#i also know for a fact that this story hasn't been done yet

[silverwolf1249]

you know that soulmate au where A is one of the few people who can see red strings of fate and B can't, and B always asks A if who they've fallen in love with are soulmates and A keeps telling them to bug off and is super prickly about it? Then it turns out A is actually soulmates with B which is why A was always so prickly about it?

yeah, yeah that but make it superbat and bruce is the one who can see the strings. identity porn and pining angst whomst?? clark is out here with lois thinking she is definitely his soulmate but wants bruce to confirm it, and bruce is a self sacrificing bastard with plenty of emotions the whole time.

also cackling about the potential event in this au where they're all at a jl meeting and bruce accidentally drops that he knows oliver and dinah are soulmates(which they knew since they confirmed it with another person who can see the strings), then gets fed up when they get outraged about the "invasion of privacy" and is like "i can't exactly unsee your strings!" in an attempt to shut them up, but instead makes them make even more of an outroar.

[genericpuff]

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

[gnomewithalaptop]

I'm still too distracted to write so here have a list of YJ-cast centric fics that make me froth at the mouth

Kon-centric recs:

I Want It That Way (1990s Tim/Kon) by WynterSky / @wynterstars -- A revamped, 90s-style Superboy origin story with added Lex Luthor AND a lil bit of 90s Robin for spice and flavor. Honestly, this whole series is so elite -- goes hard with the Superboy mythos + angst PLUS the third fic leans hard into the secret identity shenanigans in a way that'd make Miraculous Ladybug jealous. The first fic splits its attention between Tim and Kon, but the latter two are solidly Kon-centric

one plus one (easy math) by connerdrakewayne / @comphetkoncass -- Cassandra Cain and Kon go to a gala together. I'm always a sucker for a good Cass + Kon friendship. This one's very short and sweet, and it gets the job done -- 10/10 would read again

a timeline can be a haunted house by connerdrakewayne -- post-universal reset Kon angst + terrible coping mechanisms! This one goes so hard I read it three times. Tbh this author has an excellent handle on Kon as a character in general, so I honestly recommend just checking out their whole fic stash

Tim-centric recs:

Top 10 Secret Identity Fails by @havendance -- Tim's new English teacher is his on-again-off-again superhero teamup Helena Bertinelli (aka the Huntress). This one's just fun, okay -- the whole thing reads like it could be straight out of Tim's 1993 solo run, plus I love the dynamic between him and Helena. Overall just a very cool vibe

only the dead stay 17 forever by Sky_Dust (couldn't find their tumblr sorry) -- Listen, I've really been restraining myself here, because I realize my love for time-travel bullshit is not universal, but I genuinely couldn't not include this one. This bad boy is a Tim-centric time-loop featuring a seriously unhinged Tim -- definitely a darker tone, but I can't stop rereading it

Bart-centric recs:

reflections on respawning: a gamer's uncertainty by merils / @mamawasatesttube -- Bart has a hard conversation about his death and subsequent resurrection (feat. Kon) man, I just vibe with this one so hard. It's such a thoughtful take on Bart's more contemplative side, while still managing to keep his personality intact

the backlash to the backlash to the thing that's just begun by @kermit-coded -- trans/gnc impulse my beloved <3 also we get some funky Max & Bart bonding, made much rawer and more real by the fact that it's the 90s and nobody knows what they're doing. Again, feels like it's straight out of Bart's solo series

Cassie-centric recs:

you and I, we are more than just this armor by @suzukiblu -- KonCassie bonding + gender feels. They're both so trans in this, and the author does a great job of really digging deep into their complicated feelings (both about gender and about each other)

(also PLEASE somebody give me more Cassie-centric fic recs I'm literally begging you)

Team recs

I'm all yours but you're all mine by suzukiblu -- Poly Core 4 Soulmates AU! Essentially, everybody gets their 'soulmark'/soulmate-identifier (not really, but the best word) right when Kon wakes up in his pod, and because Superboy hasn't really made his big splash yet, they misidentify their soulmate as Superman; this is an issue mainly because 1) they're all 14-15 and Superman is roughly 30-ish, and 2) by the time this fic takes place, Superman is pretty verifiably dead. Currently in-progress, but this is such an interesting and fun take on the usual soulmates trope. I pinky promise you won't regret reading it

Love, Not Loved series by @popsunner -- hoooomygod this series makes me cry literally every time I read it, it's genuinely one of the most realistic representations of grief I've seen on AO3. Basically explores the general fucked-up-edness of pretty much the whole YJ Core 4 Squad dying one by one, with each fic focusing on a different funeral (complete with survivor's guilt, regular guilt, and just plain old complicated feelings). We get Cassie feels, we get Tim feels, we get Bart + Kon feels -- it's the whole shebang. Don't worry -- there's a happy ending eventually, but you def gotta work for it. This series beat me up and stole my lunch money and I'd happily do it all over again

Lost the Last Piece of Me by InsaneTrollLogic / @last01standing -- YJ Core 4 Animorphs AU! I'm sad to say I've never read the original Animorphs series, but every single Animorphs AU I've ever read has been such high quality. Unsurprisingly (I love this author, okay), this fic is no exception to that rule. Solid alien-invasion plot, character driven, and the world-building is explained well enough that even a newbie like me can understand (feat. some TimKon, but it's not the main focus)

Ikonoclast by anantipodean (couldn't find a tumblr) -- Tim and Kon get sent to an alternate reality that's almost (but not quite) like their own. This one's just fun for me -- I love the TimBart buildup and the worldbuilding on the other Earth is a funky time. Also, the other universe's Tim is goth and absolutely cannot stand mainstream-reality Tim, and I find that extremely funny for some reason

[captainuranium543]

Thing I've noticed about the Fairy tail fandom misogyny problem (I'm about to sound like such a nerd)

Not to be the loser of the year but the easiest way to see the bad treatment of women in the ft fandom is by imagining what would happen if you swapped the genders of gray and erza.

As we all know gray has a running gag of taking off his clothes, however while people clown on him for this it's also well known and obvious that he is more than that. He has depth and character beyond just that gag. In the more recent 100 year quest he really hasn't done that much by comparison to natsu Lucy erza or even Wendy. This has been (reasonably) upsetting to some fans arguing that he deserves better. I agree with this but I need you to imagine what the reaction would be if he was a women because it would be a completely different story.

If gray was a character who didn't get a lot of development and was always taking off his clothes as a women people would not be saying he deserves better then would be absolutely dog piling this dude calling him useless and fanservice only completely ignoring all his previous development.

How do I know this? Because that is literally what happened to Lucy. Back in the 2010s people WOULD NOT GET OFF HER ASS. people were constantly calling her useless (completely ignoring the fact that she's a brand new wizard being compared to guys who've been doing this since before puberty and NO SHIT SHES NOT THAT GOOD YET. THATS WHERE THE DEVELOPMENT COMES IN). It made sense for Lucy to be weaker than the others she was brand new to this and that was literally the point of her entire story to watch her grow as a wizard and become more independent and powerful. In some instances Lucy was written to be a damsel in distress character but rather then looking at her as an obvious victim of bad writing it was treated like it was somehow her fault. Gray and Lucy are very similar characters but gray is treated far more favorably right now than Lucy ever was back in the early days.

As for erza, people cannot stop calling her a plot armor character. All I see online is none stop hating, some people even claiming it's worse than natsu. The things is, to a degree they are right erza does have plot armor, the issue is that so does literally everyone else. As much as you don't want to accept it erza fights more so it's more noticeable with her but every single fairy tail fight outside of a few will have an element of plot armor ESPECIALLY for natsu.

The issue I have isn't that people are wrong it's that they completely ignore the fact erza is literally only being treated the same way male anime characters have been since the dawn of time but now suddenly it's a problem. Being overpowered and winning by punching things harder is fine as long as you're a dude ig.

It's even worse when people argue she's a Mary Sue because she objectively isn't. She not only has so many flaws that come to mind easily, she had probably one of the strongest character arcs I've ever seen. She's gone through more character development then 99% of the cast the only problem is that it happened very early and afterward Hiro didn't really know what to do with her.

That being said, even if she had no character arc at all I STILL WOULDN'T SAY SHES A MARY SUE. BECAUSE A MARY SUE IS A CHARACTER WITH NO FLAWS. AND NOBODY IN THIS SHOW IS MORE FLAWED THEN ERZA IS. I've heard people argue that all her flaws are comedic and, ignoring the fact this is just not true she has plenty of flaws that are genuine problems she needs to grow from (ie galuna island, tower of heaven and edolas), who cares if they are comedic? Natsu is also a very flawed person and has not had to change even a fraction of the amount Erza has and does that make him a Mary Sue? No. Do I still love him? Absolutely, he's funny as hell.

This post was not made to complain about gray or natsu btw Its not that I think they're useless or Mary sues I just don't think any of these characters are at all and I think people who do think that should all explode. Anyway this is just what I think feel free to disagree but don't try to argue with me because nobody is changing my mind on this one.

