier in a smaller company, because I hadn't been onstage much. I explained why that was, and what had happened to me. She admitted it was terrible but said my race wasn't the reason they were firing me.

I know I was fired because I'm Black. From the beginning, I didn't stand a chance. Christiane Theobald is part of an old-fashioned system: She has worked for the company's administration since 2004, and she let me go even after I told her about the racism I encountered. My contract runs through July 31: I've been cast in reduced, COVID-friendly versions of Giselle and Swan Lake and I still want to work.

There is still this idea in the ballet world that you have to suffer to make it. We—the younger generation—can't accept that anymore. Ballet must reflect society. I don't want to be abused just to be able to dance. I want to be happy in my life, not just when I step onstage.

Editor's note: In a statement to Pointe, Theobald, who cannot comment on personnel matters, says that an internal investigation into Lopes Gomes' allegations is underway, and that the company plans to conduct antiracism training and workshops for all employees. "I am sorry to see that there is an employee at the Staatsballett Berlin who had to endure a very stressful situation for a long time and that the situation could not be resolved beforehand. Discrimination and racism is a highly sensitive issue that is of importance to society as a whole, including the Staatsballett Berlin. It is very important to me to live a discrimination-free corporate culture and to implement it where it does not yet exist 100 percent."

[snkpolls]

SnK Episode 70 Poll Results (for Manga Readers)

The poll closed with 170 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

--

RATE THE EPISODE 167 responses

This episode received good ratings, though it wasn’t as hype as previous episodes have been. We presume this is likely due to the primary focus on Gabi and Falco over the Survey Corps/Warriors. Overall, though, the episode was solid for most respondents. 

Beautiful😍✨

MAPPAGOAT 

Its pretty good

Alright for what it was.

WHICH OF THE FOLLOWING GABI AND FALCO MOMENTS WAS YOUR FAVORITE? 167 responses

The majority of the most favored Gabi/Falco moments from the episode were in the second half, starting with Gabi’s unfortunate encounter with the horse with 29.9% of the vote. Behind that is Kaya and Gabi’s argument about why Kaya’s mom had to die with 27.5% of the vote. At 21.6%, Kaya remembering Sasha was favored and at 13.2% was Kaya taking Gabi and Falco to her old home. 

Gabi's character is so real. LOVED her and Kaya's argument; the va's went all out & it made me cry

Why do ask us what our favorite Gabi/Falco moment was without the option "I don't have one?" Falco's cool and all but Gabi's story has literally been nothing but a drag to me from start to finish

Would have chosen the horse thing for my favorite moment but went with Kaya remembering Sasha instead. At this point so close to the end of the manga I'd rather focus more on moments with characters I enjoy than obsessing with a character I utterly despise having some misfortune (to put it mildly)

WHICH OF THE FOLLOWING MOMENTS FOCUSING ON OTHER CHARACTERS WAS YOUR FAVORITE? 168 responses

This pie chart was a bit more colorful than the previous one, with the largest piece going to Mikasa’s headache with her flashback to the night Eren saved her (26.2%). Behind that moment, 16.7% most enjoyed Hange confronting Floch and Co. about their involvement in leaking information about Eren, 16.1% favored seeing Hange remembering Sannes’ warning. 14.9% liked seeing Mikasa and Louise’s brief conversation in the dungeon and 13.1% liked the moment with Magath and the Warriors discussing their retaliation. 

GIVE HANGE A BREAK </3

WHICH FLASHBACK HAD THE MOST EMOTIONAL IMPACT FOR YOU? 169 responses

Nearly half of respondents were most touched by the moment at the end of the episode where Kaya talks about Sasha saving her and says she wishes to become a person like her. 29.6% got most emotional over seeing the flashback to the night Eren saved Mikasa, and 18.3% were most impacted by Hange remembering Sannes’ warning.

RATE JEAN’S OUTFIT 169 responses

Jean doesn’t do anything in this episode really, but he sure did come dressed in, erm, a unique outfit. Overall most people were neutral or felt that he needs to up his fashion game. Although 34.3% altogether ranked on the higher end, feeling he’s a total fashion icon. We’re questioning the legitimacy of these claims or whether they were just being sarcastic for the fun of it. lol

WHO WERE YOU MORE EXCITED ABOUT TO SEE SHIRTLESS? 159 responses

Eren thirst won out on this question, with 70.4% being most excited to see his half naked body in the previous episode. Though Reiner stans came through for him in their support of his shirtless moment this week with nearly 30% of the vote (and commentary).

Poundtown

More half naked Reiner thx

My only disappointment is that the shirtless reiner scene wasn't longer.

WOULD YOU LIKE TO HAVE AN EXCUSE TO TALK TO YELENA? 169 responses

When asked if respondents would like an excuse to have a conversation with our chaotic bae Yelena, 40.2% said they would absolutely love a reason to talk to her. 29% aren’t sure if they would want to or not, while 16.6% were a solid “no.” 14.2% didn’t care about this question. 

Yelena is hot

AS ALWAYS, WE’RE GONNA ABOUT CUTS. MAPPA LEFT OUT FALCO’S THOUGHTS ABOUT IT NOT BEING THE RIGHT TIME TO TELL GABI HE DELIVERED EREN’S LETTERS. THOUGHTS? 165 responses

There was a brief moment in the manga after Gabi’s misfortune with the horse where Falco thinks to himself about how he’s not yet ready to tell Gabi about his involvement in Eren’s attack on Liberio. 35.8% had completely forgotten this was a thing at all, while 24.2% felt it would have been a nice thing to keep, although ultimately unneeded. 20.6% feel it wasn’t a big deal since he tells her later anyway, and 9.7% feel that this thought of his will come up at a later time. 

