#how to market your ebook

[jolenes-book-journey]

Two Tips for Indie Authors - No Matter Your Genre

Today we have Two Tips for Indie Authors and they will work for you no matter what your genre is or even if you write in more than one. The very first tip is that you should take advantage of every opportunity you come across (That does not cost you money or just feels a little hinky), that will help you gain more exposure for you and your books. Our tip this week is to add your books to…

[creamflix]

UNSCRIPTED — toji fushiguro x female reader [chapter 1/5]

summary: you’re a faceless author of scandalous smut — great at writing steamy scenes but totally clueless about real-life romance (and with no one to match your freak). enter toji fushiguro, a hot stranger you (accidentally) throw up on during a drunken night out. surprise! he’s also the future voice actor for your smutty novel’s main character. can you survive the awkwardness of your disastrous meet-cute while keeping your identity (and dignity) a secret? welcome to the chaos of your own erotic fantasy romcom!

content warning & tags: (erotic) voice artist! toji, (smut) writer! reader, smutty content!! [will be added over the course of the series], sort of workplace romance, secret/anon identity, slight social media au, meet-cute, virgin!reader, single dad dilf! toji, kid! megumi, strangers to lovers (?), she fell first but he fell harder, mentions of other characters (satoru gojo, suguru geto, megumi fushiguro, shoko eiri, brief mentions of ryomen sukuna)

notes: hi friends !! wow, been a hot min since i wrote something of this caliber. feels good to be back in biz ;D did you all miss persephone! suguru? because there's a LOT of him here >_< i really wanted to publish this as a oneshot but....tumblr hates me so now it's gonna be a chaptered series! oh , joy! ps @nappingmoon i got u bae, this one is for you.

read on ao3! ● series masterlist

➤ related au: persephone [business tycoon! sukuna x reader]

you never really set out to be the face of smut-lit. 

in fact, you weren’t even really a face at all — just a “faceless” author penning scandalous stories for fans who devoured them, and haters who, well… tried to eat you alive.

you’d started out innocently enough, scribbling down your little fantasies and tropes that no self-respecting romance book would touch. then one day, a friend dared you to post one on booktok. 

you thought, "fuck it" and uploaded a snippet of your latest brainchild: a steamy billionaire x star-crossed chef fic called hunger games: not that kind of hungerer. it was, admittedly, extra spicy. 

and oh, did the internet have thoughts.

soon, your comments section and dm’s became a battleground for all opinions on “what qualifies as literature.” gems included:

who even writes this crap? did a middle schooler steal her mom’s laptop? i can feel my brain cells self-destructing as i read this 💀 girl hasn’t even been within a mile radius of a dick and it SHOWS

you'd had to admit… the last comment was right. but hey, they only added to the fuel. 

like moths to a flame, they kept coming back, and the trolling just made your followers skyrocket. a lot of people secretly liked the outrageousness, the drama, and the absolute audacity of it all. before long, your books were trending, and you were raking in numbers (and dollars) most “serious” authors could only dream of.

soon, you found yourself the subject of headlines you never thought you’d see:

the faceless queen of spice: how one unknown author is reshaping romance. trolled online, loved in secret—author sells millions in ebook downloads. social media says she has no idea what she’s talking about, but her bank account says otherwise.

and the kicker?

you’d never had sex with anyone, let alone…well, rocked worlds like your characters. 

here you were, a smut writer with zero real-life experience, who’d single-handedly created booktok’s, bookstagram and hell, even the people down at twitter's guilty pleasure.

but the day big publishers started knocking on your door, it was surreal, to say the least. 

you’d been fully prepared for the anonymous online fame — hell, you’d leaned into it, posting “faceless author life” videos and doing question and answer sessions where you dropped zero identifying details, save for some vague hand gestures and blurred-out backgrounds. but now, major publishing houses wanted in on the action.

“we think your stories have broad market appeal,” one exec had said on a zoom call, trying to make “billionaire mafia love quadrangle” sound dignified. “if we could get them on shelves, we’d reach an audience beyond booktok. international appeal is the goal here!”

suddenly, your filthy, albeit occasionally cringey, tales were going global. they got translated into french (where your enemies-to-lovers series got a fancy new title: l’amour et la haine). your spicy chef saga was reborn in italian as sapore di te, which roughly translated to taste of you (and made you blush, honestly). 

and when your personal favorite, the billionaire’s forbidden touch, hit the japanese market, they titled it 禁���の夜 (which… you didn’t even want to know the translation of, because you knew it was even worse than the original).

you had to admit, though, seeing these books spread worldwide made your head spin. what started as a joke online was now somehow sitting next to classics in international bookstores, becoming a hot commodity for fans everywhere.

but the cherry on top? 

oh, that came when you opened an email from none other than gojo-sonic, the world-renowned audio company best known for its highly specialized audiobook recordings. they’d taken smut literature to the next level, hiring voice actors who sounded like they were in the room with you, all breathy whispers and seductive baritones. people had raved that these audiobooks were “too real” — like they’d been recorded in a closed room with dim lights and a whole lot of… commitment.

they offered you a multi-million dollar deal to turn your books into experiences.

one of your friends, absolutely losing it, texted you as soon as they heard the news:

homegirl [5:21 pm]: “OMG OMG so you’re gonna do it right?? u realize this means ppl will be hearing ur lil virgin brain’s fantasies out loud in their headphones right” you [5:21 pm]: “no kidding. i’m freaking out. this feels illegal.” homegirl [5:22 pm]: “but u gotta!! pls this is ICONIC.” you [5:24 pm]: “they’re giving me millions. you think i’m saying no? lmao.”

it still felt surreal that soon, the whole world would hear your books come to life with professional voice actors — ones who knew exactly how to tease and breathe and make listeners feel like they were right there.

“bring my fantasies to life, huh?” you muttered to yourself, flipping through the contract that would secure your financial future, all because of your fictional men and their, uh, moves. 

who the hell were you to say no to that?

it was surreal enough to get an email from gojo-sonic, but now, sitting across from the ceo himself, gojo satoru, you were starting to wonder if this whole experience was some fever dream.

the man was stunning in an obnoxious, immaculate way. snowy hair, piercing blue eyes, and sunglasses balanced on his head like a headband. and, okay, you had to admit: it was a little weird that he’d named his company after himself — though, frankly, it just fit.

you tried not to laugh when he introduced himself. gojo satoru, ceo of gojo-sonic. the narcissism was off the charts, but so was his charm. as a quick google search before the meeting had revealed, gojo sonic had an impeccable reputation, and there was apparently not a single scandal tied to its name.

“nice to meet you,” you said, shaking his hand and trying to keep your cool. “kinda surprised a guy is running a… company like this. no offense.”

“none taken!” he replied, leaning back in his chair with an easy grin. “if i’m honest, i’m probably the last guy anyone would expect here. but,” he shrugged, “it works. my employees say i’m a ‘girl’s girl,’ whatever that means.”

the way he said it so nonchalantly made you smirk. apparently, the term wasn’t a throwaway nickname, either; the gojo-sonic gossip mill painted him as the absolute dream boss. rumor had it he’d given his whole office a free day off because his assistant had been dumped, and when a writer complained about unisex bathrooms making her uncomfortable, he’d personally had a “feminine touch” added to every single stall, complete with pink hand soap and luxurious lotions. he was kind, considerate, a man who just got it.

“people say i’m probably gay,” he added, laughing as if that was the most absurd thing he’d ever heard. “and you know what? let ‘em think what they want.” he gave you a wink. “as long as they keep buying the goods, i couldn’t care less.”

honestly? the guy made a point. did it matter who he was taking home at the end of the day? not at all, as long as your bank account kept racking up zeros.

“speaking of,” he continued, “we’ve got the full studio ready for tomorrow. you’ll meet the voice actors, go over a few sections, and give input as needed. think of it like a live theater production, except it’s your book.”

“oh, i get to… watch them record?” you asked, wondering how mortifying it might be to sit there, watching actors give their all to lines like, “you’re mine tonight, darling.” 

yeah, you’d written it, but watching someone breathe life into it was a different level of… embarrassment.

“even better,” gojo grinned, looking far too amused by your nervousness, “you’ll get to guide them. they’ll take direction from you — however you want the line delivered, that’s how they’ll say it.”

“you mean i can… like… make suggestions? on delivery?”

“exactly!” he said with a small clap. “we want it to be perfect. i’ve already arranged for our top voice actor, toji fushiguro, to voice your main character.”

toji fushiguro?

if gojo-sonic was the industry’s top company, toji was the crown jewel of voice acting. the guy was a legend. 

he had that smoky, velvet tone that could turn a mundane grocery list into a full-on romance scene. he was also notoriously elusive; some people waited months to get him to even consider their projects. and you — the virgin author who’d stumbled into fame thanks to trolls and booktok — had him voicing your main character?

“wait, toji fushiguro is doing this?” you asked, jaw practically on the floor.

gojo chuckled, looking far too pleased with your reaction. “yep! i think you two are going to work great together. he’s intense but flexible; really good at taking feedback.”

you tried to imagine giving feedback to toji fushiguro of all people. 

“um, maybe say ‘you’re mine’ with more… conviction?” 

“can you sound a bit more possessive on that line?”

“i, uh…” you managed, trying to swallow your nerves. “okay. yeah. sounds… good.”

“great! i think you’ll be amazed. toji’s professionalism is unmatched, and he’ll bring exactly the level of…” Gojo paused, grinning, “intensity you need to really make your character come to life.”

“good luck tomorrow! i’ll make sure everything’s set up perfectly,” gojo had assured you with a big grin as you left the office. “don’t stress about a thing. our identities are always kept top secret here. toji’s included! he’s never done a face reveal, and your privacy is just as ironclad.”

oh god. tomorrow, you were really going to sit there while toji fushiguro acted out lines you’d written on a whim in your pajamas.

sure, not stressing sounded like a logical plan. but after that surreal conversation — and the realization that tomorrow morning, you’d be face-to-face with the one and only toji fushiguro, hearing him breathe life into your raunchiest fantasies — you did what any responsible, mature adult would do.

you headed straight to the nearest bar and got sloshed.

by the time you were three cocktails deep, the reality of tomorrow’s “firsts” hit you like a ton of bricks. first real direction on an audiobook, first time meeting a voice actor, first time dealing with your own steaminess out loud, and — oh god — the cherry on top, it was toji fushiguro himself.

sure, you thought, sipping from your fourth drink and trying not to scream as lana del rey sings “it’s you, it’s you, it’s all for you,” i might be slightly freaking out.

another cocktail slid your way. you squinted, unsure if you'd ordered it or if the bartender was just reading your general mood, because yeah, you did look like someone who needed another round.

“tough night?”

“tough tomorrow.” you swirled your drink, laughing to yourself. “i mean… you ever written a, uh, totally inappropriate novel and had to watch a famous guy turn it into audio?”

“…can’t say that i have.”

you shrugged, downing a bit more of the drink, when the song on the speakers switched to avril lavigne’s complicated. fitting, given that your life had just become exactly that.

“why’d you have to go and make things so complicated?” avril sang, like she knew.

the bartender, apparently used to the types who showed up for existential crises alone, leaned against the counter. “sounds like big stuff tomorrow, then. what kind of work do you do, anyway?”

“oh, just… smutty novels,” you said, letting it slip before you could stop yourself. “just… page after page of absolutely shameless, absurd filth. and now i’m, y’know, supposed to direct the guy. to make it sound like he’s really, um, in the moment.”

the bartender chuckled, raising a brow. “sounds intense.”

“you have no idea.” you sighed, rubbing a hand over your face. “he’s this insanely talented voice actor. i mean, they’ve got toji fushiguro in there, which is like… god. if he knew who i actually was, he’d probably laugh.”

why’d you have to go and make things so complicated? avril continued wailing, her words your accidental anthem.

“well, whatever happens,” the bartender said, passing you a glass of water with a grin, “sounds like you’re about to have a pretty interesting morning.”

“i’ll drink to that,” you muttered, clinking your cocktail glass against the water. you downed it, hoping that somehow, it might chase the nerves away.

and as everytime we touch, i get this feeling started blasting on the speakers, you couldn’t help but shake your head with a groan. if there was a playlist made for romantic embarrassment, it was definitely playing tonight.

in your half-sloshed state, it seemed like a good idea to turn to the stranger who’d just sauntered up to the bar — a ridiculously hot stranger, tall with dark hair, and a scar slashing right across his lip. it was the kind of look that would’ve inspired an entire chapter in one of your books, but as of right now? it was just inspiring some truly regrettable choices.

“goodness gracious, great balls of fire,” you muttered to yourself, just loud enough to catch his attention, which felt smooth, in your totally buzzed opinion. so, of course, you swung around on your stool, plastering on what you hoped was an alluring smile.

oh god, here we go. “hey there, handsome…” you paused, hiccuping “… you come here often?”

the stranger raised an eyebrow, clearly amused, leaning an elbow against the bar with a smirk that could kill. “depends,” he said, voice low and rough. “you, uh, always this friendly after a few drinks?”

oh god. 

oh god. 

but you couldn’t stop now. 

you were committed. 

you were bold. 

with all the poise of a drunk giraffe, you propped your elbow on the bar and leaned in closer, pointing a finger at his chest — totally unintentionally, because your depth perception was off by, oh, about a mile. “well, what can i say,” you replied, attempting a sultry grin. “good-lookin’ guys like you… don’t come around often enough, mister.”

“it’s like i’m drunk off your love,” played from the speakers, not helping your case at all. 

oh god, this was actually happening. 

he actually laughed, a warm, deep chuckle, as he watched you struggle through whatever pickup line was about to escape your lips.

he tilted his head, that smirk turning up a notch. “should i be flattered?”

“you should!” you exclaimed, with a bit too much enthusiasm. “you’re like… i dunno, like one of my… you look like a… a fictional character.” 

smooth, real smooth.

“oh yeah?” his smirk widened. “so, what am i, a prince?”

“more like…” you bit your lip, trying to focus, “an antihero with a… tragic past and just enough softness in his heart to make him dangerous in all the right ways.”

he looked you up and down, bemusement clear in his eyes. “dangerous in the right ways? is that your type?”

you gave a shaky wink, nearly missing because the world was swimming a bit. “maybe.”

he chuckled, his voice all rich and velvety, and leaned in closer. “so… you’re here alone? i mean, besides all the fictional men you’re envisioning.”

“for now,” you replied, trying to sound mysterious, but it just came out as a bit… wobbly.

the bartender set the stranger’s drink down with a raised eyebrow, and he took a sip, watching you with amused interest. “you know, maybe you should slow down before you scare all the good guys away.”

“oh, trust me,” you replied, hiccuping again. “i don’t scare easy.”

he shook his head, clearly entertained, and you felt yourself glowing under his gaze. you were about to continue — just as soon as the world stopped spinning — when you felt the slightest bit queasy, your stomach reminding you that you’d had one cocktail too many.

the stranger’s amused smirk softened. “you alright there?”

“i’m…” you swallowed. “perfectly fine. just, you know… making sure you’re… getting the full effect of my…” you barely managed the word “…rizz.”

he laughed outright this time, low and warm, like he genuinely couldn’t believe you were real. “is that so? lucky me.”

it was all going so well — okay, not well, but you were holding your own, kind of. you had him laughing, after all, which for someone with approximately zero charisma was an accomplishment! but then the first chords of firework by katy perry blared through the speakers, and as if on cue, your stomach decided to join in the grand finale.

“do you ever feel like a plastic bag,” katy crooned, but for you, it was more like a “do you ever feel like you’re about to ruin your night by barfing on a hot stranger?”

before you could process what was happening, the tequila-fueled fireworks decided to erupt all over this guy’s very expensive-looking shoes.

oh god. oh god.

you looked up, mortified, to find him staring down at his shoes, eyebrows raised. wow, would you look at the time? 

run.

“oh… oh no. i… i’m so sorry, i swear this never happens.”

he raised a brow, still looking somewhere between amused and horrified. “well, that’s… comforting?”

you grabbed a napkin, fumbling, still buzzing enough to not know if you should laugh, cry, or just make a run for it.

“guess that’s, uh, one way to make an impression,” he murmured, lips twitching in a smirk even as he assessed the disaster on his shoes.

“oh god. really, i’m… i’m so sorry.” you dabbed helplessly at his shoes with a cocktail napkin, somehow making things worse. “if it helps, i… i normally only vomit on hot guys.”

he chuckled, though you were sure it was mostly at you, and shook his head. “well, it’s one hell of an icebreaker.”

“baby, you’re a firework,” katy sang passionately in the background, but you were already ready to crawl under the bar and disappear forever.

you were surprised — actually, you were shocked — that the stranger hadn’t ditched you after the whole public-vomiting-on-his-shoes fiasco. instead, somehow, he was still right there, leaned in close and casually sipping his drink, just as much a mess as you were. hours had passed, and you’d been rambling about anything and everything, lost in an alcohol-fueled bubble that had turned the night into something you’d never have dreamed of.

maybe it was the booze, or maybe it was the guy’s ridiculously calm attitude, but you’d opened up about your career, the absurdity of writing spicy novels as a faceless author, and even your terror about tomorrow. he’d listened with a smirk, offering the occasional snarky remark or grunt of approval. in return, he’d told you a bit about himself too — well, at least, you thought he did. at some point, the details got hazy.

“so, what do you do?” you asked, squinting at him like it was going to make his face stop swimming in your vision.

he shrugged, swirling his drink and giving a lopsided grin. “something kinda like… acting. you know, nothing glamorous.” there was a hint of amusement there, like he was in on a joke you weren’t.

you squinted harder, your mind pulling up images of random professions. “oh, so like… theater? or like, movies? or wait — commercials? are you one of those guys that has to pretend he’s in love with a bowl of soup?”

he let out a deep laugh, and the sound sent an unexpected shiver down your spine. “sure, something like that. though i’d like to think i’m a bit more convincing than a soup guy.”

you grinned, leaning in closer, your curiosity fully piqued despite your state. “convincing, huh? so you’re a good actor, then?”

“i do my best,” he said, voice low, that amused glint in his eye again.

“you have to be really good to make people believe in, like, totally unrealistic things, y’know?” you babbled, waving your hand. “like, imagine trying to voice —” you cut yourself off, feeling a hint of embarrassment as you remembered why you’d gotten so sloshed in the first place. the irony of tomorrow, and how this entire conversation felt like it was straight out of one of your own stories.

but before you could get too in your head about it, he tilted his head, looking genuinely interested. “voice what? i’m curious, princess.”

princess. the nickname sent a bolt of something dangerously warm straight through you, and you bit your lip to keep from smiling too wide. “oh, nothing…” you said, waving him off. “just, you know… the usual. people who… um, make people fall in love with their voice.”

“and what if i told you,” he leaned in even closer, smirking as if he’d just had the best idea ever, “that i could probably do that?”

you rolled your eyes, not believing him one bit. “oh really? think you could pull it off?”

“depends,” he said with a shrug. “what kinda character am i playing?”

you didn’t realize it, but you’d inched even closer, like you were hanging on his every word. “someone… someone rough around the edges,” you started, your voice dropping, completely lost in the moment, “but with a softness underneath. someone who could make the world stop with just a whisper…”

he smirked, eyes never leaving yours, and for a second, you felt like he was taking every word way too seriously. “i think i could manage that.”

you blinked, feeling a blush rise. 

this stranger had charisma — like, the kind of charisma you’d thought only existed in your characters. 

oh god, maybe you should write him into your next story. you shook yourself, blinking the daydreams away just as he started talking again.

“... and that’s why,” he was saying, “there’s a bit of an art to saying things just right. people think it’s all about the words, but it’s the way you say them that makes it real, y’know?”

you nodded, trying to focus on his words as the room spun just a bit. “so you’re telling me, it’s all in the delivery?”

“exactly.” his gaze dropped to your lips, and he smirked, like he knew exactly what he was doing. “even the… dirtiest lines sound good if you say ’em the right way.”

oh no. that dangerous warmth was back.

somewhere between his intense gaze and that slow, lopsided smirk, dancing queen by abba blared through the bar speakers, jarring you out of your tipsy trance. the upbeat, disco-infused rhythm filled the room, all but laughing at the “moment” you thought you were having with this too-hot-for-reality stranger.

was this a moment? or were you just ridiculously drunk? did he even have a name? or were you just too far gone to have bothered asking?

“you can dance, you can jive,” abba sang, practically mocking you as you stared, wide-eyed, at the man across from you, his scarred lip twisted in a little grin as he watched you piece it all together. he must’ve seen the dawning realization on your face, because he chuckled, reaching for his drink again.

“something wrong, princess?” he asked, leaning forward with a glint of amusement.

oh, great. i’ve already been promoted to ‘princess’ by a guy i might not know the name of. you were seconds away from facepalming.