[spider-jaysart]

Okay soooo, first time I'm doing something like this, but I wanna introduce a fave oc of mines today that I've been working on for a longtime now :)

Her name is Nadja Al Ghul-Wayne-Kent and she's a Damijon kid

(Click for better quality)

@camo-wolf @paladin-of-nerd-fandom65

The name Nadja means "hope" in Arabic. My very dear friend @theredheaded-stuff was the one who helped me pick it. And her hero name is Super Canyon, which is inspired by the Canyon Wren bird

(More under the cut)

(Edited some stuff on this post now btw)

Backstory:

After being inspired by the story of how Kon was created, a secret group of no good scientists, who just love causing chaos with many of their inventions, decided one day to create a mixed clone of both Damian and Jon, thinking they can do better than Lex did, so they collected both of the boys DNA's after one of their recent battles in public and got to work. Once their experiment was supposed to be done, they saw that their machine had actually created a baby girl instead of a grown, powerful clone like they had wanted, so they were ready to dispose of her as a failed subject, but were suddenly stopped just on time by Damian and Jon who broke into the place and kicked their butts after finding out that a recently committed crime they were investigating was caused by them. When they were done, the boys found Nadja and were surprised to find out she's a clone related to them both. They decided to take her with them and made her their daughter to raise together after that.

Personality:

She's helpful, stubborn, is as intelligent as Damian is, friendly but also tough when she needs to be, observant, sometimes a little too honest about things but doesn't always mean it as rude, courageous (a trait that can be pretty helpful sometimes, but also get her into really big trouble during dangerous situations too), a prankster, and very protective of others, especially her loved ones

Abilities and skills:

She has the usual Kryptonian abilities, which are flying, super strength, superhearing, superspeed, superbreath, ice breath, invulnerablity, x-ray vision, and laser vision that's purple instead of the usual red (because Lois has purple eyes, so it's something unique that was passed onto her that way). Sometimes they don't always work though and can accidentally get out of hand too since she's still growing and learning, but Jon aways tries his best to help her get better at using and controlling them. Nadja also uses many concentrating tips from Damian too for improvement, like meditating for example and other things like that, and he helps her practice them

And because she's half Kryptonian, she also has a couple of unlocked special abilities of her own too, which is invisiblity, the ability to phase through walls and objects, plus the power to also transfer the heat of her laser vision into the palm of her hands to burn who or whatever she touches and she can also let it absorb her whole body too if she wants, which makes her even more untouchable and at the same time lets her release a strong fiery blast around herself onto enemies or incoming threats (her body glows completely purple whenever she does this and if it's just her hands, the same happens to them too). Nadja hasn't been able to properly master these special powers yet though, only one of them, which is the invisiblity one

For skills, thanks to teachings from Damian, plus Talia whenever she visits her, Nadja knows how to use a sword and fight well in combat in case her powers aren't working the way she urgently needs them to during patrols and missions

Random facts:

She calls Damian Baba and Jon Dad.

She calls Clark "Grampops" and Bruce "Grampbats". For Talia, she calls her "Grandmother" and for Lois, she calls her "Grandmama".

Her best friend is her same age Cousin Dick II, the Son of her much older Cousin Jake Grayson and his Wife Meredith Robinson. In the Batfamily (besides Damian), she's close with all her Aunt and Uncles. And for the Al Ghul's, she also gets excited whenever she visits Talia and Ra's. And while she definitely also gets along a lot with her other relatives who are in the Superfamily, the person she's most closest to there (besides Jon ofc) is Kon, due to them both being created as clones meant for evil but turned out good instead, which got them to bond even more as Uncle and Niece.

Her voice sounds like Clementine's from Telltales the walking dead games, but specifically the version of it from season 2 for the tween age she's in right now.

She has messy hair like Jon when she lets it loose. Jon is the one who always has to brush her hair whenever it gets tangled up, since the steel strength of it is just too difficult for Damian to actually handle himself.

Nadja laughs at Damian's jokes all the time since she gets his dark humor and he loves that. They always laugh a lot about it together but when Jon's around, they're Iike "You wouldn't get it" and he gets all offended.

Jon passed his love for noodles onto Najda and Damian's usually like "That's not healthy!!" And tries cooking her vegetarian meals more often or healthy ones that Talia would used to make him back when he was a kid, just so that Najda will eat real food lol. Najda also really loves the meals that comes from Damian's culture too and gets happy whenever he makes them for dinner.

For nicknames, Jon will sometimes call her "Sweetpea", "Sugar cookie", and "Tootsie pops", while Damian calls her "Habibti", "Thamin" (meaning "precious" in Arabic), and "Galbi" (which means "my heart" in Arabic)

Damian matches his outfits with Nadja all the time just like Talia would always used to do with him when he was a little kid. He does this with Jon included too and they take pictures together.

When making her hero suit, Damian was the one who helped Nadja out in drawing the designs and brainstormed ideas with her. When she had finally found one she liked and was ready to make it, Damian and Jon could've helped her sew it and everything, but they didn't have many materials that she could use or a sewing machine either, only a regular sewing kit that they use to fix up their own suits whenever they get damaged, so they let her make it with Ma's help instead at her place when they visit her and Pa again, since she actually owned a machine and also had a sewing room filled with many useful materials. When asked, Ma didn't mind letting Nadja use her stuff at all and was instead delighted about it since it would just give them the chance to spend time with eachother while doing one of her favorite hobbies together.

And next time, while having their usual Mother and Son days out together, Talia helped Damian pick out the sarong skirt for Nadja while hanging around stores, since they thought it would be nice for her to have one. Jon was the one who bought Nadja the red sneakers while shopping together with Kathy, since it reminded him of Kathy's old purple, rainbow ones, but with a twist of red thrown onto it, which also reminded him a lot of his favorite old ones that he used to always wear as a kid too. Dick and Cyborg helped her insert digital tech into her cuffs, which lets out hologram screens that let her know whenever she's over using her powers since she's still mastering them and it does plenty of other useful things for her too.

Najda was also given a mask to go with her suit at first too since she thinks it's annoying to wear glasses in her regular life everyday, but then it got lost during a fight and some villains saw her face, so she was still forced to go with the glasses route in the end anyways.

As adults, Jon's a scientist and Damian's a veterinarian. Najda likes visiting both of her Dads at their day jobs after school and doing her homework there while they work. She always promises to behave and not get in the way and if she has no work to do, she'll help them out too, which they appreciate. She also loves watching what they do and let's them happily explain their favorite stuff about the job to her. She knows a lot about taking care of animals and science because of this.

Nadja loves music and making it too. She even thinks about playing rock music for a living when she grows up. Damian and Jon support her in this and buy her the instruments she needs and they also listen to her songs when she wants to show it off to them. Because of them being in a band themselves back when they were kids, Damian, Jon, Chris, and Jake give her lessons sometimes on how to better play her instruments.

Civilians and especially interviewers always question about how they had Nadja and just assume that she's adopted or assume that just because she looks more like Damian, she's probably from a secret ex girlfriend he had before being with Jon. The last one annoys both Damian and Jon so much, especially Jon since Nadja is actually his kid too and he gets jealous at the thought of the ridiculous idea. Both him and Damian hate these rumors and just want everyone to mind their own business.

[charlidos]

THE CHRONICLES OF THE CUNTYBAGO

I love the lore of the Fellowship, I can't get enough of it. And it's really turned into a kind of myth, hasn't it? The stories have been established, from being told again and again. Regardless if it's not the whole truth, or even not true at all. The lore has a life of its own. And it changes, depedning on who's talking, and over time.

The lore of the (inappropriately named) Cuntybago is a favourite; that famed make-up trailer bus where Orlando spent so much time with Viggo (hours and hours for years and years if you listen to Orlando) absorbing everything Viggo did.

So here's the Ultimate (very long) Cuntybago Post.

The Cuntybago is apparently where all the after-work parties happened. Most of what actually happened on it is still secret, private events not to be shared; after hours, after some wine/whisky drinking. What kind of special stuff was in the drawers? What did they really smoke? And, most intriguingly, who exactly was left onboard when everyone were ordered to get out... (Erm, V&O, perhaps?)I'm sure there are many more photos from the bus. Like a photo of Viggo & Orlando - which has yet to be seen. Oh, to have been a fly on that wall!

(A clip from the last day of the reshoots, in 2003. Because it's the time the bus has been talked about the most. Even if I'm unsure if this is the actual Cuntybago or not. Since it doesn't look green...)

Mortensen and Orlando Bloom spent much of their off-time on a green bus they named the "Cunty-Bago." Instead of the standard luxury lodging demanded by most stars on set, Viggo and co-star Orlando Bloom shared a converted bus while filming Rings. Viggo stocked the bus with a wine cellar and wallpapered the inside with candid behind-the-scenes photos. A source on the set said the bus was the site of frequent cast parties, with the motto, "Everyone is welcome, but when it's time to go, get out!" Indeed, they formed a club — The Cunty-Bago Club. [Viggo, Sean and Orlando] shared a make-up Winnebago, and through hours of beard and pointy-ear application formulated the rules of their society — most of which boil down to getting gossip and posting it on. [on what? I think the text is cut?]

There are very few quotes from Viggo. If you read his old interviews about life on set it sounds like he mostly worked 6 days a week, 14 hours a day. And in his free time, he went camping and fishing by himself and just drove around to get some me-time. That's it. It all sounds like mostly work and no play for Viggo. Cementing this image of him being ever serene, wise and a hard working method actor who never stopped being Aragorn. But then, we have the stories of this bus, which shows his wilder side...

(Viggo in ponytails, with a glass of wine and banana, in front of that mirror covered in photographs. They both took a lot of photos on set, so I guess a bunch of those photos are Orlando's.)

All Viggo's said is this:

"It was a crazy small bus." "Everything had cunt. It was 'cunt this' and 'cunt that'. We had a cuntmas tree, and we had cuntmas angels."

