#i also think it would be a nice end for her character arc too?

[jjs-brainrot]

2024 is coming to an end, all my anime from the current season finished up and next season has yet to be begin. it's time for me to actually sit down and figure out what my top 10 anime were for this year!

God damn was this an amazing year of anime for me. Every season had multiple shows I was hardcore obsessing over with a surprising amount of them outright entering into my top 10 of all time. I'd say I'd be surprised if 2025 can match it, but a lot of the shows I was obsessing with are getting continuations next year so I might end up with back to back peak years.

10. Yuru Camp S3

The greatest propaganda camping has ever received is back again to try to convince you that you should totally buy some camping gear and drive out to the nearest camp ground. You will surely not regret both of these decisions!

Yuru Camp feels like it's the platonic ideal of the iyashikei genre. It has just the right mixture of beautiful scenery, slow and chill vibes, the right amount of goofy humor and some really delicious looking food to make you feeling rejuvenated (and a bit hungry) every episode.

Season 3 has been particularly notable as its the first season being handled by Eight Bit instead of C-Station. While I'd say it's still as strong as previous seasons, the environmental backgrounds definitely felt like a step back compared to the previous 2 seasons and movie. It wasn't bad enough that it put a damper on my enjoyment of the series but it was a noticeable downground. The rest of the animation was pretty solid though with some of the later episodes (7 and 8 in particular) being incredibly creative and fun.

It's Yuru Camp. You should watch Yuru Camp if you haven't already…. You will not regret any purchases you make after watching Yuru Camp…

9. Spice and Wolf: Merchant Meets the Wise Wolf

The classic medieval fantasy/economic/romance/drama series has returned to once again lure unsuspecting otaku with the promise of a cute wolfgirl, only to lock the door behind them and reveal that they've been signed up for an econ 101 class.

It's an updated adaptation that's much more faithful to the light novels then the first anime was. Not too much to say until we get season 2 as it covered a lot of the arcs the first anime covered. The one exception being that it actually animated book 3 which the first anime skipped over in order to cover book 5 (or rather 90% of book 5… I'm still salty about that…)

Holo is still a complete charmer, Holo and Lawrence still have excellent chemistry together and the economic drama is still top tier.

8. Dungeon People

Dungeon Keeper Yuri or the other show from this year from a mangaka thinking long and hard about how a fantasy dungeon would actually work. Though Instead of looking at it as an ecosystem like Dungeon Meshi, it approaches the idea as a workplace with its own logistical and management issues that need to be addressed in order to function.

It's mostly a pretty chill series but it also doesn't shy away from exploring darker topics like how the dungeon management deals with sexual assault and murder amongst adventurers.

Both of the protags (Clay and Belle) are fairly morally grey characters with neither having any qualms about killing when the job calls for it. There's also some strong coworkers yuri going on between them as well.

Kinda got overshadowed by Dungeon Meshi, but it's another really interesting examination on the idea of fantasy dungeons with some light yuri elements on top.

7. 'Tis Time for "Torture", Princess

The princess will be pampered, cared for and provided more friendship then she's ever experienced in her life until she divulges state secrets of frivolous quality.

An extremely chill little comedy that manages to be both extremely funny and incredibly relaxing as the same time. The closest series I can think of to compare it to is Sleepy Princess in the Demon Castle (and maybe The Helpful Fox Senko-san to an extent). Just a nice series of skits about a character getting pampered.

Each of the "torturers" having the own niches (i.e. the titular Torture Tortura (yes that's her name) being a foodie, Krall being an animal lover, Youki and Inki basically playing around as the princess' best friend, etc) does a good job of making skits varied enough to never get stale.

Very good series to chill to after long day at work. Also has a season 2 on the way.

6. Dungeon Meshi

It's Dungeon Meshi, one of the best fantasy and foodie series to come out in decades.

In truth, the fact that I've been keeping up with and recommending this series for like 8 or 9 years now kinda does lower it a bit on my list since most of the novelty has faded over the years and most of the stronger moments of the series will be in the second season.

That being said, this adaptation has been fantastic so far with it easily being a contender for one of Studio Trigger's best works.

5. Mayonaka Punch

Desperate simp vampire girl wants to suck a cancelled youtuber girl('s blood) dry, the cancelled youtuber wants to reach 1 million subscribers. Win-win!

An absolutely hilarious comedy that also manages to pull out some pretty strong emotional guy punches when it feels like it and has an absolutely exquisite cast of girls who suck (pun intended).

Easily up there with Shirobako and Ya Boy Kongming as one of PA Works' best anime.

4. Shangri-La Frontier

A trash game loving birdman plays an actually good game for the first time in his life. Alternatively: LetMeSoloHer the anime.

One of the very few VRMMO anime that's… actually about the joy of playing an MMO? Honestly it feels weird to say but it feels like almost ever other anime that takes place in an MMO is either an isekai or a romance where the MMO aspect is just a forgettable backdrop. The only other series I can think of that did something similar to Shangri-La Frontier is Bofuri. So it's weirdly an untapped aspect of the genre.

Shangri-La Frontier really does nails every aspect of enjoying an MMO excellently though. The fun of first loading into a game and trying to figure out the basics, gushing about the game to one of your old gaming buddies and getting them interested in it, finding another old gaming buddy you didn't realize was also playing the same game as you, learning and mastering a raid with your friends, getting real into the lore of the game and even taking a break from your main game to play other games to recharge your love for the main one.

The entire cast is a wonderful collection of gamer cryptids with the main 3 protags being up there as one of my all time favorite trios as they're just as easily likely to help each other out when it counts as they are to stab each other in the backs for the laughs. They absolutely nail the "gaming buddies who've known each other for years" vibes.

It easily has the most stellar fight scenes this year with The multi-episode Weathermon fight alone absolutely deserving to top everyone of those "top x anime fight scenes" lists people put out there.

It's painful how under talked about this series seems to be for how good it is.

3. VTuber Legend

Lesbian VTuber gets drunk and loudly talks about how much she loves to fap to women. Proceeds to awaken a new fetish in every one of her coworkers (never the same one).

Hilarious, unhinged, gay af, probably the second kinkiest yuri this year and is the gold standard all future VTuber anime must be compared to. It gets it. It fully understood the level of unhinged insanity it needed to be to represent what watching VTubers is actually like and does so with flying colors.

Awayuki Kokorone is my oshi of all time. May she forever suffer the consequences of being a human lightning rod of fetishes by becoming a chew toy for every woman in her life.

Easily the one of the funniest comedies to come out this year and is well worth watching even if you have 0 interest in VTubers.

2. Gushing Over Magical Girls

Girl who really, really, really, REALLY loves magical girls gets black mailed into joining the evil organization that fights them. This turns into an unexpected positive for her as she finds out that she really, really, really, REALLY loves domming magical girls.

As wild as "the extremely smutty, borderline pornographic bdsm yuri magical girl show was one of the most compelling and interestingly written shows this year while also being the most hilarious" is to say… The extremely smutty, borderline pornographic bdsm yuri magical girl show was in fact one of the most compelling and interestingly written shows this year while also being the most hilarious.

It's easily one of the most kink positive anime series I've seen, and I think out of every anime from this year, this one might well have had the biggest impact on me. The general themes of self-accepting ones own perversions and kinks genuinely got me accepting and being way more open with my own and others'.

The bdsm magical girl show made me a better person which is a hell of a thing to say.

1. Girls Band Cry

RAISE YOUR MIDDLE FINGERS WITH ME! (or at least you pinkies as we sadly can't have the actual members of TogeToge flipping their audience off every live show…)

Hands down the best band anime yet, easily a rival to Studio Orange's work as one of the best 3DCG anime out there and without a doubt the best completely original anime released this year. It's writing was consistently strong from beginning to end with a few episodes outright being some of the best 20 minutes of anime this year (episode 8 and 11 in particular). The entire cast was super fun with Nina in particular being an incredibly interesting protagonist. And god the music is some of the best out of any band anime with Togenashi Togeari easily being up there in my top 3 bands of all times and I've basically not gone a single week without listening to every one of their songs on repeat.

Girls Band Cry might be the most near perfect anime in years and is easily the series I'd most recommend everyone pick up from this year (now that you can actually do so legally cause god damn was it a crime that this one wasn't picked up by streamers when it aired).

