#how to write villains

[halimamis]

Make your villain truly compelling

Show Their Backstory: Give hints or flashbacks to events that shaped their personality. Traumas, betrayals, or losses can help readers understand why they’ve chosen their path, even if they disagree with it.

Create Internal Conflicts: A villain with conflicting feelings—like guilt over their actions or doubts about their mission—feels more real. This complexity can create tension, as they might be torn between different desires or moral struggles.

Make Their Goal Justifiable: Even if their methods are twisted, their end goal could make sense. Maybe they want peace, justice, or respect, but their approach is extreme. This can create moral ambiguity and make readers question who’s truly “right.”

Use Empathy to Your Advantage: Even if their actions are unforgivable, give readers a reason to sympathize with them. Whether it’s loneliness, insecurity, or societal rejection, relatable emotions add depth and blur the line between hero and villain.

Give Them Unique Traits and Hobbies: Beyond evil deeds, villains can have quirks or interests, like a love for painting or gardening. These small details add layers to their character, making them feel less like an “evil archetype” and more like a complex individual.

Let Them Evolve: Allow your villain to grow or change as the story progresses. Maybe they start questioning their motives or become more ruthless. This development adds a dynamic element that keeps readers engaged.

Explore Their Relationships: Whether they’re mentors, parents, or friends, showing your villain’s relationships can humanize them. Even a toxic relationship with a loved one can give insight into their psyche and make their choices feel more nuanced.

Make Their Downfall Meaningful: If your villain is to be defeated, ensure it’s tied to their flaws or obsessions. A downfall that feels inevitable and tied to their core struggle can make their arc satisfying and tragic.

[sillygoblinantics]

Hiiii was reading again and caught wind of a discuss of villains and some points that were missing the subject by a hair.

Let’s talk:

Villains

And the elements to making them good

Heads up I’ll be linking a lot of resources!

What makes a villain?

Well it’s certainly not this:

It’s close but more nuanced!

Now you think all villains are cut from the same cloth with the same basic points but there’s layers. Not all villains are monsters and not all monsters are evil.

Not every villain or villainess are created from the same thing.

It’s important to remember that there is more to the characters diagnosis to make them a villain. It’s important to also know that a victim can turn into abusers as well.

Like the hero, a villain has a drive, motive and goal that can change either to reform or corrupts and pulls them further below the surface. They’re people (or anthropomorphized animals and objects in some cases) and like people they have layers that give them depth that we can digest. Cardboard cutouts can’t be eaten… they can but it isn’t filling or flavorful.

Some are victims of circumstance while others are the result of some greater evils influence.

Let’s look at examples of the ladder:

Darth Vader (Anakin Skywalker)

Anni through out his journey was shown to have skill and prowess until being influenced by a far greater force of evil that took control. Palpatine.

Please feel free to add on and correct mistakes or misunderstandings I may have made here, it’s been a while since I’ve seen or been in the Star Wars sphere so I may have missed some points! ^^

There’s a plethora of other examples but given the fact there are so many great resources to reference and study more about this, I thought it would be only fair to leave a link to them and well a playlist on YouTube I’ve made and continue to add to of many tips, tricks and advice on how to write!

In the words of a funny bone man:

[ladyelainehilfur]

holding up a grown man and a teenager your own weight with one arm each?? okay miss girl, I see those pull ups coming into clutch

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[bluerosefox]

Siblings Behavior

It's shenanigans time guys

So have this DpxDc idea.

So, the Justice League and the Light (OR villains in general) have two newish members, they've both been around for about a year and they're from the same plane of existence (a place called the Infinite Realms according to those who dabble in the occult)

And the two seem to have some serious beef with each other.

Wisp and Wrath are basicly feral cats hissing and hekles raised when they spot the other and their fights normally ends in draws. They're evenly matched and sometimes the two even fight to the point they are out of steam and just fist fight.

Needless to say everyone believes they totally hate each other and might one day kill (or end?) One of them.

So everything gets turned upside down when suddenly both factions of heros and villains are suddenly summoned to the Infinite Realms.

In a throne room.

In front of the Infinite King (or most commonly known as the Ghost King)

A King who looks very, very much like Wisp and Wrath (like yeah the two do sometimes look alike, like when they grin with sharp teeth and their hair color, but one has blue skin and red eyes for crying out loud!)

He's staring at them, glowing green eyes that seemed to just... know.