I honestly forgot about it but it would have been really cool to see his thoughts in a better way, if that makes sense.

MAPPA ALSO CUT THE BEGINNING OF PIXIS AND YELENA’S CONVERSATION WHERE HE ASKS HER ABOUT HER CELL, TO WHICH SHE RESPONDS IT WOULD HAVE A BETTER VIEW WITHOUT THE BARS. THOUGHTS? 165 responses

Though a small detail, a few lines were cut from Pixis and Yelena’s conversation as well. 42.4% feel that it was unneeded and feel ok with the cut. 23% thought it wasn’t necessary to begin with, and 20.6% had completely forgotten about this as well. A handful didn’t care or feel saddened by less Yelena content. 

Maybe the actress wouldn’t come in to say one line l idk

I knew something was missing

HOW DOES IT FEEL GETTING TO RELIVE GABI’S EARLY CHARACTER DEVELOPMENT AGAIN? 167 responses

We get to reexperience Gabi’s evolution from a perpetuator of Marleyan propaganda to someone who learns to “understand Reiner’s feelings” and see that those she was taught to hate are just like her. 25.1% of respondents feel unbothered by her initial resistance to see things any other way as they know where her arc is headed. 22.2% were never annoyed by this facet of her character to begin with and are totally enjoying the ride. 15% love her but can’t help but feel frustrated by these early moments of her development. 13.8% have always felt annoyed by her character and so their feelings remain unchanged, and 10.8% simply stated that they had forgotten just how annoyed they felt by her at all in the early portion of this arc. 

It's annoying AF but looking back/knowing what I know now makes me more empathetic to her storyline. She still annoying AF rn, though.

Back then I was just antsy to get back to the other plot lines. But I’m enjoying this a LOT more this time around.

It's a mix of painful and Gabi I love you but you need sense knocked into you, ya know?

Always hated her, always will, nothing the anime does changes my hatred of her

To quote Eren, "I always hated you".

I feel bad for her, she doesn't deserve this

She’s so annoying but I found Eren just as annoying in the beginning and I grew into loving the character. The get the reasons for her character but boy yams really made her so fucking annoying

Gabi Braun Must Die

HOW DO YOU THINK GABI’S BELIEFS WOULD HAVE DEVELOPED HAD SHE BEEN THE ONE TO MEET EREN INSTEAD OF FALCO? 168 responses

The majority has spoken. 54.8% feel that if Gabi had been the one to encounter Eren at the hospital, her views would have mostly remained the same, as opposed to Falco who was probably a better person to put into that role narratively speaking. 24.4% don’t want to say for sure as there is no way we will ever know, and 14.3% feel that she would have had her views altered to a slight degree, but would still not have been as empathetic to Eren as Falco was.

DID KAYA TALKING ABOUT WANTING TO BE LIKE SASHA HAVE MORE EMOTIONAL IMPACT ON YOU WHEN INITIALLY READING IT IN THE MANGA, OR IN THE ANIME? 168 responses

Overall, the anime had a profound effect on the emotions of the audience. 36.9% state that they were equally impacted in both mediums, though if a side was chosen, 32.7% felt that the anime made the scene more impactful, versus only 19% who thought that Isayama nailed it better in the manga. Only 11.3% were unaffected by this scene in either medium.

PORCO AND PIECK GOT ADDED DIALOGUE IN THE ENDING SCENE, ARGUING THAT THEY MUST RETRIEVE GABI AND FALCO DUE TO THEM BEING VALUABLE WARRIOR CANDIDATES, AND THAT IT WOULD TAKE YEARS TO RETRAIN A NEW BATCH. WHAT DID YOU THINK OF THIS INCLUSION? 167 responses

MAPPA included dialogue of Porco and Pieck vouching for saving Gabi and Falco ASAP, arguing that they should get them for the sake of the warrior program and that losing their talent would be a blow, and it would take ages to train up new warrior candidates. This is most likely just their excuse to appeal to Magath while wanting to save Gabi and Falco because they care about them. 41.9% felt that their commentary added more depth to the situation and the urgency to retaliate against Paradis and get Gabi and Falco back. 28.1% were simply content to get more content of them. 18% weren’t super excited about it, just stating that it was alright, while 9.6% just felt “meh” about the addition. 

I like how they all piled on about the need to take immediate action

I want to say I enjoyed it and it added depth but thinking about it longer makes it sound like they only care about rescuing them only because their valuable warrior candidates. Like, it makes it seem like they don't actually care that much about them, even if I know that's not the case. LOL 

Any extra scene with Pieck is much appreciated!!

made me sad that they only see them as soldiers and not kids that need saving.

WHICH MOMENT FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 165 responses

The vast majority (65.5%) of manga readers are most excited to see Zackley blowing up in the anime (bye bye, poop machine!). At a distant second was seeing Eren his cell at 22.4%. Only 7.3% are looking forward to seeing Mikasa and Armin pleading with Zackley to see Eren, and Yelena and Pixis got minimal love. 

My memory is not working well, did Wit showed Zackleys poop machine or was it supposed to be shown in the next episode?

WE GOT CONFIRMATION THAT EPISODE 16 OF THIS SEASON IS GOING TO END ON CHAPTER 116. THOUGHTS? 159 responses

The plurality of respondents (42.8%) seemed a bit disappointed, but had no problem accepting this cliffhanger. 27% seemed rather displeased, but nonetheless were also understanding of MAPPA’s decision. In contrast, 10.7% looked back to the Promotional Video (which had content from up 122) and expressed their PAIN. 8.2% actually wanted the season to end on this cliffhanger, so they were rather pleased instead. We also received a lot of write-ins.  