(Orlando on the makeup bus. )

Orlando has mostly mentioned the bus in passing, as he loves on Viggo, his great hero. And in his words, it always sounds like it was just the two of them... (when in fact it was from time to time also shared with Sean B, Bernard and Liv - but only Viggo & Orlando were there the whole time).

[Me and Viggo would] sit next to each other for a couple or hours each morning in a make-up truck. You get to know someone that way, more than by being in scenes with them. I used to sit next to him on the make-up bus, and find myself just staring at him while he was having his make-up done and drawing in his book or writing his notes. I would find myself fascinated. When I went back for re-shoots, I was on my own and he wasn't sitting there, and I suddenly was sitting in the makeup bus that we'd been driving around in for 18 months in New Zealand and got really emotional and felt that it was kind of weird to be there without him there and sort of reflected on all of the happy conversations and chats and glasses of wine and talks that we would have at the end of the day or whatever. He really had a huge impact on my life as an actor.

But he did say a few specific things too:

"Ahhh yes, the bus. It was mine, all mine. It was my precious." Bloom christened the bus the "C-word" when the makeup artist was fuming about someone and asked Bloom's advice. "You should kick him in the cunt and tell him to fuck off!" Viggo just lost it for half an hour. He kept saying, 'What did you say?' [The bus] became all about "the word. We took that word and took all of its power away. We made it the most loving word in the world. If you were a true cunt, you were the most amazing person in the world. It was a very free-spirited bus. It came about because me and Viggo kept being moved around, and we ended up on this bus one day. And the actors were fed up and we said, "This is it. This is our home and we are not moving. If they come, tell them to go away."

And finally from Orlando's IG in 2019 (obviously, to this day, a very important part of his life):

Our fondly named makeup bus, christened by Noreen my makeup artist and Viggo Mortensen, was, and remains in my heart and memory the most female and male empowered, joyful, disreputable and yet totally respectful place of work and creativity ever. Hours spent in the the makeup chair to apply ear’s and wigs and contacts." (They can't even agree who named it, Noreen never got any credit back then...)

(From the reshoots in 2003, Viggo gives Orlando some love and points out the photo message from Orlando on the mirror. But I want to know, who put up the pic of O with Brad Pitt? From this clip.)

The comments from everyone else in the cast about life on the Cuntybago are actually more enlightening. The rowdy gang reveal another side of life on set and of Viggo: as a drinking, partying prankster who loves crude language. It's definitely part of the fascination with Viggo. He's never one to talk about these things himself.

(I think they're wearing the special cuntebago t-shirts here. No idea from whence.)

Bernard Hill:

You are not supposed to know about it!" "There were five or six of us - Viggo, Orlando and Sean [Bean]. Liv came in and out [of the group]. Viggo has this special kind of crudeness that he is capable of. We were in the same make up bus [along with Bloom]. When I came back [from a break] it was called the Cuntybago. It was our private club. We had wine tasting sessions and had lots of parties. We also kept lots of food in there. Anything that was out [on the table], you could have. You could drink it, eat it, borrow it, smoke it… but don´t go looking in any drawers. That´s where we kept our 'special stuff'! [The Cuntybago bar would on occasion open very early] like 6:30am. There were days that we needed it. [I've made life-long friends with] everybody who was in the Cuntybago. Leaving the first time was such a huge wrench. Especially because of the Cuntybago, it was like our club. Fortunately we managed to get it back for Return of the king reshoots, so ROTK was the Return of the Cuntybago. We actually drove it out onto the streets for Viggo’s farewell. Viggo didn’t know we were going to do it, and when it started moving, you should have seen his face. I kept shouting, “Cunty libre! Cunty libre!” And the bus start leaving—we were breaking free. For propriety’s sake it was called the C-Bago Club, because you couldn’t put Cunty on the call sheet. Sean Bean came in, Liv was also a part of it. As soon as I get back to England I’m going to start the C-Bago web site: Orlando will do fashion and Viggo will do current affairs. I’ll probably do gossip — you know, the social calendar. Liv will do Hollywood and Sean Bean will do the art of war. It’ll be our little corner of the world.

(Bernard & Orlando Bloom getting make-up done. Here's the green bus again.)

Elijah:

Cuntybago is an amalgamation of 'Winnebago' and Viggo Mortensen´s cuss word of choice. I've gained an appreciation of the word cunt. Negative words - the best thing is to diffuse them by using and taking the meaning away. Cunt! Cunt! It's a great, great word. Very forceful. [Viggo] became utterly fascinated with it and it became the word of the film. Their Winnebago for makeup was called the Cuntybago. I was not a part of the Cuntybago unfortunately - it was the makeup room of Orlando, Viggo and Sean Bean - but it was a lovely place to visit. Cuntybago T-shirts were made up. There was a Cunty Christmas and we had a Cunty Christmas tree, all this stuff. Cate Blanchett [who plays the elf queen Galadriel] was deemed Her Cuntliness. I think we were all secretly jealous of the Cuntybago. I was anyway. I loved the atmosphere. Any place that had Viggo in the centre was always an interesting place to be… And that was where all the alcohol was. It was just spending all of that time with brits and Aussies. The word ‘Cunt’ came up quite a lot. I was fascinated by that and how it could become not so dirty. It’s one of the few swear words that still shock people." Is that why you called Cate Blanchett “Her Cuntliness? “Not my creation. She was called that by Viggo Mortensen. I put the blame on him. It was used during the making of the movie and seems a bit silly now. Wood says that his Cuntybago T-shirt is home in a drawer. "It's too big for me. I'm a small guy."

(A few photos up on the mirror in front of Viggo. I'm guessing it's Henry on the toilet (aww!), and Viggo and Orlando doing something something... Sharing a cigarette? Extinguishing a cigarette on Viggo's tongue? It looks kind of erotic. And who's the other dude?)

Billy:

"On Lord of the rings we'd go to Viggo and Orlando's trailer which was called The Cuntybago. Viggo was good for getting Irish whiskey, which was great but I keep trying to educate him on malt whisky. (To Billy it was just V&O's trailer. Like it's where they lived together...) Hobbits, an elf, a King of Men, maybe a dwarf. And quite a few times a wizard, sometimes a princess. Ha ha! That's enough to make anyone feel pissed. We had some good times on that one, some great times."

Peter Jackson:

"The actors had a spiritual connection to it. I liked the way they had photographs [Mortensen and Bloom] taken behind-the-scenes, plastered all over the walls."

(From the reshoots, I think. Beautifully blurry.)

Liv Tyler:

I can't believe he [Mortensen] talked about that. That was our private world. There was a lot of liquor on that bus. But the funniest thing about this bus is that this thing was a beast. It was so tiny; nothing worked. If they ever washed our hair it would go from scalding hot to freezing cold. There was no heat. Our makeup trailer became the center of things. It was given a really bad name that I cannot repeat. There were pranks, most of them also too dirty to tell. I love them all, all my costars. We would hang out mostly in the hair-and-makeup trailer, and after work at dinner. We would eat all the time and drink wine and laugh.  I think that a lot of that was the friendships that we made with each other and the fact that we all needed each other. It was vital that we all had each other to survive and to be able to laugh. Everybody had a really good sense of humor, thank God. We'd be constantly making jokes and decorating the trailer with ridiculous things and being rude and that was our sort of little bubble of escape in our makeup trailer.

(Photo by Liv, in the bus. You can see all the polaroids and stuff behind the unicorn elf.)

Cate Blanchett:

Viggo is the funkiest person I've ever met. I am far too polite to . . . he had this thing he called "the cunty-bago" . . . no, I guess I shouldn't go into that. So, yeah, he's incredible, very funny.

So, I can't quite figure out which bus The Cuntybago actually is: the green one Orlando is seen exiting? Or the yellow-ish one seen in the vids from the reshoots? Because they aren't the same. And in the vid from the final day, Bernard says the bus he drove on that last day was the same they'd had "for years" and which never moved before. While Orlando said they drove The Cuntybago around "for 18 months". So which bus was it? And did they drive the bus around or not? Or was it stationary? It's a mystery.

(This is the green bus - but is it the make-up trailer? Same as in the vid with Bernard.)

(Here in the reshoots, the bus is yellow-ish? And completely different. Looks more like a Winnebago than the green one really... So which one is The Cuntybago?)

ETA: it's the green striped one! Here's it's on the Cuntybago shirt:

That's all I have found about this infamous, mythical place, where all the magic happened, as they say. If anyone has info to add, please do! I want this post to be comprehensive!

[swallowtail-ageha]

Anyways today i replayed castle morne and i want to brainvomit a bit about it because i genuinely think its brilliant in both buildup and execution of themes, and especially as a way to denounce the supposed righteousness and the imperialism of the Golden Order so early in the game

(Putting a cut because holy moly its long. Also i apologize in advance for the run along sentences)

You first reach the weeping peninsula and the first npc you speak to is Irina. She is standing alone, without any weapon and blind, in the middle of a bunch of her family's garrison's corpses (and i think that the fact that the models used are the models of soldiers of godrick, whom thanks to Kenneth Height we know are particularly cruel to demihumans and the likes, is significant). As she herself says, she is being hunted down: her family's servants have rebelled and her father corageously stayed there to keep the postation and the home's ancestral sword, while she had been ambushed and her garrison died to save her.

And this is the perfect set up for people who are less genre savy and expect a more linear story, where the young girl and the kind father have been kicked out by the intrinsically evil, inhuman creatures that don't look human and don't seem to be very intelligent, and where the kind knight helps them to defeat the big bad leader of those creatures to take their castle back. Good ending!

