#i actually feel appreciated?

[senselessalchemist]

non-major NSFW talk about working in IVF/ART below (... so maybe it's SFW in context? 🤔)

new to the world of helping people have babies thru Science and it strikes me as so fuckin weird that right now despite everything it still takes the same old bullshit to make a new human. tbf there may be technologies that I'm unaware of being developed or whatever but from what I know you still gotta use a pair of gametes to make a new tiny person. cant get around it. have never seen the word "masturbation" on so many medical forms but you need those dang sperm and that's often the easiest way to get them!

I think it's just the juxtaposition of the efficient/professional/reserved medical stuff and the messy realities of biology vis a vis sexual reproduction. come in a cup and bring it in to our lab, we're doing an icsi, make sure all your info is properly written on the label, we need at least two unique identifiers for all samples. (This is probably not unique, similar stuff must happen with like the majority of medical disciplines. you try to make it dry and clinical but the biology is always there, just kinda being nasty and probably goopy. Lots of slime in biology.)

* shrugs * also probably just because it's all new to me. I did microbial ecology in a nonhuman context and this is a very different scene, obviously. humans is all the same, tho, they still don't read the instructions fully even when they are paying out of pocket for incredibly expensive procedures and I'm like you didnt have your signature notarized (like it told you explicitly to do on the form) so I cant accept this consent for something you want done tomorrow. It's just like dealing with students not reading questions fully on exams. Feels like home

... sorry for so much jizz talk. Part of it is that I don't think most medical clinics have a room dedicated to manual pleasure (door closed all the time, please) - which is also just so stupidly funny to me. like I get it, it makes sense, it's probably generally evolutionarily sound to incentivize reproduction with something enjoyable but everything has been recontextualized for me recently and I cant help but just kinda laugh at it sometimes

(I promise I am so professional at work and that I'm not laughing at specific people when I think about this... more just the broad concept of ""Life"" and what it takes to propagate it. Because like in the end we're all just these weird colonies of cooperating bits and pieces, doing all this chemical nonsense that involves a lot of kind of disgusting stuff... and yet we try to pretend that we're beyond or above it. This is not to say anything about, I dunno, some weird concept of like biological absolutism or whatever, I'm not trying to say that we are solely defined by our bodies, but just that there are fundamental biological processes we all share and sometimes it feels silly when those get ignored or euphemized or treated as abhorrent and uncouth)

[shellem15]

Can I just say, I really appreciate how Critical Role plays the Devil trope straight. There's been this phenomena in a lot of modern media (I'm not going to mention specifics but I'm sure a few examples pop up in people's minds) where Hell and the Devil aren't scary or malevolent forces. Hell is portrayed as being basically the same as our world just "edgier", and the Devil is a pretty decent guy actually. Heaven are secretly the real bad guys!

But Critical Role doesn't do that. In Exandria, Asmodeus *feels* like the Devil. He's malevolent and manipulative and terrifyingly powerful and he hates you, personally. We never see that type of portrayal anymore! And it's amazing! And he still manages to be sympathetic and tragic without losing his edge!

And the "Good Gods" are portrayed as flawed without being secretly evil or something! Like, actual nuance? In my Heaven/Hell dichotomy? What!?

It's just such a breath of fresh air after so many "The Devil was right, actually" stories. So props to Matt and Brennan and the cast.

[poorly-drawn-mdzs]

All he knows is flirt with men and lie.

[First] Prev <–-> Next

[whimstories]

I colored it! 🥹🥳 I'm learning color! 😭🥳

[uncanny-tranny]

A few tips for young trans men/boys, transmascs, anybody who wants tips:

If somebody makes you insecure about your masculinity or manhood, 9/10 times, they're trying to sell you something (and the "something" won't be worth you fretting about)

Wash your face before shaving and use a good shaving cream. Always make sure your razors are sharp

Your body doesn't need to look like a Hollywood star's body. They are most certainly dehydrated, and they are not a realistic depiction of a masculine or male form

Dress in whatever way is most comfortable, including dressing like Adam Sandler

Military-grade is often used as a marketing scheme, save your money

If you aren't happy right now, one day you will be. This is a threat and a promise

Your emotions are not "good" or "bad," they are emotions. Let yourself feel them even if they are uncomfortable

Masculinity and/or being a man are yours to define, and I cannot stress how important it is to have a relationship with your masculinity and/or manhood that is defined by you

You're allowed to have any relationship with your pre-coming out self that you want or makes the most sense with your realization that you're trans

[keferon]

OKAY OH MY GOD THIS FIC IS GREAT I HAVE ONLY READ THREE AND A HALF CHAPTERS AND IM ALREADY IN LOVE

I originally wanted to make both of these pieces in color but I’m gonna be honest I have no fucking idea how to draw Ricochet…he is described as black and red and…mmhhmmm does he have canonical (canonical for this fic I mean) design? Do I need to design him myself? Idk I’ll figure this out later

[buppkizz]

these 2 dragging sniper out of isolation to come hang

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[coffit0]

ouguhhs I've been thinking about White Lily and Dark Cacao for so long... accept my humble offering

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[bunnieswithknives]

Dev this is serious stop beatboxing.

[sampilled]

this should be Sam's most popular m/ ship but you are all tasteless bitches

[dolleriumfluffle]

I just desperately want more recognition of traumagenic experiences that lie outside of the usual "childhood abuse" assumption that everyone forces on that label. what about trauma from bullying? what about trauma from undiagnosed illnesses? what about trauma from queer experiences like transphobia? what about trauma from medical experiences like surgeries, hospitalizations, psych wards, and other areas where the medical field failed you? what about trauma from eating disorders? what about trauma from racism?

there are so many experiences that can fall under traumagenic, but are yet swept under a rug in favor of a strict, stereotypical narrative that's easier to comprehend. I think we as a community need to make an active effort to expand our understanding of traumagenic, especially where it may overlap with experiences traditionally considered endogenic, and understand that trauma can come in so many different forms. so often people are shunned for trying to create roles and labels that describe their specific traumagenic experiences, and I don't understand why. there can be no progress towards acceptance for all systems if we don't accept that traumagenic is an umbrella label too.

[thesorrowoflizards]

taskmaster is such a funny concept though they really said "okay we force five comedians do increasingly pointless, humiliating, and hilarious tasks, while the host bullies them all mercilessly. also the host's assistant is in a slightly concerning psychosexual dom/sub relationship with him, and gets off on the humiliation. and despite all of this it somehow feels wholesome and not Actually Mean. sometimes a swedish man is there"

[arty-tardigrade]

I feel like Max needs a break from the Camp Campbell chaos every now and then just so he doesn't go completely insane.

[lazylittledragon]

ok so i'm like. overwhelmed

i'm having one of the shittiest weeks of my life and i was really worried my store was going to be a complete flop (honestly i expected my friends to order some stuff and maybe a few other people and that was it)

and then half the things sold out in 2 hours so i'm!!!!! in shock

also the best part: the fundraiser stickers sold out completely!!