There absolutely needs to be season part 2, i don't accept any early endings

I am... not sure yet.

As long as it means less cut content lmao

Don't really care much where it's gonna end. I just hope the pacing is good.

i read it ages ago idek which chapter 116 is

I want people to stop complaining about the trailer “lying to them”.  Also my anime only gf is going to be very frustrated with where episode 16 ends.

I thought it would end with 122 according to the preview and it would have been, IMO one of the best cliff hanger ever since all the logic of the plot turns around with revelation about Eren path shenangians. However, I think it's really fine since it allowed MAPPA to take its time to show us the story without making to much choices or compromise. It also means longer s4 part2 if there's one.

I dare you to stop at chapter 114 and fluster up all Levi fans

I am going to die waiting for Paths. 

I need to recheck chapter 116 I forgot about almost everything happened after ema encounter in 112 :D

I don't care as long as they all cover it eventually.

Chapter 119 would have been a better end, but well, I'm gradually learning to lower my expectations for this season

I just roll with whatever they give me xD only fearing Hange's farewell </3

:((((

both 122 and 116 are okay for me tbh

It's all fine to me

Someone explain this whole "ending on chapter 116" thing please

It should've been 117 :/

I was hoping for 119, but I get why they picked 116

WHAT ARE YOU MOST HOPING FOR AS A CONTINUATION? 169 responses

In a nearly unanimous vote, the large majority of respondents feel that the series is best wrapped up with a “part 2” of the final season over the potential for MAPPA to conclude things as a movie (or as movies). Hopefully we’ll have an answer from MAPPA on this front at the end of this run. :)

Another season or movie series works as long as they keep to the source material

I’m happy with either. 

I really really reeeeeeally hope it's not movies. I do not want movies! It would take literal years for fans outside of Japan to get a proper conclusion to the series. Last time people waited years for a season so many people stopped caring, moved on and the popularity took a huge hit it never recovered from. I'm worried that due to Demon Slayer's success they're gonna get greedy but SNK movies wouldn't even make a fraction of what Demon Slayer made. That series is a behemoth over there, it's insane. And I love SNK but Evangelion it is not, and people aren't going to wait and will lose interest. Just please, NO MOVIES!

Final Season Part 2 BUT with lots of time to adapt it

part two but don't call it part two XD.... let's stay in a hiatus for an anime season or 2. or more i don't care , i hope they have enough time to make the amazing job they are doing right now :) 

Series Spin-Off after Final Season Part 2 !!

A movie would be super sick but unrealistic

Whatever MAPPA decides is best

ADDITIONAL THOUGHTS ON THE EPISODE?

The scenery is a 10/10

gabi braun and the terrible, horrible, no good, very bad island vacation. 

Gabi sucks

All hail the Eldian Empire

I thought it was overall really good and funny because of the scenes where falco and gabi were just arguing,, it didn’t have much blood and all but I still really liked it!

I never noticed this in the manga, but seeing gabi constantly almost give them away and falco anxiously making up excuses felt like watching reiner and bert again 😂 

Gabbbiiiiiiiiiiiiiiii!!!!!! Kaya MVP btw.

Bless MAPPA for delivering on the shirtless scenes after we got robbed in Season 3. lol :p But seriously, this episode's scenery was gorgeous.

It was like the calm before the storm that's about to come with the next episode. Episode 71 will be when everything starts to violently turn

people should understand Gabi's character even more

I think Falco was very cute the whole time

Gabi beating that guard was way more brutal in the anime, but the scene of her slapping Lisa's hand away was badly done here.

It was a bit boring, but it was needed for character development

One thing I noticed about this episode is how heavily it featured female characters being influenced by other female characters/female characters in general (Louise and Mikasa; Kaya and Sasha; Kaya and Gabi; arguably Hange depending on how you identify them) which was a nice reminder that of the fact that AOT isn't one of those shows that falls heavily in the 'one token girl' dynamic. Isayama worked to include a wide variety of female characters with very differing outlooks, which clash occasionally, without it ever being about romance. 

Like most of this season (except episodes 1 and 7 maybe), I appreciate Mappa's work but that's all. I'm sad, disappointed, and I guess it's a good thing this season will end on chapter 116. Let's hope they will have enough time to adapt Part 2 and make it legendary, because this first part is good at best. Also, I totally forgot how annoying Gabi was back then. I really like her now, but geez, she was awful this episode.

Felt good to see Gabi get horsebite all over again. Can't wait to see how MAPPA extends Nicolo punching her lol

cool episode, i’m looking forward to seeing more of gabi’s development in the future episodes :))

The horror of mikasa's newly resignified memory... PERFECT. i was fearing they would use wit's romanticized scene... which worked just fine in the first season BUT NOT NOW! because the whole connotation of the memory is different. ALSO! the scenery was insane! 

Horse for President!

Damn, MAPPA's killing it on the scenery this episode. I really enjoyed the animation as well as the plot and voice acting.

In spite of the animation quality I had to give it an obligatory 1 because it was a Gabi episode, and anything involving Gabi automatically decreases the overall quality of the story

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 156 responses

Thank you again to everyone who participated!

