#i also dunno how to find good mask references

[mik-mania]

speaking of masks. yall who have masked trolls... how did u come up with the mask designs?

every time i try to make one, it just feels off to me.

also i wrote a novel in the tags about it, but if anyones got some good research sources too, im all ears 👂

[cartoonsbyandie]

Filler Episode Poll: Answer Key

Thanks to everyone who participated, this was really cool data! So for those curious, here’s the answers with vote counts! Out of 949 votes, 268 were for the ‘Sees answers/Detco fan’ category, with the other 681 split between all these.

#9. “The gang re-enacts Home Alone in a closed department store” - 62 votes

Real! Episode 17: The Department Store Hijacking Case. One of the earliest fillers, the third one ever. I dunno if it’s specifically a Home Alone reference, but it does have that vibe.

#1: “Victim is killed by culprit with a fishing pole from across the street” - 22 votes

Real! Episode 53: The Mystery Weapon Murder Case. It’s a pretty basic one, just one I happen to like since it’s not technically solved by Conan himself, which fillers don’t do too often.

#5: “Conan's parents buy a nearby house to stalk him in disguise” - 95 votes

Real, unfortunately. Episode 418: Home of Beika’s Grenier. This one’s pretty bad. If the character limit was longer, I would’ve added “Conan figures it out because an old man stands up wrong.”

#8. “Culprit blinds a driver with a road sign so he can crash into his car on purpose” - 42 votes

Real! Episode 556: The Fearful Intersection. The culprit committed murder by making it look like he accidentally collided with another car. Gave himself a head injury and probably whiplash and everything, now that’s commitment to the bit. (I didn’t screenshot it, but after that screenshot of the cars crashing, it shows the culprit seemingly unconscious against his own airbag before giving an evil smile.)

#4: “Culprit traps Conan in a collapsing building but is saved by a celebrity cameo” - 34 votes

Real, and the only two-parter on the list! Episodes 804-805: Conan and Ebizo's Kabuki Jūhachiban Mystery. Honestly I wish I had a longer character limit for this one, because the collapsing building is just one part of this whole thing involving a stolen mask, two murders, blackmail, and getting caught because of a button. The celebrity cameo is Ichikawa Ebizō XI (currently known as Ichikawa Danjūrō XIII, but was Ebizo at the time of this episode,) and focuses on the Kabuki aspect of his career, but it seems like he does a lot of things. The special really just glorifies him the whole time, though he is written as being a massive fan of the show’s idiot detective, Kogoro. Who later almost accuses him of murder.

#6: “Man is catfished by an old lady, who then fakes a murder for Instagram fame” - 198 votes

Real! Episode 943: The Tokyo Barls Collection. I could’ve made this one so much longer too, and honestly I don’t even know how to screencap it. The name is a play on the “Tokyo Girls Collection” (the name of a Japanese fashion show), apparently. The group of old ladies fake an attempted murder (because one of them pretends to choke on a cabbage core and insists one of her friends put it in her food on purpose somehow) and lure in a famous detective (Kogoro, the catfished one which is also his dark souls boss name) to draw attention to their show. Their apology goes viral on social media afterwards.

This wound up being the most voted by far! I think partly because no one thought Instagram was a thing on the show. Which is fair, the show doesn’t call it that. Maybe Youtube would’ve been a better comparison since it has a view count that goes up, but whatever, same principle-- he’s what it looks like.

#3: “The gang is hired to find a lost armadillo, the culprits are the Blues Brothers” - 92 votes

Real, and one of my favorites. Episode 976: Follow Them! Detective Taxi. Not a favorite because it’s good, but because it’s just as insane as that summary suggests. And you can watch it dubbed on Tubi with the BangZoom cast if you want! I’m not sure why you’d want to, but that sure is a thing you can do if you want to watch Kogoro flirt with this cab driver.

#2: “Jewel thief steals pizza from children” - 80 votes

Real! Episode 1068: Mitsuhiko Tsuburaya's Detective Notes. Man this show has gone on a long time. Technically the culprit only steals the boxes. Had to put the jewels inside something.

And finally...

#7: “Gun smuggling ring is stopped by a drunk remembering what happened last night” - 56 votes

Fake! As far as I know. With all the episodes of this stupid show there are, maybe there’s a filler I haven’t seen that’s close to this. Oh my who left this fanfic I wrote here how strange, I wonder if the plot is similar to this fake filler episode, I guess you’d have to read it to find out

[kirchefuchs]

(this is a long one lmao)

OKAY SO.

It was like 1am last night so I decided to sleep before sending this ahahahagsggs

ANYWAY

Regarding this wonderful reblog chain we had

(I don't know how and where to start ahahahahaaa)

hmmm. well, yk how I mentioned that The Eye of Michael (gasp. a rare instance where I don't forget a name??) took Stanley's voice? well, on the mask design I very much failed on, there was a clock (lmao TK reference) on the forehead part. originally, I wanted the mask to just be covering Stanley's mouth, because... duh. blud ain't got a voice no mo 😞✊ but anyway !!

(additional info: I took inspiration from a bunch of mask designs I found on Pinterest so it was very far from original)

the idea for the clock was for the ticking to be some sort of, uh, warning that he's nearby? like, just imagine finding yourself in an empty corridor, and all of a sudden, you hear a clock ticking in the distance. yeah, that's what I mean

(also I decided to change a bit of the backstory here. basically, The Narrator and Stanley are separate people. The Narrator was Some Dude™ who was in the middle of writing a story about—you guessed it—a man named Stanley. I already have his whole lore figured out but yk I'll cut it short for you so uhhhh blah blah blah The Eye of Michael finds him and encases him in a capsule where live wires that make him forget who he was before he became The Narrator are injected into his system. his voice is used as a way to trap and control Stanley—whose original identity/name was Jim (in this AU, at least)—and. yeah. The Narrator is trapped in a narrative facade whereas "Stanley" was the star of a lonely masquerade)

anyway, you can basically picture Stanley as wearing a full face mask or half of one, but either way, there's meant to be a clock somewhere and one of his eyes are meant to be covered in some sort of. uh. criss-cross threading technique. there's also the addition of some, uh, earphones? I think? they're not really that visible but uhh.. just think of them as the wireless ones, I dunno, I forgot what they're called, but anyway– Those are for The Narrator's voice. Just imagine a pair of. um. those things that help deaf people hear. wait.

HEARING AIDS. hearing aids, yes, uh, just imagine hearing aids, except that they're purposefully rigged to also provide a connection between The Narrator's voice and Stanley. It still functions like a normal pair of hearing aids, it just has the unfortunate annoyance of some angry British voice controlling Stanley's every move

As for the theme of his general outfit? I really wanted to make it fit the theme of the good ol "office worker" thing, so I had a little thought where Stanley pretends to be a tired worker at the start—wearing an ordinary face mask with the excuse of "trying not to breathe in the sand," as was written on a piece of paper (his lips/mouth is bruised as heck and the EoM did not want to take any more chances for instant suspicion), but during the times where Vash was alone, he'd (or, in this case, The Narrator would make him) wear his masquerade mask and put on some sort of blue (masquerade) outfit, with the cane that's totally not a sword/gun in disguise and all. With that being said, maybe the gang won't know his name until Wolfwood realizes who he is? I mean, Stanley can't talk, and. uh. sorry I'm going off-topic hahaa ahem anyway

maybe his title could be "The Masquerade"? not too sure but I like to think that he was trustworthy at first. anyway uhhhh that's about it! do whatever you wish with my two favorite brainrots :D and, sorry if I got a bit too-into the lore I made for him and The Narrator :')

— 🅰️non || Aug. 7 2023

This is gonna be a long one my guy....

🅰️non..... my dear beloved 🅰️non..... I don't know how to break this to you but the masquerade outfit, while a cool idea, is a flippin nightmare to try to translate into the Trigun universe. I tried so hard but it just want working.

Suffice it to say, venetian masquerade and space western do not mix

And it not for lack of trying! I have proof I tried!! The mask works, it's great! That's fine. But the clothes do not :(

I've got a lot of doodles here I gave up on cuz it just wasn't working. I kept having the problem where it either looked too pirate-y or too vampire-y, which is to be expected since masquerades were quite popular in the 18th century (the Golden Age of Piracy if I recall). And unfortunately, neither pirate nor vampire really scream "space cowboy times on desert planet"

Now.... this is an option....... and that is to forgo the masquerade outfit, the mask can stay, but I honest to goodness cannot make an outfit that works. So basically, my proposal for a solution would be to go with the aesthetic that pretty much every member of the Eye Of Michael has in 98 and Maximum. And that's the priest aesthetic.

You see, the Eye Of Michael has always been a religious group in universe, at the very least they pose as one. In reality they train orphans into mindess assassins, but they keep that church front. Hence why Wolfwood and Livio (and Chapel and the other EOM members in Maximum) have cross shaped guns. Also, fun fact Wolfwood was dubbed "The Punisher" because that was the name of his gun. I assume this would apply to Livio, and his guns are "Fangs" giving him the name "The Double Fang", and we know this applies to Razlo too, as he is "The Tri Punisher of Death" (you'd never guess, but he's got 3 Punishers :O).

Anyways, I did try drawing Stanley in the priest aesthetic, just to see if it worked. Make of it as you will.

I kinda imagine if we were to go this route, Stanley's cross would be a sniper rifle. He's already got a sort of stealth going for him, being mute and all, so I think it would fit. I could by no means draw said gun as I am only really good at drawing characters. But I can imagine the gun :')

Now, feel free to take my opinions and throw them in the trash if you don't like them, it's your character after all, it's up to you. But I do want to make it clear that I do love this idea so much and I wanna hear more of the story and how you think it would go. I'm curious if Stanley has a way to communicate back to the Narrator, because that could lead to some cool tandem character development. Like what if after Stanley starts wanting to break free of the Eye Of Michael, Vash agrees to help him free the Narrator as well. Since Stanley is mute, it could be cool if he communicated to the Narrator through his thoughts, so they would have to be on the same page for the escape plan to work. I mean, these are just my silly little ramblings, but this is all just to say that you've got a really good thing going here and I really wanna know more. I really hope my personal struggle with aesthetics doesn't bring you down, cuz I really truly love your idea here and I want it to work so badly.

But, yeah. I might end up drawing more at some point, cuz the idea is so cool and I just love all the story potential with Stanley being used by the Eye Of Michael like this. Anyways, I hope you have a good day, and sorry again for my inability to make the aesthetic work :')

[lisxdumbr]

anyway. spider-verse thoughts

i love pavitr and i wish he got more screen time he was so silly. beloved character. dear to me. i love his entire rant abt chai. that was so good. and hobie!!!!!! silliest dude. love the anarchist brit. i love how he like kind of does fuck-all in almost every scene he is in yet simultaneously is the most chaotic dude in the room. respect. he is also very dear to me and i look forward to seeing more of his dimension in the next movie <3 gwen is so tgirl btw. like her entire dimension is mostly blue-pink-white and purples???? and in the entire conversation with her dad it's all blue-pink-white in the background??? and her entire "the people i love can only know half of me!" like ?!?!??! ? AND WHEN HE ACCEPTS HER THE ENTIRE SCENE TURNS ONLY WHITE AND PINK?????? i love her dearly. gwen deserves the world btw. miles was !!! ough i love seeing his growth. going from being all cocky and confident to terrified of what's going to happen like. he's still a child even if he has to act as a grown up !!!! ough. spot being the most cringefail wet pathetic villain and then going to actually being terrifying was one of the best villains yet btw like. he goes from the most wet and pathetic guy to actually downright terrifying and i love that for him. #growth.

ALSO MIGUEL. Miguel's motif reminds me a lot of Prowler's? like it lacks that sharp synth-y sound that Prowler has in his theme but the underlying sense of unease and danger is so similar. i think miguel is going to be a villain in the next movie tbh. he seems kind of... i dunno. like he's holding on too tightly and believes the only right way is his way?

anyway. loved seeing gwen assemble everyone in the end :) peter and mayday!!!! noir and peni !!!!!!! spiderham !!!!!! hobie and pavitr and spider-byte!!!!!!!!!!!!!!!!!!!! it's going to be so fun in the next movie i think. and god i look forward to seeing noir and peni again i ADORE them

You're so real for everything here

I LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE HOBIE. I DON'T KNOW IF I SAID LOVE ENOUGH TIMES ACTUALLY BUT I LOVE HIM IN CASE IT WASN'T CLEAR.

The world. he's so. thehrjwhdhwgGACSVTSBRLORBRVGEAOFMFYNDIIHRVW vany you know I've been a goth punk for the longest time right. right. rightright you don't know how fucking extremely happy I was that there was ACTUAL good punk representation in my screen, since in the past few years it has been extremely hard for me to find a punk community in my city and I've been having to rely on my mother's friends from the alt street market,,, (though I've spotted some in art school ever since I started I think). Hobie makes me very happy, he's so fucking well constructed, he has references to the 70s movement and to the okupa movement (← that's how we call it in spanish srry if it's not the same in English) I love that he actually lives for the original concept y'know.

ALSO HAVE YOU SEEN HIS DESIGN. I AMJWBDJENSNQKNAKJEB I'm obsessed OBSESSED. he took out that mask and my heart dropped 50 floors and reached the underground. I love him and his style, perhaps I'm a bit too obsessed (I had a dream with him.. aheem) I need him and his pretty boots to kick me mmmhehhdjf sorryaboutthaticantevenactnormal

ANYWAY GWEN. I love her she's my most specialest girl ever. T Gwen is so real I can't believe there are people denying it???? The color palette and the way she talks about herself. There's a fucking TRANS FLAG IN HER ROOM and people are like "um she can have that flag because she's an ally not because she is trans" and I'm like. Amount of cis people I've met with trans flags in their room = 0. There are people saying that it's because Peter was the trans guy which I mean yeah, would make sense, but why not both. both is good.

Anyway Gwen's world is def my favorite, I love the aquarelle texture and how it's the world in which the color affects the environment the most. My favorite scene is the one where she confronts her dad, the way you can see her hair turning pink and blue and how at the end all the colors become warmer and GHHHFRFHR I love her so much.

Anyway I have a lot of thoughts I'm going to scream and cry. I kinda want a spiderverse theme but there are so many good images, I don't know what to use

[the-golden-ghost]

ooh what do you know about uhh goosebumps!

Okay this one's funny cause I was a huge Goosebumps Kid so I'll try to just summarize every one I can remember from childhood LET'S GO:

Welcome to Dead House: Girl moves to town. Town's haunted. Havoc ensues. I think this was the first one ever published.

Phantom of the Auditorium: R. L. Stine deciding "what do kids love? Phantom of the Opera references?" and making a whole book dedicated to the concept. +1 for really good twist at the end

Ghost Beach: Beach with ghosts on it. I remember this one had a reaper thing on the cover but the actual ghosts were just kids who died of plague in like, 1800. I think it was also in New England! :)

Ghost Camp: Camp's haunted

Shocker on Shock Street: Kids go on a theme park tour but the theme park monsters are REAL and the kids are ROBOTS and idk man this one was wild. I liked it though

The Girl Who Cried Monster: Librarian's a monster and he eats bugs or something? Or turtles? I dunno man

Night of the Living Dummy 2: Okay this one's funny cause there was an earlier book called Night of the Living Dummy. And it's almost completely forgotten. Slappy, the evil dummy who became the FACE of the series and the most notable standout character in the entire run? He only appears in the sequel. I don't even know what the original dummy was called. They also filmed this one for the TV series but ONLY this one, not the original. So the TV episode is called Night of the Living Dummy 2 and there is no Night of the Living Dummy 1 in the TV series at all. Anyway it's about a ventriloquist dummy who tries to enslave his owner

Go Eat Worms!: I don't really remember what this is about at all I just found the title really funny. I think it's about a kid who's cursed and worms show up everywhere.

Lawn Gnomes Attack Manhattan: No but I don't remember the actual title of this one. I just remember it was about evil lawn gnomes and even as a kid I thought it was stupid but they can't all be bangers

Night in Tower Terror? Terror Tower?: I think I only saw the TV episode of this and it freaked me out. However it's also based on the Actual Real Life Murder of two children (the nephews of Richard III, Edward V and Richard of York) which makes it possibly the bleakest inspiration for a Goosebumps book albeit Stine really fictionalized it and also it happened in the 1400s

Calling All Creeps: Some kid puts a prank ad for creeps in his local newspaper and gets creeps to show up. I think they were like lizard aliens idk

The Beast From the East: What if the jungle was real and tried to KILL YOU

Chicken Chicken: Girl gets cursed to turn into a chicken. Slightly scarier than it sounds

How to Kill a Monster: Terrible grandparents summon a Swamp Thing and try to feed their grandkids to it

That Weird Vampire Time-Travel One: Kid finds his grandpa's vampire corpse in the basement and Vampire Grandpa wakes up and tries to eat him. And then time travels back to the 1800s for some reason cause I guess vampires are only scary in the 1800s?

