#how many times a I gonna rewatch this? the world will never know

[sad-emo-dip-dye]

In dead apple it’s so funny how everyone is out on the streets fighting their own abilities but nooooo the tiger and rashoumon just have to beeline straight for each other

[rinbylin]

令嫒就像那片山水。虽然我从未亲眼看见过，但是我知道她会有多美。... 我有多羡慕将来可以亲眼看见她的那个人。

[harrylights]

.

[f1daydreamers]

𝐁𝐫𝐞𝐚𝐤𝐢𝐧𝐠 𝐁𝐚𝐫𝐫𝐢𝐞𝐫𝐬 [𝐓𝐀𝟔𝟔] 𝐏𝐚𝐫𝐭 𝟒

gif credits: @trenty

Pairing: Trent Alexander-Arnold x Fem!Reader

Summary: Arne, in hopes to focus on his team’s mental health as much as their physical, recruits a younger but just as educated psychologist to work one-to-one with the more reserved players. Trent is one of them.

A/N: I have so many ideas for this series but I can't get too carried away otherwise its gonna end up longer than a book lmaooo, also super random but this idea came to me from rewatching Trent and Robbo’s wingmen episodes and in one of them he goes, “team bonding!” verryyy heavily in his Scouse accent lol

Warnings: fluff, mentions of being overworked but nothing too harsh, general stress, this is a cute one ok ur welcome

Word Count: 2.7k words (10 mins reading avg)

...

“Why you so sour for?”

You glanced up to see your sister plopping on to the sofa, grabbing the TV remote off of the glass table situated in front of you. Her expression was curious, eyebrows raised in an exaggerated arc. You’d forgotten you’d even put a movie on.

Closing your laptop, you ran your palm over the cool steel surface.

“No reason. It’s nearly time to go to bed, what are you doing?” You watched as she navigated the TV menu, opening the ITV app and clicking on Love Island.

You rolled your eyes. “Don’t tell me you like that stuff.”

She smirked, not taking her eyes off the screen as the latest episode began to play. “No one likes it, it’s just funny as fuck.”

“Hey, why do we need to swear?”

“For expression,” she replied with a shrug, as if that was a valid reason.

“Express yourself in other ways.”

“Like what?” She challenged, finally looking at you.

You paused, a little stumped. “The world is your oyster, go and find some.”

She snorted, clearly unimpressed with your wisdom. You hoisted yourself off of the couch, tucking your laptop back into your work bag and zipping it up.

Kaia paused the show, turning so her knees were on the sofa, looking over the backrest to see you better. “Fine, but that doesn’t answer why you’re in such a mood.”

“It’s just work,” you admitted, leaning against the counter. Your eyes traced the outlines of your sister’s old drawings hung on the wall. “A lot more pressure than I’m used to.”

Her eyes lit up with youthful curiosity. “How’s the job going? Met any really fit guys yet?”

You laughed, shaking your head. “Is that all you care about?”

“It’s important! C’mon, spill,” she insisted, leaning forward.

You sighed, but a small smile tugged at your lips. “The job is good. Stressful, but good. As for fit guys.. there's.. I don’t know, a few? I’m there to work, not flirt.”

“Sure, sure,” she teased.

You chuckled, tossing a freshly washed blanket you’d just pulled out of the dryer at her. “Oo, thanks,” she said, catching it with a grin.

You rolled your eyes as she sprawled out on the couch, the music of the show coming to life once again.

You pulled the rest of the sheets from the dryer, shoving them into the laundry basket to fold in the morning. As you wiped down the counters and finished the dishes in the sink, your mind wandered again.

Arne, Lee, and the club had all been incredibly supportive since your arrival, but the internal pressure you’d carried from university - to be the best, to never fail - was fading. Wataru, Conor, and Curtis were all doing great.

From your reports, you were instructed to make Trent the priority, at least to gather enough information for a new evaluation.

But how could you do that with a player who seemingly wanted nothing to do with you?

“Y/N?” Your sister’s soft voice calling your name pulled you out of your trance.

“Yeah?” You replied, turning to face the back of the couch.

The show paused again. A beat of silence hung in the air.

“No one’s giving you a hard time, are they?” She asked, her voice barely above a whisper.

Your eyebrows furrowed as you frowned, “of course not. Why would you think that?”

“We’re pretty notorious for being hated.” Sadness poked through the tone in her voice.

“Nobody hates us, Kaia. And no one is giving me a hard time at work, I promise.” You tried to sound reassuring. She was a kid and she meant well, of course she did, but she didn’t need to know the full truth. She was your sister, not a therapist.

“Okay. Cause you do know I’ll fuck ‘em up, right?”

You scoffed, shaking your head in amusement. She picked her head up to let you sit then rested it in your lap. You pulled her hairs away from her face, combing them back with your fingers.

“With your swears?” You teased.

“I got a mean punch."

“Which I hope isn’t being put to use, thank you very much.”

“I’m an angel, really.” Which she tried to pull off in an innocent way that really didn’t suit her.

“Mhm,” you hummed, sceptical but smiling.

She chuckled, turning her head to face the TV again.

“Come on, let’s watch this shit show.” You said playfully.

“I thought you said no swearing.” She retorted matter-of-factly.

“That rule doesn't apply to 25 and above people.”

“Let me guess, when you turn 26, that rule’s gonna be extended by a year?” Kaia asked, her lips curling upwards.

“Precisely.” You smiled down at her as she rolled her eyes, playing the show.

Your smile faltered almost immediately. You subconsciously continued smoothing over Kaia’s hair, but your mind was plagued with thoughts about work, and as much as you didn’t want to admit it, about him.

...

The first two matches of Liverpool’s season had come and gone in a flash. But, despite in how much of a blur it passed, the level of work every day only surmounted the work of the days before.

But you could take it. If you couldn’t handle psychology, you’d probably be useless at everything else.

The new week began, and the first thing you spotted in the mountain of emails was an update. Your cabinet for the office had arrived, courtesy of the club, who were happy to cover the costs once you'd submitted your request.

You swivelled your chair to face the desk phone, dialling reception downstairs. The phone rang twice before Annika's cheerful voice answered.

"Hello," she said brightly.