“uh, nothing,” you said, waving a hand as casually as you could manage. “just, uh, thinking how ironic it is that dancing queen is playing while… we’re, you know…”

“... having a moment?” he teased, clearly enjoying himself.

“well,” you cleared your throat, cheeks blazing, “if you can call me drunkenly staring at you while abba serenades us a ‘moment.’”

“hey, it’s a solid soundtrack choice,” he replied, looking like he was suppressing a laugh. “besides, don’t pretend this isn’t kinda perfect.”

“you think dancing queen is perfect for this?”

he shrugged, sipping his drink. “come on, you’re hammered, i’m here keeping you company, and we’re both, what… living in the moment?” he quirked a brow, his smirk widening as he eyed you, like he was daring you to argue.

and then, maybe out of pure liquid courage, or maybe because the absurdity was too much, you laughed. “yeah, living the moment… with some guy whose name i don’t even know.”

“toji,” he said, offering his hand with a lazy grin, like he’d just handed you a secret.

“toji,” you echoed, shaking his hand. he held on for a second longer than necessary, his gaze never leaving yours.

 oh, this guy was trouble, and you were in so deep.

“and you?” he asked, still holding your hand.

you barely managed to whisper your name, but it came out like a sigh, and he repeated it back like it was something precious. “well then,” he said, smirking, “guess that makes two dancing queens tonight.”

“toji…” you muttered, the name slipping off your tongue again as you tried to place it. there was something familiar about it, like you’d heard it before, but in your tequila-drenched state, nothing was sticking. 

toji, toji… where had you heard that name?

he cocked an eyebrow, clearly amused as you stared at him like he was the world’s most frustrating puzzle. “something on your mind?”

“n-no,” you stammered, then immediately backpedaled. “wait, actually, yes. toji, right?”

he nodded, a playful gleam in his eye. “that’s the one.”

“toji… toji…” you repeated, squinting at him as if a clearer view would magically connect the dots. and then, it hit you — toji fushiguro. 

the voice actor who would be bringing your spicy, shamelessly dramatic main character to life. 

the same guy you were supposed to meet tomorrow, the guy who was probably used to making everyone’s knees buckle with just a whisper.

“no way…” you whispered, clutching your head, and you could practically feel the blush creeping up your cheeks. “you — you’re… that toji?”

he gave a slight tilt of his head, his eyes twinkling with mischief. “what, surprised that i could be both hot and talented?”

you sputtered, trying to backtrack and failing miserably. “no! i mean, yes, but i just — tomorrow —  you’re… you’re the guy who’s voicing my main character?”

he leaned back with a smirk, clearly enjoying the whirlwind of emotions he was putting you through. “didn’t think the universe would give you a sneak preview tonight, huh?”

your fuzzy brain struggled to compute this twist of fate. you were drunk, mortified, and beyond flustered, sitting in a bar with the man who’d soon be giving voice to all your filthy, shameless words. this was almost too much.

“oh my god,” you muttered, sinking back in your seat. “i literally threw up on my main character’s shoes.”

toji let out a hearty laugh, patting your shoulder. “hey, if anything, i’d say it’s on-brand for the kind of night you’d write.”

just as you were processing the sheer, ridiculous insanity of the situation, a fresh wave of nausea hit you like a freight train. before you could even react, you leaned forward and… splattered the floor with a decidedly not-dignified stream of bile. this time, it was almost cinematic, complete with a dramatic gagging sound that had you doubling over.

you watched in horror as you once again spewed your insides onto the floor, narrowly missing toji’s shoes but definitely adding a new layer to the already mortifying scene. 

you’d probably just hit rock bottom.

“oh, god,” you groaned, covering your mouth with your hand as the bile burned your throat. “i swear… i’m not normally like this.”

toji chuckled, rubbing a hand over the back of his neck as he handed you a stack of napkins the bartender had generously supplied. “i’m starting to think i’m just a little too overwhelming for you, princess.”

you shot him a sheepish look as you wiped your mouth. overwhelming was an understatement. 

“yeah, maybe we can leave that out of tomorrow’s team introductions,” you mumbled, trying desperately to pull yourself together.

toji chuckled, tossing a few more napkins your way. “no judgment here. it’s a rough night for a first ‘meet-cute,’ but hey, you’re nothing if not memorable.”

you gripped the napkin, willing yourself to hold it together, at least until you could make a semi-dignified exit. “i don’t even want to know what story you’ll tell people about this.”

toji just laughed, completely unbothered, as if getting vomited on was a regular night for him. “don’t worry, i’ll keep it discreet.” his voice dipped, lowering to a murmur. “for a girl with secrets, i figure you’d appreciate that.”

he lifted his drink and gave you a small toast. “to first meetings — and unforgettable nights. and hey, maybe tomorrow, you’ll surprise me and keep it down.”

oh, god, you thought, as you attempted to bury yourself in your napkin. if only i could crawl under the bar and hide forever.

normally, you wouldn’t wake up with “dancing queen” stuck in your head, but as you nursed the remnants of a truly terrible hangover, it felt almost... pleasant? the upbeat melody cut through the fog of your brain, and you couldn’t help but hum along, even if the lyrics felt like a cruel reminder of your embarrassing escapades from the night before.

“you can dance, you can jive, having the time of your life...”

wait, why dancing queen of all songs? you squinted at your alarm clock, your heart racing as the memories started flooding back like a poorly written rom-com. oh.

OH.

your eyes widened as you bolted out of bed with a speed that could make an olympic runner blush, frantically throwing on whatever clothes you could find — did you seriously still have a piece of glitter from last night stuck in your hair? gross! but no time for a shower; you had a meeting to get to at gojo-sonic, and you were about to meet — erm, remeet — toji fushiguro.

“ooh, see that girl, watch that scene, digging the dancing queen...”

as the lyrics blared in your head like an incessant movie soundtrack, you dashed out the door, praying you’d catch a cab in time. the universe couldn’t possibly let you walk into this meeting looking like a hot mess — especially when your main character's voice was waiting on the other side.

“you’re a tease you turn ‘em on…leave ‘em burning and then you’re gone…”

you rolled your eyes at your own ridiculousness. who cared if you’d practically thrown up on the guy? all you had to do was survive your own personal dance-off with fate and hope toji didn’t remember the lovely little details from last night.

you took a deep breath, determined to channel all the confidence you could muster. today was going to be great. right?

as you walked into the meeting room, gojo practically huffed an air of relief. you couldn’t help but think it was a little dramatic — like, it’s just a meeting. you took a deep breath, trying to shake off the last remnants of your hangover and the lingering embarrassment of last night’s vomit-venture.

the room was brightly lit, filled with a few familiar faces, including toji, who was leaning casually against a table with that annoyingly charming grin plastered on his face. 

great. you’d somehow forgotten just how hot he was in the light of day. 

toji’s presence made your stomach flutter and flip, but you shoved that feeling down — this was business, after all.

you scanned the room and spotted gojo-sonic’s most valued investor suguru geto on a screen in the corner, his hair tied back and eyes sharp as he joined the meeting online. wow, great first impression! with a sudden wave of panic, you could almost hear the dancing queen lyrics mocking you in the back of your mind. what’s next, bursting into song?

“hey, look who finally made it!” toji said, amusement dancing in his eyes. perfect. if he was going to make light of your grand entrance, you had to think fast to steer the conversation away from the disaster that was last night.

“sorry for keeping you all waiting,” you replied, forcing a smile that hopefully didn’t look too forced. “i had... a crazy night.”

toji raised an eyebrow, an amused smirk tugging at his lips. “crazy night, huh? did you bring us any stories?”

you shot him a warning glance, your heart racing as you internally pleaded with him not to say anything that could ruin your career. thankfully, he just chuckled, crossing his arms and leaning back, letting the moment hang in the air without any revealing comments.

“i think we’d all like to hear that,” suguru said, his tone teasing as he adjusted the camera. “but let’s save the fun stuff for later, right? we’ve got work to do.”

you nodded, grateful for suguru’s timely intervention. “yes, absolutely! so, uh, about the voice work —”

the atmosphere shifted as the others exchanged knowing glances, and you knew you’d have to tread carefully. this meeting was crucial, and you couldn’t let last night’s incident derail everything you’d worked for. with any luck, maybe you could just keep your foot out of your mouth for the rest of the meeting.

toji always knew he was hot.

i mean, how could he not? 

with a jawline that could slice bread and a smirk that could charm the pants off anyone, confidence practically dripped off him like a cologne commercial. but the real question was: how to channel this hotness and turn it into something lucrative? great question! 

being a single dad to wasn’t easy, and running from odd job to odd job just to scrape enough money for the brat’s school was proving to be tiresome. until one day, a certain gojo satoru decided to drop a bombshell on him.

“toji, you ever think about using that voice of yours for something... more creative?” gojo asked, leaning back in his office chair, a devilish grin spreading across his face.

“creative? what, like narrating my life as a sad single dad?” toji replied dryly, rolling his eyes. “because let me tell you, it’s not exactly a page-turner.”

“no, no, hear me out!” gojo insisted, practically bouncing in his seat. “i’m talking about voice acting — specifically, erotic audiobooks. it’s the next big thing!”

toji blinked, momentarily stunned. “you mean to tell me that the former bouncer at an elite club would be voicing erotic audiobooks? saying those weird, cringey lines that women seem to love? you’re insane.”

“think about it! you have the looks, the voice, and the whole mysterious vibe down pat,” gojo urged, waving his hands dramatically. “besides, you need the cash, and i need someone to bring a little... heat to my company.”

“you really think people want to hear me read lines like, ‘take me, you wild beast?’” toji quipped, snorting.

fast forward to his first recording session, where everything seemed to be going smoothly until disaster struck. toji was deep in character, delivering his best sexy voice when — bam! — the bathroom pipe exploded in his tiny flat.

“oh god, yes, just like that —” he started, voice dripping with sultry charm, when suddenly, a muffled splash! interrupted him, followed by megumi’s wail from the other room.

“dad! there’s water everywhere!”

toji cursed under his breath, trying to maintain his composure. “i’m coming! just... give me a second, i’m — ah, it’s getting so hot in here!” he struggled to continue, desperately trying to block out the chaos around him while the sounds of the pipe gushing water filled the audio.

but it turned out hormones took over the technical difficulties, because when the snippet was finally released, women and men of all ages were devouring it like it was the last slice of pizza at a party. it even went viral on tiktok, with cringe-worthy wannabes trying to recreate his sultry lines, failing miserably while toji sat back, amused.

“really? you think you can pull this off?” he chuckled to himself, watching one kid awkwardly mimic him. “nice try, kid. but good luck sounding this good while your mom’s screaming at you for hogging the bathroom.”

because toji wasn’t just a househusband — house father — anymore. he was a household name, and everyone knew him. his rise to fame was a wild ride, but hey, at least now he could afford to get the bathroom fixed — one line at a time.

he could hardly wrap his head around how he’d managed to move out of his tiny, crumbling apartment and into a much better place for him and megumi. it was like waking up one day and realizing he’d accidentally won the lottery. “wait, how did i end up here?” he’d mutter to himself, staring at the pristine walls and polished floors. “and how the hell can i pay megumi’s school fees on time without dodging dirty glares from the accounts office?”

he’d walk into the school, head held high, while megumi proudly puffed out his eight-year-old chest. “my daddy’s an actor!” he’d announce to anyone who would listen. toji couldn’t help but feel a swell of pride. i mean, the kid wasn’t wrong. he was acting — acting like he had his life together, at least!

but did his new job stop toji from being a little hoe? oh, hell no. 

if anything, the fame went straight to his head — both up and down there, mind you. toji was like a kid in a candy store, and he was using his newfound charm to siphon money from literally every sugar mommy he could find. 

and daddies, too, if he was feeling daring. 

because people would die to be known as someone “close” to the toji fushiguro.

“oh my god, is that him?” a passerby would whisper, nudging her friend as they walked past toji at a private event.

“i think it is! i heard he’s dating someone famous,” her friend would respond, leaning in as if they were sharing a juicy secret. “i’ve seen him at that new club downtown. he’s just so... magnetic.”

“totally! i mean, if i could get him to call me ‘sweetheart’ just once, i’d die a happy woman,” the first friend would say, fluttering her eyelashes dramatically.

toji would smirk to himself, sipping his drink while casually overhearing their chatter. “yep, you’re right. i’m as available as a 24/7 convenience store,” he’d think, reveling in the attention. "i could probably charm the pants off a rock if i tried."

another group of giggling fans would walk by, whispering amongst themselves, “i met him at that charity event last week! he was so sweet! like, did you see the way he talked to everyone? he’s definitely a heartthrob.”

“sweet? you mean hot, right?” one of them would tease, and they’d all burst into laughter.

“please, if he looked at me, i’d die!” another would declare, all starry-eyed.

toji’s smirk widened. “keep it coming, ladies. i’m just here for the show.” he couldn’t deny it; being the center of attention was intoxicating, and he was loving every second of it.

with a wink and a little wave, he’d keep strutting through life like a runway model, knowing full well he had the power to turn heads and keep wallets open. “who knew being a hot voice actor could be this fun?”

great that you’d ask what toji did with all that sweet, sweet cash! save it all for his brat of a son, of course, even if he wouldn’t admit it. beneath that rugged exterior and playful swagger, he had a soft spot for the little sucker.

just the other week, megumi had been rambling on about wanting a really cool new video game console. “but daddy, alllll my friends have one! it’s so unfair!” he’d whined, big blue eyes practically shimmering with hope. toji had rolled his eyes, trying to act tough, but the moment he saw the kid's face, his heart melted like butter on a hot skillet. “fine, but only if you promise to finish your homework first.”

the next day, megumi had unwrapped a brand-new console, complete with all the latest games, and toji had basked in the sheer delight radiating from his son. “this is the best day ever!” megumi had screamed, wrapping his arms around toji’s waist. “thank you, daddy!”

toji grinned like an idiot, pretending to be unimpressed. “yeah, yeah, don’t go losing it on the first day, alright? and remember, no playing after eight!” he was basically a walking contradiction: a grumpy dad who secretly loved being the cool parent.

then there was that time megumi had been obsessed with this rare action figure from his favorite show. toji had seen the way his son’s eyes lit up every time he spotted it in a store, but it was always sold out. so, naturally, when toji found one online at a steep price, he didn’t hesitate. “i’ll just skip my overpriced rum for a week. totally worth it.”

when megumi had opened the package, he’d literally jumped in the air, screeching like a siren. “no way! you got it for me!?” and toji had played it cool, shrugging his shoulders. “what can i say? your dad’s a generous guy.”

of course, this indulgence didn’t go unnoticed by gojo satoru. the six eyes — er, eyes! — of the man always seemed to be on toji, especially when he noticed his friend was splurging just a little too much on himself — like that new leather jacket that looked ridiculously good on him. 

“i need a jacket like that,” gojo had muttered to himself, glancing at his own wardrobe with disappointment.

whenever toji treated himself, gojo would quietly slide a check over to him, nonchalantly muttering, “just a little something for megumi’s school expenses.”

some people would have viewed it as offensive or patronizing, but not toji. he’d always laughed it off, feeling grateful instead. in his mind, gojo was like a guardian angel — “if guardian angels wore sunglasses and had a taste for expensive sweets.” he saw it as gojo looking out for megumi, which made toji’s heart swell with warmth. “who else would want to help raise my kid? might as well accept it.”

“just don’t make a habit of it, alright?” toji would say with a teasing grin. “i don’t need you spoiling him more than i do.”

“too late,” gojo would quip, already plotting ways to sneak more gifts into megumi’s life. “it’s my new hobby.”

so, when gojo casually dropped the bomb that toji would be voicing one of the hottest, trending smut book — “mating with the demon king” or something equally ridiculous — toji shrugged it off. “simple enough job,” he thought. “and it must be good if they came to me for it.”

but when gojo suggested he read the book to get an idea of the material — “just a little prep work,” he’d said with that infuriatingly charming grin — things took a wild turn.

big mistake, toji would later reflect as he flipped through the pages, his eyebrows shooting up higher than a roller coaster. “who writes this stuff?” he muttered, half-laughing at the sheer absurdity of it all.

the content was downright depraved. there were scenes that had him questioning his entire existence. 

“‘he thrust into her like a man possessed, each stroke igniting a fire within her’ — what even is that?” he read aloud, only to burst out laughing at the ridiculousness. megumi, playing quietly in the other room, wondered why his daddy was cackling like a madman.

“uh, daddy? why are you reading that out loud?” megumi had peeked in, eyes wide with curiosity. toji quickly scrambled to shut the book. “uh, just… learning about, uh, cooking techniques!” he stammered, trying to play it cool. “you wouldn’t get it, buddy.”

but the laughter continued to bubble out of him, and he couldn’t help but read some of the more ludicrous lines. “‘his lips found her collarbone, trailing heat like a wildfire’ — who even talks like that?” he shook his head, utterly bemused.

by the end of the chapter, he was howling. “‘she gasped as he swept her off her feet and into a world of ecstasy’ — oh please!” toji chortled, clutching his stomach, imagining how this would all sound through a microphone. “my kid is gonna think i’ve lost my goddamn mind.”

but hey, if this job was going to pay the bills, he figured he could endure a little humiliation. “it’s all in a day’s work, right?” he muttered to himself, finally accepting that he was now the voice of “mating with the demon king.”

all that reading really took its toll on toji — physically, mentally, spiritually even. after hours spent tripping over lines like “pressed against the throbbing heat of his desire” (yeah, that one took five tries to get through without laughing), he needed to clear his head. so, he found himself at a bar, halfway through a drink, hoping to numb the embarrassment he’d just endured in the name of rent money.

then stumbles this stranger — a cute, very tipsy stranger who quickly parked herself right next to him and started chatting him up, wide-eyed and slightly unsteady. great, drunk people, he thought, resisting an eyeroll as she grinned at him, looking ready to either start a fight or profess her love. 

maybe both.

of course, what are the odds she’d go ahead and throw up on his shoes? yes, his brand-new shoes, because, apparently, the universe had decided that tonight, toji fushiguro would be the world’s personal punching bag. “can’t even get through one drink without some shit happening,” he muttered to himself as she looked up at him with a horrified expression. “we’re off to a great start here, huh?”

after some water and some awkward apologies (mostly her apologizing, mostly him trying not to laugh), they fell into surprisingly decent conversation. she was rambling about her job, the stress, the weird demands — stuff he could sympathize with, honestly. 

and that’s when he dropped it, just for fun: “i’m a voice actor.”

her eyes sparkled with recognition — a little too much recognition, actually, which made him narrow his eyes. “wait, what’s your name?” she asked, suddenly all ears.

“toji. toji fushiguro.”

the second he said it, her face went from curious to horrified to... oh yeah, she knew exactly who he was. “wait,” she gasped, putting her hand over her mouth. “you’re... you’re the voice actor for my book.”

toji raised an eyebrow, deadpan. 

so this was the writer, the one who wrote all that nonsense he’d been struggling through for days. well, wasn’t that just the cherry on top. not only was this his boss but also the very person responsible for phrases like “pulsing need” and “moans spilling like honey.” and she’d just puked on him. 

talk about a power move.

“small world,” he said, his tone dry as desert sand. wonderful, he thought. my boss threw up on me. but, hey, the night was still young. 

he took a long sip from his drink, hoping she wouldn’t take this as an excuse to unleash some kind of creative critique.

“i... i didn’t know you’d be here,” she stammered, a shade redder than before, probably realizing what this made her look like — her, the lady behind the “throbbing heat of desire” shtick.

“don’t worry,” he said, giving her a smirk. “i won’t tell anyone the literary mastermind responsible for all that... romance has a weak stomach.”

you probably don’t remember much after you composed yourself following that second round of projectile embarrassment — but don’t worry, toji remembers. the man’s got a steel trap for the kinds of memories you’d prefer stayed buried. once he’d figured out that you weren’t exactly in shape to be left wandering around, he made the executive decision to get you home. yeah, he’d just met you a couple hours ago, but somehow, through the boozy haze and questionable life choices, he’d managed to catch your address. 

impressive detective work, really… or, well, you may have blurted it out mid-ramble about how “the streetlight outside is the only thing lighting up your lonely hallway.” 

a touch dramatic, but, hey, it worked.

so he got you back to your place (no thanks to the cab driver’s judgmental side-eye), got you up the stairs without you faceplanting, and, after propping you up long enough to unlock your door, he even went the extra mile and tucked you under the covers. you, meanwhile, mumbled something about “tequila being the devil,” blissfully oblivious to the poor guy who’d just witnessed more of your personal life than your closest friends. toji took one last look before heading out, chuckling to himself as you drifted off, probably already dreaming of whatever literary nonsense you’d be writing next.

but what really stuck with him? the damn “dancing queen” chorus ringing in his ears from the bar. maybe it was still playing somewhere out there in the night, or maybe you’d just cursed him with it. because as he walked home, hands shoved in his pockets, there it was, looping over and over in his head. 

