#i also learned a lot when i made that tool

[sirenalpha]

In addition to all of the above

it's bad for children's fine motor skills to not learn cursive, kids are getting on iPads and phones and computers earlier and earlier which means less time playing with physical toys and less time physically writing if school switches to kids having laptops and typing up all their school work too

cursive is an opportunity to practice fine motor skills and preserve the ability to handwrite legibly at all if kids aren't using physical toys and aren't even handwriting in print either

also cursive is slow because the purpose of it was to preserve the writing tools we had when we wrote in the past, nibs and ink, which were more fragile and more expensive than ball point pens and universally legible penmanship generally was far more important when no one had even a typewriter at home

BUT that doesn't mean cursive can't be used to write more comfortably even if you are using a mechanical pencil or ball point pen

I call my handwriting half cursive because it got loopier after I learned it, I almost always use a cursive lower case s rather than a print one, and my writing gets more connected when I'm writing faster and that sort of thing happened to a lot of my classmates

how do you know print writing is the most comfortable or efficient or faster way to write for any given student when we all have different hands if they aren't allowed to learn cursive and implement as much of it as needed?

handwriting, cursive or not, is more pleasurable when you have the fine motor skills to do it comfortably and easily and you actually like your legible handwriting and have made it personal to you but it takes work and practice to get there especially if your fine motor skills are underdeveloped but that doesn't mean the effort isn't worth it

getting shoved onto a laptop to type up papers in Times New Roman doesn't give you nice handwriting or a good tactile experience when handwriting

learning cursive in addition to print does

On one hand I understand not teaching cursive in school anymore, because it actually is slower than regular handwriting and almost everything is typed on a keyboard now anyways.

On the other hand, so much of our (even recent!) history was written in cursive, and having a whole generation of kids who can't read letters written by their grandparents, momentos saved by their great-grandparents, or even photo albums from theur immediate family seems like a dangerously quick way to detach us from previous generations.

And on the third, related but slightly malformed hand, I feel bad that yet another form of small, everyday art that brings joy in the middle of mundane tasks, which celebrates personality and individual style and self-expression, is about to fade into obscurity because it wasn't efficient enough for today's world to put up with.

Like... if we continue to whittle away the small arts out of every day life, what's going to be left except stark, ruthless pragmatism?

Maybe writing a grocery list is less mundane when you get to feel elegant for a moment. Maybe you're a little more proud of what you write when you see it flow together like a painting

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[socaltickle5]

How was your time at BASH?

Hi Anon! I hope your Friday is filled with joy!!

Been asked this several times, so I figured I should respond! It was an incredible weekend!! I’ve been attending tickle events for quite a while, but this was my first event away from our little west coast comfort bubble of friends. I would encourage anyone to attend events locally or nationally when they have the opportunity! It’s a great way to meet people safely, and just immerse yourself in our little tickle community! It’s a safe and warm feeling to be surrounded by like minded individuals!

My Bash on a personal level was hijacked by @burntoastexpert … and, I wouldn’t have had it any other way. It was the first time we met in person, and my little heart skipped a few beats when I saw her cuz she’s gorgeous! I came to learn she’s also charismatic/sweet/smart/witty/obsessed with Chinese food/and almost has a halfway decent personality to go along with being stunningly beautiful!! Even though we had just met, it was quickly one of those seamless organic connections between us where it felt like we’ve been close forever. To be fair, she did bring her dog, and that’s my biggest weakness in the world- so that was a dirty trick!

She (burnttoast, not her dog) was in my bondage for several 4 hour+ sessions throughout the weekend. To summarize our time in those sessions, at one point she managed to yell through her laughter, “You’re a f*cking C*NT!” 😝 😂… which is crazy cuz I’m a very innocent and sweet Ler! Anyway, I was essentially rendered helpless to take my eyes and hands/tickle tools off of her all weekend- and I just feel like the luckiest because of it!

Also, made lots of new friends in the community! That was rad. None more enjoyable than @the-purple-shirted-tickler

[acerolabread-on-ao3]

Gojo sighed, running a hand through his white hair, as if trying to smooth out the memory. “The man who killed her, Toji Fushiguro… he had a son.”

Nanami’s eyes flickered with surprise. “A son?”

Gojo nodded. “Yeah, Megumi. After I killed Toji, the Zenin clan was going to take him in—use him like a tool, the way they do with anyone they can control.” He paused, his expression darkening. “I couldn’t let that happen.”

Nanami raised an eyebrow, sensing where this was going. “So, what did you do?”

Gojo leaned forward slightly, his eyes gleaming with the intensity that sometimes broke through his laid-back demeanor. “I took care of him. Made sure the Zenins couldn’t have him. He didn’t know what kind of power he had back then, but I saw it. And I wasn’t going to let him get dragged into that mess.”

Nanami listened closely, understanding the gravity of the situation. “So you’ve been looking out for him all this time?”

Gojo nodded, a small smile forming on his lips. “Yeah. He’s a smart kid—sharp, tough. He doesn’t talk much, keeps a lot to himself, but he’s got potential. I made sure he got into Jujutsu High when the time was right.”

Nanami considered this for a moment, impressed but unsurprised that Gojo would step in like that. “And how is he now?”

Gojo’s smile widened, pride evident in his voice. “He’s doing great. He’s already learned to use the Ten Shadows Technique— Megumi’s strong, but he’s also got a good heart.”

Nanami was genuinely impressed by Gojo. He hadn’t expected this level of responsibility from him—taking Megumi under his wing, protecting him from the Zenins, and guiding him into his potential. It was a side of Gojo that few ever saw, a maturity that Nanami hadn’t thought possible.

He studied Gojo for a moment, a subtle shift in his perception of the man before him. Gojo had always been powerful, confident, almost untouchable in his carefree arrogance. But this... this was different. It wasn’t just about strength or talent anymore—Gojo had taken on the responsibility of shaping a young life, of shielding Megumi from a dark future.

“You’ve really grown up, Gojo,” Nanami finally said, his tone even but carrying a weight of respect that hadn’t been there before.

Gojo raised an eyebrow, a smirk tugging at his lips. “Coming from you, Nanami, I’ll take that as the highest compliment.”

you can read my fic on Ao3 ⤴️🫶

[glenthemes]

tumblr stopped the at.tumblr.com links which is great 😌 that also means my converter tool lasted for a solid month thank you guys it was fun while it lasted (I need to update that post with the news but maybe later)

update: my post has been updated. and you can read about the official change here.

[xikiea]

me rbing and saving too many posts about art knowing perfectly well that i will do precisely diddly fuck with them

[depresseddepot]

kicking my feet and daydreaming about wood glue and clamps

[derinthescarletpescatarian]

what’s the story about the generative power model and water consumption? /gen

There's this myth going around about generative AI consuming truly ridiculous amount of power and water. You'll see people say shit like "generating one image is like just pouring a whole cup of water out into the Sahara!" and bullshit like that, and it's just... not true. The actual truth is that supercomputers, which do a lot of stuff, use a lot of power, and at one point someone released an estimate of how much power some supercomputers were using and people went "oh, that supercomputer must only do AI! All generative AI uses this much power!" and then just... made shit up re: how making an image sucks up a huge chunk of the power grid or something. Which makes no sense because I'm given to understand that many of these models can run on your home computer. (I don't use them so I don't know the details, but I'm told by users that you can download them and generate images locally.) Using these models uses far less power than, say, online gaming. Or using Tumblr. But nobody ever talks about how evil those things are because of their power generation. I wonder why.

To be clear, I don't like generative AI. I'm sure it's got uses in research and stuff but on the consumer side, every effect I've seen of it is bad. Its implementation in products that I use has always made those products worse. The books it writes and flood the market with are incoherent nonsense at best and dangerous at worst (let's not forget that mushroom foraging guide). It's turned the usability of search engines from "rapidly declining, but still usable if you can get past the ads" into "almost one hundred per cent useless now, actually not worth the effort to de-bullshittify your search results", especially if you're looking for images. It's a tool for doing bullshit that people were already doing much easier and faster, thus massively increasing the amount of bullshit. The only consumer-useful uses I've seen of it as a consumer are niche art projects, usually projects that explore the limits of the tool itself like that one poetry book or the Infinite Art Machine; overall I'd say its impact at the Casual Random Person (me) level has been overwhelmingly negative. Also, the fact that so much AI turns out to be underpaid people in a warehouse in some country with no minimum wage and terrible labour protections is... not great. And the fact that it's often used as an excuse to try to find ways to underpay professionals ("you don't have to write it, just clean up what the AI came up with!") is also not great.

But there are real labour and product quality concerns with generative AI, and there's hysterical bullshit. And the whole "AI is magically destroying the planet via climate change but my four hour twitch streaming sesh isn't" thing is hysterical bullshit. The instant I see somebody make this stupid claim I put them in the same mental bucket as somebody complaining about AI not being "real art" -- a hatemobber hopping on the hype train of a new thing to hate and feel like an enlightened activist about when they haven't bothered to learn a fucking thing about the issue. And I just count my blessings that they fell in with this group instead of becoming a flat earther or something.

[treasure-mimic]

So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

[voidhope]

The Other Woman

—

Synopsis: Where Miguel leaves Y/N to go back to a different version of his old wife found in another universe.

Pair: Miguel O’Hara x Spider!Reader

Tags: ANGST!!, long term established relationship, heartbreak, marriage, cheating, mental health, cold/distant Miguel

—

A/N: Hi! I don’t really write at all!!

I have been a silent reader on tumblr for years but this idea has been playing in my mind so much I had the urge to write it. I have been down so bad for Miguel been on his tag like 24/7 indulging in all the content creators have been putting out. So I’m excited to join in giving content, however keep in mind I kinda suck! Apologies for any mistakes, anything confusing, or it not being well written enough. Honestly could have made this into multiple parts with better details but nah. Tried my best ^^ since it’s my first time, any feedback is greatly appreciated!

Honestly tbh we all don’t have a solid grasp how the whole canon thing and multi universe works yet so!! A lot of what is written is made up to suit my storyline so please don’t get mad about the inaccuracies.

I love a good angst and today’s story will be EXTRAAA angsty!!! As well kinda long!!

—————————————————

The moment that changed your life was while working on an experiment during your college finals. You were a proud and gifted physics major that was so passionate about discovering and exploring what the world didn’t know.

You had snuck into Alchemax late at night. You wanted to show your professors just how much you could do with the right tools. Next thing you know, playing with their machines, you had spawned a spider right in-front of you. The glowing vibrant red spider had sunk its jaw into your hand.

Your life did a complete turn and you spent the rest of that week freaking out while changes to your body were happening. Causing you to fail your semester after missing exams. Things felt like it could only get worse when a massive blue suited masked man showed up out of nowhere in your dorm interrogating you.

“Where’s the spider?” He had a strong grip on your shoulders. You couldn’t focus while trying to process why this man had what seemed like claws sticking out of the ends of his fingers.

“I don’t know, it like died after it bit me!” You exclaimed nervously at the freakishly strong man. Trying to reach for anything behind you to use as a defense weapon.

“Dios mío no me digas eso…” He groaned loudly letting you go. Having the opportunity to grab something, you threw a sanrio plushie at him. Only causing him to wave his arms in annoyance. “That spider is from my earth and somehow you brought it here. Now you’re a spider-man.”

And the rest is history…

—

You learned that the man was Miguel O’Hara and when he found you he was just starting his missions with the multiverse. You being the few of the firsts to join his team.

Your situation was quite bizarre and he called you an anomaly for a long time, spending hours studying you and also training you. You ended up being the one case that can’t be explained no matter how much effort was put into monitoring you.

Almost like it was meant to be. Your universe remained perfect with its current spider-man doing fine. No big collapse of a black hole or anything. When you got bit by a spider from Earth-928 your DNA merged with that universe making you fit in perfectly. You were one of the only spider-people with an uncertain timeline with new canons being created depending on what universe you were in.

What changed from you being just a piece of research for Miguel is when he then realized that maybe you were a gift from the multiverse. After all the grief and pain he’d went through the universe had given him this person that worked out perfectly no matter how hard he tried to push them away. You fell head over heels for him and vice versa, all while canon events were being created with both of you together.

You were there as his team grew, slowly turning into a family. Then both of you getting married finalizing that this was your home. Everything felt perfect. Although a relationship with Miguel could have its up and down days, nothing could ever tear you both apart. Or so you assumed.

—

“I’m sorry Y/N.” Miguel couldn’t look at you.

“When did this start? Please be honest with me. Did I do something wrong?” You begged at him. You knew he was acting off recently but never did you think it would result to this.

You watched as he exhaled deeply staring at the ground. You felt like you couldn’t breathe as you studied his face trying to grasp onto any emotion he was showing. The atmosphere in his office felt so cold. You so badly wanted to catch his gaze and find the warmth and love his red irises used to give you. He was doing everything to push you away. He was abandoning you.

“You did nothing wrong. I met her during a mission 4 months ago.” Was all he replied.

“Who is she?” Your heart kept breaking. His face hardening as the question slipped through your lips. You knew Miguel wouldn’t leave you for just anyone. Deep in your heart you knew what this was about. He never responded but he didn’t need to when you saw his eyes flicker over to his monitor screens. You followed his trace and saw the photo of Gabriella in the corner.