"Hey, it's Y/N from upstairs. I got an email saying my cabinet had arrived. Am I okay to collect it now?" You asked, glancing around your office and imagining where the new cabinet would go.

"Oh, don't worry," Annika replied with a smile in her voice. "We'll send someone up to drop it off for you."

"Really? It's honestly no bother," you said, feeling a bit guilty about causing extra work.

"No, I insist. They’ll be up shortly," she reassured you.

"Thank you, I appreciate that," you said, a note of relief in your voice.

"No worries!" Annika chirped.

You hung up the phone, feeling a bit lighter. Come to think of it, you really didn’t fancy carrying a ton of weight up the stairs and potentially embarrassing yourself to any bystanders.

Once you’d gone through your emails, creating your to-do list for the day, you patiently waited for your cabinet to come.

But it didn’t.

You tried to put it to the back of your mind, focusing on ticking off the first two items on your list before your first session. Yet, even as you checked them off, you found yourself glancing at the door, expecting the cabinet to arrive at any moment.

An hour passed, then another, and still no sign of the delivery. The anticipation was starting to wear on you.

You glanced at the clock situated on your desk, wondering if you’d be able to make it back in time for your session with Conor.

But just as you were ready to leave, there was a knock on your door. You walked over to open it, expecting only the Irishman. There he was, but also holding a large brown box with an outline of your cabinet on the front.

“Uh-” You couldn’t register what was happening.

“Mind if we come in? Don't fancy holding this all day.”

We.

You realised you hadn’t responded as Trent lifted his head to stare at you.

“Yeah, yeah. Sorry.” You opened the door, standing off to the side. You allowed them to come in and they placed the box upright against the wall.

"Annika mentioned she'd send someone up, I didn't think she meant the players." Conor chuckled, motioning to his trusted helper.

"Yeah, well, Brian was going to bring it up but he got busy so reception asked if we could help. We were coming up anyways," he explained.

“Oh. Thank you, I really appreciate it,” you said, your voice carrying a hint of genuine gratitude. You glanced at Trent, and a heavy silence ensued.

“Yeah, whatever,” Trent muttered, his tone dripping with indifference, leaving almost immediately. You let out a quiet sigh, your shoulders slumping ever so slightly.

Conor, who had been observing the exchange with a wry smile, exhaled through his nose in mild amusement.

“He’s warming up to you,” he retorted, his voice dripping with sarcasm. You rolled your eyes, trying to hide a smirk.

“Aw, you really think so?”

“Sure,” he replied with a grin.

“Sit down,” you said, gesturing to the chairs. You both laughed softly as you walked over to shut the door.

Yet, an unsettling frustration gnawed at you from within. Trent had always been distant, but after weeks of being here, he still showed no signs of letting his guard down. You were no stranger to the challenges of being a psychologist, it's not like this was your first job.

But in the past few days, self-doubt had crept in. You wondered if you were even fit for it; maybe the pressures of working for one of the most prestigious football clubs in the country were finally catching up to you and kicking you in the ass.

You shook your head, feigning a smile as you returned to your desk, starting your session.

...

“Is this upside down?” You muttered to yourself, flipping the instructions around again.

What use were instructions if they had no text under them?

You debated calling your dad, but the lecture you’d receive about the hours of manual labour he used to put you through every time a new piece of furniture arrived at the house was not worth it.

“Okay. Wood, screws, knob, cabinet. Perfect.” It was only a small one, so you weren’t worried about the height of it per se, just worried about everything else.

You slumped onto the floor, surrounded by longer and shorter pieces of wood with a bag of screws and one handy screwdriver that you were currently twirling between your fingers.

Just as you were about to try again, a voice broke through your concentration.

“What are you doing?”

You gasped, your hand instinctively going to your chest as the paper floated to the ground.

“Oh my God,” you exclaimed, breathless and startled. “Can you knock next time?”

“I did knock,” Trent replied, as if it were the most obvious thing in the world.

“Did you?” Your eyebrows furrowed as you tried to recall when you heard a knock reverberate through your office.

“No.” He admitted.

You huffed, feeling a mix of annoyance and embarrassment at falling for his joke.

“Funny.” You mumbled, shaking your head.

To your surprise, he plopped onto the sofa situated by the side of the wall, near the door. Your eyebrows raised slightly.

Trent, sitting on your sofa, in your office, willingly? This was new. Only today, you were doubting yourself if you’d ever be able to get through to him and yet here he was.

You didn’t want to overanalyse the situation but it was hard to ignore the significance of it. Maybe he was finally starting to let his guard down, even if just a little.

There was a strange combination of nervousness and relief running riot inside of you.

Rather than drawing attention to it, you chose to stay focused on the task at hand, wary of saying anything that might reinforce his emotional walls.

“I’m trying to build a cabinet, if you must know.” You didn’t want to sound as annoyed as you were - not necessarily by the man you were conversing with, but more so by the wooden contraption that was puzzling you to your core.

He peered over the armrest, then slowly returned to his original position. “Making a lot of progress, it seems.”

“How nice of you to state the obvious,” you replied calmly, but your mind was racing.

“It’s late, how come you’re still here?” You asked, trying to make conversation. He just shrugged, pulling out his phone from his trouser pocket.

You gave a half-smile. Even if he wasn’t in the mood for conversation, he was still here, and that’s what mattered to you.

Ten, fifteen, twenty minutes passed by, and you were officially ready to give up. Resting your head against your desk, still seated on the floor, you were on the verge of admitting defeat and calling your dad.

Your attention was diverted by a soft creak from the sofa frame. Trent stood up, and you looked up at him, squinting as the ceiling light shone brightly.

“You heading out?” You asked, your voice tinged with resignation.

He took a small step to the right, blocking the light from hitting your eyes. He glanced around, as if debating something.

His mouth parted slightly.

“Move over.”

What?

“Huh?” you said, bewildered.

He tucked his bottom lip between his teeth, motioning to the pile of wood still stacked in various directions. “Move.”

“Why?”

“Why do you think?” He replied blandly, yet still entertaining your conversation. A few weeks ago, he would’ve murdered you.

You glanced down at your cabinet, which was rather resembling modern art, then back up at him.

“Are you suggesting women can’t build things?” You asked, raising an eyebrow.