“you can dance… you can jive…” 

great, now he’d be humming it for days.

both you and toji were snapped back into the fluorescent-lit reality of the conference room, where gojo was still going on about… royalties? percentages? to be honest, the entire spiel sounded more like corporate white noise to you. 

toji, on the other hand, was leaning back in his chair, looking as disinterested as humanly possible without actually falling asleep. across the screen, suguru appeared in one of those stiff, all-business modes, nodding along to gojo’s speech. his eyes had that telltale sparkle that only appeared when money was the topic — “stakeholder perks,” as gojo would call it, though it just meant suguru got to rake in extra cash on the side.

“and once the audiobook’s live, the split from the sales will be recalculated quarterly, yadda yadda, yadaaa —” gojo’s voice broke into a sing-song, clearly amusing only himself. “anyway, you guys will see some real sweet checks from this.”

“royalties…” suguru interjected, a bit too smoothly, “remind me what those projected percentages were again, satoru?”

toji suppressed a snort. here they were, with the man himself who could barely be bothered to read a weather report straight, much less your raunchy magnum opus. good luck explaining earnings, gojo.

“oh yeah, royalties!” gojo cleared his throat, launching into a number-laden monologue that seemed to somehow both explain everything and nothing at once. toji barely listened, glancing at the digital clock on the wall. it was only when gojo pivoted, with a suddenly very pointed look, that toji actually tuned back in.

“so, did everyone do their, ah, homework?” gojo grinned as his gaze swept across the room, his eyes landing on you with a bit too much knowing amusement. “read the… material?”

you shuffled uncomfortably in your seat, and every other voice actor in the room suddenly found the table, the wall, or their own shoes very interesting.

all except toji, of course, who stretched back with the most obnoxious smirk you’d seen yet.

“homework?” he drawled, deadpan as always. “yeah, got right into it. wouldn’t want to miss a single word of that… fine literature.”

a few of the others exchanged awkward looks, clearly unsure how to respond to the dead-serious way toji said fine literature without a shred of irony. meanwhile, you shrank a little in your seat, not exactly loving the fact that the guy you threw up on was apparently the one voice actor who actually read your work cover-to-cover. not to mention, this was toji fushiguro, the voice actor who’d taken the world by storm with a single, leaked snippet. you'd heard your fans say that he was some kind of god-tier talent — practically a household name. and now? 

he was casually staring you down like he'd just read your diary.

“it’s… it’s not that bad,” you muttered defensively, feeling a prickling heat rise up your neck.

toji raised an eyebrow, clearly enjoying himself. “oh, didn’t say it was bad. just, uh… thorough.”

you felt the blush intensify, but before you could reply, gojo jumped back in, undeterred. “great! since everyone’s read it now, we’ll dive into scene breakdowns tomorrow, with input from our illustrious author here.” he winked at you in that annoyingly playful way of his, as if he’d just orchestrated the whole thing for kicks. “it’s all about bringing your vision to life, yeah?”

“looking forward to it.” toji’s tone was smooth, with just enough emphasis to hint at the mischief lying behind his calm expression. you could swear there was a glimmer of challenge in his eyes, and the fact that he’d actually read the book — a book that you wrote in a creative haze, no less — was beginning to feel less like a weird coincidence and more like some cosmic joke at your expense.

suguru’s voice broke through, “and let’s hope that translates to success, right, gojo? my dividends would certainly appreciate it.”

“oh, don’t you worry, sugu bear.” gojo leaned in with that shark-like grin of his. “with toji voicing this masterpiece, and the author right here to guide us? we’re printing money already.”

with a dramatic flourish, gojo clapped his hands together, instantly breaking the tension. “alright, dismissed! snacks are out front — help yourselves, or not! more for me, after all,” he added, a mischievous glint in his eye as he clearly envisioned his sugary hoard.

suguru took this moment as his graceful exit cue, giving a short nod before the screen blinked off. gojo sighed theatrically, clasping his chest. “oh, suguru, leaving so soon? you wound me! who’s going to discuss ‘dividends’ and ‘royalties’ with me now?”

nobody had the heart — or possibly the patience — to answer that question, which suited gojo just fine as he spun on his heel, making his way toward the snack table. 

you, meanwhile, considered vanishing altogether, at least until the next segment of the day when you’d actually need to make yourself useful. judging by the energy in the room, none of the other voice actors were in a rush to strike up a conversation with you. 

ouch. apparently, being the creator of their next project wasn’t that much of a social asset.

you edged toward the door, already halfway to freedom when, like clockwork, a deep, familiar voice stopped you in your tracks. “leaving so soon?”

you didn’t even have to turn around to know who it was. obnoxious didn’t even cover half of it. “just… thought i’d give you guys a break from me,” you muttered, gripping the strap of your bag tighter, hoping it looked casual instead of like an attempt to bolt.

toji’s laugh was low, almost teasing. “a break? i don’t mind the company. in fact, i think the others are just shy.” his words were smooth, but there was a mischievous lilt to them, like he was very aware of just how uncomfortable you probably were.

“right,” you deadpanned, summoning every ounce of sarcasm you had left. “they’re all just shy.”

he chuckled, falling into step beside you as you made your way to the snack table. gojo was already there, unabashedly sampling a tray of tiny cupcakes. he shot you both a grin that was, in all honesty, more threatening than friendly. 

oh god, why is he looking at us like that?

“so!” gojo swiped another cupcake, leaning back against the table as he took in you and toji with an almost too-pleased expression. “getting along, are we? i mean, it’s not every day you get to work so closely with the voice behind your book, right?” he wiggled his eyebrows suggestively, as if trying to ignite some sort of spark just to make things interesting.

toji, unbothered as ever, shrugged. “she already threw up on me. might as well be friends after that, huh?”

oh my god. 

you felt the flush rise to your face instantly, a mix of embarrassment and horror. he did not just bring that up in front of gojo, of all people.

“aww, how cute!” gojo crooned, looking absolutely delighted as he clapped his hands in that overly-enthusiastic, not-at-all sincere way. “bonding over bodily fluids. you guys are practically soulmates!”

“please, kill me now,” you muttered under your breath, glaring at the snack table like it might provide an escape hatch.

toji leaned in, voice dropping to a near whisper, and you could practically hear the smirk in his tone. “don’t worry, author. i’ve seen worse.”

“great, that’s… comforting,” you muttered, resisting the urge to roll your eyes as you grabbed a snack at random. at this point, you were ready to make a quick exit, potentially before the day’s work even started if it meant escaping this scene.

“now, don’t run off too fast,” gojo added, wagging a finger at you with a sly grin. “i’m expecting all of us back here in an hour, nice and energized. don’t want any excuses!”

toji shot you one last look, equal parts teasing and unreadable, before he turned to grab a coffee. “guess you’re stuck with me for a little longer,” he murmured, a faint glimmer of humor in his eyes.

wonderful. absolutely wonderful. well, at least there’s cupcakes.

it’s only five minutes into the recording session, and you’re already wondering if there’s a job market for earth-burrowing positions. if there is, you’d gladly take it. anything would be better than this…circus.

the sound booth is packed with voice actors delivering line after line of your book’s carefully crafted (painfully cheesy) smutty dialogue. you bite your lip, both cringing and resisting the urge to laugh out loud as one of the actors, a slender guy with an unfortunate tendency to over-dramatize every vowel, reads his line with a tragic sigh.

“i can’t help it… i just want to devour you.”

devour you? you want to throw yourself into the nearest trash can. before you can stop yourself, you lean forward into the mic, managing a half-apologetic, half-pleading tone. “uh, could you maybe… ease up on the ‘devour’ part? like, less dramatic, more… suave?”

he nods seriously, doing a quick vocal warm-up before trying again. “i can’t help it… i just want to devoooour��”

“nope! nope, nope, nope!” you blurt, a little louder than you intended, the cringe spiraling out of control. you quickly clear your throat, trying to sound as professional as possible. “let’s, uh, maybe just skip to the next line.”

from the corner of the room, you catch sight of gojo, who’s grinning so widely you’re genuinely concerned his face might stay that way forever. he’s watching you with an infectious enthusiasm that’s bordering on manic, his eyes practically sparkling with amusement. you’re half-expecting him to yell, “surprise! this is an snl skit!”

you rub at your temple, wishing the earth would do you a solid and open up beneath you, while the next actor — a petite, sweet-looking woman who’s visibly uncomfortable — takes her turn. she clears her throat, looking down at her script, and delivers the line in a barely-there whisper, “i… i want you to take me… take me as if…”

“um…” you grimace, instantly feeling the heat rise to your face. “maybe a bit louder? but, you know, sensual.”

she blushes, muttering something under her breath before raising her voice, though it’s still trembling. “i… i want you to… take me… as if…”

toji, who’s been watching the whole scene from his seat, chuckles lowly, and his smirk sends a jolt of embarrassment through you. “jeez, author, why don’t you just hop in there and show ’em how it’s done?” he mutters, voice dripping with sarcasm, though it’s not unkind.

you throw him a flat look, biting back an eye roll. not like i wanted to be here, you think to yourself. it’s just that somehow, the universe decided that today you’d be responsible for turning lines you’d never want to say out loud into something even remotely palatable.

and it only gets worse. 

another actor — a deep-voiced, well-meaning guy in his mid-40s — leans into his mic and reads out, in a gruff voice you can only describe as a rejected batman impersonation: “you’re driving me… wild.” his tone is so intense it’s like he’s threatening to fight the listener in a parking lot.

“okay… we might want to dial it back a little,” you say carefully, hoping to mask your horror with politeness. “just… a little less ‘supervillain,’ more… warm?”

you hear toji chuckle behind you, low and rumbling, clearly reveling in your suffering. and as you glance over your shoulder, you find gojo, once again, looking like this is the best entertainment he’s had in years. 

at this point, he might actually cry from laughing.

just when you think it can’t get any worse, toji stands, giving you a wink as he heads into the booth for his turn. he takes the mic, his face blank and unreadable as he starts reading the next line.

“i need you… right now,” he purrs, his voice oozing that lazy, sensual charm you’d envisioned for this character. it’s… almost unfair, really. 

there’s not an ounce of irony or overacting. 

toji’s delivery is so smooth, so confident, that it catches you off guard, a flush rising to your cheeks.

gojo lets out a low whistle, giving you a teasing look as if to say, see? was that so hard?

“finally,” you mutter under your breath, swallowing the lump in your throat. gojo raises a brow, clearly enjoying every second of your awkwardness.

you sigh, mentally bracing yourself for the rest of the recording. if nothing else, at least one actor seems to have nailed the tone — much to your embarrassment and gojo’s endless delight.

you clear your throat, attempting to regain some semblance of control over the recording session, which is proving to be harder than herding a pack of caffeinated cats. “right, everyone, let’s, uh, keep moving and go ahead with recording the dragon king’s lines. toji, if you’re ready?”

but you barely finish your sentence before gojo claps toji on the shoulder with that all-too-annoying bromance energy, grinning from ear to ear. “our star is ready, aren’t ya, toji? i mean, look at this guy! look at him! can’t believe i found this gem for gojo-sonic!” gojo’s voice carries that infuriatingly proud tone that practically drips with smug satisfaction.

you stifle an eye roll, and even the other actors exchange glances, half-annoyed, half-amused at gojo’s over-the-top fawning. but before you can jump in to cut gojo off, toji just smirks, sliding comfortably into the mic like he was born to deliver cheesy lines.

“alright, alright,” you murmur, mostly to yourself. “let’s see what you’ve got, mr. dragon king.”

toji adjusts the headphones, his lazy smirk already primed. 

and then he begins, voice low and sultry, hitting each cringe-worthy word with the same ridiculous gravitas that has the whole room mesmerized.

“i have waited eons for a beauty like yours to grace my realm. come… be mine, and together we shall rule the heavens.”

you can practically feel everyone holding their breath, transfixed by the sheer sincerity in his tone, despite the line’s absurdity. you, too, can’t help but feel a blush creeping up your neck, which is just unfair given you wrote these lines. 

you knew what they were meant to sound like, but this? 

he’s delivering them like they’re damn poetry.

toji doesn’t stop there, though, his deep voice carrying each line as though he’s serenading the mic. “my heart burns with a fire only you can soothe. take my hand, and i swear to guard your heart with my very life.”

gojo is practically fawning, batting his eyelashes like a proud parent in the corner. “see, people, this is how it’s done! let the dragon king here show you amateurs how it’s really supposed to sound!”

you resist the urge to chuck something at gojo as the other actors’ eyes widen, watching in awe.

one of them mutters under their breath, “no way we’re topping that.”

and then, toji’s voice dips even lower, the next line coming out in a growl that somehow manages to be both dramatic and, disturbingly, kind of… enchanting.

“you are the breath in my lungs, the flame in my veins. without you, i am but a shadow… a beast in the dark.”

the room is dead silent. 

you’re all fawning, gushing messes, and you’re not even sure how it happened. it’s like toji’s somehow turned this trial recording into an absurdly hot moment. you can barely believe you’re hearing the same lines you once labeled “ridiculously cringey” in the draft.

finally, he leans back, looking pleased with himself, as if he hadn’t just left everyone a little breathless. gojo practically beams with pride, nudging you. 

“so… i think you’ve found your dragon king, wouldn’t you say?”

you nod, still stunned, half in disbelief, half in begrudging admiration. if this was just the trial recording, you could only imagine how many blushing, starry-eyed listeners this final audiobook was going to leave in its wake.

the moment the trial recording session wraps up, gojo is the first one on his feet, clapping his hands like he's just watched the performance of a lifetime. “brilliant!” he practically shouts, pulling out his phone faster than you can blink. “suguru needs to hear this,” he mutters, already dialing his business partner like a kid who can’t wait to brag about his latest toy.

sometimes you really do forget that gojo is the ceo of a multi-million dollar company — an erotic audiobook company, no less. 

is he this passionate about the art, or is it just the money? either way, watching him fanboy over his own employee leaves you a mix of amused and exhausted.

there’s a charm to it, though, even if it’s a little baffling to witness in real time.

as the energy in the studio starts to mellow, you find yourself actually breathing a bit easier. for once, things seem to be going smoothly. 

maybe this whole collaboration wouldn’t be a disaster after all. 

you let yourself relax, even if a small part of your brain chides you with a quick reminder: next time, skip the cheap caffeine fix when you’re pulling an all-nighter writing smut. 

or… cheap anything, really. 

yeah, you don’t actually smoke, you remind yourself — except, well, that one time in college, but hey, that was a whole different you. one that should stay buried in the relics of questionable decisions, right next to your spiral-bound notes of embarrassingly bad poetry.

just as you’re praying to the universe that this is all going to wrap up without any extra drama, you hear it. the sound that’s become both your nightmare and… okay, maybe, a little less than that.

“well, princess,” toji’s voice rumbles, his tone as amused as it is teasing, “got anything else you want from your dragon king?”

you close your eyes and will the ground to open up beneath you, but nope, nothing. 

nothing but the sound of your heartbeat doing an awkward little tango in your chest.

of course he’d pick now to resurrect that ridiculous moniker from last night. like it wasn’t humiliating enough when he threw it out there while you were a couple drinks deep and all but glued to your seat at the bar. 

oh, you’re practically begging the universe to put you out of your misery — well, actually, now that you think about it, maybe being wrapped up in those beefy arms wouldn’t be the worst fate…

wow. get a grip, girl. this is the caffeine deprivation talking. 

definitely that.

but then toji smirks at you, an eyebrow raised, as if he’s just dared you to respond. and all you can think is… oh, lord, this man is trouble.

"c’mon, just a drink,” toji insists, flashing that devil-may-care grin that both ruins and improves your day within a matter of seconds. he’s leaning back like he’s got all the time in the world, casually ignoring how you definitely don’t. 

“trust me, princess, it’ll settle your nerves.”

it’s not like you need a reminder of the mess that was last night. every foggy memory swirls in your head, like life’s own cruel version of a mocktail — one garnished with shame, regret, and a generous helping of last night’s tequila. 

if anything, adding more drinks to this equation feels about as smart as walking blindfolded into traffic.

but toji’s already up, stretching like he’s completely unaware of the chaotic memories this whole “outing” is summoning. “just a quick look around gojo-sonic, yeah?” he says, nodding toward the maze of hallways beyond the studio door, his face the perfect picture of innocence.

“you’re new here, and it’s… important to know the lay of the land. work reasons.”

you can practically hear the quotation marks around that “work reasons.”

“you know,” he adds with a wink, “never hurts to see where the magic happens.”

yeah, right. you have a feeling the only magic here is him somehow dragging you deeper into your personal nightmare.

you don’t even get the chance to respond with a yes, no, or a “maybe next century” when toji’s phone lights up and his whole expression darkens. not exactly the look you expect from the guy whose voice practically ruined half the internet last month with that infamous line about... well, yeah, better not go there right now.

“satoru, the brat got into a fight,” he growls into the phone, and suddenly, satoru’s jaw hits the floor with such force you can practically hear it from across the studio. toji doesn’t stick around for a reply, though — he’s already striding toward the door like a man with a purpose, ignoring satoru’s spluttered, “the what did who?”

and somehow — god knows how — you find yourself tagging along like it’s the most natural thing in the world. maybe it’s curiosity, maybe it’s the thrill of seeing toji in full boss mode, or maybe it’s just because, oh, y’know, “responsible adult and responsibilities” instincts or whatever. 

but the further you walk, the more you realize that toji doesn’t mind you following one bit. in fact, he’s practically matching his pace to yours, as if you’re part of some unofficial escort mission to... whoever this “brat” is.

which, speaking of, who the hell is megumi?

you’re still trying to wrap your head around how this was supposed to be a “quick tour” of the office and not, somehow, an impromptu escort mission to the world’s sleekest car, a porsche 911 turbo — yep, that’s right, the kind of car you’ve only ever seen in movies where the bad guy’s got a mysterious, sexy side. all you can manage is, “you own this?”

toji shrugs, slipping his keys into the ignition with an air of pure, unbothered cool. “you don’t?”

oh. okay. 

you barely have time to process this response before he’s peeling out of the parking lot, narrowly avoiding a stray cat, a snail-paced truck, and an old lady who’s almost sacrificed her wig to his driving style. but hey, all part of the thrill, right?

definitely not questioning life choices here.

by the time you pull up to a cutesy primary school — you know, the kind with pastel-colored gates and cartoon murals of bears and rabbits — you’re genuinely confused. 

toji seems like the last guy who’d be here unless it was some undercover op. and “megumi,” whoever he is, sounds like he could be the school’s playground menace.

“wait, this is where we’re headed?” you ask, eyeing the building like it might suddenly make sense.

but toji’s out of the car, moving so fast you practically have to jog to keep up. the school secretary gives you both a wary glance, likely sensing the storm of exasperation radiating off toji, as he strides straight into the principal’s office. there, sitting on a chair with his arms crossed and an unimpressed scowl that screams “mini-toji,” is a little boy with spiky hair and an air of quiet defiance.

without missing a beat, toji asks, “megs! did you win?”

the principal, a kindly-looking woman whose expression is rapidly shifting from “calm mediator” to “i don’t get paid enough for this,” clears her throat. 

“mr. fushiguro, your son wasn’t... in the wrong, per se. it appears he was, um, defending his honor.”

defending his honor? you blink. what kind of second grader even knows what that means?

“that true, ‘gumi?” toji says, arms crossed, looking every bit the unbothered, proud dad of the year.

“he said my dad was a... weird voice actor,” megumi mutters, then shrugs. “so i said at least my dad works.”

you nearly choke, partly from stifled laughter, partly from the sheer absurdity of all this. here you were, thinking “honor” meant, like, taking down a playground empire or something. 

but no, megumi’s just a kid with a sharp tongue and a little too much of toji’s attitude.

“damn right, kid,” toji says, patting megumi’s head, then looking over at you with that familiar, annoyingly smug grin. “raised him right, yeah?”

“...sure,” you say, because what else can you even say at this point? it’s like you’ve stumbled into the weirdest sitcom ever, and the laugh track is somehow missing.

the principal’s expression morphs into something almost painfully polite as she addresses you, tiptoeing around the word wife with an impressive mix of caution and curiosity. 

“are you, ah... megumi’s guardian?”

and then, in perfect, unplanned harmony, you, toji, and megumi all blurt out, “no.”

the unity, the instinctual synchronization — it’s like you’re all on the same wavelength, for better or worse. soul-level understanding, or something. 

what the hell is happening right now?

with a polite smile and a “let’s never speak of this again” nod, you three finally leave the principal’s office. megumi, looking more bored than reprimanded, flicks at a speck of lint on his uniform, while you and toji attempt to navigate the hallway swarming with concerned teachers and worried front-desk ladies. and by “concerned” and “worried,” it’s more like they’re curious about toji’s parenting style and, let’s be honest, probably toji himself.