“Does she have another version of your daughter?” You tried again. This is what made him look directly at you. Miguel kept opening and closing his month unsure how to tell you the truth. You weren’t stupid and he knew that. After everything he couldn’t just walk out on you with a lie.

“No.” He paused thinking of how to finally share the truth without it ruining you. There was no way out of this. “She is a younger version of herself. There is no Miguel in her universe and she’s not important to the timeline. She lives a regular life. I-it’s a chance for me to start at the very beginning.”

You felt your heart being ripped out of your chest. You processed the words carefully. She doesn’t have a child yet… Not only was he leaving you for her but he was going to fall in love with her all over again and start a family with her. A family you wanted so badly to have with him.

“What about with what happened last time you tried to live a life in a different universe?” You didn’t understand how this was happening.

He was always so carful he would never do anything to cause that again. Everything you had witness Miguel work so hard for to keep safe for years. Sleepless nights, returning bruised and beaten, frustrations and constant stress. Was it all for nothing? Is he throwing all his work away?

“This is different.” He turned away from you. “I pushed myself then into an already established life. This time I am creating that life. After all the research we did on you…” He knew that this was going to tear you apart. “I learned that if done right I could have a child from two different universes that won’t disrupt anything.”

It clicked to you then that all the research he was doing on you lately was for this. The research he did on you that time was different, personal, intimate even. As he was testing your DNAs together and seeing the outcomes. He mentioned a child and you were foolish enough to assume he was doing research to see what it would be like if you both had one together. You were giddy even as you watched him work. You had both spoken about having a family together in the past but had been too busy with spider activities. You thought it was a sign of him getting more serious about it, knowing how badly he wanted one. You would have never thought he was doing it to see how he could get back his previous child. The one you could never give him.

You had truly believe that Miguel had recovered from his obsession that his grief gave him. He accidentally destroyed a whole universe needing that life back so badly. You had spent late nights watching him re-watch clips over and over of what he had lost. It slowly stopped once your relationship blossomed with him and you thought he was ready to move on and start new. Why would you have never thought that with such a perfect opportunity presented to him that he wouldn’t drop everything for it.

“I think it’s best that you leave.” He spoke with a soft tone. As if not looking at you any longer will make the problem go away. You couldn’t wrap your mind around how he was just throwing you away like this. As if he wasn’t making you dinner, giving soft kisses, whispering I-love-you’s not so long ago.

You felt too choked up to ask anymore questions. Your throat tight and painful as you held back tears from escaping in-front of Miguel. You just nodded and headed straight out the door not being able to handle another second in that room. Your knees and hands were shaky as you speed walked into the nearest bathroom and let it all out.

—

It didn’t take long for everyone else to know something had happened. Everyone had gotten used to seeing you and him sitting together at lunch. You would make him cute lunch boxes and everyone would gag a bit while watching the two of you smile together. Some cringing seeing their scary boss being so soft around you. It was a big surprise when Miguel started to eat alone with a bag of take out food and you no where to be seen.

His teams he sent out for missions were all confused when you weren’t assigned to anything. Knowing you were one of the best, one of them slipped out a “Call for Y/N!” In the middle of fighting an anomaly too strong for them. Miguel only looked away.

It wasn’t until a new woman showed up in Miguel’s office with a grip around his waist. That’s when the spider-community realized that this was way worse than they thought.

—

You on the other hand had spilled everything to Hobie when he caught you that day leaving the bathroom with puffy eyes. You had been staying with him in his universe until you could gather yourself together to return to HQ. You knew you were going to leave for good, but you needed to go back to retrieve all your things. You couldn’t stay with Hobie forever. Worse that you weren’t from there.

You still had some hope that Miguel would come looking for you and tell you that he was all wrong. However almost two months had passed and not a word from him… That’s when you knew it was time you should return to what you once knew.

Stepping into the portal Hobie followed close behind you. He told the few others who were once close to both you and Miguel that you would be visiting. Stepping through the portal you were immediately greeted by Jessica and Peter B Parker.

“Oh, Y/N.” Jess sighed your name sadly while pulling you into a hug. You felt like you wanted to cry all over again. Missing your friends so much. Peter B came behind giving you a hug on the side.

“He’s on a mission right now.” Peter spoke up. “It might be a long one too but don’t waste anytime just incase.”

You nodded pulling away from them. Looking up around the headquarters building faintly smiling at the past memories you had here. You started heading to different areas gathering all the little things you had left around. Hobie had stitched for you a cute backpack with different scraps of patterned clothes and covered in patches of punk band logos but made with hammer space technology. Making it fun for you to fill endless of your things in the bag.

The last stop was in Miguel’s office. Doubt started to fill your mind; maybe he already threw out all of your stuff. Why would he even keep it after all of this? What no one could warn you of was the other person sitting on his platform.

“Hello!” She chirped at you. It felt like the air in your lungs had just been punched out. You knew her too well. From all the photos and videos you had seen peaking over Miguel’s shoulder. However seeing her in person was something you had never expected. You knew it wasn’t the original her but it was a copy paste image for sure.

“Hi.” Was all you managed to choke out. She was beautiful, stunning. You could see clearly now the similar features she shared in another universe with her daughter. The parts that Miguel didn’t have. She kept smiling kindly at you, almost in a graceful way. You started to feel all your insecurities start eating you up from the inside. How could you have ever compared to her.

“What’s your name? I don’t think I’ve seen you here before.” Getting off Miguel’s platform she walked closer to you. The room started to feel suffocating.

“Y/N.”

“Well, it’s nice to meet you! It’s nice to meet other girls around here.”

Your eyebrows furrowed as you realized she had no reaction to your name. So Miguel never told her about you… Or that the fact was he was still even legally married to you.

“My boyfriend isn’t here right now but, if you want, I can tell him you stopped by.” She continued as you stayed silent.

“Oh, no it’s okay. I just came in here to get some stuff.” You rushed as you really wanted nothing to do with Miguel at all. You almost worried that he might even get angry knowing you got to speak with her. If he already dislikes you this much you couldn’t even imagine how he would feel if you got in the way of this for him.

You started heading over to the familiar drawers around the room. Grabbing your old hoodies and shirts finding your most comfortable of things here. You treated this place as one of your safe spaces as you used to spend so much time here.

“Oh I didn’t know these were all yours! I was wondering why this was all around. When I came here I wanted to do some spring cleaning but Miguel wouldn’t let me touch anything.” She followed besides you. “It’s so mind blowing seeing all this technology. We don’t have any of this where I live-“ She continue rambling but you started to zone her out. You felt like you were about to have a panic attack any minute. There was one question that kept burning in your mind.

“Are you and Miguel already planning to have a child?” You blurted out. Your eyes widened a bit as you surprised yourself. She let out a loud laugh.

“Oh dear no! We have only been together about 6 months. You must be new around here so you must not know much about us.” She chuckled.

In some cruel way you were hoping she would have said yes. You had that twisted hope of maybe Miguel just keeping her to have a kid and ditching her after he gets Gabriella and run back to you. In reality he was playing the long game, he really meant it when we said he was starting over. “He’s never mentioned kids anyways. I’m not even sure if he’d like them or do well with them.”

With that statement she made you looked at her appalled. Anyone could see in Miguel how good of a father he could be. Just in the way he takes care of the society he built here. You started to realize that she really has been left in the dark. She doesn’t know anything. She probably doesn’t even know that she’s a replacement of another self. You wondered why Miguel was doing this. It felt like he didn’t just toy with you but with her as well. A man you came to love for how selfless he was, to realize now everything was for his own personal gain. Suddenly you started to feel bad for her. You couldn’t dislike her, she wasn’t doing anything wrong and she doesn’t even know.

“I got all my stuff. Nice to meet you.” Was all you could say as you zipped up your bag and turned straight around out of there. Not giving any glance back at her, you left to one of the empty training rooms to recollect your overwhelming thoughts. All of the self healing you tried the past month thrown in the garbage.

It wouldn’t be too soon that news of you going around the building was returned to Lyla. You had cut out all coms while you were gone so she immediately popped up on your watch when she found out.

“AH-“ You jumped as the tiny AI was suddenly in front of your face.

“It’s so wonderful to see you Y/N. Oh my god!”She started. Then she went on rambling about how she knew everything and had seen everything. How she didn’t agree with what was happening and was doing everything she could to convince you to stay. After 5 minutes of her rambling you stopped her to let your emotions out.

“Lyla, Lyla It’s okay. Just stop. It’s all complicated I know, but this didn’t work out. I wished Miguel just cheated on me like all the other fucked up normal men out there. That I walked in on him deep in another random girl. Though painful I could have tried fixing and fighting for us. But instead what I got was him emotionally cheating on me and chase after something he knows I can never give him.” You felt yourself choke up. “I can never ask him to give up what he longs and dreams for just for me to be happy. I lost this battle the moment he laid eyes on her.”

Finding comfort in the AI your husband made. You’ve created a bond with Lyla that Miguel found cute but you knew now this might be the last time you’ll be speaking with her.

“You can give him a family y/n… you guys have been married two years now. I know you’ve both set the thought aside until the multiverse issues are better but you can fight for him. You have to snap him out of his fantasy. He still thinks about you.”

“Lyla you know deep down truly he never just wanted a family. He wanted exactly what he had. What he lost. Which should be impossible but being by his side seeing how insane the multiverse is… Good for him for believing in something so hard he’s found himself even a third chance to do it.”

“I hate that you’re being too kind about this situation.” Lyla paced around you.

“I love him so deeply Lyla. You know that very well. It’s so hard to suddenly hate him. I am angry, but I’m also emotionally drained I can’t do this.” You let out a deep sigh. “I’ve watched him long for this family when we just met. For some stupid reason when things worked out for us I thought I would be enough… When we got engaged and he would spend some days at home with me not even coming to HQ. I thought he was finally moving on not just from his grief and past but from the weight of his work. I saw a bright future for us.”

“You can still have a bright future with him! You moving here gave him a new canon event, another chance at life in his timeline. Here in his own universe! He’s just too obsessed and he’s lost himself in that.” She exclaimed with her hands up.

“Our canon event was our wedding.” Your frowned deepened. “But the universe didn’t say anything else after. It doesn’t say our canon event means we are suppose to live happily together forever I guess.”

“I’m just trying my best to be optimistic. I rooted so hard for you and Miguel when you joined the team. I know you can remember the amount of times I would force you both in rooms.” Lyla recalled.

“And I’m grateful for it… Even if this didn’t work out. I was given precious memories, not just working with you and being on this team but falling in love with Miguel. I know I’m being all depressed and hopeless but I feel like even if I move on I’ll never be able to replace him and find a relationship like this again. However he threw me away so easily and maybe he never valued me as much as I did to him.” You felt your emotions bubble. “I became who I am here. I’m going to miss everyone so much.”

“You can still stay here and work with us.” She edged on.

“I can’t just sit around here begging at his feet to return to me or moping around doing missions while watching him with someone else. I want to hate him so badly. I know he’s your boss and you’re basically hardwired to do everything for him and you’re trying your hardest to fix what you think is his right path. But think of me a little more and how miserable it’ll be. I’m the only one hurting here.”

Lyla paused and stared at you with an almost glossy-eyed look. While she worked she could see the inner term-oil Miguel was hiding and the emptiness he was turning to since trying to start new in the other universe. It just wasn’t her place to hold this conversation and he was the one who needed to get a grip of himself and really think and talk with you. She can’t be the one trying to mend the pieces for both of you together. What Miguel did was so wrong. She knew you were right and she didn’t want to see any more damage be caused to you.

“You’re right. I’m sorry.” She looked up at you sincerely. “I hate this outcome for you. Not only are you loosing your husband but your home. When was the last time you’ve even been in your universe?”

“Like a year ago for a mission…”

“Exactly! Even if things are over with Miguel, you have all of us here! I wish you could stay. I understand you leaving, I really do. I know a lot of us will try visiting you but I’m tied to Miguel…” You started to see how it clicked for her too that it’s most likely you might not see each other for a long time. “Even if a spider-person is visiting you I can’t just show up on their watch… It’ll go back to him and I know you wouldn’t want that. I know I’m an AI and I can’t hold real emotions but I mean it when I say I’m going to miss you.”

Tears poured down your cheeks as her words hit you. Going back to your universe is going to be a struggle. You have nothing there now. However nothing can compare to the pain of the outcome you’ve had with Miguel, and you needed out of here ASAP. Your mental health getting worse the longer you stay. Even the other spiders you have come to love can’t bring that spark back right now. You needed genuine time for yourself, even if it’s self destructive, instead of putting on a fake smile everyday here.

“Bye, Lyla.” You whispered. She nodded and waved her hand goodbye at you before disappearing. You took your watch off your wrist placing it on a nearby desk. With it you pulled the divorce paperwork out of your pocket neatly sealed and already signed on your half. Opening a portal you took your last glances at the place you spent so many loving memories in.

Tears blurred your vision as you stepped through the portal. Once your legs landed on a rooftop of a building in your dimension, you racked out full sobs falling to your knees.

You were always just the other woman.

——————————���——————

Thank you so much for reading!! I know it was a longer one ~

would anyone like a part 2? If so anyone want a angsty or happy ending? I think it’ll be more in Miguel’s perspective as well!