He tilted his head downward, shoving his phone back into his pocket. “Women can. It’s just you that can’t. Wanna disagree?”

Your pressed your bottom lip up to your top, as if you were actually considering the idea. “I’d love to argue, but you’re lucky I’m too tired right now. Maybe come back tomorrow and we can pick up where we left off.”

“Move over or I’m leaving,” he said, a touch more firmly.

“Okay, okay. Sorry.” You chuckled.

You scooted over, making room for Trent to sit beside you. He settled on the floor, crossing his legs. There was a fair amount of distance between you.

You found yourself stealing glances at him as he took a look at the instructions a few times, feeling a mix of relief and gratitude for his unexpected help.

His presence was a welcome distraction.

You couldn’t deny you were entirely useless as he separated the pieces, lining them up to get a full look at everything, ensuring nothing was absent.

“Screwdriver?” He asked for quietly and you cast a quick look around, spotting it underneath a plank of wood.

“Here.” His fingers brushed yours as he took it from you, a touch that you were acutely aware of but one he didn’t seem to think twice about.

Whenever your knees brushed while adjusting the cabinet or while holding it in place, you could feel the warmth of his proximity, which only heightened your perception of him.

After some time, the cabinet stood completed. You couldn’t help but smile proudly at the result.

Trent glanced at your beaming face and quickly looked away, as if unsure how to react. The fleeting moments of physical contact had created a soft tension in the air.

You tilted your head, deciding to tease him while you still had the chance. “Does it look a bit bent or is it just me?”

He barely looked at the cabinet, already ready to fire a response back. “It’s just you.”

You scoffed, your eyes meeting as he extended the screwdriver back toward you. You swallowed as you took it, another brush of hands.

It was brief and unexpected but he too registered it this time. He briefly tensed but stood up quickly after.

You just about scrambled to your feet after him, placing your screwdriver on your desk.

Before he could leave, you called out, “thank you.”

He turned to give you a simple nod, brushing off your gratitude.

“I mean it. Not just for building this,” you gestured toward the cabinet, “but for being here. I’m always happy to see you.”

A silence befell you both, but it didn’t feel awkward or uncomfortable as it had before.

“If you don’t mind my asking, how come you came here?”

He thought about his answer for a second, wanting to correctly word it.

“Saw you struggling through the door. Thought you were finally having a heart attack or something.”

You paused for a second, slowly nodding your head. “Couldn’t miss it, huh?”

At that, Trent’s lips curved into a genuine smile as he looked away from your eyes, the first smile you’d seen from him that was actually for you.

It was a subtle, upward curl, softening his usually serious expression.

You mirrored his smile, it was hard not to. Perhaps you’d leaned forward, or your shoulders had finally relaxed, but you weren’t focused on the specifics.

“See you round, psychologist.”

You hummed, afraid that even if you opened your mouth, nothing would come out.

You watched him walk away, your eyes falling to the cabinet against the wall.

Seeing him smile, just smile at you, was a moment you wouldn’t forget so soon. It was as if a dam had burst, releasing a flood of relief and hope you’d nearly given up on.

But before you could think about it further, your phone buzzed. It was Kaia, asking when you’d be home.

You hadn’t even realised what time it was.

“Shit.”

…

Part 5

Masterlist

Comment below if you want to be part of the taglist! Once you are part of it, you'll be reminded for every part of the series until its completion!

Taglist: @trentwife @bluebreadenthusiast @julovesurmom @blubsberries @remmysthings @heyjudeb @keepitabuckxx @vivi-grace @hoddystark @hiireadstuff @trentione @missusstark @iamasimpingh0e @xxxstormyninixxx @lolawwww22 @myloveisforbellingham @purpleniight @bffrwme

[haza1ll]

animation for THE NEON VOIDD BABYYYY

this post is for @sugarpasteltmnt

‼️‼️MEGA YAPPING AHEAD PLEASE BEWARE‼️‼️

this might end up being really long and rambly and sappy but maybe not who knows.( it was) (and also featuring numerous spelling errors i am way too tired to fix and i am not re reading what i just wrote) SO. yknow how when chap idek..25(?) came out and i was all like “yeah so i made this animation for TNV and ill drop it when the fic ends” in your ask box? so. I FINISHED IT RAHHH. technically it has been finished since i sent that ask but ohhh my goodness did it need polishing. i haven’t animated in 4 years before that and omg it felt so good getting back into it but IDFK SOMETHING IS STILL NOT UP TO MY STANDARDS. i feel like i could have done so much more with it and i deffo wanted to but as soon as i told myself “oh yeah this is basically done” art block literally sucker punched me in the gut out of NOWHERE. I COULD NOT PICK UP MY I PAD. I COULD NOT DRAW. I WOULD STARE AT THE WIP ANIMATION AND BE UPSET BC I DDINT WANNA WORK ON IT AHH. that goes with saying. i kept having this thought in the back of my head “you need to finish it. you have a wip sitting. finish it. go do it. what are you doing are you STARTING ANOTHER PROJECT??? anddd yeah i got super distracted with other stuff and other projects and then i started spending my free time rewatching 2012 turtles and omg this summer has been a mess. i have all the free time in the world and i choose to be the least productive as possible with it even though i have a job that lets me literally sit on my phone and do whatever i want if no one is there. (i’ve brought my switch to work numerous times ☠️) what i was trying to get at is the fact that TNV has inspired a lot of the old me to come back and i lowk missed her. i really missed the point in all those words up there but im here now so whatever. BUT. TNV made me make a tumblr account, i got back in to animation AND digital art in general, got back into longfics that are ongoing, AND it also helped kickstart ideas for writing. i’ve got so many stories now!! you are such an inspirational person pastels i just- every time i read a new chapter of yours it made me wanna go get up and do something. i wanted to create something. because at the end of each chapter, i would think- “woah. a person out there just wrote this. they just sat down one day and committed. i wanna do that” so i did that. just huge thank you and shoutout to you pastel. like damn. idk no words from me here. just a bunch of platonic hugs and kisses and thankyouthankyouthsnkuou for this lovely heart wrenching but also sweet story. i love this fandom (tmnt) so SO much and i think it’s so awesome how interactive you are with your own personal NV fans. crazy how we’re all here because of a bunch of turtles. 

