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cursed-herbalist · 1 year ago
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MAKO SONG & AALIS DURAND | HP 1300S
I let the scale tip and feel all of it It’s uncomfortable but right We were born to try To see each other through To know and love ourselves and others well Is the most difficult and meaningful Work we’ll ever do
➔ Nine by Sleeping At Last
@kathrynalicemc
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uhhlifeig · 3 months ago
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History of Magic Classroom - Nov. 9 - word count: 273 - @wolfstarmicrofic
Sirius Black slouched in his seat, trying not to yawn. 
History of Magic was supposed to be about epic duels and wizarding heroics, not sleep-inducing monologues that could knock out even the most enthusiastic Ravenclaw.
But who needed exciting lessons when Remus Lupin was sitting just inches away? 
With a sly grin, Sirius leaned over and pushed a folded piece of parchment onto his kinda-boyfriend’s desk.
Remus glanced at him, one eyebrow raised, before unfurling the note.
Moony, would you rather fight a goblin with a bad attitude or go on a date with me? Circle one.
The other boy rolled his eyes. He circled goblin with a bad attitude and shot the note back without missing a beat.
Sirius’ jaw dropped theatrically. Oh, he thinks he’s clever, does he? 
He wrote back furiously.
Rude. But understandable. I’ll try harder. How about this- would you rather listen to Binns’ lecture for an hour or go on a date with me?
When Remus sent the note back with still Binns’ lecture and a tiny, infuriating wink, the noiret let out a gasp so loud that Lily Evans turned around, glaring like she was ready to hex him into next Tuesday.
“Sorry,” he mouthed, giving her his most innocent smile. She rolled her eyes and turned back around.
Turning back to his parchment, Sirius scribbled another note, determined to win this ridiculous game.
You’re going to break my heart, Moony. One more: would you rather eat a slug, or snog in the library later?
Remus pretended to write painstakingly slowly before flicking the note back with a barely contained laugh.
Library. But don’t be late.
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wisteria-lodge · 6 months ago
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JK Rowling & the Color Pink
So I'm working on a thing about queer coding in the Harry Potter books... and first I needed to do a sidebar on how the color pink is used. I’ve made a list of every time a character either wears pink, or is heavily associated with a pink object. We actually get some pretty clear categories that are unintentionally very revealing, and say a lot about how JKR sees "girly" femininity.
Let’s start off with the obvious: 
PINK = VILLAIN (FEMME) 
Petunia Dursley: “salmon-pink cocktail dress," "neat salmon-colored coat." Also paints her walls "a sickly peach color."
Gilderoy Lockhart: “lurid pink robes to match the decorations” 
Pansy Parkinson: “very frilly robes of pale pink” 
Rita Skeeter: “long nails were painted shocking pink” 
Aunt Muriel: “feathery pink hat gave her the look of a bad-tempered flamingo.” 
(Aunt Muriel only shows up briefly at Bill and Fleur’s wedding, but then proceeds to insult pretty much every other character, and give Harry an existential crisis by spilling the tea on Dumbledore)
Dolores Umbridge: “a horrible pink Alice band that matched the fluffy pink cardigan.” 
(Also: has pink stationary, and her pamphlet MUDBLOODS and the Dangers They Pose to a Peaceful Pure-Blood Society has a pink cover) 
Cho Chang
(Okay. Not a villain per se, BUT. Cho is the reason the mole gets into the DA in the books (and just is the mole in the films.) And given that she is a sort of Umbridge-aligned sub villain in book 5, at least structurally... it IS interesting that the place she brings Harry for a date has this very pink, Umbridge-coded description. 
It was a cramped, steamy little place where everything seemed to have been decorated with frills or bows. Harry was reminded unpleasantly of Umbridge’s office. “Cute, isn’t it?” said Cho happily. “Er . . . yeah,” said Harry untruthfully. “Look, she’s decorated it for Valentine’s Day!” said Cho, indicating a number of golden cherubs that were hovering over each of the small, circular tables, occasionally throwing pink confetti over the occupants.
Fleur Delacour: “[her wand] emitted a number of pink and gold sparks.” 
(Also not quite a villain, and I adore Fleur BUT… she’s written hyper-femme in an intimidating, borderline threatening way. She’s very opinionated, bordering on rude. She’s “full of herself” as Ginny puts it. And when she gets engaged to Bill and becomes an unambiguously good guy, she has this interesting moment of ~Pink Rejection~)
“. . . Bill and I ’ave almost decided on only two bridesmaids, Ginny and Gabrielle will look very sweet togezzer. I am theenking of dressing zem in pale gold — pink would of course be ’orrible with Ginny’s ’air —”
Hermione Granger: “Wearing a pink bathrobe and a frown”
(Hermione wears pink exactly one time, and it is at her most villainous… during Book 1, when she tries to stop Harry and Ron leaving in the middle of the night to go duel Malfoy.)
A voice spoke from the chair nearest them, “I can’t believe you’re going to do this, Harry.” A lamp flickered on. It was Hermione Granger, wearing a pink bathrobe and a frown. “You!” said Ron furiously. “Go back to bed!” “I almost told your brother,” Hermione snapped, “Percy — he’s a prefect, he’d put a stop to this.” Harry couldn’t believe anyone could be so interfering.
(She literally does the sitting-in-the-dark, villain-lamp thing. Also, in case you were wondering, yes Hermione DOES get a moment of ~Pink Rejection~)
Near the window was an array of violently pink products around which a cluster of excited girls was giggling enthusiastically. Hermione and Ginny both hung back, looking wary.
Which brings us too: 
PINK = SILLY/FRIVOLOUS (FEMME) 
Sybill Trelawney: “after you’ve broken your first cup, would you be so kind as to select one of the blue-patterned ones? I’m rather attached to the pink.”
(She’s a fraud. Also hides empty bottles of sherry in the room of requirement. (I’m going to have to be uncharitable in this section, so am sorry.) 
Parvati Patil: “robes of shocking pink"
(Often described as “giggling,” thinks Professor Trelawney is amazing, the real deal.)
The Fat Lady: “a very fat woman in a pink silk dress.” 
(Often described as giggling. Drinks too much during the holidays. JRK is unfortunately well known for being fatphobic. Also the Fat Lady has a friend named Violet, and Parvati has a friend named Lavender. Not really going anywhere with that, just funny that they’re both shades of purple.)
Hepzibah Smith: “an immensely fat old lady wearing an elaborate ginger wig and a brilliant pink set of robes.” 
(So… almost identical description to the Fat Lady. And I think we should maybe talk about her more, maybe? Because the way she’s framed… I think she might be Tom Riddle’s sugar mamma?)
“I brought you flowers,” he said quietly, producing a bunch of roses from nowhere. “You naughty boy, you shouldn’t have!” squealed old Hepzibah, though Harry noticed that she had an empty vase standing ready on the nearest little table. “You do spoil this old lady, Tom. . . .” 
(Or maybe we… shouldn’t talk about that. Either way, Tom Riddle does kill her, steal her stuff, and frame her house elf so thats… not great.)
PINK = EMBARRASSING 
“Everyone take a pair of earmuffs,” said Professor Sprout. There was a scramble as everyone tried to seize a pair that wasn’t pink and fluffy.
(Pink fluffy earmuffs are adorable.)
“Wash out your mouth,” said James coldly. “Scourgify!” Pink soap bubbles streamed from Snape’s mouth at once; the froth was covering his lips, making him gag.
(The next two example are 'pranks' as well, I think the pink-colored soap is there to add a kind of insult to injury.)
Shocking-pink Catherine wheels five feet in diameter were whizzing lethally through the air like so many flying saucers. 
(This is a bit from Fred and George’s farewell firework show, it's funny that they’re specifically pink fireworks that Umbridge can’t get rid of.)
“Headless Hats!” shouted George, as Fred waved a pointed hat decorated with a fluffy pink feather at the watching students. “Two Galleons each — watch Fred, now!” Fred swept the hat onto his head, beaming. For a second he merely looked rather stupid, then both hat and head vanished.
(also just, pumping up an embarrassing moment)
PINK = OUTSIDER, WEIRDO
Hagrid
Hagrid’s flowered pink umbrella, which contains his broken wand, is brought up a lot. In this case I think we’re meant to see it as a joke. Hagrid’s so big, and so masc, but the pink umbrella makes him non-threatening. However… the pink umbrella, it’s not a totally positive thing, is it? It doesn’t match, it isn’t *him.* Hagrid wouldn't have chosen to carry this around, totally on his own, if he'd had any other choice. It sets him apart, both visually and socially (because it's a constant reminder that he doesn't have a wand.)
Dobby
Dobby, once he is freed, gets pink-and-orange striped socks, and they’re meant to communicate that he’s… kind of a lot. “Yeh get weirdos in every breed,” as Hagrid puts it. JKR has a very strange, honestly antagonistic relationship with Dobby. He’s the victim of book 2, but structurally kind of the villain? He describes the house-elves situation as “enslavement,” but Hermione’s treated as overdramatic for calling house-elves slaves two books later. And then everything is ret-conned and Dobby is… just kind of weird for liking freedom (and socks) as much as he does.
Tonks
Book!Tonks defaults to “bubblegum-pink” hair. Her hair is described as pink a lot. (Movie!Tonks defaults to purple hair, because they were worried that pink would visually align her with Umbridge.) And this is the oddest one on the list to me, because Tonks is such a universally beloved, fan favorite character. But I really do think that *as written*... we’re supposed to put her in a category with Dobby. The two of them leave (unintentional) destruction in their wake. They’re loud, they’re a lot, they take up too much space. Harry thinks they’re both kind of annoying. (and yeah, Harry 100% thinks  Tonks is “a little annoying at times.”)
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jmwdoesthings · 7 months ago
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Snape's Search History - Part One
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So this has been requested by quite a few people, now. For those who hadn't seen my previous headcanon post: here it is. I will try and tag all those who have expressed interest in the comments.
In short: After stealing Snape's phone and looking through his saddening search history, the trio come up with a plan to make Snape happy. This is how it unfolds, for the Potions Master has little idea what to make of it.
Enjoy and do reblog to inform the others!!
Part One.
All was still in the empty Transfiguration classroom. The dust lay undisturbed and thick upon the solid desks, which in turn were standing silent and endeavouring in their fortitude of unuse. The chalkboard looked dejected, the forgotten endeavours of clearing it of writing still visible in ashy smudges across the charcoal surface. And it would have probably stayed like that for another decade or two if the door wasn’t flung open and three small figures stumbled from behind it, making enough noise for the dust to twitch into the air again. A ‘quick, quick!’ was spat out by one of the disturbers accompanied by a few hisses of urge, then a scrabble as the doorknob was found and the door was pushed.
The dust jumped up from the desk as the door slammed shut and settled back upon it once more as Harry, Ron and Hermoine stood, panting, in front of it. 
After a short moment, Ron pushed himself from the door. His face broke out in a wide grin.
“Blimmin’ heck, that was a mess!” He laughed and dusted his hands. “He’ll be looking for it, now, I bet.”
“But we’ve got it!” Harry grasped the trophy tight, as though he was afraid that it would slip from him, back to its owner. “Let’s do it quick, before someone else comes to find us and sees us.”
Hermoine said nothing, but she was far from calm herself - in fact, she was inches from jumping down on the spot and breaking out into a mad giggle. The latter she repressed with difficulty as they all stormed to the nearest table, swept off the perplexed dust from it with their sleeves, then laid out the shiny, sleek device upon its surface.
The device was a phone. It wasn’t any old phone, either, for if it was perhaps only a few of the more eccentric would deem it a subject of interest. This was a working phone, one which withstood any feuds between its power and the magic sparking and fizzing, though quiet and invisible, in the air; even better yet - this phone belonged to a certain man whom the three giggling and bending over its shiny, black surface, hated with a vengeance. This phone belonged to the Potion’s Master: Severus Snape.
“Go on, Hermione.” Ron slid the phone over to the small witch with bushy brown hair. “You said you knew the password.”
