#huge books

[semioticapocalypse]

M. Peterka. In the archives of Prague Castle. Praha, Czechoslovakia. 1950s

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[othmeralia]

Now that's a big book.

And a big book requires a big title, right? Get ready for this one:

Nuovo, et universale theatro farmaceutico : fondato sopra le preparationi farmaceutiche scritte da' medici antichi, greci, et arabi ; principalmente da Galeno, e Mesue. Appoggiato sopra le preparationi, dette spagi riche, già da gli antichi, in parte, abbozzate, mà da più moderni medici illustrate, e megliò coltivate ; scritte dal Beguino, Crollio, Hartmanno, Libavio, Minsicht, Paracelso, Quercentano, Sennerto, e Altri : rappresenttante e le une, e l'altre preparationi, per fondamenti unitamente necessarij alla veta, e artificiosa methodo farmaceutica : adornato, e ampliato oltre le fabriche, e compositioni medicinali, in qualsisia forma fabricabili, contenute ne gli antidotarij Veneti de Giorgio Melichio, aumentato da Alberto Stecchini, già farmacopei nella officina dello struzzo, e ne gli altri sin al presente, con le stampe, publicati antidotarij de più accreditati autori, e delle più rinomate città d'Europa, Anversa, Augusta, Bergamo, Bologna, Colonia Agrippina, Fiorenza, Londra, Messina, Roma, e altre ; con quelle fabriche, e compositioni ancora, le quali fossero state descritte da gli più lodati scrittori dell' arte medica, over inventate da' più dotti lettori, e professori della medesima : abondantissimo non solo de gli insegnamenti, dati da inominati antecessori, di nuovo revisti, ma ancora de tutti gl'altri avvertimenti, appartenenti alla intiera, legitima, e perfetta dispositione, alteratione, fabrica, unione, e compositione di tutte le materie medicinali semplici, e composte, cavabili da animali, vegetabili, e minerali ; necessario a ciascheduno farmacopeio: utile ad ogni medico, e amatore della medicina : curioso per gli investigatori delle più desiderate, e artificiose preparationi spagiriche / eretto, et esposto alla luce da Antonio de Sgobbis de Montagna ...

[annelisreadingroom]

Have you read the Locke Lamora books? I have read the first one. I really liked it so I would love to continue the series one day.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[chloesimaginationthings]

William Afton into the FNAF-verse

[bethanydelleman]

One of the things I loved about The Wild Robot from a writing/world-building perspective was that it was clearly set in a post-apocalyptic world, but the details were very vague, and you don't even know until about an hour in:

"Beautiful shot," you think, and then it hits you that the whales are swimming over the Golden Gate Bridge.

Abandoned, crumbling satellites and a sunken city. And then when we do see the human city, they freak out at the sight of geese:

Animal-derived plague? Global warming? We don't know. We only know that something has happened. But like the general theme, whatever bad has occurred, the natural world is thriving. An unexpected positive from a history of tragedy.

[squidflavoredsoup]

bill cipher doodles

takin a small little tiny quick break from the boys x mlp stuffs

[modmad]

hey I really hate doing self publicity bUT. FOLKS WE NEED TO MOVE THESE BOOKS or there won't be room in the Topatoco warehouse for TPoH volume 4, which we plan to kickstart later this year- so yeah!

THE PRINCESS AND THE JESTER BOOKS ON SALE NOW!

don't miss the opportunity, there's only a limited number left and they're really gorgeous guys seriously ya gotta get in on this

Want to try before you buy? You can read the Princess and the Jester FOR FREE right here! Go enjoy a free fairy tale! You earned it.

[trashmakerarticle]

Everyone thinks that dick was the golden child when in reality it was Jason.

Clark: Bruce who was your favourite robin?

Dick: obviously it’s me?

Tim: it’s dick

Damian: I am superior robin, it will be me.

Bruce: it’s Jason

Everyone: WHAT?!?!???

Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week

*everyone looks at dick*

Bruce: he didn’t drop out of school

*everyone looks at tim*

Bruce: I didn’t have to stop him from killing everyone who annoyed him

*everyone looks at Damian*

Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy

Jason: stop spreading lies, I hate you go away

Bruce: my precious little boy

[mmmercuryy]

if u think about it, Aaron being the one to kill drake but it only being possible because Neil brought a heavy racquet to thanksgiving is kinda symbolic of how Aaron is going to fix their relationship but Neil made it possible by giving him the tools to do so (even lowkey against Aaron’s will lmao). Nora Sakavic ur mind, ugh

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[bumblesteak]

A good wizard always brings their spellbook, no matter how big it is😤📚

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[chloesimaginationthings]

Michael Afton knows the FNAF Mimic’s secret..