STUFF ABOUT THE ANIMATION:

okay i really like to talk and if you let me, i will run my mouth. this is the internet so im gonna do just that. so more words for you to read 😁. AHEM. so like i stated before in the genuinely scary mess of words up there, i haven’t touched animation in a while, like, 4 years a while. yes i’ve done digital art here and there along the years, i haven’t been doing it nearly as much as i need to to use some programs to their full potential. layers are still confusing, and don’t even get me started on multiply and all that jazz. shading never comes out right on digital for me, i gotta work that one out. so, for this animation, i decided to go with a very rough style. nothing needed to be perfect, i just wanted to live my little life of trying to experiment with a bunch of different things all at once in one short animatic. I wanted to do that little ball bounce thing all animation artists start with (i kinda included that with the key). i also wanted to have a go at lip sync (no hate it was my first time) and also timing the animation with the music. i wanted to see how smoothly i could move a figure in and out of and out of the screen as well, which honestly, i think that part might be my favorite. i think i did a good job, and thats what matters. the animation itself lost a bunch of quality on importing it- no clue how it happened but now the ending is grainy af. ignore that pls lol- but it was sitting in my flipaclip for god, i dont even know, 3 months now? i kept going back and forth on if i wanted to share it or not, so im throwing it to the wolves and i guess whatrver happrns happens and im good with that. yay. im actually rrwlly tired now sooo *leaves this absolute pile of words with a video attached at your feet and stumbles away quickly*

also i’ve genuinely never posted anything so i’m learning how to use tumblr too ☠️

[ninja-knox-ur-sox-off]

Alright, here we go

First and foremost I want to talk about what flying bark's animation has meant to me.

In a world where every day I see 2d animation being rejected for cheaper 3d and puppet animation at every turn, Monkie Kid's animation was the one of the first things that gave me hope for the future of 2D animation. I can't tell you how long I've been wanting a 2D animated show, growing up I wanted one so desperately, I craved good animation amongst the stiff 3D and flat storytelling, so when I got it, when Monkie Kid happened, I was so unbelievably happy. It was everything I wanted in a show, gorgeous animation, excellent voice actors, romance free and friendly to my desperate friendship-craving, romance-overstimulated brain and written in a way I enjoyed so much. I struggle to describe exactly how much I’ve adored everything this show has been up until this point. It truly is a masterpiece.

Monkie kid has kept me company during the lowest and roughest points in my life. I got to such a bad place mentally but Monkie Kid’s fast-paced, snappy, detailed, colourful bright animation brought light into my darkest mental times and not only helped me stay connected with people but kept me creating even when I wanted nothing more than to lay on the floor and never move again. I'm aware most of the flying bark team is active on the bird app and none of them are gonna see this most likely but I still just wanted to say thank you. Thank you so much for animating this show, thank you so much for giving it your all. Thank you so much for giving me something I’ve always wanted so perfectly. Thank you, thank you, thank you. Thank you for keeping me company at my lowest, thank you for sharing your joy of animation so I could catch some of those rays of sunlight and feel a little of that joy too. Thank you for your positivity and good vibes, thank you. 

I know so many people have gotten inspiration from flying bark and I have to add myself to the infinite list. My art has improved so much thanks to their inspiration. My style has developed, I’ve had so much fun, I’ve written some of my favorite works ever based off of expressions that the characters make alone. My last amv I made because I was so grateful for the animation that we'd gotten up to that point. I wanted to showcase, to thank, to appreciate. I didn’t know it would be a goodbye. Words can't describe all that flying bark's animation and even their storyboards have done for me. When nothing could make me happy, monkie kid wormed its way into my brain and somehow kept me in one piece. I know that wouldn’t have been possible without the animation that left me at the edge of my seat, breathless and laughing over how incredible it really was every single time. Every new clip, every new episode I’d pause and rewatch again, I’d rewatch over and over, I’d take screenshots of every goofy background character, I’d screenshot every expression I could, I’d go through episodes frame-by-frame, literally one at a time for hours on end just so i could catch every detail, I’d open my eyes wider and wider to try and take in every bit I could in a way I’ve never been able to do before because there is nothing else out there like monkie kid. There was nothing as fun and as joyful as every single frame that flying bark gave us. And I am going to miss that so much.

The fact that season 4 was a sendoff is so heartbreaking to me, it's hard to describe how devastated I feel knowing something that kept hold of my hand when I was facing hard hard things in my life is suddenly gone. I don’t know how to ever express how important this show has been to me, it’s kept me going and helped me get to a place where I could breathe again. It’s connected me with some of the greatest people I know. It’s given me incredible experiences, introduced me to what animation could be and I can’t lie and say it doesn’t hurt having to say goodbye so suddenly. 

I know this isn’t the end of Monkie Kid as a show. I know season 5 is still coming. And I also know Monkie Kid has lost a huge part of what made it unique and special, a huge part of its heart and soul. Without flying bark it feels like half the show is missing and although I hope I can still support the show, no one can deny the cavern-sized hole that is left by flying bark’s absence in it. The animation team has such an incredibly positive atmosphere around them that just absolutely radiates from the things they create. I am going to miss that so desperately in monkie kid. I’m going to support every other show flying bark works on, I’m still going to love their animation wherever it goes, but I am going to miss it in monkie kid like nothing else I’ve ever missed.

I do have some other thoughts regarding the new changes in monkie kid but I wanted to keep that separate from the actual farewell, so that’ll be it’s own post and I just want to end this by saying thanks for everything Flying Bark you’ve been a real one. Thank you, thank you, thank you. You’re already being missed so hard it hurts. Keep those good vibes and keep up what you’re doing. You all really are incredible and an inspiration to artists everywhere. We love this show because of the voice actors, because of the writers, because of the music but a great deal of people loved this show because of you. You’ve inspired a community of artists, you’ve inspired me. Thank you flying bark for everything you've given us, you gave it your all and I’m gonna carry the impact you left on me for the rest of my life. 

LOVE YOU FLYING BARK. Here's to a bright future. Thanks for everything <3 

[dnpbeats]

so much about why dan loves phil and how phil changed him but what about how phil loves dan??

