#toumyu
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hizen and sakura are just angry cute cats to me, that’s why i know ishikawa ryoga is perfect for the role.🙂↕️🫶🏼
#I am excited to watch wbk stage play🥰#tho i’ll only be able to watch the live stream🥹#wind breaker#wbk#sakura haruka#hizen tadahiro#ishikawa ryoga#toumyu#wbk stage#wbk stage play#haruka sakura#musicsl touken ranbu#wbk sakura#wind breaker stage#wind breaker stage play#touken ranbu#wind breaker sakura#toumyu hizen#nanaqueue(♡´͈༝`͈)ฅ˒˒#video#stage play#japanese stage play#japanese musical stage play
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Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)
Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)
Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.
Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.
You can find the subtitles and my TL notes document here!
#touken ranbu#toumyu#water's translations#michioku#michihasu#how do I put this#seeing as myu's director Kayano has said in an interview right before Michioku that Kogi and Mika have a special bond#different from other swords-- and then they try to speedrun *Tsuru* and Mika having a what feels like it was intended to be#even greater relationship using a song called Kage Futatsu where KOGI'S signature song from Utaawase was Futatsu no Kage???#I SINCERELY want to believe it's incompetence rather than the writer deliberately pulling the rug from under Kogi's feet#bc the alternative is just cruel#I don't particularly mind the relationship Mika and Tsuru have in this play but I feel that not for a moment Kogi and kara respectively#were considered in the writing#anyway my final verdict is that this myu is what too many people think tsuwa is: the divorce myu (between Mika and Tsuru this time)#in all cases I hope myu can bring Shirakawa Yuki in again like with Datemyu just to offload myu's already deathly busy writer (she's done#5 myus in a month before which is just insane) because I feel this just isn't sustainable with the amount of carefulness a long-running#franchise like myu demands and the *writing* quality (not the production quality AT ALL Michioku's is great) is suffering for it.#like sure Michioku is loaded with references but they're references that either don't serve *Michioku's own* plot or their treatment shows#a lack of understanding of the work it's referencing-- for example Kashuu calling upon atsu's “This is how the shinsengumi fights!” actuall#goes completely contrary to the lesson he's supposed to have learned from atsuibun: that swords aren't disposable and that he has duties as#both soldier (captain in atsu) and as COMRADE and he makes the (already highlighted in Michioku!) dumb decision of butting in without#thinking-- and with that framed against manba's breaking trauma as well! He's supposed to have learned to stay rational and consider both#duties yet here he is ---BECAUSE of the reference--- completely leaning on the pre-atsu-development side of the scale#as if Ishi's words went one ear in one ear out. And yes the scene by itself could've worked as a subversion to show Kashuu makes the#'irrational' decision against what Ishi taught him to consider precisely because he cares for the people he's protecting but there is NO#groundwork laid at all for that in the rest of Michioku! This is what I mean with the carelessness of the references and the lack of#consideration for what prior myus were trying to SAY and ACHIEVE which is insane because she was the lyricist for those#it's more a collage of feelings provided through a set of characters calling back to the scripts of prior myu rather than#a story that evokes feelings bc the humans in it walk forward and act upon-- interact with-- the scenery on the road as left by prior human
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Kitty man
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[TRIVIA] Musical Touken Ranbu: Sato Ryuji and the Bright Future of the "Musical Touken Ranbu"
In their 9th anniversary performance the "Musical Touken Ranbu ~Iwainojuku Ranbu Ongyoku Sai~", the production ended on this message for fans:
"See, there was a bright future waiting, right?"
This is actually an unscripted quote that was said by Sato Ryuji, who plays Kashuu Kiyomitsu.
Like everyone else, the "Musical Touken Ranbu" was hit hard by the effects of COVID-19. Through clips from the performances during this period, we journeyed through these challenges together with them leading up to this point as they celebrated their 9th anniversary with the "Musical Touken Ranbu ~Iwainojuku Ranbu Ongyaku Sai~".