[anhed-nia]

BLOGTOBER 10/30-10/31 (IT AIN’T OVER YET!): DISCONNECTED (1984) + PERSONAL SHOPPER

One night on a double date at a local night club, sweet, shy Alicia (Frances Raines) tries to tell the foursome about a strange experience she has had that day: She let an old man into her apartment to use her telephone, but he mysteriously vanished before she could let him back out. Her friends are not interested. Her boyfriend Mark (director Gorman Bechard), a smug radio DJ, dismisses her story as some sort of misunderstanding, and her vivacious twin Barbara Ann (Raines) cuts her off entirely by flirting openly with Mark, insinuating that she was with him that afternoon. This is the last straw in what appears to be an ongoing problem for Alicia. Outside in Mark's car, she refuses to accept his denial of sleeping with Barbara Ann, beginning an agonizing breakup process that drags out for days. Even at her job, Alicia can't seem to establish any personal boundaries; an awkward young stranger called Franklin (Mark Walker) visits during her shift at the video store, and reveals that he doesn't even own a tape player--he just found out who she was and where she worked from other club patrons the previous evening. Alicia rebuffs his unseemly advances at first, but with the insulting drama still festering between Mark and her manipulative sister, loneliness sets in. She could use some company to help insulate her anyway, since their town is plagued by a killer of young women...and stranger still, Alicia's telephone has taken on a mind of its own, broadcasting otherworldly sounds into her apartment, slowly driving her mad. She has a difficult decision to make about who or what she can trust, but it may be that there is no correct choice.

Gorman Bechard's atmospheric 1984 oddity DISCONNECTED follows in the footsteps of CARNIVAL OF LOST SOULS, joining a subset of subdued psychological thrillers about women alone. In Herk Harvey's 1962 classic, Candace Hilligoss plays Mary Henry, a withdrawn young woman who moves far from home after a traumatic accident. Where she hoped to find peace, she is stalked by a spectral male figure, and receives no help from the locals, who are all suspicious or covetous of her. The boundary between the living and the dead begins to dissolve, mirroring her increasingly ambivalent relationships with other human beings. Mary is torn between her longing for solitude and her fear of impending doom, having to choose between an intrusive suitor, and being left alone with her cadaverous stalker. Mary's unforgettable journey through her desolate surroundings, her isolation interrupted only by enemies both open and hidden, describes an experience that many female viewers have found familiar. Social life portends various threats--judgmental elders who pick at your morals and appearance, jealous females, emotionally and physically violent males--while solitude offers obliterating blankness, like a desert whose expansive monotony renders meaningless the defining lines of past, future, and self. In modern times, this distinctly female experience is complicated by the evolution of personal communication media. The telephone in particular--which has been historically and rather demeaningly associated with girls--is both a channel through which to reach out and touch someone, and an opening through which unwanted attention can insinuate itself into our lives. Two years ago, I saw DISCONNECTED--a loopy microbudget slasher movie from Waterbury, Connecticut--and one of my first thoughts was that it was somehow just like PERSONAL SHOPPER, Olivier Assayas' heady cyberpunk-flavored thriller from 2016, in which a servant to the stars receives threatening text messages from someone who may or may not be among the living. I've been trying to put the two together in writing ever since.

In PERSONAL SHOPPER, Kristen Stewart plays introverted American Maureen, the virtual slave of supermodel Kyra (Nora von Waldstatten). Maureen is a stranger in a strange land, travelling relentlessly around Europe to procure garments and jewels for her boss in Paris, and on her personal time, conducting a psychic survey of her late brother Lewis's mansion. Twin mediums Maureen and Lewis promised one another that whoever died first would send the other a sign from across the divide; Maureen has been waiting since his untimely heart attack for him to hold up his end of the bargain. So far she has only witnessed some scattered poltergeitic activity, along with the manifestation of a ferocious, unknown female specter, but the clock is ticking, as the manse is mid-sale to Lewis’ friends. Furthermore, it is her employment with the tyrannical Kyra that allows her to stay in Paris and wait for a sign from Lewis, so Maureen’s freedom also is dependent on the resolution of this situation. When she meets Kyra's arrogant lover Ingo (Lars Eidinger), he inappropriately insists that he can get her a better job elsewhere, but she explains that she can't change her life until she has closure with her brother. Shortly after this unpleasant encounter, Maureen begins to receive intrusive texts from an unknown caller. Due to her unusual relationship to the dead, she can't be sure if her new stalker is a part of her world, or not.

PERSONAL SHOPPER has very much the flavor of William Gibson’s speculative fiction novel Pattern Recognition, in "cool hunter” Cayce Pollard has the extra-sensory ability to detect what new designs will become popular next. Cayce’s special power manifests as a crippling allergy, and so she tries to remain in timeless, fashion-neutral clothes and settings whenever possible. Psychic Maureen feels a similar kind of existential ambivalence toward the super luxe materials she excels at curating for her client.

Maureen spends much of her screen time alone. Most of her personal contacts are with salespeople; she virtually never sees Kyra in person, and her boyfriend Gary (Ty Olwin) lives in Oman, which may as well be another world. Her chief relationship is to her dead brother, who is literally in another world, and who responds with frustrating ambiguity to her pleas for a clear message, even as his mansion rumbles with unexplainable activity. This void of connection seems somehow related to Maureen's tenuous sense of personal identity. With no close connections, she cannot accurately detect her own contours. Maureen is totally sublimated into Kyra's life, simply an extremity that grasps for whatever Kyra needs. At the same time, she is subject to Lewis's will, unable to make any moves--even to protect herself--until her late brother deigns to give her peace. Maureen's identity is entirely determined by other people, including the mystery caller who lures her into a confessional conversation with him. Although this third figure is the most predatory of them all, he is also the one who teases out the threads of Maureen's fraying individuality. When she admits to trying on Kyra's clothing, just because she's not allowed to, he entices her to stay in Kyra's bed while she's away, further feeling out her own limits. This is the only way Maureen can establish a self that is independent of the context of others: by violating the taboos established by those others. The rule-breaking method of finding oneself is an integral part of the human condition, as explained by media theorist Marshall McLuhan in a discussion of the self in the age of social media:

"Yes, all forms of violence are quests for identity. When you live out on the frontier, you have no identity. You are a nobody. Therefore, you get very tough. You have to prove that you are somebody. So you become very violent. Identity is always accompanied by violence. This seems paradoxical to you? Ordinary people find the need for violence as they lose their identities. It is only the threat to people’s identity that makes them violent. Terrorists, hijackers - these are people minus identity. They are determined to make it somehow, to get coverage, to get noticed."     