Alas, it isn't like that. If you have already finished Kenneth's questline before, the whole setup feels weird. With the injustice that had been inflicted on the demihumans by the common soldiers, we already have the seed of doubt regarding the whole righteousness of the situation. As deformed and weird they might look like, demihumans, and therefore misbegottens too, are also people with thoughts and social structures and that maybe using them as mindless workforce is wrong.

Upon reaching the castle's walls, you are faced with a sword memorial, and if you read it you are smacked in the face with another revelation: the castle hasn't been built by irina's family and didn't actually belong to them, but instead has been taken by force by Godfrey's forces after he had slaughtered the previous clan that had it and even its last survivor who had made a desperate last stand in vengeance. Irina's whole narrative suddenly becomes even more shady.

Anyways, you finally enter Castle Morne, and the first sight you stumble upon is an horrific one: hundreds of corpses set in a pile on which several misbegottens are standing triumphantly. On the rampartarts household soldiers and other misbegotten are still fighting. Of course, again, if you take the whole narrative at face value, without reflecting on the sword memorial and Kenneth's questline, you might be still thinking that the whole situation was still black and white. However there are two, definitive moments that shatter that illusion, one more overt, the other less, but still as powerful

The first moment is finding Irina's father, Edgar, the castellan. One would think that, at least, you'd find him surrounded by corpses (i don't say in battle for obvious npc logistic reasons). And yet no. He is alone, sitting in a secluded place of the ramparts, with no signs of battle around.

Then he speaks: we learn respectively three things

-His main goal is to keep the castle (however he doesn't seem like he's done much fighting and only takes action once we go to kill the rebel leader ourselves. Fittingly enough, even fighting him as an invasor is extremely easy), but not because of any strategic importance or sentimental value. No. The reason why he's protecting it is to not permit that the heirloom of the caslte, the grafted blade greatsword, whom was forged by the Hero of Castle Morne as a tool of vengeance and has likely been kept around as a symbol of Godfrey's mightiness for having defeated him. The whole thing comes less as something about honor and more as something about simple vanity, or, better, about keeping intact the superiority of the Golden Order towards his opposers, something that cannot fall in the hands of such things as misbegotten (proof of that is also the ghost of the noble begging to not be eaten by them as he's nobility and doesnt want to get sullied by their lowlyness)

And

-That he is a Godrick loyalist and has been placed in the castle by him (therefore the idea that the family has been living there for long is rendered moot), and 3) that he is sickeningly racist towards misbegotten.

These two last points, now, have made your alarm bells ringing non stop. Maybe if this is the guy who is allied with a man who is known for his cruelty and maybe if he's so hostile against misbegotten, perhaps they had a good reason to rebel like that.

This brings us to the second moment:

After speaking with Edgar, you go in the back of the castle and reach the gaol section of the structure. As we can see, they are dirty, tight, and cramped. But most importantly, we find there a whip, which was specifically built as a way to torture and punish servants for their slightest disobedience. This is the final piece of the puzzle of *what* caused the misbegotten to rebel: not envy or any intrinsical evil, just the hellish condition that they were put in. One really can't blame them for organizing and revolting against their slavers.

You can see the leader of the revolt from afar, sitting in the grave of the hero's clan, having him too become the hero, for he in the name of vengeance for his species treatment started a rebellion.

But in the end, he'll have the same destiny as the Hero Of Morne.

You reach the Leonine Misbegotten and you kill him (perhaps even with the help of his slaveowner!) but the mood after the fight isn't triumphant. You stand alone, light rain is falling, the music is somber, in a massive graveyard dedicated to the one who lost his entire family to the golden order's imperialism, after killing his spiritual successor, perhaps even his descendant. You successfully put down a slave revolt for nothing, as the reason you did all of this, Irina, unbeknownst to you, has already been long dead by the time you take the castle back, killed by the same species whom her family exploited (The name of the site of grace of the graveyard, the Gravemoaning of Morne, really is fitting).

Her death prompts Edgar, the father, the lord of Castle Morne, the slave master, to start his own futile journey of revenge, becoming in the meanwhile too the Hero, bringing the story full circle

[elswing]

in defense of elrond

it is ironic that elrond keeps accusing galadriel of being too blinded by pride while he's fallen equally victim to being blinded by his own frustrations. neither of them are being particularly rational about the situation because they're both hurt and feeling betrayed, and i think elrond's remark about how galadriel only sacrificed herself to save the ring instead of the company perfectly encapsulates that—because, yeah, that is a fair interpretation of it, but she did just tell him five seconds ago that she was only there to protect them, a fact that exists simultaneously with her possessiveness over nenya.

it isn't One Or The Other, just like both of their opinions on the rings, because in actuality they are both right about them. elrond has a limited perspective on it, but from his pov he is completely justified in hating the three feanorian crafted shiny magic jewels that everyone around them covets (🤨). all he knows is that sauron had a hand in making them and no one can possibly know how much influence he has over them because the true art of his craft is subtle. as in, you don't know it's happening to you until you're suddenly slapped with the consequences of it. it is equally fair of him to be suspicious of galadriel herself, because it is impossible to rely on whether she now believes herself to be free of his corruption when she never knew it was there to begin with. also, again, for emphasis—she knew sauron walked among them, she knew he'd helped make the rings, and she let it happen anyway. that doesn't exactly inspire trust, especially when it's the exact antithesis of the point she's trying to prove to elrond and she hasn't done anything to try and rectify that breach of friendship except offer an apology that does sound quite empty given she is still championing the rings.

on the other hand, galadriel is the one who spent time with sauron all this time. galadriel is the one who befriended him, and while even we as the viewers can't be sure which parts of halbrand were an act and which were genuine moments of connection, the main point is still clear: whether she wants it or not, they understand each other. even without their friendship, you can't spend thousands of years dedicating your life to hunting someone down without them becoming familiar to you in some way, and i think there is a specific manner of vulnerability that loss and grief gave her and it just tore her wide open for all sorts of habits and traits to take root. she became so devoted to her vengeance against sauron that the lines between identity and purpose began to blur.

i am not of the opinion that galadriel loves sauron (or vice versa, but that's a whole other post), as fascinating as their dynamic is to me. i do think that she is a passionate individual who was made for love and boldness, and losing everything she did was never going to mellow her out or slow her down. in her, vulnerability takes the form of rage, and it is there, in that twisted, not-quite-galadriel version of herself, that sauron was able to find a reflection.

there is no way elrond can possibly understand any of that, even despite suffering similar losses, because that's just not who he is. galadriel has the better intuition on sauron's manipulations, and she has a far better understanding of the depth of them, so of course her opinion should count here.

the issue is that they're both too raw and hurt that neither of them are willing to say "okay, so we BOTH have good points here. let's hear each other out instead of waiting for one of us to see reason and blindly agree with everything the other is saying"

i think it should also be noted that galadriel does end up being right about the rings' capabilities as a force for good, especially since the One to control them hasn't been forged yet. as unlikely as it might seem to elrond, her intuition isn't leading her astray here. we just haven't reached that point in the story yet (nor have we reached the point where galadriel begins to humble herself to the elves and seeks to redeem herself like morfydd mentioned, but i have a feeling they're getting into that now. after all, she did give nenya up to the guy who hurtled face-first off a cliff hoping to destroy them, so that's gotta count for something. baby steps!)

[lizzie-queenofmeigas]

Fixing Ep. I of House of the Dragon.

Timeline

First we should establish a timeline, which is something the show hasn't really done. Given that they insist in having Rhaenyra and Alicent be friends there are ways to do that. Swap Daella's birth with Vaegon's and have Aemma born a year earlier. Have Rhaenyra be Aemma's first pregnancy instead of the third. That ages her up a bit, making her be born in the year 94 a.C

Have Alicent be a little older than Rhaenyra. Alicent could have been born in 92 a.C and their friendship would stay the same.

Aemma's death should be in 107 .C making Rhaenyra thirteen years old in the first episode and Alicent fifteen.

Laena could be the same age as Alicent and Laenor the same as Rhaenyra, keeping with their book's ages.

Establish the year of the episode. This being put the number at the beginning in the screen.

Scenes

During the Council of 101 the narrator could say "Tragedy claimed both his sons. The choice now was between Rhaenys, the only child of his eldest son and Viserys the eldest child of his second son". And the general audience would understand it perfectly.

During the ride in carriage back to the Keep they could have the smallfolk calling for Rhaenyra and her waving at them and smiling. That way we establish the "Realm's Delight".

Have Aemma mention Rhaenyra's age in their little scene. "You are three and ten, nearly a woman grown" it would fit perfectly.

The next scenes are just fine if the story is done right.

Daemon and Rhaenyra. In the throne room scene they should have more dialogue of the like of. "What have you brought me this time?" This way we establish that Rhaenyra is spoilt by Daemon and her parents.

Viserys and Aemma's scene are just fine if the rest of the show follows this logic. They could mention their relation, however. "Our grandmother had thirteen children, but I don't have her luck". This establishes that Aemma is part of House Targaryen by more than marriage .

Have Rhaenyra and Alicent talk about doing charity during their studying scene, establishing why the smallfolk likes them.

During the small council scene with Daemon Otto could ask him how he knows who was guilty and he could say he has a good relationship with the smallfolk. While I believe in "show, don't tell" this particular thing could show that he spends time with the smallfolk and that they like him.

The Mysaria and Daemon scene could have been pillowtalk. There was no need for a sex scene, but they could show us the after. Have Daemon show his resentment to his brother "I am the reason he wears a crown yet he still has me married to my Bronze Bitch". Doing this we don't only inform the viewers that Daemon is married, but we also establish that Mysaria is important for him and that he trusts her.