Hermione nodded, growing solemn at the task at hand, shoved her brown mane out of her eyes and bent over the screen, which grew illuminated at the touch of a button.
“Merlin’s beard, what my dad would give to be in our place,” Ron breathed, as Hermoine tapped out some letters and numbers with her forefingers. “A fellytone, and a working one too-”
“It’s called a telephone, Ron,” Harry corrected, though he could barely breathe as he watched Hermione’s fingers working. “Ha, I cannot believe we’ve actually managed to do this. Fred and George are nothing compared to us, now.”
“I’d love to see their faces,” Ron whispered, almost wriggling with glee. “And I’m the one who fished it out of his pocket! Now, all we need to do is-”
“Got it.” Hermione smiled as the screen changed, displaying buttons with different icons upon a plain, dark backdrop. “Now, if I remember correctly, it's called explorer…”
“Why aren’t we doing this in the common room, again?” Ron continued. “I know Percy’s a prefect, but even he wouldn’t-”
“Because, Ron,” Hermoine began as she chose the right button, “we have no idea what Snape actually keeps or searches for on this phone. If it’s all weird, we’d be too embarrassed to even attempt showing it to them. Plus,” she added, when Ron opened his mouth to interject, “it’s not like we’re going to cast it out of the window as soon as we’re done. It’s not magic - at least I don’t think it is - and it won’t just disappear or fly out to find Snape. We can show the rest of our classmates later.”
Ron opened his mouth again, but then understood the sense of this and closed it. 
“There it is,” Harry said, as Hermione searched for the right option. “History. Oh, boy, this is gonna be good. If he’s not cleared it.”
Ron rubbed his hands and rocked on the balls of his feet as he leaned on the table. “Yeah, as ‘Mione said, I bet it's all weird. Let's see what’s first.”
Dangling hair and breathing mingled and hovered inches from the square surface as all three leaned in to see. However, there was hardly any giggling, after they all read the first position on the records of what, precisely, the Potion’s Master searched for whenever he had a spare moment. In fact, there was none at all, and the glee was slowly replaced with something that none of them had been expecting.
Hermoine’s eyes dulled and eyebrows furrowed as she read the first position aloud.
“... ‘How to be more approachable’.”
There was a rather awkward pause. Hermione made a rather sad ‘oh’ sound. Ron shifted slightly.
“That’s kind-of sad, to be honest,” he finally managed, frowning.
“Scroll down, Hermione,” Harry waved aside the tension and leaned forward again. “That’s only the first position. Perhaps he’s had a change of heart.”
“And the most recent,” Hermione murmured, but she scrolled down obediently. 
“Yeah, I bet it’s all weird further down,” Ron muttered, but they were all disproved again. Their childish glee was completely reduced to something rather prickly and uncomfortable as Hermione ploughed through the searches:
“...Where can happiness be obtained…” 
“...How to tolerate children…” 
“...Patience, tips...”
“...Wholesome fiction with happy ending… stories with happy ending… which sad books to avoid… books to make one’s soul happy…”
And then:
“...Fast, effective…”
Here, Hermione paused and bit her lip, her eyes sparkling strangely, her brow now heavy. Harry glanced at her, then finished for her.
“Fast, effective headache relief.” He straightened and shifted from foot to foot, then looked at Ron for some sort of inspiration to dilute the thickness of the air. “Did you know Snape gets headaches, Ron?”
“Nope,” Ron offered, looking rather ashamed of himself and his gloating, the tips of his ears pink. “I didn’t think so. I mean, it makes sense though, doesn’t it…?”
“I feel terrible,” Hermione whispered, balling her fists.
“Yeah, we should probably put it back,” Ron said, though he didn’t look as enthusiastic about slipping the phone back into the Potion Master’s pocket than he did about proudly obtaining it. “Should we just leave it on his desk when he’s not in the classroom?”
“And how are we going to do that?” Harry asked, frowning. “We can’t go running around the dungeons. The Slytherin common rooms are there.”
Hermione sniffed, then rolled her eyes, pushing the phone away from her. “You have an invisibility cloak, Harry. This shouldn’t be too much of an issue.”
“Oh, yeah.”
They stood there for another few seconds, before Harry reached out and hesitantly pocketed the phone. “Let’s get back to the common rooms. We don’t need to mention this to anybody.”
“No, we don’t.” Ron said sadly, recalling his former words of potential victory over Fred and George and how they just went down the drain. “Never mind. Let’s just go.”
The dust was rather glad to be free of them, and so was the classroom. Only the desks, however, were rather miserable that they once again stood alone in their fortitude of unuse, unnoticed, only there to be berated and slandered by the students. Just like, as the trio would soon deduce, Severus Snape, the Potion’s Master, was.
*
A week passed. The phone was returned back to Snape’s desk without much ado. After that, it was unmentioned, and whenever it was glimpsed, three pairs of eyes were averted to the candles or windows, and most certainly not to each other, no words about it leaving their mouths, though they most certainly bounced around in their brains, though some were more cluttered than the others’.
It was through Harry’s mouth that the uncomfortable topic surfaced and it did so on a Saturday evening, in the library, when the day was slowly coming to an end and the sun was sinking slowly outside the mullioned windows. Ron was scowling at his Transfiguration homework, when Harry shot out a sigh through his nose and put down his quill.
“Listen, guys,” he started, nudging Hermione, who didn’t look as though she had heard him and just kept right on scribbling, her nose nearly touching the parchment. “I’ve been thinking… Hey, Hermione, are you listening?”
“Shush.” Hermoine glared at him, then shot a pointed glance at Madam Pince. “We’ll get kicked out.”
Ron’s scowl didn’t shift and was merely re-directed at its favourite subject of complaint with large front teeth and a vehement urge to stuff her head with new fragments of knowledge. 
“Not if we keep our voices down,” he said, potting his quill too. “Talk, Harry.”
Harry opened his mouth mainly to play on Hermione’s nerves than to follow through on his plans, when his mind did a detour to the wisdom of him touching on such a sensitive topic in a public place.
“Let’s go somewhere else,” he said with a nod. “Not because this is the library. We need to speak about… you know what.”
This was of enough weight for Hermione’s quill to stop moving. She shot him a glance, then met eyes with Ron and sighed.
“Yes,” she whispered. “We can’t speak about this here. To be honest, I’ve been meaning to speak about this to you both too.”
They latched up their bags, grabbed their stationary, then swiftly exited the library, tripping over Harry and Ron’s untied shoelaces. Hermoine grabbed them by their bags when they turned the corridor towards the portrait of the Fat Lady.
“The common room’s full,” she hissed. “We should go outside. We won’t be overheard there.”
“Hermoine’s right,” Harry said, nudging Ron. “Let’s go.”
They turned around, then began slowly walking down towards the main gates. They all kept silent, their eyes trained mainly to the floor, sometimes only looking up to meander around the other students milling around the corridor. It was probably why they didn’t notice the ominous figure walking towards them until they had all but face-planted themselves into its black robes.
Hermione was the first to look up and stick out her arms to halt the other two, her eyes sharpening after she was prodded out of her thoughts by this slightly unwelcome reality. Harry and Ron had similarly dumb expressions as they blinked up at her, then at what was in front of them.
Professor Snape’s voice was as restricted to nothing but cold disdain as usual, and the black of both his clothes and expression matched this regularity. 
“Where are we going?”
Harry opened his mouth, but Hermione beat him to it.
“Outside for a moment, Professor Snape.”
Harry paused, then nodded along with Ron, trying to appear as though they weren’t hiding anything at all. The Potion’s Master observed them for a moment or two longer, before lowering eyebrows and, as it seemed, his guard.
“I suggest you look where you’re going,” was all he said, before drawing his cape about him and turning to pass them. But he didn’t manage to pass them, when Hermoine opened her mouth and after drawing a deep breath, emitted a string of words strung upon the same one:
“I hope you have a good night, Professor Snape.”
It was quite uncanny, really, how all three males looked at her with the same degree of incredulity and astonishment upon their faces, apparently forgetting things like enmity and dislike. It was enough to make poor Hermione flush a deep red and her words to run away from her before she could properly filter them through her teeth and tongue.
“Just being polite, is all,” she muttered, before she tugged on Harry and Ron’s sleeves sharply. “Come on, let’s go.”
She dragged them off with enough force for Snape’s surprise to cool off and his usual stone face return as he watched them stagger, though that was only visible to Harry and Ron for a few seconds before the vehement grip on their arms prevented them from turning back around, in case they both got whiplash. 
“Are you mental? What was that?” Ron hissed at her, when they rounded a corner, then he did a double take when he fixed his eyes on her features. “Blimey, Hermione, you’ve gone absolutely scarlet.”
“You’ve gone redder than his hair,” Harry commented, though with a hint of admiration in his tone as he stared.
“Oh, shut up,” Hermione muttered, then dragged them through the main door, into the cool of the evening. “Never mind that. Let’s talk about the subject at hand. And don’t tell me you’ve not been thinking about doing something similar to what I did.”
She glared at Ron and Harry, still flushed. They both pulled faces back, but they dropped their gaze after a few seconds as they trudged through the foliage.
“Alright, maybe,” Ron muttered under his breath, when they reached the black lake. “But it was nowhere near to what you just did.”
“What precisely did I just do?” Hermione snapped. “I was just being polite.”
“You were sucking up to him-”
“No I wasn’t.”
“Yes you were.” Ron put on a high-pitched voice. “I hope you have a wonderful night, Professor Snape-”
“Oh, shut up!” She stamped her foot. “You act as though you’re entirely ignorant. You were there when we looked at his history. You saw it. And if complaining and arguing about this is the best you can do, then I pity you, Ronald Weasley!”
“Alright,” Harry cut in, weakly. “That’s not what we came here to do. Let’s just get it over and done with before curfew.”
Hermione glared at Ron once more before settling down. Both folded their arms and stared at the lake. Harry pursed his lips, for it was much harder to project his thoughts than he thought it would be, now that they were actually all together for that purpose alone.
“I think Hermione’s right,” he began, when Hermione was no longer red. “It would be wrong to keep at… you know.”
Ron snorted. “Being mad at Snape for picking on us for no reason?”
“He picks on everyone.” Hermione said, her eyes narrowed. “We’re no exception. Well, perhaps Harry is, but then you did get off to the wrong start at the beginning of the year.”
“No he didn’t,” said Ron.
“He was talking back to him,” she argued. “And it was the first interaction they had. No wonder Snape hates Harry.”
“And you,” Ron said pointedly. “You’re pretty much every teacher’s pet but his, and do you know why? Because he’s an-”
“Can you two not?” Harry snapped. “Can you two calm down? Please? This is serious.”
The arguing pair scowled at one another and resumed evaporating the lake with their glares.
“So,” Harry said, once enough silence had passed, “I think we ought to… you know, help him a bit. Be, erm, nicer.”
Ron turned and creased his forehead, but Hermione nodded, solemnly.
“We ought to,” she said, softly. “I told you, I was thinking about it. It’s all about perspective, really.”
“Perspective?”
“Yes,” she said. “Think about it from Snape’s perspective. Do you reckon he has a lot of friends?”
Ron scoffed. “Don’t make me laugh. Who would want to be friends with him? ‘Course he hasn’t.”
“Precisely,” she said, though she looked at him reproachfully. “You’re teaching over five-hundred children Potions, all of whom, if I may add, are intent on either not listening, not doing homework, or just being downright rude. Yes, Ron, I know he’s like that too, and perhaps he does deserve it, and if we didn’t know better, we’d be justified in biting back. The point is, he’s clearly sad. He looks it. He looks downright miserable all the time.”
“You’re blowing this over.”
“Oh, am I?” Hermione said. “Tell me one time in which you saw him smile. And I don’t mean meanly. I mean happily. Have you ever heard him laugh? Because I haven’t.”
Ron sucked on his lips, looking torn. Harry listened, looking solemn.
“I haven’t either,” he said, quietly. “At first, I thought like Ron does, but… I’ve lived with the Dursleys my whole life. They’ve held grudges for no reason, for a long time, and it's tiring to be the person receiving them and keeping them up.”