Ghost School: A lot of these are just called "Ghost *regular place*" but this one was particularly fucked up cause the ghosts were actually kids who got trapped in a living photograph by an evil photographer. Which sounds dumb but they were permanently ensnared in this black and white void where time never passed for like... decades and decades as the outside world slowly moved on and forgot about them. And they never got rescued or anything. They were literally just left to their fate. One of the more messed up endings in the series

The Haunted Mask: OH MAN how did I miss this one. This was probably the Gold Standard for the TV show episodes. Freaked me out SO bad as a kid. It's about a girl who wears a mask that permanently affixes to her face and it's WILD

The Cuckoo Clock of Doom: Kid gets trapped in a Time Vortex and ends up erasing his bratty sister from the face of history etc.

The Scarecrow Walks at Midnight: Evil scarecrows. That's pretty much it but this one and Harold from Scary Stories to Tell in the Dark are probably the reason for my lifelong Scarecrow Phobia so

The One Where The Kids Turn Into Dogs And Never Get Changed Back: !!! honestly the ending made me so mad. I forget the name of it though

One Day At Horrorland: A classic! It's about an evil theme park :) Don't go down the Doom Slide!

Stay Out of The Basement: Kids' dad turns into an evil mad scientist but it turns out he's actually an evil plant clone of their dad who's just posing as their dad. Wild

That One Where The Camera Kills You: I don't remember the title but the camera predicts the future. However it causes whatever Future Event it depicts to also be like. You Will Be Maimed And Slaughtered Horribly

Jack O Lanterns... Attack... Manhattan?: I don't remember the title of this one either. It was basically What If You Got Kidnapped By Pumpkin Monsters and they Made You Celebrate Halloween For All Eternity. Would that be fucked up or what

Uhhh Bnuy: Evil Stage Magician Turns A Kid Into A Rabbit or something I forgor. I think there was a sorcerer named Greg in there somewhere? Like I remember that being a joke

Piano Lessons Can Be Murder: Kid goes to piano lessons and gets murdered. I mean not really but almost lmao. Also the freaky handless ghost woman who scared the SHIT out of me when I was 12

Help My Neighbor's A Ghost: I don't remember the name of this one either but the main character thinks the new kid who just moved in is a ghost. Turns out she (the main character) died in a fire 20 years ago and she's the actual ghost and her best friend never writes to her because she died ages ago and stuff. It's actually kind of sad; I don't recall the title but it stuck with me

How I Learned to Fly: About a kid who learns to fly which ISN'T SCARY OR A HORROR CONCEPT

The Abominable Snowman of Pasadena: Bigfoot but he lives in California now. Yeah a scientist found him and brought him back. Yeah he's got Scary Bigfoot Ice Powers too and keeps freezing people solid

Beware the Snowman: I think this was actually the first one I ever read? This one's about a cursed town under the domain of an evil snowman (not like Bigfoot I mean like an actual irl snowman. Like Frosty) but the snowman's actually an evil magician who was turned into a snowman by his rival or something. This one's also kind of wild but it's decently good!

[demonslayedher]

Good day Buriko-senpai. So happy to see the box open! Though first i want to say thank you so much for the analysis on characters, places, names, as well as the posibilities canon could have taken without deviating from the original as much, and the awesome drawings you have made (as well as the fanfics!! The fanfics!!), they all bring me so much joy and if i keep on throwing so much praise i might never finish– I only had one question which was about Sabito. As much as I tried to look into him, I dont know what to make of his character, since, everyone always has some sort of meaning behind their names to their characters (even the minor ones like Makomo- Truth/Pure prob because of her personality. Kanae- mostly compared with Hana- Flower. Masachika- Save and near or close in time, as in he saved sanemi before.) But Sabito has the "rust" and "rabbit" on him and i dont know what to make on that, maybe the rust part yes like, hes weak and failed, but the rabbit? Was it to represent some kind of bunny meaning? Or a rabbit story in Japan? His clothes are fine (the turtle shell pattern I feel like it was more to represent Giyuu surving through it all ngl) since they have significance, but the weird hair color also throws me off, what even is his character? He has such a cool design and i have no idea what it means ಥ_ಥ. Anyways thank you for this long rant I am really sorry it was too long! And have a nice day! Again love your tumblr its so so great !

You read my fics... you read my fiiiiiics... (◕‿◕)♡ I'm so happy I had the Ask Box open long enough for you to slip in, I'm always so happy to hear that! They are the reason for all that analysis, haha XD (The art is usually an accident because I can't stop myself.)

So... Sabito. 錆兎. Rusty Rabbit. Pyon, pyon, watch him hop around with a sword. Hmm. Not very manly.

This is one of the more difficult names to grasp, especially with him being more closely identified with the fox theme than any other character who has used a fox mask in this series. However, while you'd be hard pressed to find personal names with references to foxes, you ca-a-a-n find names using "rabbit" for its 'to' or 'u' sound, and these names generally carry an element of mystery to them. They're endearing names, but also mystical. While I started by searching for any rabbit legends or associations I hadn't heard of (the White Hare of Inaba didn't feel relevant, and associations with the moon or medicine matchmaking also felt like a stretch, though I guess there's something vaguely moon-like about Sabito?? Just for like, being mysterious? I dunno??? Does he use his Water Breath to pull tides????), and the baby name advice websites I found myself on while searching for myths and legends wound up giving me the most food for thought, as well as a few general geomancy sites that say how the Rabbit, among the Twelve Animals of the sexagenary system, is associated with vitality and leaping into action. While the most obvious Japanese folk tale is the stupid, foolhardy White Hare who got its fur bit off because it couldn't keep its mouth shut about fooling sharks, there's a general sense in other stories that rabbits are kind creatures who are self-sacrificing for how willing they are to jump into danger if it means saving someone else.

What strikes me most about the name suggestions (all analyzed either for the gentleness of the rabbit or the rabbit's bravery in leaping into action) is how many of them are paired with glittery kanji, like "bright rabbit" (a moon reference), "jade rabbit" (another moon reference), or "rabbit moon" (...yeah, a moon reference).

"Rust" flies in the face of this. Whether this is in reference to the moon in shadow, the hue of the moon at the edge of shadow, or even in reference to how Sabito's vitality has tragically ended and how he is now stuck, who knows. (Gotouge knows. I do not.)

But if we could step back to Makomo a moment... "Makomo" (真菰) is a variety of black rice not used much nowadays (though it totally thrives in water cultivation... ha!), but it had a lot of influence in the Nara and Heian periods of Japan, referenced in a lot of classic poetry and thought to have name origins in mythology. Not to make a pun here, but we'd really be getting into the Kojiki weeds on it, so suffice to say it is a medicinal, sun-associated plant also associated with vitality.

Not only that, but it's a holy plant long since used in making shimenawa, the sacred ropes at Shinto shrines--especially at Hachiman shrines, dedicated to the god of war.

Dang it, Gotouge. DANG IT, GOTOUGE, PLEASE LET ME BORROW YOUR BRAIN FOR A DAY.

[n00dl3gal]

Expiration Date (Father-Son Bonding AU Version)

More of the dad!Spy AU because I’m hooked, y’all. Thanks again to @thetriggeredhappy for spearheading the AU and letting me bounce ideas off of them.

As the name suggests, this is the AU version of the Expiration Date short. I recycle some of the dialogue, too. Basically everything is the same except I guess the final wishes bucket didn’t happen? Warnings for references to canon-typical violence and talks about death.

Reblogs are appreciated!

Spy flipped to the next page of the Spy Tech catalogue. His whiskey sat to the side- a rare indulgence. Typically, he stuck to his roots and drank wine. But with less than a hundred hours left… might as well live a little. 

There was a knock at the door, and Spy sighed. “Go away,” he yelled. Silence. Then the faint but unmistakable sound of a lockpick. In an instant, Spy stood, pulling out his knife. He opened the door to grab the intruder before- “Scout, there are easier ways to get my attention.” 

Scout smirked. “Gotta keep my skills sharp,” he replied, slipping the lockpick into his pocket. He sauntered in, arms behind his head. Spy shut the door.

Jeremy’s arms fell to his side as Raphael took off his mask. “So. Three days. You scared, old man?” Jeremy asked. His voice was light, but his face was contorted with concern. 

Raphael thought. “No, not scared,” he said finally. “Nor am I particularly surprised. I figured tumors would get me in the end, if not in this way.” 

Jeremy snorted. “Told ya you smoke too much.” 

The mirth was short-lived, however. “How about you?” Raphael offered. “Are you afraid, mon lapin?” 

“Nah, not really. But… I dunno, I have some regrets? Stuff I wish I could’ve done.” He scratched at his cheek. “Ask Miss Pauling out properly, finish fixing up that bike with Engie…'' His voice trailed off as his eyes widened. “Um. I-I would’ve liked to meet my Ma.” 

Raphael swore the tumors took him then, the way his heart froze. Every paternal instinct he had fired at once as Jeremy started to tremble. Jeremy took in a shaky breath. It wasn’t enough. The tears began as he croaked out “papa.” 

Raphael quickly pulled his son into a hug, removing his cap to smooth his hair. Jeremy sobbed into his chest. Raphael felt his own eyes water. “I was wrong. My death does not scare me, but yours, Jeremy… that would terrify any father.” 

“C’mon… at least we’re goin’ down together,” Jeremy joked, still crying. 

They couldn’t get off base without a proper ceasefire. Engineer was occupied with testing the teleporters with Medic. But three days was enough to make at least one of his son’s wishes a reality. “And before we do,” Raphael said, “we will be winning Miss Pauling over. Even if it’s just for one date. What do you say?” 

“Dad, you don’t-” 

“Let an old man fulfill his dying wish, s'il te plaît?” Raphael interrupted. Jeremy sighed, but he was smiling. “Then let’s get to work.” 

. . .

Scout blinked as Spy flicked on the light. This damn seat was too small- where the hell did he find a school desk like this, anyway? Scout shook his head, trying to focus on Spy’s dialogue. “Final question. You have a dinner date for seven. What time do you arrive?”

“Seven,” Scout answered automatically. “AM. Case the restaurant, run background checks on the staff. Can the cook be trusted? If not, I have to kill him. Dispose of the body, replace him with my own guy no later than 4:30.” He smiled. 

Spy grimaced. “Jeremy, that’s what you do when having a meeting with a known rival. I’m very glad you remembered, but that is absolutely not what you do in this scenario.” He glanced down at his death watch. “And we’re out of time.” 

Scout groaned, banging his head on the desk. “Then I have no hope, do I?”

“Hmm… the area you set up is fairly nice, but it’s all a matter of getting Miss Pauling here,” Spy said. “If you can figure that out, you might have a shot.” 

It was quiet as both men fell into thought. “Wait- holy crap, that’s it! Thanks Dad!” Scout yanked himself from the desk- not without some effort- and ran out of the training room. 45 seconds later, the briefcase alarm went off. 

Spy pinched the bridge of his nose and exhaled. He had raised his boy better than this. And yet… well, the security booth would at least let him keep an eye on things. 

. . .

“I was furious. Oh my God, you set off the briefcase alarm and you were having a prom for some reason. But then there was this monster and we shot it and we built a bomb and I think my leg's broken,” Miss Pauling said in a rush, gingerly pushing herself off of Scout. “Can we do this again?”

“Yeah! Yeah- wait,” Scout replied before pausing. “We can’t. I’m going to be dead.” 

“Wait, what?”

Light poured over them as Soldier lifted the bread monster’s corpse. “Good news! We’re not dying! We are going to live forever!” 

“I didn’t say that!” Medic yelled in the distance. Heavy held the monster up as Soldier and Sniper helped Scout and Miss Pauling stand. “I just said we’re not filled with tumors!” 

“Oh thank God,” Scout sighed, grinning. “So yeah, Miss Pauling, I guess it’s a date.” 

Miss Pauling had been smiling, but her expression suddenly fell. “Wait, you mean- oh, oh Scout, I’m flattered, but… you’re not really my type,” she said quietly. 

Scout felt like a bucket of cold water had been dumped down his pants. “Uh, wh- what is your type, then?” he asked awkwardly. 

Miss Pauling looked away, straightening her glasses. “More… feminine,” she replied. Her voice was barely audible. 

It took Scout a moment to fully process it. “Oh. Oh! Well that- I mean, that sucks for me I guess, but- um, well, if ya ever need a wingman or something-” 

She blinked, frowning at him. “Scout, are you- are you saying you’re not straight either?”

“Eh, labels, not really- I’m flexible,” he said dismissively. He shrugged, bouncing on his heels. “But yeah! Next time ya head to the Gravel Pit or something, lemme know, alright?”

“I would love to, but today’s my one day off this year. Maybe I can squeeze something in… oh, it looks like I’ll be seeing you on Wednesday,” she said. 

“Really?” “Yeah, that’s the day I have to feed the guy who pressed the briefcase alarm to my woodchipper.” 

. . .

As soon as it was obvious Scout and Miss Pauling were not dead, Spy walked away. The base had sustained heavy damage during the fight with the bread monster. Enough that a ceasefire was most likely inevitable. It would be tight, but Spy prided himself on working on a deadline. 

Jeremy’s regret about Miss Pauling might not have come to fruition, and there wasn’t much he could do about Engineer being preoccupied…

But there was one of his son’s dying wishes he could still fulfill.

Sequel? Sequel. Also fun fact: this fic totaled 1,111 words exactly.

[votederpycausemufins]

another chapter of the ‘we summoned Tommy and now we found out Grian’s family” fic. this chapter is very long.

also warning, there are some references to sui//cide, but it’s never directly mentioned by name.

Phil tried to ignore the way his chest hurt at the name that had been said. Sure, biologically Grian was his son, but it had been years since they had seen each other, and he had grown up with different people who became a new family for him. And he understood that, but it still hurt that the avian thought of someone else as his dad.

“Er, not quite.”

“Oh, okay,” Grian spoke, matter of factly. The two of them stayed quiet for a few moments before he spoke again. “You found me ‘gain.”

“That I did.”

“You didn’t stop lookin’”

“Nope.” Phil replied, though he knew it was a lie. Of course he always wanted to find his son again, but he had given up actually looking a number of years ago. It wasn’t worth focusing on one child and ignoring the others. But he supposed that’s sort of what happened anyway with him and Tommy. 

“That’s what I thought. It kept me goin’ on th’ really bad days.”

“Am I allowed to know what those bad days were?”

Grian was silent before shaking his head. “Hurts too much…”

“That’s alright mate. How about you talk about some other stuff.”

And so Grian did. Talking with Phil about some of the things he had done over the years. Eventually, Stress arrived and helped out, getting the bots up there with Grian and Phil. At that point the stories stopped and Grian focused on his kids, who were glad for all the attention. Mumbo returned with Tommy shortly, also bringing Tubbo along, and soon Grian’s nest was filled, making him quite happy.

“He’s looking better.”

“Yeah, I think it was your admin who gave me the gist of things. He was tired and using his Watcher stuff which made him loopy.”

“Yeah, that would do it.” Mumbo shook his head.

“Hey, you know what that means?” Tommy asked, smirking and focusing his gaze on the bots. Jrumbot smiled and pulled out some pumpkin seeds, which Grian quickly pounced on and started eating. “That part of the bird stuff is great.”

“And what part isn’t so great?” Philza asked, though for a moment he regretted it, thinking the teen wouldn’t respond and just stay quiet or get angry.

But instead he just crossed his arms and gave an over-exaggerated pouting face. “When he gets all mother hen or whatever and is super overbearing. The other shit is fine.”

“Tommy!” Mumbo huffed but the teen just waved him off.

“Oh come on, they’ve heard me say it loads of times. Jrum won’t risk saying anything cause you’ll just take some of his diamonds away.”

“Yeah! I won’t say stuff like that!” Jrum agreed, before suddenly Phil jumped and looked to see a few of his remaining feathers now in the small robot’s hands. “How much would I get for these Tommy?”

“I’m sure if you meet the right people you can get plenty for those. He’s like, trillions of years old, and not many people have them.”

“I’m not that old!” Phil complained, trying to grab the feathers back. He managed to pull one out of Jrumbot’s hand, but the rest ended up disappearing into whatever the kid had for an inventory.

“You’re right. You’re older.” Tommy taunted. “Old as shit. Dinosaurs are younger than you and they’re all dead.”

Philza glared at Tommy before his gaze fell on Grian. The other avian was still out of it, but getting better. Then he looked at Mumbo before rolling his eyes. “Alright Tommy, maybe so. But it means I’ve got more experience.”

Tommy paused, not used to the hardcore player agreeing with him about something like this. He looked over at the bots, who shrugged. It wasn’t like they had grown up with him. “Says the guy who let two mobs get the best of him.”

“Hey that was one time! And that was also years ago!”

“I’m gonna ‘gree, that’s pretty lame.” Grian spoke up, giggling a bit still. “I’m still alive af’er uhhh…” He started counting on his fingers. “I dunno! Lotta years with Sam!”