Okay. When I first read this ask I was like "I got nothing" lol. now obviously not because I think phil doesn't love dan, clearly I believe that he does. but you'll notice that everything I said in my dan loving gremlin phil post was based on things that dan has said. and when it comes to phil, that man is SILENT!! he keeps his mouth shut. so I was like I have nothing to extrapolate from here. but! then I realized that's not true!! bc I think phil is very obvious with his actions!

and honestly just the fact that phil lets us see how much he loves dan through his actions speaks volumes in and of itself. because phil has said so many times that he's a private person, wants to keep any relationship he has private, etc., and I think he's proved that he's serious about that based on the fact that he hasn't said jack shit about dan in the way that dan has said stuff about him.

and yet, phil SHOWS so much how he cares for dan!!! and he says things that allow us to read between the lines! like phil buying the japan tickets and surprising dan with them in 2015. we know that dan is not an impulsive person at all and likes everything to be meticulously planned out. phil knew dan was never gonna bite the bullet so phil was just like "well this is a thing that's happening now" (see also: 2009, phil telling dan to buy tickets to come visit him for the first time and 2023, phil making dan come back to the gaming channel because he knew it would be enjoyable for him again). he just knows dan so well and loves him sm that he doesn't let dan stand in the way of his own happiness. and even though phil is private he allows us see how much he cares for dan, he doesn't try to hide it at all

and then just things like. phil telling the bbc he wanted dan to do the radio show with him. phil calling dan up on stage at the boncas. phil just randomly mentioning dan on his channel(/having dan be there) while giving no context bc at this point he expects everyone to just Know who dan is. phil talking about how proud he is of dan and his book at the end of the hair cutting video bc he knew dan wouldn't let him get away with saying that shit in front of him but he just had to say it.

okay and in terms how dan has changed him/bettered him. I do not think phil was necessarily an unconfident person/struggled in the same way dan did but like obviously everyone is gonna have their own insecurities. but I really truly believe that dan just, lets phil be phil. I was rewatching some of the ditl videos the other day, and in the manchester ditl there's the iconic "phil's in his own little world again" with the fondest laugh ever. but then! london ditl, dan saying yes phil should go climb on the lion and then filming him running over to it (and then being annoyed at the guy who told phil to get off LMAO). japan ditl dan telling phil to go run over towards the bird. do you catch my drift? like phil's a lil quirky but dan doesn't love him in spite of it he loves him because of it!! he encourages phil's phil-isms bc he loves them! and then also just little things like when phil swallowed the glue and dan knew he was anxious so he talked with the paramedic and then texted phil everything that they said and that he was gonna be fine!! I think dan is probably a voice of reassurance for phil a lot. like they just both know each other so well and they know exactly what the other needs, yk?

sorry that I let this sit in my ask box for almost a week anon I just had a lot of thoughts to collect but yeah <3 that's all

[chrisevansonly]

𝒊𝒕’𝒔 𝒈𝒊𝒍𝒎𝒐𝒓𝒆 𝒔𝒆𝒂𝒔𝒐𝒏 | 𝒄𝒉𝒂𝒓𝒍𝒆𝒔 𝒍𝒆𝒄𝒍𝒆𝒓𝒄

☁︎charles leclerc x female reader

☁︎there is nothing that brings in the fall feeling than a little cuddle on the couch and a binge watching party for gilmore girls…and yes, charles loves it just as much as you do

☁︎no warnings just very cute and wholesome:)

☁︎oh my godddd anyway we’re almost at the end of the fall celebration🥹 i’ve been having so much fun writing these and im gonna miss them so much! i feel like this is bad and crappy but ill be doing a christmas version in december so great ready for that ;)

If there was one thing Charles loved more than you, it was the little traditions you’d both started since getting together, many of them he’d adapted from you and your love for fall and all things october. More recently you’d introduced your boyfriend to Gilmore Girls, and if anyone knows this show, the best time to watch it is in the fall when the leaves are all changing and the weather turns a bit cooler.

“Do you need any help baby?”

You could hear his voice from the living room as you stood in the kitchen, just finishing up some last minute pastries and snacks for the two of you

“Um I think I might need some help to organize all of these things” you stated with a slight laugh, yes you were known to go overboard with food

“Wow, we could feed a whole family with this mon amour…”

Your cheeks flushed as you shrugged

“Well I did kind of invite Carla and Arthur to come over and watch…they’ve never watched it…”

It should be mentioned that you and Charles rewatched Gilmore Girls every fall, it was your favourite bingeable show to enjoy together

“What?!”

“I know I said the same thing”

Charles almost couldn’t believe your ears, if people thought Lando Norris was the king of sass, they’d be surprised to see Charles’s sassy attitude at home with you

“How can people just not watch Gilmore Girls? It’s just-it makes no sense.”

Laughing you walked over and pressed a kiss to his lips

“Don’t worry lovie, we’ll make sure they watch every episode carefully”

“They better, it’s important”

With a last dramatic sigh he moved to the kitchen to help organize all your snacks, which allowed you to pour the apple ciders in to your cute fall mugs, placing them neatly on a tray and bringing them to the expansive coffee table. Your next task as placing a few blankets on the couch and dimming the lights to perfect for your afternoon and evening of tv watching

“It looks perfect as usual baby”

Smiling you leaned into Charles’s side as you both examined your hard work, well more so yours because the last time the monégasque tried to help you ended up with burnt turnovers and very crispy croissants. He might be quite handsome, but he was a far better race car driver than he was a baker or a cook, that was for sure.

“Thank you lovie, now we just wait for Carla and Thur and we will be ready to go”

“What would I do without you?” Charles stated, leaning down to press a kiss firmly to your lips as you smiled

“Hmm..probably die of starvation and never know the beauty of Gilmore Girls…”

At this Charles simply laughed, he couldn’t agree more with that, although he could cook a pretty mean toast for breakfast, he knew, better than anyone that he was the luckiest man in the world to be here with you.

Even if he had to share his binge watching duties with his little brother and his girlfriend…but let’s be honest, it couldn’t be that bad.