“oh, mr. fushiguro!” one particularly invested teacher coos, “we heard about the incident. is everything all right?”

toji, of course, laps up the attention, chuckling low and throwing in a wink here and there like he’s starring in some kind of action-movie dad role. the ladies are practically falling over themselves to get a response from him, their questions barely veiled as they assess you with raised brows and sideways glances, a classic “who’s she?” written all over their faces.

“and you are...?” one of the front-desk ladies finally asks, voice all sugar-coated and sharp.

toji slides in smoothly, cutting off whatever half-formed, awkward introduction you were about to stammer out. “oh, she’s a colleague,” he says, his tone effortlessly suave, like introducing a perfectly respectable coworker and totally not the author of his last, extremely explicit audiobook project.

you’re almost grateful until it hits you — this is the same guy who made a whole production of calling you “princess” in the recording booth just yesterday. 

as if he hasn’t played one of your absurdly corny dragon kings in all his full-throttle intensity. 

and now he’s here, all casual and cool, giving you a proper, respectable title like he hasn’t spent hours voicing content these people probably keep hidden under their pillows at night.

but at least he didn’t out you as the actual author of those… creative pieces. 

that’s something.

toji is out here, doing his social service to society. and no, it’s not about lending his voice to steamy audiobooks, thank you very much. 

today, he’s serving the community by providing these teachers with a generous five minutes of his attention, which they’ll probably be replaying in their heads until the next parent-teacher meeting. and — oh, what a surprise! — that’s exactly what they’re talking about now, circling back to how he must come to the next one for a “serious discussion” about megumi.

toji’s stance? why bother? if the kid’s acing his tests, staying out of trouble (mostly), and keeping a lid on the whole “honor” thing, why does he need to sit through hours of polite lecturing from the pta?

while he’s busy justifying his lack of parental enthusiasm, you feel a pair of eyes on you. glancing down, you meet megumi’s steady, curious stare. 

it’s oddly intense for a kid his age, but you’re not one to back down from a challenge. you narrow your eyes, feigning a critical, assessing look, and he visibly falters, going slightly pink around the ears.

ah, kids.

as you three make your way out of the building — toji still being all socialite with the staff and probably postponing that pta date indefinitely — you suddenly find yourself in a mini interview  with megumi. it’s as if this eight-year-old has appointed himself the gatekeeper of his dad’s life and has decided you’re the latest applicant.

“so… what’s your favorite color?” he asks, with an unblinking, serious stare.

“uh…” you pause, realizing the weight of your answer here. “blue. like, uh, light blue.”

he nods, considering. “good answer.”

a pause. “favorite superhero?”

“batman?” you try, glancing at him for a sign of approval.

“hmm. fine. but iron man would’ve been better.”

noted, you think, as he then moves to cereal brand, favorite animal, and even your preferred subject in school. you navigate each question as best as you can, almost feeling the burn of a final exam.

then, in a moment of quiet, just as you think the quiz is over, megumi looks down and asks, voice barely a whisper, “did i… do the right thing? defending my… my hone-er?”

“your… oh, honor?” you say, a smile twitching at the corner of your mouth as you catch his wide-eyed, earnest gaze.

he nods, cheeks tinting a bit as he scuffs his sneaker on the ground.

“megumi,” you say, kneeling a little to get on his level, “defending your honor is important. just… maybe don’t go for all the punches next time? sometimes words work too.” you give him a playful nudge.

he nods, seeming satisfied with that answer, then glances over his shoulder. “and don’t tell daddy i asked.”

“your secret’s safe with me,” you whisper back, giving him a conspiratorial wink.

toji’s arms were crossed, an unreadable expression on his face as he watched the little interaction between you and megumi. 

he was always careful about the people around his kid, fiercely protective to the point that very few in his line of work even knew megumi existed. the only ones who had ever met him were gojo and geto — and that was already a stretch.

but something about how you handled the kid’s questions, actually entertained them with the same patience he’d usually summon up himself, caught him off guard. the way you knelt down to answer him, even kept a straight face through the hard-hitting topics of favorite superheroes and cereal brands... it was surprisingly nice. 

almost… reassuring?

ugh, what was he even thinking? you were still the same girl who’d written, and he mentally cringed as he remembered the line, 

“dragons may have claws, but they’re nothing compared to the grip i have on your…” 

yeah, yeah, he really didn’t need to finish that thought. the memory alone had him chuckling under his breath, shaking his head.

of course, that earned him a suspicious glance from both you and megumi.

“what’s so funny?” you asked, brow raised.

“yeah, daddy, why’re you laughing?” megumi chimed in, clearly puzzled.

toji waved a hand dismissively, realizing he’d just blown his cool for no reason. 

“nothin’, don’t worry about it. just thinkin’,” he mumbled, aware he’d probably looked a little unhinged just then. 

maybe he really needed to work on his awareness — or maybe he just needed to get a grip, period.

toji’s mind was doing somersaults, genuinely debating if he could manage both you and megumi tagging along for the afternoon. megumi’s insistence didn’t help; kid was determined that toji should keep you both company for the rest of the day, despite having school hours left. 

“you’ve got work, right?” you ask, half-joking, half-serious. “aren’t you supposed to be off doing big, important actor things?”

toji only smirked, whipping out his phone with the sort of confidence that made it clear he had a workaround for everything. he tapped open a message to gojo, fingers moving fast.

you [11:31 am]: hey. kid’s dragging me to the arcade. need a few hours off. gojo s. [11:33 am]: need or WANT, toji? ;)) you [11:31 am]: like i said, KID is dragging me. gojo s. [11:33 am]: oh sure, blame megumi. what, does he have you wrapped around his little finger or something? you [11:31 am]: think whatever you want, but you’re handling my schedule for the rest of the day. gojo s. [11:33 am]: wait, are you with...the AUTHOR? ;)) you [11:31 am]: quit smiling through text, it’s creepy. gojo s. [11:33 am]: i’ll allow it. but only cause i’m such a good friend.  gojo s. [11:33 am]: tell megumi uncle gojo says hi  gojo s. [11:34 am]: and he owes me 20 bucks. you [11:35 am]: he doesn’t owe you anything. gojo s. [11:35 am]: fine, but bring me something from the prize counter.

satisfied, toji pocketed his phone and shrugged. 

“all right, kid. we’ll hang out for a bit. but i swear if you drag me into any embarrassing games —”

“arcade!” megumi interrupted, not even giving him a chance to finish. “i can show you both that i’m the best at every game! daddy taught me how to play, so you better watch out!”

you couldn’t help but chuckle at the kid’s enthusiasm.

“all right, let’s go. but you better not make me look bad, kid,” toji said, smirking down at his son, who was now practically vibrating with eagerness.

“arcade!” megumi yelled again, nearly bouncing as he grabbed your hand and began to lead the way.

megumi barely lets you settle into the leather of the passenger seat before he’s bouncing in the back, practically vibrating with energy as he plugs toji’s phone into the aux. you’re trying to wrap your head around being in toji fushiguro’s car, the man who not only voices the romantic lead in your steamiest, most dramatic book but also owns a luxury car that could probably pay off your loans twice over.

"so, uh... passenger princess, huh?" toji smirks, catching you in mid-thought.

"i… what?" you stammer, feeling the heat creep up as he settles a hand on the wheel with all the nonchalance in the world. “i, uh —” but you’re cut off by megumi excitedly blasting his choice of artist: korn.

"your son listens to korn?" you blurt out, giving toji a mix of awe and disbelief.

toji just raises an eyebrow, deadpanning, “yours doesn’t?”

ouch. okay, fair point. 

because no, you do not have a kid, or a husband, or even a boyfriend…or any romantic prospects, really. 

toji’s question leaves you fidgeting as you try to muster a dignified response.

meanwhile, megumi is full-on screaming to the lyrics of "freak on a leash," and you catch snippets like “something takes a part of me!” which, yeah, relatable — korn is honestly hitting the mood. but of course, toji catches you staring out the window, attempting to look casual as he throws you a side-eye.

"so, what’s got you without a boyfriend?” he asks, way too casually, as if this was a natural segue from whatever korn-fueled karaoke session is happening in the backseat.

you practically choke on air. "what, me? no, i’m...," you laugh awkwardly, shifting in the passenger seat. “besides, i don’t meet many guys. i'm just… you know… doing my thing.”

megumi, pausing his headbanging just for a moment, turns and looks at you with an exaggerated ‘yikes’ face, as if being single was the worst possible fate in his young, eight-year-old eyes. 

but then he shrugs, clearly uninterested in this adult drama and goes back to screaming, “feeling like a freak on a leash!”

toji, still watching you, smirks, “so, doing your ‘thing’ includes no boyfriend, no husband... what, are you just swearing off men?”

"uh, no!” you say quickly, too quickly, and feel your face heat up. “just haven’t... y’know, met anyone worth dating. been busy.”

toji gives a low chuckle, clearly entertained. “busy doing what, writing your ‘torrid love stories’?”

you make a face, biting your lip. 

“they’re not that torrid.” but even as you say it, you hear the echo of a particularly cheesy line you’d written for his character in your novel, which, mortifyingly enough, involved the phrase “my darling flame, you set my very soul alight.”

toji chuckles, as if reading your thoughts. “maybe i’ll get to hear one of those lines in real life someday, princess.”

“can we not call me that while megumi’s in the car?” you mutter, glancing back, only to find megumi fully engrossed in his self-proclaimed vocal talents.

“noted.” toji snickers, shooting you another mischievous look as korn plays on, megumi happily singing about “breaking down” in the back.

“but hey,” toji says smoothly, hand resting on the gearshift, “just so you know, even my son knows a good band when he hears one.”

you roll your eyes at him, managing to mumble, “at least one of you is a bit mature.”

the porsche pulls up to the arcade with enough fanfare that heads start turning even before the engine purrs to a stop. not that the onlookers were ready for what steps out next: a towering, chiseled man looking like he’s on his way to a modeling photoshoot, a cute kid in full confidence mode, and, well… you.

still feeling a little dizzy from the korn concert that just took place, you barely register megumi bolting out of the car with a grin, leaving you and toji to get your bearings. his energy’s practically crackling by the time toji pays for the play card, and you’re pretty sure if he has to wait even one more minute, he’s about to combust.

“okay, okay, slow down, megumi,” you say, trying to keep up as he yanks you to the nearest neon-lit game. 

but the kid isn’t hearing it. he’s already dragging you to one machine, and then the next, moving faster than you can process where you even are. each one is seemingly more intense and blinding than the last, and you’re hit with a sensory overload of neon lights, retro game sounds, and the feel of the arcade carpet sticking just a little too much to your shoes.

toji’s watching the whole ordeal with a bemused smirk. you and his kid are like a whirlwind of neon and laughter, barely stopping to catch your breaths between games. the sight is somehow… comforting. like a scene from a life he hadn’t planned but couldn’t help finding strangely compelling.

but then he catches himself. seriously? 

he shakes his head. this is not the time to get all sentimental over his kid’s new ‘playdate’ or whatever. 

he’s just here because megumi insisted, and maybe he thought it’d be amusing to watch you get dragged around by an eight-year-old with zero restraint. that’s it. 

nothing more.

yeah, right. his internal grumbling comes to an abrupt stop as he watches megumi take your hand and pull you over to a classic claw machine. the kid’s looking up at you with the widest eyes you’ve ever seen, all excitement and pure innocence, like winning one of those knockoff plush toys is the pinnacle of existence.

“you got this?” you ask, grinning at him as he lines up the claw with intense concentration.

“of course! my dad showed me,” he declares, like he’s about to go pro in the claw game league.

toji, watching from a distance, feels a twinge in his chest. 

yeah, he’d shown megumi how to play this game ages ago, more to give him an edge over the other kids than anything else. it was a dad-and-son thing, just the two of them. but seeing megumi look up at you with the same pride and excitement makes him feel… something. 

and he doesn’t know if he likes it.

you’re so focused on megumi’s moves that you don’t notice toji’s slight frown, nor do you hear his quiet mutter of, “this is ridiculous.” 

but when he sees the way your eyes light up as megumi successfully nabs a cheap stuffed animal — a lopsided dinosaur, of all things — and the way you celebrate like he’s won an olympic medal, he feels himself relax, just a little.

he chuckles, shaking his head and crossing his arms as you high-five megumi, both of you beaming over a prize that probably cost less than the game itself. but toji doesn’t move. 

he stands there, rooted, as you two bounce from game to game, his thoughts too jumbled to focus on anything else.

but maybe… maybe that’s okay for now.

toji’s phone buzzes just as he’s leaning against the side of a vintage racing game, watching you and megumi practically lighting up the whole arcade with your laughter. he glances down to see satoru’s name pop up on the screen, already feeling a headache brewing.

gojo s. [12:20 pm]: so, arcade? 😏 you [12:20 pm]: yeah, i just told you. gojo s. [12:20 pm]: nah, i mean WHY the arcade? what are we celebrating here, toji? ;)) you [12:21 pm]: why does it matter gojo s. [12:21 pm]: CUZZZZ gojo s. [12:21 pm]: lemme guess, megumi's there with her now, right?  gojo s. [12:22 pm]: bet they’re having the time of their lives, while YOU gojo s. [12:22 pm]: you’re just there all moody on the sidelines😔

toji glances up at you and megumi, who’ve now moved on to a skee-ball machine, both cheering as you score a perfect 50-point throw.

you [12:23 pm]: like i said, work stuff. gojo s. [12:24 pm]: HAHA. work stuff, right.  gojo s. [12:24 pm]: work stuff that has megumi running around grinning like that.  gojo s. [12:25 pm]: bro gojo s. [12:25 pm]: you’re terrible at lying.  gojo s. [12:26 pm]: she’s a keeper if she can deal with YOU you [12:26 pm]: keep dreaming.

he slips his phone back into his pocket, unable to shake off the grin creeping onto his face as he watches you high-five megumi. the kid’s happier than he’s seen in ages, and he…

well, he can’t remember the last time he felt this relaxed watching anyone just being with his kid.

toji stands back, taking in the moment — megumi’s laughter echoing through the arcade, your smile as you lift him up with an ease that has the kid giggling uncontrollably — and for some reason, his mind has turned the whole scene into a rom-com montage.

you are the dancing queen…

it’s absurd, really. 

he doesn’t even like abba. but there it is, the stupid song playing in his head, all set to the image of you holding his son, twirling him like he weighs nothing, both of you in fits of laughter.

young and sweet, only seventeen…

and for a split second, his heart does this awkward little stutter. 

he chalks it up to the neon lights. 

or maybe the greasy smell of the arcade food messing with his senses. but as he watches you hold megumi up, almost as if he’s flying, he can’t ignore that ridiculous, cheesy pull in his chest.

feel the beat from the tambourine, oh yeah...

oh god. 

is he seriously catching himself grinning at the way you’re both trying to get him to join in? megumi’s little hand reaches out, beckoning him over, and you’re giving him that smile, that “come on, get over here, big guy” look.

you can dance, you can jive…

the song hits that soaring note in his head just as he finally gives in and starts to walk over, and his pulse actually picks up, as if he’s not just at some run-down arcade but in the middle of some ridiculously sappy rom-com finale.

having the time of your life…

and then megumi is shrieking again, calling, “dad, hurry up!” like it’s life or death, and you’re beaming at him with that mischievous, encouraging look.

toji sighs, shaking his head at himself. 

just great. 

the two of you have officially dragged him into your world, soundtrack and all.

toji's trying his best to lock in. 

but as he walks out of the arcade — juggling not one, but four oversized plushies, two fancy new lego sets, a slinky, a bouncy ball, some glow-in-the-dark slime, and a rainbow slap bracelet — he can’t help but snort at the sheer ridiculousness of it. 

between his loaded arms and megumi curled up fast asleep in yours, it’s a scene straight out of one of those cheesy family movies.

he shakes his head, trying to push down that weirdly warm feeling creeping up on him. 

stay focused, toji. 

he doesn't need any sappy feelings right now. he's a single dad with a kid and a job, not some washed-up rom-com character, damn it. 

but watching you gently adjust megumi as he drools onto your shoulder, snuggling deeper into the crook of your arm as you carefully slide into the backseat, it’s hard not to feel that tug again.

ugh, he thinks, climbing into the driver’s seat as you buckle up up front, giving him a soft, tired smile. 

“never held a kid before, huh?” he teases, eyes glancing from the road to the rearview mirror, where megumi’s still dozing, soft breaths muffling against your arm.

“nope,” you shrug, but there’s a softness to your voice as you gently rub megumi’s back, “first time for everything, i guess.”

toji’s heart does that weird skip thing again. 

oh god, he thinks, gripping the wheel a little tighter as he tries to ignore the sappy old man vibe overtaking him.

the air in the car feels... charged, but it’s not like either of you are exactly leaning into the tension. instead, you both sit in this weird, awkward silence, save for the quiet hum of the radio, like you’re suddenly too aware of just being there with each other.

and then, as if the universe wanted to toy with you, iris by the goo goo dolls starts playing. 

oh, god. you immediately wish you could just evaporate into the passenger seat.

“...and i’d give up forever to touch you…” the lyrics croon, filling the silence, and you can practically feel the heat crawling up your cheeks.

toji clears his throat, obviously catching it too. “radio’s on a roll, huh?”

“yep,” you say, managing a weak laugh. “i mean, this is classic… everyone listens to goo goo dolls in, uh, total silence in the car with their coworker, right?”

he glances at you, a rare, subtle smile ghosting on his lips. “totally normal.”

“and i don’t want the world to see me… ’cause i don’t think that they’d understand…”

you glance out the window, eyes focused anywhere but on him, biting back a laugh at how the song somehow keeps getting more dramatic. like, who’s writing this scene, seriously?

“just tell me where to turn,” toji says, breaking through your internal monologue, and you do, mentioning a landmark close to home, hoping he’ll take the hint.

but toji only raises an eyebrow. “near it? nah. i’m dropping you at the door.”

“oh, no, that’s really fine —” you start, but he’s already shaking his head.

“don’t worry about it,” he insists, a smirk in his voice. “besides, i remember where you live. from, you know… last time.”

wait. last time? as in… when you were embarrassingly, unapologetically wasted that night?

you want to crawl under the seat as the lyrics continue, “when everything’s made to be broken…”

so when toji pulls up in front of your apartment, there’s this odd feeling hanging in the air. you catch yourself wanting to... linger, just a little longer, even if you’re home. 

and lowkey? 

so does toji. 

it’s like the two of you have hit this weird teenage crush level of awkward — just leaning, leaning, like there’s some invisible string pulling you closer.

he’s looking at you, and you’re looking at him, and you’re both just… stuck there. you can’t even bring yourself to reach for the door handle, and it’s the same for him.

but right as the moment peaks, a tiny, innocent voice cuts through from the backseat. “are you two going to kiss?”

megumi’s question hangs there, blunt and childlike, breaking whatever spell had you both frozen. you both jolt back, blinking as if you just woke up.

“what? no!” you blurt, practically tripping over your own denial. 

your face feels like it’s about to catch fire.

toji coughs, rubbing the back of his neck, just barely suppressing a chuckle.

“kid’s got a helluva imagination,” he mutters, eyes anywhere but on you.

as you finally reach for the door handle, ready to slip out and say your goodbyes, you hear a little sniffle from the backseat.

“wait…” megumi’s voice is tiny, almost shaky. you turn around, and to your surprise, his face is scrunched up, his eyes glistening with tears that he’s trying so hard to hold back.

“hey, hey, what’s wrong?” you ask, twisting around in your seat to face him. “i’ll see you again, kiddo.”

but his lower lip wobbles, and suddenly he bursts into full-on tears, clutching the giant plushie he won at the arcade. “b-but i don’t want you to leave!” he sobs, voice cracking. “can’t you stay just a little longer?”

toji’s eyes widen; he looks genuinely shocked. 

“megumi, you’re fine, she’s not going anywhere forever. what’s gotten into you?” he tries to keep his tone steady, but there’s an undercurrent of surprise. 

megumi doesn’t cry. 

ever. 

this is new territory.

megumi just shakes his head, burying his face into the plushie. “but she’s nice,” he mumbles, muffled but insistent. “and she plays games with me and —” he peeks out from the plushie with red, teary eyes. “and she talks to me like you do.”

you feel something stir in your chest at his words, this overwhelming urge to hug him even though you’d sworn up and down just an hour ago you didn’t know how to handle kids.

“aw, megumi,” you say softly, reaching over and giving his little hand a squeeze. “i’ll still see you, i promise. maybe we can even play again sometime, okay?”

“but you’re leaving now,” he says, his voice quivering, clutching your hand with a desperation that tugs at your heart. 

“and daddy didn’t even kiss you.”

the absolute silence that follows is deafening. 

you feel your face go redder than it’s ever been, and a glance at toji shows he’s equally flustered, mouth opening and closing as if he’s trying to find some way to steer this conversation back to normal.