Mumbo, Tommy and the bots immediately froze up, looking between each other nervously. Tommy moved a little closer to Grian to make sure he had the avian’s attention. “Hey G? You sure that’s okay to talk about? I know normally you-”

“Pfft, it’s fine! Not like I died! ‘Stead I just hurt a lot, killed some pipul, selled some drugs, stuff like that!” Grian looked over to Philza, who was starting to regret staying around when everyone else arrived. “Ya know, almost didn’ make it. But I didn’ wanna disappoint you by giving up. Mmm… plus Gareth freaked me out too much ‘n I didn’ wanna be like him.”

“Okay Grian! I think you should really get to sleep now! We can talk about this more later! But don’t you want to uh…” Mumbo trailed off. 

“I can get the jukebox once you’ve slept!” Tommy continued for Grian who seemed to really like that idea. He finally laid down and before long he fell asleep.

It was still quiet for a bit, no one sure how to react to all of that at first. Phil and Tubbo were the quietest since they had little to no context. Because of that, they easily jumped when Tommy finally shouted and broke the silence. “Okay Mumboli, when the fuck were you going to tell me about that part of all that shit?!”

“First off, that would be something Grian would need to tell you, not me! Second off, I didn’t even know about that!” The anger on Mumbo’s face quickly turned to some sort of melancholy. “He didn’t even tell me. I mean, he had made some jokes, but I assumed that it was just from the situation. It does make sense he would think of… but…” The redstoner became quiet, his normally pale face much paler than before.

“Daddy?” Grumbot spoke up, making Mumbo look at the bots. Jrum was shaking a bit and Grum didn’t look quite so well himself. “I think Jrum and I should leave.”

“R-Right. Let me help you down.” The redstoner picked Jrum up to help him down the ladder, Grum still well enough to go down it himself. Before he left the platform though, he got Tommy’s attention and nodded towards Tubbo and Philza. “Try to fill them in. If Grian wakes up before I’m back, tell him what he did. He deserves to know.”

Tommy nodded, waiting for Mumbo to leave before saying anything. “So… Grian kinda got stuck in a fucked up place for a number of years. He’s told Mumbo a lot of stories and me some as well, but not everything of course. Basically, he had two friends. If he was me, one of them was like you Tubbo. But uh… the other guy was like Dream. Like, Dream’s an admin and all that, but this other guy was for the most part just a fucking normal guy around my age but he went off the deep end. G and the other friend escaped, but not for a long time. That place was a hardcore world, but they didn’t have potions or healing or whatever the fuck. I mean, there weren’t any mobs either, so death wasn’t at every corner. I mean I guess it was for G because the one guy was a psycho and murderer, but whatever.”

“Wait, are you telling me that this guy just lived with someone potentially worse than Dream for years?!” Tubbo asked while Philza was trying to comprehend it all.

“Uh, well they didn’t live with each other all the time, but yeah. But ‘cause it’s probably good for you guys to know, his main triggers are wearing blue as well as rabbits. If someone else is wearing blue, it’s fine, but if he’s wearing blue it freaks him out. With the rabbits thing, some of them being around are fine, but white rabbits especially freak him out ‘cause the guy was a hybrid.”

“Alright, noted.”

“One of the people most frustrated about it is Grumbot because, well you know how he just suddenly knew who you were, right Phil? They kinda first built him to help with the election here- long story, talk about it another time- and he’s able to look into a lot of stuff, but only based on political stuff. There wasn’t really anything like that with G’s first world. I mean, he gets fragments since Grian’s been a campaign manager before, but all that really comes up is empire stuff.”

“Uh, he had an empire? Was it anything like-” Tubbo timidly asked, glancing to the unconscious avian.

“Nah, basically he just built a big thing in the middle of the ocean and decided he would become the Grian Empire. The only other member was his friend- the good one- but he went off and made his own place pretty quickly. The worst he did is the TNT there was really volatile. If you so much as touched it after placing it, it would explode. He’s told the TNT shop story a number of times where he built the shop out of it and made the stock the walls of the shop.”

“Was that the first time he did something like that, or did it never go anywhere?”

“No that’s the thing!” Tommy started laughing. “He did it so many fucking times and someone still fell for it! That’s why it’s such a great story.” 

From there, Tommy continued to mostly tell lighthearted stories Grian had shared with him. He talked about the prank war and following civil war from the Hermits’ previous world. The hippies against area 77, the time machine, the build height battle. After that he brought up the head games, which freaked Phil and Tubbo out when he suddenly pulled out what at first appeared to be a severed head but was actually a very accurate mask. From there the election was talked about like Tommy had promised, and then the following turf war and its minigame battle.

“I showed up right after the turf war which I’m really glad about because it freaked me out enough just hearing about it. I can’t imagine having to learn what wars here were actually like while in the middle of it all. Instead when Grian visited me when I was holed up in his old place, he just kept talking about the mole people. Around then’s when I really started opening up, especially when Zed showed up.”

“Who’s that?”

“Sheep hybrid that makes contraptions instead of redstone. He made me a bed that just kills me instead of what it should.” Grian spoke up, rubbing the sleep out of his eyes. He was still slightly groggy from just waking up, but the three SMP members could tell he looked rested and more lucid than earlier. “Where’s Mumbo and the kids?”

“He had to take them away.” Tommy answered, covering Tubbo and Phil’s mouths before they could say anything, even though they weren’t going to. “Grian, you were like, super out of it earlier.”

“Oh oof, how bad was it?”

“Well,” Philza pulled Tommy’s hand away from his mouth. “You mistook me for some person named Martin and asked me to swear loyalty to your empire. Then you called me some name resembling your admin’s name.”

“X eye sooma void?”

“Exactly.”

Grian laughed a little. “Yeah, a number of the hermits call him some variation of his name so I took it to the next level when I first showed up.”

Tommy put a hand on Grian’s knee and the avian looked over, smile falling from his face when he noticed the serious look on the teen. He immediately sat up straighter, worried for his brother. “Tommy what’s wrong?”

Tommy noticed the way Grian’s hand moved like it wanted to grab a weapon, something he had seen constantly when the two of them were alone at night and the avian was being overprotective of him when he could take care of himself. Well okay there was the factor that all the mobs here seemed to be stronger, but that wasn’t too bad. Grian asking Tommy’s name again pulled him from his thoughts and he immediately stopped Grian who was now actually reaching for a weapon. “No! No it’s nothing that bad! You’re going to freak out Big T if you do that!”

“Then what’s going on?!” Grian huffed, crossing his arms, mainly so he wouldn’t try that again.

“When you were really out of it, you said some things. Specifically from your high school stories.”

Grian looked a bit uncomfortable from that, but didn’t look too worried. “Okay. I- was I screaming? Did I scare the boys from that?”

Tommy shook his head. “No. You said something new. It- god G, not even Mumbo knew about it at first.”

Now Grian looked worried, eyes flicking between Tommy and the other two and he pulled his knees up to his chest. “Wh-which thing did I say?”

Tommy stood up, being the only one standing adding to his already tall height. “You mean there’s more shit you haven’t fuckin’ told anyone about?! Grian what the fuck?!”

Tubbo tried to pull Tommy back down, but the blonde teen resisted for a bit before falling back to the ground. “Tommy please. If it’s been this long and he doesn’t want to talk, it's obviously really bad.”

“No, you don’t know some of the shit Grian’s talked about. There’s nothing that could be that bad!”

“Tommy that’s enough.” Philza spoke coldly, making him and Tubbo freeze. “Grian’s not you. He decides what he’s going to talk about. Maybe to most people the stuff he talks about is worse than the stuff he hides, but obviously it’s different for him. So you’re not going to fucking yell at him and make him even worse.”

Tommy frowned angrily, but stayed quiet and slumped back. Tubbo tried to help calm Tommy down while Phil did his best to do the same with Grian. “So… can you tell me what I said? Grian tentatively spoke up, looking to Tommy, but Phil answered instead.

“You mentioned someone named Gareth and not wanting to be like him. Obviously Tommy and Mumbo knew what you were talking about, but me and probably also Tubbo don’t know anything and are still pretty clueless. We just know that it’s something bad.”

Grian let out a quiet ‘oh’ as he pulled his knees even closer to himself. “Um, after I disappeared, I ended up in a different world and made friends with some people named Sam and Taurtis.” Philza tried not to react as he recognized the second name. “At some point in high school I moved in with them, but before that it was just the two of them. They had a teacher named Gareth. He um… his wife was found killed and a lot of people thought he did it. He… got fed up with it and uh..” Grian shook his head. “The classroom was closed up when people found his, uh, body. They took that away but left… left behind what he used. There was one time I snuck in and thought about… you know. But his ghost showed up and freaked me out so I ran.”

After that, it was quiet, no one really knowing how to respond to that. Grian just ended up letting his feathers puff up and he hid in his wings, Tommy being able to wriggle his way in there. The wings ended up muffling a conversation the two had in whispers, though Tubbo and Phil could both hear a few curses from Tommy. Mumbo finally came up the ladder while they were doing this and was greeted by the two SMP members with a finger to their lips. The redstoner wasn’t planning to be loud since he didn’t know if Grian was awake again or not, but he still of course complied. He moved closer to the avian before putting a hand on one wing, Grian moving said wing out of the way to see who was there.

“Mumbo. A- How are the bots?”

“They’ve gone to bed. They seem like they’ll be fine.” Mumbo replied in a soft voice. “You can go back to what you were doing, I just wanted to let you know so you weren’t worried.”

“N-no, it’s fine. I… Hey Tommy, why don’t you show off your base.” When Tommy looked like he might refuse, Grian spoke again. “Please?”

“Alright, but not my fault if a war starts up!”

That earned a smile from the avian. “Wouldn’t have it any other way. Remember to bring scaffolding with you. I’m sure you can find some in the chests in the basement.”

“You mean the storage system, or the fucking chest monster.” Grian smirked an evil little grin. “Fuck you. Alright come on you two. You gotta see Cobble Tower.”

The two other SMP members each gave Grian a look of sympathy before going down the ladder behind Tommy. He led them down to the fireplace that was centering the main hall, but specifically to one side of it. “Alright, this is the quick way up and down.” The teen opened some trap doors revealing some sort of donut-shaped object. “There’s one on the other side, but this is the elevator or whatever the heck Zed called it. You sort of lie down in it like this.” Tommy climbed in, lying down in the small structure. “Then you just hit that button and-“

Redstone activated and suddenly Tommy was lowering out of view. He quickly pointed towards the other side of the fireplace before pulling his arm in so it didn’t get crushed. It took a few moments, but an identical mechanism appeared there, ready for Tubbo or Phil to get into. Tubbo was the first to get in and was soon following behind Tommy. Philza, on the other hand, took more time getting situated, trying to be careful of his wings so they wouldn’t get caught or pinched on anything. He was mostly sure it would be fine since this was Grian’s place and he was an avian, but at the same time, the hardcore player could never be too sure.

When he reached the bottom, Tubbo was busy freaking out over all the items filling the chests. And there were plenty of them. There seemed to be a storage system lining the room, but also plenty of extra chests strewn about. “Hey, Philza Minecraft! Help us look for scaffolding, or at the very least some bamboo and string!”

The avian rolled his eyes before helping the pair, the three of them gathering enough for each of them to have at least two stacks. From there he led them out of the mansion’s basement and around the back of it in the direction of his own base. “Okay, so I haven’t been here as long as the other guys, so my tower is still in progress, but it’s got a couple floors. I mainly stay at the hobbit hole that’s back the other way.”

Both of the SMP members expected to just see a pillar made of cobble, but instead, standing tall in the distance, was a mostly completed tower that looked like it belonged to part of a larger castle that was nowhere in sight.

“Mate what the fuck is that?” Phil stared at the tower. There was no way that was Tommy’s. Or at the very least, he hadn’t built it. He had been close to Grian and they had all just been at Grian’s mansion which was a feat on it’s own. Obviously the avian had been building this for Tommy.

“I said we were going to my tower. And that’s it.” Tommy gestured to the tower before he continued talking. “I gathered all the cobble myself but bought a lot of the wood. Yeah some of it I got myself and I got gifts here and there, but I got a pretty good business venture so paying for it is easy.”

“Business venture?” Tubbo asked.

“Yeah. Speaking of which, I think Bdubs said the shop was empty so I’ll need to refill. Once I show you guys around, I’ll probably fly over to do that.”

“Could I come with you?”

Tommy paused to look at his friend. “I don’t think that’s a good idea Big T. Everyone’s at the shopping district like all the time, and they fly everywhere too. They aren’t all avians like Phil and Big G, and they don’t use tridents all that often, so instead it’s elytra, and those use fireworks to work. I don’t know how you’ve been since I left, but I’m guessing you and fireworks still aren’t on the best of terms.”

Tubbo crossed their arms. “I can use fireworks when I need to. You know that.”

“Yeah, you can use them fine, but you get jumpy when other people use them.”

Before Tubbo could respond, a voice from further ahead piped up. “Hey Tommy my man! Who’re your friends?”

“Hey Ren!” Tommy ran over to his neighbor. “This is my dad and my friend Tubbo. They’re sort of visiting.”

“Nice to hear.” Ren lowered his sunglasses slightly to look at the visitors. “I’m sure X knows about them?”

“Yeah, I sorta got half kidnapped while hanging with Grian and they followed us back.”

Ren inhaled sharply with a wince, his ears folding back as well. “Oof, how bad did Grian scare them?”

“Phil got freaked out cause he did some shit to piss off Watchers in the past.” Tommy smirked while Philza rolled his eyes. “He kinda tried taking me back again as well as the bots. I seriously thought Grian might kill him until Grum kinda shouted at us.”

“Yikes, how bad did it get for him to do that?”

“We kinda kept interrupting him while he was trying to tell us something important.” Ren winced again from that comment. “Fortunately it helped calm things down a little in the violence department.”

“And in the other departments?”

Tommy pulled Phil over closer to Ren. “So Phil isn’t just my dad.”

Ren nodded. “Yeah, you said you had some brothers.”

“Yeah, he’s also Grian’s dad.”

Again, Ren nodded. “Okay, yeah that-” the wolf hybrid completely froze. “Grian’s dad?! But he’s your dad!”

“Yup.”

“But also Grian’s?!”

“Yeah.”

“So the two of you are-”

“Brothers, yup.”

“You know this explains so much my dude.” Ren ran his fingers through his hair as he stared at the avian with his new knowledge. “Who else knows?”

“Right now, Xisuma and Mumbo. Haven’t really gotten the chance to tell many others.”

Ren nodded in understanding. “Does this mean you two aren’t coming to triple H?”

At this point Tubbo finally spoke up. “What’s that? And also it’s nice to meet you. Tommy said your name was Ren?”

“Yup, Ren Diggity Dawg at your service. And it’s Hermits Helping Hermits. We try to meet up once a week to help out one hermit.”

“You say that, but we haven’t even done it once yet Ren.” Tommy piped up, making Ren frown.

“Well that’s how it’s going to work. Hey, if you want, these two could come along.”

“I dunno. There would probably be lots of flying.” Tommy shrugged before slightly gesturing towards Tubbo. 

“Tommy! I don’t need you acting so concerned for me! A few fireworks aren’t going to freak me out! Plus aren’t there unlimited lives here? Even if I do die I’ll just come back!”

Before Tommy could say anything in response, Tubbo took the elytra that were on Tommy’s back and put them on their own back. Ren seemed to be on Tubbo’s side, because he handed them some blank fireworks. He immediately lit one, which made them flinch just a little, but the next one didn’t cause them to have the same reaction. The only problem was while he was using the fireworks, he wasn’t getting into the air at all. “Uh, how exactly do these work?”

Tommy looked like he wanted to shout, but Ren spoke up before the teen could. “Elytra wings open up on descent, so you have to jump first. I’d say we get you some platform to test with before you try launching from the ground itself. Not even every hermit can do that right since you need to hit the sweet spot. Tommy’s pretty good at it though, but he’s got a good teacher.”

Tommy just rolled his eyes when Tubbo and Ren looked over at him. “Grian doesn’t use elytra, he uses his fucking wings.”

“He had to relearn how to fly in season six when he was still hiding his wings.” Ren pointed out and Tommy rolled his eyes again, though the sentence had caught Phil’s attention.

“Why was he hiding his wings?”

“Someone’s in parent mode.” Ren chuckled, which caught Phil slightly off guard. “I’ve heard that same tone plenty of times from X. Usually around the full moon.”

“Wait, so are you-”

“Werewolf, yeah. I know, most people just assume hybrid, and I kinda am. Anyway, to answer your question, he had apparently already gotten used to it in his older worlds. Even hanging around other hybrids didn’t help. He just had them hidden for so long that his standard was no wings. Iskall was the one to really get him with his wings out.”

“Iskall is Mumbo’s sibling, right?”

“Nah, unless we have another case of a surprise family connection. They had a business venture with Grian and Mumbo last season and the three have been really close ever since. They’re not officially related, but at this point they’re essentially all family.”

“I see, well what did he do?”