[veggiecorner]

I saw someone on Twitter talk about how BOTW-verse Zelda wouldn't have kids, which would end the goddess bloodline and now it has me thinking like....did every Zelda...always end up having kids? For thousands of years? Was the bloodline continuous since Skyward Sword Zelda (which has to be like...hundreds of thousands of years AT LEAST at this point). It's interesting to think about in a scenario where a Zelda doesn't manage to have kids....how does the bloodline come back...

[nobodysdaydreams]

I have a theory about Wicked Part 2 and what they are going to add to it, and why it's going to add so much to the movie.

I think they are going to add Dorothy's POV.

In the musical, she's mentioned, but Dorothy never appears on stage. We never know her POV or how much she knew about the witches, Fiyero, Boq, the lion, or what was actually going on in Wicked beyond the Wizard of Oz plot. But in the Wicked two trailers, we see scenes of Dorothy and those scenes are shot as if from the Wizard of Oz, not the traditional Wicked musical, in which Dorothy's character is only briefly mentioned or shown as a shadow. Which means we're going to get to see her story this time!

However, if I was going to include Dorothy's POV for Wicked, I don't think it would be anything like the Wizard of Oz, for a few clear reasons:

Dorothy in the Wizard of Oz is a perceptive and animated child and unless they plan on erasing that aspect of her character, she is not going to go home from Oz at the end of the Wicked movie with the same beliefs as the Dorothy from the Wizard of Oz. She sees the Wizard is a fraud and calls him out just like Elphaba does. Besides this, there is no way she would just not pick up on the fact that Galinda, the dead witch, Boq, Fiyero, Elphaba, and the lion have a deeper history together than meets the eye for the entire trip.

This one might sound stupid, but trust me, it's important: Toto as a character. Here me out. In the Wizard of Oz, Dorothy's distress in the real world is centered around a mean lady trying to drown her dog and the Witch of the West tries to do the same in Oz. However, in this version, Elphaba's whole thing is animal rights. She'd probably be horrified that Toto can't talk or Dorothy would be surprised and delighted to find that in this world, Toto can talk depending on what they decide to do with the dog. And if Dorothy comes to this world distressed about a lady trying to kill her poor dog, Elphaba would surely empathize. There might even be a misunderstanding between them if Elphaba believes Dorothy is working for the Wizard and Toto is a dog that needs rescuing.

So how does this change things?

There are a number of wonderful options.

The most obvious one is that we could see Dorothy put together and discover the story of Boq, Nessarose, Galinda, Elphaba, Fiyero, and the Wizard. She and the rest of the gang would formulate a plan to help Elphaba fake her death to save her from the people of Oz and the Wizard.

Within that narrative, we could see Elphaba enchanting the sleeping poppies to stop them from getting to the Wizard with the goal of protecting them from the Wizard (rather than to stop them from getting home). In Act 2 of Wicked, the Wizard again tries to form an alliance with Elphaba but Elphaba rejects his offer when she discovers what he's done to her Animal friends. It's possible that Elphaba believes the Wizard is trying to use Dorothy too and is trying to protect her from the same fate.

We could also see conversations between Dorothy and Fiyero about Elphaba (and there are many AO3 fics that have been going with that concept. I see y'all, thank you for doing the Lord's work 🙏🏻) and possibly some conversations between Dorothy and Boq since they'll be traveling together and we don't really get to hear about Boq's ending in the musical. I think the last we see of Boq is that he's angry at Elphaba for his condition and rallying crowds against her, but with all that traveling time and secrets coming out, I could see him getting, I don't know if I'd call it a "redemption arc" per say, but finding his heart again (a real one). Additionally, conversations between Dorothy and the lion about how Elphaba saved him would be nice too. Even if the lion had learned to blame Elphaba for what happened to him, I'm sure Dorothy would be quick to correct him once she discovered the full truth.

But my favorite, my absolute favorite and darkest possibility is the interactions that Dorothy can have with the Wizard. In the Wizard of Oz, she exposes him as a fraud, but in the Wicked movie, he's much worse than that, and I can totally see Dorothy being the one to point that out to him. Why?

First of all, Dorothy is not from Oz. Most people there would never question the Wizard, but if he's so powerful and generous, why is he sending an innocent little girl and three down-on-their-luck guys to go murder his dangerous enemy? That right there is a red flag, and again, if they don't change Dorothy's character, she's going to be a very honest child and comment on how strange this is.

Second of all, if anything I speculated above is true and Dorothy realizes this the Wizard is an animal abuser who vilified an innocent woman, she's going to be very angry at the Wizard, and rightfully so (I hope Toto bites him).

Third of all, and here's where it gets good: in the musical Wicked, the Wizard discovers he is Elphaba's father at the very end because of the bottle Galinda has. Dorothy is not on stage for that because she's not in the main cast of the musical, only mentioned by the other characters, but what if she was? What if she's the one that discovers the connection? What if she calls him out the exact same way Elphaba did after the Wizard gave his little "I always wanted to be a father" speech?

What if the Wizard had a little animal-loving girl who reminds him so much of the daughter he just sent to her to kill standing in front of him with a horrified expression while he puts the pieces together?

What if Dorothy's POV in Wicked isn't about her exposing the Wizard as a nervous fraud, but as a heartless monster?

What if Dorothy's POV is about her exploring this new world and discovering for herself who is truly wicked or good?

[anonymouscheeses]

Even more and more of obvious shit I point out because I want an excuse to rant while not interacting with actual people in real life who also like this show because I'm masking 😍💜💜

BARELY STARTED AND BRO. YOU JUST LET HER DO THAT TO YOU, ME PERSONALLY-

HE'S PETTING KEE-KEE I LOVE HIM SMM

HER HOOVES. I LOVE IT. NOT LIKE THAT, IM JUST A FURRY-

*grabs pen*

ANGRY CHARLIE FOR THE WIN. I LOVE WHEN THE HAPPY CHARACTER GETS ANGSTY (Cough. Luz. Cough).

The people writing fanfics where she gets FURIOUS. Omg. That was something I read. I LOVE MY FELLOW FANFIC WRITERS BUT OH MY- YALL REALLY HAD CHARLIE M A D.

"Uh-"

I love his reaction lmao look at his goofy face.

HER BOW BECAME HORNS (my "redesign" is now 100% worse)

SAD VAGGIE. THE BOW. DROOPY.

Oh and the angel dust fellow back there 🤯

I LOVE ROSIE SO MUCH HUH

Tall.

No explanation needed. <3

PLEASE HELP???

CUTIE PATOOTIE. I LOVE HER SM UGGHHH

CHARLIE HATES OLD PEOPLE COMFIRMED YAY 😍😍💅💅

Hot

That's it.

IN SYNC. I LOVE THIS SONG AND THE ENTIRE SCENE. WHY IS IT RANKED SO LOW WITH SOME OF YALL?? Okay well-

I thought this song was gonna be a Charlie and Vaggie duet- tbh I still preferred that BUT I LOVE CARMILLA SO I KINDA DONT CARE.

BUT I WAS ROBBED OF AN ACTUAL FULL CHAGGIE DUET (REPRISE DOESNT COUNT) IF H*SKERDUST GETS A FULL ONE WHY CAN'T CHAGGIE? *SOB* uhh anyway-

Is that. Like. How she thinks actually 😰

I know there's been a lot of the lack of Vaggie's self-worth, which I wish was explored into more. I just think the Vaggie(3rd) episode just wasn't needed at all if it didn't even have an impact. Don't get me started on that episode, it was rushed, too early to have character arcs already, and overall not needed or even should have existed periodt.

I hope they explore it next season because GOD this woman needs TO LOVE HERSELF. OR ATLEAST CARE ABOUT HERSELF LIKE????

SWEET MAMA PLEASE. TAKE ME IN YOUR WINGS AAAAAAAAA

Charlie, sharing is caring <3

Out of all the people I thought Charlie would vent to I didn't think it would be ROSIE. It's a nice surprise tho I love her <3

bisexuality.

That's it.

HE'S DANCING. ALASTOR IS DANCING. THEY ARE SLAYING BESTIES. THE MAN IS DANCING. HELP.

Season 2 is going to be Charlie in her villain era and Alastor's reputation era 😍

I LOVE VAGGIE'S FACE. PRECIOUS BABY UGHH... THEN THE WINGS REPLACE THE BOW AND DROOP UGGHH I HOPE IN SEASON 2 WE SEE MORE OF HER WINGS. OR CUT HER HAIR SHORT SO WE CAN HAVE IT ALL THE TIME. Also so Husk and Vaggie can bond over both having wings. Sorry I love their potential friendship so much. AND LUCIFER AND VAGGIE TOO!! BOTH BEING FALLEN ANGELS OMG. UGH THE POTENTIAL OF VAGGIE'S RELATIONSHIPS WITH NOT JUST CHARLIE ARE SO GOOD AND I HAVE BEEN ROBBED OF SEEING HER AS AN ACTUALLY MORE FLESHED OUT CHARACTER. I AM SCREAMING AAAAAAAA.