By breaking Kyra's rules just on principle, Maureen moves toward self-actualization. Unfortunately, this comes at a cost, as the mystery caller who encourages this process wants to possess her just as much as Kyra and Lewis already do.

Maureen's phone has become a ouija board-like portal to another plane, through which alien forces can cross over and affect our fate. In DISCONNECTED, Alicia suffers from a similar problem. Alicia's social isolation, and the increasingly meaningless division between life and death for her, is underlined by the fact that she lives on the edge of a cemetery. Her phone is her connection to the world--to the ambiguous Franklin, to her sister who she can neither accept nor reject, to Mark who she can't quite leave behind. She can't get rid of this device, even when it starts to ring almost constantly, with a horrifying, vaguely vocal-sounding barrage of electronic noise on the other end. As in PERSONAL SHOPPER, Alicia is largely seen alone, pacing in her apartment, wandering teary-eyed in the depopulated streets of Waterbury, and eyeing her phone with nervous anticipation. She finds herself living out an appalling version of the classic Twilight Zone episode "Night Call," in which Elva, an old widow longing for her late husband, is harassed by increasingly disturbing phone calls from beyond the grave. Like Elva and Maureen, Alicia also suffers from the conflation of companionship and otherworldly threat: Just as she doesn't understand the source of the distorted calls, she also doesn't know that Franklin--her potential savior from this dark chapter of her life--is a serial murderer, planning to have her for his next victim. When Barbara Ann makes a move on him, perpetuating the cycle of sororal abuse that started with Mark, Franklin kills her instead, removing one of Alicia’s few contacts with the rest of humanity.

BTW, even though Alicia eventually takes a liking to Franklin (center), her experience at the video store--here, trapped between an aggressive suitor and a similarly aggressive porn consumer--forms the most realistic portrait of retail hell for girls that I have ever seen in my life. When Franklin first arrives, announcing that a) the movies there aren’t good enough for his refined tastes, b) he doesn’t even own a video player, and c) he’s only there because he’s stalked Alicia from her local watering hole, his intensely condescending attitude and presupposing come-ons gave me a hardcore PTSD reaction from the many years I spent behind the counter of a comic book store. Yuck.

While Alicia doesn't understand what is happening until it's almost too late, Maureen's situation escalates horrifically when her latest jewelry delivery brings her face to face with Kyra's mutilated corpse. As she reels from this gruesome sight, she also detects a malevolent presence vibrating deeper in the apartment that sends her fleeing in terror. When she goes to the police, her mystery caller suddenly becomes more sinister, demanding to know whether she has told the cops about him. In short order, the caller tries to blackmail her into meeting him in a hotel room, but this climactic union is circumvented by the police: It was Ingo guiding Maureen's journey of self-discovery, and Ingo who killed Kyra. The revelation is enormously painful, not because Ingo is so important, but because he managed to victimize Maureen using her most uniquely personal characteristic: her relationship to the supernatural. She believed that something personally significant was happening to her, according to her special understanding of the world, but she was merely being preyed upon by a violent narcissist. Her profound belief in her own paranormal sensitivity--the one thing she is sure of, that distinguishes her from others--is what made her vulnerable to the insistent texts begin with: She wondered if it was Lewis texting her. Ingo exploits Maureen's convictions about herself to perpetrate a deadly fraud, leaving her violated and humiliated. Even though we witness the presence of an unseen entity (Lewis? Kyra?) moving through the hotel, perhaps influencing Ingo's capture, Maureen is left to suffer for being gullible and vulnerable, to mourn her own privacy.

Of course, Maureen's journey is not over yet, and Alicia receives a similar shock with a full half an hour to go in DISCONNECTED. She is rescued by her own screams on her last date with Franklin, as the sounds of their skirmish draw the police to his apartment where they summarily execute Alicia's would-be killer. Now she is left with almost no worldly connections at all--save for the malign presence that keeps calling her phone, blasting her with waves of mind-melting noise. To make matters worse, there seems to be a new victim in the rash of murders previously tied to the late Franklin. Alicia plunges into a spiral of nihilistic despair, in which her closest relationship is with her conniving ex--mediated by the phone, and by his radio show where he dedicates songs to her--second only to the mystery caller who dials her number several times an hour. Craving a human connection, Alicia eventually relents and lets Mark take her out again, and things seem to be on the upswing...until Alicia returns home to find that something worse than electronic fuzz has entered her home, to put an end to her misery. We don't share her final vision, but we do see the mysterious old man (William Roberts) from the beginning of the movie, the fellow she let in to use her telephone, strolling into the cemetery--presumably, from whence he came.