EDIT: You can now read PART 2 here

[dissociacrip]

i saw that one disability-related post a while ago about dental care but i can't find it again so i'm gonna mention a few things as a (mild to moderately) mentally & physically disabled person, whose teeth hurt when i eat sweet stuff now + i've had a root canal due to a fall + i'm learning to take care of myself, that may or may not help other folks with their dental routine

note: i am not a dentist & this info is mostly what i've gleaned secondhand from dentists, so yeah, i am not an expert in any capacity

water flossers aren't as effective as regular flossing (doing both is actually what's most effective) but they're better than nothing & helpful in cases where coordination problems or other issues might prevent regular flossing technique (i imagine this also depends on the quality of the water flosser)

if you use one of the plastic pre-made floss picks things, rinse the string off in-between each time you use it to floss one side of a tooth, it's tedious but it mimics moving to a new (clean) part of the thread like you do with regular floss

if you get an automatic toothbrush, get one that does circular rotation rather than just vibrating or whatever, as this mimics the tools they use in a dentist's office + imitates the circular motion you're expected to make with a standard toothbrush (which is also hard with coordination issues), i got one that does this pretty cheap from walmart (it's an oral-b but i forgot the specific type) + it automatically times it for you

if you have white spots on your teeth that are uneven with the shade of the rest of the tooth those are potentially white spot lesions due to demineralization; whitening products can make this worse rather than help it, but some products can help with remineralization such as mi paste topical tooth creme, which contains calcium and phosphate (i have yet to try this myself but it seems to get suggested by a lot of dentists, orthodontists, etc. for white spots on teeth & it's also supposed to help with sensitivity and tooth health in general because the white spots are lesions so it's not purely cosmetic!)

it's advised to not rinse your mouth immediately after brushing as this potentially dilutes & reduces the effects of the flouride (if you use fluoride toothpaste), stuff says to wait at least 15 minutes or so

just giving your teeth a quick scrub (even if it's without toothpaste and just water) is better than not brushing your teeth at all

if you have trouble seeing a dentist for financial reasons, try to see if there are income-based or charity dental services in your area, sometimes dental schools also provide low-cost/free dental care

that's all i can think of for now, i wish i had more advice for people who struggle to be able to brush their teeth at all in general but this is all i got unfortunately :(

additionally - you're not bad, useless, gross, or a failure if you struggle to (or can't) maintain oral hygiene; this stuff is much easier for some people than it is to others & those who take it for granted like to forget that, no one deserves to be mocked or looked down on for being disabled & struggling to/not being able to do """basic""" stuff like this!

[cavegirlpoems]

So many TTRPG people, like yourself, seem to exist in a world where players don't actually enjoy the campaigns they're in, and don't actually like playing with the people they play with, and your whole approach to game mechanics seems like it's about trying to bribe these people to continue playing at a given table.

i have no idea where you get this idea from, I play a bunch of different games - including freeform text rp, fest larps, parlour larps, regular tabletop campaigns, longform play-by-post games and narrative wargames - and I have a lot of fun doing it. I wouldn't be a game designer if I didn't actually enjoy games. The thing is, if you study game design and ttrpg theory seriously, you think about the intent behind design decisions. Game design doesn't just happen by accident, the designer put a given rule in for a reason. So, you ask yourself why the designer made the game the way it did, and what they were trying to achieve.

A significant tool for game design is considering the feedback the game provides; what behaviours that ruleset rewards and what it discourages. (You can apply this analysis to other games, too, like video games). When I'm talking about a bribe, it's in that context; how does the game reward you for doing things, and what things does it reward. (For example, 'scrabble' rewards you for playing words with weird letters in them by making those letters worth more points.)

The thing is, ultimately, every game relies on a simple proposition; that if you volunterily use its rules, you will have fun. You don't need to follow the rules, and you can have fun without them, but the idea is that using the rules will let you have more fun, or a different type of fun, than if you didn't. (For example, throwing a ball around is a bit fun, but if everybody agrees to follow the rules of basketball, you get a different experience that a lot of people prefer). So, the only bribe you're making on the interpersonal, out-out-of-game level (unless something weird is going on) is "if we play this game it will be fun". When I talk about bribes and incentives, it's *inside* the game, after we've all agreed to the game's proposition of "if you use the rules, you will have fun".

Now, what counts as an incentive varies by game. Some, like Warhammer 40k, are challenge-based, and have ways to keep score of success and victory; here, things that signify overcoming the challenge are your incentives; how you get a high score, how you win, etc. Others, like most ttrpgs, are creative-based. What constitutes an incentive within the game's structure is less precisely defined. By and large, though, these incentives tend to be things like increased agency within the game fiction, space for creative expression, and experiencing and learning about more of the game fiction. (In this structure, 'being more mechanically powerful' can be thought of as a way of granting a player more agency, because their actions are more likely to succeed and result in the outcomes that they want. If the mechanical growth is lateral as well as vertical, then how to get more powerful is - itself - a venue for creative expression in what to prioritise, which is also a reward).

In the same way that you have the adage that 'restrictions breed creativity', the same goes for Fun. Limiting your scope from anything-goes freeform by voluntarily agreeing to use a set of game rules can produce similar results. Voluntarily limiting your agency in the fiction according to a set of game rules produces a friction that players of roleplaying games find enjoyable to push against. In this context, a reward structure within a game serves the useful purpose of signposting which direction you should push to get the fun kind of friction. A game which limits your options, and then gives you more options when you engage with certain behaviours, is telling you that those are the intended behaviours. Likewise, a game that limits your options even further when you do something is encouraging you not to do that. This is because game designs are not neutral and universal, they exist to create specific experiences. A game that rewards you by giving you more space for creative expression when you get in a fight - and gives you less space for creative expression when you avoid violence - is one that wants you to engage in violence, because it's designed to be a game where you have fun by fighting. This isn't bribing the players to sit down at the table and play the game; that has already happened outside the context of the game. They have already agreed to the game's offer of 'if you use these rules, you will have fun'. Rather, this bribing is within the game-space, the games mechanics encouraging the players to engage with it as intended, in the way that will be most fun. IE: these incentive structures are a tool the game uses to achieve the promise it makes; they guide the players towards the fun that they volunteered to have. Hope that makes sense. * * * Now, your initial ask is a weird take that's entirely unrelated to anything I've posted, and - particularly from an anon account- oddly antagonistic. I don't know if you're genuinely confused about game design, or arguing in bad faith. Either way, this probably doesn't merit the small essay I've produced, but have one anyway, it's always fun to clarify my ideas in written form.

[nymphea0]

Until Death My love

Part 2.

Yandere husband x Wife Reader

Very long story, might be bad grammar or language in this story, so please correct me if theres any bad word or bad grammar. This story will came out with 4 chapter , so stay always love🦋🦋

word count around : 2000 words

Story Part 1 : Until Death My love

Story Part 3 : Until Death My Love

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The sound of many vehicles and street lights were the only things that decorated the darkness of the night' You don't know how it could end like this, there are so many moments that you have gone through with Alex, your beloved husband.

It shouldn't be like this, but it happened so fast.

That night as usual, you became an obedient and very good wife waiting for your husband to come home from work, you prepared dinner that you cooked yourself, even though the servants really wanted to help you cook, that night you were very stubborn and made several dishes such as shrimp pasta alfredo, and roast chicken.

You waited as usual in the dining room, like the nights you had gone through before. But that night, Alex came home early in the morning, your husband came home a little later than usual.

You looked at the street with a sad face and remembered what had happened to you before, that day you learned another secret from your husband, alexandrovic Reigent.

You learned that Alex was the leader of the mafia association, the same association, that destroyed the place where you worked as a staff of a famous restaurant. You think that Alex is an ordinary man that you dated during school, you spent your days so happily with Alex, then you graduated from school and continued to college, you and Alex even studied in the same place with different majors.

Then you graduated with mediocre grades, until Alex said he wanted to build a business in the mining sector.

At first you didn't think that Alex's business would be very successful, but you were very happy with the success of Alex's business. Until one day Alex proposed to you to be his wife, right when it was your birthday.

That day you felt like the happiest woman in the world. .

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'Date 05 01 19xx'

That was the day Alex went on his business trip as a CEO of a company that handles coal affairs. Like a normal day you prepared your husband's clothes, helped him put on his shirt.

"Alex how long will you be away on business?"

"Love ...I won't be gone for long, just 5 days .... hmmm? Do you miss me already?"

Your husband, Alex, coquettishly pouted at you who was busy tidying up his work needs.

"No, I don't miss you."

In a playful tone you answered Alex who seemed ready to tickle you.

That morning was filled with laughter and happiness flowing in the residence you shared with Alex. .

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That afternoon was very boring without Alex, your husband for the next 5 days, at that time you for some reason really wanted to clean the room where Alex worked.

Alex's work room. As usual the servants at home really didn't want you to work, they looked as if they were afraid of something wrong with you.

Until you forced them and they had no other choice but to let you do what you wanted, well who would dare try to stop the wife of the Reigent house?.

Carrying a broom and cleaning equipment, you opened the door to Alex's work room, the room had a luxurious impression as Alex's job as a CEO of a coal company.

A room polished with African black wood, walls that are added with furniture such as classic lamps, lots of bookshelves and a document shelf.

A small pantry table that provides coffee and tea editing tools when Alex wants to drink something.

A polished work desk with additional high-quality marble with additional computers and also some documents scattered on the desk.

In short, this room is very comfortable and has a distinctive Alex smell, a blend of mint and a little musk aroma.

At first you tidy up and clean the desk where Alex works. Until you clean the bookshelf where Alex keeps books containing world history.

You clean the bookshelf carefully, rearranging the books. Each bookshelf is given a little space between 1 bookshelf and another, with the placement of a flower pot and also a classic lamp on the wall as a divider between shelves 1 and the others.

But when you were about to go to another shelf that you were going to clean next, your feet accidentally slipped between the black carpet that was the base of the shelf, with human instinct you held onto anything so that you wouldn't fall or get hurt, expert at holding bookshelves, you actually held onto the handle of a classic lamp that was quite low and you could reach.

With strong pressure you held the lamp, unfortunately when you thought it wouldn't fall, the chandelier was actually pulled down as you were going to fall, and you ended up falling with the wooden lamp that looked bent downwards.

After standing up and getting rid of the pain from the fall, you tried to fix the lamp to its original position.

But before you could even fix the poor lamp, you realized that the bookshelf you had previously cleaned was slightly tilted from the wall and showed a small gap, out of curiosity you tried to pull the bookshelf.

And there you see a small room with an area and size of 2 footsteps, the room is empty with 3 walls covered in black wallpaper and only lit by 1 lamp on the wall, on the floor there is a round carpet the same color as the walls in the room.

You think, what is this narrow room built for?, with slow steps you enter the room, trying to feel the walls but nothing happens. At that time when you think maybe this small room was built to store Alex's useless files.

When you was about to get out of the small room, my feet accidentally tripped over a lump protruding from the black carpet. Get up slowly and stand up, you try to push the carpet out of the room.

At that time, instead of the floor you saw, you saw a wooden door that was attached to the floor. Looking around, you exit the room and walk slowly towards Alex's study door, then with one turn, you lock Alex's study from the inside and walk back into the room.

Making up your mind, you open the wooden door, it's a little hard to open, but finally the door opens and reveals a staircase leading down, you don't see anything, it's very dark down there.

A dark basement!

When you look around the bottom of the stairs, you see a small light switch that is integrated into the wall right on the first step.

With a 'Click' a light shines under the room, holding a broom, you go down the stairs. Every step you take on the stairs creates a very unpleasant sound to hear.

Until the last step, you can clearly see this basement.

This room is very classic but looks luxurious. There are leather sofas lined up around a glass table, there is a bar table and also a billiard table, there is a television with a wide and thin screen and is very luxurious which is displayed facing the leather sofa.

Slowly you look around and realize that there are many shelves for storing wine bottles and other liquor, you always knew that Alex really liked alcohol beyond your expectations, but you didn't know that this room even existed in this house.

.

.

.

.

The house where you and Alex live, a 3-story house, with a very large front and back yard, equipped with flower gardens and also a small lake that flows behind your house.

During the 2 years of your marriage with Alex, you didn't know that this room existed.

Walking through this basement, you see about 3 gold and black framed picture displayed on the wall, approaching the picture.

The first picture , is a picture of you and Alex who have just finished their wedding, in the picture you are very beautiful and beautiful, sitting smiling happily while holding a bouquet of flowers, while Alex stands behind you while holding your left shoulder, Alex is wearing a black shirt combined with a collar decoration and also a gold hanger on his jacket pocket which is united with roses.

Under the picture is your name and Alex's name and the date you got married.

Picture of alex and his family wearing all black suits, you don't know much about alex's family.

But when you married alex, only his mother and father came, you don't know why his other family didn't come, alex only told you that his other family was anti-social, and after that you didn't ask much.

On the wedding day, his father and mother didn't talk to you, but you only got a soft smile from his mother and a cold stare from his father.

In the picture there are so many people you don't know, they all sit in rows on the benches, but there's something strange, there are several women sitting on their knees below among several men you don't know. Then you see alex and his mother and father sitting in the right row that doesn't blend with the middle row, there you can see alex with an unfriendly and expressionless face, a facial expression that you didn't even know alex could make.