“They made a shop for hiring them as a hitman since they did that in the past. Someone ordered one on Grian and he got a plan ready and everything, but it involved outflying Iskall.”

“Good to know. I’ll have to meet with them at some point.” Phil nodded and Ren gave a barely noticeable wink at the avian correcting himself.

“Well, I’m sure I've held you guys up enough. If Tommy gives you any more trouble with flying, just shoot me a message.” Ren looked at Tubbo with his second comment, then he waved goodbye and headed off the other way.

Over the course of the next hour and a half, Tommy briefly showed off his tower, but for the most part it was Tubbo learning how to fly with elytra. Tommy was giving out pointers, but mostly was just freaking out whenever Tubbo did something that seemed even slightly concerning. Phil was doing his best to give tips, but wasn’t completely sure how elytra worked seeing as how he was used to just his own wings and hadn’t had access to elytra since they had been damaged.

By the end of the hour, Tubbo was flying pretty well, and Tommy was following nearby. When he had first gotten into the air, it had made Tubbo jolt, but before long, he had gotten acclimated to the firework’s initial sound with no following explosion. Tommy also ended up getting out a third pair of elytra for Philza to try. It wasn’t enchanted like the ones Tubbo wore or the backups on Tommy’s back, but it would do fine for a quick trip to the shopping district.

“Alright, you can explore the place as much as you want as long as you don’t go stealing anything. Otherwise I’ll have to pay for it.”

“You? Telling us not to steal?”

Tommy crossed his arms. “Yeah, no one does that here. I did a bit at the start, but you don’t really fucking need to. Even if you could just pay for shit at the shops, if you really need something, someone’s gonna show up to help you out.”

“Got it.” And with that the three of them flew over the ocean and to the island in the middle of it all. The place was littered with builds that surprised Phil and Tubbo. “These are all just shops?!”

“Yeah. You saw how big Big G’s mansion is. Just about everyone works at that scale. Even if they don’t fucking need to. You get used to it after a bit, it’s why my place is so big. You’d lose your minds if you saw Cub’s place.”

“I don’t even want to know mate.” Phil replied as they landed, sounding slightly exasperated at the thought.

“Right, well that’s my place over there.” Tommy pointed to a shop that looked more like a skyscraper and was near a number of similar buildings. “Most of the land in the actual shopping district is claimed, but Aquwu town still has lots of property.”

“What the fuck did you just say?”

“Aquowo.”

“Stop.”

“Aquwayway.”

“What’s the place actually called?” Tubbo piped up, making Tommy stop the joke.

“Just Aqua Town, but no one pronounces it like that. Even Scar, and he built the place. He normally calls it Aque Town.”

“I’ll be using that.”

“Suit yourself.” Tommy then walked towards his building. “You guys take the diamonds out and I’ll restock the place, okay? You can even keep a few of the diamonds.”

There were some nods of agreement and the trio went inside. Tommy put down his shulker boxes filled with stock as Tubbo opened the first chest, eyes going wide at the amount of diamonds in them. “There’s twenty-seven diamonds in this chest!”

Phil looked up surprised before looking in another chest. “This one too.”

“Well they said the place was all sold out.” Tommy responded as he opened up one of the shulkers and started pulling stacks of cobble out of it.

The avian noticed just what Tommy was grabbing and stared at it. “Mate, are you actually selling cobble for diamonds?”

Tubbo’s head whipped around to look away from the chest where he too saw Tommy pulling out cobble. “Not just cobble. There’s that, normal stone, andesite and granite.”

“And they buy that?”

“Yeah, at first I thought it was out of pity, until one day I got there to stock up and Bdubs was in there and was happy I was there. They all like building, but when they mine, none of the hermits bother to pick up all the stone since they normally fill their inventories with anything else and let the rest disappear. I make sure to go down with plenty of chests and put everything away, so when they need stone and shit, I’m the one they buy from.”

From there, Tommy and the other two stocked the shop. No hermits showed while they stocked, but one did show up just as they were leaving, Tubbo jumping back a little as the two of them nearly ran into each other, the wide eyed look of the hermit adding to the surprise. “Hey Keralis. Just stocked up so you’re good to go.”

“Why spank you Tommy. Who are your friends?”

“Tubbo and my dad Phil.”

“Will they be staying long?”

“Yeah, but Big G’s got them covered with housing.”

“Ah, Brian does have a good place indeed. But if they need a place to stay, I have plenty of room.”

“Almost too much. They’d be like me the first time I saw your place.”

“All the more reason for them to visit!”

“Right, see ya later.” Tommy followed behind Tubbo and Phil who had already slowly gotten ahead. He pulled out his comm and sent a message to Grian and Mumbo about where they were and where they were heading. Mumbo sent a reply that they would be coming over there soon with the bots, and Tommy put his comm away again. “Alright, I have a bit of land on a different part of the island, but it’s not really a shop. It’s more something I sort of brought over from the SMP.”

Tommy led them through the roads before they reached another area near the shore. Sand had terraformed the nearby land and various tables and chairs and other items were all over the place. But right next to the shoreline was a familiar piece of furniture that had Tubbo tearing up just a little. “You built the bench.”

“Yeah. Made it feel more like home sometimes. The rest of it is based on the beach party I held back in exile.”

Tubbo flinched slightly and looked down at the ground. Tommy was slightly confused and looked at Philza, who just gave a slight nod and wandered off. Once he was gone, Tommy led his friend over to the bench. “What’s up Big T?”

“Your… Your beach party. I- I’m sure you had fun.”

“Not really. Didn’t go the way I planned. Especially since you weren’t there.”

“I didn’t think you wanted me there. I never-”

“I sent an invitation, Tubbo. Ghostbur was supposed to give everyone in L’Manberg an invitation. But no one came. I thought it was cause you all fucking hated me. I mean, I did kinda ruin everything. I remember how mad you were.”

“Tommy…”

“I still thought that when I got here. Starting making friends out of spite instead of because I needed them. But then they made me realize some things. I don’t… Ghostbur wasn’t the most reliable, so I thought maybe he just didn’t manage to get the invitations out. But Grian said since Dream was messing with me the whole time I was there, he probably did something. Made sure you didn’t come.”

“Really? He’s been helping out. With you gone he’s become an ally to L’manberg.”

Tommy essentially growled in response to those words. “He’s not a fucking ally to anyone. He plays mind games and fucks everything up. He lies and tries to make you trust him so he can stab you in the back later. He was trying to make it so I’d only trust him. Unless you’re saying he told the truth when you immediately burned your compass for me.”

Tubbo’s hand immediately moved to hold where he had kept his compass, but it stopped midway there. “I… No. I kept it with me all the time.”

“Kept?”

Tubbo started tearing up a little before forcing the tear back. “I sort of got killed by a creeper and the explosion or something destroyed it. Tommy… I’m so sorry. I didn’t want to lose it. I didn’t want to lose you. But-”

Tubbo was cut off from Tommy hugging him. “It’s fine Big T. We lived in a fucked up place, and now we don’t have to. It’ll be you and me again. I’ll build you a tower for yourself. I’ll-”

A loud sound suddenly rang out along with an explosion. A second and third pair of the noises quickly followed. Tommy and Tubbo jumped up from the bench and looked towards the source of the noises to find three withers in the middle of the shopping district.

“What the fuck?! Why are those there?!” Tommy was immediately pulling out his comm and sending a message in the main chat. 

Tubbo, on the other hand, squinted as something that seemed to be standing behind the boss monsters. They quickly shot open as he realized what he was seeing. “Technoblade?”

[stina-is-a-punk-rocker]

'birds of prey': a cinematic masterpiece

It's been a little over a year since Birds of Prey came out, a couple of months since I watched in on a whim, and I'm still not over this film.

Too many men people get pressed whenever you say you like this movie. "It's objectively bad," they say. "It's campy. It's too divergent from the canon. It's SJW propaganda."

Who gives a fuck, Richard? Who gives a single flying fuck?

I'll preface this by saying, my knowledge of the DCU is flimsy, at best. I've watched a couple of movies. My mum used to watch Smallville. I watched the pilot episode of Gotham. And I know enough about it to get the few references sprinkled in other media. But I draw a complete blank when it comes to the comics. So the canon of the comics had no effect on my enjoyment of the movie. Which I did. A lot.

I walked in blind when I watched Birds of Prey for the first time. I was unaware of the controversy surrounding it, and the only reason I even gave it the time of day was because I was bored.

I watched Suicide Squad circa 2016, and positively abhorred it- the only good thing about it was the soundtrack (the best songs are always wasted on the worst movies. Case in point: Twilight). And the not-so-casual misogyny was just... Yikes.

And then, we got Birds of Prey.

Since watching the film, I did a bit of research (see: Googling 'birds of prey movie reviews' and clicking on the first few results that popped up). The response was mixed- which honestly came as a surprise, since I thought it was great, and mine is the only opinion that holds weight.

I've read and watched a lot of those reviews. I watched the CinemaSins video. I watched the CinemaWins video, because CinemaSins has taken a major nosedive since I first started watching them.

Were all the negative reviews not-so-subtly indicative of the (predominantly male) critics' misogyny? I dunno; how did they talk about similar male-centered action films? I don't think it's fair to scream, "SEXIST!" just because someone didn't like the movie. Critics hated Venom (which was admittedly pretty meh. I still enjoyed it, though), but it was still pretty well-received by viewers.

I saw one review say that Birds of Prey was 'for the birds'... I'll let you unpack that yourself.

And yet, though I try to keep an open mind, I find it unfathomable how anyone can dislike Birds of Prey.

One of my favorite parts about the movie was the female gaze present throughout its entirety. I've seen people bring up the obvious change in Harley's costume- which I'm a bit iffy about, to be honest. Don't get me wrong- I love her choppy bangs and fun pigtails and the whole fluffy top thing she's got going on, but a whole lot of the critique towards her getup in Suicide Squad comes off a tad too slut-shamey (that isn't a word? Well, it is now).

Her outfit wasn't the issue. It's how she was framed.

In Suicide Squad, we get loads of shots of men leering at Harley, and a little too much emphasis on her breasts and arse in almost every scene she's in. As opposed to Birds of Prey, where Harley's still sexy (I'm seriously concerned for the straight men who found Harley unattractive in this film... You good, Pete?), but we focus on her face instead.

That part where Harley gives Canary a hair tie in the middle of a fight scene? Brilliant.

The characters have depth (a lot of reviews disagree with me. Well, what do I know? I am but a lowly STEM student). One of my favorites was Canary (and not just because I found her insanely attractive)- I love, love, love her arc in the film.

I've seen people complain that the villain didn't really get all villainy until towards the end of the film; which, if Sionis had to put on the mask for you to finally see him as the bad guy, then you've clearly missed most of the film. He's literally introduced while he's peeling the skin off of someone's face. Not to mention that one particular scene at the club- I won't go into too much detail, because it could be triggering to a lot of people- but it chilled me to the bone.

Following up with the villains: "All the men are bad guys," they say. "The whole film is feminist propaganda," they say.

And me posting this on International Women's Day is a bit on-the-nose, I'll admit, but this particular critique bothers me. Because those men aren't unrealistic. They aren't caricatures of men in the real world. We all know men just like them. A lot of them hit a little too close to home for me.

I've seen people complain that women touting the film as feminist turned them off from it- which, I dunno about you, but seems problematic to me on so many levels. Sure, not everything has to have a political agenda, but it's hardly like Harley & Co. scream, "GIRL POWER!" every three minutes.

(Also: it's funny how way more people get mad about poorly executed feminism than actual issues a lot of women in the world face, but that's a topic for another day.)

The diversity was just- wow. Getting not only one but FOUR Asian characters with lines? Hollywood, am I dreaming? The LGBTQ+ representation (not going into Sionis and Zsasz being queer coded)? Holy shit, yes! Maybe I'm getting too excited about this- Hollywood's a lot kinder to us minorities as of late- but it still fills me with joy whenever I see people like me onscreen.

Another complaint that springs up with regards to Birds of Prey is the skewed order in which Harley narrates the events. Which is kind of one of her defining traits- she's an unreliable narrator. And she makes it pretty obvious (this video explains it better than I can). The cartooned beginning was engaging, as corny as some of it was (loved the style, too).

The fight scenes were thrilling to watch. Not a single minute passed by where I was bored (my eyes usually glaze over during prolonged action scenes in films, which did not happen in this case). The comedy was well-timed and bold; the cartoonishness added to its charm.

And this is probably not even significant, but I adored the color scheme. I loved the bright, shocking colors; the emphasis on the pinks, reds and blacks.

And, finally, how could I go without mentioning the soundtrack? It was divine- I listen to the Birds of Prey album on Spotify almost every day; Lonely Gun and Experiment On Me are among my most-played songs, and the rest of the music is just as delightful.

In conclusion: go watch Birds of Prey if you haven't already. It's the closest thing to a spiritual experience I had last year.

[duhragonball]

Battle Tendency Liveblog: JJBA Ch. 83-87

Last time, the Red Stone of Aja got mailed out to the bad guys, so Joseph and Caesar have gone to shake down the Venice Post Office.   Notably, Joseph wears a hat and coat similar to the one he’s rocking in Part 3.

Turns out, the package is already on its way to St. Moritz, Switzerland.   Messina knows this because... okay, try to follow this.   So Esidisi hijacked Suzie Q’s body to mail the Stone.   So she probably wasn’t even aware of what she was being forced to do, but Lisa Lisa used Ripple Hypnosis on her to retrieve the address.   You’d think she would have told the boys about this ability before they ran over to the post office, but maybe they left before she could say anything.

Meanwhile, this dog’s about to get run over, but this is Jojo’s Bizarre Adventure, so what else is new.   Araki’s hatred for comic book dogs is the stuff of legend.

OR IS IT?   Yeah, take a good long look, because this is the only time Araki saves a dog in JJBA.    Apparently, Kars is a sucker for innocent plants and animals, go figure.  

I don’t know what else to tell you, except Battle Tendency = Best JoJo Part.  

As for Joseph, he and the others go to Switzerland, only to get held up by Nazis at the border.  Turns out, their mysterious commander knows all about the Red Stone of Aja, the Pillar Men, and Joseph and Caesar’s Ripple training.   That guy who tried to rob Lisa Lisa a while back?  He was a Nazi spy the whole time.   So now they have the Stone, and they want to cooperate with Joseph’s group.   Lisa goes along with it, because it’s better than letting Kars find the stone.

For some reason, Araki pauses to discuss Nazi Germany a bit, except he has all these historical events from March and September of 1939.   I’m not entirely clear on the chronology of Part 2, except that the final battle with Kars takes place in February of 1939, so none of these things have happened yet.  

But the point still stands.    Hitler wants Nazi Germany to rise above mankind, just as Kars seeks his own kind of supremacy.   And like Kars, the Nazis are interested in the Red Stone of Aja as a possible path to greater power.  

Everybody spends the night at some Swiss inn, until Kars shows up and uses his hyper-senses to detect how many men are in their room.   Then he slashes through the wall with that blade he sprouts out of his forearm, killing them all with one attack.   

Except for their commander, who has the Stone.   Kars is confused, because he sensed the number and location of everyone in the room, but somehow he missed this last guy, because he’s got no body heat.  

And Joseph barges in just in time to find out that this dude is Stroheim, the Nazi officer who blew himself up to stop Santana.  Somehow he’s alive, and also a cyborg, which is why Kars couldn’t detect him.  

Kars only wants two things: To capture the Aja Stone, and to kill Joseph Joestar.    He says that he can’t afford to spare a Ripple User powerful enough to slay Esidisi, but Joseph wonders if Kars is motivated by a desire to avenge his comrade, rather than any sort of cold tactics.    Wammu had called dibs on fighting Jojo, but he’s in Greece at the moment, and Kars is in no mood to wait.   

But Stroheim insists on tackling Kars himself, as his cyborg body was specifically designed using the information gleaned from studying Santana.   He’s strong enough to rip out pieces of Kars’ flesh, and he’s armed with a big-ass machine gun.  He tells Joseph not to pity him, because he’s proud to become this living tribute to German technology.  

What I want to know is: How did Stroheim survive Mexico without Joseph knowing about it?  He was there when that grenade went off, after all.   Maybe Stroheim landed some distance away, where Joseph wouldn’t have thought to look for him.    But how did Stroheim’s men find him?  

Anyway, Kars is not impressed, and he cuts Stroheim in half with his “light mode”, which is just the blades in his arms.   They seem to glow, but it’s actually just reflected light from the complex patterns in the blades.   From the sidelines, Joseph is unnerved by Kars’ ability, because he doubts that he could block or avoid those blades, even with the full power of his Hamon energy.   

As for Stroheim, he had no idea that Kars could do anything like this.   I don’t know, are arm-blades really that big a deal?   Wammu’s powers seem a lot cooler, and Esidisi’s “flame mode” looks pretty scary, even if it only melts stuff.   Still, it’s enough to beat Stroheim.    Kars mocks him for thinking that he and Santana were on the same level.   Kars considered Santanta a “novice”, like a “weak puppy.”   That’s an interesting choice of words, since we just saw Kars save the life of a weak puppy earilier.   Maybe that same pity was the only reason Kars kept Santana around in the first place.      As dangerous as Santana was, Kars considers him utterly useless.   