I can't say how much I love them. It's too much. I cant- yay the teaser image before the show came out <3 they are so fucking adorable. UGH SOME1 END ME

Charlie loves the wings hehehe. Vaggie looks nervous about it. It's probably a reminder to her about when she used to be an exterminator. The healing from everything will take a long time but hopefully Charlie will be there for her the entire time. And vice versa

Ayo- 😰

CHARLIE. T H E PRECIOUS BABY.

Uh next one tomorrow cuz yeah 🤯

[arcane-temp-fandomblog]

The more I rethink Mel's arc which Amanda said was the best arc, the more I feel it encapsulates all the issues of Season 2.

Yes, I think Mel's arc is one of the most coherent with setup at end of Season 1 and end at Season 2. It's bittersweet but good.

But then I think how we got there and there are glaring problems:

- contrived way of being removed from the plot - the abduction by Black rose, Mel is now not a character influencing the plot, not even having opinion on the events of the plot - she will be in Black rose limbo until plot needs her to respawn in plot required place to get her 3 step resolution of the arc. This happens to Jayce, Ekko and Viktor too.

- over the top shocking cliffhanger that feels like something interesting is coming but in hindsight are just for cheap tension - so when Mel is abducted, it spawns speculation of what are Black Rose's intentions, I thought it was building towards something BUT it just segways into clips of exposition of her powers, of the Doomsday coming to piltover and of her mother's history. They abduct this poor woman for months on end to give us exposition. The same happens with Jayce shooting Viktor. We do not understand these actions, they just seem soo final and shocking and leading into something great. I would like to compare it to finale of S1 which is more shocking with Jinx's rocket yet we understand everything about it.

- making things emotional but in hindsight in a cheap way - so, remember when Black Rose kills Elora, Mel's friend? The emotions! The shock, right? BUT Why do they do it? Please, why would an organization that wants Mel to join them kill off her friend? What's the point of it aside for Mel to be sad? Elora actually got off well, she at least has a dialogue about her death unlike Isha or Vander or Jinx or Vander 2.0. If you compare these deaths to how logical deaths of Marcus or Finn were.

- inefficient storytelling - we get black rose scenes but they're just exposition that never flows into the main story. Never influences it. Contrary it makes the whole story worse, because now Black rose abducted Mel for months to tell her she needs to figure out how to avert the Doomsday. So months on end this organization just waited for her to solve the wall puzzle instead of trying to locate and assassinate the threat in Viktor, or influence Piltover politics to throw out Ambessa. This is cartoon logic.

- impossible to resolve conflicts - this is more on Ambessa' writing, because in ep. 8 she goes like this: Mel, it's not enough you'd join me to avenge Kino, we now have this weapon in you and this nice old chemist is lending me a hand making more weapons BUT it's impossible for me to change plans, because to stick it to Black Rose and mages in noxus as magic is unfair, I'm making this new army with the help of this nice mage I just found in the rubble. This army is also exclusively puppeteer by him. This is cartoon logic of a bad guy, not a human.

- keeping conflicts simple by keeping characters apart until 2 scenes before finale - this is hypothetical so please friends be nice, what if instead of Black rose abduction plotline the whole exposition part of it went like this: Black rose possesed Amara asks Mel to help her get introduction to her mother. Mel and Amara meet Ambessa, where Black rose reveals herself like in original scene and delivers the exposition about Mel's origins and Kino's fate. All the while changing faces between Amara, the Ionia princess and Kino to the horror of all involved. Then Mel's powers awaken like in the puzzle wall scene. Idk if that'd be better but it'd be more efficient and would keep Mel in Piltover. One scene instead of several, leaving Mel and Ambessa more time for an arc build up. Also Elora lives. Anyway, that's my stab at it while chilling and listening to 60 y/o lady showing off her spoon collection in an asmr. It's a very nice asmr.

- symbolism as character development - so when Black Rose gives Mel the Ionian processes necklace I felt really good, it felt as if Mel is finally carving her identity as Medarda from Medarda family history. But then it hit me, we don't know what she thinks of it, we don't know why she goes back to noxus on the ship, we know nothing of ot in her words. It's symbolism. Not as bad as Jayce having his whole character development this season conveyed in symbolism by role playing as Bear Grylls in Apocalypse survivor man, but it feels cheap anyway to not write character just use symbolism.

Anyway, those are my gripes and apparently this is the best arc of this show.

[toadslug]

I FINISHED IT!! Here are my silly opinions for the silly dragon series 🥰 Character names, explanations, and template below the cut:

★ Favorite character: Clay

Clay has been my favorite character since I read his book!! I think his character goes a lot deeper than how some of the fandom treats him (his character arc is amazing), and he's also just a really nice guy.

★ Liked by everyone but me: Queen Ruby

I have no idea why I don't like her 😭 I think the way she treated Peril just kind of pissed me off when I was a kid, and I've never been able to shake the grudge. It's not her, it's me. I almost put Bumblebee here instead (I can't fault her for acting her age, but her screaming can get tiresome).

★ Didn't like at first: Fatespeaker

I considered putting Glory here, but I only started to hate her when that was the popular thing to do (I'm back to liking her now). I immediately didn't like Fatespeaker... Probably because I was rooting for Sunny x Starflight at the time 😬 I PROMISE I'm not like that anymore omg, I was, like, nine. I've come to value Fatespeaker a lot more; her character is surprisingly interesting to pick apart.

★ Would like to know more about: Hailstorm

There's so many characters I want to know more about!! Gill!! Tau!! Riptide!! Moray!! Osprey!! Sora!! Literally any MudWing character!!! But I went with Hailstorm. I adore the cool, supportive big brother energy he radiates, and seeing him trying to fit back into IceWing society (and maybe go through a teensy identity crisis) would be interesting.

★ Least favorite character: Sky

Honestly, I don't really have a least favorite character...? There's Whirlpool, of course, but that's too easy. I ended up choosing Sky 🤷‍♀️ I liked him enough in Dragonslayer, but he annoyed me in The Flames of Hope. I feel like he became a lot louder and more brash.

★ Like the design, dislike the character: Vulture

His dragon skull tattoos and the gimmick for them is so sick?? Why is this grandpa more stylish than me and everyone I know??? His design is great, but everything to do with him and his crime ring felt a little out of nowhere to me. It's been a while since I've read Darkness of Dragons, so maybe I'm just not remembering everything? But yeah. I wish he was introduced better.

★ Like the character, dislike the design: Luna

I like Luna!! And I like how she looks on her book cover, too (the rendering on her is drop-dead GORGEOUS). But the rest of her appearances in canon art... ehh.

These shades of green are making me feel things. And the spots on her wings look kind of awkward to me.

★ Favorite ship: Jambu x Pineapple

I was really close to putting Clay x Peril here because of how OBSESSED I was with them as a kid (shout-out to the Demons Peril PMV by Echosplash Animations that saved my life); however, Jambu x Pineapple is the only ship in the series that got me kicking my feet. The flashback to them cuddling in the hammock melted my heart 💖 Luna x Swordtail, Tamarin x Anemone, and Mangrove x Orchid are also my beloved. Honestly, though, I'm not that involved with shipping anymore.

★ Would never befriend IRL: Sundew

I like Sundew as a fictional character, but I would be slightly scared of her if she was real. She probably wouldn't like me.

★ Would befriend IRL: Umber

He just seems chill. I don't think he'd prod me to do stuff or talk, and I like people like that... People who can just let you exist. I feel like he'd tolerate my cringey humor, too.

★ Similar personality: Clearsight

I am NOWHERE near as girlboss as her, but I can relate to constantly worrying about future situations that may or may not happen 😁😁

★ Least favorite ship: Burn x Scarlet

Sorry toxic yuri ☹️ I just don't ship Burn with anyone.

*This template wasn't my idea; I took the original template and modified it to my liking.