Some of the productions that were hit hard during that time were the "Musical Touken Ranbu ~Shizuka no Umi no Paraiso" and the "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020".
The "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020" had 41 out of their 60 performances cancelled.
And, this had a devastating effect, not only on the production, but also on the fans, who, amidst their own personal struggles brought about by COVID-19, had been looking forward to the performances.
As a cast member of the "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020", despite being one of the people most affected by the situation, Sato Ryuji remained a pillar of strength for the company and the fans.
NOTE: In addition to the Toumyu cancellations, Ryuji had also faced complete cancellations for 2 other productions, and worked to turn The Brow Beat's last indie live into an online stream with no live audience to ensure it could still proceed.
It all started with his curtain call comment during the grand finale performance of the "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020".
From the actual performance:
Clip from "Musical Touken Ranbu ~Iwainojuku Ranbu Ongyaku Sai~":
Masters, thank you for attending today! And, thank you for showering us with affection and taking good care of us. We knew that this era is a challenging era. And, course, we also know the future that's before us, the history that's before us. We also know that there will be ma~ny more days for us to laugh together with our masters. That's why, if the Time Retrograde Army tries to get in the way of that, at any time at all, please call us. From now on too, we leave ourselves in your care. Well then, see you again!
Curtain calls for the "Musical Touken Ranbu" are adlibbed by the actors, but done in character.
And, Ryuji used this to the fullest effect.
Through the voice of Kashuu Kiyomitsu, a Touken Danshi who is from the future (Touken Ranbu is set in 2205 AD), he reassured the fans that, even if this dark period felt endless, a bright future awaited everyone.
He also followed up on this in his update after the performance, expressing his appreciation for the fans, and once again, encouraging everyone to look forward to a better tomorrow where they would all meet again.
SATO RYUJI @ryuji7117
Really, thank you so much. I have no words except for words of appreciation. I can't find anything else to say other than words of appreciation, so much so that even snappy jokes feel boorish. In a wonderful future, let's meet again.
Ryuji then participated in "Musical Touken Ranbu 5th Anniversary ~Kotobuki Ranbu Ongyoku Sai~" (which was also impacted by COVID-19). Post this performance, he would only make a guest appearance in the "Musical Touken Ranbu ~Shinken Ranbu Sai 2022~" before returning to the main story of Toumyu in the "Musical Touken Ranbu ~Michi Oku Hitotsu no Hachisu~".
Much to everyone's joy, the "Musical Touken Ranbu ~Michi Oku Hitotsu no Hachisu~" was performed successfully until the end with the whole cast intact and no cancellations.
And, during the grand finale performance, this was Ryuji's curtain call comment.
Masters, thank you for attending today! And, to the masters who are inside, inside the box? To the masters who are on the other side of the box, thank you for supporting and cheering us on. It was really fun. See, there was a bright future waiting, right? Thank you very much for loving this citadel. As for me, well, I have no intention of saying farewell. As long as you need me, I will al~ways be here. That's why, I'm counting on your support from now on too. See you~
During the "Musical Touken Ranbu ~Iwainojuku Ranbu Ongyaku Sai~", the clip of Ryuji saying, "See, there is a bright future waiting, right?" was played with a snippet of "Hogiuta" to close the performance.
BONUS
As mentioned, Ryuji also participated in the "Musical Touken Ranbu 5th Anniversary ~Kotobuki Ranbu Ongyoku Sai~", which was performed during COVID-19 when restrictions to combat the pandemic were still in place.
It was during this time that Ryuji added the adlib line in "Kemono" after the lyric "お前の声が 明日を照らす" (Translation: "Your voices will shine a light on tomorrow").
The line he added was, "上げろう!" (Translation: "Raise it [your voices]!").
And, in the grand finale performance, he changed it to, "届け!" (Translation: "Reach them [the fans]!").
Due to the restrictions of COVID-19, cheering and any form of vocal support were not allowed. Thus, these lines carried the meaning and the hope that the voices of the Touken Danshi would still reach the fans.