Under the frame, there is a bold text that contains.

'ARCEINT REIGENT FAMILY'

You don't think much and just guess that Arceint is Alex's extended family name.

Then, the last frame is a picture of Alex and his parents, and 4 people you don't know, they each sit on a bench, while the 4 people you don't know, 2 of them are men and they sit on a bench, but the other 2 are women, and they kneel beside the seats of the 2 men.

Blinking slowly, under the frame contains the name Alexandrovic Reigent Arceint, followed by Alex's father, Rovalnov Reigent Arceint, then Alex's mother, Ilvanna Rosye.

And the names of the 2 men whose names you are not sure which one is correct are Xirent Reigent Arceint, then the other one is William Reigent Arceint.

You can only guess that maybe these 2 people are Alex's older or younger siblings. Since dating and getting married, Alex has been very secretive about his family.

Looking at the other names there are 2 other names written there, you guess it is the name of 2 women who are sitting on their knees side by side.

The names there are written as, Lilya Ergevan, and also Belleriya Woods.

You think that why their names seem so beautiful and elegant?

Looking around the room again, you think to continue cleaning up Alex's work room that was delayed and only conclude that this basement room could be a room where Alex relaxes when he misses his family.

Just as you are about to step on a step, your eyes accidentally catch a corner of the room that is quite dark, and there is a white door in the corner.

People used to say, curiosity can be your death, so be careful.

.

.

.

.

*Source image : Pinterest

©️Nymphea0 2024 , OG story . Project Dark Romance Story 1.

Please dont steal my work, or use without my permissions , Always be good people Dear. Much love , Neva🦋🦋.

@snowflakes666

[anim-ttrpgs]

Help Save the World of TTRPGs and Their Creators.

Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.

This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)

If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.

If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.

[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]

Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.

You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)

You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.

Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.

“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”

Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.

“D&D5e has all of these extra online tools to help you play it.”

So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.

“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”

There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.

“I can’t afford to play another TTRPG.”

You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.

(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)

“If I don’t play D&D5e, which TTRPG should I play?”

That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.

“I want to play something besides D&D5e, but my friends won’t play anything else!”

I have several answers to this.

Try showing them this post.

If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.

If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.

“I only watch actual plays.”

Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.

“I can just homebrew away all the problems with D&D5e.”

Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.

“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”

Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.

“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”

Then you’re still not supporting the smaller developers that this monopoly is crushing, either.

Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.

Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.

First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.

Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.

@indierpgnewsletter

@indie-ttrpg-of-the-day

@theresattrpgforthat

@haveyouplayedthisttrpg

@indiepressrevolution

Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:

Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)

Seth Skorkowsky

Questing Beast

The Gaming Table

Rascal News

Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.

Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!

Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)

We also have merchanise.

[tiajk]

Amazon strawhat reader

Warnings; fem reader!, everyone crushing on reader if you squint, everyone loves themselves amazon reader, added robin brook franky and jimbei becuase why not even though i haven’t watched that far so if i get something wrong pls tell me, reader can do a lot of stuff

A/N: none!

masterlist. part 2

— luffy would actually love you without a single fucking doubt he was practically jumping up and down asking you to join his crew if you said no he would kidnap you but who could say no to him and his cute face

— luffy uses you as a climbing tool he wants to see something up high and can’t see his going to you asking for uppies and you gladly give them to him

— zoro didn’t want to admit but he liked you on the crew becuase your strong he wants to challenge you and he admires your strength but he’s lowkey scared of you if your taller than him

— let this man see your sword he will literally not want to let it go and he’ll be so honored that you let him even hold it if you let him use it in battle if he lost one of his he’ll be so fucking happy and blushy

— sanji swoons over every women ( and man) but a muscular tall woman that’s race is literally goddess warriors this man is on the floor for you at your every beck and call

— he gets carried by you a lot he tries to carry you but you just carry him and he gets all blushy

— nami thinks that’s your so fucking cool she would 100% want to sun bathe with you all the time

— she also wants to hear about how the stories that your people have made over the years

— ussop is shaking the first time he meets you

— when there’s a fight he hides behind you and says that your under his control when you go along with it makes him very happy that’s why your his favorite

— chopper thinks it’s so cool that your on the crew when you tell him about the animals that your mother told you when you where growing up it makes him feel less like a monster and he does his cute little dance thing

— if you ever in battle and seriously injured and don’t go to him because your stubborn best believe he’s shape shifting and throwing you over his shoulder so you can get treated correctly (you could overpower him but you’ll let him win this one)

— robin has definitely heard of amazons but never seen one before in real life

— you guys will have little reading dates and she loves when you give her books from your home because there so interesting and fascinating

— Franky thinks your SUPERRRR all the time you never understood his obsession with cola but when he had you drink some you were hooked

— he makes you gadgets all the time whether to improve your sword or shield he is always making stuff for you

— when brook saw you he wanted your panties but was kinda scared when you drew your sword at him then he remembered he was dead but it was still kind scary

— jimbei had definitely heard of amazons before but like robin had never seen one

— he’s like a really cool person to be around if you wanna learn about his people culture you would always go to his with no hesitation and he would gladly tell you

— the crew admires you a lot your like there personal bodyguard they love you

— the girls will always make sure that when you guys go shopping you all get matching stuff because why not

— i feel like luffy goes to you for everything he has a cut on his hand he’s going to you instead of chopper it just shows how much he trust you

— when you first join the crew and your kinda timid to the boys they understand because your people say that men are just nasty but they get kind sad because they wanna know you better but over time you learn to love them ask much as you do robin and nami

— tell them stories of your home they wanna hear about it all the time especially if simultaneously they all can’t sleep and want to hear your voice

— they know how stubborn you can be so when you go into battle and almost sacrifice yourself so they can live they can get pretty mad at you but they know it comes from a place of love and respect

— i know that amazon’s have super strength and so does the crew so when you guys them they get kinda scared because of your bone crushing hugs

— if you don’t understand why some people do certain things then they’ll explain it to you

— sanji love it when you tell him about food that you ate when you were a child he tried to recreate it with you helping him

— they know how passionate you can be one time you were telling them how much you love them and made them cry

— whenever zoro gets lost you always find him first or he finds you first becuase he can feel your passion 100 miles away

— luffy definitely flexes on law and kid that he has an amazing warrior on his crew and they don’t (they admire you just as much and are kind jealous)

— if someone were to ever catcall you or harass you before you can get a word at there all jumping the person making there life absolutely fucking miserable

— for your birthday they did the cutest thing they had the sunny decorated like your home island from what they could make out of the books and just made you fell right at home

— when they find out your a princess that doesn’t change a thing about they see you but they can tell that another place you get your passion from

— nami will probably ask you for some money and you give it to her becuase you love her so much and she never charges you because of it

— you love you nakamas and they love you

[familyvideostevie]

the meaning of it all

joel miller x reader

summary: Joel Miller, of all people, teaches you to ask for help. 

word count: 13.6k

warnings: jackson au, post part i, joel and ellie worked it out! joel is soft! language, violence, fluff, learning to accept help and love.

a/n: this fic is a soft joel (think part ii joel but make it two years into jackson because he and ellie resolved everything <3) and a reader who is much more me than i've written before. i hope you like it! thank you again to @strangerfreaks who held my hand through this, i owe you my life.

___

Luck. God damned old-fashioned thank-fuck-for-that luck has kept you alive since the world ended. Deep festering rage and a near-constant state of fear have helped. But every bullet you've found, every undamaged can of food, every shot that landed in the right place so you were the last one standing -- that's all luck. Or a curse, depending on the day. Depending on how you're feeling about it all.

And Jackson? That's the biggest stroke of luck you've had in twenty years. A single woman on her own with plenty of working years left and no obvious red flags was probably a no-brainer for the community to take in but you feel like you've finally made it. After two decades of violence and horror and pain, you fucking made it somewhere safe.

You spend as much time as you can making sure everyone knows how grateful you are. You don't have any special skills, not really. You can shoot well enough, cook well enough, clean well enough. Young enough when all the shit went down that you don't have a trade or any work experience, you just go wherever they need someone in town.

Keeping busy means you're bone-tired most nights. Exhausted sleep means fewer nightmares, less time to wander the halls of your very nice but much too-big-for-you-home and miss everything you've lost. But picking up shifts wherever you can also means you don't meet many people beyond hellos and exchanging names. Farming is easy and you get to work with a lot of the kids in town, daycare much the same. You're lousy with power tools but you're able to carry materials wherever they're needed. Cooking is easy when it's stew for hundreds of people and doing dishes is even fun when someone turns on the radio. You're making it work.

Patrol is...patrol. You're able, so you're on the roster. It's not that you hate it, not exactly. Going outside the walls makes you feel like you're someone else. You slip back into the mask of fear and anger, the one that kept you alive for so long. And the worst part is it's comfortable. 

You've done the training runs, the group patrols for three months. Infected still freak you out a little but you're smart enough to be more scared of people. All of the senior patrol members have cleared you for paired patrols and today is your first one.

Tommy meets you at the stables to check-in.

You don't really have any friends, though everyone is perfectly nice to you, but Tommy and Maria are probably as close as it gets.  You figure they take a shine to newcomers like you, ones who come in alone, maybe to keep an eye on them as much as anything else. But they've both got a smile and kind word for you whenever you see them, always asking if you need anything. You always tell them no, you're fine, thank you.

"You ready?" Tommy says. "I've had them pull Apollo for you." You pat yourself one more time to make sure you have everything. Pistol on your thigh, knife at your hip, pack secure on your back. Hat and gloves tucked into your jacket pocket to account for the wind on the trails.

"I think so," you tell him. You blow a raspberry at your horse and he blows back, nudging your shoulder with his nose.

"After this, pretty sure you'll have done every job there is to do in this town. Pullin' crops, plantin' crops, cookin' crops. Kids, the library, cleanin', buildin' that ramp at Lenore's last month. You've been here, what, six months? And you've done it all."

It should make you feel good that he's noticed. It does, but only a little. You still feel like you could work every day for the rest of your life and not repay what he and this town have given you. To make up for the things you've done on the road.

"I'm the best floater in Jackson," you joke instead. Smiling makes people like you. You haven't had much cause to smile in recent years so you're still getting used to the urge. Tommy scoffs. "I don't do important council stuff like you and Maria, though."

He ignores that. "Y'know, pretty sure they call that a jack-of-all-trades. A real Ren-ai-ssance woman." You try to come up with a retort, eyes wandering to the patrol assignment board. Your name is under ELK CREEK and under it is --

"Quit harassin' her."  Tommy rolls his eyes and flips off whoever comes up behind you. You turn around and see a man you know of but have never actually met.

"Joel," Tommy says. "I believe this is called havin' a conversation. You ever tried it?"

"Funny," Joel replies. He nods at you. "You my partner today?"

"Seems so." You introduce yourself, Apollo's warm breath at your back.

"Joel Miller," he says back.

You're a little intimidated, truth be told. You know him by reputation mostly. Tommy's big brother who came to town a few years ago with a little girl. They're both pretty much everywhere. Joel fixing houses and talking to kids in the street, going on patrols and always bringing back extra for whoever needs it. Ellie galloping around town with other teenagers and bringing home the biggest game. You've handed her books a few times at the library, too, seen her bright eyes and infectious energy underneath teenage angst that transcends even an apocalypse. And you've seen them together, heads down in the dining hall or pressed closed walking down the street -- heard rumors about why they came here, how they came here, too -- and one thing is clear to you: the Millers are beloved. By this town and by each other.

It's a miracle all its own in this fucked up world.

"You two ain't met yet?" Tommy says, pointing at the space between you. You snap out of your thoughts. "You've been here long enough to have met everyone by now."

"Guess not," you say with a wry smile. The younger Miller is too polite to call you out for not having a single friend in that time period, either.

"Well, here we are," Joel says. "Gonna keep us here forever, Tommy? Or can we do our job?"

Tommy claps him on the shoulder and winks at you. "Tone down the asshole for her first paired patrol, yeah?"

Joel snorts. He grabs a horse that was already tacked for him and leads it out of the stable. You follow with Apollo. The patrol coordinator hands out rifles and reminds everyone of the rules.

You hop on your horse. "You ready?" Joel asks, startling you a bit. "We'll gallop to the mouth of the river and then start patrollin'."

Something in you relaxes a bit at his clear confidence in you to handle yourself. You know you're with him for a reason -- he's one of the best. That, or maybe he just doesn't give a shit. Somehow you think it's the former.

You follow him up the hill outside the gates and through the tree line. The noise of the Outside is different than that of Jackson. Birdsong, snapping branches and dry brush under your horse, the wind rippling down the hill. You take a deep breath through your nose and feel a part of you come alive. It's funny how a world so beautiful can be so deadly.

Joel gallops a little ahead of you, strong and steady. You watch him, think about what you know. He's older than you, that much is obvious. Greying hair curling around his ears, lines on his face from more than just a stressful life. But he's strong, good at what he does. Those rumors come back to the front of your mind. How he and Ellie showed up, half-starved and bloody. How he and Tommy are the most famed patrol duo for Infected kills and otherwise. It makes you feel safe. It makes you want to learn from him. It makes you want to know more.