“whoa, hey now,” toji says, forcing a laugh as he clears his throat. “that’s, uh — that’s not how it works, kid.” he ruffles megumi’s hair a little too hard, clearly floundering. “and hey, don’t go crying over someone just leaving for the night, you’re stronger than that.”

“i don’t care,” megumi sniffles, clutching your hand tighter. “i like her. and she makes you smile.”

toji freezes, the color draining from his face for just a split second. 

makes him smile. 

he doesn’t even realize he’s been smiling, maybe more in one day than he has in months. he glances at you, brow furrowed like he’s trying to make sense of it himself.

“well…” toji’s voice is softer now, almost cautious, like he’s testing out words he hasn’t said in a long time. “

maybe… maybe she could come around again. if she wants to, that is.”

“i do.” you answer without thinking, your gaze drifting to megumi’s tear-streaked face, which immediately lights up.

“really?” megumi’s eyes shine, practically bouncing in his seat. “you promise?”

“i promise,” you say with a smile, giving him a reassuring nod. “as long as it’s okay with you and your dad, of course.”

“’s fine,” toji grumbles, running a hand over his face to hide his slight grin. “besides, someone’s gotta teach you a lesson or two at the arcade next time.”

“is that a challenge, toji?” you quip, smirking. “because if i remember right, megumi here got more tickets than both of us combined.”

“that’s because i taught him everything he knows,” toji scoffs, rolling his eyes as if he can’t believe he’s even entertaining this.

megumi sniffles one last time, his eyes practically glowing with happiness. “then… you’ll come over soon, right?”

“absolutely,” you say, warmth bubbling up in your chest as you meet his hopeful gaze. “but only if you promise to keep practicing at the arcade. gotta keep that winning streak going, right?”

megumi grins, finally letting go of your hand as he settles back with a contented sigh. “deal.”

toji just shakes his head, muttering something about the “drama” gene clearly skipping a generation, though the smile tugging at his lips says otherwise.

as you unbuckle your seatbelt, ready to say goodbye, you feel the car click with the unmistakable sound of the child lock. you glance back at megumi, who’s nodding off against his plushie pile, and back at toji, who’s already climbing out to walk you up to your door. 

gentlemanly of him, sure. 

though, the way his eyes linger on you… there’s more to it than that.

“i could’ve walked myself, you know,” you say, falling into step beside him as you head up to your building. “it’s not that far.”

“maybe i just felt like making sure you didn’t trip and embarrass yourself,” he shoots back, smirking as he nudges your shoulder.

“very chivalrous, fushiguro,” you reply, rolling your eyes but grinning anyway. “honestly, you’re like a walking textbook definition of ‘gentleman.’”

“yeah, well,” he clears his throat, looking just a bit smug. “maybe i was raised right. or maybe,” his voice drops a little lower, “i just wanted an excuse to stick around a little longer.”

you blink, caught off guard by the soft rasp in his voice, the way his eyes are just a bit darker under the porch light.

“oh,” is all you manage, though your heartbeat’s doing a little somersault. “well… uh. here’s my door.”

“guess it is,” he murmurs, eyes glinting as he takes a step closer, leaning against the doorframe like he’s meant to be there, like he’s settled in the idea of being right here, with you. 

“y’know… not a bad place to end the night.”

“yeah,” you say, feeling the words catch in your throat as you gaze up at him, taking in every detail, every shadow. “definitely not bad.”

the two of you are just standing there, a little too close, the space between you narrowing with every unspoken word. he glances down at your lips, and your pulse spikes — he’s thinking it too, right? but just as the moment seems to reach its tipping point, toji smirks, a flash of mischief in his eyes.

“you know,” he says, raising an eyebrow. “still can’t believe you’re the same girl who wrote that… what was it again?” he chuckles, clearly remembering. “oh, right — ‘her legs wrapped around him like a vice, his name spilling from her lips like honey’.”

your face goes nuclear. 

that line. 

of all the lines, that one?

“you… you remember that?” you manage, mortified.

“’course i remember,” he says, that smug smirk firmly in place. “you think i just skimmed through your stuff?”

“well — i — ” your words are a mess, barely coherent. “i mean, i just thought —”

“nah, i’ve been reading it all.” his voice is low, almost a whisper as he leans just a little closer, his fingers lightly brushing your arm. “you’ve got quite the imagination.”

“s-shut up,” you stammer, unable to meet his gaze. “i was just… doing my job.”

“i know,” he says, voice soft but unyielding. “you’ve got talent.”

there’s a beat, silence stretching between you, the weight of his words settling over the both of you.

“...and you’ve got this whole heartthrob thing going for you,” you blurt out, finally meeting his eyes with a nervous laugh. “kind of makes it hard to believe you’re my colleague.”

“heartthrob, huh?” he smirks, voice dipping lower as his fingers drift to your chin, tilting your face up. 

“so that’s what you think of me?”

“i — i mean…” you stammer, your heart racing as you look into his eyes, feeling your cheeks burn. “maybe a little. just… a tiny bit.”

“tiny?” he murmurs, his lips barely an inch away. “could’ve sworn you looked a little more than just ‘tiny’ interested.”

“oh yeah?” your voice is a whisper now, almost breathless as you feel his breath on your skin, his gaze never wavering. “what if i was?”

“then i’d probably do this,” he mutters, his hand sliding up to cradle your face, and before you know it, his lips are on yours, soft and warm and impossibly gentle.

your breath catches, and instinctively, you lean into him, letting his kiss deepen, his hand tracing slow, lazy patterns against your cheek. it’s everything you’d imagined and somehow even better, his presence grounding and electric all at once.

when he finally pulls back, his forehead rests against yours, his eyes soft but searching. “so… do i still get to be a heartthrob?”

“only if i still get to be the girl with the cringe smut,” you murmur back, grinning like an idiot.

“deal,” he says, chuckling as he pulls you in for another kiss, his lips brushing yours like a promise.

ah, shit.

as toji slips back into the car, he barely manages to close the door before megumi’s voice hits him like a lightning bolt.

“daddy kissed the pretty lady!” megumi shrieks, pointing an accusatory finger from the backseat. “i saw it! you have that weird face on!”

toji’s eyebrows shoot up. “weird face? what weird face?” he tries to play it cool, adjusting the rearview mirror, but the ghost of that kiss is still painted on his lips, his pulse betraying him with every beat.

“that smile,” megumi says, wrinkling his nose in a perfect mirror of his dad’s usual expression of disdain. “you look like a… like a…” he pauses, searching for the right words. “...like a love puppy!”

toji chokes, stifling a laugh. “a love puppy? where the hell did you get that from?”

“it’s a thing, daddy,” megumi huffs, crossing his arms. “you have that goofy look, and your face is all soft. you only look like that when you’re being weird.”

“me? weird?” toji glances in the mirror, catching megumi’s glare. “kid, i think you’ve got this all wrong.”

“no, i don’t!” megumi insists, practically bouncing in his seat. “you were all ‘goo-goo eyes’ and ‘smoochy-smoochy’ and ‘mwah mwah mwah!’” he makes exaggerated kissing sounds, complete with squished-up lips and hand gestures, utterly scandalized by his dad’s sudden transformation.

“alright, alright, enough with the ‘mwah mwah.’” toji tries to suppress a laugh, rubbing the back of his neck. “you’ve been watching too many cartoons.”

megumi shakes his head, his expression serious. “nope. i knew it. i knew you liked her.” he narrows his eyes, as if seeing through toji’s very soul. “so… are you gonna marry her?”

toji’s eyes go wide. 

“whoa, whoa, hold on. nobody said anything about marriage.”

“but if you kiss someone, that means you wanna be with them forever, right?” megumi asks earnestly, looking way too wise for his age.

toji stares ahead, caught off-guard by the kid’s earnestness. 

that kiss… he didn’t plan it. he didn’t even know he was going to do it until he’d leaned in, felt the spark pull him closer. but now? 

yeah, the idea of just walking away feels… wrong. he tightens his grip on the steering wheel, his mind racing.

“kid, sometimes people just… feel things, okay?” he says, his voice softer, more introspective. “even if they don’t really know why.”

megumi tilts his head, watching his dad closely. “so you do like her, then?”

toji snorts, pulling the car out onto the road. “alright, detective, settle down back there. no more snooping.”

they drive in a comfortable silence for a moment, but the radio has other plans. 

as if on cue, the familiar, aching chords of iris by the goo goo dolls come through the speakers, and toji swears he could feel the universe laughing at him.

“and i don’t want the world to see me, ’cause i don’t think that they’d understand…”

toji clenches his jaw, feeling the lyrics press into him, each line stirring something restless and warm in his chest. he’s always been a guy with his walls up, always knew the stakes were too high to let anyone in. 

but tonight… tonight, he let his guard down. just for a second. 

he kissed you, tasted the softness of your lips, and the spark left him reeling.

“when everything’s meant to be broken, i just want you to know who i am…”

“daddy?” megumi’s voice breaks through his thoughts. “do you think… maybe you could see her again? so she could come play with us?”

toji blinks, glancing at megumi in the rearview mirror. “you really like her, huh?”

megumi nods vigorously. “yeah! she’s… nice. and fun.” his face softens. “and… she made you look happy.”

toji’s heart gives a strange, unfamiliar twist at that. 

happy, huh? 

he’s been around the block long enough to know that happiness isn’t exactly his best friend. but sitting here, listening to megumi, feeling that residual warmth from your kiss… it makes him wonder. 

wonder what life could look like with you in it.

but he pushes the thought away, focusing on the road. doesn’t change the fact that you’re just his colleague. right?

“and i’d give up forever to touch you…”

ugh.

he shifts uncomfortably, hoping megumi doesn’t notice his knuckles going white on the steering wheel. 

that kiss wasn’t just some fleeting thing — he’d known it the second he felt the warmth of you linger even after pulling away. the idea of letting you go now feels… impossible. something’s tugging him back, making him want more.

“hey, daddy,” megumi pipes up again, breaking toji’s brooding. “you got that look again.”

“what look?” toji mutters, trying to focus on anything but the goofy grin creeping back onto his face.

megumi smirks, mimicking toji’s soft expression. “that ‘i kissed a pretty lady’ look!”

toji laughs, shaking his head as he glances at megumi in the rearview mirror. “alright, alright. i guess you caught me.”

and as he drives home, the final notes of iris playing softly through the car, he can’t shake the feeling that this… whatever this is… isn’t something he’s ready to let go of.

ah, shit.

as soon as toji sets megumi down on his bed, tucking him in amongst the mountain of ridiculous plushies he’d somehow won at the arcade, he heads back to his room. sliding his phone out, he finds himself doing something he never thought he’d do: texting gojo. of all people.

with a reluctant sigh, he taps out a message, feeling a pang of embarrassment he can’t shake.

you [8:47 pm]: how long’s her contract with gojo sonic?

a moment later, he watches the screen, regretting even reaching out. but, of course, gojo wastes no time with a reply.

gojo s. [8:50 pm]: ohohohohooooo her contract???  gojo s. [8:50 pm]: i knew it. you’re smitten. you [8:51 pm]: don’t start. gojo s. [8:51 pm]: too late! c’mon, dish it out, big guy.  gojo s. [8:51 pm]: you guys had a moment, huh? the chemistry finally snapped? what’d ya do, kiss her?

toji clenches his jaw, hesitating before typing back. his thumb hovers, wondering how much grief he’d get for saying yes. finally, he mutters a curse under his breath and just goes for it.

you [8:53 pm]: ...yeah, i kissed her. happy?

he can practically feel gojo’s cackle vibrating through the phone.

gojo s. [8:53 pm]: WHAT???  gojo s. [8:53 pm]: WAIT.  gojo s. [8:53 pm]: oh, i need details.  gojo s. [8:53 pm]: full play-by-play.  gojo s. [8:53 pm]: like was it one of those slow, cinematic moments?  gojo s. [8:54 pm]: or was it a grab and smooch kinda deal??

toji rolls his eyes, fighting off a grin he refuses to admit is there. of all the reactions, he’d been prepared for gojo’s nosiness, but it’s still as annoying as ever.

you [8:55 pm]: shut it. i already said too much. gojo s. [8:55 pm]: pfffff as if i’m letting you get away with that tidbit and no context.  gojo s. [8:55 pm]: did she look at you all wide-eyed?  gojo s. [8:55 pm]: did you do that thing with your voice??  gojo s. [8:56 pm]: or was it just an accidental, “oh no, we tripped into each other’s faces” sorta thing?

toji rubs his temples, trying to block out how much his stupid heart rate picks up just remembering the way you looked up at him, the softness of your lips, the way it all felt so natural. he shakes his head, forcing the memory aside.

you [8:57 pm]: none of your business, and it’s private.  you [8:57 pm]: don’t you dare send any of this to suguru. gojo s. [8:57 pm]: oh relax! suguru’s not that nosy.  gojo s. [8:57 pm]: okay maybe he is.  gojo s. [8:58 pm]: but he’s a romantic.  gojo s. [8:58 pm]: think of it as getting free relationship coaching!! you [9:00 pm]: i swear to god satoru i’ll leave the company if you spill this.

there’s a pause, and for a second toji hopes that maybe he’s scared gojo off. 

but, predictably, the next message makes his blood pressure spike.

gojo s. [9:05 pm]: ohhhhh no no you’re not getting off that easy.  gojo s. [9:05 pm]: i’m calling dibs on being the flower girl at your wedding. suguru can be the maid of honor.  gojo s. [9:06 pm]: no nvm he’d wanna be the best man gojo s. [9:06 pm]: I’LL GET MEGUMI TO CARRY THE RINGS gojo s. [9:06 pm]: genius.

toji practically growls at his phone, already regretting every second of this conversation.

you [9:07 pm]: i’ll delete this whole damn thread. this never happened, got it? gojo s. [9:09 pm]: aww, toji bear, don’t be like that. i’ll take care of your little love story for you, promise. consider me your personal wingman.  gojo s. [9:10 pm]: now tell me this — when’s round two of smooch central happening? you [9:11 pm]: goodnight, satoru.

and with that, he shoves his phone onto his nightstand, rubbing his face with a hand. he can still feel the lingering warmth of that kiss, the way his heart skipped, the unexpected tenderness that’s lodged itself in his mind. 

stupid.

he shouldn’t have even told gojo.

but as much as he regrets letting it slip, he doesn’t regret the kiss itself. 

not even a bit.

as soon as you slam your door shut, you just… stand there for a minute, heart racing, and press your fingers to your lips like it’ll somehow reverse what just happened. 

you kissed toji fushiguro. 

the toji fushiguro.

colleague extraordinaire, with biceps that could probably benchpress your entire life’s savings, and that smirk… oh god, that smirk that had you in a daze.

but the problem? 

there was a mini him there. 

a little him with matching black hair and a sharp gaze. 

you thought he was, like, the cool uncle? but… he’s a dad? 

and if he’s a dad… does that mean he’s married? are you the other woman?!

you pace around, practically stomping into the carpet. 

“okay, okay, let’s think this through,” you mutter, putting your hands on your hips. 

“he… he could be a single dad, right? it’s 2024, it’s not that weird for people to have kids without, like, commitment commitments. but then again, he does look like the type who’d… i don’t know, maybe be exclusive? probably?”

your brain is racing, and you’re spinning yourself into circles. 

“i mean, i haven’t seen a ring on his finger… but maybe he just doesn’t wear it?” you plop down on your couch, practically sinking into it as you cover your face with both hands.

ugh.

“did i just kiss a married man? or worse… what if he’s, like, engaged? or has a live-in girlfriend? or — oh my god, what if he’s in some high-profile relationship and i just stepped into the middle of it? —”

you groan, flopping back. “but he… he definitely leaned in first. i’m not hallucinating. he did! but then, if he’s that willing to kiss me, does that mean he’s… a cheater?”

you sit up and shake your head, wide-eyed. “okay, no, i refuse to believe that toji fushiguro, mr. brooding and brooding-er with a kid who listens to korn, is a cheater. there’s no way… right?”

your own voice is almost pleading as you try to convince yourself, pacing again. 

“i mean, maybe he’s just… really, really committed to… being mysterious. yeah, that makes sense. he’s keeping everything a secret, so that just leaves me spiraling about him… perfect. just perfect.”

you smack a hand against your forehead. “why couldn’t i have asked literally any of this earlier?” you shake your head. “right, because i was too busy kissing him.”

you throw yourself back onto the couch and stare at the ceiling, the whole thing replaying in your head. 

that look he gave you, the warmth of his hand on your back…

stop.

but it’s too late. your brain keeps running with it.

“what if… what if he has no idea i’m freaking out?” you frown. “oh, he probably doesn’t. and here i am, making a whole drama out of one kiss.” you let out a deep sigh.

you flop onto your bed, heart still pounding, and stare up at the ceiling, fingers absently grazing your lips. 

burning loins, they said. melting from one kiss, they said. 

well, no one exactly said that — except every steamy novel you’ve ever read or written, but that’s beside the point.

you groan, kicking your feet up in frustration. this isn’t one of your own novels! it’s supposed to be real life! but now here you are, in the aftermath of what was arguably the best kiss you’ve ever had, practically combusting at the memory of it.

“if one kiss with toji — no, any man — can get me this hot and bothered, how am i supposed to handle it if i ever… you know…” your voice trails off, and you turn over, burying your face into the pillow as if it’ll smother the absurd train of thought. 

but then, just as you start to get your mind off it, his face pops back up in your head.

“oh god,” you mumble, pulling the pillow over your face. “this is pathetic.” you roll over again, laughing helplessly to yourself. 

if this is what one or two kisses do to me… what’ll happen if we actually have sex?

your eyes snap open. “okay, no. no! i didn’t mean toji, i meant, like… any guy! any guy at all! but, oh god, why is it always him?!”

you stare at the ceiling, huffing as your brain keeps looping back to him. 

his stupidly attractive smirk, the way his hand was firm but gentle on your back, how he looked at you as if you were his next breath. 

girl, get a grip.

“this is ridiculous,” you mutter, swatting at your face like it’ll erase his image from your mind. but it doesn’t work; he’s right there, all hot and smug in your imagination. ugh, this isn’t fair!

it’s like all those countless hours you spent spinning erotic fantasies are coming back to haunt you — and in the most inconvenient, infuriating way possible. you scrunch up your face, realizing with mild horror that maybe… just maybe… you wrote this scenario into existence for yourself.

“oh no… is this karma?” you groan, curling up and swatting the air in helpless embarrassment. “girl, this is not supposed to happen in real life. or with toji.”

but there it is: his face, and your wildly racing heart, and the undeniable, excruciating heat pooling in your belly that refuses to quit.

but even with the spiraling, there’s one thing you can’t deny: as much as it’s driving you crazy, as much as you’re practically scaring yourself into thinking you’ve just made the worst mistake of your life…

you kinda don’t regret it. and that’s the scariest part.

ah, shit.

you step into gojo-sonic, clutching your bag with a little more intensity than usual, and it’s as if you’ve entered an alternate dimension. 

the energy is somehow… different. you expect to be greeted with the usual casual nods and waves, but instead, gojo is practically skipping toward you, arms spread wide like he’s welcoming the new queen of the recording studio.

“there she is! our star of the show, our resident heart-throb wrangler!” he coos, louder than necessary. his grin is blinding, and you’re caught between the urge to backpedal out of the building or dive under the nearest desk.

“uh… good morning?” you reply, more like a question than a statement, glancing around to see if anyone else is picking up on his hyperness. it’s like he’s had twelve cups of coffee or ten bags of skittles. “gojo, you’re… kind of extra today.”

“extra? extra?” he throws a hand over his heart, eyes gleaming. “honey, i’m never just ‘extra.’ i am exactly the right amount of gojo for the occasion.”

“and what occasion is that, exactly?”

“oh, nothing much, just a certain someone having an… enlightening encounter last night,” he says with a wink so exaggerated it looks like he’s trying to shoo a bug off his face.

you stiffen. “wait, how do you…?”

“oh, come on,” he waves it off, laughing. “you think you can keep something like that from me? i mean, i might be blessed with an enormous amount of talent, looks, and charisma, but i also happen to have eyes and ears everywhere.” he taps his temple, looking ridiculously pleased with himself.

“seriously?” you glance around, your stomach sinking a little, looking for any sign of smirking coworkers or curious eyes, but everyone’s just… normal? going about their business, not sparing you a second glance. relief washes over you, only to be swept away by gojo’s piercing stare.

“oh, don’t worry. i haven’t shared your scandalous rendezvous with the world. only i am privy to this delightful information — for now,” he adds, wagging a finger. “and don’t look so shocked! nothing juicy stays hidden from me for long. i know all the company secrets.”

you feel heat rise to your cheeks, equal parts exasperated and embarrassed. “gojo, it wasn’t even that big of a deal. it’s not like…” you trail off, realizing he’s hanging on to your every word, eyes sparkling with mischief.