[sophies-junkyard]

NOBODY ASKED but… Obviously Simon’s arc in adventure time solidified the series as one of greatest of all time (and I’m so hyped for this ice king sadness renaissance) but now I’m thinking of OTHER Adventure Time moments that rewired my brain as a kid. In no particular order:

1. “Once the strong guys got it how they liked it they said ‘this is fair now. This is the law.’ Once they were winning they changed the rules”. They really had the cartoon dog say that on tv in 2014.

2. “People get built different. We don’t have to understand it, we just gotta respect it”

3. The entirety of All The Little People. That shit was absolutely nuts for a kids show but also like…. I can’t articulate the lesson I just know there was one and it haunted me. The danger of the human ego. Hubris. Irreverence. Don’t play god bro.

4. Lady and Peebles. When PB ripped Ricardio’s leg off and bashed his skull in with it. And it was so hardcore they edited it out of the episode. Bro. I remember watching that after school one day and how my jaw just DROPPED at a PRINCESS being so brutal. They let her be so fucking angry and that was a game changer.

5. [Finn, about a horrific memory] “that one’s going in the vault. Aaaaaaaaaandd. It’s gone.” I quote that CONSTANTLY. It’s a great way to bring levity to a bad situation, but also forces me to go “hey wait a sec that’s not gonna work forever”. Things don’t stay in the vault.

6. Puhoy. He lived an entire life in that pillow world. He had kids. And then it’s just gone like a dream.

7. The deer. It was probably my first real introduction to horror. The hand wiggle. You all know exactly what I’m referencing. Were the candy people stuck in that well for 6 months???

8. What Was Missing!! Obviously now because it foreshadowed (and confirmed past) Bubbline, but back then just because it was so good??? IMO, this is the episode that defined WHO our main cast was, and how their relationships needed to grow for them to be content. It set up the next 6 years of the show! Plus it gave us 2 absolute BANGERS. Ugh i rewatched that recording so many times it wasn’t even funny.

9. Ghost Princess. Really just for the line where he sounds like he’s gonna shit his pants remembering his death and then in a clear narrator voice he’s like “I was a broken man.”

10. The pajama war episode. Now I’m doing this from memory so I could be wrong, but I think this really marks the start of Finn growing up. “I’ve really enjoyed just… hanging out with you.” The ability to start over with someone you’ve got complicated history with. The kindness. The growth from both of them!! It’s a direct parallel of episode 1 but their tones couldn’t be more different and I love it.

11. The slow and horrifying realization that The Mushroom War was nuclear Armageddon. Mushroom clouds. That went so far over my head as a kid even though they reference it constantly. It finally clicked during “I remember you”. Which I am NOT gonna go into because holy fuck that’s like 18 posts on its own.

12. Goliad! A child mirroring EVERYTHING they see, for better or worse. Seeing Jake in a bad moment screaming at the kids and goliad absorbing that behavior. Seeing she can use fear to control people. Also PB was Fucking Crazy! Her line “I’m not gonna live forever… I would if I could” is even more unhinged when we learn (like years later) that she’s already 900 years old. But she does physically age so I guess there’s that. The Suitor also falls into this category of episodes.

Ok getting into some of the more talked about moments

1. OK I LIED I have to talk about I remember you. I was 11 years old. I turned on the new adventure time episode like usual. 10 minutes later I was grappling with a grief I had never imagined before. Absolutely BAWLING not just for Simon and Marceline (the PLOT), but for what it showed me. The reality that every kid tries not to think about: your loved ones will leave you someday, even if they don’t want to. It’s an episode that becomes more powerful with every year I get older. To get a bit personal, dementia has completely taken my grandparents from me. I’ve seen sides of my grandfather that should never have existed, and I must constantly forgive him for what he does… now that he doesn’t remember me. And someday it’ll be my parents. That’s just the way of the world, ya know? Anyways, I remember my mom got home right as the credits were rolling and we had a long talk about keeping people alive with memory, mortality, and how the future was far away and we should decide on dinner lmao.

2. The Hall of Egress. I was almost 15. Life was changing. I was changing, and it was strange and frightening. That feeling where you know you’re losing your childhood but you just want to cling to it. Follow the same old familiar path, stick with what’s comfortable. But life doesn’t work that way. It took me years to really understand this episode and it’s symbolism. Honestly I still don’t think I could fully explain it. It’s like. How do I put this. I was so glad to be in the target age group in that moment. I was so glad that something I was growing up with was assuring me “you’re changing, but we’re changing too”. And isn’t that the theme of adventure time? Everything stays, but it still changes.

3. The absolute horror of Ferns existence. He’s Finn, but he’s wrong and warped. All those memories of the people he loves and they can’t stand to be in the same room as him.

4. Susan Strong. The introduction of a RUNNING PLOT. The show up to that point had really been so goofy and so monster of the week. I think the only really plot heavy episode before this one was It Came From the Nightosphere? And then suddenly they call into question the fact that Finn really is the ONLY HUMAN in all of OOO. And then… is he? It was SUCH a departure from the usual tone. Ending that episode with him reaching below her hat and gasping in shock, but never telling the audience what he found. And then she’s just gone. Which leads us to Islands!

5. Min and Marty. Second saddest episode in the entirety of adventure time, made worse because you know exactly how this family is gonna end up. There’s SO MUCH to dissect about Martins behavior in the series. A reformed con artist receives a traumatic brain injury while attempting to save his son. They’re both lost at sea, and he never looks for him. Was it the emotional trauma? Was it the physical damage? Meanwhile a mother loses her husband and her child in a single night and never EVER learns why. Nobody but Martin knows what happened that night. Also Finns fear of the ocean from season 1 is finally explained. 7 years of ignoring Finns origins and then they throw you THIS??? Watching it live was unreal.

Anyways I’m sure I’ll think of more. I might add on to this later for my own sake lmao, but I’d love to hear other peoples formative moments, quotes, episodes, etc. I really just needed to dump this information out of my brain so I can get on with my week.

[yutaspierced]

So I was rewatching the Eddie Gets Shot episodes (like one does late at night while catching up on admin) and ALSO thinking about Tommy’s comment that the 118 should have their own hospital wing, when my thoughts spiraled.

