#how to tell someone that you love them?

[whatev-i-guess]

Tell someone you love them

Soap: Did you ever tell someone that you love them? Ghost: My mum. Soap: Did anyone ever tell you? Ghost: ...my mum. Soap: I love you, Ghost. Ghost: I know, Johnny. I am sorry.

[poorly-drawn-mdzs]

For moment, you are home.

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[supernovatx]

Obviously “America is Great Again” is a fantastic critique of capitalism and American propaganda, which would be enough to make it an incredible scene on its own. It’s a great song and a great demonstration of the show’s themes, and it’s really well done.

But there’s a tragic layer to that song that really elevates it for me, and that’s because it’s specifically MacNamara singing it.

MacNamara first is introduced to seem like a stereotypical patriotic army guy in the scene where he knocks Paul out. However, he then subverts that in the next scene where we learn his true morals, namely that he believes in love and humanity as his higher purpose and he will put that above the orders of his country if they conflict. He chooses to let Paul live because of that, and when Paul asks if he can save Emma, MacNamara gives him his gun and tells him to go. We learn, as does Paul, that despite his appearance and general vibes, he is a genuinely good person who wants to help and is willing to put his moral code above his patriotism.

But when he gets apotheosized, he becomes the complete opposite. Suddenly his loyalty is to his country only, and his own moral code is erased in service of that, which causes contradictions between the lyrics of AIGA and his thoughts in the scene with Paul. “You can’t run because our borders are closed” when he was helping Paul escape in a helicopter as a human; “Americans should fit a mold” when he didn’t at all fit the “douchey army patriot” mold he was presented with; “There’s only room for right and wrong” when he clearly is able to choose between his own morality and his orders, indicating a more complex outlook instead of a binary. He becomes the stereotype he was subverting, and in doing so he becomes someone that the real MacNamara would have hated. That’s the tragedy of that song, and of the whole show really, is that the people who become part of the hive mind lose their true selves and are only able to act in their stereotypical roles, even if that’s nothing like how they actually were as humans.

There’s also something to be said here about how the us war machine and capitalism corrupts people and makes them into something they would never have been otherwise through a forced loss of personhood but I can’t figure out how to phrase that so

[kiwisandpearls]

it feels like at least here I barely see any analysis on madoka herself. It’s usually almost always an analysis on another character that brings up madoka (most of the time homura) or it is the 500th analysis about how madoka actually didn’t want to be a god, missed her family, and had severe self doubt issues. Which is all well in good but I just wish there was bit more for her.

I just wish more analysis would tap into madoka herself. In how despite the amount of suffering madoka has seen and had to endure herself she still sees the world as something worth protecting. How much empathy she has for others; in how she never snapped back at Sayaka and continued to stay by her side no matter how much she lashed out at her and how she decided to make a contract just so Mami wouldn’t be lonely anymore. How she made a wish with Kyubey that would separate her from her family and friends forever just to validate and protect the hopes and wishes of magical girls while allowing them to burden madoka with their pain. How fucking powerful she had to be as a god to nearly break Homura’s world by simply just starting to remember who she truly was.

I just…I fucking love madoka and it frustrates me deeply how little appreciation some parts of the pmmm fandom seem to give her asides from the fact that she became a god.

[ronanlynchusurper]

i don’t think we talk enough about declan being equally as down bad and ‘all or nothing’ with romance as ronan is. like yes ronan said he would start wars and burn cities for adam’s true smile, begged god for adam after he first saw him and fortuitously had all his objects of worship were in one downtown block etc but ronan had known adam atleast 18 months at this stage. whereas declan really risked it all to get tyrian purple overnight for a first date gift after ONE conversation…the man was discussing their marriage as a ‘when’ not an ‘if’ before we even saw them kiss like what’s his excuse lmaoo

[mythalism]

genuinely curious how the writers and larger dragon age audience would treat thom rainier if instead of being appropriately* repentant and putting himself in prison he blew up a major orlesian government building to instigate a chevalier rebellion or tried to have someone do some necromantic blood magic ritual involving uncertain danger and possible sacrifices to bring the innocent children he ordered killed back to life

[simswoon]

Tomarang!!

previous // next // beginning

Update on Lenny's goals

Children: At least 2 ✓

Career: Entertainer Career – Musician Branch

Aspiration: Serial Romantic (3/4)

Skills to Max: Piano, Singing, Guitar, Violin ✓

Visit 2/3 different worlds.

Experience a self-discovery moment and lose the Noncommittal trait.

[midnightdemonhunter]

I say, Then it’s not love anymore.

Michael says, It was love up to then though.

[poorly-drawn-mdzs]

With you at my side, I've forgotten my homesickness.

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.

[constarlations]

🍊 Big Sis Nemona 🍊

my favorite Unovan/Latina Pokémon trainer ever created

Twitter Link

[michelle-jacksons-art-blog]

Try these out!

[epicfirestormer]

Will never get over how Starscream and Skyfire's relationship is always doomed. There's never an iteration of them where they both stay on the same side at the end. They always end up being against each other, tearing each other apart (whether intentionally or not). They always end up losing each other, be it by a snowstorm, by the war, or by death itself. They never receive a happy ending together, one if not both of them is doomed to suffer.

Skyfire is doomed to be an Autobot, by forces out of his control. Starscream is doomed to be an Decepticon, by his own self destructive tendencies. They are both doomed, because of who they are. They always try to save the other, in their own way. But it never works. They are doomed to fail, whether they stay together or not.

[cecoeur]

it's hell on earth to be heavenly them's the breaks, they don't come gently

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[charlesemersonwinchesteriii]

The Terror x Maya Angelou

Created for @theterrorbingo prompt: "Wherever thou goest."