“uh-huh,” he drawls, drawing the word out. “not a big deal, you say? then why do you look like you’re about to start sweating bullets?”

“i’m not sweating bullets,” you say through clenched teeth, then give in and sigh. “look, we just… it was just a… i mean, we’re colleagues, and things got a little… friendly. it doesn’t have to mean anything!”

gojo gasps, mock-horrified. “oh, but darling, this is precisely why it’s so interesting! you, of all people, getting caught up with toji fushiguro? and here i thought you’d sworn off office romances.”

“it’s not an office romance,” you insist, voice practically a whisper. “we just… kissed. once. or twice. maybe. but it doesn’t mean anything!”

gojo leans in, conspiratorially. “and yet you look ready to combust from the inside out just talking about it.”

you huff, throwing him a half-hearted glare. “maybe it’s because someone is making this into a bigger deal than it actually is.”

“you wound me!” he presses a hand dramatically to his chest, giving you an exaggerated pout. “but don’t worry, your little secret is safe with me. i only told you so you’d know that i know. and, you know, to make things extra awkward in case mr. heart-throb walks in.”

“oh, so you’re really just out to make my life difficult?”

he grins, all teeth. “precisely.”

just then, as if summoned by some cruel twist of fate, toji strolls in. he’s the absolute picture of normalcy, no hint whatsoever of last night’s… moment. 

in fact, he gives you a polite nod, a polite nod, as if he hadn’t had you pressed against your own door just hours ago.

“morning,” he says casually, voice smooth, tone nonchalant. he doesn’t even so much as smirk.

you nearly choke. polite nod? normal greeting? did he forget the entire thing? 

“oh, morning,” you manage, clearing your throat, feeling like you’re about to combust again.

gojo, however, is having the time of his life. he’s practically vibrating next to you, watching the exchange with glee.

“morninggg, fushiguro,” he greets toji, voice syrupy with unrestrained glee. “any exciting news today?”

toji raises an eyebrow, shooting him a confused look. “uh, no? everything’s pretty normal.” his eyes flick over to you, calm, almost neutral, as if he hadn’t kissed you senseless just last night.

you clench your jaw. is he really going to act like this? you nearly feel like gaslighting yourself into thinking last night never happened. maybe you just dreamed it, right?

toji’s gaze flicks away from you, unperturbed, as he moves over to get his things ready for the day’s recording. and that’s when gojo leans over and mutters under his breath, “you sure you don’t want to just… remind him?”

“i hate you,” you mutter back, trying not to smile, knowing that he’s secretly rooting for you to fall flat on your face with this whole ordeal.

“i live for your misery, my friend,” he replies with a wink.

meanwhile, toji was absolutely in another dimension of romcom chaos himself, feeling like some kind of high school kid who just had his first crush. he woke up grinning, actually giggling as he got dressed. 

giggling. when was the last time he did that? 

he nearly skipped out the door, and on his drive to work, he found himself humming, humming, to his car stereo like some lovestruck fool. and he didn’t stop there. oh no. 

by the time he reached gojo-sonic, he’d already run through a few extra vocal warm-ups in the car — something he never did this early. he cleared his throat and ran through his usual lines twice, even testing his pitch a bit. no, not because he wanted to be extra smooth today, of course not. he was doing it for the… for the paycheck. 

definitely.

but as soon as he walked into the studio, and he saw you standing there beside gojo, looking all kinds of pretty and polished… he practically heard violins. except no, it wasn’t violins. 

it was, somehow, worse.

his mind cued up dancing queen.

“no. nope. nope.” he muttered under his breath, trying to swat the ridiculous soundtrack out of his mind. but it wouldn’t stop. 

“dancing queen, feel the beat from the tambourine, oh, yeah….”

why, in the name of all things sacred, was his brain doing this to him? he was toji fushiguro, not some idiot falling over his own feet for a girl at work. he gave himself a good shake, squared his shoulders, and tried to keep his composure. yet every time he caught your eye, his chest did a little flip — and dammit if he didn’t want to just pick you up and give you another kiss right then and there.

“morning,” he forced out, nodding as casually as he could.

and there you were, gaping back with that hint of nervousness, looking like you might combust from just a regular “good morning.” 

god, it was almost cute enough to make him actually laugh out loud.

“she’s just a colleague,” he reminded himself, over and over again, as he worked to keep the grin off his face. “a colleague. not some romcom lead you just made out with in front of her apartment.”

yet the way dancing queen kept droning in his head, as if mocking his every move? toji was seriously questioning whether he’d woken up in some kind of alternate reality.

and he just knew gojo was watching the whole thing with a smug look, likely dying to crack a joke, or worse, belt out dancing queen if he somehow figured out what was in toji’s head. 

and knowing gojo? he probably already had.

the studio door clicked shut as gojo swept out with an exaggerated bow, holding up his finger in a silent “one minute” before he launched into his call with suguru in a voice loud enough to be heard two floors down. gojo was probably already going on about the “incredible chemistry” between his favorite team members, or whatever nonsense he’d decided on for today. 

and with him out of the room, it was just you and toji. 

alone. 

in silence.

you shifted on your feet, eyes darting everywhere except directly at him, yet somehow landing right back on him. it was like your brain had a toji magnet switched on, and no matter how hard you tried to look elsewhere, you found yourself glancing back at him.

finally, the quiet got so charged that you both ended up blurting out at the exact same time —

“are you single?”

you both froze, then looked at each other, wide-eyed, like you couldn’t believe you’d just asked that out loud.

“uh,” toji coughed, scratching the back of his neck. “well. yeah, i am. single, that is.

“oh.” you tried to act cool, but it came out as a slightly breathless squeak. “good to know.”

“and you?” he asked, voice low, almost cautious, as if bracing himself for an answer he wasn’t sure he wanted to hear.

“also single,” you admitted, feeling your cheeks warm under his gaze. “which… is also good to know.”

there was a beat of quiet where you both just kind of looked at each other, a half-smile creeping onto his face as you kept shifting on your feet, practically melting under the intensity of his gaze.

“so…” you cleared your throat, your hands fidgeting a little as you gathered the nerve to ask the next thing. “didn’t know you had a kid.”

“oh, yeah.” toji chuckled, a hint of fondness lighting up his expression as he thought of his son. “he’s my kid, alright. handful and a half, that one.”

“he’s adorable.” you smiled, thinking back to the mini toji who had totally stolen your heart. “how old is he?”

“eight.” toji’s voice softened, a rare warmth in his tone that you’d never heard before. “he, uh… he means a lot to me. not that i’d ever tell him that, though. don’t want him thinking he’s got me wrapped around his little finger or anything.”

you laughed, picturing the little boy with his big grin and fearless energy. “something tells me he already knows.”

“yeah, probably.” toji laughed too, and for a moment, there was an ease between you, a shared warmth that made the whole moment feel so… natural.

“so… um, are you, like… a single dad?” you asked, careful with your words, not wanting to pry too deeply.

“yeah.” his answer was simple, but there was a weight to it. “just me and the kid. been that way for a while.”

“that’s…” you bit your lip, not sure what to say without sounding weirdly sentimental. “that’s admirable. megumi’s lucky to have you.

“i don’t know about all that,” he muttered, clearly uncomfortable with the praise but unable to hide a small smile. “just doing what i can, you know?”

“still,” you said, feeling a swell of admiration you hadn’t expected. “it’s impressive. and honestly… seeing you with him yesterday? it was… kinda heartwarming.”

toji looked at you, eyes softening in a way that made your heart stutter. 

“thanks,” he murmured, his voice almost a whisper. “means a lot, hearing that.”

the two of you stood there, closer than you realized, in this weird bubble where everything felt warm and intense and perfect. just as you felt that strange magnetic pull drawing you closer, like maybe you’d just close the gap and —

the studio door banged open.

“don’t stop on my account!” gojo sing-songed, practically sashaying back into the room, a smirk plastered across his face.

you both leaped back, clearing your throats and suddenly finding the walls, the floor, anything else in the room utterly fascinating.

“alright, lovebirds, let’s get this recording started, shall we?” gojo grinned, his eyes sparkling with mischief as he looked between the two of you, not even pretending he hadn’t just caught a whole moment.

toji settled into the recording booth, leaning back in the chair with the script in hand, his voice dipping to that low, gravelly tone that made every line sound like an invitation.

“so,” he began, speaking as the dragon king to the main character in the script, his words practically dripping with intensity, “you think you can resist me? i see right through you… even the bravest warriors have trembled at my touch.”

your breath caught as he delivered the line, eyes wide as you watched him through the glass. 

you couldn’t help it — his character was practically staring into your soul, voice thick and slow, practically wrapping around each word.

“do you know what happens to those who challenge me?” toji continued, his eyes narrowing as he held the script in one hand, his gaze piercing. “they are forced to surrender… one way or another.”

outside the booth, you practically felt yourself melting, feeling a flush creep up your cheeks as you fidgeted with the edge of your shirt. 

toji’s voice, his delivery — it was all too much. how was it possible for him to sound that… that intense? it was like he was actually speaking to you.

“ah, beautiful.” gojo, standing beside you, broke in with a theatrical sigh. “our dragon king sounds magnificent, doesn’t he? i could practically faint!”

you shot him a quick glare, barely masking a smirk. “keep it down, gojo. he’s in the middle of it.”

“oh, i’m just here to appreciate the artistry,” gojo whispered back, feigning innocence as he leaned in to watch, hands clasped together dramatically.

“the choice is yours,” toji went on, his voice softer now, laced with something tender that made it impossible to look away. “join me… or keep pretending this —” he emphasized the word, letting it linger “ — isn’t exactly what you’ve been wanting.”

you swallowed hard, feeling the weight of his gaze even through the glass. 

was he delivering that line as the dragon king or as… well, toji?

but then —

“ohhhh!” gojo chimed in loudly, clutching his chest as if he’d been struck by an arrow. “the passion! the romance! our hero’s heart is pounding!”

toji paused, rolling his eyes as he looked at gojo through the glass. “you really gonna keep interrupting, gojo?”

“oh, don’t mind me,” gojo said, waving a hand. “i’m simply enjoying the magic in the air! please, carry on. do go on.” he pretended to dab at his eyes. “so moving.”

toji gave a small sigh but threw you a barely-there smile before settling back into character.

“and when you finally stop running…” his voice softened, a quiet urgency threading through it. 

“i’ll be here, waiting… because you belong to me, whether you admit it or not.”

your heart skipped a beat, and you found yourself leaning in, hanging onto every word, caught up in the sheer pull of his voice. 

you didn’t know if it was his talent as a voice actor, the lines he was reading, or him, but every word was drawing you in deeper, bit by bit.

“ah, what is it like to be so passionately claimed by a dragon king? how riveting!” gojo murmured dramatically, as if providing a play-by-play to an audience. “she’s helpless, entranced! they both know she’s falling!”

toji cast a pointed look at gojo, barely concealing a smirk. “you done yet, gojo?”

gojo merely grinned, shrugging. “hey, i’m just here to make sure the romance shines through. and oh, don’t worry — it’s definitely shining.”

toji rolled his eyes but kept going, lowering his voice to a rumbling murmur. “if you don’t know where your heart lies, then i’ll show you.” 

he paused, his words lingering in the air like a promise, like he was speaking directly to you.

by now, the studio felt suffused with tension, thick enough to cut with a knife. it didn’t help that every time gojo piped in with another comment, it only made you feel more painfully aware of every detail: the way toji’s gaze kept flickering your way, the way your own pulse raced faster with each line he spoke.

“the truth is right in front of you,” toji continued, his voice dropping low, rough, something smoldering behind each word. “all you have to do is reach out… and claim it.”

“gorgeous! breathtaking!” gojo burst out, clapping his hands loudly. “i can practically see the sparks flying! ah, young love!”

toji finally broke character, raising a brow at gojo with a look of pure exasperation. “you gonna let me finish or not?”

gojo waved a hand. “fine, fine. but for real — if you two don’t kiss after this, i might have to stage a re-shoot.”

both you and toji threw your hands up simultaneously, voices raised in exasperation. 

“gojo, would you please stop interrupting!”

“yeah, seriously, man,” toji added, shaking his head as he glanced over at you with a shared look of pure frustration.

“okay, okay! sheesh!” gojo shrieked, actually shrieked, as he staggered back in mock terror, clutching his chest like he’d been mortally wounded. “all i wanted was to witness some workplace romance! is that so wrong?”

“yes, gojo, very wrong,” you shot back, rubbing your temples. “this is literally supposed to be professional — you should know that.”

toji snorted, crossing his arms as he smirked at gojo. “for once, i agree. you’ve got all the dramatic flair of a middle-schooler.”

“excuse me,” gojo replied, flipping an imaginary hair strand over his shoulder. “i’ll have you know my artistic eye is very advanced.” he let out a huff, but from the grin on his face, you could tell he was thoroughly enjoying himself.

you shook your head, exasperated. “look, can we just get this recording done without any more —”

“interruptions,” toji finished for you, raising a brow as he glanced over at gojo.

“fine, fine!” gojo finally backed off, dramatically sliding into a chair in the corner, arms folded in mock offense. “i’ll be silent as a stone. a beautiful, thoughtful stone.”

you exchanged another look with toji, both of you sighing in unison. 

something told you both that it was going to be a very long day, especially with gojo’s creative direction…

toji, after finishing a solid block of recording, had ended up chatting with the sound techs, leaving you flipping through your phone while you waited. 

gojo, in his usual meddling fashion, suddenly brightened up and declared, “oh! why don’t you have a little chat with suguru? i told him you were here. he insisted on saying hello!”

you raised an eyebrow. “uh, sure?”

gojo sent you a link to join the video call, and soon suguru’s face popped up on the screen. his calm expression softened slightly when he saw you. “well, hello there. gojo wasn’t exaggerating when he said he had a new ‘star’ at the studio.”

you laughed, feeling a bit flustered. “thanks, geto! i hear you’re a partner at a... famous wine company?”

suguru gave a modest shrug. “yeah, it’s called persephone. it’s a small project that grew bigger than i expected. i handle a lot of the sourcing and marketing — keeps me away from here most of the time.”

“persephone? i’ve heard great things about it!” you said, genuinely impressed. “the way gojo talks about it, it sounds like a pretty big deal.”

he chuckled, glancing to the side as if recalling memories. “i started it with a... friend, actually. she was passionate about wine and had a vision that i couldn’t help but support. i guess i have a soft spot for her, and i... well, care about her a lot.”

you felt your heart warm a little at his sincerity, and the slight hesitation when he spoke of his partner. “it sounds like you two have something special going on,” you said, offering a supportive smile. “i’m sure she appreciates everything you do, especially with how involved you are. and honestly? best of luck. that kind of partnership sounds really meaningful.”

suguru gave a small nod, a faint, appreciative smile on his face. 

“thank you. i think she’d like you. maybe one day, if you ever make it out here for one of gojo’s wild wine-tasting parties, we can all meet up.”

“i’d love that!” you replied, already imagining how intriguing that partnership might be. and as you finished up the conversation, it struck you that you’d gotten a glimpse of a different side of suguru — one he clearly didn’t reveal often.

toji hadn’t meant to get distracted, but the second he saw you on a video call with suguru, laughing over whatever he was saying, he couldn’t help it. he’d been halfway listening to the sound tech drone on about waveform patterns, but all of that faded when he caught sight of you smiling on-screen. 

who exactly were you talking to like that? why did you look so happy?

the tech was still talking beside him, but toji’s focus was elsewhere. 

suguru. 

that damn calm, collected face of his. 

the same suguru who he’d seen only sparingly around the company, mostly through gojo’s random updates, but who was still one of the few people gojo actually respected.

toji squinted, his jaw tightening as he took a few steps toward you and pretended it was a casual stroll.

why was he doing this? it wasn’t like he had any claim on you, right? 

sure, there was that one kiss — or, well, those two kisses, actually. 

but still. 

he was a grown man, not some jealous kid. yet here he was, feeling like he had to size up suguru over a damn screen.

before he even realized it, toji had closed the distance. without asking, he leaned over your shoulder, practically shoving his face into the camera view as he met suguru’s face.

“hey, suguru,” he drawled, and the way his voice came out a little gruff didn’t escape him. “didn’t know you were interrupting a busy studio day here.”

you blinked, wide-eyed at his sudden closeness, but toji kept his eyes on suguru, ignoring your flustered reaction. suguru looked almost amused, raising an eyebrow at toji’s unannounced intrusion.

“toji. i’m just saying hi to the new talent here,” suguru replied with a smooth smile, clearly unfazed. “i’m sure you wouldn’t mind me meeting one of satoru’s top finds.”

“top find?” toji scoffed, feeling a weird pang at the words. “i’m the one doing all the work here.”

you shot him a look, somewhere between surprised and amused. “toji —”

but he just grunted and kept going, ignoring your attempt to intervene. “so, suguru, been busy with all that wine business, huh?” he went on, as if suguru’s whole life story had suddenly become his priority.

“pretty much,” suguru replied, a slight smirk in his tone. “it’s been keeping me busy, and i have a…close partner who keeps me grounded. speaking of which,” he turned his gaze to you with an amused smile, “she was the one who started persephone. i’m really just there to support her vision.”

“sounds convenient,” toji muttered, but suguru just chuckled.

you nudged him with your elbow, giving him a warning look. “toji, come on,” you whispered, as if he was the one being out of line here.

he let out a low sigh, then pulled back slightly, looking at you as if he’d just remembered himself. “what? ’m just makin’ sure you’re not getting dragged into any fancy wine scams or whatever.”

you rolled your eyes but couldn’t hide a smile. “geto’s company is doing fine, toji. it’s called persephone.”

toji folded his arms and gave a dismissive shrug. “well, just saying. i know people.” 

the whole room seemed to go a bit quieter, and toji cleared his throat, looking away from suguru's patient amusement.

“nice meeting you, toji,” suguru added, with a slight tilt of his head. “take care of our new ‘top find’ there, alright?”

toji clenched his jaw a little at the words, then nodded, pretending he wasn’t glaring at the camera. “yeah, yeah. we’re all set here.”

as the call ended, you turned to him, eyebrows raised, clearly wanting an explanation. “what was that about?”

toji scratched the back of his neck, trying to look casual. “just, y’know…making sure you weren’t getting yourself in with shady people.”

“oh? like, you?”

he let out a bark of laughter, realizing he’d backed himself into a corner. “hey, i’m not shady — i’m just thorough.”

you raised an eyebrow. “thorough? right, that’s the word you’re going with?”

“yeah. and what — you mad at me for caring?”

at that, you went quiet, a faint blush touching your cheeks. 

and toji? well, he could only think of those two kisses again, and how stupidly close he’d just gotten to the camera just to… what? size up suguru? 

he mentally groaned. what was wrong with him?

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[mostlysignssomeportents]

Penguin Random House, AI, and writers’ rights

NEXT WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

My friend Teresa Nielsen Hayden is a wellspring of wise sayings, like "you're not responsible for what you do in other people's dreams," and my all time favorite, from the Napster era: "Just because you're on their side, it doesn't mean they're on your side."

The record labels hated Napster, and so did many musicians, and when those musicians sided with their labels in the legal and public relations campaigns against file-sharing, they lent both legal and public legitimacy to the labels' cause, which ultimately prevailed.

But the labels weren't on musicians' side. The demise of Napster and with it, the idea of a blanket-license system for internet music distribution (similar to the systems for radio, live performance, and canned music at venues and shops) firmly established that new services must obtain permission from the labels in order to operate.

That era is very good for the labels. The three-label cartel – Universal, Warner and Sony – was in a position to dictate terms like Spotify, who handed over billions of dollars worth of stock, and let the Big Three co-design the royalty scheme that Spotify would operate under.

If you know anything about Spotify payments, it's probably this: they are extremely unfavorable to artists. This is true – but that doesn't mean it's unfavorable to the Big Three labels. The Big Three get guaranteed monthly payments (much of which is booked as "unattributable royalties" that the labels can disperse or keep as they see fit), along with free inclusion on key playlists and other valuable services. What's more, the ultra-low payouts to artists increase the value of the labels' stock in Spotify, since the less Spotify has to pay for music, the better it looks to investors.

The Big Three – who own 70% of all music ever recorded, thanks to an orgy of mergers – make up the shortfall from these low per-stream rates with guaranteed payments and promo.

But the indy labels and musicians that account for the remaining 30% are out in the cold. They are locked into the same fractional-penny-per-stream royalty scheme as the Big Three, but they don't get gigantic monthly cash guarantees, and they have to pay the playlist placement the Big Three get for free.

Just because you're on their side, it doesn't mean they're on your side:

https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing

In a very important, material sense, creative workers – writers, filmmakers, photographers, illustrators, painters and musicians – are not on the same side as the labels, agencies, studios and publishers that bring our work to market. Those companies are not charities; they are driven to maximize profits and an important way to do that is to reduce costs, including and especially the cost of paying us for our work.