Like Alicia in the aftermath of Franklin’s death, Maureen also has to find a new way to survive after an episode of shocking violence. For Maureen, the only way through is out. As she prepares to leave Lewis' mansion, she encounters his widow's new beau, Erwin (Anders Danielsen Lie). This encounter crystalizes the movie's themes regarding time. Early in PERSONAL SHOPPER, Maureen is turned on to the visionary paintings of Hilma af Klint, a 19th century painter who claimed that she made her art at the behest of ghosts. She mandated that her work only be revealed to the public after her death, creating a communication channel between the deep past and the distant future. Maureen argues with her doctor about the future; he insists that her brother's heart attack was purely anomalous, but Maureen sees no reason why the same thing couldn't happen to her. She sees no future for herself, and is chained to the past by the ghost of her brother, who withholds the spiritual message that would allow her to move on. Lewis thought a lot about the future, Maureen remarks cynically to her doctor, despite the fact that he was ultimately deprived of one. Later, Lewis' widow Lara (Sigrid Bouaziz) explains that she feels the future is in flux and unknowable--a desirable quality, in her book--and so she is moving on to be with Erwin. So, when Maureen encounters Erwin on her final night in Paris, they have a pointed conversation about the shackles of the past and the fossilizing force of guilt on one's life. Lewis's ghost cruelly teases Maureen at the end of the scene, demanding attention but refusing to reveal himself. With nothing to show for her devotion to her brother, she flees Europe.

In both DISCONNECTED and PERSONAL SHOPPER, the archetype of the twins is used to describe opposing states of being, and the threat of having one’s life usurped by another version of oneself. Alicia's sister Barbara Ann is lively, sensuous, and self-serving: everything that Alicia is unable to be, and the consumer of everything Alicia wants for herself. With her unrealistic desires for honesty and compassion, Alicia is the more death-oriented twin: cut off from social life, deprived of pleasure by more ambitious people, and vulnerable to parasitic attacks from both sides of the mortal veil. Alicia even dreams of Barbara Ann murdering her, and literally taking her place in bed with Mark. Maureen's twin Lewis is described by his survivors as passionate and living on the strength of his own convictions; Although Maureen still lives, she is inert, somehow chained to him, slavishly waiting for him to grant her release, though he is content to torment and manipulate her. The protagonists of both films are subjugated to these duplicates who refuse to stay on their side.

Maureen flees to Oman to reunite with her boyfriend Gary--heretofore only a pixelated image in a video chat who begs her to give up her commitment to the kingdom of death, insisting that only the material world exists and is waiting to embrace her. Of course, when Maureen arrives in Gary's placid and spartan world at what may as well be the end of the universe, her problems have followed her. We will never see Gary in the flesh; he has left a written note of welcome for Maureen, which she reads just as she detects a supernatural presence in his dwelling. Hoping against hope that Lewis is finally reaching out to her, she asks out loud: “Is it you? Are you at peace? Are you not at peace? ...Or is it just me?” And, hauntingly, she hears a ghostly knock in the affirmative for every question.

The ambiguity of this ending has troubled some viewers, although multiple interpretations present themselves which are not mutually exclusive. In the most literal sense, Maureen can be seen as a terminally frustrated Carrie White-like figure who causes material disturbances with the power of her own inner turmoil. The paranormal phenomena she perceives are, indeed, “just her”. On a more metaphorical level, we can see that Maureen is haunted by her own grief, over her brother, and also over her failure to forge a life of her own. In her mind, her brother was a superior life force to which she remains subservient; she identified herself entirely as a receiver for his message, and without his active participation in her life, she loses all sense of purpose. She scrutinizes ghostly disturbances and the spiritual conduit of the telephone to inform her place in the world. Without an internal, independent reason for being, people like herself, and like Alicia, are forever haunted.

[popculturebuffet]

Darkwing Double Feature: The Quiverwing Quack and Paint Misbehavin (Paint Misbehavin Comissoned by WeirdKev27)

Greetings darkwings of the night! It’s time to return to our daring duck of mystery for a third double feature! This one’s been a longtime coming.. as in since around black friday when I did a comissions sale. As usual Kev was my only customer and he bought both Splatter Phoenix episodes... and I shamefully admit this one has sat in my queue for a while as I wanted to finish the justice ducks retrospective first, as I also wanted to cover Quiverwing Quack’s first appearance, on my own time, and I wanted to save doing any Negaduck till I got done with Justice Ducks.  And that’s where errors were made, as I PAUSED said retrospective forgetting I both had this review sitting in my queue, and that I really didnt have that much left to go on it. SO yeah this took WAY longer than I usually do for a commission, and I apologize for that and i’m happy to correct it, with this, along with the freebie I gave him at the time, coming out tommorow i’ll finally be caught up and promise this won’t happen again.  So with my needed apologizes out of the way, let’s talk about why this is a double feature. Simple: Paint Misbehavin is Quiverwing Quack, Gosalyn’s superhero alter ego’s, only other appearance on the show. It would appear in the comics.. in a fashion.. but we’ll get to that. So it dind’t feel quite right covering one without the other, especially since this version of gos is a fan faviorite of many. So does our  archer live up to the hype? Let’s get dangerous under the cut and find out. 

The Quiverwing Quack:

This.. may be the best Darkwing i’ve seen so far. There is some competition of course, but this one is easily the frontrunner. It’s hilarious, has a really great and intresting plot, few faults, and is just.. about as good as this show can get. I could end that here but I wouldn’t be doing my job if I didn’t, so let’s get into why. 

The episode starts with a fairly typical day for Darkwing: Fighting Negaduck, hilariously as always, and mocking his arch enemy for only being Public Enemy #2 behind Dr. Slug, an oft mentioned but never seen in an actual episode villian that’s apparently one of DW’s deadliest foes. So already we have a great motive for Negaduck, who usually just has the motive of “destroy darkwing’ or do evil, though to the show’s credit, just looking at the summaries for his other eps alone, they NEVER ran out of ideas for the guy or forgot he was as clever as he was ax crazy. 