[fluffyartbl0g]

Redraw of the panels that SHATTERED MY HEART o(；△；)o!!! OG panels + Opinions on the Luffy separation arc under read more

Okay let me just go on a tangent about my feelings about the post-series Luffy separation arc, cause I think it gets way too much hate when it’s such a heartbreaking and well executed deviation from oda’s standard formula!!! I know that we all love monkey d. luffy and he’s LITERALLY the main character of the series, but it was also really nice to get more time to focus on the rest of the crew. But here’s the thing, even when Luffy wasn’t here, he was still here. And I’m not talking about the so called ‘blessings’ or whatever that kept SUSPICIOUSLY popping up around the crew when Luffy disappeared, I’m talking about the consequences that arised from him disappearing. We truly got to see how grand the effect luffy has had on the world around him, and how many lives he was able to touch ; - ; So even though luffy physically wasn’t present (I mean KIND OF but you know what I mean), this was still VERY MUCH a luffy arc imo. 

Oh man but I think Oda wrote luffy’s disappearance so well,,, I was sobbing for like 80 percent of this arc. Like just gradually seeing the crew’s deterioration as time passes by,,, but everyone has such unwavering faith in their captain, he HAS to come back cause Luffy always comes back. But here’s the thing, Luffy didn’t know what was happening to him when he started disappearing. But what he DID know is that he wasn’t sure if he was gonna be able to come back or not. And Luffy hates breaking promises- he’d never make a promise if he didn’t plan to keep it, and he’s not an idiot either, so when he just felt himself disappearing and saw zoro nearby... Instead of saying something like “I’ll be back!” and potentially making his crewmates wait for him forever, he tells zoro to “take care of the crew”... SOBBING AND CRYING T - T. So YES. the crew has unwavering faith in their captain. But. Luffy didnt say that he’d be coming back or anything. So what are they supposed to do really.

And it’s really hard to read at some parts, like it never loses the goofy tone that has been there throughout all of one piece and it’s really sweet to see everyone rely on each other to keep one another afloat, but the slight tension that keeps building up over the months while they keep looking for clues and answers... And how each lead keeps becoming a dead end... When it builds up and Usopp finally voices the thing that’s on everyone’s mind.

Oh man. I started crying so hard. It took 6 month for any one of them to say something. Like this is One piece. Of course Luffy is gonna come back eventually, it would be waay too dark otherwise... But Idk man, even I started to doubt that :((( But luckily. THIS IS ONE PIECE. So right after everyone started,,, well not exactly losing hope or anything (maybe a bit)? but going BATSHIT INSANE FROM THE REALITY THAT THEIR CAPTAIN MIGHT BE GONE FOR GOOD, they finally got a solid actual clue of what might’ve happened to luffy!!! And I’m SO GLADDDD!!!!

Omg and when they tracked down the pray-pray no mi user and finally got some answers out of him. OMG WAIT A MOMENT I REALLY LIKED IS WHEN PRIEST GUY IS LIKE “urerheg without luffy up there as a god the entire world may very well be destroyed cause the sun has been super unstable for centuries blah blah” and then Nami freaking PUMMELED THE GUY AND SHOVED HIM DOWN WITH HER STAFF AND

SOBBING CRYING SOBBING. THEY WOULD POTENTIALLY BLOW UP THE ENTIRE WORLD IF IT MEANT THAT THEIR CAPTAIN WOULDNT HAVE TO BE LONELY ; - ; KILL ME.

URGH I was really hoping that Luffy would return right once they beat him up cause I really really missed my boy, but honestly I think the final method of getting Luffy to return was super clever and absolutely worth the extra 3 weeks of waiting!!! I know that it was foreshadowed across the whole West Blue Saga and everything but I honestly had no clue it would end like that, DONT MAKE FUN OF ME :(((

When the crew finally got their captain back after 8 months of waiting... I mean they’ve been separated before for even longer periods of time, but they always knew that they’d be back together. This time they didn’t know. BUT AREHAHRGE ALL THE PAIN AND SUFFERING WAS SO WORTHIT WHEN THEY ALL FINALLY REUNITED T - T!!!!!! UWAHHWHAHWUAAGGHA!!! AND SEEING ALL THEIR ALLIES AND FRIENDS THEYVE MADE JUST CHEER AND CRY WHEN THEY HEAR THE NEWS!!!! I WOULD CHUCK ALL THE PANELS HERE IF I COULD BUT ID JUS T REACH THE IMAGE LIMIT BECAUSE ALL OF THEM MADE ME CRY ; - ;!!! Literally just read those 5 chapters in the arc finale cause,,,, man so good T - T

Anyways TLDR: The post-series luffy seperation arc is NOT BAD and you guys are JUST COWARDS AND LIARS!!!!

[low-budget-korra]

Arcane Hot Takes

1. The hate on Jayce is mostly for no reason. He was a good guy, genuinely nice and with no toxic masculinity. He never created Hextec to be a weapon or to destroy the world. And only got really mad when Jinx stole his creation and honestly? He had the right to be mad at that. He ain't perfect, he made mistakes but c'mon guys.

2. If you hate on s2 Caitlyn but idolize Silco, you're a hypocrite. The difference is that Caitlyn did all blinded by grief while Silco did blinded by the thirst for power

And speaking of Silco…No, he is not this revolutionary man some of the fandom make him out to be. He was a Mafia boss who filled the streets with drugs, divided and weakened his own community and even used child work in his factories. Yeah, he was not some Che Guevara freedom fighter. All he had was beautiful speeches abt it.

And also not this perfect father figure for Jinx, as he kept filling her paranoias and manipulating her

3. The writers made a miracle managing to end the show in a nice way, but the truth is that Arcane needed at least one more season to be perfect. 

In s2 they rely too much on characters' micro expressions and subtext. Which is not a bad thing at all, but in a first view a lot of things get missed

I already saw s2 three times, so if you think things were poorly explained, try to watch a second time. Better, binge s1 and s2 and I guarantee that a lot of stuff you think was outta nowhere, will make sense.

4. Caitlyn had the best character arc in season 2. Experiencing the phases of grief, getting radicalized and manipulated, opening her eyes and realizing what she was doing, a subtle yet important redemption.

And I Say "subtle" bc even if for me it was obvious, I know for a lot of people, it wasn't.

Also, the haters don't want her to recognize what she did wrong bc she already did, just not with those on the nose dialogues. The haters wanted her to be punished, which she also was. Girl was stabbed in the abdomen, betrayed by her right hand, was almost executed in front of her men, got beat up with a knife still in her abdomen and lost an eye. Yeah, I think she was punished enough and if you wanted more, just admit that you are a bit sadistic and move on

5. Arcane is fiction. Sure, it takes insp in real life problems but is still fiction. Its cool to be able to recognize the themes but project our world problems, anger and frustration towards the characters is stupid and makes you miss a lot of good stuff in the show. If you act radical abt the show, you don't have the right to judge someone that goes radical after losing her mom to a terrorist attack.

It doesn't matter if her mother was rich or something. In fact, Cassandra was one of the few council members, maybe the only one, who actually did something good for the Zaunites as she was the one that created those air filters for people in Zaun, the workers, be able to breathe without getting cancer or smt.

Yes, I know it's the bare minimum but she was the only one doing something. Heimerdinger in his 200y never did something like that and only tried to help Zaun when he was expelled from the council.

6. Vi didn know Jinx was wanting to off herself. Jinx already tricked her a couple times before and “breaking the circle” , from Vi’s pov could mean a lot of things. From offing herself to explode things again. She doesn't watch Arcane guys, she doesn't know Jinx as well as we do.

7. Having Zaunites helping Piltover in the battle wasn't lazy writing or disrespectful. It was literally about the fate of their world, y'all thing Ambessa and Viktor would stop with just Piltover? Who y'all think would be the next target? 

They also used the enforcers uniform because it is a tactical one, useful in a situation like a battle. I can hate on the police all I want but in a situation like that, I would rather go to battle with that stupid uniform and bullet proof vest than go on a simple tank top, jeans and converse.

And this shows how better the Zaunites are compared to Piltover and it's enforcers. They were willing to shallow their hate, their pride and help their oppressors for the greater good. That's a good heart, maturity and emotional intelligence.

[amerricanartwork]

Hewwo!

I just want to say that I LOVE your lilypad and Moon and Pebbles being adorable siblings drawings and headcanons! 🥺❤

Have a great day :3

Awww, thanks! It's always nice to see your support, Tanya!

Although, since you decided to mention both Lilypad AND the siblings, mind if I take this opportunity to actually introduce some more character headcanons and story plans tying both of these character relationships together?