Hermione looked at him with eyes lined with admiration. She nodded.
“Exactly, Harry. We could just be the reason for somebody’s… well, perhaps not happiness, but… tolerance.”
“And how are we going to do that?” Ron asked, still looking begrudging, but not unwilling. “By saying good morning and good night?”
“We could,” Harry said thoughtfully. “That wouldn’t be going over the top, or anything.”
Hermione must have thought about this more carefully than both of them put together, because she started counting out everything they could do upon her fingers as she spoke.
“Not just that,” she began. “We could do everything which is expected of us, for starters. Like doing homework on time, doing it correctly, not just so that it's done and boxed off without thought, the right parchment length, perhaps more… I know, we could get the older students to check it for us, so that we know we’ve done it right… then, we could actually listen in lessons and excel…”
Ron was frowning as she spoke. Even Harry was getting slightly doubtful they would ever manage such a feat. 
“...Do extra work. If you don’t want to, Ron, then we could do something outside of lessons. Not necessarily work.”
“Then what?” Harry asked. “Like what?”
“We could… you know.” Hermione’s face became slightly pink again. “We could find out when his birthday is.”
“That’s going too far,” said Ron, firmly, looking slightly agonised. “Imagine his face… oh, no, I couldn’t.”
“Maybe you’re right,” Hermione agreed. “But then, I don’t know what else to do.”
“That sounds like a pretty good start to me,” Harry said. “Let’s start with lessons, Hermione, and if that doesn’t work, we’ll think of something else.”
Hermione’s face lit up, and for a moment both boys were afraid that she’d hug them.
“Great!” She grinned, then began walking towards the castle. “We have Potions on Monday, and homework due. Let’s get this done now! There’s still time. Alicia Spinnet’s good at potions - she’ll be able to point us in the right direction.”
Harry and Ron turned from the lake and began to follow Hermione as she marched towards the castle with an enigmatical spring in her step.
“I don’t know about you,” said Ron, as she talked on, “but I’ve got a weird feeling this is going to end up in a mess.”
“We’ve been in loads already,” Harry said, though there was something uneasy in his chest too, “so it won’t really make a difference. But Hermione’s got a point,” he added, after they reached the steps to the castle gate, “it must be annoying, being Snape. And, as we all know, doing homework properly’s always a good start to everything.”
“That’s utter garbage.”
“Yeah,” Harry said, grinning. “I’m quoting Hermione. She does it like she can’t live without it. And, from a teacher’s point of view, less marking seems like a good thing, at least to me.”
So the endeavours began, though they didn’t hold out to be as constant a flourish and blaze as Hermione made it out to be. Especially not after she insisted that they do twice the usual length as some form of surprise. 
“I’m not doing that,” Ron complained, throwing himself back in his chair and folding his arms. “I’ve got enough work as it is. And I’ve already done it to the best possible standard. Even you’ve said it's not bad, Hermione.”
“It looks decent,” she said, unrolling her homework, which made both Harry and Ron’s pale in comparison. “But if we’re going to show that we’re not hostile any more, we ought to try harder.”
So the homework was done somewhat begrudgingly and everything seemed to be going to plan, before Sunday evening. More precisely, the free afternoon of Harry and Ron was disturbed by Hermione suddenly coming in through the portrait hole, clutching something behind her back, then moving swiftly towards them and sitting at the table at which they were currently playing wizard’s chess.
“I’ve got something,” she said, slightly flushed. “You’re not going to believe what I made in the girls’ bathroom.”
The game was paused and the boys looked suspicious as they turned to look at her.
“The girls’ bathroom?” Ron repeated bluntly. “What have you been making in the girls bathroom, Hermione, that could make you go so bloody pink?”
They both looked blank as she withdrew a hand from behind her back and placed its contents upon the surface of the table with a rather proud flourish. It was a glass bottle, the sort which looked rather like a cuboid, stoppered with a round cork. It was filled with a light blue liquid, which seemed to glow faintly as it rested within its cool, glass confines. 
“That doesn’t look innocent,” Harry commented, knocking over Ron’s bishop. “What is it, Hermione?”
“It’s a headache draught,” she said proudly. “I found the recipe in one of the books in the library.”
Ron pushed his lips out as he stared at it, then picked it up.
“How d’you know he’ll know this is a headache draught, Hermione?”
“I reckon he’d know, since he’s the Potion’s Master.”
“But doesn’t that mean he’s fully capable of making these himself?” Harry asked. “It’s not like it would be a problem for him.”
“Yes, Harry,” Hermione said slightly impatiently, taking back the bottle from Ron, “but the thing is that some people, men especially, simply don’t bother with taking care of themselves. That’s what my mum once said, and I’ve observed it since. I have a good reason to suspect that Snape isn’t the sort to ensure his health is top-notch.”
“I wouldn’t care if I was him,” Ron agreed. “What’s there to live for, for him? If I had to teach a bunch of snotty kids Potions everyday, I’d probably kill myself.”
There was a bit of an awkward pause - Harry had begun to nod, but lost the ability to move his head as he caught the disapproval in Hermione’s eyes.
“I mean,” Ron corrected himself, “you’re probably right, anyway. How long did it take you to make this?” “An hour,” she replied, “but that was because I messed up the first one. I added a bat-wing too many, so I had to pour that down the sink. Anyway.” She sat up straight again, folding her hands on the table neatly. “It said that half this bottle is to be drunk with fluid twice daily. So we need to make this once a day.”
“We’re going to run out of ingredients within a week,” Harry commented. 
“Not unless we take a little too many during Potions,” Hermione said coolly. “It’s a basic potion, using basic ingredients. Nothing Snape doesn’t have in his cupboard.”
“That would be stealing, though,” Ron said. 
“No it wouldn’t, though, since we are giving it back to him in the form of self-help,” Harry replied. “And you are going to be making it every day, Hermione?” 
In response, Hermoine thrust her hands into her pockets and produced another six vials, placing them with a clink, clink, clink upon the table, neatly. The boys looked at her with varying degrees of astonishment and admiration as she lined the bottles up.
“When these run out,” was the nonchalant reply, though the pink returned to Hermione’s cheeks as it was spoken, “I will do so. Unless you’d like to help me make them.”
“I think I’m good,” Ron said. “You can take all the credit if you want, Hermione - I’ll be happy with just doing extra work.”
“Great,” Hermione replied, ignoring the slight annoyance tinging the last two words spoken. “Then we will start from tomorrow.”
*
As all three of the enlightened Gryffindors lined up outside the dungeon’s classroom on a Monday morning, all three could feel their hearts beating somewhere in their stomach. Hermione, as usually was the case when feverish with excitement or trepidation, wouldn’t stop talking, even for the danger of any nerves exploding in her counterparts.
“Remember what I mentioned yesterday,” she whispered with obstinance, leaning in so that she wouldn’t be overheard. “If anything happens, try not to shout, don’t argue, just try to be as polite as you can. Yes, even if it isn’t your fault, Ron,” she added, cutting off Ron’s indignant reply. “Just try to be as good-willed as possible.”
A drawling voice cut off this heartfelt advice.
“What are you three whispering about?” Draco Malfoy called from the front of the line. “You must be conspiring, since you’re standing so close to each other. Or are you just trying to kiss Potter, Granger?”
Hermione straightened, Ron scowled, Harry opened his mouth to retort, but they never got to, since the former turned around and raised her eyebrows.
“I hope you’re not jealous,” she replied, coolly, “because that would be gross.”
Malfoy scoffed. “Jealous? Of kissing you? Bleh.” He made a show of shuddering, then nudged Crabbe and Goyle, standing beside him. “Imagine kissing someone with teeth like that. They're absolutely massive. It would be like trying to kiss a beaver.”
Hermione’s lips turned down; Ron flushed a fiery red and took a step forward, but Hermione grabbed his shoulders before his clenched fist could go into swing.
“Snape will invite us in any second,” she hissed. “Don’t be provoked, Ron.”
“Yeah, don’t listen to him,” Harry said, shooting a look of hatred towards the blonde, pinched-featured boy guffawing. “He’s just being an idiot. It’s his natural state, he can’t help it.”
At that moment, the doors to the classroom creaked open, and they all began to file into their places. Harry and Ron began to meander towards the back of the classroom to their usual spot, but Hermione knocked on their arms and pointed towards the front row instead.
“Oh no,” Ron moaned, looking fearful, “no, not the front desks, Hermione…”
“Shut up, Ron,” was all she said before she dragged them towards the ominous front desks, just (oh, horror!) in front of the black board. They ignored the strange looks they received from the others around them and instead focused on unpacking all of their things needed for the lesson.
It seemed that they were all off for a good start, when Harry opened his bag, rummaged around in it for a moment, then looked stricken.
“What is it?” Hermione hissed, noticing, as she laid out her stationary geometrically on the desk. “Did you forget your homework?”
“No, I’ve forgotten to bring my Potions book,” he replied, turning his bag upside down. “Oh, great…”
“Silence,” Snape called from behind his desk, watching them with a distasteful look on his pale face. “Sit down.”
They all sat and slid their bags off the desk. Harry hoped nothing amiss would be noticed and instead of wriggling around nervously, he tried to listen carefully as the lesson began. Of course, Hermione had made the effort of ensuring that she was sitting between him and Ron, so that they wouldn’t give into temptations and burst into conversation with one another during inappropriate times.
Snape’s eyes darted towards them in a rather suspicious nature as the lesson began, as though he was expecting something dishonest at the least from this sudden change of seating and eagerness. However, the three looked back with innocent eyes, which, in turn, made the Potions Master’s eyes narrower, before he turned to write upon the chalkboard.
“You will be working in pairs,” he said, once all the instructions had been written and the sleeping draught introduced, “I expect this to be done and detailed on parchment by the end of the lesson.”
The vehemence with which Hermione threw herself into the task was quite unsettling, at least for the other two. However, since there were three of them, either Harry or Ron was going to have to go and work with another, and since neither of them wanted to be parted from Hermione (who, as usual, looked as though she knew exactly what she was doing) there was a little bit of dithering done. 
“Ron, why don’t you go and work with Neville?” Hermione suggested, as Harry slid over to her and almost grasped her arm as though to claim her for the lesson.
Ron looked stricken. 
“Are you mad?” he hissed, as discreetly as he could. “We’ll blow up the classroom!”
Hermione sighed. “No, you won’t-”
“Yes we will! It’s already happened twice before!”
However, Snape intervened before anything could be decided. They flinched, feeling the cold of his shadow and turned to see him standing behind them with his arms folded and his eyes still narrowed.
“Well?” He looked at the dithering three, from bushy brown hair to green eyes to freckles on nose. “This doesn’t look like a pair, to me.”
Harry shot a look at Ron; Ron glowered and made no move to move away. Hermione looked desperate.
“I’ll work with Neville,” she said, making them both shoot her panicked looks instead. “You two work together.”
“Oh, I don’t think so,” Snape said coolly, his eyes darting back and forth between them. “Potter, move your things to Longbottom’s desk. Weasley, you will work with Granger.”
Harry was about to open his mouth to protest, when Hermione stood on his foot and he ended up shutting it and nodding instead.
“Yes, sir,” he said, though sounding  slightly dispirited, then obediently gathered up his things and went to sit with Neville, whose round eyes didn’t leave Snape for the entirety of the time. He laid out all of his things, trying not to look at Ron, who looked rather smug at the change of circumstances, then looked up to find Snape’s eyes narrowed more still as they swept over the things he laid out on the desk.
“Where is your textbook, Potter?” Snape asked softly, his arms folded about him, looking much displeased. “Did you perhaps think that the presence of the scar on your forehead makes you unobliged to bring it? Or perhaps you think you know what to do already, without the book’s aid?”
Malfoy, who was working with Goyle to their left, snorted and nudged his crony. Harry remembered Hermione’s words and swallowed down his words, which were far too red and sharp for the plan they were trying so hard to execute.