But just as he’s about to beat darkwing, Gosalyn arrives with an archery set Launchpad purchased for her and easily holds him down. And rather than be greatful Drake is mad at her and feels the arrows are too dangerous which.. fair those look to be real arrows but not the time or place.  Gosalyn however is angry her dad stopped her and is chafing both under his overprotectivness and feeling this is about ego, creates her own crime fighting alter ego Quiverwing Quack, dragging Honker along as her sidekick Arrow Boy. He dosen’t WANT to get into hero work, but he’s afraid she’ll pulverize him if he dosen’t. HA HA.. GET IT.. BECAUSE SHE’S A GIRL AND IT’S NOT LIKE GIRLS CAN ABUSE BOYS HAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHHHHHHHHHHHHHHHAAAAAAAAAAHHHHHHHHHHHHHAAAAAA

Yeah as you can tell that bit hasn’t aged well and is the one down note in an otherwise great episode. And I do mean great. Because this essential conflict works perfectly and is expertly built on what we’ve already seen of the characters. 

For starters Gosalyn forming her own hero identity feels like a natural evolution of her character. It genuinely feels that, given her love for adventure and of her dad being a superhero, that she’d take the next step in wanting to follow in her footsteps and put on her own costume eventually. Her making her OWN rather than something derivitative of darkwing also perfectly fits both her anger at her dad’s overprotectivness and her own individual nature. The costume itself is.. okay pretty simplistic, with an early green arrow style hat and some gloves and boots.. but while I didn’t like it at first It’s grown on me a bit, as I realized it feels like the kind of a costume a kid would throw together and given Gosalyn dosne’t have her dad’s backing, it makes sense the costume would be slapped together. Grante dit dosen’t explain her trick arrows, but given we’ve seen gosalyn is pretty talented and that she can easily acess Darkwing’s lair, it’s not a huge stretch to say she went into her dad’s lair while he was gone, took some suplies and made the arrows herself. 

And i’ll freely admit i’m a sucker for a good archer hero as Hawkeye is easily one of my faviroite superheroes. Which granted is a sentence I know will probably baffle anyone who hasn’t picked up a comic with clint, or has but it was written by brianmicheal bendis, as in the movies up to Endgame you could easily replace him with a block of wood with a purple h painted on it and no one would notice the difference. And other archer heroes like Arowette, Speedy, Kate Bishop, Arsenal and Green Arrow are also on the whole pretty fucking awesome, as is the Young Justice Cartoon version of Artemis and the JLU version of Green Arrow. So this was kind of a slam dunk for me and the fact Gos’ costume comes off as a combination of Hawkeye and Green Arrow, having Ollie’s hat but Clint’s purple color scheme and gloves with no sleeves aesthetic, just makes me all the more on board for this. 

What truly makes the episode though is Darkwing, whose internal conflict is masterful to watch. While his being overproective isn’t anything new to the show, this episode takes it in a more dramatic directon: While there’s still a few jokes the episode gives some very painful reasons why he’s like this: He dosen’t want to loose his baby girl, both figuratively in her growing up and becoming more self sufficent.. and literally in her dying. It’s a terror any parent faces and it makes him sympathetic: While he IS overreacting at times and would be better off training her and helping nurture her while still keeping her safe, so when she DOES run off to do her own thing she’ll be ready, you can’t blame him for not wanting that, for wanting her to just stay home, stay safe and stay ALIVE.  The comics, which i’ve read some of and will cover here at some point, make this hit HARDER as during the second arc, where we meet a bunch of Darkwing Ducks from other dimenisons.. and one of them is Quiverwing Duck. You can probably guess just by the name what happened to his Gosalyn after years and years of working together. 

So the risk .. is very real. Loosing her is VERY possible. Being a kid to teen superhero is a VERY dangerous line of work as with less experince and being a possible target if you have any mentors, and sometimes you genuinely DON’T make it. Cypher, Jason Todd Robin, Ultimate Peter Parker, Synch, Danny Chase, Kid Devil, Skin, Wallflower, Icarus, Genisis.. the list goes on, and on, and while MOST of them came back even then the ones that did didnt exactly lack in scars: Jason was never the same after the joker’s beating and Doug, Cypher, had severe trauma he never adressed. The danger Darkwing fears is VERY real.. but is a danger she faces ANYWAY by rushing in and acompanying him. The tragedy is traning her would at least give her a fighting chance as it’s clear from the above that Quiverwing Duck’s Gos died not because she wasn’t ready or because her dad din’t train her.. but because , like MOST of the heroes above.. she died a hero saving the world.  And the show recognizes this even if it doen’t mention the death because the show has to have limits and it was the early 90′s, wiht Darkwing’s fears also being that she’s growing up. He knows sh’es capable of this.. he’s just tearful she’s growing up.. and that she could be gone. It puts his overprotectiveness from other episodes in a much more understandable light, and makes it clear that while it comes from a good place it’s not really healthy: As the episode shows, Gosalyn thinks ALL he sees of her is a baby to be coddled and protected and not as her own person, and while he’s right to protect her.. he’s gone so far in it and in dismisisng her again, and again AND AGAIN, that he’s given the poor girl a complex. Leaping into danger alone isn’t the answer.. but when we get to the climax of the episode you can see why it’s gotten this bad. It’s suprisingly layred for what’s normally a pretty simple character conlficts. Here there’s no easy answer and even while by the end Darkwing’s accepted she’ll be a hero someday and both earnestly apologize, ther’es no real resolution. And sometimes.. that’s okay. It’s something they could’ve revisited had the series gone on and we did get at least one sequel episode at least and the comics do explore the issue of gosalyn being a kid hero and drake’s overprotectiness, with his issues there being why he retired and ended up badly straining his relationhip with gosalyn and ending , for a while, his friendship with launchpad and relationsihp with morgan as well as his costumed career. But obviously as I said we’ll get to that another day. But as an episode.. this one is truly excellent and one of the best the series put out, with plenty of humor but the more complicated dynamics at play BUILT on what we’ve seen before, including Gos rightfuly supsecting dakwing’s against her due to his own ego at points, are what elevate it to the series best. So how’d they follow it up?