What if Tommy was on shift when the 133 called in Eddie getting shot? It was probably on an open emergency line, right? They identified him as “firefighter Eddie Diaz of the 118” over the radio on the way to the hospital. Hearing repeated and increasingly frantic “shots fired” and “firefighter needs help” over and over with gunshots in the background over the radio has to stick with a guy, you know? Plus, Eddie and the other firefighter who got shot were kinda infamous in LA first responder circles after that.

So when Chim introduces Buck and Eddie to Tommy before they fly off with Hen to rescue the cruise ship, that radio call echoes in his head so loud he can barely hear anything else. Oh. Eddie. Eddie Diaz of the 118.

Then he’s getting to know Eddie and hang out with Eddie and like Eddie. Of course he’d never ask, just like he’d never ask Eddie how he got his silver star. You don’t casually ask a guy to relive that kind of trauma. But it sits heavy in the back of his mind. This great guy he’s starting to be really good friends with was the firefighter that needed help.

And then he gets to hear Eddie talk about Evan and Christopher talk about Evan and he starts to truly understand the depth of Eddie and Evan’s connection.

Then he gets to spend more time with Evan and hear Evan talk about Eddie and that call over the radio rings through his mind again, because Evan. Dear god, if this is how closely these two are intertwined, what that day must have been like for Evan.

And then I got to thinking about Bobby radioing in a, “Mayday Mayday Mayday, this is Captain Nash of 118, we have a firefighter down …” and that probably made Buck a little infamous too but what if Tommy was also on shift for that and it doesn’t really hit him until the first time he sees Evan’s scar and everything clicks into place. That firefighter that got hit by lightening at the 118 was Evan and fuck that day must have been hell for Eddie.

But Tommy’s been over at Harbor for five years, right? So he might also remember the firefighter from 118 who got caught under that ladder truck because it was all over the news for a week. But it’s been a long time and the firefighter’s name kinda fell out of his head. He knows it was someone at the 118, but not anyone he’s familiar with. But Buck showed up to that first basketball game with compression sleeves and a brace on one of his legs and he made an offhand comment about an old leg injury acting up because of the rain the other night and fuck that was Evan too.

Basically, what I’m getting at and what I wanna ponder more is Tommy and these two inseparable, gorgeous, strong men he’s suddenly got in his life. And Evan, who he’s probably starting to love a little bit even though he’s wayyyyy too old to believe in silly things like that only a few months in. And Eddie. Eddie, who Evan would die for and Tommy who doesn’t have their history but might not hesitate to either. And how much pain they both have stored up in their bodies. How many times the world has tried to take them and probably will try to take them again and again. How radio sqwauks are a little more emotional for Tommy than they’ve ever, ever been in either the LAFD or the army.

Anyway this is what I’m gonna be chewing on.

[lesbianphan]

I know this is gonna be mushy and overly emotional and I'm sorry for oversharing a bit, but I feel like it's necessary to put into words what rewatching We're All Doomed means to me personally. I watched the kiswe premiere event live and it was one of the most fun nights I've had in a while, even though my life felt extremely hopeless at the time.

And, look, here's the thing: when the WAD premiere dropped, I had completely given up on improving things. In fact, I was very much in the 'doomed' mentality. I had long accepted that there was no way my life would get better. So Dan's message really resonated with me: it's easy to settle for being at rock bottom and thinking that's all there is for me. I was happy to see Dan doing better, but deep down I didn't truly believe his words either, not really. I did want to, but I wasn't quite there. And I don't believe them all the time, as he himself said he doesn't, and doing the show many times hammers the point home into his head.

After experiencing it, I thought maybe, just maybe, I could stop only embracing the void, but start having the courage to exist as well. Putting myself out there more, trying to make a world for myself in which I'm not the :/ emoji all the time. So I applied for the jobs, I wrote what I wanted, I unapologetically embraced the nerdy things and the fandoms I enjoyed. I decided I can choose happiness in the smallest of ways, even when it sounds silly and unimportant. Because it isn't unimportant really if it means something to me.

Rewatching the show last night showed me how much it changed my life and the big leaps it helped me take in life. I have so much more to learn, but I keep telling myself to be brave (lmao sorry had to sneak the Phil reference) and have the courage to exist. Really truly exist out in the world, not hidden inside my room. And sure, some days are harder than the others, some days I really don't like myself at all. Even in those days, though, I tell myself: all I have to do is have the courage to exist.

I went in to watch WAD with no expectations, and I feel like the message of appreciating the little moments was so monumental, it truly absolutely had a huge impact in my own life. I have a job now, and some financial stability. To be honest, I never thought I'd get this job, I might not even have applied if I wasn't in this mindset. In so many ways, Dan and Phil have profoundly changed my life, and I think WAD is just one of those big examples.

I doubt the real humans Dan and Phil will ever understand the impact they've had on this world, but I'll forever wish them the best. I'll always support them, because their creations have irrevocably changed me as a person, and as much as I like joking around and stuff, I'm just thankful that we share this existence, and we get to have fun and be forever changed by it.

Thanks @danielhowell, you'll never know how huge the impact of this show was, but I am truly crying writing this and I hope one day I get to tell you in person how much you inspired me to keep going when no one else would.

[onehundredandeleventropicalfish]

so i keep referencing the What Broke Delirium essay i plan to write but never actually writing it, so let's dig into that one!

because. sandman does not spoonfeed information. neil gaiman even said this in regards to the tv show, most shows are written these days under the assumption that audiences aren't really paying attention and need things spelled out for them - but sandman is not one of those shows. you gotta notice everything to get the full story

which honestly i love in many ways because it's part of why i'm never gonna run out of sandman essays to write - every time i reread the comics or rewatch the show i catch something new

and this is one of the first hidden bits of info i caught - remember this spread from overture?

it's a fucking gorgeous page and one of my favourite in the entire sandman run, both for the pretty art and the content itself (i love delirium SO much)

but let's just zoom in on the center of those flowers for a sec

because there's tiny tiny text written inside them

(for anyone who can't parse that, the first says "delight was sad", the second says "delight went mad")

now i've mentioned in many of my posts before that the endless all struggle to experience their own aspect, they are that thing, it exists for the most part out of their reach, and that causes problems for all of them

but i usually leave delirium out of these explanations

and that's because, for whatever reason, delirium is the opposite. and delight was too. i don't know what it is that makes her different, but while her older siblings all seem to be barred from their own domain by nature (or have to go to great lengths to experience it), del is too much of it. she's utterly absorbed by it. and while i think she's learned over the centuries how to be a bit more flexible (she understands the coins have two sides thing better than any of them, and can be lucid when she needs to), she didn't start out that way

we don't know what it is exactly that broke her. but we know why.