“I apologise, sir,” he said, managing to sound relatively polite and stop himself from glowering at the same time, then took a deep breath. “I must have left it in the library yesterday. It’s my fault entirely.”
Neville stared at him. So did Snape. Harry turned to the former.
“Can I share your potions book today, Neville?”
“Sure,” Neville stammered out, then slid it over to him. “Here… here you go.”
“Thank you.” He turned to look back at Snape, who was looking incredulous at the least, almost nervous at the fact that he wasn’t firing a projectile of arrogance back at him. “Sorry to be an inconvenience, sir.”
At this, Snape actually took a small step back, twitching his cape around himself as though putting up a shield of defence, his eyebrows unbending themselves and creeping slowly upwards. Out of the corner of his eye, Harry saw Hermione shoot him a huge grin and give him a very big thumbs-up. Ron looked torn between cringing and clapping, but ended up nodding in approval.
Snape must have been so thrown off-balance by this alarming bout of humility on Harry’s part, that didn’t even give him a reply. He just slid away from their desk with a last thorough look at him, probably deciding he was under the influence of some spell and not being worthy of both his time or his nerves.
“Nice job, Harry,” Hermione said to him over her bubbling cauldron. “See, you can keep your cool if you want to.”
“I nearly didn’t,” Harry replied with a grin, feeling some odd sense of pride from this accomplishment. “But tell me, Hermione, how are you going to put that vial on his desk?”
“Oh, I’ve got that all figured out,” she said rather breezily, dropping powdered porcupine spine into her mixture. “I’ll leave my book here, then come and get it during break, while he’s gone to the staffroom. Or perhaps I’ll just do it when his back is turned. I’ll manage somehow.”
With that Harry couldn’t argue, so he turned back to his potion and met with Neville’s intrigued face.
“What are you up to?” he asked quietly, as they cut and measured. Harry thought there wasn’t any point in elaborating, so he just said:
“We’re trying to be nice to Snape.”
“Nice to Snape?” Neville repeated, pausing with his cutting knife hovering above his cutting board. “Why’s that?”
Harry shrugged, stirring his potion the way it said on the chalkboard. “Nothing much. Thought we’d have some fun and do some good, you know, Neville?”
Neville didn’t look as though he understood, but then he shrugged and nodded.
“That’s… nice,” he murmured thoughtfully, then nothing more was said on the matter, though he didn’t look quite as uneasy as he did before. In fact, he looked slightly impressed.
Everything would have ended nicely and according to plan if Harry and Neville weren’t stationed at that particular desk. Their sleeping draught was slowly turning a bright-purple colour, as was Hermione and Ron’s (when Harry glanced over), when suddenly there was a sound of splashing and Harry was slapped in the face with several globs of his concoction; someone had thrown something into their cauldron.
Goyle was grinning. Malfoy sniggered, then moved a few steps back to his desk.
“Looked like it needed more bat-wing, Potter.” He shrugged. “You’re welcome.”
Harry stepped forward and was about to tell him exactly what he thought of him with his fists, when Neville poked him frantically and said, “Look!”
He turned back just as the huge, purple bubble swelling out of the rim of his cauldron popped; there was a sound like a giant slug being squelched and Neville and Harry were drenched from head to toe in sticky goo. 
There was a gasp, silence, then a few pounding footsteps, rustling of fabric and Snape stood before them with his eyes black and his mouth sneering.
“You idiots,” he began, whipping out his wand as their cauldron gave another sickening squelch and more gunk splattered out. “Did you not read the instructions? Can you two even read?”
“It wasn’t our fault, Professor,” Neville stammered, wiping gunk off his face, looking worriedly at his ruined robes. “Malfoy threw a bat wing into our cauldron. It was coming along so well, too…”
Snape’s eyes flickered to Malfoy, who pulled a face which was obviously meant to look innocent, then back to Harry, who had taken off his glasses and was frowning as he tried to remove the sludge from their surface so he could actually see.
“That’s right, Professor,” he managed, frowning. “We’d followed your instructions, this time.”
From the corner of his eye Harry saw the shape of Hermione draw something out from her pocket, nip backwards a few steps and discreetly place it on Snape’s desk.
Snape didn’t notice anything, still looking furious. He looked at the purple gunk disdainfully, waved his wand, vanishing it off them and the table.
“Five points from Slytherin,” he snapped at Malfoy, then turned to Neville and Harry. “And five from Gryffindor, for the disturbance.”
This was horribly unfair and normally, Harry would have exclaimed and let him know that it was just so, but Harry had a certain mindset now along with Hermione making frantic motions at him from behind Snape’s back, and so he didn’t say a word as he put his glasses back on and stared at him.
“I apologise for the inconvenience, sir.” He pursed his mouth and shot a look at Malfoy, who’s grin wasn’t as prominent, now that he had been put in his place. “Thank you for cleaning the mess up for us.”
This time, Snape certainly looked baffled. He even looked displeased, his lip curling downwards, though Harry had a feeling it was because he had no idea what was going on, rather than him being disgusted at the good upbringing he was no doubt convinced Harry didn’t have. Ron stifled a snigger with his hands. Hermione smiled.
“Yes,” Neville piped up, surprising all of them, as he examined his clean robes. “Thanks for the help, sir.”
Snape stared at him, then shot a glance at Harry, then made a sound similar to an incredulous scoff and waved his hand for the rest to get on with working. The babble of chatter slowly resumed, as did the clinking of vials and hushed muttering of the flames beneath the cauldrons.
Harry watched Snape walk back to his desk with his eyes still narrowed, sit down, apparently lost in thought, then actually look at his desk and pause.
Hermione’s eyes shot a discreet look at the Potions Master and the corner of her mouth couldn’t restrain itself from twitching upwards as Snape picked up the headache draught in two fingers (it was very clearly labelled in block writing, so that it was unable to tell who had written it) and read the label. The trio watched his eyes grow wide as his eyes scanned over it - he was astonished! - then flash upwards with suspicion.
Hermione had already averted her eyes with Ron, pretending to be reading a passage in the book together, and Harry managed to do the same very shortly after, so Snape simply scoured the room and found no potential gifters in any of the gathered. He looked back down to the little blue bottle. He uncorked it, brought it up to his nose hesitantly (probably expecting a lungful of poisonous fumes, Harry thought), then with the same expression lowered it, corked it and carefully placed it back down on his desk.
Like Hermione, Harry couldn’t keep himself from smiling as he watched the Potions Master’s reaction. Snape looked blankly at the vial for a second longer, then a strange expression of bewilderment came over him: he dragged a hand down his face, pinched the bridge of his nose and began to massage his eyes. He looked impressively beaten. More befuddled than Harry had ever seen him, which was strange, for this was nothing but an apparent act of thoughtfulness - it was as though he had no idea how to react to it!
As the class began to unroll their parchments to copy down the writing on the blackboard and add notes, Snape’s eyes kept shooting reluctant glances towards the strange present on his desk. Once or twice he even picked it up with a strange look of calm and intrigue on his face to study it.
Harry couldn’t sit still, and from the looks of it, neither could Hermione and Ron. Ron kept snickering to himself; Hermione was pink with pleasure and often joined him in his quiet outbursts of laughter. Before the lesson was out, all three were in such high spirits that Neville looked unsettled, because whenever he caught their eye they beamed at him richly, then went back to their work smiling.
“Homework,” Snape called at the end of their lesson, back to his dark mood and expression. “I want you to place it on the front table as you walk out. Now, go.”
Harry withdrew his homework from his bag - this, he hadn’t forgotten since Hermione had checked both their bags thrice - along with Hermione and Ron. They packed up, put on their bags, then approached the desk together. All three parchments were unmistakably longer than anybody else’s and almost rolled off the table as they placed them on the pile. 
When they turned to Snape, his face was made of marble.
“See you later, sir,” Ron began. “Good lesson.”
“Have a good rest of your day, Professor Snape,” Hermione added.
“Thanks again for your help, Professor,” Harry finished with a polite nod, then turned and walked out.
As soon as they were out in the corridor and the door was shut, they all burst out, clutched at one another in excitement, hissing out observations and whispering:
“Blimey, did you see his face?” Ron chortled, punching Harry in the arm. “He was absolutely gob-smacked.”
“I bet he feels bad about taking points off you, now,” Hermione added, her teeth gleaming as she grinned. “But listen. In a sense, this is completely worth it.”
“Yeah, we couldn’t get him so out of it any other way if we tried,” Ron added with vehemence. “We’re closer to getting him to quit his job by being decent to him than by being awful. Did you see his face when he picked up Hermione’s vial?”
He pulled a face of bewilderment, doing such a good impression that they all burst out laughing as they rounded the corner, running straight into Professor McGonagall who raised an eyebrow at this buzzing of laughter and jovial mood which they were exhibiting.
“Good morning,” she said to them, clearly looking for an explanation which, unfortunately for her, she wasn’t going to get, for her recipients were having far too much fun in their enigmatical benevolence to provide it to her.
“Good morning, Professor McGonagall,” Hermione sang as they walked past. “You look really nice today!”
“Yeah, enjoy the nice weather, Professor,” Harry added, “while it lasts!”
“Have a good morning,” Ron added as they got out of earshot, then waved and turned back around.
Minerva McGonagall stared after them with her lips pursed, wondering whether to follow them to check whether any charms had been cast on them to put them in such a cheerful spell or to pen this strange enthusiasm as the aftereffect of something ridiculous. The former seemed most likely to be the case, since they had just come out of Potions, and as far as everybody was aware - unless something catastrophic had happened which had temporarily rendered the Potions Master a fool in their eyes - it wasn’t exactly their favourite lesson for obvious reasons.
She made up her mind a moment later, and after twitching the quill she was holding in two fingers, she directed her footsteps towards the dungeons and the Potion’s classroom to find out more about the state of affairs.
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pangaeaseas · 21 days ago
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The Problem of Religion in Harry Potter (or, what is Wizard God?)
tl; dr: I wish more hp fics did something with religion and the wizarding world
so to state my credentials up front: I've read a lot of hp fanfiction, a little on the Reformation and religious history--like, I have probably more background knowledge than the average person but I am very emphatically not an expert and have never actually taken a class specifically on any kind of religious history, and I'm an ex-Catholic who did ten ish years of religion classes. There are probably a LOT more people more qualified to talk about this than me but whatever I've never actually seen very much meta written out on this specific issue so I'm giving it a try. (if you have written or read such meta, please send me recs)
ahh the Problem of Religion one of the great unsolved mysteries of the hp world building (similar issues include What the Fuck is Going on with Ireland, How Does the Ministry Actually Work, What is the Population, etc) and I call it 'unsolved' because the fandom has no massively popular solution (like Lordships for the Problem of the Wizengamot) and in general tends to just not think about it, much like JKR originally did. Now IMO she probably intended most wizards to be, like, generically Church of England or whatever without much investment--basically copying the Muggle equivalent whenever it isn't spelled out how the two worlds differ, which is I think a lot of her un-filled-out world building is meant to be. Which. OK. You can do that, but, you know, religion is a very very important aspect of worldbuilding and in my opinion ignoring it and expecting it to be just the same as 1990s Muggle Britain is uninteresting and lazy.
This (wizards are meant to be some kind of Christian and probably Church of England just for simplicity's sake) is evidenced by things like Hogwarts having Christmas and Easter breaks, James and Lily having a Bible quote picked out by Dumbledore on their tombstone, and Draco Malfoy, most emblematically wizard of wizard characters who can be taken as a potential baseline, automatically saying things like 'Good God'. Which, you know, implies that the idea of a single God, and probably the Judaeo-Christian God because that's the same cultural background as the rest of Britain, is taken for granted by wizarding society. It doesn't necessarily imply anything about Draco's or even the Malfoys' personal beliefs, and of course you have other characters saying things like 'Oh my Merlin' and "Morgana" and things like that. Which in my opinion wasn't meant to be indications of some kind of Merlin or Morgana worship but more quirky and fun flavor things of the kind jkr loves to include without thinking out the implications. But you absolutely can take those statements that way--this post is absolutely not meant to dictate how people want to headcanon and I am absolutely here for giving wizards a well thought out pagan or Non-Christian religion, I just don't think that was the author's intent. There's also plenty of other things that imply Wizarding cultural Christianity that I'm not remembering off the top of my head.