Nothing particularly wrong with the tournament scene, just should be less gory because it doesn't make much sense.

During the tournament we could have Rhaenys and Corlys talking like in the show but different. Saying something like "Viserys inheritated our grandparents years of peace and I hope our children do as well" that way we show she is a Targaryen and that she is married to Corlys and have children.

Cole and Daemon's scene is fine.

Aemma's death in itself is also not incoherent, but the show is so if the show wasn't it would be fine.

The funeral scene is fine.

In Alicent's and Otto's scene they could mention Otto's hate for Daemon and the fact that Alicent at fifteen is a woman of age to marry. Something like "You are five and ten, you can't stay a lady-in-waiting for the princess forever"

The "heir for a day" is fine.

During the Daemon and Viserys confrontation we could have again Daemon lashing out against him saying how he helped him. Something like "I am the reason you have that throne! Corlys was preparing his ships to fight for Rhaenys so I raised an army for you! And now you won't even give me an announcement for a marriage our grandmother forced me into!"

The rest of the scenes are fine

Other things

Rhaenys's hair should have been dark, with the quote I mentioned is enough to make the general audience realize she is a Targaryen.

Rhaenyra should have worn more jewellery and more lavender and violet colours.

See HBO? is not that hard!

[comicaurora]

Out of curiosity, how far ahead are you on the comic? I mean, you must have it all planned and written out, but I imagine that you are drawing the future of Aurora even while we're reading it.

So is Arc 2 already illustrated and ready for upload while you're on like Arc 5 or something? I'm by no means undermining your need for a break; I'm shocked that you've been uploading continuously for over 4 years at this point. I'm just interested to know how long it takes a person to make something this great. And also if you change any details in the final edit?

Basically: what's the workflow like?

Also I think you low-key inspired me to pick up painting as a hobby. I'm ready to pour so much money into creating things that I know I'll hate. :)

God, arc 5? That's a very generous assessment of how fast I can draw!

Typically, when the comic is updating regularly, I keep a buffer of 10 to 20 completed pages. Right now, in the interest of taking a break, the buffer is 0 completed pages.

Chapter 1 of Arc 2 is completely storyboarded, meaning it's sketched out, the dialog is all mostly finalized barring last-minute rephrasements, etc. It can be read in its current form, it just looks unpretty. In fact, just for fun, here's a sneak peek!

In the next month I'll go through and finalize as many pages from this chapter as possible - which means locking down the panel borders, fleshing out the backgrounds, lining, shading, coloring, polish, etc. - which will be the process of building up a new buffer for when the comic starts back up again in January. During that time, I'll also be storyboarding Chapter 2 and as much of the following parts as I can manage.

I have the next several chapters and sub-arcs planned out in loose timelines - event A happens at location B leading to consequences C and D, stuff like that. Chapter 2, being the closest, is a little more fleshed-out, with a more detailed bullet-pointed timeline and various character ideas I've had that might or might not make it into the final version.

What exactly the chapter breakdown is going to look like is a little more complicated. Initially I'd planned for Chapter 1 to be low-stakes downtime and Chapter 2 to quickly kick off the high-octane adventure again, but when I started bullet-pointing out the stuff I wanted to do in Chapter 2, I ended up with a big pile of slower-paced character moments I thought were well worth exploring, so the runtimes might stretch a little.

Translating those brainstormed notes into storyboards and dialog is what I would classify as the "writing" part of this process. It happens at an erratic pace largely determined by the whims of whatever muse decides to get me in a headlock that day; sometimes I go weeks with no storyboarding progress, sometimes I hammer out fifteen pages in one day.

It's kinda like weaving, to me. The soon-to-be-arriving parts of the story are the most finalized, the most densely woven. A little ways beyond that, things get looser - some patterns may be locked down, but the actual work that'll hold it together hasn't been done yet. And in the far-flung future arcs, it's just the basic bones of the story and a pile of the threads I've planned to use. I know the shape of it, but in order for it to be fun and engaging for me to make it, I need to give myself room to be creative when I'm putting the whole thing together.

I actually have a file called the "Toolbox" that contains every random character or subplot idea I've had, and sometimes when I'm debating where to go with a chunk of story, I'll crack it open and scan through to see if anything jumps out begging to be used. Lotta fun stuff in there that may or may not ever see the light of day. Dropping stuff in the Toolbox is one of the most fun and freeing parts of the process for me!

[ticklinglady]

The Guild's actions during the story are so insane, when you think about them properly, you know? When I first read the arc with them, this moment hasn't really occurred to me, as I was too busy going nuts over finally seeing the names of the familiar writers, but now when I think of that... I am not sure, I comprehend how they managed to achieve such a ferocious reputation. I have already made a little post about how extremely dysfunctional the DOA members are, but at least those guys have a plan, which actually makes sense more or less, even despite the gang using cheatcodes/the Book. The same cannot be said of the Guild however archghhjkn. Like, what the hell were these guys even doing??? XD

So here are just some moments, which weirded me out the most

At first I'd like to address the entire story with everyone's favorite tsundere, Lucy Maud Montgomery. Her introduction leaves quuuuite an impression in the best way and nothing makes me happier than the fact, that she gets a chance to find happiness in the following chapters and actually becomes a reoccurring character! HOWEVER, her entire involvement with the Guild is super odd... I still can't wrap my head around her getting fired. She is a girl with a hella powerful ability, who got taken to the Guild from a terrible, terrible orphanage in order to fight for them in the war for the Book, so not only is she very strong, but she's also immensely dependant on the organisation and wouldn't do anything outside of its interests. Yet Lucy is also put under extreme pressure. As she herself puts it, the Guild doesn't tolerate failures and will kick her out the moment she screws something up.

Later we see that this is exactly what happens, when she messes up her first mission. Fitzgerald himself confirms that, since she failed and revealed her ability to the enemies, she's no longer useful, so now a powerful esper, like Lucy works for free as a... laundress?

EXCUSE ME??? WHEN HAVE THE GUILD MEMBERS EVER DONE ANYTHING, BUT FAIL AND REVEAL THEIR ABILITIES?

Let's be real, these dudes were successful like only once or twice...

This fact not only makes Fitzgerald look like an idiot for wasting such a talented and useful worker, because of one mistake, but also as one hell of a hypocrite, cause he is more than fine with everyone else fucking up. And in case of Lovecraft and Steinbeck: fucking up twice. To add to the oddity, we later learn, that Louisa genuinely cares for Lucy and despite her social anxiety actually stood up for her during the entire story, but even that wasn't enough to change Fitzgerald's mind on the issue, though Louisa is one of the few people, whose opinion he respects. Honestly, this is such a waste of a truly useful subordinate. And speaking of which....

The Guild has never even tried to implement Edgar Allan Poe during the war...

This man is actually rather op when you think of it. He can capture and neutralise literally any ability user in Yokohama (besides Dazai, Mori and Ranpo ofc) just by throwing a book at them. Seriously, as we see with Chuuya, they don't even have to read it, they just need to see the pages. Plus the book can be actually sent via email!!! So why has there been an absolute zero amount of strategies with the use of this ability??? They could actually try to catch Atsushi by sending him such email containing any of Poe's mystery stories and then safely carry him back to their base. And it doesn't have to be just Atsushi, it could be literally any of their enemies. Non-combatant, like Ranpo could use this pretty damn well to his advantage and it doesn't take a genius to understand the potential of the "Black Cat in Rue Morgue". But nooooo, it seems like everyone has just forgotten of Poe!!! (Tho to be honest, I can actually see this situation in a funny extra awfgbfggfjj. Not the main story however) The agency would never even learn of his existence, if he didn't personally decide to try to fuck Ranpo's life up. Like, what does Poe even do in the Guild? He's the master architect and, according to him, the third ranking man in the organization, but we never see him be of any use, so Idk. 🤷🏻‍♀️ Lucy at least got to do something, unlike this poor man.

Then there's the entire drama with the Guild's decision to destroy Yokohama. Where do I even begin...

First of all, Fitzgerald has no way of knowing that Atsushi is going to come to Moby-Dick to fight him. Poor guy is the Guild's primary goal and has already gotten himself captured once, so it would have been safe to assume that the ADA decided to hide him somewhere and not send him on any dangerous missions for the time being. That basically means Fitzgerald could have burned down not just Yokohama, but also the only person, who could actually help him find his precious Book.

But if we're to ignore this, let's also go with Wikipedia then~

"Yokohama is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin Industrial Zone."

..........................

Good luck making up for the destruction of THIS, Fitzgerald 🖕

And if this in itself wasn't bad enough, most people, including me, tend to forget that all Guild members are actually big shots in the American government, which I think is very sad. Because first of all, can you imagine any of the Guild members actually working as politicians?!! The sheer idea makes me hysterical avshbgj. Like, just consider Lovecraft working as a senator or something. This eldritch horror of a man leaves the ocean once in three years at best LMAO. Second of all, I have a feeling, that the destruction of Yokohama at the hands of influential politicians from a foreign country would have resulted in an international conflict or two~ Like as if random deranged rich Americans arriving in Japan, wreaking havoc over there and destroying the second largest city in the country wasn't bad enough, these Americans just HAD to be super influential businessmen and politicians. Louisa, my dear, I understand that it wasn't your intention, but it's as close to a declaration of war as it can get, you know? Fitzgerald may be ready to do anything to resurrect his dead daughter, but I'm not sure, that the execution of himself and the rest of the Guild at the hands of the Hunting Dogs is something he'd like.