And he's got kind eyes. Somehow, he's got kind eyes.

"Alright," Joel calls back to you. "Route starts here." He slows his horse and you pull up beside him. He shifts in his saddle and turns his face to you. "Now, I know this is your first pair," he says. "I won't order you around or nothin' but my main piece of advice is that everyone has a different patrol style. Know how to adapt."

You dig your gloves out of your pockets and wiggle them on. Joel watches before his eyes snap back to yours. "Noted." You honestly didn't think he'd talk this much. "And let me guess. Yours is patrol in silence?" You punctuate the nervous quip with a smile.

Joel snorts. "Nah," he says. "Unless you're Max. Can't stand that fucker."

It startles a laugh out of you and any ice you'd imagined breaks for good. Max is one of the middle-aged men who probably would have been a lawyer or a politician based on the way he likes the sound of his own voice.

"Now," Joel says. "You done this route before?" His knuckles are a little red but he doesn't put on any gloves.

"Twice, I think. First log book in that old station, right?" Joel nods. "Second in the town?" He nods again.

"Color me impressed." His mouth tugs up at the corner into something you might call a smile. You try not to look too pleased with yourself. "Some of the dipshits on the roster don't even remember that much."

It feels like you've passed a test. His praise makes you feel nice. Noticed. Not something you often seek but you know yourself well enough to admit that you'd like a little more of it. Even if it's from a man you just met.

"Not that hard," you say softly. Joel looks at you for a moment longer before clicking his teeth. His horse starts to walk. You signal to Apollo to follow.

The patrol goes off without a hitch. Joel signs the log book in the station and you sign it in the tower. He lets you snipe two runners that he spots and doesn't scold you when you take three tries on the second one.

"Settlin' in okay?" he asks once you've rounded the town one last time and started back towards Jackson. "Six months, Tommy said?"

Despite his earlier words, you haven't chatted much this patrol. While you'd like to know more about him, want to get him to smile at you again, you're really just enjoying being out here with someone else, knowing that you're safe. That you've got somewhere to go back to.

"It's nice," you sigh. "I never imagined I'd find a place like this."

You really should pick up the pace to get back to town but he doesn't seem to be in any hurry.

"I know the feelin'," he murmurs. "Ellie'n me slept on the floor for a good two weeks at the start. Been two years and some nights I don't take my boots off."

"What a fucking life, huh?" That earns you a wry smile. "Having a house is...strange. All of the hinges squeak and I --"

"The hinges squeak?" You look over at him and Joel's brows are furrowed.

"Oh, I mean, it's no big deal --" You stumble over apologies. You don't want him to think you're complaining about a home his brother gave you when he sure as shit didn't have to.

Joel taps his thumb on the pommel of his saddle. "Can get that fixed, y'know."

You didn't know, actually. "Really?"

Now he looks at you like you're a little stupid. "Ain't you the one hauling shit to people's houses when they need a hand?"

He has a point and you hate it. It never occurred to you to ask for someone to come fix your hinges. They're just hinges, for fuck's sake. Other people have holes in their floorboards or leaks or need new rooms for family members. You're just...you.

Joel sighs. It feels like you've disappointed him and it swirls in your gut. "I'll take a look at it this week."

Your neck cracks audibly with how quickly you look up at him. "What? No, Joel, you don't have to --"

He says your name in a tone that you know means no arguing. "I know I don't have to. I offered."

"You don't even know me!" The words fly from your mouth before you can stop them.

He brings his horse to a full stop so quick you almost run into him.

"Look," he says. His gaze holds yours. Wow, he really can be intimidating when he wants to be. You can only imagine the things he's done, the things he's capable of. Anyone who has made it this long has blood on their hands. You've washed it from your own skin plenty of times. And yet, you feel completely safe. And you know that you'll probably do whatever he tells you. "I know how it can be."

Your gut swirls. "You don't know what I've been through," you say softly. It's not a jibe, it's just the truth. No one knows because you've told no one because it doesn't matter. You're here now.

"I've been alive for a while longer than you," he continues. "I've seen the world, just as you have. I've been out here. I was out here for a long, long time." He runs a hand through his beard, fiddles with his broken watch in what looks like reflex. "I know how hard it is to ask. To get back to something that makes any damn sense. But you can if you try."

The words linger in the chill around you. He's right, obviously. He's so fucking right that you want to be mad. You haven't asked for anything because you don't want to fracture the good thing you've got. Don't want to be too much, to be a burden they can't support, to make people think you don't deserve to be in Jackson. All things that don't make any fucking sense, not really, but you can't stop them. It's just how you're wired.

"So I'm comin' over this week to fix those hinges. Alright?"

"Alright." Something in Joel softens when you agree.

"Good," he says. "Good."

You finish the patrol in comfortable silence. All told it's been nice. To talk to someone, to feel like they give a shit about you even for just a few hours. You have no doubt Joel will be over to fix your hinges but you figure it'll fizzle out after that -- it always does. You don't know how to ask someone to stick around, anyway. But even this little bit of him will have been worth it.

Something both loosens and tightens in your chest when you get back to Jackson and through the gates. Goodbye beautiful, horrible outside world, hello safety, community, home. It's a trade-off. You and Joel hop off your horses and return your rifles. You're about to hand Apollo off to be brushed and returned to the stables when you feel a hand on your shoulder.

Joel says your name and you turn around.

"Good job today," he says softly. "Not too excitin' of a patrol, but you're good out there."

You blink owlishly. "I-- thanks," you manage. "Maybe we'll get to go out again as a pair." You're showing your hand but you can't help it. You want more of whatever this was.

Joel's mouth pulls up at one corner. "Maybe."

___

Two days later you drag yourself out of the house for community breakfast. Most mornings you're out the door and at your work detail for the day before you can pop over but you don't have anything assigned today. It's a rare respite and it has you antsy. You don't remember how to be idle, aren't any good at it. Sitting in your empty house means your mind might wander to the thoughts you try very hard to keep at bay. The loneliness, the regret, the fear. The loss. It's always there and you've gotten better at dealing with it after so many years but some days you really just wish you could talk about it to someone, could just bitch and moan about how fucking awful this life can be.

But everyone is carrying their own shit and you don't need to add to it. You don't want anyone to have to carry yours, too.

Breakfast is quiet this morning. You settle at a table with your toast and your eggs and your potatoes and smile back at anyone who smiles at you but no one sits with you. If they did you don't know what you'd say.

But then the air changes. Your neck feels a little hot and you slowly look around until you see what's caused it -- Joel and Ellie are here. He's already looking at you when you meet his eyes and he smiles a little, a half-moon curve of his mouth, and nods. You wave.

Ellie waves back, which you don't expect. She says something to Joel and he frowns, rolls his eyes. She punches him in the arm and he flips her off and grabs two plates, starts to fill them. You smile down at your own food.

"Man, are the potatoes that fucking good today?"

You look up and find Ellie in front of you. You're pretty sure she's 16 or thereabouts, still growing into herself based on the way she shifts on her feet. Her right forearm has the outline of something floral. She notices you looking at it and crosses her arms, looking unimpressed. Ah, teenagers.

"Pretty okay," you tell her. "I don't know if we've met yet --"

"We kinda have," she interrupts. "I know your name and you know mine, so. And you're at the library sometimes when I check shit out."

This still does not explain why she's over here talking to you. You can see Joel in the breakfast line still, glancing over his shoulder every so often to see if she's still in the room. You try not to catch his gaze because you're a little afraid of what Ellie might read in it.

"Can I do something for you, Ellie?" you ask, not unkindly. She scrunches up her nose and then sighs.

"Joel told me not to bother you but I wanted to ask if you could look out for a book for me. At the library." Her words get faster as she reaches the end of her sentence. She takes a look at you, sees that you're not telling her to fuck off, or something, and keeps talking. Some book about the history of comics or something.

"Oh," you say. You feel a rush of affection for her and the fact that she can hold the record for headshots on a group patrol and still want to read about something she loves in her free time. "Yeah, I'll look for you. I don't have a library shift until tomorrow but I'll look and put it aside if I find it for you."

Ellie tugs on her fingers. "Don't you need to write it down or something?"

You smile at her. "No, I'll remember." You recite the title and author she just told you back to her and it seems to satisfy her. It's like a switch is flipped -- her earnest expression morphs into something you can only call mischief.

"So Joel's coming over to fix your doors, or whatever," she says. "How'd you crack him?"

"I--what?"

"You patrol with him once and he's coming over to your house," she says. "It took him like, weeks to laugh at one of my jokes. And I'm fucking funny!"

You have no idea what to say to that. Patrol with Joel was your first time talking to him and while he's a bit intimidating, sure, he never came off as anything other than...good. But you'd bet he wasn't always that way in this world. Maybe this girl in front of you had something to do with it.

And honestly, you're sure he just feels a little bad for you. He's nice enough to worry, to make sure everyone in town can do their part and you'll take what you can get even if it's temporary attention.

Part of you knows Ellie is just giving you a hard time because she's a teenager and you're kind of connected to the guy who looks after her so you're fair game, too. But she's talking to you like she wants to which is throwing you for a loop. And you're realizing it's been a long time since you actually wanted someone to like you. Well, Joel aside.

"You want to tell me one?" you ask. She looks surprised and then delighted.

"Oh, fuck yeah. Okay, let me think." You take another bite of your breakfast. "Okay, okay, I got it. What did the mermaid wear to her math class?"

You give it a few seconds before you shrug. Ellie grins. "An algae-bra."

Your laugh makes her grin bigger. "See? Fucking hilarious." She holds out her hand for a high five and you oblige. "Anyway, Joel's gonna come over tomorrow, I think. Seriously, dude, I don't know how you did it. He never used to be this nice!" She looks over her shoulder at the man in question. He's sitting down at another table. "He's getting soft."

Her voice is fond and you're pretty sure she doesn't notice. "You should go eat your breakfast, Ellie," you tell her.

She sighs like the weight of the world is on her shoulders. "Yeah, I'm fucking hungry. Let me know if you find that book!"

"I will," you call after her. You can't help but watch as she barrels back to her table with Joel and immediately makes an attempt at his bacon. He fends her off with his fork before surrendering a piece with a scowl.

He looks up and catches your eye again. You stand with your tray and nod at him, turning around before you can see his expression. Stupid, so stupid to be caught looking like that. But you can't help it -- looking at the love still alive in this shitty world and wondering what it feels like.

___

You run into Joel on your walk home from the next day's shift at the library. You spent probably far too much of it looking for the book Ellie wanted but it was worth it because you've got it tucked under your arm. It feels like a small miracle but you're not one to question it.

Maybe it's the good mood you're in, but when you see Joel from behind you call out his name. He doesn't stop walking but turns his head like he heard something. When he spots you he does stop, waiting for you to catch up.

"Hi," you say, suddenly a little less brave.

"Howdy," he replies, amused. "I'm headed your way."

"You --" He lifts a toolbox you now realize he's carrying. "Oh, right. Hinges."

"I can come by another day if it's not a good time."

Joel could knock on your door in the middle of the night and it would be a good time. "No, ah. Now's good." He motions for you to lead the way even though he clearly knew where he was going. He must have asked Tommy.

It seems like everyone waves as you two head for your street. They call out Joel's name and he knows pretty much everyone. You feel a little self-conscious being seen with him like this -- you, pretty much a nobody in town through your own doing and Joel, beloved by all.

It doesn't stop until you're almost at your door. "You're popular," you say, trying to make it sound teasing. Instead, it sounds awed.

Joel runs his free hand through his beard. "Don't remind me," he grumbles. "Can't go for a walk without a damn conversation."

You pull out your keys and unlock the front door. There are plenty of people in Jackson who don't lock their doors but you can't shake the need. "Sounds difficult."

He chuckles and you feel it zing up your spine. It's nice to make him laugh. "Yeah, yeah. S'pose it's nice." The front door opens with a creak and you look at him sheepishly. His eyebrows touch his hairline. "They all like that?"

You nod. Joel whistles. "Christ," he says. "Alright." He follows you into the house. You try not to think about what he sees. You've tried to make it your own, just a little. Posters you traded for, books you've collected. You cleaned the whole thing top to bottom when you moved in but somehow it still looks a little un-lived in. You're working on it.

"Don't let me bother you," Joel says, getting on one knee with a grunt and prying open his box. "Probably need 'bout an hour to get 'em all. I'll holler when I'm done."

That's your cue to busy yourself with something, anything, but you don't want to. You want to talk to him, to watch him do whatever he's going to do, to soak up this time with Joel before he walks out the door and you go back to being acquaintances.

"What are you going to use?" you ask. He looks up, a little surprised, before pulling out a spray bottle and a rag. He shakes it at you.

"It's some sorta homemade shit one of the younger guys cooked up," Joel says. Somehow he manages to sound self-deprecating, like he thinks he should've thought of it first. "I think it's...soap? And cleanin' stuff? Fuck, I don't know." He huffs a laugh. "I know it works, though. Back in the day we'd use shit you could buy on the shelf." He stands with a grunt. "You old enough to know that?"

That gets you to laugh. "Yeah, Joel," you say. "I'm old enough to remember the hardware store."