He even refers to Santana as “it.”  Maybe that’s just a mistake in this scanlation, but I dunno.   He’d probably use “it” to refer to that puppy he saved too.   And maybe this contempt explains why Kars refers to him as “Santana”, the name Stroheim gave the guy.   I always wondered why Kars didn’t use Santana’s real name, but maybe Santana never had one.  

But Stroheim’s not done just yet.   He has a UV beam built into his eyepiece, which stuns Kars long enough to make him drop the stone, and then it slides over a cliff.

Joseph and Kars race after it, but Kars is faster, because he doesn’t have to worry about slowing down before he goes over the edge.    He can survive the fall, while Joseph can’t.   So Kars figures that Joseph will try to kick him, and Joseph does throw a kick... at the snow, to distract Kars long enough for Joseph to get the Stone back.

But Kars has  blades in his legs too, and he uses one to snag Joseph and pull him over the edge of the cliff.   Joseph manages to use Hamon to grab hold of some icicles to stop his fall, but he still has to deal with Kars’ unstoppable blades, and his relentlessness.   Joseph’s whole deal is that he outsmarts his opponents by exploiting their inattentiveness.   But Kars is laser focused on getting the Aja Stone, so it’s almost impossible to catch him off-guard.

So Joseph uses that tenacity against him by holding up the Stone in the path of Kars’ attacks.   Kars wants to kill Joseph, but he doesn’t dare use his blades near the Stone.  Remember, Kars’ plan requires that specific Aja Stone because it’s the only one big enough and flawless enough to power his “Ultimate Life Form” mask.   If he damages the Stone, it won’t be suitable for his needs.   Knowing this, Joseph kicks him down the rest of the way, while he heads back up a “rope” made of Ripple-connected icicles.

Said icicles were provided by Caesar, who expected Joseph to try something like this, because he’s already learned that Joseph thinks in terms of ropes and strings.   Stroheim is astonished by their flawless teamwork.  

Below, Kars goes out of his way to adjust his fall so as not to crush a flower.   He laughs at this latest setback, because he’s just that impressed with Joseph’s resourcefulness.   Then he withdraws to try again another day.  

This whole arc surprised me when I watched the anime, because it seemed like Kars would be the final boss of Battle Tendency, but here he was fighting Joseph early.   And it wasn’t exactly an all-out fight.    They had a little footrace and Joseph used the Aja Stone to keep Kars at bay, but not much more than that.   Considering all the crazy stuff we saw from Esidisi, you’d think Kars would be much more dangerous. 

But that’s just it.    Esidisi was extremely formidable, and Joseph destroyed him with his Hamon training.    Kars lost 33% of his team in a single stroke.    All he has left is Wammu, who’s in Greece at the moment.  He simply can’t afford to take on Joseph in this situation, so he doesn’t try anything too crazy.   Both of them know his blades are powerful enough to get the job done, so he used them, but when they stopped being effective, he ran out of cards to play, so he left.    It’s not that Kars is weak, it’s just that Joseph’s gotten so much stronger.    So this fight feels like a much milder affair than the battles with the other Pillar Men so far, even though Kars is supposed to be the best one.  

And this is something else I really love about Part 2.    There’s only five villains to deal with: Straizo, Santana, Eisidisi, Wammu, and Kars.   That’s it, so it makes things pretty easy to keep up with, and it leaves room for Wammu and Kars to fight multiple times.  

Compare this with Part 3, where the Stardust Crusaders have to fight through a gauntlet of evil Stand Users as they make their way to Egypt.    I think I counted 26 bad guys in Part 3?   Somewhere in that neighborhood.    And I love Part 3, don’t get me wrong, but if Dio only had ten henchmen instead of two dozen, would it really hurt the story?  

This was something that really bugged me about Parts 4 and 5.   Would La Squadra Esecuzioni’s role in Vento Aureo be any different if they only had five guys instead of seven?    And what was the deal with that dude who lived in the transmission tower?    Most of the “villains” in Part 4 were just randos who just fought with the good guys for no particular reason. 

With Part 2, you don’t have any of that.   Five villains, and three of them only get to fight once.   That means every fight has to count, and every fight has to move the story along.  Kars isn’t going to just show up to be sociable.  He saw an opening to achieve his goal, and he went for it, only to discover his enemies were better prepared than he expected.   Now, he’ll have to wait for Wammu... 

[hollowknightheadcanons]

Spooky Scary ideas for the funny soup au

(by ratcandy)

Oh boy! You've allowed me to ramble! Horror soup au time.

A'ight so how is soup boy getting ahold of soul? We know in canon that there's... some way of extracting soul, aside from just killing bugs, but I don't believe we ever see what that machine... is? We see a snail shaman strapped down somewhere, presumably to be Drained(tm), but I can't remember if we actually see a soul-extraction-device of sorts. Considering the only other method we've seen of gathering soul is through attacking/killing bugs, I can only imagine that the soul draining process would be horrifically painful! So much so that he'd likely have to be careful how much is drained at a time... if he's not trying to kill the bug off. Which in of itself opens up the can of worms of him using the same bug over and over again for soul! What if he was in a rush? Would he just drown them in the hot springs (or whatever that liquid is) until they're full on soul again? How does he make sure they don't fight back?

On that note, where's he keeping his victims? You mentioned "When he first started out, he was only using a couple bugs- why raise suspicions by draining a bunch of bugs for soul when you could keep only a couple? But then as his restaurant got more popular, he needed more." He's gonna need a place to be holdin these bugs. Somewhere they can't escape and where they can't be heard. I know there was talk of a basement somewhere?? That COULD work, but it'd have to be soundproofed to some degree. Also, it'd have to be a pretty big basement! Assuming the growth in popularity is enough that he needs a constant supply of soul! Unless the basement is underneath the restaurant. Which is actually an idea I've used for a story before! The "ingredients" are kept deep underneath the feet of all the unknowing customers. They can scream and shout all they want - it'd be worse if they know there's bugs above them that can't hear them - but alas! No saving them now.

Bro hear me OUT What if he obtained his victims by setting up a sort of... yknow. "Now Hiring!" façade? Some poor sod thinks they get to work in the popular five star soup restaurant but oh no! actually you're being used for years of torment. but hey! your blood, sweat and tears is put into every bowl :) you're a vital asset to the team!

I'm also just imagining a whole scene where Lurien finds out about the basement, somehow, but he's not sure what to expect. He sneaks down at some point, maybe in the dead of night when the restaurant's closed, only to be faced with the horror of hundreds of drained bugs, all barely alive, begging to be freed. 

Someone headcanon'd at some point that the Soul Master is straight up chugging raw soul after a long day and. IMAGINE. Throughout the show/story/what have you, his body is just progressively contorting due to the effects of soul. Having "watered-down" soul, as is used in the soups, is fine in small doses, but just... straight up drinking that strong stuff? Oh terrible! By the end of it, he's just a bloated, hardly mobile mess, constantly choking on the soul he's ingested but somehow supremely powerful still. So he can fight back when Lurien shows up to. I dunno. arrest em? kill em? Dunno what the end goal is for Lurien other than proving it to the King, who's been shown to. likely not care! (The King's probably in on it imo)

ON that note, too, what about Mistakes/Follies? I imagine they're all over the basement. Experiments with "how much soul can i put in this soup without is having negative effects on a customer" that went very wrong! 

Does soul behave like a drug here? I mean, it's got healing properties, so anyone that ingests it has gotta be feeling pretty good afterwards. If they realize the correlation between "hey i'm feelin real sweet rn" to "this soup is wiggity wack" then. oop. they just keep coming back for more :)

And just for the sake of yummy gore and unsafe food practices: what if some newly-hired idiot (actually hired, not hired to be drained), that the Soul Master just trusted for some reason, didn't understand it was the soul being used in the soup and thought it actually was bugs themselves? Uh oh sisters! Accidental cannibalism? accidental cannibalism! And soup boy having to HASTILY cover up this mistake somehow when someone realizes there's chitin in their soup. actually. no. you didn't notice anything. please let's discuss this privately :) would you be so kind as to meet me downstairs? 

OKAY time to put a cap on my rambling for now!! It'd probably be a good idea to tag this with. uh. some sort of warning? I dunno hskjh, I tried not to get too graphic here but!! YeeAH,

———

This has the energy of that one post that’s like “a sitcom that keeps getting progressively darker and when a character dies their scene in the opening theme is just dead silence”

By the time Lurien uncovers the full secret, it’s unlikely there would be any bugs alive- however remember the soul sanctum basement in the game itself? yeah.

If Soul Master overdoses on soul then that would be the series finale or something. when it’s completely switched genres lol. Imagine the mood whiplash from going from season 1 episode 5 to season 5 episode 8.

Idk if PK is in on it since in the game he did try and shut down the soul sanctum (it’s implied at least) but the soul master went and continued behind his back anyway.

now for the machine that drains soul, we only have two references for that. the snail shaman and the place where you get spell twister.

its not that difficult to actually get the bugs for the soup though since he has at least two soul warriors and i hate those guys, one almost killed me in steel soul. i was at one mask.

Wait what if when they first started out, they (soul master and other soul sanctum guys) used their OWN soul just to test it out before they started getting into the whole kidnapping bugs for soul business. just a little bit. so that’s how the machine is not designed to kill on accident.

ooh i just got an idea but i’ll make a separate post.

[nyxravessnow]

Toumyu – Tokyo Kokoro Oboe First Day Stage Review

Again, as always, this is not a bias free review. It is heavily opinionated and not objective.

Thank you so much to Suke, Vivi and Koursed from the Touken Ranbu discord who helped me with the story and some of my vocal assessments.

 FREE OF SPOILERS

Overall rating: 9/10

Acting – 10/10

Music – 9/10 (average of all the song scores)

Ease of understanding – 2/10

Direction – 8/10 or 4/10 I honestly dunno. It depends on the next shows and the follow through for the storyline. If it is satisfying then I think this shows direction was excellent but if it falls flat then this show was kinda the beginning of that.

 Overall Summary: Honestly, I dunno what happened rly but the music, staging and acting were excellent. The idol portion was maybe my favourite out of all the myus, and I really enjoyed all the new songs. The first half was fascinating, enthralling and a spectacle but almost completely incomprehensible as so little was clarified, and we were left with so many questions. I really recommend watching the show for yourself as no review I can write will adequately explain or demonstrate what the show was like.

 Now I’ll have to get into spoilers to go any further into what the show was like

As I normally do, I am going to give my thoughts on story, acting, songs and directing, then mention some extra stuff that I might think of at the end.

 Story: Please keep in mind that this show is complex, and I didn’t manage to catch everything, and I might be wrong about some things, but this is the best I could do, trying to get it out asap. I will only describe the first half bc the 2nd half has no story.

 So, the entire show revolves around Suishinshi and he is trying to work out what Mikazuki is doing and what his goal is.

In the first scene he is in modern Tokyo and then a HRA person shows up and everything collapses. He says that his consciousness was stolen. Red threads are pulled all over the stage. Sand pours into a pile near the back of the stage and a girl in Noh mask and traditional clothes comes onto stage and dances at the back. It is unclear if Suishinshi recognises her. The music that she was dancing to suddenly disappears and she stares at Suishinshi and then she runs off. Kiyomaro quickly runs on and tells Suishinshi that there is a battle and then they go off together.

 In the 2nd scene Kiyomaro and Suishinshi arrived in the 10th century and find two soldiers fighting HRA members. They are about to step in but Taira no Masakado arrives defeats them. The two are surprised but as the discuss that Mikazuki speaks to Suishinshi and tells him Masakado’s name then Suishinshi has flashes of the future of Tokyo/Edo and sees figures that are important to the city, the humans in this show.

 But he is broken out of this by Buzen and Kuwana. Kiyomaro describes how Suishinshi said that he saw time moving like film unwinding like a movie. And it was so disorientating that he didn’t know where he was or when it was anymore. He says he’s been like that since their last mission.

 Then Oodenta comes on and sings about being a Tenka Goken with Sohayanotsurugi. (I am mostly not going to include songs but it is their first appearance so I will here)

 The two are in Tokugawa controlled Edo, at some point in the early 17th century, and they see Tenkai, one of Ieyasu’s advisors who is a monk, chanting and is repels the HRA. They mention that he sang a very old nursery rhyme, may be the one from Mihotose, and Suishinshi comes on and says that he has heard that song before. The film of the future of Edo plays again. But is a bit shorter.

 Then it fades out and is replaced by fire and the sound of a sword being crafted. Samidare arrives on stage and sings then leaves and Murakumo does the same thing then they duet.

 They are greeted by Kuwana and Buzen who tell them that Kotegiri and Matsui aren’t there at the moment. Then they take Murakumo and Samidare on a tour of the citadel.

 Kiyomaro and Suishinshi come back on stage and Kiyomaro says it’s a good thing to have more allies. Suishinshi describes how Nikkari told him that it can be a good and bad thing. Kiyomaro then says that must be why he left on a trip. Kiyomaro then asks Suishinshi if there is anything, he can do for him and Suishinshi doesn’t answer but Kiyomaro takes that as a no and leaves the stage. Some of the film plays again then Suishinshi leaves too.

 Kuwana comes out and is farming then Suishinshi comes back on and asks about the crops and so Kuwana tells him about a patch of grass as Buzen runs off stage chasing a mole. Kuwana tells Suishinshi that he is getting the fields ready for the rain and then Suishinshi says something about the world ending, I did not get this bit. Then the film plays again

Then it cuts to Saigo Takamori and Katsu Kaishuu talking. They talk about the future and some other stuff that I didn’t quite catch. Oodenta and Sohayanotsurugi come on and discuss the end of the Tokugawa government. Oodenta says if they had more spiritual power then they would have been able to last longer. And Suishinshi asks where he went after the end of Edo and the Tokugawa government.

 Kiyomaro then comes on and asks the Saniwa about abandoned timelines and is told not to think about it as there are some things it’s better not to know.

 Then we go to 1457 and see Ota Dokan supervising the building of Edo castle. Suishinshi wonders why Dokan decided to build a castle in that specific place. Dokan talks about enjoying the flowers and having a picnic there. Suishinshi then describes how as the seasons changed Edo went on to become the centre of Japan and his birthplace.

 During Dokan and Samidare’s duet the little girl comes out again and dances then hands a big leaf she was dancing with to Dokan and leaves the stage again. Then the film plays again.

 Sohayanotsurugi comes on fighting the HRA. He is joined by Oodenta, Murakumo and Samidare, Then Tenkai comes on stage again and repels the HRA. Suishinshi says he needs to make a boarder within himself between what is him and what isn’t him.

 Buzen comes on stage and says he believes anything that can think and remember is living. Suishinshi asks him if that means that if there is no memory of a specific living thing then does it mean it didn’t live at all and Buzen says that he’s not a person who can answer that. During their discussion, the little girl in the mask returns.

 Buzen leaves the stage and a full moon is visible in the back before it fades into the film playing backwards.

 In the next scenes we are back at the building of Edo castle and Buzen is helping the workers pull a big stone along. Buzen has clearly been helping the group before as Dokan welcomes him back from his trip and says he wishes he could go on a trip too, but he’s too surrounded by war. He asks Buzen where he went and Buzen told him he visited the sea and says it would be nice if they could go together sometime.

 Samidare comes to talk to Buzen and he asks him what Dokan is like and Buzen says he’s an amazing person and he would love to show him the future of Edo.

 Suishinshi, Kiyomaro and Oodenta come on the stage and Kiyomaro seems to be asking Oodenta about Mikazuki. Oodenta wonders when they were first called the Tenka Goken. Then Suishinshi and Kiyomaro start talking about curses, sorry this bit was incomprehensible to me.

 The curse may be in relation to Taira no Masakado who is believed to be a vengeful ghost who still plagues Tokyo today.

 The next scene shows Suishinshi watching as Masakado fights off four people and then is shot in the head, killing him. As he dies Suishinshi wonders why he has to die. If they’re meant to protect history then why aren’t they protecting him. Whose history are they protecting. Many figures with the same outfit as him but bands over their eyes and long grey hair come on and surround Masakado changing him into what resembles the painting of his vengeful spirit. He then stares at Suishinshi and leaves the stage.

 Suishinshi asks if this is also a curse. He says he has to make himself normal again. Saying his name is Suishinshi Masahide. However, his name that was written on the screen at the back melts away. It is replaced by Mikazuki’s name then lots of other Touken Danshi names play across the screen and disappear like they’re being erased. He calls out that his name is Suishinshi Masahide as the names fade into letters, the red lines cross across the stage again and the child with the Noh mask appears again.