(And here's another funny thing that stems from them being politicians 🤭 As @originalartblog wittily pointed out, Fitzgerald wasting all his money fighting sskk has probably resulted in a market crash and recession over in the USA)

I also have some other questions in regards to this entire plan, such as why did they have to waste Moby-Dick just to destroy Yokohama? Yes, it works in the short term, but in the long term they loose a super powerful fortress with the stealth mode and as the practice shows, you better have a safe base, unless you want another lemon freak to blow it all up. I mean, you could just ask Lovecraft to destroy everything for free. Or, if the device is the only way to stop the giant whale from crashing, why didn't Fitzgerald just take it to a far away bunker or something and waited things out there without the need to spend millions of dollars just to survive the explosion? (And it would have been extremely funny, if during the fight with sskk he just threw the device overboard) But I think I have already rambled for long enough already atxhghbgv XD

The Guild is an even bigger mess than the DOA and I think that's glorious 🙌

[caffetato-the-caffeinated-potato]

So, I recently saw Dragons Rising S2 part 2, and an interesting thought occurred to me.

Spoilers underneath the cut

Early series Arin sorta acts as a representation of the fandom. He grew up with stories of the ninja, and absolutely adores them. He knows basically every publicly known fact about them, and is eager to infodump those facts to anyone who will listen.

So with that context, it makes the arc Arin goes through in the second part of S2 where he becomes disillusioned with the ninja and loses faith and trust in them utterly fascinating.

It is no secret that much of the fandom has themselves become disillusioned with Ninjago in recent years. You see that online all the time. Hell, I've met people like that in real life twice this year.

As someone who has been active in the online fandom for at least five years (and a fan of the show for longer), the way that Arin regards Wu is all too familiar.

Now, I love Wu. I am not shy about it, and will continue to say it til the end of time. But I don't love him because I think he is a perfect, flawless person who has done no wrong. No, I love him because he is complicated and nuanced. He clearly loves the ninja - that is clear as day to me - but he also has a fatal flaw with his secret keeping.

I can 100% believe he fucked up somehow, and that resulted in the Merge. Whether that be as simple as him just not telling the ninja about the coalescence and thus failing to prepare them for it, or even something he actively did that resulted in the Merge. It's not like he hasn't done similar things in the past, after all.

I do not buy for a second that there was any malicious intent behind it.

I cannot see a world where Wu would intentionally, knowingly endanger his students or even the world at large. We don't know the full story yet. There are pieces of the puzzle still missing, I'm sure.

But Arin, much like the fandom, cannot see the nuance in Wu's actions. Arin once believed Wu to be this infallible ideal of a wise old mentor figure. And the second that illusion broke, that Arin learned Wu was in some way responsible for causing the Merge, Wu immediately became the bad guy.

Arin cannot understand why the others struggle to accept that Wu is some terrible person because Arin didn't know Wu like the ninja do. The ninja knew Wu for years, they've seen his strengths and his flaws firsthand. They know him too well to immediately assume the worst of him, because they know how hard he's worked to protect Ninjago from the worst threats it has ever faced.

I could probably go on, but I think this post is long enough.

[pharawee]

I've been meaning to make a list of spooky (Thai - because negl that's 99% of what I watch) BL series and movies and what better time to post this than in October?

Spooky BL are my favourite flavour of BL. Turns out, there's actually a lot of them (maybe because Thailand does horror so well). These are only the ones I've watched (and enjoyed) so this list isn't complete.

*On another note: horror doesn't faze me at all so I can't really accurately say how scary some of these are. If you have squicks or triggers like jump scares, gore or bad endings please feel free to ask and I will do my best to give you a heads-up.

✨Spooky Thai BL✨

He's Coming To Me | Probably one of the first series everyone will think of. Not that spooky but a solid ghost(love) story with a murder mystery at its core.

Hidden Love | This is a budget show filmed under serious constraints during the worst of the covid pandemic. It's clichéd. It's over the top. But it's also got its charms. It comes with a tragic ghost (love) story that completely overshadows everything else with its many flashbacks and plot twists. If you manage to get over the camp. I warned you.

Dear Doctor I'm Coming For Soul | This one has reapers and ghosts and lots of bittersweetness. It's not that creepy since the supernatural elements are very matter-of-fact. It will make you cry though, sorry. :(

Ghost Host, Ghost House | Spooky with incredible chemistry between the leads and a cast of characters that you will immediately fall in love with.

He She It | A three-episode miniseries with a haunting soundtrack and a nice plot twist. This will make you miss JeffGameplay. :(

Low Frequency | Not spooky at all, and a bit slow and empty at times, but it has ghosts (in a way) and a sweet enough couple.

Make a Wish | Unfortunately, this has never had an inter release. There's inofficial subs floating around on grey sites but as of yet the series hasn't been fully translated. Which is a pity because it's a cute show about angels and spirit possession and (some) murder mystery.

Midnight Museum | I'm stubbornly putting this under BL. This show has everything and everyone. It's genuinely spooky at times but mostly draws on folklore, the mystical and an absolutely stellar cast.

On Cloud Nine | Short and beautiful. An indie production that's more ethereal than genuinely spooky.

🎞️Red Wine in the Dark Night | The oldest entry in this list. Admittedly, not very spooky (and instead rather surreal and sad), but it has one (1) vampire and Fluke Natouch in a role that's more grounded than we're used to nowadays.

Something in my Room | A spooky show with ghosts, mystery and romance that hides a lot of commentary behind metaphors and allegory. Criminally underrated because it didn't have a wide enough release. If you want to binge something fun and spooky for Halloween then this is the series to go. Prepare tissues.

✨Not a BL but hey, I know that actor!✨

Enigma | Win Metawin (and surprise guest!) in an incredibly well done 4-episode series about the occult with interesting worldbuilding and the promise of a second season.

🎞️Ghost Lab | Tor Thanapob and Ice Paris in a genuinely gruesome, shocking and scary horror movie. You've been warned.

Girl From Nowhere | One of the best things tv has to offer, and genuinely dark as well. Up Poompat, Pepo Nutchapan and James Teeradon feature in some of the loosely-connected episodes.

🎞️Hoon Payon | Phuwin Tangsakyuen, Up Poompat and Bank Nuttawat in a classic spiritual ghost story. More shocking than scary.

🎞️Inhuman Kiss | Oab Oabnithi and Great Sapol (sadly, not as a couple) in a sad and romantic take on a classic Thai legend.

Let's Fight Ghost | A Thai remake of a fun and somewhat spooky kdrama with spiritual themes. And Saint Suppapong.

🎞️Pee Nak 1, 2, 3 (and soon 4) | I'm biased because I really like this movie series. It's spooky but in a fun way. It has queer characters (as comedic relief - but not in a degrading way) and can get surprisingly deep. Watch this if you want to see (baby!) Tar Atiwat grow up on screen (because he's in all four movies). The third movie rewards you with some surprisingly sweet MeanPlan that might continue into the fourth movie.

School Tales | A Thai horror anthology centred around students at various schools. This series has Fiat Patchata, Kay Lertsittichai, Pepo Nutchapan, Mark Siwat and, most prominently, Saint Suppapong and Chimon Wachirawit in well-paced 50-minute episodes.

The Stranded | One of my favourite series ever. If you watched LOST then you know what to expect. This has 3 QL couples (Perth Tanapon & Mark Siwat, Win Pawin & Tanthai Tatchapol, Ticha Wongtipkanon & Chaleeda Gilbert) but don't expect any of them to get a happy ending. Sadly, this series ended on a cliffhanger and won't get a second season due to the lead actor's tragic passing and Nadao's dissolution.

✨Upcoming Spooky BL✨

7 Days Before Valentine | Death Note but make it even more of a BL. Patrick Rangsimant originally wrote this so I'm really excited. Plus, it will begin airing in November which is almost as good as October.

🎞️After Sundown | A period ghost movie that hit Thai cinemas this summer to great success. There's currently no news on an international release.

🎞️Death Is All Around | Saint Suppapong coming through with another spooky production - this one about death and the afterlife. This also has Seng Wichai, Bas Suradej and Dun Romchumpa (presumably as a couple).

The Hell Guards | Chains of Heart but make it spooky. Oh, I am so excited for this!

My Imaginary Boyfriend | Based on another one of Pat Rangsimant's novels (my favourite, atually). This one is more grounded, and spooky in a more psychological sense.

Mystique in the Mirror | Another one of Pat Rangsimant's novels (and psychological horror too, by the looks of it). This one started filming back in early summer so it should be airing soon.

Shadow | This series will air its first seven episodes on Halloween and that should tell you everything you need to know. It's a suspenseful (ghost?) story set in a Catholic private school.

Spirit Reborn | This has the potential to be very spooky, with curses and spirits and past lives.

SunsetxVibes | This is going to be messy and spicy but the short pilot trailer did have spooky undertones and possible spiritual themes.

The Whisperer | More psychological horror but this time not penned by Pat. Apparently, this has been in production for a while so hopefully we'll get some news soon.

Zomvivor | The only zombie series on this list has entered pre-production and is slated to be released in 2024 (hopefully before October). Will it have BL? I don't know, but it stars pretty much all of domundi's acting couples (and more).

1000 Years Old | Will it be spooky? No idea, but it does have vampires and sometimes that's enough.

[stuffforme2]

Okay listen I lvoe the pjo books and series with all ym heart but.. everyone talks about them like they're perfect WHICH THEYRE NOT any problems are kinda brushed under the rug and I find thst kinda werid? Like you'll see other books and TV shows get dragged and canceled for the stuff in Riordan books and yet pjo doesn't?? So.. uhhHHHH yeah that's jsut something I noticed.