And, of course, much better writers than me have extensively discussed all the Christian themes in HP. Of course, themes don't need to affect how people worldbuild in fanfic.
So: with HP canon, we are looking at a society that is probably culturally Christian and probably (key word) intended to be Church of England. But, because JKR wasn't putting much thought into it and basically just took a Chrisitian bedrock of society for granted, the implications of this are not really explored at all. So what I'm interested in is how fandom deals with it.
Mostly, that is...not at all, either taking cultural Christianity in the Wizarding World for granted the way JKR does or by ind of handwaving that wizards have evolved beyond the need for religion and that's just how it is. And that's perfectly fine! Not everyone wants to come up with a full, working, wizard society, and even if they are trying to worldbuild some aspects of wizarding society religion is often ignored, because people don't want to deal with it for often valid reasons (religious trauma, just disinterest, grew up agnostic, not Christian but thinks wizards probably are etc, etc, etc, ) Personally I wish more fics delved into what wizarding religious belief actually is, but to put it bluntly, that's just me. And I have never dealt with religion in my own fics. So don't takethis as judgement at all.
But there are interesting headcanons when people do choose to try and worldbuild religion in HP.
Fom what I've seen, one of the major ways to deal with religion in HP (aside from not dealing with it at all) is to give wizards, often pureblood wizards, some kind of pagan, often Celtic-inspired, religion. And this is quite defensible! Sometimes this is badly executed and/or turned into Death Eater apologia, but the idea of wizards having a different religion is really interesting and a good deal more interesting (IMO of course) than just not mentioning religion at all. Most fics that I've seen don't delve too deeply into, like the actual history and theology of these religions, but there are definitely some that do. (Also if you know any PLEASE send me recs). So if handled well, this is a great way to add some religion worldbuilding in the world of Harry Potter.
However, my personal favorite set of possibilities--obviously I have some personal bias as a history nerd with a long standing if never as deeply researched as I would like to interest in the history of Christianity and as an ex-Catholic--is that, well, we know the statute of secrecy started..when, exactly? 1690. So this much is obviously a result of JKR's Hollywood understanding of witch hunts (a subject for another time and someone far more qualified). For interested wrodlbuilders, we can take this as a guideline at best, as personally I think it would have taken a good deal longer than one year to agree on and implement something like the Statute and I tend to take 1690 as an end date, not a start. I also tend to take the Statue as a largely European phenomenon, at least at first. But, uh, what was happening in Britain at the time..oh, right...the Glorious Revolution....what was happening that created the conditions for the Glorious Revolution...oh, the English Civil War...which was because of...oh yeah, and what was also happening on the continent, maybe it involved, wait, thirty years..oooh, the Thirty Years War...wait weren't there a whole bunch of massive social shifts happening in Europe at this point in time isn't that funny but surely the stature of secrecy could be considered a part of these massive social shifts...all of which was heavily influenced by...you guessed it, the Protestant Reformation.
Wait. So. Maybe, the separation of Wizards from Muggles, at least in Britain, wasn't actually about Muggles hating wizards or wizards hating Muggles. Maybe it was about religion. Now personally I find this ABSOLUTELY FASCINATING. The possibilities, the possibilities...
Wizards had a massive religious civil war that created the blood status system in its modern form? Particular families have wildly different denominations? Excellent. Religion both in terms of level of religiosity and in terms of denomination is a blood status marker? Excellent. Purebloods are all Catholic (what does this do to both Catholic and not Muggleborns?) Excellent. Purebloods are all Puritans? Weird, but if you can pull it off excellent. Purebloods are all one of the wacky new denominations that sprung up after the Reformation and then either died out or conquered the world? Excellent. Pure bloods are all Lutherans who really hated Henry VIII? Excellent. One of my favoirite ways to create a wizarding religion was someone who had most pure bloods follow a denomination that split off from Catholicism in the Great Schism and then a small minority being Catholic, with the worlds splitting around the Reformation. Even the paganism headcanons can be incorporated: the Reformation could conceivably have made it much more difficult to keep practicing wizard paganism causing separation of the worlds.
Personally I would love to see a world that used the history of the Protestant Reformation super well, but it's not the only way to relate a Wizarding religion or a Wizarding religious history. I just wish more people tried to do that at all. Let wizards be religious! Or let them be irreligious but have thought about it, instead of just ignoring religion at all as something that might conceivably have influenced human societies. Maybe Wizarding Britain has state sponsored atheism. Just say that outright!
Another thing I'd like to see more fic doing is theology: how does having magic impact people's religious doctrine? Does every major religion essentially have a wizarding branch with its own theology because magic impacts their view of the world so much, or do most wizards simply follow the majority Muggle religion in their country with no modifications? if so, why? Do some wizards disagree, potentially violently, over how to incorporate magic into their religion? Do some people refuse to use magic because they think it goes against their religion? Etc etc etc you could go on forever. I've seen fic, which randomly enough was about Regulus Black, do this pretty well (or I thought so as a non-Jew) for Judaism, and I'd love it if done with other religions.
Anyway. Now I have to figure out how the hell religion works in the Wizarding Britain of my own headcanon.
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juniperpyre · 2 months ago
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What are your thoughts on gender in the wizarding world? Do you think there’s a strong patriarchy, and if so how do you think it formed?
I feel wobbly about how powerful patriarchy would be in the wizarding world before answering this question. let's see what conclusion i come to lol
table of contents—you could skip to gender in the text if you don't want the connections to the real world and don't need the foundational ideology of my argument
1: where did patriarchy originate in the real western world? & what assumptions am I working off of?
2: gender in late medieval and early modern england & western europe
3: gender in the text 3.1: younger women 3.2: older women
4. conclusions
1. where did patriarchy originate in the real western world? & what assumptions am I working off of?
mona eltahawy called patriarchy "the oldest form of occupation", speaking to the way women & people classed as women (or gender deviant or ungendered) are treated as commodities to own. this BBC article argues that patriarchy was created as a way for the proto-state to leverage control over the population. the enforced social roles of males soldiers & female reproducers made groups bigger & more powerful.
I will take the article's assertion (it's very well sourced) that one of the first instances of patriarchy developing starts about 5,000 ago in Mesopotamia, when records show women disappearing from public life, at face value. then, ofc, in the mediterranean world we "soon" after see the Mycenaeans & Greeks & Romans, in that order, develop, all of which had patriarchal societies—tho to different extents.
as I have stated previously, the wizarding world loves Greek & Roman shit, as does the real western world (and we have! for centuries!). I like to consider their cultural norms, especially as they were interpreted during the Renaissance, when thinking about wizarding culture.
so, yes, the WW is patriarchal, since for at least 1,500 years, but probably more like 4,800 years. and for most of that time there was no wizarding world, just the World, and the WW had the same histories as the muggle world.
2. gender in late medieval and early modern england & western europe
so sorry, you've unlocked an info dump cutscene. it can be skipped.
I want you to imagine the traditional gender roles for men and women in western society. write them down, even. what should women be like? what is the inherent nature of women, if one exists, according to traditionalists? according to society at large? according to you?
in early modern england there was a HUGE shift in the perception of women and gender roles.
in "'The Good and Bad of that Sexe': Monstrosity and Womanhood in Early Modern England," by Alletta Brenner, the epistemological history of womanhood in the middle of the sixteenth to the end of the 17th centuries, is analyzed.
epistemology is about the study of knowledge, so think intellectual history, a history of what ideas and thoughts people are sharing and the patterns of those ideas and thoughts.
long story short: for about 1500 years, western culture regarded women as lesser versions of men, who are the perfect form of humans. male and female were not regarded as opposite, but two versions of the same thing. eve was made from adam’s rib, she’s a knockoff.
“Monstrosity and Womanhood” discusses two cultural differences between then & now that are significant to my argument. 1: people of the middle ages & early modern europe regarded the monstrous as a part of God’s creation, possibly frightening, but not unnatural. 2: women were regarded as too sexually driven, lustful temptresses. this is a stark contrast to the Cult of True Womanhood that we see in the 19th c, submissive, gentle, spiritually included, a soft place for her husband to find comfort in after being in the chaos of the outside world.*
(lily kind of embodies the late middles ages dangers of womanhood & it’s monstrosities in earth after rain.)
so, the answer to “what is a woman?” is changing rapidly right before the WW cuts itself off from the MW. I expect that, since the bio-essentialism of today started in the 19th century, post SoS, there is a significant difference in what the WW settles on.
the changing views on women in the MW are also influenced by and/or create the atmosphere wherein the witch trials are born. midwives and other women who transgressed their gender roles were targeted in the witch trials. the WW reacts to the witch trials by going into hiding (I don't believe this, I think it's part of the WW historical mythos used to uphold their society & it's fucking issues)
*this ideal of womanhood is only accessible by white middle and upper class women. other women are in many ways, monstrous, but they are also degendered.
3. gender in the text
in the books we see multiple examples of sexism, and a large chunk of these examples involve over-sexualization or sexual policing. our entry into WW culture, ron weasley, displays these views multiple times. he does not seem to believe that women are less intellectually or even less physically capable. he also doesn’t have a problem being defended by harry potter or hermione granger, or defending harry or hermione.
3.1 younger women
the threat of love potions is also brought up a few times throughout the books, and they are solely seen as a woman's weapon.
in Goblet of Fire, once skeeter turns on hermione, she asserts in a PUBLIC NEWSPAPER that hermione is possibly using love potions to seduce powerful men (pg 357). this is after harry's friendship with hermione is portrayed, again, in a public paper, as a romance (pg 225). hermione is pretty and smart when she's "with" harry, but when she is associated with a second man, thereby betraying the englishman who must be the hero of skeeter’s stories, she's ugly and smart enough to drug him. mrs. weasley, an adult woman and frequent caretaker of hermione, believes this and is cruel to her, a child.
over sexualization is used as a highly effective weapon against hermione. the WW easily accepts a young woman's sexuality as a threat to the men around her; she is voracious. i'm sure hermione being muggle born does not help.
merope gaunt is also accused, by dumbledore, of drugging tom riddle sr. with a love potion (pg 154 HBP). no evidence is given. we, the reader, are meant to assume the accuracy since dumbledore is making the claim. once again the sexual appetite of a young woman is dangerous. her misdeeds, brought about by choices made clouded with lust, only the short term considered, end up creating a fucking super villain. what's interesting is that this isn't only a belief of the characters in-text, it's the perspective of the author. nonetheless, dumbledore's quickness to blame a young woman's desire for driving her to violence and bringing misfortune, indicates that the sexuality of women in the WW is easily seen as dangerous.
i think this well establishes women's sexuality as a dangerous, insatiable threat in the WW culture. this is clearly a patriarchal ideology. the systematic reinforcement at the nuclear family level becomes clearer when we look at how the weasley brothers treat ginny's sexuality. they, just as men in the MW do, see their sister's sexuality as their business. however, this is not because men are a threat, but because ginny is unrestrained in her expression and exploration of her sexuality. I do not recall anyone ever worrying for ginny’s safety—women are competent and intelligent enough to defend themselves. 
here are two instances from HBP where we see the brothers judging their sister and trying to control her sexuality:
fred and george are selling love potions, but not to ginny, because she's used her wiles to collect enough men. ron is also reporting on ginny’s romantic endeavors to their older, of age, brothers (pg 91 HBP). Is this to leverage additional power and to control her? Later in the book ron doesn't want people to see ginny engaging in sexual behavior because of what they might think of his sister (pg 204). being a slut is bad in the WW too. :/
So, the two young women we focus on the most have their sexuality picked apart and policed.
3.2: older women
What of the older women? 