 In the next scene Dokan is about to be executed when the HRA save him and run off. Buzen sees this and waves at him. Dokan smiles and walks towards him, going to say something but Buzen jumps towards him and stabs him in the heart. He says that that is because that is what the history is. He says that he didn’t want to have to kill him even as an order then walks to him, closing his eyes. He laments that he never got to take Dokan to the quiet ocean. (A reference to Paraiso) Samidare says that he should be doing the dirty jobs and the next time Buzen should let him do it instead. Buzen says that it’s fine and that he wants Samidare to be able to just sing and dance. He asks him to perform for Dokan. The child with the Noh mask appears again and lays the leaf that she handed to Dokan earlier, on his chest.

 The next scene has Kuwana farming again. He is approached by Murakumo who asks him what he’s doing. He explains that there is nothing there, so he has to prepare it for when the sun is bright, and the rain is beautiful. Murakumo reflects that rain is important for crops and Kuwana says that clouds are important too. Clouds and rain are in a circle where clouds will become rain, rain will fall then will trickle into the ocean. The water will then leave the sea and become clouds again. He says that they are all connected in this circle. Humans, history and all the swords. Kuwana tastes the earth and says that it is good earth. Murakumo says that he would like the make the field a field of Kerria but then goes back on this saying they should grow food as flowers aren’t useful as you can’t eat them. Kuwana says you may not be able to eat them, but they are needed, even in this world. Murakumo tries to eat some of the dirt and says that Kuwana is very weird for trying to eat the earth. Kuwana just laughs along and says that maybe he is.

 We go back to Tenkai who Oodenta and Sohayanotsurugi are with. Then Masakado appears and tries to attack them. Finally, with Samidare, Murakumo, Kuwana and Kiyomaro’s help as well, they manage to defeat Masakado but apparently there are 6 more. Tenkai creates a spiritual barrier in the place where they defeated Masakado and Tenkai tells them they have to go defeat the rest. Sohayanotsurugi, Murakumo and Kuwana leave but Oodenta asks Kiyomaro if Tokyo/Edo always had that many monsters. He remarks, I think, that if a person lives for 100 years then they will become a Tsukumogami. (this is what I think I heard but it doesn’t rly make sense as a Tsukumogami is an object that becomes sentient rather than being a person hence why I am confused)

 In the next scene Mikazuki is projected onto the screen and Suishinshi demands to know what he is doing. He takes out his sword and tries to fight Mikazuki, but the image ripples and he has to take some steps back, saying he knows Mikazuki isn’t the kinda of opponent he can fight against. He attacks it again and the image disappears, reappearing to the side. Suishinshi says that he is going against the river of history. He attacks that image, and it reappears on the other side. He says Mikazuki has taken on a very sad role in the flow of history then attacks the image again. The image appears on the back again and Suishinshi asks what on earth was Mikazuki trying to protect. He says that Mikazuki is doing something horrible and this time the image of Mikazuki blocks all of his attacks. Mikazuki brings his sword up and the instrumental of Hana no Utena can be heard then as he brings it down Suishinshi sees a flash of many of the humans who have been in Toumyu so far, including people like Yoshitsune, Sadachika and Souji. Then Suishinshi starts saying the names of flowers. I don’t rly know why. But as he is saying this the girl with the mask appears again behind the screen. Suishinshi asks if all the flowers were her doing and if she was making time move along. Then he seems to realise who she is and says ‘I see, you are-’ then it cuts off. The screen and sounds statics and Suishinshi falls to the ground.

 In the next scene Kiyomaro asks the Saniwa if he can look after Suishinshi, saying he will definitely come back, making it seem like he is gone for a while. Kiyomaro says that Suishinshi is really amazing and the Saniwa agrees. Suishinshi then comes in and asks for permission to go after Mikazuki saying that his eyes looked so sad ‘at that time’. He says that with even a little time he might be able to lighten his burden. He says that history is like a big river but the small rivers coming off it can still be beautiful. The Saniwa then says he will leave it to Suishinshi. Suishinshi asks Kiyomaro to come with him and they leave together.

 In the next scene Oodenta and Sohayanotsurugi are listening to gunfire and canons and talking about how Edo is ending (as it will soon be named Tokyo instead). Kiyomaro and Suishinshi walk on and Kiyomaro asks why they have come to the Bakumatsu time (the end of the Tokugawa government). Suishinshi says there is something that needs to be fixed in that time. Kiyomaro says that he will believe Suishinshi and follow him. Sohayanotsurugi and Oodenta come and join them and Suishinshi tells them about his plan. He takes out a map and indicates all the places in which Tenkai made kekkai and what the effect of those was, I couldn’t catch that bit. I couldn’t really understand the rest of the bit when it’s just the four swords.

 Then Katsu Kaishuu comes on and is surrounded by HRA. He keeps spitting at them for some reason. The swords defeat the HRA and Kaishuu thanks them. Suishinshi asks him if he is trying to protect the Tokugawa government and he seems insulted by that. He says that it isn’t anything that small. He is trying to protect the world and says that it is his dream to go on a trip somewhere. Even if everyone he wanted to go with is dead. Suishinshi gets incredibly excited and happy and says that Kaishuu is really an amazing person. He then runs off but quickly runs on again and says that Kaishuu has a wonderful sword. (which is probably him as he was one of Kaishuu’s swords)

 Kuwana and Murakumo come back on with Tenkai, fighting more HRA. Another Masakado comes on and they have to fight him. The four from the previous scene then join them as well. Tenkai then makes the final kekkai. Suishinshi asks him why he wanted to protect the land. He says that’s just his thing and he thanks them saying he was able to protect Edo because of them. Then he dies.

 The next scene has Dokan with Samidare and Buzen as they look at the newly completed Edo castle, obviously earlier in Dokan’s timeline. Dokan asks if Samidare knows why it’s beautiful and Buzen says because of the people. Dokan agrees. A place that is built by people and lived in by people is beautiful. Samidare then asks if he thinks that then does he not find nature beautiful. Dokan says that he does because of the heart of that thing. Samidare then barks at Dokan and apologises, saying it is because he was so moved. When Dokan laughs he hides his face in his scarf which is literally the cutest thing ever. Suishinshi then suddenly appears and says that he has something to ask Dokan. He asks him why he decided to build Edo castle. Was it as a home or for battle? Dokan says maybe a little bit of both then recites a poem about Kerria and says that Suishinshi will understand what he means one day. Suishinshi and Kiyomaro leave. Buzen asks Samidare if he understands the poem and Samidare explains it – I didn’t understand the explanation though.

 In the next scene Masakado is fighting off HRA and Suishinshi and Kiyomaro appear to help him. Suishinshi asks Masakado why he started the uprising and Masakado asks him why he’s asking him that. He then says there was another person who asked him that and a crescent moon is projected onto the back. He says Mikazuki called him a friend. Suishinshi tells him Mikazuki has taken a heart-breaking role upon himself and Masakado says that he knows. History is nothing but winners and losers. History is just things and people that are left over. Things like Suishinshi and Kiyomaro. The smell of flowers and the tone of songs. He wonders whether things that aren’t there anymore were ever there at all. He confirms with Suishinshi that he is going to lose the battle. He wants to leave behind the trace that he was there so no one can think that he wasn’t. He says Mikazuki is too kind. He then says some stuff I couldn’t get. He then goes to leave but Suishinshi asks him again why he started the uprising. He says it was all for a woman.

 He starts singing and all the other humans join him.

 In the next scene Suishinshi tells Kiyomaro that wherever he goes he can only see a crescent moon, never a full moon. He says history is just what the winners say happened, no one can ever know truly what happened, no matter how sad this may be. (As he says this the girl appears again, she is dancing in a circle of Kerria flowers). Even if his memories aren’t completely there, he knows that all of history is connected.

 Then all the Gous walk on and the crescent moon appears. Mikazuki says as expected of Suishinshi. Mikazuki says Suishinshi doesn’t have to say out loud what he has worked out, his feelings are enough. Suishinshi was able to lighten his load. Suishinshi shouldn’t be sad for him because this is Mikazuki’s role. But there are things he cannot do so he needs help. Suishinshi and Kiyomaro have to become the link between the past and the future. The Gous have to be the ones to connect to people. Buzen is about the asks Mikazuki something when all the Gous double over as if they have a flash of memory like the film that Suishinshi has been seeing. Buzen looks horrified and asks Mikazuki if it could mean- but he is cut off by Mikazuki. Mikazuki laughs and remarks how beautiful the moon is and then leaves. Suishinshi and Kiyomaro say they have to fulfil their role then leave. The Gous then start saying confusing things. Murakumo says ‘a little, just a little’, Samidare says ‘Yes, the memory’, And then Buzen says ‘It seems like we Gou are-g’ then he is cut off.

 The next scene begins the same as the first scene, with Suishinshi in modern Tokyo. And he says he finally knows who someone is, most probably the girl. The full moon is visible behind him and the dirt is falling from the ceiling again. He says, ‘So, you came here? But if this hadn’t happened and you could have chosen would you have come here at all? The curse, the kekkai. You must be frustrated. I don’t know why you did this, but I respect your determination. The people who were here and the people who weren’t, the people who came and the people who chose not to come, it’s not fun for them. Your feelings have reached me. Thank you. And I have a request, please don’t hurt this time, reality, or the things that you chose. It’s gotten across to me. It would be nice if it could be understood. Barriers aren’t just in people’s hearts. We will definitely meet again. So, don’t close off or hurt things. To achieve that goal, we will do everything’.

As he is speaking the HRA are pulling the red ribbons across the stage again and on his very last sentence all of the other swords join him.

 In the next scene different swords come on and just small talk a little.

Kiyomaro and Suishinshi come on. Suishinshi says his mission is to make sure everyone is smiling. Kiyomaro then asks him about the girl and Suishinshi says he doesn’t know her name. The wonder what type of person she could be. Suishinshi says he thinks she is a person doing her best.

 And that is the end of the first half.

 Acting: I am not going to go person by person because honestly, [I have 0 criticisms for any of the actors. I cannot believe that this was the first show. The singing and acting was amazing.] I am leaving what I initially wrote as it was my first impression but as I dove into the songs a little more I realise there is a lot of room for improvement in the singing department.

The standouts for me were Samidare, Dokan and Masakado. I loved all three actors and thought they were excellent even among this incredible cast. I will also give a shoutout to Nagata Seiichirou, Murakumo’s actor, as I have seen him a lot in Prince of tennis where personally I really did not enjoy his acting or singing and was so pleasantly surprised to see how much he has improved. He obviously practiced so hard for this show.

 Songs:

Obviously, I don’t know the song titles, so I am just gonna to refer to who is singing the song. (except for Touken Ranbu) I do have singing experience, but I do not know all the technical terms so please bear with me for what I am trying to express. This will be less in depth than my Kuromyu song review because I spent so much time on the story already and I really want to get this out soon.

 Touken Ranbu – 10/10

I love the new accompaniment. While personally I was not getting bored of the previous Touken Ranbu I know people who were but I also now that I would not have been happy if they changed the song, so I am really happy with what they did. It feels nostalgic but also fresh.

 Taira no Masakado solo – 7/10

I think the song is good and very well sung but Bishin wavers on the notes at the beginning a bit hence why it is only 7/10. It might change depending on the final performance. This song is really good but because of the way it is written it sounds pretty difficult to sing as it isn’t in lines that flow to get but more short phrases that, while being sung not spoken, sound pretty harsh to get out.

 Kiyomaro and Suishinshi duet – 10/10

This song is beautiful and so well sung. Nobunaga and Seiya’s voices really compliment each other well. The gentle music and gentle singing works, really well with emphasizing how worried Kiyomaro is for Suishinshi. When I was watching it with people it was fun to see literally everyone be like ‘Well I guess I stan Tenpou now’ immediately.

 Oodenta and Sohayanotsurugi duet – 9/10

This song is really amazing, and I like how different it is to the previous duet. It starts of with a beat that makes it sound like Oodenta is going to rap. Raita has one of the best voices in this show and he really showcases it in this song. He goes from singing higher to lower and nails both of them. The only reason why this is a 9 and not a 10 is that Masaki’s voice is definitely not as strong and he doesn’t sound great on some of the notes, hoping he can improve for the final show. The song is still 9 though because his solo bit is much shorter and his harmony with Raita sounds really good.

 Samidare and Murakumo duet – 8/10

I know I haven’t given it 10/10 but this is my favourite song in the show. (I am very biased towards Gous and Yamazaki Shogo) This song is again, hugely difficult. It goes from quite low to very high and honestly it is no surprise that Shogo and Seiichan didn’t nail every single note on the first night. I am so excited to hear this on the album and on the final night. Shogo has some tension in his voice, probably from nerves, and this is not his best performance, but I know he will improve as the show goes on. Honestly, this song isn’t sad at all, but I started to tear up during this song. I was not a fan of Seiichan in Prince of tennis. I did not think much of his acting and singing and I have not re-watched any of his casts shows more than once. So, I was so happy here to hear how much he has improved. Not only his acting but his singing is world’s apart from a few years ago. It is abundantly clear how hard he worked to improve his singing and it has obviously paid off as he nailed this song despite it being rather difficult. Can’t wait for this song to become a 10/10 when Shogo can nail all of his notes on final night.

 Kuwana solo – 8/10

This song is so adorable and sweet, and I love it but Tomoya sounds so nervous during the song. He misses quite a few notes and when he does sing it well his voice has a lot of tension in it. His high notes and transitions are a bit flat. I hope as the show goes on he can relax and sing this song to the best of his ability, taking it up to a 10.

 Ota Dokan solo – 7/10

This song is really fun and is about the workers moving the rocks for Edo castle around. The chorus is really fun. I don’t think Dokan’s actor has the best voice ever but the song is written in a more traditional style which I think compliments his voice and brings out the best from him. Very solid song that I liked.

 Samidare Dokan duet – 5/10

I honestly don’t know if it’s the song writer not exactly getting it for this song or if it’s the singers but for most of this song it really does not sound great. Their voices do not harmonise well for the most part, except one harmony that was quite nice. Dokan’s actor really doesn’t sound good in this song and I think the main reason it made it to even 5/10 was because Shogo managed to hit some of hit notes very well. I really really hope this song improves for the final show.

 Tenkai solo – 7/10

I really really enjoy the Buddhist chanting. I think it sounds really good with the song. Tenkai’s actor does not have a very good voice but he doesn’t sing too much in the song and the chanting covers for him a little.

 Buzen Dokan duet – 4/10

This is a reprise of Dokan’s solo but with Buzen singing the first half of the song. I really don’t think Yuta sounds good singing in this style. I didn’t hear much tension from either of their voices for this song so I honestly don’t know if this song will improve, the song style just doesn’t seem to fit Yuta’s voice. While I still really enjoy the chorus, I don’t think either actor sang this well at all and I am just glad there weren’t any harmonies in this song.

 Buzen solo – 8/10

Yuta really redeems himself in this song. His voice sounds really great and the emotion is definitely there. While not every note is perfect, it is worlds better than the previous song. He really nails the bits that require more projecting of his voice, mostly, and he has a nice contrast between rough and soft.

 Kuwana solo reprise – 9/10

This song is much shorter, so he basically gets +2 for every line that he nails. His voice wavers a little on the first line hence why it is a 9/10 but definitely getting there for this song.

 Kuwana Murakumo duet – 7/10

I do like this song, but it’s not terribly well sung by Tomoya and Seiichan has his moments as well. I really hope this is just due to it being the first night as I see a lot of promise in the song and am very excited to hear it with a little more hitting the notes.

 Taira no Masakado solo reprise – 6/10

I think they wrote this song as a little too aggressive as with the shouting he has to do as part of this song his voice suffers a lot. While I get it has to be aggressive because he is attacking them and is now cursed/vengeful spirit/HRA but I feel like they could have managed the aggressiveness with the song actually sounding good a bit better.

 Oodenta Sohayanotsurugi duet – 7/10

Pretty good song. Pretty solid singing from both of them. It’s very short so I don’t really have many notes.

 Sohayanotsurugi Oodenta duet – 7/10

This was pretty difficult to rate. Masaki’s voice is not amazing in this song, but he carries the emotion it is meant to have, really well. Raita is doing amazingly as always, and their harmonies are good I just didn’t feel like I could put it above 7 because of Masaki’s voice.

 Full cast song – 8/10

The song starts off with just Masakado and then the other humans join in then the swords too.

I think the beginning solo bit from Bishin is his best singing in the show, he manages to do the shouting but still sound really good and I love his voice in this song.

I think Tenkai and Dokan’s actors also sound incredible in this song for the most part.

There is a little bit in the middle where some of the humans and swords sing individually and like everyone missed their notes and harmonies which brought this song down from a 10 because it starts and ends beautifully with incredible singing and harmonies. They just need to tighten the bit in the middle and make sure everyone is nailing their parts.

At the very end of the song Suishinshi has a solo bit and I wasn’t quite sure if it was the same song or a different song, but I included it with this one for now. Seiya sounds really good and it ties up the song well with well sung solo parts at the beginning and end.