It's easy to miss this fact because the workers at these giant entertainment companies are our class allies. The same impulse to constrain payments to writers is in play when entertainment companies think about how much they pay editors, assistants, publicists, and the mail-room staff. These are the people that creative workers deal with on a day to day basis, and they are on our side, by and large, and it's easy to conflate these people with their employers.

This class war need not be the central fact of creative workers' relationship with our publishers, labels, studios, etc. When there are lots of these entertainment companies, they compete with one another for our work (and for the labor of the workers who bring that work to market), which increases our share of the profit our work produces.

But we live in an era of extreme market concentration in every sector, including entertainment, where we deal with five publishers, four studios, three labels, two ad-tech companies and a single company that controls all the ebooks and audiobooks. That concentration makes it much harder for artists to bargain effectively with entertainments companies, and that means that it's possible -likely, even – for entertainment companies to gain market advantages that aren't shared with creative workers. In other words, when your field is dominated by a cartel, you may be on on their side, but they're almost certainly not on your side.

This week, Penguin Random House, the largest publisher in the history of the human race, made headlines when it changed the copyright notice in its books to ban AI training:

https://www.thebookseller.com/news/penguin-random-house-underscores-copyright-protection-in-ai-rebuff

The copyright page now includes this phrase:

No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.

Many writers are celebrating this move as a victory for creative workers' rights over AI companies, who have raised hundreds of billions of dollars in part by promising our bosses that they can fire us and replace us with algorithms.

But these writers are assuming that just because they're on Penguin Random House's side, PRH is on their side. They're assuming that if PRH fights against AI companies training bots on their work for free, that this means PRH won't allow bots to be trained on their work at all.

This is a pretty naive take. What's far more likely is that PRH will use whatever legal rights it has to insist that AI companies pay it for the right to train chatbots on the books we write. It is vanishingly unlikely that PRH will share that license money with the writers whose books are then shoveled into the bot's training-hopper. It's also extremely likely that PRH will try to use the output of chatbots to erode our wages, or fire us altogether and replace our work with AI slop.

This is speculation on my part, but it's informed speculation. Note that PRH did not announce that it would allow authors to assert the contractual right to block their work from being used to train a chatbot, or that it was offering authors a share of any training license fees, or a share of the income from anything produced by bots that are trained on our work.

Indeed, as publishing boiled itself down from the thirty-some mid-sized publishers that flourished when I was a baby writer into the Big Five that dominate the field today, their contracts have gotten notably, materially worse for writers:

https://pluralistic.net/2022/06/19/reasonable-agreement/

This is completely unsurprising. In any auction, the more serious bidders there are, the higher the final price will be. When there were thirty potential bidders for our work, we got a better deal on average than we do now, when there are at most five bidders.

Though this is self-evident, Penguin Random House insists that it's not true. Back when PRH was trying to buy Simon & Schuster (thereby reducing the Big Five publishers to the Big Four), they insisted that they would continue to bid against themselves, with editors at Simon & Schuster (a division of PRH) bidding against editors at Penguin (a division of PRH) and Random House (a division of PRH).

This is obvious nonsense, as Stephen King said when he testified against the merger (which was subsequently blocked by the court): "You might as well say you’re going to have a husband and wife bidding against each other for the same house. It would be sort of very gentlemanly and sort of, 'After you' and 'After you'":

https://apnews.com/article/stephen-king-government-and-politics-b3ab31d8d8369e7feed7ce454153a03c

Penguin Random House didn't become the largest publisher in history by publishing better books or doing better marketing. They attained their scale by buying out their rivals. The company is actually a kind of colony organism made up of dozens of once-independent publishers. Every one of those acquisitions reduced the bargaining power of writers, even writers who don't write for PRH, because the disappearance of a credible bidder for our work into the PRH corporate portfolio reduces the potential bidders for our work no matter who we're selling it to.

I predict that PRH will not allow its writers to add a clause to their contracts forbidding PRH from using their work to train an AI. That prediction is based on my direct experience with two of the other Big Five publishers, where I know for a fact that they point-blank refused to do this, and told the writer that any insistence on including this contract would lead to the offer being rescinded.

The Big Five have remarkably similar contracting terms. Or rather, unremarkably similar contracts, since concentrated industries tend to converge in their operational behavior. The Big Five are similar enough that it's generally understood that a writer who sues one of the Big Five publishers will likely find themselves blackballed at the rest.

My own agent gave me this advice when one of the Big Five stole more than $10,000 from me – canceled a project that I was part of because another person involved with it pulled out, and then took five figures out of the killfee specified in my contract, just because they could. My agent told me that even though I would certainly win that lawsuit, it would come at the cost of my career, since it would put me in bad odor with all of the Big Five.

The writers who are cheering on Penguin Random House's new copyright notice are operating under the mistaken belief that this will make it less likely that our bosses will buy an AI in hopes of replacing us with it:

https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids

That's not true. Giving Penguin Random House the right to demand license fees for AI training will do nothing to reduce the likelihood that Penguin Random House will choose to buy an AI in hopes of eroding our wages or firing us.

But something else will! The US Copyright Office has issued a series of rulings, upheld by the courts, asserting that nothing made by an AI can be copyrighted. By statute and international treaty, copyright is a right reserved for works of human creativity (that's why the "monkey selfie" can't be copyrighted):

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

All other things being equal, entertainment companies would prefer to pay creative workers as little as possible (or nothing at all) for our work. But as strong as their preference for reducing payments to artists is, they are far more committed to being able to control who can copy, sell and distribute the works they release.

In other words, when confronted with a choice of "We don't have to pay artists anymore" and "Anyone can sell or give away our products and we won't get a dime from it," entertainment companies will pay artists all day long.

Remember that dope everyone laughed at because he scammed his way into winning an art contest with some AI slop then got angry because people were copying "his" picture? That guy's insistence that his slop should be entitled to copyright is far more dangerous than the original scam of pretending that he painted the slop in the first place:

https://arstechnica.com/tech-policy/2024/10/artist-appeals-copyright-denial-for-prize-winning-ai-generated-work/

If PRH was intervening in these Copyright Office AI copyrightability cases to say AI works can't be copyrighted, that would be an instance where we were on their side and they were on our side. The day they submit an amicus brief or rulemaking comment supporting no-copyright-for-AI, I'll sing their praises to the heavens.

But this change to PRH's copyright notice won't improve writers' bank-balances. Giving writers the ability to control AI training isn't going to stop PRH and other giant entertainment companies from training AIs with our work. They'll just say, "If you don't sign away the right to train an AI with your work, we won't publish you."

The biggest predictor of how much money an artist sees from the exploitation of their work isn't how many exclusive rights we have, it's how much bargaining power we have. When you bargain against five publishers, four studios or three labels, any new rights you get from Congress or the courts is simply transferred to them the next time you negotiate a contract.

As Rebecca Giblin and I write in our 2022 book Chokepoint Capitalism:

Giving a creative worker more copyright is like giving your bullied schoolkid more lunch money. No matter how much you give them, the bullies will take it all. Give your kid enough lunch money and the bullies will be able to bribe the principle to look the other way. Keep giving that kid lunch money and the bullies will be able to launch a global appeal demanding more lunch money for hungry kids!

https://chokepointcapitalism.com/

As creative workers' fortunes have declined through the neoliberal era of mergers and consolidation, we've allowed ourselves to be distracted with campaigns to get us more copyright, rather than more bargaining power.

There are copyright policies that get us more bargaining power. Banning AI works from getting copyright gives us more bargaining power. After all, just because AI can't do our job, it doesn't follow that AI salesmen can't convince our bosses to fire us and replace us with incompetent AI:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

Then there's "copyright termination." Under the 1976 Copyright Act, creative workers can take back the copyright to their works after 35 years, even if they sign a contract giving up the copyright for its full term:

https://pluralistic.net/2021/09/26/take-it-back/

Creative workers from George Clinton to Stephen King to Stan Lee have converted this right to money – unlike, say, longer terms of copyright, which are simply transferred to entertainment companies through non-negotiable contractual clauses. Rather than joining our publishers in fighting for longer terms of copyright, we could be demanding shorter terms for copyright termination, say, the right to take back a popular book or song or movie or illustration after 14 years (as was the case in the original US copyright system), and resell it for more money as a risk-free, proven success.

Until then, remember, just because you're on their side, it doesn't mean they're on your side. They don't want to prevent AI slop from reducing your wages, they just want to make sure it's their AI slop puts you on the breadline.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[theologyy]

Review: “My Investing Journey and Learning” by Carmen Mundt

Qualifications: I’m a journalist reporting on business, economics, and defense who’s been in the industry for 7 years — the last 3 have been at, debatably, the #1 business publication in the world.

Rating: 2/5 stars

Thoughts: I cannot believe I spent 39 euros on this.

This 39 page ebook provides incredibly basic information that can all be found in this article.

First: while the ebook is about 40 pages, it probably has about 10 pages of actual information in it, interspersed with inspirational quotes from Sheryl Sandberg and Warren Buffet, with some pictures of Carmen in Monaco.

There’s about 1 page of “introduction” from Carmen that talks about her upbringing and journey to university in London. I won’t comment too much on her personal story, but an important thing to note is that she says she came from a “traditional Spanish household” where her father was the breadwinner and her mother had no access to family finances. After the 2008 crash, her family couldn’t afford to send her to college. She moved to London, applied for a student loan, and began studying finance at a university while working part time.

Carmen very, very briefly mentioned her regrets as to her mother’s inability to access higher education, work, and family financial planning; she says she’d never want to be in that position. While literally only one sentence, I think it makes it clear who the audience for this ebook is: someone who has absolutely, positively, no idea about money.

(She also very, very briefly mentions “big changes in her personal life” that made a full-time job in finance “not sustainable,” leading to her move to Monaco. This is her only reference to George.)

The rest of the book very simply explains how to make a budget, set financial goals, invest in the stock market, and mitigate risk. The information was kinda factually correct, and was written in a coherent manner. I think that’s the highest praise I can give it.

Here’s the thing: like other reviewers have called out, I am pretty certain that Carmen didn’t write anything besides the introduction. Whole sections (and indeed the entire format of the ebook) were clearly ripped from the Female Invest introductory courses. (I spent 3 hours clicking through each course so I could find direct wording comparisons to make this claim. I really wouldn’t recommend it.) I do think she edited these sections, and she interjected a few personal sentences; but I believe that’s where her involvement ended.

From an expert perspective, a lot of the information is so simplistic as to be almost incorrect. This isn’t a “first day of Econ 101” ebook — this is a “freshman year of high school home ec class” ebook. (Did anyone else’s home ec classes teach budgeting, or just me?)

Here’s an example. In a section on stocks, Carmen/Female Invest writes: “Investing in stocks allows you to support companies and causes you care about while still making a profit.”

On a basic level, this is correct. Purchasing a stock technically means you’re buying a little bit of a company, and I guess therefore supporting it. But unless a company is IPOing, you’re buying those stocks from another investor — which means your purchase has no effect on the company. So it’s a little disingenuous to claim you’re somehow helping the company. The ebook is rife with this kind of thing.

Carmen pushed in her advertising posts that the Female Invest courses were a key supplement to her book. So obviously, I had to do those too. And holy shit, they were so much worse than the ebook. Some parts were blatantly incorrect on basic information (they claim markets are open 24/7, when most are only open 9am-4:30pm on weekdays) and have some of the most patronizing metaphors I have ever read. (One of the most egregious was comparing your investment portfolio to a pizza because “stocks, bonds, and ETFs” make up different “sizes of slices to make a whole pie”. This isn’t even an accurate equivalent — maybe a calzone, pasta, and pizza make up a whole meal? I don’t even know.)

I would not recommend buying this ebook unless you, too, were barred from even thinking about a stock by your traditional father. Even then, consider free sources.

A Disclaimer on disclosures: So, after @ohblimeygeorge sent me a reddit post also reviewing Carmen’s book that mentioned ad disclosures, I decided to dive into the regulations. In the U.S., influential advertising is regulated by the FTC — in the EU, it’s regulated by the EU Commission, which I believe Carmen would qualify under since she is a Spanish citizen who lives in Monaco. First, I looked at this legal brief on content monetization business models, and concluded that that the ebook likely falls under “affiliate marketing” as Carmen likely receives a percentage of each ebook sold through her link.

(An additional disclaimer: obviously, I don’t know the details of the deal Carmen has with Female Invest, but I’d think it unlikely that she isn’t getting paid for their collaboration. She mentioned in an Instagram story under her Female Invest highlight that she “tried purchasing equity but they were already too big for what I could afford” but “did buy a bit of their crowdfunding.” Since she doesn’t have equity, i.e. doesn’t own a piece of the company, it’d be weird if she was doing this for free.)

Back on topic. I next looked at this legal brief on advertising disclosures. It states that affiliate marketing must be disclosed: “you need to make sure your audiences understand that it’s advertising.” Disclosures can include hashtags and “mentioning” advertising in the caption. Carmen has not disclosed advertising in any of her Female Invest posts, and appears to be violating this regulation. (Interestingly, her only posts that follow disclosure requirements are her Tommy posts.)

It’s apparently not uncommon. An EU Commission study showed 80% of influencers in the EU do not properly disclose ads.

So, there’s that too.

[drchucktingle]

hello! I would love to pre-order your book, but which of the pre-order options is the best for you, and gets you the highest cut of the book price? I want to choose the one that will most help you continue to spread love and joy and chaos in this world

here is a little INSIDE BASEBALL. bestseller lists are very important in way of marketing and way of how much bookstores order of your book. when camp damascus came out it was very close in NUMBERS to certain highly talked about best seller list but that list is not just numbers it is also WHERE and WHEN and HOW things are bought and it is also partially editorial (and very complicated). however this time BURY YOUR GAYS could possibly get higher than camp damascus and land on this list who knows but it is within realm of possibility on this timeline. WHOA COOL. i understand this is shrouded in mystery but i think buckaroos can read between lines.

anyway first step in making this happen is PREORDERS. i know buckaroos are used to video game preorders which is a very bad situation, but in world of BOOKS preorders are everything. it is honestly number one way to support a writer for many reasons but top reason is every preorder over year counts towards first week sales which means BESTSELLER LIST PLACEMENT and THAT sets of whole chain reaction into 'mainstream trot' (i like to picture this as queer dinosaurs and bigfeet and living concepts kicking open the doors to a board room in a high rise but you can imagine whatever you would like)

so NUMBER ONE thing you can do is take the time to actually preorder and not just wait even if you want to get it later.

however to answer your question direct: that certain bestseller list mentioned above only counts HARDCOVER SALES not ebook and not audiobook. this is tough for chuck because audiobook is my personal trot however you asked so i will answer directly: this most important thing is FORMAT

so i would say if you want to have the biggest splash as we kick open the door of this boardroom as shirtless dinosaurs bigfeet unicorns and living objects, it would be:

a HARDCOVER that is PREORDERED. and if you can, from an INDIE BOOKSTORE

preorder here

[ariaste]

I'm super excited for your new book, quick question though... I recently saw something about an author not getting much $ from amazon because of the way revenue/profit was allocated when the book was on sale. What are the best 3 ways to buy your book in terms of revenue for you? I'm assuming Amazon isn't great? What about B&N? small local book stores? From the link you shared? A different method?

That is an AWESOME question and extremely thoughtful! I will give the short answer and the long answer. Short answer for RUNNING CLOSE TO THE WIND specifically:

Buy the hardback from Allstora (GREAT) or my Bookshop.org affiliate store (still good) or Barnes & Noble (I won't get any extra money, but it's good for other reasons, see below) or your local indie bookstore (we love supporting small businesses)

Buy the ebook from wherever is best for you! Right now I make pretty much the same amount of money regardless of platform.

Remember to recommend it to your local library in hardback, ebook, and audiobook form. (I still make money when libraries buy my books, and libraries help new readers discover my books)

For readers outside of America: You should be able to get it everywhere, and buying it from any retailer is great! I recommend a local indie bookstore.

Longer answer for all of my books:

Right, so I do both indie publishing and traditional publishing, so this is where things get weird:

Allstora is amazing for authors. For physical copies of my books, I get between 10% and 40% of the sale price on top of the royalties i get from my publisher. It is sincerely a game-changer. Buying my books from from my Bookshop.org store, linked above, is also pretty good -- it gets me a little boost of 10% of the profits of any books you buy through my affiliate link. Pretty cool. Buying books from Barnes & Noble is good for different reasons, because while I do not get any extra money beyond my royalties, B&N is very good at reporting their preorder numbers to my publisher, which is useful data for them to know for things like how much of a marketing budget to give my books. As for buying from indie bookstores, that speaks for itself: They are the backbone of our literary society and supporting them is just a morally good thing to do. (For international readers looking to get the hardbacks: Whichever retailer you usually use is great! There's no clear frontrunner right now that gives me more benefit than any other)

For ebooks of my traditionally published books (A Conspiracy of Truths, A Choir of Lies, Finding Faeries, A Taste of Gold and Iron, and now Running Close to the wind), again, buying them anywhere is currently fine. I hear Allstora might be working on getting ebook functionality in the future, in which case that will become the answer :) For ebooks of my self-published works, however, get them from my Patreon shop. I walk away with about $8 off an $8.99 sale. It's incredibly good.

Again, recommending my books to your local library (there's usually an online form on their website) is hugely helpful because that's FREE for you and STILL MONEY for me! :D And libraries are awesome, so.

You can also sign up for my newsletter or join my Discord server to get notifications of special events when you can buy autographed books directly from me! This gets me even more money than Allstora, but I only run these events a couple times a year for special occasions.

THANK YOU SO MUCH for asking this question! I hope this helped!

[spikeeager]

Tutorial: How-To Create Striking Gradient Shapes & Waves for Adobe Illustrator for iPad

In this tutorial, we will explore step-by-step instructions and tips to create striking gradient waves and shapes that can enhance any project, from digital illustration to web design and marketing materials.

Starting off you'll want to open Adobe Illustrator on your iPad, and select 'custom size'.

Create a canvas that measures at 3000 x 3000 points.

Set the colour mode as 'RGB'.

Select the 'Pencil' tool, and then select 'Paint Brush'.

Select 'Calligraphic' brushes, and scroll down until you find the 15 pt. 'Round' brush and select it.

Select the 'Fill' option and set the colour value to none.

Select the 'Stroke' option and set the colour value to a colour of your choosing.

Select the 'Smoothness' option and set it to the maximum value (10).

Draw a wavy line.

Select the 'Stroke' tool and choose a new colour.

Draw another wavy line over the top of the previous.

Select the 'Stroke' tool and choose another new colour.

Draw another wavy line over the top of the previous two.

Select the 'Selection' tool.

Select all of the shapes.

Select the 'Repeat' tool.

Within the 'Repeat' tool, select the 'Blend' option.

Tip: If you have a keyboard connected to your iPad, you can use the keyboard shortcut 'Command+Alt+B' when objects are selected to blend them.

Now our gradient wave shape has been created!

Once the shapes have been blended, you can manipulate the spacing of each shape with the three dots in the middle, each one represents each of the lines.

Move each point around until you feel comfortable with their spacing.

We may want to make some alterations to our shape such as changing the rotation, shape, size, order of lines. Here’s how we can do that.

Select the 'Selection' tool.

Drag and select the shape.

Select the 'Object' tool.

Select the 'Release' option.

Now the objects are unblended they can be altered or manipulated to our liking.

To put our gradient wave back in place, first select the 'Repeat' tool.

Then select the 'Blend' option.

Congratulations on completing the tutorial on creating striking gradient waves and shapes in Adobe Illustrator for iPad! You've taken significant steps in enhancing your design skills, learning how to apply gradients effectively, and bringing your digital artwork to life with vibrant colours and dynamic forms.

Keep Practicing - As with any creative skill, practice is key to mastery. Continue experimenting with different gradient combinations, wave patterns, and shapes. Find new ways to enhance your designs.

The more you practice, the more confident and proficient you will become.

If you're interested in supporting me, or checking out some free eBooks, Wallpapers, and more. Please consider checking out my Ko-Fi page: https://ko-fi.com/spikeeager

[ambriel-angstwitch]

Book of Bill Barcodes and where they lead

First one is right before the cover of the book of bill

It hilariously leads here

Apparently Bill (or Alex) needed help on the subject

The second is the magazine cover

Which just says HEY NERD

I love that! Super funny that the book called me a nerd which is fair because I downloaded a barcode app for this purpose

Then the last one is the heart

Which was the hardest one to get it kept not being able to scan but I tried again another day and I got this

This one is the most narratively interesting for Bill to say I Miss The Void verses the comedy of the first too but still not ground breaking

[colebabey888]

www.M3/gumroad.com

M3 : Milestone to Millions of Monthly Views | A Pinterest Guide

As the days go by, Pinterest increasingly becomes one of the most popular social media apps, where girls and boys are constantly saving pins and drawing up boards, building a dream life through nothing but images.