There are women in positions of authority in the WW, but most of the women who work and have positions of authority are not mothers in canon. The women with the most authority, mcgonagall, umbridge, arguably amelia bones though she is tertiary, are not mothers and remain, in canon, romantically unattached. pre-fudge there is a woman minister, who i imagine was put into power as a part of the glass cliff phenomenon, when shit hits the fan, women are more likely to be hired to oversee the shit hit everyone, and then be blamed. 
Marriage & motherhood remove agency. The important mothers of the series, lily, petunia, narcissa, molly, to a lesser degree alice and tonks, do not have children until they are married. Half of them definitely do not work. two have jobs, tonks and alice, and they + lily are in the order, activities unspecified. 
The lack of women occupying both domestic and public spaces indicates patriarchal control. There are two options. The married mothers we see occupying both spheres are all taking part in the public sphere with their husbands. Even tonks, who works were remus does not, is in the order with him. Mothers & wives are not unchaperoned.
It is also notable how young people are when they get married and have children. This is explained by war in the text. I posit that it’s actually another element of the patriarchal control of women’s sexuality. Since women are insatiable, those that are linked to a man must be kept under a higher level of control to ensure she stays loyal to her husband. Marriage in the teen years is younger than the average in MW in the 1970s (22.8 for women, 25.1 for men). the average age of women entering into their first marriage has consistently been 24 or older in england and wales since the 1550s—it dropped in the 1950s and 60s. 
Sidenote—during WW2 the age of marriage in the UK seemed to stagnate, and then it dropped at the conclusion of the war. 
We don’t have the stats for the WW, but we know james and lily married and had harry before 21, we know from the black family tree that narcissa had draco at the average age of marriage in 1970s MW UK, which indicates a younger marriage. We do not know alice and frank’s ages. tonks actually meets the average age for women in the UK in the mid 90s, but her husband and she are half bloods. it is possible that the average age of marriage in the WW is younger than the MW, especially among the upper classes. 
4. conclusion
The main element of patriarchy in the WW is control of women’s sexuality, because women are too promiscuous to control themselves, and this poses multiple dangers. Love potions, pursuing a man to near death, tarnishing the family name, etc. This has created cultural norms of younger marriage and women, especially upper class women, not working outside of the home once they are married. Women who choose not to tie themselves to a man through marriage may be seen as inherently less sexual, as adult women who do not marry are not put through the same scrutiny as women who express sexual inclinations. 
It is possible that we don’t see the scrutiny adult, unmarried women endure because harry is a child the whole time and does not think about his professors getting their backs blown out on the weekends. It is also possible that the women we see, namely umbridge and mcgonagall, put up a non-sexual persona to avoid this scrutiny, a childish feminine and de-sexed school marm respectively. I’d edge my bets towards the latter. 
Magic allows a significant portion of reproductive labor to be automated, and in the MW reproductive labor is designated to women and made invisible as an element of maintaining the nuclear family to uphold capitalism. Therefore women in the WW are partially freed from this element of capitalist patriarchy. 
Women are not seen as less capable with magic, intellect, or physically, so their voracious sexuality creates a greater threat. The patriarchy in the WW seeks to control their sexualities, but not much else. The desire to keep pure blood families “pure” likely increases the drive to control women’s sexuality in the upper classes. I’m not seeking to make this argument here, but I believe this element of policing would have evolved in the 19th century, parallel to the evolution of the bio-essentialist ideal women of the MW. the reason I am not making this argument here is that this post is long as shit, and making the point requires a lot of details about fascism and the history of the WW and MW.  
I do think patriarchy is “weaker” in the wizarding world, but still exists. Due to the SoS and magic much of the modern elements of capitalist patriarchy did not develop in the WW, instead, elements of the early modern patriarchy were carried over and intensified. At the same time, women in the WW always had a level of agency and power unreachable to muggle women, which carried over to the SoS society. Perhaps magical men treated muggle women how we treat marginalized women in the real world, and continued to do so after the SoS ended. Perhaps the WW is a secret upper class that exploits the MW without muggle’s knowledge. Perhaps.   
I can’t believe I didn’t talk about the witch trials at all. I have thoughts on those! They are forthcoming when i finish the wizarding world & colonial era meta.
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short666bread · 2 months ago
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Ron is looking for them
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347-emeraldbitch · 3 months ago
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Percy: I am bored and depressed.
Percy: I’m going to go get another degree. Bye ✌🏻
Fred, George, Ron, & Ginny: Nooooooo!!!!!
Molly: Yesssss!!!!
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beggars-opera · 7 months ago
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New favorite gravestone unlocked in Sunken R'lyeh New Haven
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cursed-herbalist · 2 years ago
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THE LEGEND OF THE PORTKEY HP • HISTORY OF MAGIC
‘Love doesn’t fear the flames.’
Once upon a time, there were two feuding families. Both were powerful and magically bound to dragons; their rivalry centuries old and deep-rooted. Whereas one could speak to dragons, the other was gifted with extraordinarily long lives.
As the fates would have it, two members of the warring families fell in love with each other—a girl cut from marble, and a boy as wise as the vines.
They knew each other since childhood; yet had looked at each other with spite. One day, however, in a fit of frustration, the girl fled to the woods. There, she stumbled upon the boy and his dragon. His calm soothed the girl and they quickly laid down their quarrel and formed a strong bond.
Scared of their families, they kept their love hidden. And so, they contented themselves with secret meetings and swift touches whenever they could. Both, however, lived on opposite ends of the world, so they were forced to part ways, eventually. But their love was strong and they found a way to be together.
As there was no way to travel far distances, fast and much less unnoticed, the two lovers took to spell-crafting. Countless moons passed but they soon managed to charm an object they held dear to take them to a chosen location merely by touch. 
The objects they enchanted took them to a hideaway which the boy had found somewhere in the Chinese mountains. And to ensure their safety, they guarded it with elaborate magic. Anyone who dared follow them would either prove worthy or be lost forever. 
And so, every night, the couple escaped to the misty mountains to see each other. 
Alas, the young couple’s joy didn’t last long, as their love entailed much more consequences. A long brooding conflict within the first family threatened to escalate as she and other members of her family opened their eyes to the wickedness of their traditions. The boy, however, had sworn loyalty to the girl and so the couple fought side by side to defeat her relatives. 
Seven days, flames heated the earth. Seven days, the clashing of metal hummed through the air. Until, on the last day, her uncle’s sword pierced through the boy’s dragon’s scales.
Thinking her beloved was dead, the girl gave in to her rage. She killed her uncle and declared the war to be over. But despite their victory and the change it brought about, the couple never returned from the scorched battlefield—their souls forever lost to the roaring flames.
No wizard has since found the location of the hideaway nor the key to enter it. Yet some say, if you hone in closely while using a Portkey, you can still feel the invisible thread attaching the two—the desperate pull to be together.
An ancient ship cannot go without a legend @kathrynalicemc ❤️🐉
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hollowed-theory-hall · 1 month ago
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About Hogwarts Castle's Architecture
I think the history is wrong... Like, stone castles only became a thing in Britain when the Normans brought the practice over with them from France (Norman rule was officially established in 1066). And the first stone castles in Scotland were only built around the 1100s. Hogwarts was built around the 990s... so what's up with that?
(Like, there were some fortified stone structures in Scotland pre-normans (brochs), but no one would really call them a typical castle. Also, they were built in the Iron Age (Brochs were specifically built between 400 BC and 200 AD), so not the founders' times)
Also, many of the architectural details of Hogwarts in the movies/Hogwarts Legacy/any other video games/illustrations have much later influences, what with the Gothic architecture (which only came around in the 1200s) and elements from Victorian restored castles (I'll go more about what this means later).
And I have a Watsonian theory/headcanon to make it make sense.
What I think, is that the Hogwarts castle we (and the characters) experience, has been heavily reconstructed over the past thousand years. So Hogwarts likely started as a simpler, wooden structure (as was common in Scotland around the 10th century) and it changed and grew and evolved throughout the centuries.
So we'll walk through the history of castle architecture in Scotland and explain how Hogwats evolved over the years. (Becouse I'm an architecture and history nerd, sue me).
Pre Founders
Hogwarts is legend to have been built where the founders found a pensive:
The Hogwarts Pensieve is made of ornately carved stone and is engraved with modified Saxon runes, which mark it as an artefact of immense antiquity that pre-dates the creation of the school. One (unsubstantiated) legend says that the founders discovered the Pensieve half-buried in the ground on the very spot where they decided to erect their school.
(Pottermore)
So, the location probably wasn't empty, but had some evidence of past wizarding residence there. How much is unclear, but it was a place magic was practiced in before the founders.
990s
Hogwarts is founded as a school and sanctuary. Muggles at the time didn't really believe in witchcraft (the church considers believing in witchcraft heresy). So, it's not really to protect themselves together, but more to allow wizards to build a united community.
There is an element of hiding magic from muggles:
Why didn’t we choose to produce flying barrels, flying armchairs, flying bathtubs – why brooms? Shrewd enough to see that their Muggle neighbours would seek to exploit their powers if they knew their full extent, witches and wizards kept themselves to themselves long before the International Statute of Wizarding Secrecy came into effect.
(Quidditch Through the Ages)
But it's not for the same reason as the later witch hunts. At this time, people who confessed to witchcraft would need to repent (not via execution, mind) because they'd be seen as delusional. After all, magic doesn't exist according to church doctrine at the time. and as mentioned in the book, the concern was to be bothered to help muggles with everything, not because they were hunted at the time.
Around this time there is the magical government in England at least, is the Wizard Council, also known as the Wizengamot. Due to the similar name, the muggle Wittengamot (the council of lords that chose the king of England) might be aware of their wizard equivalent, but they might also be completely unaware (explained in the next section).
Castles, in this time period in the UK, looked something like this:
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Hogwarts, when founded, probably looked like this combination of buildings and not what we imagine as a castle.
with the Chamber of Secrets as a basement. It's canon that a Gaunt later added the pipe entrance from the bathroom, so it's original entrance lay elsewhere.
Note that this means it wasn't the founders who but the Common Rooms, Room of Requirement, or the moving staircases and that the in-universe history books are wrong.
Since Hogsmeade was founded by Hengist of Woodcroft who was a student of Helga Hufflepuff when she was alive, the village was probably founded in the century following the school's founding.
1000s-1100s
Here we get the Norman Conquest of England, and while Scotland wasn't Norman, the culture in Scotland was influenced by the changes down south. Specifically, castle architecture is something they copied from the Normans.
The reason I mentioned earlier the muggle Witengamot might've not been aware of the wizarding community is because we know William brought with him wizards in his army, like the Malfoys:
Like many other progenitors of noble English families, the wizard Armand Malfoy arrived in Britain with William the Conqueror as part of the invading Norman army. Having rendered unknown, shady (and almost certainly magical) services to King William I, Malfoy was given a prime piece of land in Wiltshire, seized from local landowners, upon which his descendants have lived for ten consecutive centuries.
(Pottermore)
But many other pureblood wizard family names we can date back to the Norman invasion. Such as: Lestrange, Peverell, Wealey, Gaunt, etc. So, it's somewhat implied William won England with the help of wizards that the local Anglo-Saxon English didn't have fighting with them.
Due to these Norman wizards clearly getting positions of influence in the wizarding community (talked a bit more about this here[]), it's likely they or even William himself wanted to improve Hogwarts to keep the wizardibg population onside.
So, around the later 1000s or early 1100 Hogwarts would've looked something like this:
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So, basically, the same structure as before, but the keep (where the Great Hall is, is built from stone. The Great Hall (AKA the most defensible place in the castle everyone fell back to in the Battle of Hogwarts) was the first built.
As for the inside:
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We have geometric details on the columns and archways (which are round, it's not yet the pointed gothic arches we all know and love). The walls would all be painted white and then colorful and vibrant colors over it (somewhat visible in the picture on the left).
