#huge books

[othmeralia]

Now that's a big book.

And a big book requires a big title, right? Get ready for this one:

Nuovo, et universale theatro farmaceutico : fondato sopra le preparationi farmaceutiche scritte da' medici antichi, greci, et arabi ; principalmente da Galeno, e Mesue. Appoggiato sopra le preparationi, dette spagi riche, già da gli antichi, in parte, abbozzate, mà da più moderni medici illustrate, e megliò coltivate ; scritte dal Beguino, Crollio, Hartmanno, Libavio, Minsicht, Paracelso, Quercentano, Sennerto, e Altri : rappresenttante e le une, e l'altre preparationi, per fondamenti unitamente necessarij alla veta, e artificiosa methodo farmaceutica : adornato, e ampliato oltre le fabriche, e compositioni medicinali, in qualsisia forma fabricabili, contenute ne gli antidotarij Veneti de Giorgio Melichio, aumentato da Alberto Stecchini, già farmacopei nella officina dello struzzo, e ne gli altri sin al presente, con le stampe, publicati antidotarij de più accreditati autori, e delle più rinomate città d'Europa, Anversa, Augusta, Bergamo, Bologna, Colonia Agrippina, Fiorenza, Londra, Messina, Roma, e altre ; con quelle fabriche, e compositioni ancora, le quali fossero state descritte da gli più lodati scrittori dell' arte medica, over inventate da' più dotti lettori, e professori della medesima : abondantissimo non solo de gli insegnamenti, dati da inominati antecessori, di nuovo revisti, ma ancora de tutti gl'altri avvertimenti, appartenenti alla intiera, legitima, e perfetta dispositione, alteratione, fabrica, unione, e compositione di tutte le materie medicinali semplici, e composte, cavabili da animali, vegetabili, e minerali ; necessario a ciascheduno farmacopeio: utile ad ogni medico, e amatore della medicina : curioso per gli investigatori delle più desiderate, e artificiose preparationi spagiriche / eretto, et esposto alla luce da Antonio de Sgobbis de Montagna ...

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[bethanydelleman]

One of the things I loved about The Wild Robot from a writing/world-building perspective was that it was clearly set in a post-apocalyptic world, but the details were very vague, and you don't even know until about an hour in:

"Beautiful shot," you think, and then it hits you that the whales are swimming over the Golden Gate Bridge.

Abandoned, crumbling satellites and a sunken city. And then when we do see the human city, they freak out at the sight of geese:

Animal-derived plague? Global warming? We don't know. We only know that something has happened. But like the general theme, whatever bad has occurred, the natural world is thriving. An unexpected positive from a history of tragedy.

[chloesimaginationthings]

William Afton into the FNAF-verse

[squidflavoredsoup]

bill cipher doodles

takin a small little tiny quick break from the boys x mlp stuffs

[galina]

New year, new book

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[modmad]

hey I really hate doing self publicity bUT. FOLKS WE NEED TO MOVE THESE BOOKS or there won't be room in the Topatoco warehouse for TPoH volume 4, which we plan to kickstart later this year- so yeah!

THE PRINCESS AND THE JESTER BOOKS ON SALE NOW!

don't miss the opportunity, there's only a limited number left and they're really gorgeous guys seriously ya gotta get in on this

Want to try before you buy? You can read the Princess and the Jester FOR FREE right here! Go enjoy a free fairy tale! You earned it.

[trashmakerarticle]

Everyone thinks that dick was the golden child when in reality it was Jason.

Clark: Bruce who was your favourite robin?

Dick: obviously it’s me?

Tim: it’s dick

Damian: I am superior robin, it will be me.

Bruce: it’s Jason

Everyone: WHAT?!?!???

Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week

*everyone looks at dick*

Bruce: he didn’t drop out of school

*everyone looks at tim*

Bruce: I didn��t have to stop him from killing everyone who annoyed him

*everyone looks at Damian*

Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy

Jason: stop spreading lies, I hate you go away

Bruce: my precious little boy

[egophiliac]

A guy who just wake up from a coma -> what did i miss?

Pomefiore was the last plot i follow before real life made me forget about our silly boys. How bad has the plot become now for our gang? Also who is that Gojo looking guy?

anon, I am so sorry and I mean this in the best way, but I do think episode 5 is the absolute funniest place to have stopped following Twst because shit starts escalating SO fast after that. episode 6 literally starts with a secret government shadow agency breaking down our doors and kidnapping students. zero to a million instantly.

and like...that's not even the zaniest thing so far? Ortho's hacked into the collective human unconscious. there's time travel (sort of). "Crowley might be Malleus' long-lost father" is a serious theory. if you'd told me any of this back pre-episode 6, I would have asked for the link to this unbelievable but highly intriguing fanfic.

also, episode 7 gave us (and then immediately took away 😔) the best character in the whole story:

[mmmercuryy]

if u think about it, Aaron being the one to kill drake but it only being possible because Neil brought a heavy racquet to thanksgiving is kinda symbolic of how Aaron is going to fix their relationship but Neil made it possible by giving him the tools to do so (even lowkey against Aaron’s will lmao). Nora Sakavic ur mind, ugh

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[cat-dragron-arts]

It's my art style and I can draw Miki however I want! Also having fun with Dr. Mensah and TargetControlSystem :]

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[chloesimaginationthings]

Michael Afton knows the FNAF Mimic’s secret..

[bumblesteak]

A good wizard always brings their spellbook, no matter how big it is😤📚