-.-.-.-.-.-.-.-.-

First of all I want to establish, if I haven’t depicted it in my other content thus far, that in my general interpretation Five Pebbles and No Significant Harassment do not like each other. A lot. I won’t go into detail as to why right now (it’s based on a lot of deeper character knowledge that I’ll save for an official headcanon post), but I’ll say that Sig likes to tease Pebbles a lot — which given what I just said about him hating being disrespected, especially by older iterators, already creates tension easily — and while Pebbles’s stubbornness alone isn’t too unbearable, the arrogance and excessive pride he carries into his endeavors really ticks off Sig. 

Now, this conflict alone I headcanon as having played a part in the Moon’s collapse/Pebbles’s rot situation, but this issue will likely come to a head once again in my AU story because of one factor: Lilypad. 

You see, I currently expect Lilypad to become official pretty early on in the story for character development reasons, and because with my character headcanons on Sig and Moon and their relationship it just seems like a natural choice for them to make in that situation. However, this occurrence would definitely also heighten the tension between Sig, who doesn’t trust the guy who literally killed his new lover anywhere around her, and Pebbles, who really doesn’t like the idea of one of his least favorite people snuggling up with the one person he’s actually somewhat willing to open up to. Although for a while he won’t directly admit that he takes issue with it (which is an example of another, more fundamental problem of his in-and-of itself), and that last part isn't saying too much considering how awful all of Pebbles’s relations are by the story’s start. 

I also want to reiterate that Lilypad alone isn’t the biggest reason why Pebbles and Sig hate each other so much. Rather, the relationship and their reactions to it are the clearest physical manifestation of what I headcanon as the actual main reasons for their conflict and frequent disagreement on various matters.

But anyway, the “debate” over Lilypad ends up being another conflict between these two, and of course poor Moon struggles a lot trying to keep the peace when her little brother and new boyfriend are frequently threatening to throw hands (metaphorically), while also trying to work through some of her own issues that this development highlights. She feels horribly guilty for re-igniting their conflicts, and is afraid of siding too much with one of them and making the other feel ignored or attacked, but it also gets harder and harder to hide how much it hurts her to see them hate each other so much. Although now that I think about it, this situation could end up being something aiding Moon’s character arc as well. But once again, I don’t wanna give away too much here, so that’s something for another time!

-.-.-.-.-.-.-.-.-

I hope I didn't bombard you with this, Tanya! I kinda just saw the opportunity and wanted to talk more about these characters and their relationship. I definitely plan for it to get a lot better, but I thought I needed to give a bit of the setup first.

Regardless, thanks again for the ask! I can't wait to start unpacking my major headcanons regarding these characters' psychology, especially Five Pebbles's...!

[itsabouttimex2]

I've seen people say that Mei's samadhi fire arc was rushed, I never really thought about it that much, but I wanted to ask more LMK fans about their opinion on it. I can't stop pondering about it sometimes.

The Samadhi Fire Arc

Honestly, in my opinion? The Samadhi Fire plot is probably the least rushed arc in all of Monkie Kid.

Season Four to me is rushed because they try to squeeze in lore about the Pilgrims, MK’s heritage, Pigsy’s feelings on being an adoptive father, the Monkie Crew’s feeling on their ancestors/forebearers, the Brotherhood, the Ink Scroll, and then try to set up for Season Five while they’re at it.

Season Five to me is rushed because they try to squeeze in Xiangliu, Nüwa, and Li Jing and flesh all three out with very little time to spread between another fetch quest (this makes four in total through only five seasons) while also trying to give attention to Mei, Tang, Pigsy, Sandy, Red Son and MK while not even having a special to help take some burden off of the 100-minute crunch the writing team unfortunately has to deal with.

However…

Because the writers set up the Lady Bone Demon beforehand, she’s not given too much direct attention in this season until near the end, instead getting occasional appearances throughout by interacting with Macaque and then Wukong and to some degree infecting both with her power.

Which means that we get a full ten episodes plus a special for essentially only two things- the Samadhi Fire foremost, with the Lady Bone Demon in the background until about the special, from my recollection.

This means Mei does get her fair share of character development throughout Season Three, which you would think might allow us to see her perspective and thoughts on the world around her. We do get to see a little more of her desire to “live up” to her ancestors very early on, but it’s addressed quickly and then entirely dropped.

Like, this was a heavily Mei-centric season! We should’ve gotten some thoughts and backstory and personal views and whatnot, but the Samadhi Fire basically took full control over any narrative that could’ve allowed the story to delve deeper into, well, Mei.

But it feels kinda like Mei herself is… secondary to the power inside of her at times, where she’s very much just an unlucky and draconic vessel.

Now this wouldn’t have been such a big deal if we had gotten something beyond the already seen “Mei wants to live up to her family’s expectations without comprising her moral values and self-identity”, but, uh… they dealt with that in the first season and resolved it pretty neatly. Her conflict with Ao Guang is just retreading water in the same way, when it would’ve been nice to have a deviation of some kind.

On a more positive note, one of the best things the season gives us is learning how she’s come to view Sun Wukong in the form of a tearful rant about his actions and the impact they’ve had on her and her friends.

That only matters to her for a few minutes, unfortunately, but it’s a highlight of the season, and I wish it hadn’t been dropped so quickly.

Now, her not being allowed to interact with him or Macaque past the third season in regards to the ways they’ve continuously endangered and hurt her is a horrible letdown that severely undermines the character growth of all three, which is part of the reason I think some people call it rushed.

Mei’s possession of the Samadhi Fire is dropped until season five, so it feels ultimately unimportant. Red Son; in spite of being fundamental to Mei’s mastery of his power, gets shelved from season four the next time we see him. Sun Wukong’s recklessness and threadbare “planning” is essentially forgotten about, because the next two seasons just find new shit for people to scream at him about. All of Macaque’s… everything, really, goes entirely ignored by the characters, narrative, and story.

And obviously that’s not exactly satisfying from a watcher’s perspective, because it feels like everything just has a strangely neat bow tied onto it in spite of there being lots of messy business in the past that still needs to be addressed, but just isn’t because there’s they’ve decided to write another “the world is going to end plot” instead of taking a breath and working through existing issues instead of circumventing older ones as irrelevant.

I think people are disappointed when they look backwards that these plot points or emotional beats were dropped and left unaddressed or only resolved with a heavy dose of “secretly all alongs”. For example…

Red Son somehow tracks Mei down without any real explanation. (No biggie, probably some kind of tech or magic. Him getting there isn’t as important as what he’s doing, so it can be ignored.) He decides to train her. For some reason he's good at teaching people to control themselves, even though he was barely able to control himself in seasons prior? Off-screen character development is never exactly satisfying, at least to me.

Throughout all of this interaction, he never once expresses the slightest of desire to reclaim or recreate the Fire for himself, and is content with Mei having it. Red even openly declares that the power is “hers” at the climax of the story.

(I could get into how fans treat Red Son + Samadhi Fire ((plus pandering from the writers)) in comparison to Mei, but that’s a rant for some other time…)

With his encouragement, Mei harnesses the Samadhi Fire and helps defeat LBD! This has a lot of longstanding implications for her place in the story and her role as a parallel force to MK! How exciting!

Sike! The Samadhi Fire is fucking gone, only one mention of it in the season, where an omniscient old man inside a hell scroll tells us that it’s gone.

Sike! Mei secretly all along still has the Samadhi Fire and also secretly all along has an insecurity complex over thinking she lost it but all of this is handled in about a minute.

Red Son secretly all along wanted to learn where the Samadhi Fire came from and is trying to recreate it...? When he's seen and felt how dangerous and uncontrollable it is and home of this was established before??

So, when you build up all these things for a full season and then drop most of them the fourth and wait until the fifth to resolve them, I think it left a very jarring impact on viewers who came to view the season as “rushed”… but only in hindsight.

It’s not a flaw I would attribute until I’m on the fifth season and thinking “this should’ve been addressed in an earlier season.”

Now, personally, there are some plot points I’m not really a fan of, like, again, the “macguffin fetch quest” nature of the Samadhi Fire rings. Normally I wouldn’t mind but again, this is Monkie Kid’s third macguffin hunt in total, and we get a fourth in Season Five. (Spider Venom Cure ingredients, LBD’s Mech Building, Samadhi Fire Rings, Power Stones)

Though I think the City of Lanterns is a cute bit of worldbuilding, like with most Monkie Kid worldbuilding it’s basically “Look at this cool thing! Enjoy it now, because we’re never coming back or addressing it again!” like they did with the Team Hideout, the Cloud and the Weather Station. “Look at this cool place! Okay we’re done showcasing a potential Lego set, change the backdrop!”