1200s-1300s
Throughout the next two centuries, more and more wings would be added to the castle. Many of the classrooms and dorms that were outside the keep in the outer buildings moved to these new wings inside the main stone castle. The outer walls & fortifications would also be improved and extended from the former ones and a proper gatehouse would likely be built:
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And a few churches, since they tended to be more decorated on the outside and I want to explain this is when gothic architecture was a thing and that most of the styles we recognize for castles are from this period:
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This is when the Room of Requirement, the moving staircases, the towers (the Astronomy Tower, the Headmaster's Tower, and perhaps the Owlery), and the various common rooms would be built.
(Note the castle on the left would've likely had a whitewash on all of the exterior back in the day)
At this point, the Great Hall, and the quad if we think of the typical Hogwarts castle would be built:
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(Image from Hogwarts Legacy)
There would be no transfiguration courtyard area yet and no clocktower yet as they are likely later additions.
I'd also note the inside of the castle, would look something like this at this point:
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The walls would be painted and colorful and vibrant. You might also see wall hangings like we see in the Gryffindor Common room in the movies, that's actually accurate (the wall tapestry/curtain things, not the furniture, the furniture is 17th and 18th century) except the stone would likely not be bear stone and instead have a whitewash over it and tapestries over the whitewashed stone. Bear stone wasn't an all that common look in this era unless they used pretty stones that were meant to be shown off (which was expensive, hence rare).
1500s-1600s
This period is still building in a style called Gothic (12th to 16th century), but we're adding more intricate detail, and the style for furniture changes quite drastically (because we've entered the Tudor area). I believe that around the 1500s and the 1600s, more wings were added, like the clocktower, the transfiguration courtyard, and the viaduct (a bridge was probably there before, but I think it was rebuilt with the new building):
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The style of buildings we're looking at now would have this sort of exterior:
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(Note the house on the left and castle on the white would've likely had a whitewash on all of the exterior back in the day)
And this is the interior we're talking about:
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Also, up until this point, greenhouses weren't really a thing (at least not the glasshouse variety). I assume there was an Herbology Garden or that perhaps a Vegetable Patch Harry mentions exists next to the greenhouses and served as the place where they grew plants because glasshouses like we think of when we read the word "greenhouse" were only started being built in England late in the 16th century. So the Greenhouses are likely a 17th-century addition since the wizards probably adopted them a little later than the muggles.
1700s
This is when indoor plumbing was introduced to Hogwarts and the entrance to the Chamber of Secrets was changed:
When first created, the Chamber was accessed through a concealed trapdoor and a series of magical tunnels. However, when Hogwarts’ plumbing became more elaborate in the eighteenth century (this was a rare instance of wizards copying Muggles, because hitherto they simply relieved themselves wherever they stood, and vanished the evidence), the entrance to the Chamber was threatened, being located on the site of a proposed bathroom. The presence in school at the time of a student called Corvinus Gaunt – direct descendant of Slytherin, and antecedent of Tom Riddle – explains how the simple trapdoor was secretly protected, so that those who knew how could still access the entrance to the Chamber even after newfangled plumbing had been placed on top of it.
(Pottermore)
1800s
Now, back to what I mentioned in the opening paragraph about Victorian castle reconstruction. So, during the Victorian era, many rich people bought castles to restore and preserve them. Victorians in England were kinda obsessed with the Medieval period (and Ancient Egypt, but we're not talking about that right now) so they wanted to be able to walk around castles, and they had a lot of castles in the UK that fell into disrepair and just stood there empty. The thing is, the Victorian people who restored castles had no idea what Medieval castles actually looked like in the Medieval period. So all the castles you see with this sort of interior (which are most reconstructed castles, btw):
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That's a Victorian reconstruction. They built how they imagined medieval castles looked like according to their own tastes and aesthetics and what they saw from more recent Todur castles, not how medieval castles actually looked like.
That being said, Hogwarts was continuously used throughout all these years, so I imagine some of these Victorian elements would make their way in, but not to the same level as these reconstructions.
Basically, different locations in the castle would look different depending on when they were built. Most furniture is likely to have been replaced more recently and would at most date back to the 1500s. So, we'll see a lot of dark wood furniture that isn't painted the way they would've painted furniture in the medieval period.
I'd also expect that some of the older walls/ceilings are still painted very vibrantly (which fits with the wizard's sense of style overall).
Basically, I think the Hogwarts we experienced in the books wasn't built in one year as a monolith by the founders. It was added to over time. Rooms that look older Medieval, and ones that look like a Tudor addition would all exist within the same castle. Areas in the older sections would have 18th-century wooden paneling because reconstruction was needed. I personally think that's the right way to go about designing Hogwarts since most castles in Britain are like that (and in the rest of Europe).
Castles changed and grew according to the needs of whoever lived there at the time and the technology available. And since, well, at some point castles weren't needed as fortified structures anymore, they lost fortifications for aesthetics. We have no surviving castles that actually look the way they did back when they were built. All the preserved ones had wings added, walls paneled with wood, and the windows replaced. And in many of them, you can actually see the patchwork in the bricks, the window style changing from one window to the next across a single wall. I think that's part of what makes castles gorgeous and it always made sense to me Hogwarts was like that too.
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wisteria-lodge · 20 days ago
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some worldbuilding notes for a hypothetical american magical school in the harry potter universe
Since I feel especially annoyed about ilvermorny today
Okay. So a fairly important difference between England (& Europe) and the Americas is that North/South America is really, really big. Population groups can be a LOT more spread out, which is important. If you’re going to give me a statistic like “one in every 10,000 people is a wizard” well, that means that early on, you’re statistically not going to know any magical people outside of your (presumably mostly magical) family, or like… rumors of A magic guy a hundred miles away, who you then track down and apprentice with. 
In order to get away from the model of “my parents teach me magic” or “I am one of three apprentices of this one magic guy”... then you’re going to need a population center. The biggest pre-Columbian population centers that we know of are Teotihuacan (which seems to have fallen apart circa 750) and Cahokia (which seems to have fallen in the late 1300s.) We know almost nothing about the people who originally built these cities, we don’t even know these cities' original *names.* So that makes me think - hidden city. Make both of these magical cities, and then go very El Dorado with it. Streets paved with gold, etc. I could see an American magical *school* located in either (or both) of these. And they’d very quickly become sister schools anyway, considering how easy teleportation is in this universe. 
I actually think it’s kind of cool if the American wizards split away from the muggles EARLIER than their European counterparts. Maybe a seer saw destruction ahead, and the thought was - well, we better protect the kids. The first Europeans over in the Americas were the (very religious) Spanish (and Portuguese.) Considering that when Columbus showed up, they were smack-dab in the middle of the Spanish Inquisition… fairly famously concerned with locating and killing witches… yeah, I’ll believe that the magic community of America just decided they didn’t want to deal with that. I could absolutely see the American wizard community becoming really, really isolationist. Which MEANS that their architecture/clothing/style of magic would be completely its own thing. You could pull design references from the Mayans, Aztecs, Navajo, Iroquois, Chocktaw, Cherokee (just to name a few)… like, it would be so cool looking. 
I also think that if the split happened this way, the wizards probably would have taken the non-magical inhabitants of the cities *with* them, when they disappeared off the map. I think American wizards are actually pretty cool with muggles… you just have to be able to FIND them, and once you find them you have to be willing to STAY in their magical city. or else they just dump you back outside and memory-charm you so you don’t know how to get back (again, very El Dorado.) If you’re magical and want to leave - explore the world, bring back other magical knowledge - not an issue. But probably (since you’re not the city’s secret-keeper) you’re not *able* to tell anyone where it is. 
I think it’s kind of dark and interesting (and also makes sense with how spread out America is…) that if you’re a magical child, the school summons you almost through compulsion. Like you just wake up one day, and *have* to walk in a certain direction. Magical families would of course know all about this, and either be living in the city already, or escort you there. But if you’re a muggleborn, you just have no idea what’s going on until you show up. I think American wizards have a word for “loyal muggle protector of the wizard child” - because while you can’t STOP the wizard child, you can *follow them,* and find El Dorado that way. And then they just let you stay, if you want. Obscurials would have been more common in America (I imagine you’d be more motivated to repress your magic if you thought you were the ONLY magical person in the world) and this model would have been set up to cut down on the very real threat a rogue obscurial represents. 
(oh, this compulsion magic would absolutely have a range. Like it wears off if you sail too far away from the mainland. so the Caribbean and pacific islands etc would have completely separate magic traditions.)
Animal communication as path to wisdom shows up in a couple early american traditions, so it might be fun to say that basically "familiar" - magical helper/guide animal - is a unique type of American magic. Of course there would absolutely be some sort of cultural stereotype / hierarchy attached to the *type* of animal you favor, because people be people.
Also, I could see them being jussst a little judgy of European wizards, who can so easily become incapacitated/have their magic taken *from* them, just by taking their wand. Maybe American wizards try harder to develop/control wandless childhood magic, or go more for the ritual based/mental stuff, which takes longer to perform/master. And then side eye the rapid-fire magic of the Europeans, which SURE is great for dueling, but like. It's very clearly war magic.
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jmwdoesthings · 6 months ago
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Snape's Search History - Part 2
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Hello! Slightly shorter, but slowly crawling forward. I'm writing a book of my own which requires quite a lot of time and creative inspiration, so that's taking priority... anyway, enjoy!
Featuring: our favourite grumpy bat-boy and Minerva's I'm too old for this attitude.
Tags are at the bottom - if I've missed anyone, I do apologise.
***
Minerva McGonagall rapped sharply on the Potions classroom door and entered without waiting for a reply. She half expected something short of a calamity - perhaps the desks all scorched into remains beyond recognition, an infestation of some sort, chaos in the form of the furniture being stuck to the ceiling or anything else which would claim “round-way-wrong” - and Severus’ face contorted and twitching as he muttered dark things under his breath, but no. She was most mistaken.
Snape stood in the middle of his classroom, his arms folded, one hand propped beneath his chin as he stared blankly at his chalkboard, his face quite placid, even serene, as he stood deep in thought.
Minerva paused, feeling an odd pang of unrest in her chest at this strange change, for he was hardly in such a state and something must have been certainly very wrong. She followed the line his eyes made to the blackboard, saw nothing which could be the subject of such intense evaluation, so she merely looked back and forth between him and the wall a few times before clearing her throat.
His eyes flicked towards her, but the rest of his position remained stagnant.
Minerva didn’t say anything; neither did he. After a few moments, she looked past him, walked a few steps into the room, then turned around to look at the walls for any sort of unobvious differences that could have brought on this change of facade. Snape let out a dry chuckle. 
“Nothing has changed since you were last here, Minerva.”
She turned to look at him.
“Then I don’t understand.”
Snape nodded thoughtfully. 
“Me neither,” was the reply, before he marched up to his blackboard, turned on his heel, stood still, then began to evaluate the desks in the same position as before. This was enough for her to become slightly unnerved and her eyebrows to climb up to the highest ring on her forehead as she watched him. Still, the silence dragged on long before she formulated a question of any sort and that was only after the Potions Master got down on his knees and began to look under the desks as though he had previously misplaced a cork of a bottle, looking rather silly.
“What are you doing?” she said flatly, tilting her head to peruse him.
“Investigating,” he replied calmly from under the desk, looking up at the underbelly of the furniture.
“Investigating.” Minerva nodded, though she was everything but enlightened. “And what on could you be investigating under the desks, on the floor?”
Snape banged the back of his head on the desk-edge as he emerged from beneath it, cursed viciously, then this alien demeanour he had borrowed for a moment shattered and dissolved into his standard one. The dark scowl looked so normal back on its master’s face that Minerva’s chest loosened a little.
Snape drew out his wand. After a moment, in which more investigation and observance occurred, his scowl deepened and suddenly lunged and struck the front desk with it.
“Revellio.”
Nothing happened. Minerva watched him, po-faced. Snape repeated the gesture.
“Revellio!”
Not a peep. He growled, then pointed his wand at the ceiling.
“Revellio!” The wand was pointed at his blackboard. “Revellio!” The tip was directed at his desk, at the floor, at the back of the classroom, at the door of his store cupboard.
“Revellio! Revellio! REVELLIO-!”