During the original live stream for this performance, it ended up becoming a really sweet moment as fans used the official hashtag to respond with words like, "We can hear you!" and "Your voices have reached us!".
Torigoe Yuki (playing Kashuu Kiyomitsu's partner, Yamatonokami Yasusada) would carry on what Ryuji had started, changing the line to "騒げ!" (Translation: "Make some noise!") in subsequent performances of the song.
And, during the "Musical Touken Ranbu ~Iwainojuku Ranbu Ongyaku Sai~", it would lead us to this moment:
#Musical Touken Ranbu#Toumyu#Sato Ryuji#Kashuu Kiyomitsu#Lyn Translates#About Sato Ryuji#Translation
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TOUMYU X HAKUMYU
WOOO I GOT THIS DONE
I couldn't decide on a background so I just put a gradient there
#hakuoki#hakuouki#薄桜鬼#touken ranbu#刀剣乱舞#hakuouki x touken ranbu#okita souji#kashuu kiyomitsu#toumyu#hakumyu#yamatonokami yasusada#my art#crossover
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Kuroba Mario and Sato Ryuji over the years (2014-now)
Kikumaru Eiji and Hikaru Zaizen in Musical Prince of Tennis
Mikazuki Munechika and Kashuu Kiyomitsu in Musical Touken Ranbu
Tairaku Jun and Shimizu Toshi in FIVE
Sei and Shinji in Please Please Please and Sea Opening
Kento and Caesar in Success Sou
Shogo Karasawa and Satsuki Asama in Genepro 7
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hitotsu hachisu prediction
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#touken ranbu#toumyu#my art#not surprisingly gou on stage was everything I ever wanted !!!!!!!!! I will never be the same again
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I forgot to post the last two tourabu trades I did! Here's Sengo in one of his outfits from the Muramasa Souki ^^
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Musical Touken Ranbu: Hanakage Yureru Tomizu (The Shadows of Flowers Swaying In The Whetwater) english subs
About a month later than I'd have liked, but here they are! Even if its writing is a bit more messy than usual, its core is very solid. Of course, Chougi's live song more than got away with me (it's got Japanese Sign Language), so if you could, please watch it gently.
I dedicate this to the friends of mine who love Ichigo Hitofuri. May you be unapologetically yourself, right the way you are.
Keep in mind that this is only the subtitle file, timed and tled to the DMM senshuuraku and BD/DVD. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.
You can find the subtitles and my TL document here!
#touken ranbu#toumyu#hanakage yureru tomizu#water's translations#Ichigo Hitofuri#Heshikiri Hasebe#Yamanbagiri Chougi#Onimaru Kunitsuna#Koryuu Kagemitsu#Daihannya Nagamitsu#hanakage is like... Going by the writing style of the writer as shown in Goumyu and Ishi's Utaawase skit all the obvious pitfalls appeared#touching more lightly upon other characters works more nicely for lighthearted situations or broad focuses--#when it comes to character-focussed stuff you need to ahve everyone play a part and FEEL#and I really missed the more... personal touch and characterisation efficiency the previous writer excelled in#Ichigo and Hon'ami aside there are very few songs in which the feelings of the swords and their opinion on the situation are highlighted#it's a shame-- especially when we've got such good singers on the cast#what's also a shame is that this seals off any kage plot Kogitsunemaru could've had after Utaawase (because it'd have been done before)#Hanakage was the myu where I was like “Ah. Kogitsunemaru has no unique themes/directions left.”#it's devastating but also kind of freeing in a sense#(and then MichiOku came around and simultaneously gave Kogi a place AND pulled the rug from under him so well-- mixed feelings on that one!#in any case please enjoy!#it'd be cute if we had a kage myu at one point with Kogi Koryuu and the one from this myu
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This is such a wild departure from what I usually post but due to the cyclical nature of my interests, I can't stop thinking about Higekiri and Hizamaru's Kemono performance in the 2020 SOGA musical because like?? LIKE??