Most don't know that, Pinterest can be a great way to draw in traffic, whether it be for affiliate marketing or for your personal brand. Your chances of creating a passive income with the help of Pinterest are high, but this is only possible with a good and consistent audience.

Let me teach you how to gain over a million monthly views in less than 6 months, with a fresh account, just like I did.

Download my Free Ebook through GUMROAD Inc. and learn more today! ! !

[arienai]

You've heard the Miyazawa memes, now it's time to

Read Otherside Picnic

A post by me

What is it? Otherside Picnic is a book series by Japanese author Iori Miyazawa. They are often called light novels for marketing purposes, but are technically considered "full" science fiction novels. The series is loosely based off of Soviet science fiction novel Roadside Picnic, which itself inspired the film Stalker as well as the video game STALKER.

What is it about? At its core, Otherside Picnic is about two girls who stumble into a weird alternate universe filled with creatures from Japanese internet myths and creepypastas. They go into that world frequently to explore it.

It is primarily a series of novels as I mentioned, however, there are also anime and manga adaptations.

Otherside Picnic is yuri (F/F), explicitly so, however, only the novels have reached this point in the story. If you want canon lesbians, you want to read the novels. I cannot stress this enough.

Okay but what about the characters, are they good? I'm super biased but honestly these are some of the most tumblrina characters I've seen in a while and I'm shocked they aren't more popular.

Sorawo Kamikoshi had a deeply traumatic childhood (though she likes to deny it) and today is a self professed "grumpy otaku" at university who is extremely into spooky shit and creepypastas, which she tends to infodump about. She is very bad at making friends and before discovering the Otherside she often spent her time watching Dark Souls Let's Plays and Minecraft build videos. No, like, canonically. She is a huge loser and I love her so much.

Toriko Nishina was born and raised in Canada with her two lesbian moms but now she's going to university in Japan. She is extremely gay and knows it but is also a complete disaster about it. She has an outgoing personality but struggles to make friends unless she's attaching herself to a new cute girl. I don't want to get too far into spoiler territory but she has a violent streak and has some hot and extremely badass Tiktok Lesbian With an Axe moments.

There are a lot of other great characters too, but you'll have to read to meet them!

And it's explicitly gay, you say? YES, this is a lesbian romance story. Girls hold hands. Girls kiss (with tongue!) Girls ogle other girls' boobs. Apparently the latest volume (not yet available in English) amps it up even more 😳

You're telling me it's literally gay despite being written by the meme "yuri is two wild beasts/a field/etc." Guy? Yes.

Where did the memes come from then? They come from a couple of interviews with Miyazawa where he compared various abstract concepts to yuri. Some of this can be seen in his work, but for the most part it is a straightforward and easy to read lesbian story.

Okay! Where do I read it!: Since they are novels you can find them at many bookstores! You can also buy the ebooks for relatively cheap and read them on your phone.

I hate reading, can't I do the manga/anime? You can if you want but the anime doesn't really go beyond flirty territory with the two girls and the manga is still ongoing and hasn't hit the gay stuff yet. So it's up to you.

Is the series finished? No, it's ongoing. There are currently seven volumes available in English. But we have an extremely dedicated fanbase. Join ussssss you know you want to. Look at these two cuties

Anyway I have so many good things to say about this series, I love the way the main characters are outcasts who come together and help each other learn to love themselves. I love the spooky setting, I love the side characters and of course I love how gay it is, I feel like most weirdo disaster gays on here will find something here to like. And the characters are in their 20's!!! That's still relatively young but it's so nice to read gay stuff about people who are old enough to drink (which they do a lot of).

So yes in closing

Read Otherside Picnic

[derinthescarletpescatarian]

hi derin! i’ve been following you for a little while, and also bemoaning the nature of publishing fiction (indie or trad) for a little bit longer than that, and i only just realized today that…of course web serials are a thing i can also do!

i really love the idea of publishing serially (though i’m not totally sure i CAN, i’d like to try), so while i add this to my list of potential paths, do you have any advice for getting started? building an audience? marketing? figuring out if writing/publishing this way will work for you to begin with?

i know that’s a lot of questions, and you don’t have to answer all of them! i’m throwing spaghetti at a wall out here. i hope you have a good day though, and thanks in advance!

Getting started in web serial writing

Web serial writing has the lowest barrier of entry of any major method of publishing your story. You can literally just start. There are two steps:

start writing your story

decide how/where you want to publish it

The writing part, I assume you have handled. The important thing to note here is that you gotta see the project through. Start and don't stop until you're done. For publishing, you have a few options:

1. Publish on a website designed for web serial novels

There are a few of these around, they're usually free to publish on (although most offer a paid account to give you ad space or boost you int he algorithm or whatever), and your best choice generally depends on which one happens to gravitate to a niche that best suits your kind of work. The big names in this industry are Royal Road and Scribblehub, which, last I checked up on them (about a year ago) tended towards isekai and light erotica respectively. (You absolutely can publish outside these niches on these sites, it's just much harder to get traction.) Publishing somewhere like this comes with multiple advantages. Firstly, there's a writing community right there to talk to; there's usually a forum or something where people gather to talk about reading or writing on the site. Second, the site itself is designed specifically to publish web serials, and will come with a good layout and hit trackers and 'where you left off' buttons for the reader and all that; generally all you have to do is copy-paste the text of a chapter into the page and the site will do everything else for you. Third, there's an audience sitting right there, browsing the 'latest arrivals' or 'most popular' page of the site; if you can get high in the algorithm, you have to do little if any marketing.

The downsides of such places usually come down to the same things as the advantages. Such sites are a flooded market. Your story absolutely will drown in a sea of other stories, a great many of them terrible, and most of them with the advantage of catering to the site's niche. Gaining an audience there is often a matter of trying to game an algorithm, and the community can be... variable. Some of these places are nice but most of them are a bunch of authors trying to tear down everyone around them to make their own work look better by comparison int he hopes of poaching audiences for their story instead. If you go this route, I'd recommend shopping around for a site that fits you personality and writing style (or just posting on many sites at once; you can also do that).

These places also tend to get targeted by scrapers who will steal your story and sell it as an ebook, which is very annoying.

2. publish on another site

Plenty of people publish web serials here on Tumblr. I do not know why. This site is TERRIBLY set up for that. It makes tracking stories and updates a pain in the arse (people end up having to *manually tag every reader whenever they post an update*), building and maintaining archives are annoying, community building is surprisingly difficult for a social media site, and it's just generally far more work for both writer and reader than it needs to be. You often do have a ready-made audience, though.

This does tend to work better on other sites. Reddit has multiple communities for reading and writing various types of fiction; publishing on these is a bit more work than somewhere like Royal Road, but not very much, and many of these communities are very active. There aren't as many forums around as there used to be, but you might be able to find fiction hosting forums, if that's what you prefer. And of course, many writers who simply want to write and don't mind not being paid choose to write on AO3.

These sites are a good middle ground compromise for people who want a ready-made community and don't mind putting in a bit of extra work.

3. make your own site

This is what I did. You can make a website for free, giving people a hub to find you and all your work, designed however you like. You can also pay for a website if you want it to be a little bit nicer. This option is the most work, but gives you the most control and leaves you free of having to worry about any algorithm.

The obvious downside of this is that there's no community there. If you host your work on your own website, you need to bring people to it. You need to build an audience on your own. This is not an easy thing to do.

Building an audience (general advice)

Here is some general advice about building an audience:

1. Consistency. Consistency. Consistency.

If you want people to read your writing, the best piece of advice I can possibly give you is have an update schedule and update on time, always. If you need to take a break, give people as much warning as possible and tell them exactly when you will be back, and come back then. Do not take unnecessary breaks because you don't feel like writing. (Do take breaks if you get carpal tunnel or need time off for a major life event or something -- your health is more important than the story.) If you're taking a lot of breaks to avoid burnout, you're doing it wrong -- you need to rework your whole schedule from the start and slow down updates to make these breaks unnecessary. Two chapters a month with no breaks is a billion times better than four chapters a month with frequent burnout breaks.

Consistency. Consistency. Consistency.

A reliable schedule is the #1 factor in audience retention. If readers need to randomly check in or wait for notifications from you to check if there's an update, guess what? Most of them won't! They'll read something else. You want your audience to be able to anticipate each release and fit it in their own schedule. I cannot overstate the importance of this.

2. If you can, try to make your story good.

We writers would love to live in a world where this is the most important thing, but it actually isn't. Plenty of people out there are perfectly happy to read hot garbage. How do I define 'hot garbage'? It doesn't matter. Think of what you would consider to be just a terrible, no-effort, pointless garbage story that the world would be better off without. Someone is out there writing that right now, making US$2,500/month on Patreon.

It is, however, a real advantage if you can make your story good. At the very least, it should be worth your audience's time. Preferably, it should also be worth their money, and make them enthusiastic enough to try to get their friends into it. Managing this is massively advantageous.

3. Accept that you're not going to get a big audience for a really long time. Write consistently and update on schedule every time anyway.

It took me over a year to get my second patron. For the first year, I updated Curse Words every single week, on schedule, for over a year, and had maybe... four readers. One of them was a regular commenter. One of them was my first patron. There was no one else.

My audience has grown pretty rapidly, for this industry.

You're not gonna start publishing chapters for a big, vibrant community. You're just not. And you have to keep going anyway. These days, I have a pretty good readership, and those couple of loyal readers (who I appreciate beyond words) have grown into a much larger community, who hang out and debate theories with each other and liveblog and drag in new readers and make fanart. My discord has over 550 members, with volunteer moderators and regular fan artists and its own little in-jokes and games and readers who make a point of welcoming newcomers and helping them navigate the discord, all with very little input from me. I start crying when I think about these people, who do the bulk of my social and marketing work for me just because they want to help, and my patrons who, after writing for over 4.5 years, have recently helped me pass an important threshold -- my web serial (via patreon) now pays my mortgage repayments. I can't live off my writing alone, but boy is that a massive fucking step.

You're not gonna have that when you start. You're gonna have a couple of friends. And that's it. Maybe for a year. Maybe less, if you're good at marketing and lucky. Maybe longer.

You have to update on schedule, every time, anyway.

Building an audience (more specific advice)

"Yeah, that's great, Derin, but where can I find my fucking audience?" Well, if you publish on a web serial site, then the audience is there and you jsut need to grab their affention using the tools and social norms offered to you by the site. I utterly failed at this and cannot help you there. You can still use these other tips to bring in readers from off-site.

1. Paid ads

I've never paid for ads so I can't offer advice on how to do it. I've Blazed a couple of posts on Tumblr; they weren't helpful. This is, however, an option for you.

2. Actually tell people that your story exists and where they can find it.

I used to have a lot of trouble with this. I didn't want to bother people on Tumblr and soforth by telling them about my personal project. Unfortunately you kind of have to just get over that. Now I figure that if people don't want TTOU spam, they can just unfollow me. If you're like me and want to just politely keep your story to yourself... don't. You're shooting yourself in the foot doing that.

You need to mention your story. Link your story in your bio on whatever social media sites you use. Put it in your banner on forums. Make posts and memes about it. Eventually, if you're lucky, extremely valuable readers will start to talk about your story and meme and fanart it for you, but first, you need to let them know it exists.

It will always feel weird to do this. Just accept that people can unfollow you if they want, and do it anyway.

3. Leverage existing audiences and communities

Before I started doing this web serial thing, I used to write a lot of fanfic. The original audience that trickled in for Curse Words comes from AO3, where I was doing a full series rationalist rewrite of Animorphs. They knew how I wrote and wanted more of it. Nowadays, I still occasionally pull in readers through this route. Most of my new readers these days come from a different community -- people who follow me on Tumblr. Occasionally I bring in people who don't follow me because we'll be talking about how one of my stories relates to something different, and fans of that thing might decide they want to check my stories out.

Your first readers will come from communities that you're already in and that are already interested in something similar to what you're doing (people reading my fanfic on AO3 were already there for my writing, for instance). Keep these people in mind when you start out.

One additional critical source of existing communities is your readers themselves. A huge number of my readers are people I've never been in any group with -- they were pulled in by their friends, relatives, or community members who were reading my stories and wanted them to read them too. This is an absolutely invaluable source of 'advertising' and it is critically important to look after these people. enthusiastic readers, word-of-mouth advertisers, and fan artists are the people who will bring in those outside your immediate bubble.

4. Your "where to find me" hub

If you're publishing on your own website, you can simply link everything else to your homepage, and put all relevant links there. For example, I can link people to derinstories.com , which links out to all my stories, social media I want people to find me on (you don't have to link all your social media), patreon, discord, et cetera. If you don't have your own website, you're going to have to create a hub like this in the bios of every site where you garner audiences from. This is the main advantage of publishing on your own website.

Monetisation

There are a few different kinds of monetisation for web serials, but most of them boil down to 'use a web serial format to market your ebook', which to be honest I find pretty shady. These authors will start a web serial, put in enough to hook an audience for free, and then stop posting and release an ebook, with the intention of making readers pay for the ending. Now, to be clear, I am absolutely not against publishing and selling your web serial -- I'm doing exactly that, with Curse Words. I am against intentionally and knowingly setting up the start of a web serial as a 'demo' without telling your audience that that is what you are doing, soliciting Patreon money for it, and then later yanking it away unfinished and demanding money for the ending.

Monetisation of these sorts of stories is really just monetisation for normal indie publishing with the web serial acting as an ad, and I have no advice for how to do that successfully.

Your options of monetisation for a web serial as a web serial are a bit more limited. They essentially come down to merchandise (including ebooks or print books) or ongoing support (patreon, ko-fi, etc.) Of these, the only one I have experience with is the patreon model.

This model of monetisation involves setting up an account with a regular-donation site such as patreon, providing the base story for free, and providing bonuses to patrons. You can offer all kinds of bonuses for patrons. Many patrons don't actually care what the bonus is, they're donating to support you so that you can keep writing the story, but they still like to receive something. But some patrons do donate specifically for the bonuses, so it's worth choosing them with care.

The most common and most effective bonus for web serials is advance chapters -- if people are giving you money, give them the chapters early. You can also offer various bonus materials, merchandise, or voting rights on decisions you need to make in the future. 'Get your character put in the story' is a popular high-tier reward. If you're looking for reward ideas, you can see the ones I use on my patreon.

Patreon used to offer the ability to set donation goals, where you could offer something when you were making a certain amount total or had a certain number of subscribers. They recently removed this feature because Patreon hates me personally and doesn't want me to be happy, so you kind of have to advertise it yourself now if you want to use these goals. I release chapters of unrelated stories at donation goals, and I found this to be far more effective than I thought it would be.

The important factor for this kind of monetisation is that it's ongoing. The main advantage of this is that it makes your income far more regular and predictable than normal indie publishing -- your pledges will go up or down over a month, but not by nearly as much as book sales can. The main thing to keep in mind is that it's not a one-time sale, which means that however you organise things, you want to make sure that donating keeps on being worth it, month after month. Offering bonuses that aren't just one-time bonuses, but things that the patron can experience every month, helps here. So does making sure that you have a good community where patrons can hang out with other patrons. (Offering advance chapters does both of these things -- the patron can stay ahead in the story and discuss stuff with other patrons that non-patrons haven't seen. I've found that a lot of my patrons enjoy reading an emotionally devastating chapter ahead of time, discussing it, and then all gathering a week or two later to watch the unsuspecting non-patrons experience it for the first time.)

Whatever method you use for monetisation, rule #1 is (in the words of Moist Von Lipwig): always make it easy for people to give you money. The process of finding out how to give you money should be easy, as should the process of actually doing it. And, most importantly, the spender should feel like it's worth it to give you money. This is a big part of making it easy to give you money. Make your story worth it, make your bonuses worth it, make sure that they're happy to be part of your community and that they enjoy reading and supporting you. And remember that support comes in many forms -- the fan artist, the word-of-mouth enthuser, the person who makes your social hub a great place to be, the patron, all of these people are vital components in the life support system that keeps your story going. And you're going to have to find them, give them a story, and build them a community, word by word and brick by brick.

It's a long process.

Good luck.

.

[themelanindigitalwave]

Remember that dream of ditching the soul-sucking 9-to-5 and becoming your own boss? ‍♀️‍♂️

Well, for many #MelaninEntrepreneurs, that dream became a reality thanks to the magic of digital products! ✨

Take me, for instance: Stuck in a corporate grind, I craved the freedom to pursue my passions and build something meaningful. That's when I discovered the world of ebooks and online courses.

Here's how digital products became my ticket to freedom:

Passive income powerhouse: Once created, these bad boys keep generating income 24/7, even while I sleep!

Work from anywhere: No more battling rush hour traffic! With digital products, my office is wherever I have my laptop.

Be my own boss: Goodbye micromanagement, hello creative control! I decide what I create and how I run my business.

Feeling inspired? You too can unlock the power of digital products!

Head over to our website (link in bio) for a FREE guide packed with tips on creating, launching, and marketing your own digital products.

Let's hear from YOU!

Share your thoughts in the comments:

Have you considered creating digital products?

What's holding you back from taking the leap into entrepreneurship?

Let's build a community of empowered melanin bosses, one digital download at a time! ✊

[riverfortune]

Look. Look. Tumblr. I am not good at convincing people to do things, but I desperately need to peer pressure some of you into reading this book series.

It's called Stealing From Wizards by R.A. Consell and it's delightful, well-written, engaging, and criminally unknown. I've had such a fun time reading the series. I don't know why it isn't doing numbers of Tumblr.

If you were a Harry Potter Kid who grew up and became, shall we say, disenchanted with that series but you still have a soft spot for wizard boarding school stories, you should read Stealing From Wizards.

If you like children's books but you'd like to see actual competent and empathetic adults in the children's lives (without taking the narrative drive away from the young protagonist!), you should read Stealing From Wizards.

If you want a story with a plucky young protagonist who's learning how to be a person for the first time after leaving an abusive home life, you should read Stealing From Wizards.

If you only have $8 to your name you can probably still buy all three ebooks on Amazon so you should read Stealing From Wizards.

If you're completely broke you can listen to the audiobook. for free. on the AUTHOR'S WEBSITE. (Or Spotify, Audible, Apple Podcasts or whatever your podcast player or choice is.) Go download Stealing From Wizards.

If you are a child 8-14 years old, or you make reading choices for a child of 8-14 years old, or you're a grown-up who likes children's stories when they're well-written and engaging because gosh dang it you just want to see some joy in the world and you want a story that will engage you but leave you with hope at the end and why is that so hard to find in adult fiction these days anyway? you should read Stealing From Wizards.

Did you like The Owl House? You should read Stealing From Wizards.

Percy Jackson fan? Try Stealing From Wizards.

Murderbot Diaries fan? Ok, that one's a bit more of a stretch but the possible autism-coding and the how do I be a person when I was built different? thing is the same. Try Stealing From Wizards.

Avatar: The Last Airbender fan? You might like Stealing From Wizards.

Found family fan? Stealing From Wizards.

You want a book that multiple reviewers couldn't put down? Stealing From Wizards.

You want brown characters, gay characters, disabled characters? Stealing From Wizards.

You want a fantasy story set in Canada/Fey Canada? Stealing From Wizards.

There are three books out so far: Stealing From Wizards Volume 1: Pickpocketing, Stealing From Wizards Volume 2: Burglary, and Stealing From Wizards Volume 3: Kidnapping are out so far, and it seem like there will be more.

I hope there will be more.

I am writing this so more of you will buy the books to make sure the author writes more.

The cover art is trash. The marketing seems to be nonexistent. I'm not even sure you can buy physical copies in stores or if they're printed to order. But this series just makes me really happy and I want someone else to read it.

Thank you for coming to my Ted Talk listening to me ramble.

(Go read Stealing From Wizards.)

[tychodorian]

It's Manuscript Monday, and today we're exploring how to pick the right platform for publishing your book. Let’s break down IngramSpark, Amazon's KDP, and Kobo.

Amazon's KDP offers incredible reach and exclusive promotions like free eBook days and Kindle Countdown Deals. The catch? You must stay exclusive to Amazon for eBooks during these promotions.

IngramSpark is perfect for getting your book into physical stores, offering great print quality and wide distribution. But, it comes with higher setup costs and a steeper learning curve.

Kobo excels in international markets, especially Canada, and doesn't require exclusivity. However, it has a smaller audience compared to Amazon.

Thinking of using an aggregator? They distribute to multiple platforms for convenience, though they take a slice of your sales.

Choose based on where your audience is, the book type, and your preferred involvement level. Each platform has its perks! Personally, my favorite platform is KDP, but what's yours and why?

Got questions or tips about self-publishing? Drop them below! Let’s help each other out. Happy writing!