 Suishinshi solo – 10/10

Sung beautifully. Pretty short but there are not faults with it.

 All sword song/End of first half song – 7/10

This song is beautifully written. The vocals are very hit and miss though. When they hit the notes, they sound amazing, but when they don’t it is pretty dire. For the most part the harmonies are good and I hope they can just perfect the solo lines.

 INTERVAL

 (I’m guessing the song title) Revolution – 10/10

Very solid start to the idol section. The music and dancing slap so hard. This song is really fun and just so great.

 Sohaya Oodenta idol duet – 10/10

Masaki sounds so much better and way more confident here. This song is really really good and just sounds amazing.

 Kiyomaro and Suishinshi duet – 7/10

It kinda seems like Masaki and these two have reversed. Masaki sounds much better in the idol songs and these two sound worse. Their slightly off-pitch for a couple of notes. The chorus, which is so adorable, is absolutely perfect but some of their solo bits aren’t the best.

 Gou4 song – 8/10

The beginning doesn’t have the strongest vocals and I don’t really like the way it seems to be meant to sound at the beginning, but I quite like the rest of the song. Again, Yuta gets the wrong pitch occasionally when he sings but does seem like he’s working on it and getting better.

 1st 2nd layer song – 10/10

They have a dance break section at the beginning and the music slaps as does the music for the entire song. It has a very modern feel to it but then it adds some jazz instruments and then Raita, who is a professional beatboxer, does some beatboxing and it just sounds so good. This song is more spoken than sung but no complaints about the singing.

 2nd 2nd layer song – 10/10

Another really fun song. Pretty solid singing from everyone. I can’t really fault anything.

 3rd layer song – 9/10

I do really like this song and it is a really different 3rd layer song to most of the ones we’ve had before. For the dance thing in the performance. (previous shows have had like ribbons, blankets and spinning lights) They had all of the swords playing the taiko drums. I would have liked maybe something that he hadn’t seen before as we have taiko drums in every 3rd layer song normally, but it was very well done. Not every note was perfect, hence why it isn’t a 10 but once they can nail that it will be.

Touken Ranbu reprise – 10/10

Just as good as the first one. Still loving the new arrangement.

 Direction: All the blocking and choreography stuff was very well done. I am a bit nervous about that this show is indicating for the future of Toumyu and if the story doesn’t follow through this show is gonna seem much worse in retrospect so I think the director should be very careful as he continues with the next few shows.

 Other things:

 This really feels like the start of the Toumyu story arc. Of course, we had already got hints of it in shows like Tsuwamono and Kishou Hongi, but this has really kicked it off in a big way. I think what they have done is quite dangerous and may possibly alienate some people from Toumyu as this show was very complicated and a lot of Japanese fans were also extremely confused. I really hope people stick with Toumyu and that this arc is handled well and that confusing shows like this don’t become the norm. I am positively apprehensive.

 Honestly, I did really like this show and I thought it was interesting, but I wouldn’t like to see any other Toumyu shows quite as complicated as this. I think it was good as a once off but I think I would be a bit put off Toumyu if they kept doing shows like this.

 I will say I did not see the point in Oodenta and Sohayanotsurugi in this show. While both actors did very well, and their songs were for the most very enjoyable they played almost no part in the story. The only important role they had was one scene where Kiyomaro asks him about Mikazuki because they are both Tenka Goken but even if that he doesn’t really answer. I wouldn’t normally bring this up but since they had 8 people instead of 6, I felt like I should say this. I do think it was a bit of a mistake to go up to 8 for this show, especially as it was so complicated and so I think other things didn’t quite get the time they deserved because of Oodenta and Sohayanotsurugi being there.

 Overall: Very good but also depends on where Toumyu goes from here.

[incoherentbabblings]

Why TimSteph is nice

Because I honest to goodness think they are. Prompted by @tsukiakari1203 who needed cheering up but also just because it’s that kind of evening you know?

I also have a TimSteph meta tag if you want to go through four years of me moaning about them. I am going to be repeating myself from some of those posts. Sorry. These are just little things which I love to infer more meaning out of then what was (probably) intended. 

This is long. As always.

Pre-New 52 there are a lot parallels with each other. Their Batgirl and Red Robin runs copy each other thematically. Their characters over their thirty years of publication flip on the cynicism and idealism scale. Tim is initially good at making and keeping friends. Steph is initially not. Tim comes from a relatively stable home, albeit it with distant at best or neglectful at worst parents. Steph comes from an unstable home, with neglectful at best and abusive at worst parents. Tim pushes his way into the inner circle of the batfam and is successful at doing so on like his second or third try. Stephanie pushes her way into the inner circle of the batfam, but it takes approximately 20 tries plus (nearly) dying to get people to take her heroics seriously. Both form close familial relationships with the originator of the mantle they hold.

Tim starts helping because he believes no-one else can step up to the plate and help Bruce, and he continues to help people because it is simply the right thing to do. After multiple tragedies he loses any desire to exist as his genuine self outside his superhero mask, and the reader is left with the idea that there isn’t really a Tim Drake left at the end of his solo run anymore, only different factors of Red Robin. Stephanie starts helping because she believes no-one else is capable of stepping up to the plate and stopping her father, and over time her spite and anger turns to genuine altruism and compassion, which makes it impossible for her to willingly hang up her costume. After multiple tragedies, the line between her Stephanie self and Batgirl self is practically non-existent. She is never not genuinely herself, and is on the path to get her degree, repair her relationship with her mother, work alongside the new friends she has made and pursue everything that may have been denied to her when she was fourteen years old.

One of Tim’s first major missions as Robin had him face Scarecrow. One of Stephanie’s first missions as Batgirl was to face Scarecrow. As @our-happygirl500-fan once pointed out - Stephanie’s super heroics started with her trying to kill her father. Tim’s super heroics ended with him trying to kill his father’s killer. Stephanie gains Bruce’s unequivocal trust, Tim loses it. The future Tim sees for himself ten years down the line is lonely, dead or in a position he does not want to take (Batman). The future Stephanie sees for herself ten years down the line is being a parent, mentoring younger heroes, living in a nice house, and running around in a beloved mantle (Nightwing).

Both of their biggest fears are simply not being good enough at what they need and want to be.

Onto fluffier things below the cut...

Absolute favourite thing is how they are often drawn holding each other’s cheeks. Hands are a big them for them (for me) so look out for their interactions. Even when they aren’t a couple, their hands are resting on the other or reaching out for the other. It’s not uncommon for Tim to put his right arm around Steph when they are sitting together and press her into his chest.

Tim’s the only person to call Stephanie Stephie aside from her father and Dean, and therefore is the only one to mean it as a genuine endearment. He is also the only person aside from her parents to call her sweetie, though again, unlike her father but like her mother, Tim means it as a genuine endearment. 

One of the side purposes of Stephanie’s pregnancy arc was to give Tim and Steph a reason to get to know each other outside of the costume. Early on, even before they got together, Stephanie pushed against there being a distinction between the mask and the person wearing it. She continually both pre and post new 52 decries Tim claiming there is any kind of separation. Stephanie had a crush on Robin, but she fell in love with the boy who kissed her in the cinema, took her to the highest point in Gotham because he thought the views were romantic, and took her to birthing classes with a fake beard on. She loved Tim. There is no distinction. For about a year in universe she was the only person who had a reason to exist in both Tim and Robin’s lives. Giving up one would not necessitate giving up Steph. Though she would insist on dragging Tim back to the surface. Therefore, I think, if the Pre-New 52 universe had been allowed to continue, Steph would have been important in getting Tim back to the surface over Red Robin. Look what she managed to do in their crossover. The mere threat that she doesn’t recognize Tim anymore helps get him back on track. It’s also a thing in Rebirth. Tim is Tim is Robin is Red Robin is Drake is Tim. No difference.

I cannot find exact proof of this right now but there’s a panel where Tim’s on a date with Ari, and he can’t focus on her, as he’s too worried about a case. Tim can’t flipping focus ever with Zo because at that point his mind is just too full of trauma by then. 

Steph takes him to the cinema, he relaxes. Steph makes out with him; his mind goes blank. I dunno where I’m going with this. Steph makes Tim feel safe, I guess. He lets his guard down bad with her. 

When they’re younger they’re both kind of jealous over the other. Tim (playfully) threatens to shoot a guy who has a crush on Steph, and she does the very logical thing when seeing Tim being kissed and decides to make a Robin costume and force her way into the Batcave. Love was conditional for the both of them growing up, so the concept that they love each other for realsies doesn’t really compute. The other will leave. Eventually. Tim has better prospects and Steph will get bored of Mr Goody-Two-Shoes. Spoiler: They don’t. 

Steph trusts Tim with the stories of her assault. She says her favourite things about him are his gentle nature, the fact that he’s not afraid to show her he’s frightened, and his empathy. Tim loves how warm Stephanie is and he loves how consistent her affection for him is. He knows that she only has his best interests at heart, even when she listens to the wrong people for what that is (coughBrucecough). They often can be found bolstering and comforting the other against Bruce’s actions as much as they can be seen supporting him, which makes for some juicy conflict.

In Rebirth Tim only sets the drones to target himself when Steph calls him thinking she’s going to die. In Rebirth the last person Tim chooses to speak to is Steph. In Rebirth the thought of Steph is one of the things that keeps his will to go home alive and his sanity after spending months alone intact. In Rebirth his renewed relationship with Steph was partially unravelling Dr Manhattan’s reboot of the earth (the power of adolescence crushes). In Rebirth Stephanie wins over the bad guys by assuring her boyfriend that a) he is a good person who b) she trusts to do the right thing. She saves the day with the Power of Love. In the bad Batman of Tomorrow future, Tim is looking for Steph, implied that he still has feelings for her even though she says he is essentially dead to her, he goes to see young Stephanie and begs forgiveness from her, then uses her - referring to her as something to possess in one interpretation - to throw young Tim off in a fight. Again, in Young Justice, the thought of Stephanie is one of Tim’s biggest motivators to go home. She is his home. He is her cornerstone.

And that is why I think they are a neat couple.

[sailormoonandme]

Why I think Sailor Moon lends itself so well to fanfiction

It’s no secret that there is a very active Sailor Moon fanficiton community.*

Whilst every fandom has its fanfic authors in my experience Sailor Moon fanfiction proportionally forms a far larger part of the fandom than in many other fandoms, the only exception I’ve encountered would be say Harry Potter. I do not for example find as many people posting or discussing fanfiction within Power Rangers, Lord of the Rings, Marvel, DC or Doctor Who circles.

Oh, there are plenty of people who talk about ideas and concepts they have. But there seem to be far fewer actually making stories themselves, or at least willing to post/share them, nor even discuss making them.

Why is this?

Well, I’m sure there is a discussion to be had regarding fanfiction, female authors, female audiences and obviously that’d tie into how Sailor Moon is primarily aimed at (and enjoyed by) a female audience.  

But I’ve not really researched that so I don’t feel confident enough to dive into it.

To me though, when we break down the nature of Sailor Moon’s story, I very much feel it practically encourages fanfiction and taps very directly into the sort of things fanfiction writers and readers seem to like.

One stereotype of fanfiction that, in my observations, is absolutely true is that there is A LOT of romantic and/or sexual content. In fact it’s an open secret that professional erotic fiction pales in comparison to the breadth, quantity and quality of fanfiction ‘smut’.**  

One might argue ANY story that features romance in it is therefore ‘encouraging’ such fanfiction. But the situation with Sailor Moon is a little different as romance is utterly baked into its foundation. The first story arc, initially intended as the entire story, revolves around Sailor Moon and Tuxedo Mask’s relationship. Between the manga and the anime the love life’s of almost every single major character is touched upon one way or the other. Minako’s affections for Allan. Rei’s disdain for men in the manga and romances with Mamoru and Yuichiro in the anime. Makoto’s sempai and her tragic string of men even vaguely similar to him. Ami and Ryo’s relationship in season 1 and her shyness about anything romantic thereafter. Even side characters like Reika, Motoki, Unazuki, Umino, Naru, Nephrite, Zoisite and Kunzite make their love lives at least discussed.  

Then of course you have Haruka and Michiru, who’s relationship also clearly hints that they’ve become physically intimate.  

Often with more sexually explicit fanfiction the authors are diving into parts of the characters’ lives rarely even discussed (if at all) in the original canon. Whilst Sailor Moon’s focus upon romance made sex a logical leap, the show plays a Hell of a lot with innuendo, symbolism and subtle hints to the point where it was giving fic authors plenty of ‘ammo’ to work with already.  

This of course extends into the realm of queer pairings. Another stereotype of fanfiction (and again, I’ve not really researched this so I dunno how true it is) is that they engage in romantic or sexual stories where the characters have a different sexualities from their (apparent) canon ones. Perhaps the most famous (infamous?) example is Harry Potter and Draco Malfoy. Between Haruka and Michiru, Mamoru and Fiore, Zoisite and Kunzite and implications a plenty in the manga and anime (especially under Ikuhara’s rule) writing the characters as interested in people other  than the opposite sex was a relatively easy and believable leap, hardly even breaking the verisimilitude of the canon.

Speaking of verisimilitude, Sailor Moon…didn’t make sense. I love it and adore it but we all know this is true. Even beyond the mindblowing miraculous magic it employed there was more than several instances where characters did not behave realistically or even consistently. Contradictions in the anime especially were rife.  

Regardless of what that does or doesn’t say about the canon, for the purposes of fanfiction, this is something of a boon. It enables all sorts of wacky riffs and directions that aren’t going to create too large of a cognitive dissonance for the writer nor the reader.  

Want to write a story that wouldn’t be realistic? So what? This was the story where the world almost ends but society is never fundamentally changed.  

Want to write a story with elements that’d be anachronistic So what? Our heroes were named after planets that didn’t get those names until thousands of years later.  

Want to do a story that unfortunately would contradict a canon fact or canon characterization?...Have you watched SuperS…?

The flipside to the messier parts of the canon is that it equally encouraged some authors to engage in fix fics, to address what they felt were problems with the characters and narratives.***

It’s very much a getting your cake and getting to eat it too situation!

Additionally, the ‘monster of the week’ format for the show enables all sorts of wacky riffs and spins to be imposed on the characters and narrative since these monsters each had their own gimmicks. Body swap characters? Make them shrink? Make them evil? Alternate Universe? Space travel?  

Ostensibly anything and everything is on the table for fic authors to work with, just as it was for the official creators of Sailor Moon.

Alongside the ‘monster of the week’ format, the innate concept for Sailor Moon encourages the creation of original characters. There is no end of stories about ‘Sailor Sun’ and ‘Sailor Earth’ of course. But since any planetoid, celestial body or what have you in theory could have a Guardian authors could go nuts, drawing upon real list astrology or simply invent their own planets for whatever story they are doing. So the story is ripe for world building and expansion!

However, things need not go to that scale. Sailor Moon, especially the anime, revolves around the everyday lives of teenaged characters. Their ages means authors have the opportunity to write the characters growing up or having grown up and take them in any direction they like and again not create too much of a cognitive dissonance with the canon. And they can do that by drawing upon their own life experiences fairly easily without having to consider what the first day of college might’ve been like for someone on Middle Earth or whatever.

Furthermore, because romance was baked into the story, there was a greater focus in the stories upon the characters internal thoughts and feelings. This wasn’t strictly about their romantic feelings, but my point is a good 2/3 of your average Sailor Moon episode will be taken up with slice of life stuff before the Senshi go into action.  

Why is this relevant? Because that kind of internal exploration lends itself far better to the prose format than action set pieces, especially action set pieces trying to emulate those of a visual format like a manga or an anime.  

All the above actively encourages the creation of fanfics but there is aso something deeper going on.  

After all, plenty of movies leave room for characters to be expanded. Plenty of manga offer opportunities for world building. Plenty of TV shows make the creation of original characters a synch. Plenty of comic books have contradictory continuity that warrants patching up. And romantic elements are present in the overwhelming majority of fiction, even fiction that isn’t predominantly about that.

What makes Sailor Moon a particular strong candidate for fanfiction though is that it has all those things whilst also having strong concepts, endearing characters and a rich mythology to hook people in the first place.

In other words, the fact that Sailor Moon was good made people love it. And that love I think is the essence of why they wanted to read and produce more  of it.

*For the purposes of this post you should understand that by ‘fanfiction’ I’m specifically referring to prose fanfiction, i.e. the stuff you’d find on FFN and predmonantly on Ao3. Obviously audio plays, comics, art, cosplay performances can all fall under the label of fanfiction to one extent or another. And in some cases these are far more prevalent than prose fanfiction.  

E.g. there is plenty of fan art in the Marvel fandom and there is a frightening amount of audio based Dr. Who fanfiction.

**Even I know that and I do not typically care for that type of stuff myself.  

***Or expand upon characters they felt there was more to do with. I know many people who feel that way about the manga versions of the villains and the Senshi (sans Usagi), the anime version of Mamoru and the supporting cast like Usagi parents.