"Welcome to the Infinite Realms. I am King Phantom." His voice echoing in the throne room and seemed to rattle them deeply, like a sudden chill in the early morning.

"I have summoned you all here for a single reason." He continued to say "Tell me..."

Here he paused, closed his eyes before leaning back on the chair then he smiled big and cheerfully asked.

"How are my kids doing in your world? Dan and Ellie aren't causing too much chaos in their wake are they? They tend to go a tiny bit overboard sometimes but what siblings don't when they rough house you know. Tell me everything."

[seagreenstardust]

The entire plot of MHA hinges on the question “what makes a hero, a hero?”. There isn’t a single plot point that doesn’t tie directly back to that question. And it’s completely, perfectly bookended by Izuku’s version of the question: “Can I be a hero without a quirk?”

The fact that this question is answered both times by Katsuki, and the answer goes from ��quirkless=useless” to “not only CAN you be a hero, you ARE a hero, and I’m gonna personally make sure you get to be for the rest of our lives” IS INSANE

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[nibbelraz]

A writer and His number one fan hater

[galedekarios]

dragon age: inquisition replay

"Praise me, for I would end the silence that answers!" [1/?]

[jade-len]

please help i just had a dream where svsss was a dating sim. so, of course i tried pursuing shen qingqiu, but it ultimately backfired because suddenly he realized that he was in a dating visual novel?? and since i put myself as a guy, he just refused to show up to special in game events to avoid me interacting with him???

and obviously i was like "wtf why isn't he here?" when he didn't show up. then at some point i explored the area, and the screen suddenly zoomed in to show sqq talking to sqh (supposedly telling him all about the little situation). next thing i know, both of them are slowly turning their head to stare at the screen in pure and utter terror

also in some part of the dream, i think i did some liu qingge events or something and as his affection levels rose, he would continuously jump scare me by popping up out of nowhere and go, "its not like i like you or anything!!" while covered in blood and holding out a demonic beast head as if it were a box of treats

anyways, totally random question guys haha if i made an svsss visual novel dating sim would you guys play it. no reason in particular at all.

[fairsweetlonging]

( ˚❀˳ ) ERROR_FILE_CORRUPT || shen qingqiu (shen yuan) & yue qingyuan

* . ⊹ synopsis. shen qingqui has not been giving the system satisfactory results. it decides to take matters into its own hands. yue qingyuan tries to persuade it otherwise.

notes: @artsarasp this is all your fault

word count: 774

based on this post and this amazing art

The afternoon sunlight trickles ember and gold through the latticed window, soft and bright and warm as it fills the room. In the stillness between them, it feels distant, wavering, like still water disturbed somewhere below the surface where he cannot see.

Hazy steam curls from two teacups set on the low table, pale porcelain gleaming faintly against the dark grain of the wood. It’s an old blend, something light. A favorite. He doesn’t know why that matters. Maybe because this one has never been rejected. Maybe because he’s grasping for something that is no longer there.

On the other side, Shen Qingqiu sits unnervingly still, as if his body has forgotten how to breathe, how to live, his back straight but rigid, like a figure carved from stone rather than a man of flesh and blood. 

When he reaches for the tea, his fingers move with a strange, stilted motion, like a doll whose joints have rusted with disuse, or the rotten wood of a foundation that shakes the house with every gust of wind, about to collapse. As he leans forward, his robes don’t move along; not even a hair falls out of place. 

There is something profoundly wrong about him, as if he’s not even actually there. 

Yet it follows their rituals, to perfection, moving through the steps of their routine as if they were its own; slow sips, remaining silent as they drink, no idle talk, leaving the only sound to be the soft clack of porcelain on wood. 

Yue Qingyuan drinks faster than he would any other time, faster, even, than is proper. It burns the roof of his mouth. There is no need for formalities, not here, not for that thing. 

It is the same face, the same gentle slope of his nose, the curve of his mouth, the raven black hair that lies gracefully along his shoulders, but the eyes… Xiao Jiu’s eyes are blue, all of it, sickly, devoid of life; when he stares into that hollow nothingness, it is almost as if something is staring back at him. 

Yue Qingyuan puts down his cup. His voice is deceptively calm. 

"What do you want."

Something flares in Xiao Jiu’s eyes at the question, almost as if it’s been waiting for this.