The weird relationshipd ynamics. Rick is like allergic to someone bring okay with being single or jsut aromantic like you can say Reyna but her having a crush kn Jason?? Yes she rejected Apollo but her relationship with Jason deterioted brcuz she had a 'crush' on the guy and that doesn't really amke sense to me (I can go into so much detail kn this)

AND LEO AND CALYPSO OMFG that is a toxic relationship. The age gap. The way calypso treats Leo. The fact Leo SHOULD NOT be with someone like this man hasn't dealt with his attachment and Abandonment issues like st all?!

The literal only black character in the pjo books being beckendorf.. then he dies. Then the Korean/Asian (I'm not sure sorry) character dies, Ethan. And like I understand Percy is hinted st being Hispanic (have seen many ppl talk about this dont mnow if it's common knowldhe) but it's never confirmed or added??? I know Rick fixes it later but it's still weird to me lmaoo

Rick unable to keep consistent personality. Woobigying Nico OH MY GOD NICO HE BECOMES GAY AND THSTS WHDT EVERYONE FUCKING FOCUSES ON AND HE SHOULD'VE NEVER GOTTEN WITH WILL ATLWAST NOT THAT QUICK it's not healthy. Their relationship was rushed and didn't make sense I felt like people only like ot becuz it's a gay relationship??

And oh mygods— Samirah. I am not Muslim and I am not an expert on the Nuslim religion but there is so much shitbthatbeas wrong in thst book that I even knew was incorrect and jsut weird to happen?! The AMOUNT OF TIMES HER HIJAB CAME OFF and I'm also like "yaayyyy representation" but it could've been as easy as one Google search. one.

Jason. Jason as a whole. He had the most potential out of ANYONE and personally I think he had more potential then Percy like his story is so INTERESTING and then.. Rick knocked him iut with a brick multiple times, didn't work kn his sotry or trauma at all, then KILLED HIM. Same with Ethan. I am so Vitter about these two.. HELL EVEN LEO AND FRANK.

Also the way he made Annabeth first quest (first quest SHE IS LEADING AND IS HER PROHECY) all about Percy. I was reading it and I was like "bitxh— this is Annabeth Quest?!" LIKE he it pissed me off that Annabeth was swept to rhe side as Percy's lvoe interest giving her knly enough personality and stary to make her jnteredting enough to eb loved but never delving jntk it into Mark kf Athena and even at Mark of Athena it all rounded back tk her and Percy's relationship LIKE JESUS CHRIST DO THESE MFERS PASS THE BELLDAN TEST?!

The low key incest at the beginning ricj writing that all the demigods had the same impish features at rhe start and then.. jsut.. CHSNGING IT?!

Not letting a virgin goddess who has no history of having children have.. children.. NOW you may be wondering 'but then how would we get Annabeth?'— JUST GiVE ATHENA HER FAVOURITE CHOSEN PPL LIKE SHE DID WITH ODYSSEUS let her stay childless. Jsut let her choose some children she'd like as hers wonce they're Bron and she then blesses them as her heroes, that's how she treats them any way and it also gets rid of the incest?!

Also the fact it's implied that Annabeth is only smart becuz she's a child of Athena.. Rick made a virgin goddess technically have children so he can have a smart women character and that's just.. EuGGHHhHHh JUST LET HER BE SMART IT NOT THAT HARD "Oh, no, I'm not smart because Athena chose me.. Athena chose me because I was already smart" Smacks you with common fucking sense.

Also Annabeth ALWAYS needing to eb saves and its always done by a man. OMFG AND GROVES GF DHE HAS NO PERSONALITY OUTSIDE OF BEING SOEM GUSY GF EVEN THOUGH HES GONE FOR MKNTHS AND BAREKY CONTAXTS HER?!

The whole apheodite cabin. The whole aphrodite cabin. The whole aphrodite cabin.

The fact it's clear Rick doesn't think girly girls cant be strong or into fighting or able to wield a fuckign weapon. The way he makes nearly every girly girl into a total mean bitch or ruins their characters.

[coldfanbou]

Manor: A Brawl Brews

A new mystery, further investigations, and a potential fight as our story continues.

Length 2.2K

Hwasa x M reader

Previous Part

Next Part

Moonbyul closes the door behind you before taking a seat on the bed. She takes off her shoes and rubs her feet. "Have you found anything yet?"

"No, nothing concrete yet, anyway. These shoes are awful, by the way." 

"Give them here. I'll fix them up a little. You explain what you've found." Moonbyul hands you her shoes, and you begin making adjustments to them. Stretching them, breaking them in, and overall making them more comfortable.

"Right, so what I've found is that of all the maids, the most senior ones often report to your parents. That's obviously Taeyeon and some others. The interesting thing is that Chuu's also been going to meet your mother quite often."

"Chuu has?" You start thinking about your interactions with Chuu and struggle to recall anything significant. She's been very friendly but hasn't talked to you for any other reason than to ask a simple question.

"She has, very often in fact. Over these past two weeks, I've caught her walking to your mother's study nearly every day. There have also been a few times where she's walked into your parents' room. I'm not sure how much you know about how your maid system works, but it's actually more complicated than I thought. Senior maids take on the duties involving your parents; after a certain point, junior maids get put up a level and stop taking care of lower-level tasks. Chuu is still a junior maid, so she shouldn't be anywhere near your parents." Moonbyul pauses for a moment to pull a small pocketbook from between her breasts. "Senior maids include Taeyeon, Hani, Jeonghwa, and someone by the name of Jihyo. I haven't seen her around at all. Junior maids are obviously me and the other recent hires, and some others that aren't important right now. They've done nothing to arouse my suspicion. Hwasa, who seems to hate me by the way, is somewhere in between. She's not considered a senior or a junior, so I have some suspicions about her, but I can't get anywhere near her without her catching me."

"That’s pretty good information." You reply, impressed by how much information Moonbyul has been able to gather.

"I know, now. Have you kept up your part?"

You nod your head, "you bet." You think about where to start. "I've gotten close to all of the junior maids so far; Wonyoung and Tzuyu are the ones I've gotten closest to. They're both hardworking and diligent in their tasks. It takes a little convincing for them to stop and talk to me, but I don't think they'd be the ones to focus on. They like to keep things cordial." Moonbyul nods her head and writes down a few notes. "Wonyoung, as of late, has been getting very comfortable, so I'll be targeting her for information first." A knock on the door interrupts your conversation.

"Young Master? It's me. Could I speak to you about something?" It’s Wonyoung standing at the door. You and Moonbyul look at each other before she hurries to the walk-in closet. Before she shuts the door, she sticks her head out and mouths for you to let her in. The small slits in the upper part of the door would allow her to watch and listen to the conversation.

"Come in, Wonyoung." You shout toward the door. Nearly forgetting about the shoes on your bed, you toss them under your bed. Hesitantly, Wonyoung opens the door and peers inside. She quickly approaches and lies beside you when she sees you lying in bed. A small smile forms across her face as she relaxes a little. "What did you want to talk about?" You ask, looking over at her. Wonyoung's smile quickly disappears. 

"Oh, that's right. Y-young master, I know this is wrong of me to ask, but…." Wonyoung's voice trails off as she looks to the foot of the bed. "Could-could you lend me some money? Just a little."

"What do you need the money for?" You ask, turning to the side to face her. 

Wonyoung's chest rises and falls quickly as she fiddles with her fingers. "It’s just that my mom really needs help. She's really sick, and-and I need to make more money." Wonyoung's eyes start to become red as tears well up. "I'm making good money here, but I can't pay her hospital bills anymore and-" Wonyoung tries to wipe her tears away, but they stream down her face faster than she can do so. "I need more; I need more. Please, young master, could you give me some? Anything, please!" Wonyoung turns to face you, her hands reaching for you, desperately grabbing your clothes. "I don't want to lose my mom." She cries into your chest. You wrap your arms around her and rub the back of her head instinctively.

"I'll see what I can do, Wonyoung. Can you give me more information about where she's staying?" Wonyoung explains where her mom is through her cries. You couldn’t just say no to Wonyoung. You didn’t like to see her so sad. 

“Thank you, Young Master, Thank you!” You pat Wonyoung’s head until you feel her pull away from you. “I’m sorry that I dumped all that on you.” Wonyoung sniffles and tries to put on a smile for you.

“Don’t worry about that, Wonyoung. I just hope your mom can recover. Maybe you should take the day off; I’ll tell Taeyeon you weren’t feeling well.” 

Wonyoung protests your offer. “I can’t do that; I need to make as much money as possible.”

“I said I would take care of it. Wonyoung, this is an order. Take the day off; I’ll make sure you get paid for a full day.” Wonyoung wants to protest further but relents; she takes a deep breath and leaves your room. A few moments go by before Moonbyul opens the door to the closet.

“Well, that’s not what I expected,” Moonbyul says as she jots some notes down.

“You can say that again. I’ll have to try another time.” 

“Yeah, well, I should probably get back to work soon. Taeyeon’s going to be on my ass if I’m not doing something. I’ll do some more digging into Chuu; you should too. Or, at the very least, look at Umji. I’ve never been around her long enough to figure anything out.“ You wave Moonbyul off and hand her shoes back to her. “Oh, these are more comfortable; what the hell did you do to them?” MoonByul says as she leaves you alone with your thoughts. Running through your conversation with Moonbyul again, you remember her mentioning the name Jihyo. You try to put a face to the name but can’t. You don’t even recall a woman by that name working here.