Or another is Sun Wukong just being… magically immune to it once he gets possessed?

Like, the whole reason he had to set out on this fetch quest was because the Lady Bone Demon was distinctly NOT immune to it? And he also was NOT immune to it? Because the Samadhi Fire is a wildly dangerous all-consuming fire that could destroy all of existence, but apparently all it takes to be totally unaffected by it is powerful person + possession by another powerful person? But again I guess the world-building and power systems of Monkie Kid have always been patchy and thin but it’s still frustrating AUGHHH

But I personally don’t think it’s “rushed” until it’s revealed later on that actually, “There’s more to the story!” when a lot of the story we have is just kinda… left hanging.

TLDR for anyone who skipped down here: It’s only rushed in hindsight. If someone theoretically stopped watching after Season Three I don’t think it would be called “rushed”.

[showtoonzfan]

Vaggie in the show really did piss me off, I just…feel bad for the character, like Viv HATES her so much and it shows. For most of the season, she’s just Millie 2.0. Her entire character revolves around Charlie. She exists to help her, to make her dream come true. Without Charlie she’s literally nothing and the show FLAT OUT says that itself in the third episode. I love how during that, she says she doesn’t know who she is without Charlie, but then proceeds to sing about how much she wants to protect her, something we already knew. Like…even Viv doesn’t know who Vaggie is without Charlie and that’s fucking SAD bro. How have you had this character for years and can’t even answer simple writing 101 questions about who they are and what they do outside of their partner/peers. And her having an identity crisis arc would have worked, but the show doesn’t do anything with that concept. Husk says she “hates herself”, and while her exorcist reveal may be the reason to that, the show puts no effort into actually showing us that on screen, cause the writers can’t seem to realize that we don’t know who Vaggie is at all OR without Charlie around. What are her likes and dislikes? What are her hobbies? Interests? None of that in the “female led” show!

Outside of her love for Charlie she’s SO flat and empty, and sadly her VA’s performance plays a heavy part in that cause Vaggie now just sounds so bored and lifeless all the time. Then we actually get to her exorcist reveal and I just know Viv stole this idea from the fan theories and decided to do it at the last minute, because the way it’s handled is so poorly done and lazily rushed. I felt NOTHING during that reveal because the show didn’t give me a reason to care. Not just cause everyone and their momma predicted it, but because there is ZERO buildup to it. Would have been nice to see this secret eating Vaggie up emotionally throughout the season and determined to keep it a secret, but nah…just flat out lay it on us like you do with all your characters Viv. Like….maybe develop the character FIRST before you reveal her darkest secret, and maybe actually show how this secret affects said character so we actually give a damn when it’s revealed.

Then near the end she has a supposed “arc” or we’re of course just told that. The moment Carmilla said that Vaggie was “too bloodthirsty and desperate for revenge rather than thinking of the people she loved”, truly shows how Viv doesn’t understand her own fucking characters despite trying to convince everyone she does. All we’ve SEEN is Vaggie thinking about the people she loves. You’ve shown us nothing else outside of that, you’ve said yourself that her whole purpose is protecting Charlie and making her dreams come true so what the hell was Carmilla saying? This of course would have made more sense if Vaggie was someone who desperately wanted to get back at heaven and we see her rage take over her love for Charlie and her plans, but again….we don’t SEE any of that. If anything all we see is someone who DOES care about the people around her and her actions were always out of love. I also hate how her arrival in hell is in flashback mode, this series is so allergic to taking it’s time, cause these are things you could have made into a full episode within itself, same for her meeting and falling in love with Charlie. Vaggie is a character that’s so easy to make likable and deep, and she WAS likable. But Viv could give less of a shit about her, in the end she ended up being so flat. Love how the joke of her name is that she was given that name by a sexist pig character, yet Viv decided to keep said name for her too that’s SUCH good writing.

[melrosing]

I really want sansa to meet brienne to see what she thinks of her. both bc she’ll meet the “true knight” she’s been praying for :’) and also bc brienne will challenge her views of women’s role in society. but what do you think brienne would think of sansa ?

yes i'm really looking forward to it too! I think I wrote something about this a couple years ago but their stories click together in such a sweet way.

Sansa entered the world thinking that beauty = virtue, and received such a harsh awakening that she's unsure whether there is any goodness left in the world. and Brienne has likewise insisted to herself that there is, and yet finds it's not always enough to defeat the horror of it all. I think in TWOW she's going to find herself in a similar position to a young Jaime, feeling somewhat nihilistic. I like the idea that their oath to Catelyn ultimately saves both Jaime and Brienne from this outlook - they both mean to see it fulfilled, no matter how bad things get.

so Sansa and Brienne kind of find each other at precisely the right time. Sansa is falling deeper into Littlefinger's machinations and losing sight of who she is, in the midst of all he wants her to be. life isn't so much a song anymore, but something more cynical. meanwhile Brienne is finding that the world is so much darker that she'd believed, and that good intentions aren't enough to save it.

but i think they can save each other in a way that noone else really could! where Brienne and Sansa have reminded Jaime and Sandor respectively that true knighthood exists, they're now at a point where they can remind one another of that.

Sansa will see again that true knighthood doesn't look as she once thought it did, but that it nonetheless exists. I think that through getting to know Brienne, she might also feel closer to Arya, realising that the differences between them aren't so great a chasm. Brienne's chafing with society might remind her of her sister too, and help her consider a different perspective so that there's a new openness when they meet again. and also I really really want Brienne to be able to tell Sansa how much Catelyn was thinking of her and how badly she wanted to be reunited.... like Sansa hasn't received any true empathy for the loss of her mother, and now here's Brienne who has mourned Cat herself and can offer true comfort to Sansa.... i cry

and then for Brienne's part, I really want Bri to have the satisfaction of knowing that she's fulfilling her oath to Cat, that she wasn't a fool to believe she could, and that in so doing she's found a girl who, though outwardly very different, is a lot like Bri herself. they both love songs and knights and want to believe the world is kind, and they can prove to each other that it is. and also Brienne has often experienced contempt from other girls and women (Cat was one of the few who didn't treat her with such), so I think it'll be nice for her to have a meaningful relationship with a new female character, and to feel accepted and respected by that person. idk I just feel like Sansa represents so much closure for Brienne and that they can really fortify each other.

that said I do think they'll initially be very confused and sceptical of each other lol, like Sansa is in disguise and has had to ally herself closely to Littlefinger, so she's going to struggle to open up to a stranger, much less go off with them. and Bri's going to wonder who the hell Alayne Stone is and also... apparently she's fine here in the Vale? i imagine lots of miscommunication where maybe Brienne has come all this way only for Sansa to be like... you can leave I have this under control.

but Brienne knows who Shadrich is so I imagine she can prove herself to Sansa by taking him out in some kind of mini boss, and then we know that GRRM's notes for AFFC said that Sansa will resolve at the end of her Vale arc to be Sansa Stark, and take the North. so can imagine Brienne helping her to return home, and secure Winterfell. the North will have lost the figurehead they'd believed to be Arya (but who was ofc Jeyne), who had kind of rallied them together... and I think Sansa's return will be where they find a new one out of left field. the kid they considered lost to the south, but who is returning north, maybe with the might of the Vale to help secure it once more. idk.

in any case, I've believed that Brienne and Jaime holding the two halves of Ice represent the fact that they will be helping to secure Winterfell again, and the futures of the Stark children. have said before that I do not see Brienne as a perpetual bodyguard for any Stark kid, but restoring them is a big part of her role for the remaining two books imo. I'd really like to see her meet Arya as well, I think the two will have really great rapport.

anyway that was a long answer but yeah in short. im excited about them.

[rin-solo]

Is it just me, or should we maybe talk about Poseidon's final line to Odysseus, "After everything you've done, how will you sleep at night?" some more?

Thank you to my lovely mutual @glisten-inthedark for making me think even more about the Vengeance saga ending than I already was because there is SO much there to unpack.

Because, like, if you think about that line for more than 2 seconds ... what the hell even is that? Only a complete 180 turn from his "You are far too nice; mercy has a price" attitude.

First and foremost, it feels like such a human thing to say, not least because of his tone. I don't think it is mockery or anything of the sort; it took me a while to notice, not least because he is speaking in a chopped voice due to his injuries, but he actually has the same genuine tone of voice as in his "I can't," one song earlier.

In short, it feels like something someone would say after being shown a glimpse of mortal vulnerabilities and pains, the way that I am convinced he was (for more on that, check out my full torture scene essay; I believe it's one of my best ones.)