[365days365movies]

January 17, 2021: Atomic Blonde (Epilogue)

I genuinely really enjoyed this film! And then...about 2 minutes after it ended...I started to think. And I continued to think. I wrote those two posts, and then took a little bit more time to think.

And then...I came to my final realization.

John Wick REALLY screwed this movie. Because the perception of this movie for most, myself included, was that of a new John Wick, with a female protagonist. A lot of people referred to it as “Jane Wick.” But it’s definitely not John Wick. It’s trying to be a spy movie, especially like James Bond films.

But the problem is...it isn’t either. To be a spy movie, it tries a little too hard with a pretty standard plot. And then, it intercuts that with John Wick-caliber fight sequences, detracting from the spy movie aesthetic. And then, because you do have those fight scenes, but still need to fit in the spy stuff, it creates a distinct disparity in tone and pace throughout the movie.

In other words...let’s get to the Recap. I have some more thoughts. And don’t worry! Many of them are positive. Just...not all of them.

Recap

Cast and Acting

Let’s start, of course, with Charlize Theron. Outside of the action sequences, Theron goes well as Broughton, portraying the tough character traits we see in spy characters like her and James Bond. And with the character she’s given, Theron does wonderfully. James McAvoy, on the other hand, seems like he’s having a HELL of a lot of fun with his role. He’s an underrated actor, honestly, and it’s very cool to see him play this sort-of anarchist punk spy. Sofia Boutella also deserves a shout-out for Delphine, playing her character’s naivete well, as well as remaining likeable. Also, Bill Skarsgård deserves a shout-out! I liked Merkel a lot, even despite his shorter screentime. Goodman, Jones, Marsan all do fine in their roles. The USSR characters...eh. They aren’t really given much spotlight...which is weird, given the fact that this is a Cold War drama, but OK. Basically, we’re going with an 9/10. Great; not the best I’ve ever seen all around, but still great!

Plot and Writing

Yeah...here’s the thing. I might like this movie, but the plot’s kind of a massive mess. Writing’s fine, but the plot is both extremely cliche spy movie, while also being extremely muddled in terms of story. Remember what I said up there about this film trying to be both a spy movie and John Wick, and that not working really well? Yeah, basically that. It attempts to balance the two concepts, but also corrupts what makes those concepts work in the first place. The Bourne Identity is arguably a better version of that combination. It’s too bad, because elements of the plot really take away from the rest of the movie. 

And then...there’s the tacked on ending. Because, yeah, the whole American spy thing? Wasn’t in the original graphic novel. What I genuinely think they should’ve done was end it RIGHT at the interview’s terminus. Or, at least, right as she greets Bremovych as Satchel, as is done in the original novel. And, just to be clear, I thought this BEFORE reading the book. That ending feels...pander-y, for lack of a better term. I realize that we always want our protagonists to be heroic, but how great would it have been if Lorraine actually was kind of a villain? I dunno, I think not adding that extra twist at the end makes the movie stronger and more provocative, in a good way. Sorry, Kurt Johnstad, I know you did a good job on a technical standpoint, but...5/10 here.

Directing and Action

David Leitch, Jonathan Sela, and Sam Hargrave, the director, cinematographer, and stunt coordinator/fight choreographer, respectively. Full points for the action sequences, because MAN, those were some good action sequences! Rough and gritty, but extremely well-choreographed and shot at the same time, the action deserves the praise that it’s gotten. How about the cinematography? Stylistic, and very bold colors make this film very memorable. But...they don’t have much clear tie-in to the theming, and I think there’s some missed opportunity there. And the direction overall is great, even if I don’t think it’s perfect. It is Leitch’s first film as solo director, after all. 8/10!

Production and Art Design

Changed the title of this section! Turns out that I’ve been conflating the two concepts, so let’s include them both from now on, shall we? But OK, what did I think of it? Costume design was iconic...in the case for Charlize Theron, at least. James McAvoy a little bit, too, but it’s clear that Cindy Evans focused more upon Charlize than anyone else in the film, really. Which, for a spy, isn’t the best of ideas. Still, that combined with Zsuzsa Kismarty-Lechner’s art direction for the sets and set pieces (almost all of which are splashed with graffiti, in a very 1980′s flair) do bring you back to the time period in which the film is set. This, of course, is also due to the work of David Scheunmann, the production designer who’s actually from Berlin, and whose experiences were vital into making this film look as good as it does. If you’re not sold on the set design, check out the differences, obvious and subtle, between West and East Germany in the film. While some of it is clear, some of it carries some surprisingly subtle messaging (Stalker and Tetris, for example). So, even if Charlize got most of the costume attention, a lot of credit should be given to this movie. 8/10 for this one!

Music and Editing

Maybe the most well-known aspect of this movie, outside of the dramatic lighting, is the ‘80s soundtrack. Some love it, some criticize it quite a bit for overwhelming the film. And honestly...I think they’re both right? Here’s the thing, the music is great, and some of it is used in unexpectedly creative ways that critics didn’t seem to pick up on. Biggest and best example of this is Nena’s 99 Luftballons. That song if you didn’t know, is inspired by the separation between East and West Berlin. It’s literally a song about the cost of political strife, leading to war between countries over something as trivial as a red balloon. And when do they play it during the movie? When Bremovych is waging interrogating young East Berliners celebrating the culture of the west. It’s surprisingly profound! However...using Flock of Seagulls’ I Ran during a chase scene is...less so. That’s one’s a little on the nose, let’s be honest here. And that basically sums up the music for the movie. It’s all good music, but it’s either used well, or it just isn’t. Also, there actually is music composed for this movie, by Tyler Bates, and it is good...but I had to listen to the soundtrack to remember that it was even in the movie. So, yeah, not fantastic.

OK, how about the editing? The flashback sequence intercuts as part of the movie have been criticized by some for interfering with the pace and tone. And...eh. Wasn’t too much of a problem for me, to be honest. And other than that, it didn’t stand out too much to me. I’m finding that editing is the hardest thing to judge in these movies, but who knows? I think this little project might improve my film judgment skills. Also, those long shots? Not true long shots, as they were edited in post. So, good job to Elísabet Ronaldsdóttir! Overall, though, this category’s getting a 7/10 from me.

That’d be a...68% Really?

I’m legitimately surprised, because I do like this movie! Really, I do! But breaking it up piece by piece...it’s only really OK. My personal preference doesn’t necessarily dictate my score, and vice verse. So, I like this movie...even if it’s not as good as it can be. It’s a distinctive and stylish film with great action, and if you wanna see Charlize Theron be cool and kick ass, then WATCH THIS MOVIE! 

And by the way, I didn’t touch too much upon the fact that this is the rare bisexual protagonist, and this is Tumblr, so I know that that’s something you guys know. And honestly...eh. Fact of the matter is that it’s a part of her character, but...we don’t really get to know the real her throughout the entire movie, so...is it? I’m honestly not sure. But, representation is representation, I get it. Also, fun fact, Delphine actually is in the graphic novel, but as a guy. So, interesting change, that!

OK, I think we’re done with the spy movies for a bit, now. Let’s switch subgenres a day. Let’s inject a little more adventure into this month, and let’s trade fists...with swords. It’s swashbuckler time.

January 18, 2021: The Mask of Zorro

[xeo-kunsatan]

Beast Choices Chapter 1. Diagnosis

Long time ago in Pacopolis... A Russian/Korean Woman have opened her consultory for the first time, ready to receive her first patient.

Muriel Plizetxki.

Age: 21 years

Gender: Female

Birthday: April 4th

Sign: Aries ♈

Race: Purple Sphere-Russian/Korean

Blood type: B+

From her office's door, her First patient have arrived.. It was a insecure and tired white orb next to his mother wich was speaking with Muriel about her son's bad behavior, wishing Muriel would make him change into a perfect boy, to then left him in the office.

Betrayus Spheros

Age: 18 Years

Gender: Male

Birthday: October 28th

Sign: Scorpio ♏

Race: White Sphere-American

Blood type: A-.

–Remember Miss in 2 months of therapy i will give you his Diagnosis–

Muriel said trying to be professional.

–I hope you can handle him, he is sooo complicated... Well see ya Tray Tray, be good– Said the old woman before leaving the office.

–Wow.. what a nice woman..– Muriel said sarcastically.. –Y-Yeah... I guess..– he said with a notable uncomfortably.

The ambient was quiet for a moment, but Muriel started speaking.

–Welcome to this office Mr Spheros, or how can I refer myself to you?– –B-Betrayus.. just Betrayus

--Said bashful the white guy..

--Alright Betrayus, so.. Tell me... What are your problems?

Betrayus was quiet and nervous but he took a break and started narrating..

–Well.. Doctor.. My problems started literally since I born,.. my Dad died when i born... So my mother andmy brother.. they saw me as the guilty of his death and a black sheep...i Dunno if my older sister thinks the same of me....

He was narrating while Muriel was taking notes of his testimony.–

–I didn't knew how my father was, when i tried to ask my mom about him...she just avoid that topic and told me a "shut up" instead, My sister isn't in home for almost all the day because of her work, when i saw her, we just have a short conversations about future stuff and what places we want to visit so i forgot to ask that to her.. and my brother.. he just avoids me with Mom's same behavior.. i think i partly know why he is Mom's favorite..

–Because he is the same shit as her?–

Muriel commented in a jocking way.

–Heheh.. Exactly– He Chuckled

–Is that all, or there's is more you want to share?.. Like.. your childhood?– she said interested while she was still taking notes.

–Well.. about my childhood..it was hard too, i went to the same school as my brother, he was the brilliant Student of the class, he was the best in Chess, math, history, lenguage, football, swimming, golf and hockey. How I'm not like him, for a weird reason classmates sees me as a

Mr no One or a freak, some of them used to bully me....– He added

–Uhuh..– Muriel Answered while she was writting in a new paper

Betrayus seemed a little mad at Muriel's dry attitude, like thinking she wasn't giving a care about his feelings.

– Agh... you know, whatever, that's not important.. you're were just paid to control me

Betrayus's mad expression changed in a melancholic one, something Muriel noticed quickly, then she said him with a warm voice tone and a clumsy smile.

–Don't worry, i will not judge you, even when my work is hear your problems and understand you to then give you dry advices, i really want to help you, i know so well how do you feel, I'm sorry if I sounded like i didn't care, Heh.. This is my first work day and you my first patient, hehe–

Betrayus was embarrassed but relieved at the same time –R-Really?, Oh dang I'm really sorry, i didn't know..–

–No no no, it's okay, it was my fault– Muriel was still with a dummy smile, something that Betrayus saw with tenderness

–Heh at least that confirms me that you're really interested in help me–

She chuckled –Yeah i guess, hehehe

And we'll continuing this, tell me what are the things wich makes you shine?–

–Things wich makes me shine?– he asked confused

–You know, your skills, in what things you are good for– she answered chuckling

–Ooh!, I get it, heh.. well I'm good in lenguage, History, Gambling, Pac pong...well.. uhm.. I don't like it anymore... Also literature and writing, I'm kinda freaky with that..–

Suddenly Betrayus noticed a familiar book from the mini library behind Muriel's.

–Is that?.. No way! Is that the Divine Comedy book!?– He said on a impressed and kinda freaky tone.

–Y-yeah wow I thought I was the only weirdo by reading that book– she was impressed as well.

–Same old, Girl!

Both started sharing their tastes having the surprise that their tastes were the same as each other while they were yelling as bakudeku fangirls.

The hours have passed and Rotunda went to take Betrayus to home.

–Im back, Im sorry if he caused you problems– Rotunda said trying to be nice.

–Ohh Miss he wasn't giving me problems, he behaved really good– She answered keeping herself as professional

Rotunda just paid the date to Muriel and left with Betrayus.

Muriel just sighs of satisfaction at watching his first patient smiling before Left.

"He has a really precious smile".

Muriel have attended another 3 patients more until the day ended, she just left the building of her office to then left to a Cabaret club where she worked to pay her career and getting psychiatrist title, work wich still he is having for actually any Monday night. Sometimes to strip or filming adult movies, Always wearing a wolf mask to hide her identity as well keeping her work as psychiatrist. It's almost hard to say if she hated her job in that Cabaret.

She ended and Left safety to her department to just feed her wolfdog Yūu, take a bath and fall sleep cuddling with Yūu waiting for the next day.

In the timelapse of the days Muriel and Betrayus continued their meetings, sometimes with Muriel taking Yūu to the meetings to give a fluffy support to Betrayus, Muriel became into a big emotional support to Betrayus as well her best friend. Something big was growing up between them.

The 2 months have passed so Muriel will give Rotunda the Diagnosis of Betrayus.

Betrayus: hehe then i told her.. Don't move, and she moved and fell from the stairs.

Muriel: Unholy Satan hahahaha... Heheh.. Hey, did anyone told you that you have a beautiful smile?

Betrayus: R-really?.. thank you..*Blushes* no one told me that before...

Muriel: they lost it. *Smiles too*

Betrayus: you know.. you have a beautiful smile too Muriel.

She blushes as well.

Muriel: i want to see you smile Betrayus..

Betrayus: me too

The door was knocked, It was Rotunda and Stratos to take Betrayus to home as well to know the final diagnosis of Betrayus.

Muriel:*opens the door* come in.

Rotunda: thanks to take me Stratos sweetie.

Stratos: always for you Mom.

Rotunda: Tray Tray, wait outside, we have something important to tell with the doctor.

Betrayus: I'm not a child mom...

Betrayus goes outside and sits in the waiting room, near to the door to hear the conversation, suddenly Yūu appears in front him and gives him warm company.

Meanwhile Rotunda and Stratos were waiting for Betrayus's Diagnosis.

Rotunda: Tell me Doctor, what's the problem with my son, did he behaved bad?

Muriel: Oh no, he is a really nice guy but there's the problem.. he has light Depression attacks but it's not too serious in his case, he doesn't need medicine or something... But the only thing he needs is real attention and affection, something wich you clearly don't give him.

Rotunda: Aghh that's fake!

Stratos: but that's not right, it's just a bratty of him.

Muriel: and... Have you asked it what's the origin of his "Bratty"?.

Stratos: well uhh...

Rotunda: uhmm... Because yes?..

Muriel: *she is mad but keeping herself professional* that doesn't have a sense, no one can have a problem or issue because yes, there always a why, the reason of your son's "Bratty" it's because of the rejection and contempt you give him because of something is not his fault, like the death of your husband, being born after the death of your husband doesn't make him a curse, he is a gift your husband left you before his death, but you prefer to see him in that way, as your husband would liked you to do that to his son.

Rotunda was completely mad so she answered that by slapping Muriel, Stratos was shocked as well Betrayus wich was hugging Yūu stoping her to attack Rotunda.

Stratos: M-Mom..

Rotunda: don't talk about my husband!! you can't tell me how to rise my children, you're not a mother to know that!!.

Muriel:... Maybe I'm not a mother, if i were one i will not treat my children as a bullshit, i would treat them with love.. as my mother used to do

Rotunda: Arrgghh... This is a Nonesense... Stratos take me home..

Stratos: y-yes Mom..

Rotunda have left the office just to meet up with a angry Yūu, Muriel noticed that and ran off the office to calm down Yūu.

Muriel: Yūu-Min No! Calm down Girl, calm down...

Yūu calms down and looks at Betrayus worried.

Stratos;*sneezes* Wolf!!...

Rotunda: Ahh! Beast!!

Muriel;*lies* its actually, an Malamute Alaskan.

Betrayus: i heard everything... Mom.. it's not my fault my dad died, and you know what? I'm tired of you and your bullshit about me!!

Stratos: Betrayus don't speak in that tone to our mother!!!.

Betrayus: *mocks* don't speak in that tone to our mother.. you are just defending her because "you are his favorite child"...

Rotunda: that's it! Betrayus you better take your stuff and leave the house!

Betrayus: in that it's the only thing I can agree with you, mother.

Rotunda: hah, i doubt you can live without me.

Muriel: well, he can live in my department, i have a extra room there.

Betrayus: R-really Muriel? Can I?.

Muriel: Sure.

Rotunda: Fine! Go with your Slut, if she can bear with you.

Muriel: at least bear with me "a slut" it's better to bear with a witch like you.

Stratos: that's enough! Mom... Let's go..

Stratos have left with Rotunda.

Muriel: uff finally...

Betrayus:*hugs her tightly* .. thank you.. Thank you so much Muriel.

Muriel: *hugs back* your welcome...

After that Betrayus started living with Muriel in her apartment as her Roommate, Betrayus find a work as pizza Delivery guy.

Where their story started and their relationship evolved into real love.

To be continued...

Extra:

Muriel and Betrayus have left a bakery with a box of chocolate donuts.

Bully1: hey Babe, what if you leave this white loser and come with a real man~?.

Betrayus; Aghh.. not him..

Muriel: Tray Tray.. hold my donuts *give him the box of donuts*

Betrayus: Muriel?...

Muriel starts beating up the guy to make him Run.

Betrayus:... She is a real lady~♥