“Severus, please,” McGonagall said, approaching him as he scowled and his eyes darted around the classroom. “This verges on nonsensical. There is nothing here.”
“That’s the problem!” Severus snarled, his knuckles white on the black of his wand. “This makes no sense whatsoever! Confounded brats… This is idiocy!”
“What is?” 
“This innocence… this consideration!” 
The last word was spat out like something vile. Minerva’s eyebrows dropped down and she looked completely exasperated.
“Consideration? Severus, what precisely is going on?”
“I don’t know!”
Minerva’s hands stiffened as she grew impatient. 
“Can you please calm yourself down and tell me what brought on this… this whole examination?” she said. “I would be very grateful. This hysteria is quite past what is expected of both of us. Put your wand away, Severus.”
Snape seemed to regain himself as she spoke. He straightened, breathed out a long sigh through his nostrils, arrested the fire snapping in his eyes, then slowly fed his wand back into his sleeve and drew his cloak tight about him. 
“Your pupils, Minerva,” he began in his low voice, looking much displeased, “have been behaving in a very strange manner today.”
McGonagall watched him, remembering the giggling trio she had passed on the corridor and their strange mood.
 “You mean Potter, Weasley, and Miss Granger?”
“Indeed,” he spat, then grimaced disdainfully at the front desk which had been occupied by the unwelcome trio a few moments before, before looking back up at her. “Well? Are you surprised?”
“No,” she replied immediately, glancing at the desk too, then paused. “Have they been causing trouble?”
Snape’s face stretched into a very dry smile.
“Trouble?” He scoffed, then grew solemn again. “Why, yes. Well, no. In fact… ah, confound and bebother those varmints-!”
Minerva had pursed her lips. “Severus-”
“Yes!” He clenched his fists and stormed towards his desk. “Yes, they have been causing trouble! They have undoubtedly been causing trouble, otherwise Potter wouldn’t have had an accursed aureole shining around his head for the entire lesson!”
At this, McGonagall frowned, but Snape wasn’t done.
“Weasley, too!” He fell into his chair then sat up, rigid with passion, his fingers digging into the wooden armrests. “Not a single word out of his mouth during the entire lesson! He usually doesn’t shut up, his mouth works like a watermill! And this time, silence!”
“One moment.” McGonagall was close to pinching the bridge of her nose. “You mean to say-”
“And Granger,” Snape cut her off, snapping, his fingernails making scratch-marks in the wooden armrests as his fists clenched. “I’ve never seen her so pleasant in the entire time she’s been here. Didn’t put her hand up once! Her head was down, she did the work without a word and not a bullet of the usual know-it-all piffle left her mouth!”
His form loosened and he fell backwards against the back-rest, his hand dangling over his face as he worked rest into his face muscles and the creases around his eyes with his fingers. McGonagall watched him with pursed lips, feeling it wouldn’t be wise to interject until he finished with his mental breakdown.
“And that’s not all,” he muttered, rubbing his eyes. “The homework they handed in today is twice the length I asked for. And I mean twice the length. The spaces between words and the size of their handwriting wasn’t different from their standard lettering.”
“I fail to understand why that calls to get so worked up,” Minerva said carefully. “Surely, you don’t find this irritating?”
“And it’s top standard,” the wrecked Potions Master continued, his voice almost breaking. “It was concise and intelligently written. Into the bargain, all three pieces of work were different. The pair of idiots clearly didn’t copy off Granger this time. It seems they have put effort into those rolls of parchment like never before. I dread to think what it is they have done to act in this manner.”
Minerva shook her head as she watched the black bat sprawled out on his wooden chair. He saw her scrutiny and growled.
“You weren’t here, Minerva - I have very good reason for suspecting nothing but trouble. Potter didn’t talk back to me once. He claimed blame, even if it was unjustified.”
At this, Minerva frowned. “Harry Potter?”
“What other Potter is there?”
Minerva, this time, did pinch the bridge of her nose and both adults stood there feeling quite shaken. The former regained herself first.
“Let me sum this up,” she said. “You are completely and utterly indisposed because Harry Potter, Ronald Weasley and Hermione Granger were well-behaved for the entirety of your lesson.”
“I am completely and utterly indisposed,” Snape repeated with disdain and through clenched teeth, “because they have clearly done something, or are about to do something, which must have stirred enough remorse within their hollow little souls to not place a toe out of line for the entirety of my lesson. Not to mention this.”
He leaned forward and grasped something, then offered it to Minerva. She stepped forward and squinted at the object; it was an empty glass vial, with a square label which read: headache draught.
She glanced up at him as she took it in her fingers. “I’m afraid I don’t understand.”
“This appeared upon my desk when my back was turned.”
“And you think they placed this on your desk?”
“No,” Snape said after some thought. “This is something far darker than both of us think.”
Minerva looked at him over the rim of her spectacles.
“This empty vial?” she said flatly.
“It was full when I first beheld it.”
“And what happened to its contents?”
“I poured it down the sink.”
Minerva paused.
“Why?”
Snape rubbed his face and stood up, looking fixated. “It was very cleverly disguised. It smelled exactly like what it claims to be.”
He began to pace. Minerva placed the sinister, empty vial back on his desk and folded her arms, looking down her nose at him as though he was an adolescent hissing about overblown drama which had happened upon the corridors and had tarnished his reputation into disrepair. Not that she hadn’t seen that before. 
“There can only be one explanation for this,” he finished, standing still. “It has to be.”
“Which is?”
He turned and met her eyes with his obstinate, dark gaze.
“Someone is trying to exact their vengeance upon me.”
Minerva said nothing, her face betrayed nothing.
“It wouldn’t be the first time it happened,” he muttered. “I’m not taking any risk. I don’t have a very tolerant stomach…”
Minerva began to shake her head. “Severus.”
“...headache draught indeed.” He scoffed. “The only question is: who? And why? I am beginning to doubt that Potter wasn’t involved in it, though perhaps he wasn’t acting of his own accord. Our favourite trio wouldn’t even know that they were under the Imperius curse-”
“Severus.”
He turned to her impatiently, then shut his mouth under the impact of her gaze.
“Has it not occurred to you,” Minerva began patiently, “that instead of poisoning or attempting to murder you, someone could be simply trying to help you out?”
Snape looked at her incredulously, then burst out laughing. It was his usual harsh, grating laugh, which was emitted more to mock than to express amusement. It bounced off the classroom walls like hailstone.
“Of course,” he chortled. “That would make sense. Let’s be nice to the irritable wretch of a teacher who resides solely in the dungeons of the castle.”
“I’m sorry you struggle to understand the concept of compassion,” Minerva said, rolling her eyes and moving towards the exit. “Perhaps you ought to take this as a sign, Severus, and with it this concept into consideration.”
“Nonsense,” he replied, then placed the base of his palms to his temples and moved to sit in his chair as he grimaced. “There is no such thing as compassion. If there is, it is very hard to find, and simply non-existent in these particular corridors, between these particular individuals.”
Minerva didn’t see the sense in trying to convince him otherwise. Instead, she simply looked at him pointedly as he grasped his head and shut his eyes to try and contain his headache. 
“Stop spearing me,” he muttered, sighing. “I’ve not forgotten what brats are capable of. I was one too. It’s certainly nothing but chaos and infidelity. I’m not stupid.”
“No. You are stubborn,” she replied, shaking her head, “and prone to jumping to very unfavourable conclusions. Now that you poured that draught down the drain, why don’t you make yourself another? Lessons resume in fifteen minutes.”
Snape groaned and muttered some dark words, followed by a very low: “I will manage.”
“As you like,” McGonagall replied in a tone which seemed to highlight her claim about how stubborn Snape was. “I will see you at lunch, Severus. Don’t get yourself too worked up, now.”
He didn’t answer; Minerva shut the door behind her, taking the rest of the noise and warmth of presence with her. 
Five minutes of silence and dwelling later, Severus Snape rubbed his eyes, opened them, then fixed them onto the glass vial with the ‘headache draught’ lettering arranged upon the label, apparently nothing but innocent.
“Help me,” he repeated absentmindedly, then snorted and leaned back in his chair. “Of course the intention was to help me. Because that is what we do when we have a spare moment. We all come together, sit down at a round table and discuss how to make somebody’s life less of a damned hellscape over a light cup of coffee.”
Snape’s rigid posture broke as the sneer ebbed off his face. His eyes flicked around at the walls of his empty classroom, then to the pale skin of his hands which hadn’t held another for over two decades. He thought of the bleak and empty days the future promised him, feeling something horrible, hard and gooey congealing in his chest. He clenched his fists and gritted his teeth.
“Silence!” Snape commanded nobody in particular, feeling his voice begin to crack as it echoed around the classroom.
He put his face in his hands, pressing them to his facial features to keep them in stone, but they creased into something embarrassing and despairing anyway.
“Silence…” he repeated, but with his voice hoarse and thick. “Very well. Fine. Let it be so.”
He regained himself, then fixed his face into the window, making a sharp move to smear any stray tears away, then folded his hands tight and pressed them to his lips. Still, the red rimming his eyes, cheeks and nose gave him away, though his face was cold and disinterested as marble.
His voice was a mere whisper, though the boggart hiding under the sink heard it and obeyed:
“Let it be silent.”
***
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egosdelirium · 4 months ago
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On Losing James Potter
And on feeling his absence like an amputated limb - By Sirius Black.
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("Stag", by Edwin Henry Landseer)
Nowadays, one single thought of James is a death sentence. Every stray memory of the way his glasses used to sit a little crookedly on his tanned face, every deconstructed image of his toothy smile feels like what Sirius thinks being shot through the head must be like.
At the slightest mention of his name, Sirius' brain starts to stutter, stumble, trip.
It shakes around his cranium aimlessly, trying to regain a semblance of balance after taking the hit. The sound echoes in his eardrums with a murderous roar and it defeans anything around him.
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Once, a fleeting thought of James would've brought Sirius comfort on the darkest of nights.
Now, it's mutilation.
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Since Sirius watched James die,
(No, he was already DEAD, you were late!)
his eyes have not registered any other image. In fact, neither Lily's corpse nor Harry's desperate crying frown come back to haunt him during day and night alike, because Sirius simply didn't see them.
It's just James
On the wooden pavement
With his brown eyes wide open,
And a pool of drying blood around him that sticks underneath Black boots,
And a hole underneath his sternum that was once leaking but not anymore,
And no glasses on his face.
There are no glasses on his face, no glasses... where are the glasses?
... And a pair of round spectacles with a shattered lense a couple of feet away from him.
Sirius had picked them up with shaking fingers and gently placed them on his unusally pale face.
For the first time, those damned glasses had seemed to sit straight on James' nose, maybe because of how his head leaned limply to the side.
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Sirius had then kneeled in front of him, in death just like he would've in life, and gently placed James' head on his own lap.
He'd caressed his cold skin once, twice, before the tears had come to blur his sight.
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Sirius had sobbed, retched, gasped for breath, and choked on it when he couldn’t get any air inside his lungs. Screamed into the blood-soaked pavement.
Sirius had dried the teardrops that had fallen on James' face - most beloved face - with the backs of his hands, as the palms were too dirty and bloodied.
He'd tried to fix the glasses again, then tucked a couple of stray locks of hair behind his ears.
Sirius had placed a trembling kiss on James' forehead, and that had been it.
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Afterward, he hasn't been able to see anything at all.
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dronescapesvideos · 1 year ago
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The Red Baron, WWI. Soldiers examine what remains of Manfred von Richthofen's aircraft after he was shot down, and killed over Vaux-sur-Somme, France, just days before his 26th birthday, but by then already an aviation legend.
➤➤ HIGHER RESOLUTION IMAGE: https://dronescapes.video/RedBaron
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nostalgicacademia · 11 months ago
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Romanticising life at Hogwarts 🤎 Dark Academia
PD: Hi, I'm doing a survey on Aesthetics for my university research, anyone who knows what aesthetics are can answer and I'd be very happy!
Link to the survey
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