Paint Misbehavin:

This one’s in an awkard middle place, where it’s FAR better than the previous splatter Phoenix Episode but not as good as “The Quiverwing Quack”. Still it’s a pretty fun episode all together.  So the main plot is that Darkwing and Gosalyn are at cross purposes because Darkwing is overshadowed by Gosalyn, in this case at the local comic con where Gosalyn, returning to her Quiverwing Quack guise, is the big new thing while Darkwing’s practically ignored. 

Yeah no way around it this is a rehash of “Whiffle While You Work”, same basic conflict, just with suprheroing instead of a video game. So naturally at first it annoyed me especially since they had a debate over who was better, Darkwing’s old traditional hero or Gosalyn’s new very 90′s hero. This.. goes about nowhere and is just cringe inducing for me as a comics fan, whose not against 90′s characters but acknolsges the vast majority got better LATER under new writers, with the exception of some such as superboy, steel, kyle rayner and impulse, who were fresh out of the package.  Thankfully.. the episode pushes past this and it ends up being a better version of Whiffle While You Work, as Drake isn’t as overbearingly obnoxious as he was there: Here Gosalyn is just as egotsitical, at one point trying to lead him away from a crime scene, and it’s only when they finally work as a team that they become unstoppable. It does say something though that Darkwing has genuinely grown as his objection is pure ego instead of overprotectivness like last time and he willingly lets her tag along even if he’s trying to show her up. It’s not the BEST conflict, and it ends with egos clashing, but while this part of the episode is recycled.. at least it’s recycling an episode that genuinely wasted the idea and using it better. Darkwing being jealous here is FAR more understandable as he’s been a hero far longer and while his ego is way too big for his head, it’s understandble to be a big pissy, and agian he dosen’t go nearly as far in how he treats gosalyn. He just wants to show up his own daughter and he’s shown as fully wrong for this. Not great but far better than before.  What IS great and what makes this episode fun, is Splatter Phoenix, whose even better than last time. I attribute this to the change in voice actors. While Dani Staahl was excellent.. her replacment is far better and far more notable. It’s SCTV’s andrea martin... who i’m realizing most of you have probably never heard of. 

Or know what  SCTV is. It was before both our times trust me: it was an early 80′s sketch comedy show that had a unique premise as the sketches were all programs for a fictional tv station, and there’d often be wraparounds about what was going on at the station that oftne led to sketches or impacted them: From dealing with sponser issues brought on by the Moral Majority, aliens, the russians hyjacking their signal, and forging checks from Fred Willard’s account, yes that was a plot and yes he was indeed a guest star, there was no end to the number of shenanigans in and out of program. IT was really good stuff with an all star cast: John Candy, Rick Moranis, Dave Thomas, Cathrine O’Hara, Eugene Levy, Joe Flarhety, Martin Short, and of course Martin. Even Harold Ramis was on the show for it’s first season. It was just a damn good time and if you can find the dvd’s or clips on youtube I recommend it.  My point is Martin is vastly underated and really deserves better than she’s gotten, and this eps proves it as her energy really adds to Splatter’s astetic and really fits the show like a glove and it’s a shame the show ended shortly after this episode, as it would’ve been nice to see her return in the role. But for a one shot she’s UTTERLY awesome, and Splatter gets to do far more this time as her brush has now expanded to be able to create, so we get helicopter cats, pumpkin dogs, a pink gorilla with a toaster for a head and when told superheroes always win she creates her own, absract man, with a hand for a head and a weird body and I just want to see more of him. He even skips off with Launchpad’s faivorie hero, bascally mr rodgers as a weasel, after launchpad draws the guy in. I want to see this gay couple fight crime with love and existetaalism dammit!

But yeah she’s just fun, as is her vandalism of various art works including making the dogs playing poker into skeletons.. which I now want a picture of for my room because that is nice. SHe also brings back the art shitfts from before in little ways, transforming darkwing into abstract art and to blocky art at diffrent points with her brush. And that’s what puts this episode over the other: The creativity is still there but without the whole “Honker being gaslighted” plot that I still hate to this very second, it’s allowed to be fun and fancy free and with Splatter out in the open she’s allowed to get a LOT more ambitious and thus the writers and martin get to have a LOT more fun with the gimmick. 

So while I do feel the episode’s a bit crowded, as they try to cram in both splatter phoenix and this super feud between family into the same space and both episodes would’ve been better served seperatley, i’ts so fun with clever use of the magic brush by our heroes and what not I can’t help but love it. I don’t love the climax though as splatter gets turpentine spilled on her by gosalyny and .. melts for some reason. Because she’s made of paint now even though that was never a thing before? Not to mention the fact our heroes just killed a person...

So yeah the ending’s a bit wonky but it’s a fun episode with the return of a great villian, a decent of played out main conflict and some great gags and fights in it. All in all i’m glad I got comissioned for this one and finally tackled it. Good stuff.  So that does it for this. We’ll be back to darkwing next week just in time for valentine’s day.. and back with Negaduck too. Until then it’s been a pleasure.