His gaze feels a little different than before, like he's allowing himself to look. "Hmm," is all he says. "I'll just --"

You don't know how to justify shadowing him as he oils your hinges -- there's a joke there's somewhere -- so you don't. You grab a book from the shelf and settle on your couch and try your best to read but your mind wanders.

It's pretty clear that you have a crush on Joel. You've spent one patrol with the guy but somehow he's gotten under your skin. It's inconvenient but also...nice? A crush at the end of the world. The fact that you can still feel something so sweet, so juvenile after all you've seen and all you've done is almost laughable. And it's not like it's going to go anywhere -- you're sure Joel thinks you're too young for him, too green, and he's probably tripping over admirers in town. But you can let it be something to keep your days interesting until it fades.

It was hard enough to love yourself before the world ended for reasons anyone could understand. Societal pressures, stupid comparisons, things that don't matter at all now. Who has time to think about being loved when you're constantly faced with death? Feeling desired, feeling loved, feeling looked after isn't exactly top of mind. You're not even sure you remember how. You put one foot in front of the other and that's enough.

But wouldn't it be nice to be on the receiving end of affection from a man like Joel?

"All finished." You startle and realize you haven't turned a single page of your book. If Joel notices he doesn't say. He wipes his hands on a rag and eyes you. "Pretty sure I got all the doors."

You hop up from the couch and try to find your words. "I -- that's -- you're --"

"Thank you will do just fine," he says with a smirk. He tucks the rag in his back pocket and crosses his arms, leaning against the wall.

"Let me cook for you," you blurt out instead. "In exchange." You can make a few things fairly decently and making him something is another excuse to talk to him like this, to be on the receiving end of those eyes. "I can make chili. Does Ellie like chili?"

"Don't have to do that," he says kindly. "Helpin' you ain't a business deal. S'what people do here." He stands straight and heads for your front door, picking up his toolbox on the way.

"Joel," you say, snagging his sleeve with your fingers. You pull them back quickly and grab the book you brought home, holding it out for him. "Ellie asked me to look for this. Could you give it to her?"

He looks at the book the same way he looks at his kid. It's tenderness so raw you look away. "I will," he says softly. He tucks the book under his arm like precious cargo. "Thank you for findin' it for her." He clears his throat and looks at you, smirk back in place. "Wasn't so bad, was it?" he asks. You don't follow. "Havin' someone help you," he adds.

Your face feels hot. "I'll still cook for you," you say, opening the door. He shakes his head.

"You let me know if you need anythin' else, alright?" A quick smile and he's down the steps and back into the street, strolling back to his own home.

"I will." You say it to yourself and almost mean it.

___

You patrol a few more times over the next month but never get paired up with Joel. If you were a little braver you'd ask Tommy or the kid he's training to take over the schedule to put you two together but you don't. Instead, you wave at Ellie when you see her, nod at Joel from the other side of rooms where he's always talking to someone else. You let yourself enjoy the way your heart picks up at the sight of him and the thrill you feel after he smiles at you. It's a nice change to the boring, lonely routine you had before.

The doors in your house open and close silently.

Being outside is fine. You don't like it any more or any less, it just is what it is. Life at the end of the world continues on.

Until you have a bad patrol.

It's no one's fault and no one gets bit. You and your partner, Astrid, are tailing a buck that's wandering along your route. If you can shoot it you can load it on one of your horses and ride back together on the other. Winter is on its way and any extra meat helps.

You follow protocol. You're lining the deer up through the scope while she keeps watch. Just as you prepare to pull the trigger you feel it -- the pull of your gut telling you something isn't right. That feeling has kept you alive all these years so you lower the rifle and turn to Astrid just in time to see a stalker lunge out of the brush.

Its broken and jagged nails catch your shoulders and you go down hard enough to bruise. You can't hear anything over its snarls and the blood pounding in your ears but you do your fucking best. You wedge your forearm under its chin and try like hell to keep its mouth away from you. Your other hand somehow makes it to your belt and unsheathes your hunting knife and in one swift movement, you shove it into the soft jaw of the infected. Hot blood spurts over your face and you keep your mouth closed, shoving the corpse off you.

A gunshot has you whirling around and scooping up the rifle. You've got it ready to fire but you only find Astrid standing over a stalker corpse of her own, forehead bleeding and revolver smoking.

"You clean?" you ask her, eyes on her forehead. She nods.

"Shoved me into some thorns. You?"

"Yeah. Can we go home now?"

Your hands don't shake until you get back to Jackson. They tremble when you wash the blood from your face, your hair. You wish for just a second that you had someone to hold them, someone to tell you it's alright. Someone to talk to about how shitty your day was and how scared you were and how sometimes this life is so fucking exhausting and just when you think you're safe you're reminded that no one is safe anymore.

Maybe this is the kind of thing Joel was talking about. Asking for help.

The thought fades quickly. You can deal with this. You're just out of practice. You just got comfortable.

You go to bed as early as you can bear, closing your eyes and hoping for dreamless sleep.

You could only be so lucky.

You're no stranger to nightmares. Hell, who isn't? Usually, it's the same old shit -- people you've lost, fucked up things you've done, horrors you've seen. You know how to deal with it.

But this is the first time in a while you've got new nightmare fuel. The hot, rancid breath of the stalker and the agonizing sound of its moans. Your own choked gasps as you try with all of your strength to keep its rotting teeth away from you. Unlike reality, your dreams don't allow you to grab a hold of your knife and instead, you feel it take a chunk out of your neck, hot blood splattering your face and you have to just lie there as it bites and bites and bites --

You jolt upright with a small gasp. Necessity has taught you to wake silently.

"Fuck," you say to the empty room. No way you're going back to sleep after that. You swing your legs over the side of your bed and put your head in your hands. "Breathe. Breathe."

The sky is black through your windows. You have no idea what time it is but you stand before the lingering panic can take hold and make things worse. Fresh air will get the iron smell out of your nose. You dress in the dark in more layers than necessary but you want to stop shaking.

Jackson at night is quiet but there are always a few people around, always someone else who can't sleep. The sky is clear and the moon is bright and it smells like woodsmoke and the unique earthy feel of the valley. This is your home. So long as you have this you can get through it.

Your feet take you through the streets of houses, most of the windows dark. Just another lap around town and then you'll go home, try to sleep again.

Then you hear something. The gentle strum of an acoustic guitar weaving with the night air like a dream. A song from before, a song you recognize but don't know the name of, don't know the words. You wrap your arms around yourself and follow the sound down Rancher Street. If you find whoever is playing it you'll wave and walk slowly home.

Your breath catches in your throat when you see whose house it is. Joel is on the porch, rocking slowly and head leaning back, eyes closed as he strums. How did you not know he played guitar? It only makes sense that the hands that are capable of such violence can also make something beautiful. He can ruffle Ellie's hair and pull the trigger and fix your doors and do this.

Something in your chest tightens.

Joel's eyes open and land on you immediately. You realize how it looks -- you standing in front of his house in the middle of the night, watching him. But he stops his playing and calls out your name.

"Hey, you alright?" he says. You hover between taking a step forward and a step back.

"Couldn't sleep."

He shakes his head. "Can't hear ya," he says. "C'mere."

Step forward it is. Up the stairs and onto the porch that creaks a little under your boots. There's only one chair and a small table with a lantern on it. Wind chimes dangle over the railing and you drag your hand through them on instinct like a child with a toy.

"Sorry," you say softly.

"Only got one chair," Joel says. He's got one boot resting on his knee, guitar slung across his lap. He looks tired. "I'll go get another --"

You wave him off. "No, please," you say. "I'll stand. I'm too antsy to sit, anyway." If you sit down in a chair next to Joel Miller you might never get up.

He frowns but settles back into his seat. "You alright?" he asks again.

His gaze is a little too much. You feel silly all of a sudden, not sure how you got here. A fucking nightmare? God, you're ridiculous. You cross your arms and lean back on the railing and look anywhere but him.

"Couldn't sleep." Joel hums.

"Heard that one before."

He strums some more and you relax again despite yourself. "Sounds nice. Do you play a lot?"

"Sometimes," he says. "Old habit."

"It's a nice one. Better than walking the streets in the dark." Your tone is harsher than you mean it to be and Joel frowns.

"It's safe to," he says, as though your wellbeing is his personal concern. "Bit cold, though."

"Why are you out here then?" You're frustrated with yourself and taking it out on him just a little bit. The smell of blood fills your nostrils again and you press your fingertips into your crossed arms, hard, and close your eyes. Your breath stutters in your chest.

"Nightmares," Joel says wryly. There's some shifting, the scrape of wood on wood and you open your eyes. His are fixated on your fingers and you stop squeezing. The guitar is now leaning up against the house and he's got his elbows on his knees like he's about to ask you a serious question. The lantern light makes his hair look darker, less silver, but it also makes the lines on his face look deeper. You wonder what kind of shit he's seen. What things he has nightmares about.

"Had this conversation with Ellie a million times," he huffs, rubs his hand through his beard in what you now consider a familiar gesture. "You don't need to talk if you don't want to. But can't hurt."

Is he asking you to talk about your nightmare? Does he actually want to know? Do you know how to talk about it?

"I take it you're a fountain of emotional sharing, huh?" Again, the misplaced frustration. You don't know how to turn it off.

His eyes flash but he just leans back in his chair and shrugs. "Depends on the day."

The low-level hum of your infatuation with him flares and your traitorous brain bats it down right away. You want to see all sides that he can offer you, want to make him frustrated and angry just to see if that'll make him sick of you.

You run your hand through the wind chimes again, watching your fingers move through the air. You remember what the knife felt like in your hand, the way the blood was hot as it dripped down your wrist and onto your face.

"Tough patrol," you say. "Messiest since I got here." Joel says nothing and you don't look at him. "I...it was fine. We got jumped by some stalkers and it was fine but...close. And I -- I didn't realize how badly I wanted to come back here until then. How badly I wanted to go home at the end of it. Does that make sense?"

You finally look up and Joel's knuckles are white on the arms of his chair. When he sees you looking he crosses his arms. "Sure," he says, clears his throat.

The urge to try to explain more is overwhelming. "I mean, we've all done fucked up shit. I've been up to my elbows in infected guts and still come out on top and slept like a rock the night after. And all of a sudden I can't fucking handle a stalker getting in my face. It's like I've never had to get my hands dirty before and what if it means I'm going to fuck up next time --"

"Hey," Joel says firmly. You feel a hand on your forearm and realize you've been pacing, arms flailing as you rambled. He gives it a squeeze and then releases you. "Feel like I gotta say fuck now to catch up with you."

A wet chuckle works its way out of you. Where did that come from? Are you about to cry? On the porch of the man you have a stupid, stupid crush on? This is embarrassing. And his touch. People touch you all the time, all things considered. A tap on patrol indicating silence, a hand on your arm to get your attention, to brace you as you lift something. Children in town who don't know the horrors outside the walls give affection freely. Hell, Joel touched your shoulder after your patrol. You're not touch starved but you feel like no one has touched you with tenderness and meant it in years.

"Sorry."

Joel tuts. "C'mon," he says. "I asked."

"I don't think I feel any better."

He stands and grunts as he does so. He's so much closer than before, so close you can smell what you can only describe as Joel: wood shavings and gunpowder, laundry soap and leather. It's a little dizzying. He leans on the railing next to you.

"Bet when you go back to bed you won't dream," he says. "Usually what happens."

"Here you are again," you sigh. "Helping me out. I promise I get on just fine on my own."

"I know," he says. His eyes are warm and so, so deep. "Don't have to, though."

Joel, for all his kindness and popularity in town, is a man just like any other. A person who has seen and done shit that no one should have to see and do. You know he's got his fair share of secrets, of things he won't talk about. You all do. You know he can be unflinching and maybe even cruel, dangerous and deadly. Whatever is happening here -- this openness, this desire of his to help you out -- is hard won. You think about what Ellie said and let yourself have a dangerous thought: maybe he's this way with you because he wants to be.

You sway into him just a little before catching yourself and standing up straight. "I should go try that dreamless sleep," you say softly. "And you should, too." It does not escape your notice that you haven't talked about Joel's nightmares, whatever they are. You don't think he'd be that open. A piece of you imagines a world where you ask and he answers.

"I might," he says. Neither of you move.

That small piece of you would stay here all night. That small piece of you tries for the next best thing.

"Will you let me cook for you now?" you ask. It sounds a little desperate to your own ears. "Please?"

"Persistent, ain't you?" He taps his closed fist on the railing once, twice. "Well, if it's that important to you. Chili, you said?"

"I can have it done by sundown tomorrow. I'm on greenhouses but we always finish early. You can come by and get it. I'll do enough for you and Ellie for a few days." You're rambling but finally he's going to let you do something for him. Hinges, nightmares, it's too much. Maybe you can somehow cook out this affection for him, get rid of it with your own hands if you try hard enough.

"Alright," Joel says. He puts his hand on your shoulder lightly and squeezes once. You feel it all the way down to your toes. "Now get outta this damn cold."

He doesn't offer to walk you home. You'd say no if he did. You need the time to sort out the mess in your mind. You give him the most earnest smile you can manage and he watches from his porch until you turn out of sight.

__

Joel is on your mind all day. More so than usual, which is saying a lot. The crush has turned into something...more. Something that makes you hope and that something is dangerous. It's just setting yourself up to be hurt through no fault of Joel's when it goes nowhere. Because why would he be thinking about you?