Nevermind that I'm just very interested in the twins in general, nevermind that I've always held SOGA up as the gold standard when it comes to outfit design in the myus (which has only very recently started being genuinely surpassed with productions like Hanakage's concert outfits or Goumyu's gorgeous, gorgeous tailoring) but there's also something about the whole presentation of SOGA that gets to me. Like a lot of things concerning the Genji twins, the presentation of the play (staging, choreography, costume design) is based around the Higekiri and Hizamaru being two halves of a greater whole, meaning that they parallel each other throughout the whole two hour jaunt. Kemono is such a perfect microcosm of the mirroring they've been doing for the whole production, including them doing the same choreo at specific times, as-above-so-below imagery with Higekiri on the balcony vs Hizamaru on the center floor
But there's also the way that their crest placements have been mirroring each other's on all of their outfits and now, for this performance, they both wear it on their left breast, right sleeves in their respecting black and white.
Just UGH - Toumyu is generally very impeccable with it's sense of staging and organisation of visual themes but they really knocked it out of the park for SOGA and I just needed to talk about it a little.
#ginger rambles#No because y'all don't understand how much brain space the Touken Ranbu Musical takes up for me#The outfits alone?? The outfits alone?? THE OUTFITS ALONE????#I need to rewatch Hanakage tbh - I just haven't had the time recently#Originally when I came back to tumblr I said I wanted to talk about all of my favourite things in the way I was most comfortable#I've just sorta spoken about greek mythology and nothing else because that's what's keeping me going these days#But Touken Ranbu is also something I'm thinking about frequently and with great love and passion#Higekiri in particular is one of my favourite swords and I could and have spoken about him for pages and pages (and pages)#But then all the swords in Touken Ranbu have enough content to fill entire theses with their histories and themes#Ginger talks ranbu#touken ranbu#toumyu#higekiri#hizamaru#The fact that soga isn't a tag#criminal really
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[NEWS] Sato Ryuji will be Participating in the Touken Ranbu 10th Anniversary Event "Dai Honmaru Haku 2025"
Sato Ryuji has been invited to participate in the Touken Ranbu 10th anniversary event "Dai Honmaru Haku 2025" where he will be doing several talk stages.
Live and archive streams are available for all the talk-stages.
NOTE: Ryuji is appearing as himself, and not as his character, Kashuu Kiyomitsu, who he plays in the "Musical Touken Ranbu".
INFORMATION ABOUT SATO RYUJI'S APPEARANCES
Date: January 18, 2025
"Musical Touken Ranbu" Talk Stage
Time: 12.30 (Japan time) to 13.20 (Japan time)
Participants:
Kayano Isamu (director)
Sato Ryuji (Kashuu Kiyomitsu)
Tamura Shin (Mutsunokami Yoshiyuki)
Yamazaki Shogo (Samidare Gou)
Let's Learn Together! Touken Academy Stage
Time: 16.00 (Japan time) to 16.40 (Japan time)
Participants:
Suekane Toshihiko (Kyoto National Museum Chief Researcher)
Hashimoto Mari ("Touken Ranbu" Japan Cultural Supervision)
Aramaki Yoshihiko (Yamanbagiri Kunihiro, "Touken Ranbu" Stage)
Sato Ryuji (Kashuu Kiyomitsu, "Musical Touken Ranbu")
STREAMING INFORMATION
The live and archive streams will be available to watch for free.
Archive Period: Until 7 days after the live stream
To watch the stream, please refer to this link: HERE
NOTE: VPN is required to watch the stream.
Source(s): ( x , x )
#Touken Ranbu#Musical Touken Ranbu#Toumyu#Sato Ryuji#Kashuu Kiyomitsu#Tamura Shin#Mutsunokami Yoshiyuki#Yamazaki Shogo#Samidare Gou#Touken Ranbu Stage#Tousute#Aramaki Yoshihiko#Yamanbagiri Kunihiro
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