Like, my man, are you genuinely asking the guy you specifically tried to make more ruthless how he's going to live with this newfound ruthlessness? What are you so concerned for? That it's too much? Why would you think that? Maybe ... because you've been there yourself? Is that it?

The funniest part to me here is that Odysseus is not nearly as "monstrous" as Poseidon would view him as. Poseidon only sees the "monstrous" actions, which he knows ... but Odysseus, at that point, is so much more than ruthlessness (more on that also in my essay.)

And yet here he is, essentially asking Odysseus, "How will you live in my shoes?" because that's the image that he now has of Odysseus; when he saw Odysseus wield the trident, he saw him in his own shoes, and due to personal limitations, Poseidon cannot comprehend that Odysseus isn't actually committing to a life with his philosophy because he probably doesn't understand that there is a middle way.

Honestly, the more I think about the effects such an exposure to vulnerability would have on Poseidon, the more I worry for him.

Some people point out that this defeat may have ultimately been pointless because the moment Poseidon recovers, he could just immediately come after Odysseus and drown his island or whatever he wants ... He won't do that. I can't tell you why I know this, but I am like 100% sure that he won't.

Physically, he will recover. But emotionally/mentally? My man is f*cked ... and that's putting it lightly. He will feel the effects of this exposure excruciatingly for a long, long time ... Because, in order to fully recover from this, I wager he would have to actually process what happened there and reflect on his own actions in the way that Athena did ... which we all know he won't do.

Athena managed to use Odysseus' confronting her with her own flaw/fear to reflect and grow, which is why she had that beautiful character arc and learned to open her heart. Poseidon? I mean, maybe in a couple centuries, I don't know ...

... If I had a nickel for every time that Odysseus out-topped humbled a god to the point of being forced to confront their own vulnerability, I would have two nickels, which isn't a lot, but it's weird AWESOME that it happened twice. Keep slaying, king; they need it.

[ask-whitepearl-and-steven]

You don't have to answer this if you don't want to, but how has your opinion changed on Steven Universe now than when it first aired? Like I have fond memories of watching the show while it was airing but now I realize that it had a lot of problems that I feel like a lot of fans either flat out ignore or bend over backwards to make sure their rose tinted glasses stay on.

... okay, fair question. Let's talk about this.

I'll try not to wax poetic too long, but there are a lot of things to be said here.

First and foremost - how has my opinion changed since the show has ended?

Simply put - it hasn't.

When I started watching Steven Universe over 7 years ago, I didn't have much knowledge of it. I sat down, saw a few of episodes and went 'well, this is a silly show for kids with a goofy but loveable protagonist... but it seems like it's also incredibly charming with its delivery and has some nice, more complex themes about loss and healing and grief throughout.'

And if you ask me what Steven Universe is now... I would probably say that exact same thing.

Am I wearing rose tinted lenses? Interesting question.

What ARE 'rose tinted lenses' in this context anyway?

What do these lenses represent? What do they obscure?

Since you didn't go into specifics, I can only assume what you're referring to when you say that many fans ignore the show's problems.

There have been many discussions surrounding various aspects of the show and how it might be read as 'problematic' (ahhh how I've come to despise that word.... without context, it has all the descriptive power of the word 'icky' - none of the critical details and all of the emotional punch of scrunching up your face like a cat that just sniffed a lemon...)

Is this about something as simple as the 'SU doesn't have a consistent size for its characters' debate?

Because that has been gone back to, over and over again, and proven to be a point of opinion. SU favored allowing storyboarders to show off their personal flourish, and even though Peridot was 30% hair in that one episode, it did not overall take away from the plotline being told, which was their goal. If you wanted to watch a show with consistent styling throughout, you can always watch a 3D modeled show, but keeping that up was simply never one of SU's main pillars. And I feel like it didn't have to be.

Is this about something more complex such as the way Rose was presented?

...and how her arc was shown backwards instead of forwards - showing first the person she became in the end, and afterwards revealing all the growth she had to have to get there?

That was on purpose! And I don't think this is a problem. It's a feature, not a bug. Rose was never meant to be an ideal character - she was meant to be complicated and messy, and I think the fact that the fandom is so split in their opinions of her shows that the Crewniverse pulled that off really well!

She fucked over Bismuth! She forced Pearl to be silent! Those are both parts of her character arc that were never resolved because she died before she could resolve it - that's BY DESIGN. Sometimes, you just do something absolutely stupid and cruel, and you cannot go back to fix it.

Is this about the Diamonds? The fact that they were not put in space jail, after being put on trial for space crimes, and then publicly executed for space eco-genocide?

Here's the thing - most people I know who watched and loved SU are fully aware of that. But simply put - Steven Universe was not a story about Revenge.

Steven Universe was a story about love. A story about family. A story about truth, and lies, and hurt, and healing. About how sometimes healing doesn't happen. And how sometimes it will, but you won't be around to see it.

But it's not a story that can be all things for all people.

That is the thesis of my reply: It is a story.

It is not a manifesto. It is not a bible. It is not a Complete Truth.

It is a single story. Made by a group of very talented people, who cared about these characters, who did their best. They made a funny, emotional, well-drawn and complex cartoon show about the things THEY personally wanted to tell stories about.

Does it answer all questions the way everyone wants them answered? No. That's impossible.

Everyone wants a different story. Everyone wants a different solution, a different resolution. A different ending.

Steven Universe is one story. It cannot satisfy all people.

So when you ask me 'has your opinion of Steven Universe changed'? The answer is 'no'.

I went in, expecting to see a story. I saw a lot of what I liked! I saw some parts which I thought were interesting. I saw some parts which, yes, I disagreed with a little.

But overall, it's a good story. And that's what I expected, and that's what I got, which means I'm pretty satisfied. I love that story.

I feel like recently, there's this expectation of media, to be Everything For All People. And it's a bit unrealistic. No one call tell the perfect story. We are all simply telling the stories we want to tell. And people will vibe with that, more or less.

A single story, made by a small group of people, will never be that for you. There will never be an Unproblematic Cartoon that you watch that will be devoid of things you disagree with.

Being critical of media doesn't mean 'Criticize the FUCK outta that media, and the one with the least criticisms is the best one'.

Critical thinking is about evaluating things critically - that means being critical of YOURSELF. Being critical of your OWN reactions. Asking 'why did I like this?' and 'why did I dislike this?'. Asking 'this doesn't mesh with me, but who WOULD it mesh with? It isn't for me, but who is it for? Who would it hurt, but also who would it help?'

Some people HATED how SU: Future ended. They beat their fists on the wall and cried about how Steven was leaving his family behind, and how THEY could never imagine doing something like that, and how he was running away from his problems just like Rose had.

Me? I loved it. I think it was the right choice, and I COULD imagine it and thought it was in character. I thought he needed to be his own person, instead of shouldering everyone else's responsibilities for once. Was one of us more right than the other? Maybe not? Maybe that was the whole point?

Loving things is not about putting on rose colored glasses. Sometimes, choosing to love something with flaws is an act of rebellion. It's about knowing you have differences, but understanding that there is value in the things you DO agree on, and knowing you can consume that.

Healthy consumption of media does not mean throwing the whole cartoon away as soon as you notice something is wrong with it, like a bruise on an apple.

Healthy consumption of media involves critical thinking AND feeding yourself. Acknowledging you may disagree with parts of it, but not starving yourself just because your apples all have small imperfections.

Eat, for fuck's sake. Feed yourself. You'll feel better.

Thassit.

[rei-ismyname]

UNCANNY X-MEN #5 From The Ashes

First of all, I should acknowledge that something I've been calling a missed opportunity has received an attempt on page - the X-Men killing in FotHox, specifically Kurt. It's a single line and doesn't make a lot of sense, trying to have cake and eat it too by nodding to it in issue 5 but not meaningfully engaging with the recent past. Kurt did NOT think he was a killer, ever. That's just a bad faith reading of the text. He was in a war against genocidal fascists, come on.

Cool new form for Calico, though.

Kurt putting his sword/s away doesn't quite cut it. Errol Flynn swashbuckling has been an influence on him since he was a child and he's been big on sword usage almost since the beginning of his publication history. It's his thing, and he badly needs personality in FTA. Also, he didn't kill anyone with a sword in Fall, he teleported them into space. Swords parry and block, they disarm and intimidate. They have use outside of combat. They look cool, and it's something Kurt is very good at. So yeah, the barest attempt was made, but it didn't land for me. There could have been space to set it up and sell it too, perhaps by toning down the Charles Xavier/Sarah flashbacks that were ultimately just a fakeout.