"You're smiley today," Dina says. She's a sweet girl and you're paired together on greenhouse shift today. She's always got a story to tell about plants she and her sister saw in New Mexico or some weird mushroom she found on group patrol. You love how positive she is and you try to absorb some.

"Am I?" you say lightly.

She tugs on one more cucumber, putting it in your shared basket before wiping her face. She gets dirt on her nose. It makes her look young. "Got big plans?"

Your face feels hot. "Just cooking for a...friend." It's the first time you've said that out loud. It's probably true, right? Acquaintance, at least. Joel is important to you and it's taken an alarmingly short amount of time for it to solidify. That's just how the world works these days -- you never know how much time you have so everything moves faster. You care harder despite years of proof that nothing good comes of it. You can't help it. You were made to leak love like an open wound.

"A friend," Dina teases. Teenagers. You remember that she's friends with Ellie and it's very possible she knows exactly what you're talking about but she's too kind to say anything more.

"Yep," you say, popping the p. "Do I have to start teasing you about Jesse or are you going to cut me some slack?"

"Well, hey," she laughs. "I think it's nice to be excited about something. You're so serious all the time."

"Am not," you mutter.

Something you appreciate about Dina is that despite her age she knows when to leave it. "Whatever you say," she says primly.

Once work is over and you're back home the cooking goes quick. You focus just enough considering you want this to actually be good and for Joel and Ellie to like it. It's thank you chili, it's you are important to me chili, it's I want to see you every day for the rest of my life chili.

Well. It's thank you at the very least.

And food, especially in this world, means something extra. There's enough to go around in Jackson, more than enough, but anyone taking the time to fix something with their own hands means more. You know how different a meal can taste when someone makes it with care.

And to say you care is a bit of an understatement.

The chili is simmering and you're about to start on the dishes when there's a knock on the door.

"Shit," you say. You wipe your hands on a towel and pad down the hall in socked feet. When you open it you find Joel bathed in the golden light of the sunset. His hands are tucked in his pockets, the collar of his coat turned up to protect his neck from the chill that's settled in for the season. His face softens at the sight of you but his shoulders are still tight. Is he...nervous? No, you're projecting.

Here he is on your doorstep again. If you're not careful you'll get used to him being there.

"Sorry for bein' a bit early," he says at the same time you say, "I was just thinking about you ."

The tension melts out of him and he smirks like a man with a secret. "That so?"

Your eyes are wide as you find your words. Hopefully ones that aren't embarrassing. "Come in," you say. "I'm letting the heat out."

He follows you to the kitchen. "Smells good," he says.

"It's not quite done yet but that's a good sign, I guess." You stir the pot before rolling up your sleeves and taking your spot in front of the sink. "Sorry it's a bit of a mess, I was about to start on this --"

"Now I know you ain't about to do all that yourself," Joel drawls. It's a syrupy tone you haven't heard from him, not really. Is he...flirting with you?

"I...what?"

"Scoot," Joel says. He steps beside you in front of the sink and gently bumps your hip with his. "Seriously."

"Joel--"

"Does it look like I'm kiddin'?"

He keeps his eyes on yours as he shrugs off his jacket, tosses it on this island, and rolls his shirtsleeves up to his elbow. You look away from him so you can watch.

"This is getting ridiculous," you tell him even as you hop up to sit on the counter closest to the sink so you can see his face. He turns on the tap and starts on the various things in the sink even though some of them are clearly not from cooking tonight. "You'll be sick of this chili before I can pay you back."

"I told you it ain't like that," he scolds. "So quit it."

There's no real bite to his tone but you do as he says all the same. You kick your feet out a few times and do your best not to stare but fail miserably. The fall sunlight seems to have followed him into your house, pinkish-golden beams falling across his face. You can see a triangle of chest at the top of his shirt, a few dark curls teasing the hair on him. The scar on the bridge of his nose is much harsher up close, much deeper than the countless other ones that dot his forehead, his temples. He doesn't look as tired today. Maybe he got some sleep after all.

So did you. You didn't dream.

"How was your day?" you ask. Joel's eyes flick up to yours for just a breath before he looks back down at his task. His mouth pulls up at the corner.

"Fine," he says. "Had to fix the water heater at Ellie's place."

A piece of hair falls in his face and you shove your palms under your thighs so you don't brush it back.

You tap his denim-clad thigh with your socked foot, almost like a compromise with yourself when it comes to touching him. "And that took all day?" Damn, are you the one flirting now?

Joel seems amused in a grumpy way. "Well, no," he says. The faucet is on so he speaks a little louder. "Did some house chores. Worked on a guitar. Took a nap."

The image of Joel sprawled out on a couch is clear as day. You bet he looks relaxed in his sleep, the lines on his face not as pronounced, his breathing steady and even.

"Busy day," you say softly. He's about to say more, lips parted to ask about your day, maybe, but you're not about to admit that you spent all day thinking about him so you keep talking before he can. "Does Ellie like living in the garage?"

"Think so," he says. "She spends a night in the house every so often but I think she likes havin' her own space. S'important to me to give her that."

This is uncharted territory. You desperately don't want to step in shit, to somehow make him bring his walls back up. Everyone is protective of the things they love in this world and for good reason and you're pretty sure there is nothing and no one Joel loves more than Ellie.

"She's a good kid," you offer. "Everyone in town loves her."

Joel smiles down at his hands, that soft, raw smile you've seen a few times when talking about her. It makes your chest ache. "She is," he admits. "Pain in my ass, too."

You want so badly to ask him the details. How did they meet? How did they get here? How did they become so devoted to one another? And what happened in the last twenty years to get him to right now, washing dishes in your kitchen?

But you haven't earned that stuff yet. Maybe you never will.

"Does she like Jackson?" You remember what he said about them settling in, sleeping in the living room with their shoes on. You imagine he kept watch for weeks, maybe months, before deciding it was safe.

He nods. "S'good for her to have friends. And havin' school is good for her. She's real smart." He clears his throat. "And you? D'you like it?"

"Well, I like it much better now that my hinges don't squeak."

Joel laughs. "I'll bet you do." He's almost done, everything from your chili-making washed and set aside to dry. He's doing your dishes from breakfast but shows no signs of stopping."Do you cook like this a lot?

Your brows furrow. "I-- no, actually," you admit. "It's just me, so. Not worth putting in the effort that often."

He turns off the tap and grabs a towel and starts to dry. You should offer to help but you feel frozen to the counter. If you get any closer to him you might snap. His jaw is tight.

"When Ellie and I --" he stops, takes a moment to focus on the bowl in his hands. Joel, you've noticed, doesn't tend to say things he doesn't mean, at least not to you. It's like he knows that every word counts in a life as unpredictable as this. "We had a bit of a rough patch last year and we didn't talk for a while. I was damn near eatin' canned veggies on days Tommy didn't drag me to the community meals." He sighs and sets the bowl on the counter ever so gently. Violence and tenderness go hand in hand with him. "Just didn't have it in myself to try cookin' if she wasn't there to eat it."

It's the most vulnerable thing he's said. He keeps doing this -- offering you pieces of himself that you want to hold close, that make you think maybe he wants you to know him.

"Joel--"

"I guess what I'm sayin' is it's easier to take care of yourself when you're also takin' care of people who matter to you. That make sense?"

"Yeah," you breathe. "It does."

The whole scene is so...domestic that your chest aches. Joel in your kitchen doing your dishes. He's helping you yet again but this feels different. It feels like he wants to be here, talking to you. It feels real.

He finishes his task and dries his hands on a faded towel. You hop down from the counter to check the chili. "Should be done," you say. "Do you want to try it? Make sure it's worth it?"

"Oh, it's worth it," he mutters. You work to keep your face neutral. What does that mean? "Sure."

You pull a spoon from the drawer and while it would make more sense to just hand it to him you don't. Instead, you dip it into the steaming liquid and hold it out for him, your other hand cupped underneath to catch any spill. Joel stares at your offering for a few seconds and you wonder if he can hear your heart beating.

Then Joel reaches out slowly like he's afraid you'll bolt if he goes too fast, and lightly wraps his hand around your wrist. It's the first time he's touched you skin to skin and you know immediately that it's a mistake.

You'll never stop wanting him now.

His palm is warm, callused fingertips pressing gently into your skin and he tugs, bringing the spoon -- and you -- closer to his mouth. Everything moves in slow motion for a few moments and it's like you are the only two people in the world. Your kitchen fades and it's just Joel. His lips part and he slides the spoon into his mouth at the same time as his thumb strokes the inside skin of your wrist.

It's very possible that you gasp a little.

He closes his eyes and you're torn between watching his face and his throat as he swallows. You could look at him forever, you think, and never get enough. The set of his brow, the hard line of his jaw. Lines around his eyes and mouth from years of terror and violence but also from laughter and smiles. You want to learn every inch of him if he'll let you.

"Christ," Joel says. His eyes fly open and find yours. "That's good. That's real good."

"You're just saying that," you say weakly. He hasn't let go of your wrist and his thumb strokes once again. You wonder if you realize he's doing it.

Something in his face changes, something so small that you only notice because you're watching. It feels like he has decided something and you wish you knew him well enough to say what. You dare to hope it has to do with you.

"Oh, sweetheart, I'm a good liar but I ain't just sayin' that."

Sweetheart. It echoes in your ears, burrows its way into your chest and takes root.

You're so fucked.

But there's something in Joel's gaze, in the brush of his thumb across your skin, in the fact he's just done all of your dishes and talked to you like he wants to be here that gives your traitorous heart some ground to stand on.

You send him home with as many glass containers of chili as he'll take. He argues that you won't have enough for yourself and manages to convince you to keep a few. You don't tell him that what you really want is to sit next to him at a table and eat it, knees bumping under the wood and his smile making your empty house feel warm.

"Tell Ellie I say hi," you say once he's out your door and on the porch. "And let me know if she likes it."

"Will do," Joel says. You hug your arms around yourself against the chill. He frowns slightly.

You wonder if he'd touch you if his hands weren't full.

"And thank you for--"

He shakes his head. "Not acceptin' thanks," he chides. "Not from you."

You don't know what to say to that. Joel seems to realize he's rendered you speechless, not for the first time, and nods his head before heading home.

"See you around, Joel," you call after him. It sounds half like a question and half like a wish.

He turns. "Countin' on it."

___

You do see him around but not as much as you'd like. Things pick up around town before the seasons can change and send Wyoming into winter. You find yourself in the kitchen most days helping seal jars for the community food stores, hands chapped from the hot water and heart light when you think about Joel. He nods at you from across the dining hall, opens the door of the library when you're going in and he's coming out, and tells Ellie to tell you how good the chili was when you share a shift at the stables.

"Fucking amazing," she says.

You sleep fairly well, going to bed each night with a little bit of lightness in your heart that you allow because why not? There's no way out short of Joel telling you to fuck off and you don't think that'll happen. If only you could get over yourself a little more and actually do something about it.

As much as you want to keep telling yourself that this -- glances across rooms, smiles from a distance, memories of his hand on your skin -- is enough, you're not sure that it is. The force of your want is destabilizing considering the most that's happened is maybe a little bit of flirting. But maybe this is you taking his direction to ask for...no help, not exactly, but to ask for something. To ask for him.

Today you're going on patrol. You decide as you mount your horse that you're going to ask Joel if he wants to get a drink when you get back. You want to talk to him again, let him under your skin a little more. Maybe tell him some things about yourself. Sometimes he's milling around the gate or on wall duty but you don't see him as you and your partner -- a fairly new kid in his twenties -- take your rifles and head out. You're on an easy route today, just clearing out the town over the hill and the highway exits near Jackson. Shouldn't take you more than a few hours.

It goes to shit fairly quickly.

The kid -- Conner? Charlie? You can't remember -- is rambling about the infected he's killed for some reason when you realize something isn't quite right. You can't hear any birds. Apollo snorts and it sounds panicked. You motion for the kid to stop talking but he either ignores you or doesn't see.

He sure shuts up when the clicker bursts out of a house to your left. Apollo startles and rears at the moment you reach for your gun and you can't grab hold in time.

You go flying, bouncing off a rusted-out car and landing hard on the broken pavement of the street with a popping sound. There is a pain in your shoulder so intense your vision whites out. The kid is shouting, the clicker is making that awful sound, but then you hear two gunshots and nothing else.

"Holy fuck," he says, rushing over to you. "Fuck, are you okay?"

Well, for a talker, this kid a good shot.

"Get the -- horse --" You roll onto your back with a groan and he grabs Apollo and settles him.

"What happened?"

You stare up at the sky, blue turning purple. It'll be sunset soon and you very well might be fucked if this is what you think it is.

"I think my shoulder popped out," you say through gritted teeth. Your head doesn't hurt like you smacked it and your side is only a little sore. Maybe some bruised ribs. Your hands are scraped, blood beading on the heels of your palms. "Help me up."

"Holy shit." He helps you sit up and then stand, your left arm hanging limp at your side. You hiss through your teeth as it gets jostled and lean heavily on the car. "You don't look so good," he says. "Can you ride? We should only be a half hour out of town."