When he answers it is not in words, but in a cacophony of metallic hollow sounds that reverberate through the back of his mind.

【 this system does not ‘want’ for anything. this system is tasked with helping user002 create a good story 】

It doesn’t even bother opening Xiao Jiu’s mouth as it speaks, keeping that same, placid smile on his face. Somewhere, Yue Qingyuan is glad for its lack of trying—it never seems able to match its movements to the words quite right.

【 your interference caused a plot-divergence too difficult for him to fix. so this system has taken over 】

It’s said that before, when they first caught on, back then, when they thought it was only a matter of time before they had driven the creature out. User. Plotlines. Story. Protagonist. He interfered with something, poked the sleeping bear where he should have let it lay. He doesn’t know when. He doesn’t even know what he did.

But Shen Qingqiu cannot be the only one, not with how the system speaks about him; the number two insinuates the existence of a user one, like how nine insinuates there is a seven. 

Yue Qingyuan isn’t sure he wants to know whether user two has come with user one, or after him.

Despite his diligent studies, his upbringing to become the future sect leader, Yue Qingyuan isn’t that well read, not in these kinds of stories, anyway—in stories with protagonists and heroes and villains, the kinds that have overarching themes and conflicts. 

But he knows that though audiences are fickle, they are also easily entertained. After all: the worst crime of a character is not his flaws, it’s being boring. He's heard Shang Qinghua speak of it often enough, how audiences care very little for the quality, but will sing the praises of any story that manages to keep their attention. 

Perhaps there is a different way to keep their invisible audience entertained.

"Does… does it have to be Xiao Jiu?" His fingers curl to fists beneath the cover of his wide sleeves, grasping the fabric until his knuckles turn white. Please. Please, just this once, let him do something right. "Could someone else create this story?"

The system blinks. 

【 someone like –yue qingyuan–? 】

He nods.

【 calculating… 】

Xiao Jiu shakes his head.

【 perhaps the next story… 】

[lomlompurim]

respost separated from the og post bc I really liked this silly little thing I made

And a little extra of my own

little binghe has a goal in this life and it only gets worse once he mets sqq, no one dares to threaten his position as sqq's future wife, he literally was born to be his spouse!!

[bluerosefox]

Tim, buddy, what do you mean you might had accidentally made a Love Child?!

Danny finds out that

1. He's a clonish 'love child' of two heroes

2. He was accidentally created during one of his donors mental break downs after losing his father and best friends (one of which was his other donor)

3. CW interfered before his creator realized what he made and pulled him out of that dimension because "it would had lead that world to true ruin if he found out at his state of mind. He's better now but it would had been the final straw for him should anything had happened to you in his care and given who he had to partner up with later... I did what I had to."

4. Due to Danny having a bad fall out with his parents after he told them about being Phantom (they didn't attack him... but they did disown him.) Danny is left adrift of what to do. He doesn't wanna bug Jazz, she's in college and dorming. Tuckers place has no room. Sam's parents would never let him stay. Vlad was a definitely a no go. And Dani (Ellie) last check in was near the Amazon rainforest.

5. Danny finds out some of his powers might not be as ghostly as he thought... it does explain the huge power boost some of his powers have compared to other ghosts.

6. He went to Clockwork... who proceeded to tell him the truth, smile his cryptic smile while saying "and now. Have fun this time around. I'll see you again in due time Daniel." Before yeeting him into a portal.

7. Danny woke up in his home dimension.... deaged to being five years old (the age he would be if he stayed and grew by now) (DC timeline is slower than DP in this)

8. He woke up apparently his creator's home city... during a Gala (Danny woke up in a garden, dazed and confused. His memories are fuzzy)... and wandered into the party... and apparently he looked like a perfect mix of his.. dads? Which catches A LOT of peoples attention.

9. Especially with Tim Drake-Wayne and Conner Kent-Luthor just announcing they're dating that very night.

10. Rumors and gossip of a random kid, who looks just like the recent happily announced couple, go flying quickly among the elite... and reaches certain ears before it gets to batfam and supers (I have a feeling they learned how to block out rumors and gossips during these events)

11. Those ears happen to be Lex Luthor and Ra's al Ghul (both who are there at the Gala just to annoy and unnerve the Bats and Supers)

12. By the time the rumors get to Tim and Conner, they find Danny almost getting taken away by one of those two.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[poorly-drawn-mdzs]

Call that a Cave Story.

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