“Master, I’m coming in.” The door opens, and Hwasa steps inside, closing the door behind her. 

You take the opportunity to ask Hwasa before she says anything else. “Hwasa, do we have a woman named Jihyo working here?”

Hwasa tilts her head as she walks over to you. “Jihyo? No, I can’t say that we do. Let’s not think about whoever that is right now, though.” Hwasa lays down on top of you. “I think you need to clear your head a bit more,” She says while slowly moving her finger down your chest. “And I need to lower my stress.” Hwasa presses her lips on your neck before slowly moving down. Her hands slip under your shirt as she pulls it off of you. As Hwasa moves down your body, she feels your growing cock press against her chest. “I think the big guy missed me,” Hwasa says before laughing. She pulls off your shorts and boxers before quickly taking hold of your cock. Hwasa lays between your legs as she strokes your shaft. Her soft hand slides up and down as her saliva falls over the tip. Using the saliva, Hwasa picks up her pace. You moan her name, drawing a smile from her. “I love hearing you moan my name.” Hwasa’s low voice is music to your ears as she adds a more sexual tone to her speech. While you weren’t looking, Hwasa lowered the top part of her uniform; her breasts are now free. She presses them against your shaft. “Do you want my nice soft tits around your cock Master?” 

“Please, Hwasa.” 

“Anything for my Master,” Hwasa says as she surrounds your shaft with her soft mounds. She slowly raises them, making your tip disappear between them before dropping back down to the base of your shaft. Hwasa takes the time to lap at the head of your cock, before giving it a sloppy kiss. “I missed you too.” She says quietly before restarting her titjob. You continue to groan her name as she speeds up. Hwasa's tits become covered in her saliva the more she uses her plump breasts to service your cock. She takes another lick of the tip, getting a slightly salty taste. “Mmm, I love this taste,” She moans. Your precum begins to get all over her breasts; it’s only ever interrupted when she decides she wants another taste. Feeling your cock begin to throb, Hwasa stops using her tits. One of her hands begins to pump your shaft while she sucks on the head. Her tongue flicks back and forth quickly while her other hand cups your balls, playing with them. “Go ahead and cum for me.” You release all of your built-up tension and cum inside Hwasa’s mouth; she eagerly drinks it up. When she’s finished, a tiny bit of cum rolls down from the corner of her mouth, only to be caught as she licks her lips. “What a nice meal, but I think I have another mouth that wants some too.” Hwasa gets off your bed to remove her uniform before she straddles you. 

Hwasa’s wet cut rubs against your shaft before she squats over you. Cock in hand, she presses the tip against her entrance; as soon as it’s in, she drops her weight on it, impaling herself. “Fuck yes,” Hwasa moans. “I needed this so badly,” Hwasa raises herself up and drops down again. You can feel her pussy clamp down on your cock; her tightness makes you moan loudly whenever she swallows your cock. You reach up, groping her breasts as she bounces on your cock. “That’s it, play with my big tits.” Hearing her approving moans, you find Hwasa's tiny brown nipple and pinch it. “Oh shit.” She moans. You see her grimace as you pull on one of her nipples. Hwasa’s moans grow louder as she rides you; the increased pleasure makes her squirm. This worsens as you buck your hips and meet Hwasa in the middle. You feel her walls tighten around your cock. 

“I’m going to cum,” she moans. Your hands leave Hwasa’s tits and move down to her waist. You start bringing her down with force, making your cock go deeper into Hwasa’s tight cunt. “Master, I’m going to cum!” Hwasa yells. Moving your hands down a little lower, you spank Hwasa. 

“Hold on just a little bit longer, Hwasa.” You hold Hwasa's big ass, your hands digging into the soft flesh.

“Yes, Master!” Hwasa cries as she rides you. Her hair is messy as she grabs her tits. She pinches and pulls on her nipples, drawing even more moans from her. Your balls begin to tighten as you continue your thrusts. Watching Hwasa’s tits bounce as she rode you was driving you up a wall; unable to hold on any longer, you sped up your thrusts. 

“I’m cumming, Hwasa! Cum with me!” Hwasa lets out a loud moan as she cums on your cock. She throws her head back as she feels your cock bury itself deep inside her pussy. Hwasa’s pussy milks your cock, taking every drop of cum from you as she falls onto your chest. Feeling the warmth of your cum inside her, Hwasa lays her head on your chest and starts to fall asleep. You buck your hips, sending a wave of pleasure her way and keeping her awake. 

“Oh, Master.” She moans. Feeling her soft tits against your chest is nice; her small nipples drag against you as she slowly lifts herself back up. “Thank you, Master. I feel all better now.” As she slowly lifts herself off your cock you can see in her eyes she’s tempted to drop back down on it. A knock at the door stops her, however. 

“Hey, I need to talk. I found something.” Moonbyul says from the other side of the door. She opens it without hesitation; walking into the room, she sees Hwasa on top of you, sweaty and naked.  “Woah, I see I walked in on something here.” 

As she’s about to step outside, Hwasa comments. “I guess now you know what makes me so special I bet you wish you were me.” Hwasa sits on the bed and begins to stroke your cock. 

Moonbyul purses her lips as she turns around to face Hwasa. She catches sight of your cock and is stunned for a moment. “I’m willing to bet I’m a hell of a lot better than you. I wouldn’t go running my mouth.” Moonbyul, obviously irritated by Hwasa’s words, makes her way toward you. 

Hwasa meets her halfway, blocking her from getting to you. “Who do you think you are?” The two women remain in a standoff, glaring at each other.

[wildissylupus]

My (hopefully) last complaint about Junkertown and the Junkers before my inevitable Re-write post

Junkers vs. MAD MAX

Alright I'm already on a roll with this and I've already committed myself to doing a rewrite of Junkertown and the Junkers, but I have one more thing to complain. That being the fact that they butcher the media they are referencing, that being Mad Max. For more context this is also coming form an Australian who has never watched these movies, this doesn't mean I didn't do my research, this is just to give context that I myself have never seen these movies.

If you don't know Mad Max is very much Australian media, written by, acted by, and taking place in Australia. Not only that but it very much relies on the world building of the fact that one, Australia is very isolated, and two, the rest of the world is like this. Something that Overwatch fails egregiously off the bat with considering that the rest of the world is not an apocalyptic wasteland and the fact that the thing that caused Junkertown and the radiation was an Omnium. You know, the thing that multiple countries had? There's also the fact that Junkrat and Roadhog are international criminals, how big Austraila is and the travel time between areas are never considered, it's exceedingly easy to leave the damn country (Junkrat and Roadhog again but also Hammond in his new short story). They want to be a Mad Max reference without actually considering the fact that the isolation inherent to Australia is important to Mad Max's setting.

There's also the fact that Mad Max relies heavily on visual story telling, Mad Max: Fury Road not even having a screenplay, it was fully laid out on storyboards. There's also the fact that Mad Max was not about the Australian experience but rather the human experience, this isn't a problem until you realize that every other characters references are very much biased off that characters origin. That or their place of origin is considered when writing them even if the reference for said character isn't from that country.

Another thing is that Mad Max communicates the brutality and disfunction of humanity, society has collapsed and we are left with the worst of it. The theming and messaging does not work with the rest of Overwatch's theming, it also doesn't make sense in universe considering that Overwatch was one, very environment focused, and two, was already sending forces to Australia to help with the consequences of radiation. Why did they let the Wasteland and Junkertown get so bad? Especially in the early Golden Age, and you can't say that it was because of the Junkers cause Overwatch have handled worse. Even before that point. We also have better examples of "the worst of humanity trope" with Talon, and they actually fit the story and world.

The theme they also completely miss in the soulless copy that is the Junkers is the individual connections and the theming or regaining humanity after great tragedy. In all honesty the best way they could have done this would have been to make Howl's rule itself the Mad Max Reference while Odessa's rule was the healing process from that, but no, they made her an overtaxing dictator instead. The gave the Junkers storyline the theme of desperation but no theme of hope, leaving it empty.

The only thing they unintentionally get right is that your environment doesn't necessarily change you, you do. Yes, a change of environment can assist in giving you space to make that change, but you are you no matter where you go. Junkrat and Roadhog don't change cause their out of Junkertown, they stay the exact same. Which is unfortunate because this is just due to them lacking any real depth in canon, an no, Junkrat actually being incredibly smart isn't character depth.

Back to the whole human connection thing, tell me, outside of fanon interpretation, out side of Junkrat's unreliable narration, outside of the interaction with characters he hasn't met in canon yet. Does anyone like Junkrat? Roadhog is there because Junkrat is paying him and because he seems board, the rest of Junkertown hates him, JQ especially. Roadhog doesn't seem to care about anyone, Junkerqueen's only true connection we see is with Hammond, and Hammond contiues to be my favoutite Junker by literally negating all the complaints about Junkertown I've had so far.

Honestly when I started looking at Junkertown lore I did not expect to be coming out saying that the fucking hamster was the best written character but here we are.

This is all also only referencing Mad Max: Fury Road by the way, which is probably what Junker Town is based off of considering its popularity and the time of release compared to Overwatch's. Honestly I might re-do this analysis/complaint if I ever watch the Mad Max series myself. Though I don't think my feelings will change of this, and that is the Junkers are an insult of a reference to MAD MAX. An empty copy at best. This is also coming from the person who often defends Overwatch's writing, I can't defend the Junkers, it's just bad writing.