"I...don't think so." You're pretty sure you'll pass out from the pain and this kid doesn't look like he can handle that. You don't want to fuck up the joint any more than you have to. "You're going to have to go back and bring someone to set it for me, okay?"

"But the rules say --"

"I know what the fucking rules say," you snap. Don't let your partner out of your sight. Your shoulder is throbbing and you might cry but not until this kid is on his way back to town. "That's why you're going to go as fast as you can, alright?"

"We should at least clear a building first so you can --"

"No time," you say, looking at the sky. "If we want to be back before nightfall you need to go now. I'll handle myself."

You really should know his name. He sets his jaw in a move that reminds you of Joel which causes a pang in your chest so intense you want to rub it away. "I'll clear that garage, okay?" He points behind you and before you can stop him he runs towards it with his gun out.

Lucky for both of you it's clear. You take Apollo inside and slump against the wall, pistol in your hand. The kid closes the garage door behind him and you hear the clop of his horse as he gallops away.

"Fuck," you say into the empty room. It's dusty and full of cobwebs and not much else. Empty metal shelves, a rusted-out lawn mower, some tarps so ratted they're useless. Apollo snorts. "Not your fault, buddy."

Death has been nipping at your heels for twenty years now. You've always expected it. And you're fairly certain you won't die out here. Maybe end up spending a night on this floor, having to walk yourself back to Jackson tomorrow morning. But you can't help the fear that rises in your throat. You know how an injury like this means so much more in this world. You won't be able to work for weeks. You won't be able to patrol, to pull your weight.

You're going to need a lot of help.

You close your eyes against the stinging tears and thud your head against the wall.

The pain dulls the embarrassment you feel when you catch yourself thinking of Joel. You wish he was here. If you'd been on patrol together this wouldn't have happened. You wonder what he's going to think of this.

What you'd really like is for him to hold you and tell you it'll be alright.

A few tears slip down your nose. Apollo noses at your knee.

There are no windows so you don't know how much time has passed. You start to question if this was the right call. Maybe you could have made it back on horseback, or at the very least slung across the back of Apollo like a sack of flour, arm be damned.

Your traitorous brain is about to remind you of all the things that go bump in the night out here when you hear something. 

Someone is calling your name. Yelling it.

"Here!" you scream. Apollo whinnies. "I'm here!" You have no idea if they can hear you. You press your good shoulder into the wall behind you and try to push yourself to your feet but just as you do the garage door is hauled open and there stands --

Joel.

A sob bursts from your throat and you will yourself to pull it together. Behind him the sky is much more orange than it was when you first sat down.

Joel's eyes look you up and down once before cataloging the space and locking on some milk crates. He stacks two of them.

"Sit," he says. His voice is tight.

"Joel --"

"Sit."

You do as he says. He kneels at your feet and rummages around in his bag. His horse stands munching on some overgrown grass on the driveway. Did he come alone?

"How are you here --"

Joel cuts you off with a glare. His eyes are blazing, jaw grinding as he holds out a length of bandage.

"Hold this." He stands and his knees crack. "Kid said it's your shoulder. Anything else?"

The throb is still deep, still intense, but his arrival almost made you forget all about it. You shake your head.

"Didn't hit your head? Crack ribs? Nothin' like that?"

"No, I don't think so --"

"Need you to sit up straight," he says. There's no warmth in his tone but it's a little softer now that he's taken stock of the situation. "I ain't gonna lie to you, this is going to hurt like hell." He digs in his pocket for something and pulls out a square of leather. "Need you to bite down on this."

He squats so that you're just about face to face and holds out the leather. It feels like being in your kitchen, you holding out the spoon and fighting your desire to touch him. Except this time he won't look you in the eye. You open your mouth and he gently places it between your teeth, thumb catching the corner of your lips and trailing along the edge of your chin before he pulls away and stands up.

"I'm going to reset it on three, alright? Bite down hard on that." He finally meets your gaze and you nod and close your eyes. He puts one hand on your shoulder and the other on your wrist and you wince even though you feel incredibly safe in his hands. "Alright. One...two --"

Joel jerks your arm up and around before he hits three and you barely hear it pop back into place because, as he said, it hurts like hell. You bite down hard on the leather which also serves to muffle your scream.

Someone is talking to you."I know, baby, I know. Good job, you did a good job."

You open your eyes and wipe away a few tears with one hand and pull the leather from your teeth. Joel looks pained but his face snaps back to neutral when he sees you watching. His eyes narrow.

"Where did that come from?" He gently grabs your wrist and looks at your palm and you both find it bloody. "Got it on your face."

"Scraped my hands when I fell," you say hoarsely. He clicks his tongue.

"Give me that bandage." You don't even get a chance to hand it to him because he plucks it from your lap. "Gonna make this into a sling for this arm. Try not to move it much. Then we'll clean those hands and head home. Get you to the clinic for some meds." He gently positions your arm, which hurts a lot less than before but is still throbbing, and ties a sling so it's bent close to your chest. You can feel his breath on your neck as he does the knot.

And then he's back crouching in front of you.

Joel Miller on his knees for you so many times in one day makes you a little dizzy. Or maybe that's the adrenaline.

"Are you angry with me?" you ask softly as he wipes clean your palms and cheek with firm touches. The muscle in his jaw twitches again and his hands freeze for a split second.

"No," he says. "I ain't mad at you. I just can't believe the fuckin' kid left you here."

"I told him to."

"Can't believe that either. You know better."

"It's fine, Joel," you say. "It doesn't matter. I would have just walked back in the morning if no one came --"

He pulls his hands away and tosses the rag to the floor. "Damnit, it does matter," he curses. "'Course it fuckin' matters. Cut that shit out."

Now you're confused. It sure seems like he's angry with you. "Joel, I don't understand --"

His hands cradle your face and the protest dies in your throat. "You matter to me," he says thickly. His eyes are wide but his stare is steady. "Ain't it fuckin' obvious?" Anger and desperation are dripping from his words. "It matters."

For one long second you think he's going to kiss you. Now that might kill you.

You wrap one hand around his wrist and lean into his palm. A thousand thoughts swirl in your head but you focus on one. Joel is here which means you're safe. Joel is here which means he's going to take care of you. Joel is here. Joel is here. Joel is here.

"Oh," you breathe. You turn your face in his palm and press your lips to the center of it. His breath hitches and it feels like something big between you shifts, slots into place. "Okay," you say against his skin.

He pulls his hands away and stands. He works his jaw a few times before shouldering his pack and holding out his hand. "Let's go home," he says.

You stand with his help. "I think you'll need to help me get on my horse."

"Not a fuckin' chance," he growls but you can still see tenderness in his eyes. "Can't hold on well enough with one arm. We're ridin' together."

This Joel is one you haven't seen. But this is what you wanted, right? You want to see every part of him. Something molten and heavy sits in your stomach at how tense he is, how his hands remain gentle despite his harsh words. How he just told you that you matter to him. Maybe this is all a dream.

He helps you on his horse and then gets on behind you, tying Apollo's reigns to his so you won't lose him. He wraps one arm right around your stomach, mindful of your arm.

"Ain't gonna be comfortable," he says in your ear. "But it'll be over quick."

You lean back into him. Hell, it's all on the table now. If your arm is going to hurt you might as well enjoy your time pressed against him.

"Oh, I don't know," you say. "This isn't so bad." He snorts and snaps the reigns.

He talks low and steady in your ears as you gallop, his palm firm on your abdomen to keep you as still as possible though it's a hopeless venture. Your shoulder aches, sends sharp tendrils of pain through your entire arm with every stride.

He tells you that he was on the wall when your partner came back alone. That he knew something was wrong with you as soon as the kid came into view. He'd seen the patrol assignments and knew you were paired together. Kid didn't know what flag to use to signal his approach because you're not supposed to leave behind your partner.

Joel tells you how he hopped down from the wall and asked the kid where exactly he left you. Demanded to know how hurt you were, if you'd been bit. He was on a horse before anyone else could get their shit together, told them to get Tommy and have the clinic ready for you. Started hollering your name as soon as he got to the street, rifle ready for any infected to show up.

"Damn miracle when you yelled back," he says just as Jackson comes into view. You're sweating and dizzy from the pain, practically all of your weight slumped back into his chest. "Almost there, sweetheart. Doin' real good."

The rest of it is a blur. Joel takes you to the clinic where he becomes increasingly agitated that he set your shoulder wrong until one of the staff says he did it just fine. They give you a real sling and one painkiller to take if you hurt really bad, despite some harsh words from Joel in an attempt to get you more.

"Don't move it above your head for two weeks. Keep the sling on for that time, too. Ice it today, start moving it back and forth a few times in a few days. You got someone to help you for a bit?"

Before you can open her mouth Joel answer for you.

"Yes." The nurse hides her amusement well. She lets you go. Joel keeps his hand on your back as he walks you to your house.

You stop him when you get to your front door. "Joel --"

"If you're about to argue with me, so help me God, I'll --"

"I was going to ask if you need to go check on Ellie." You pull out your keys and after a second hold them out for him. Maybe letting Joel help you is helping him, too. You can handle that. You think.

"Told Tommy to when I left. I'll go home once we get you settled."

We.

"Okay," you say softly. He unlocks the door and motions for you to go in. You sit gingerly on the couch and Joel brings you a glass of water.

And then he paces. He looks at the books on your shelf without seeing them and rubs his thumb against his first two fingers over and over. And all of a sudden he won't look at you.

"Joel, sit down or something," you grumble. "You're making me nervous."

He stops. "Fine." His tone has a bit of bite to it that makes you close your eyes. There's an armchair in the room but he sits next to you instead. He presses his knee to yours, almost in apology.

The adrenaline has faded by now and all you feel is the ache of your shoulder and ribs and rawness of your palms and heart. The shoulder hurts like hell but in a way all of this hurts deeper, harder than that. In the way you know love, or the beginning of it, can hurt.

You sniffle.

Truth is you're overwhelmed. By what happened, by Joel coming to get you and saying all that shit. By him touching you, by him being here, by your own heart beating so quickly at his nearness. Even though you dared hope he felt something close to your affection for him it's a shock to realize he cares about you because you're you, not just because he's a good man. You've always wanted love that came from a place of purpose, which feels selfish on the best of days. You should just accept whatever kindness comes your way in this cruel world.

But, fuck, you've always wanted to feel chosen. Like you matter.

And you do. Right here, you do. From his own lips he's said you do.

You don't even realize you're crying until Joel curses softly and one wide, warm palm is on your face again.

"What's wrong? You hurtin'?" His thumb swipes at your tears. "Talk to me."

"I'm fine." You press your face into his shoulder and he holds you, hand soft on the back of your head. "I'm just -- I'm just really glad you're here, Joel."

"Course I'm here," he says into your hair. "C'mere."

There's nowhere for you to go considering you're already pressed against him. But his arms come around you fully, mindful of your shoulder, and your fingers fist in his shirt.

You should be embarrassed. On the scale of fucked up shit that's happened to you, today is remarkably low. But you let yourself have this. You breathe him in and let him hold you.

"I was going to ask you to get a drink tonight," you mumble. His chest vibrates with laughter.

"That so?" he says. His hand rubs up and down your spine. "Reckon I'd say yes."

You pull back just enough to see his face. This close you can see how his eyes have a bit of gold in them. "Really?" Even with proof of his affection right in front of you it's a little hard to believe.

"Am I readin' this wrong?" he asks. "It's okay if I am--"

"No," you say quickly. "No, you're not."

"Thought so." His lips pull up at the corner just a bit. "But, still. You've had a real rough day, and --"

"Joel," you breathe. You free your good arm from your embrace and put your hand on his jaw. He's touched you plenty today and you want to give it a try yourself. His face is warm, his beard gently rubbing against your skin. His eyes flutter close for a breath before he opens them wide and leans into your hand just a little.

"Alright," he says softly. Then he says your name, just once, ever so tenderly. It sounds like a prayer.

Joel Miller kisses you in the middle of your living room. Despite the affection you've been nursing for him over the last little while you never allowed yourself to imagine what it would be like to kiss him.

It's like this: the first press of his lips is soft like he thinks you'll pull away. When you don't he takes your lower lip between his and presses a little harder. Your hand slides into his hair and he palms your hip with one of his and cups your face with the other. His tongue traces the seam of your lips and you open for him, let him lick into your mouth. You sigh into it and tug on his hair just a little. Joel makes a sound deep in his throat and then pulls away.

You're both breathing heavier than before, both smiling. Joel presses his lips to your forehead, your temple. He holds you against him and you breathe against the skin of his neck.

"Will you let me take care of you?" he says into your hair.

"For my sake or yours?"

You think he'll laugh but he just breathes. "Both," he says. "Hell, you know what's goin' on here. I showed my hand. Been showin' it." He pulls away so you can see the honesty in his face. "I told you in as many damn words as I know how."

He did. He did and you make yourself believe it. Love in this life is worth holding on with both hands. Whatever this is, whatever this is going to become, you want it. You want to let this man continue to teach you to ask for help. You want to learn from him, maybe teach him a few things of your own.

You want to love him. You think you could sooner rather than later.

You trace the line of his brow, run your fingertip over the scar on the bridge of his nose.

"Can you kiss me again?" you ask.

"What a fuckin' question," he says. "C'mere."

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