Speaking of things that were given lip service in issue 5 and could have benefited from more attention, Jubilee told us who she is - kinda. A panel or two of origin story that was established in the 90s, but nothing about why she's here or what she wants out of life. How she feels about the loss of Krakoa, where the hell her baby, Shogo, is. It fits in with Uncanny's overarching sense of unfocusedness and her role could have been performed by anyone - not a good look for the end of the flagship book's first arc.

We get the resolution to and defeat of Sarah Gaunt. 'She's crazy, always has been' is so unsatisfying. I can't think of any other description. It's nice that we don't have another sin to lay at Xavier's door, but attempted baby trap is not a frequently used trope for a reason. She acknowledges she was lying, but then blames him for the loss of her son years later in a different country - then transfers that hatred to all mutants? Comicsxf have criticised her characterisation as 'Monstrous Mother' and I agree. What was the point of giving it so much space, to the extent that we spent more time in the past than with most of our putative main characters? She beat the shit out of Logan and Rogue the last two issues, nearly killing them - only for Rogue to draw strength from deus ex dead kid and completely wipe her out. It's lovely that Rogue is able to summon empathy for her, it shows us why she's a hero, but taken as an arc she's rewarded with victory despite making bad decisions. Long time readers know Rogue can lead, but I think Gail Simone is going to have to do the work to convince new readers that she's right for this. It's well and good to have moral authority but leading your team to death isn't.

Harvey X was unexpected but felt unearned. Surprise is fun but internal and narrative consistency is better. I thought it was Charles moving people around, because it was signposted. Harvey X being the puppet master felt almost silly as he revealed previously unseen very powerful abilities. Why would he wait for Rogue and Logan to be nearly dead to act? Maybe that's the only time he can act, because he's dead? Idk, at least he didn't scream how hot Rogue is again. He speaks about a sacrifice he's making but what sacrifice is that? Is his power finite and burns him out, Proteus-style? It's not quite clear, and I guess we'll never see him again.

Precognition. Healing. Telepathy.

Gambit and the Eye of Agamotto was a Chekhov's Gun that mostly worked (and made me feel sah smart for calling it.) Remy prays (?) to it and then blows the possessed cultists away. I'm pretty sure Jubilee could make a bigger boom than that (I know she can) but rule of cool wins the day.

These are/were captured and possessed mutants. I hope we see them again, especially after Fawn's introduction in #1. They're not doing this willingly.

Rogue flies to meet Warden Ellis to give her Sarah back, further muddling Ellis' characterisation. I have no idea what she's about now. Nuance is good in antagonists, but for someone who wants to crush mutants with her government mandate she's awfully cooperative with them. No threats, no riddles, no ultimatum, just meekly accepting two threats? I want to give a fuck about the closest thing we have to an antagonist (for a crossover event right around the corner) but there's nothing there! This was an opportunity for something, anything. Gah! I don't understand this writing.

Rogue's threat is interesting, though I have to wonder what she and Scott are going to disagree about. It's implied Jubilee will get captured, and we know Beast already has been. 2/3 X-Men teams have their motivation to wreck Graymalkin I just struggle to see them coming to blows over it.

Rogue and her elocution lessons feel very out of character and came out of nowhere. If it was setup earlier and tied to insecurity or identity that would work, but being introduced and haphazardly paid off in issue 5 baffles me, frankly. Rogue's southern upbringing is never something she's been ashamed of, her angst has almost always been related to her powers. She's a confident woman. A story where she struggles with that could have legs, but that's not the story that's been told. She certainly doesn't need Gambit or Logan to tell her - I'd expect it to be the other way around.

I'm not sure what to make of the images we get from Harvey X's visions of the future. I'll write about them separately if I find an interesting hook.

So ends the first arc of Uncanny X-Men volume whatever. My main issue is that it doesn't meaningfully engage with what came before it, and it doesn't quite manage to establish its own identity either. What is its mission statement and what kind of book can we expect? I don't know, and I hope Gail Simone does. It's not the end of the world, mind you. Following Krakoa was always going to be tough, and the world was going to feel smaller, less connected. I can't help but wonder what it might have felt like without a lot of Charles Xavier flashbacks amounting to nothing. Maybe we'd know more about Kurt or Jubilee, even the Outliers. Ideally that'll be corrected. I don't do number ratings so I'll just say it was okay, higher if you are a Rogue stan.

[hattersarts]

gomens s2 thoughts, all spoilers!

I spent 10 hours talking to my housemate about the season after we binged the whole thing in the morning but here are the highlights and the biggest takeaways from the season.

okay i did love the ending, i love that we get the conformation of love AND going into the divorce arc next season (if they're not properly together by the end of season 3 however, i am rioting) they're slow burn and a whole season of them getting to the final 10mins was tasty.

HOWEVER. it was an extremely clunky season when it comes to writing, lots of either set ups missed OR set ups repeated 4 times that they're drilled into out heads. there was also lots of dialogue that really needed to be tightened up. the lesbians were so poorly written i thought they might have needed to be cut BUT they just needed to have more bearing on the rest of the plot AND say things like real people would say things and LITERALLY SHOW ONE SINGLE REASON WHY THEY WOULD LIKE EACH OTHER WITHIN THE FIRST EPISODE.

gabe/bulz romance was the one that should have been cut, have them do more of a oh-my-god-my-boss-sucks kind of thing, lean into them complaining about having to avert a civil war after armageddon stopped and touch on the "structural problems" the angels mention later. Have gabe/bulz be super punished for working together which puts huge fear into az and crowley about what happens if you try to team up as an angel/demon pair (but an extra reason why az takes the job at the end so he and crowley can be the same)

imo it works more if the only mirror of their romance is the HUMANS which should lean into themes to season 3 of how they need to team up with humans (re:"us vs them" line at the end of season 1) to actually achieve their happy ending.

Nina and maggies best scene was their last one telling crowley he needed to talk to az but i think that was one that needed to be cut, it would have been far more satisfying to have crowely work out it out himself that he loves az and wants to tell him (still via maggie and nina but more subtle rather than them telling him to his face AND via spending more time with az in the season)

flashbacks were all pretty good, loved the jobe one and that final "lonely" scene. the nazi one needed some trimming the most (why did all three come back to earth, it made scenes too crowed, have them fight to be a zombie)

shax was disappointing, she was kind of just incompetent the whole way through which didnt make the stakes very exciting, (that whole scene of her talking to the legion was unfunny and pointless) i wanted crowley to mentor her more like when he gave her advice in the first few meetings we saw (kind of in a very non-demonic way, not expecting anything in return) and her to then meet him on equal footing in the finale. would have been a little accidental taste for Crowley to have his good deeds come back to haunt him while showing he's different to demons.

speaking of the finale fight, that halo had NO set up, it was sick as hell but ??? the fuck did that come from. the fight should have been won by az and crowley performing another HUGE miracle together, discorporating the demons (which then would alert heaven and hell something was up in the bookshop and the final scene can happen)

az taking the job from metatron was very good, its consistent with his character where he still hasn't let go of his faith in good/god, he's only been upset by the angels running heaven and still has faith in the system while crowley has realised none of it works and it's only them together that matters. it was nice to show he still hasn't truly accepted crowley for who he is now (tho imo he knows he loves him, he just hasn't quite unrepressed himself) and him not turning down the job after crowley confesses to him shows he still thinks he can fix it. Crowley on the other hand thinks he's now lost him, az has broken he the trust he had in him, he's going to be in big depression mode

few thoughts of good directions for S3:

finally delivering on what crowley said at the end of S1 I think is the most satisfying. the final showdown should be humans Vs heaven/hell with Crowley and az on the human side, helping them win the conflict. there would be suggestions that this is actually god's ineffable plan, this is a conflict she wants to happen and the things that Crowley and az went through are what make them perfect ambassadors to help the humans.

the set up for az in S3 to finally work out he and Crowley can't work out within the unfair rules of the system and for him to abandon heaven (tho not I think, becoming a demon) is good. a sucky ending imo for season 3 is if az somehow "fixes" heaven and via bureaucracy and not via blowing it all up.

growth moments for Crowley in S3 might be having more contact with humans since he's already abandoned hell and it would put az & crowley on similar footing (as az very much loves humans already) when they decided to side with humans for a humans Vs heaven/hell conflict.

anyway, gay people