she had spent all of her life as the personification of happiness and joy, and someone who embodied those emotions. she appeared most as a little kid as delight, because kids definitely find it a lot easier to stay in that perpetually excited, happy mindset

but nothing stays that way forever. and this is where she is like her siblings, and why she's so familiar with the coin metaphor - when you're missing a fundamental piece of being human (either by being barred from your aspect or by being absorbed by it), that's not sustainable. it will tear you apart. dream refuses to accept that this is the case, and that breaks him. desire is equally stubborn about it, and they've outright admitted (in narration) that they're hanging on by a fucking thread

but death figured it out, when she realised she couldn't fulfill her function properly without learning what it was like to live. destruction figured it out when he ran away to go create. and delirium figured it out the hard way, because as soon as the world got a little too big for her singular aspect to make sense, it shattered

and it shattered slowly

there may have been some form of inciting incident, but she didn't become delirium overnight. i think a lot about her describing it as "growing up, or at least growing older", because that's both a very mature way to look at it and also an extremely tragic way to look at it, the idea that she knows too much, is never going to see the world the same way again, and that means delight is never coming back

(and that realisation is when she stopped presenting as a child and started presenting as a teenager)

and i think for a while, early days of being delirium, not delight, she didn't know what to do with that. delight broke into scattered pieces and the more fell away the harder it became to connect them

but she's also the only one of her siblings who's picked herself up from that. and it's why she's the wisest of them. because from there she learned

okay, so her innocence is gone. so delight isn't coming back. but there's still parts of her around, if delirium ever needs them. and the more she observes about the world, the more she experiences, the more different pieces she gets to add to the puzzle. they don't fit together, but that's del's real strength - they're not supposed to. she could have tried to reassemble herself piece by piece, like gluing together a broken statue, but why would she do that? then she'd be exactly as breakable as before, if not more so

instead she's more of a floating amalgamation of pieces, or rather, she's the ties between them. and because there's no set puzzle, she can put those pieces together in any order. she's no longer susceptible to the same problems as her siblings, because she's not missing anything anymore. she didn't lose parts of herself when becoming delirium, she gained some

and yes, no one is entirely without flaw - her downside is she's still susceptible to strong emotion, and when that overwhelms her mind she stops being any kind of person, we just see that floating amalgamation, until she can calm down. but that's the worst of it. her siblings may see her as broken, but she's more whole than she ever was as delight. and she's never going to break again

[livelovecaliforniadreams]

I Am All In Rewatch - Jess & Rory - Episode 3x20 (Part 1)

[Yeah. Here's my question for Scott. Does Jess treat Rory like dirt?] Yes, but he doesn't do it intentionally. He's out of control of his psychological and emotional state. He has no control over what he thinks and what he feels. He's just getting swept away emotionally and psychologically by his anger, by his sense of loss. And he's a very confused young man and it's, it's heartbreaking to watch because this happens to a lot of kids, male and female, you know, and, and he's just completely out of control and it's yeah. [Why is he like being kind of coward?] Because he's never, he's never, he wasn't raised properly. He, he, he, he'd never saw an example of what normal was growing up between his mother and his father. His father was gone and you know, Lord knows what his mother was up to when he was growing up. He doesn't, you doesn't know what normal is. He doesn't know the rules of the game. He just see's something he senses Rory can, is an intellectual equal. That's what turns him on. She's obviously, you know, easy on the eyes as, as, and she's an attractive girl and he wants to be with her. He, he, I think he falls for her pretty quickly and senses that this is a far more stable person. She's a lot like me in many ways. And I love her and I want her and no one's standing in my way. He doesn't take the normal route. He doesn't do the normal things to, to get her. He's he's a guy, who's a Maverick, a loner he's depressed. He's full of anxiety and rage. And he just doesn't know how to operate in the real world. He's never seen it. You know, his parents never showed it to him. He's just guessing at what to do. This, this is not a situation where Luke can rescue him. Right. He's it's, he's, it's not possible. The kid needs to be in therapy and he needs to, he needs to talk to a professional and he needs to do it for over a long period of time. Luke is just gonna get chewed up doing this. Hopefully Luke can inspire in him the strength to, you know, look in the mirror and, and say, listen, I need help. I need real help. -Scott

[macdenlover]

My fucking god. There is so much to take apart.

This episode gave us a peak into Dennis’s mind and it’s the closest thing we’re gonna get to putting him under a microscope like a little bug and studying him in a lab. It isn’t what I expected from this episode but man oh man am i glad to have it. There’s a few things we need to establish first that’s gonna be the basis of my analysis. Dennis is angry, but he ultimately uses that anger to mask fear, pain, and every other emotion that he doesn’t allow himself to feel. Also, the entirety of the episode— every little detail was intentionally conjured by Dennis’s mind either consciously or subconsciously so none of it is off the table to dig into.

There’s two big things at play here— one, his desperate need for control; and two, his instinct to self sabotage. This episode did one hell of a job at showing how woven together the two are.

The essence of Dennis’s character is this impenetrable shell he’s built to protect the vulnerable part that sits at his core, and we finally got to see HOW he builds that shell piece by piece. This is the pressure-cooking of the diamond— if you apply enough pressure it’ll harden the shell.

Everything is thrown out of balance when Dennis learns about his high blood pressure, but what really bothers him about that is the inevitability of aging— something we’ve seen him be insecure about for many seasons. But what’s different about this episode is that while his usual fear of aging comes from vanity, this time it’s combined with Dennis being so afraid of the world around him changing and leaving him behind. This follows the thematic trajectory of this season— all the characters struggling to cope with inevitable change. 

A stress-free day at the beach is a pipe dream. Happiness is something so hopelessly distant from him that he builds a fantasy about chasing it while never getting there— sabotaging the plan because he either thinks it’s too impossible, something he doesn’t deserve, or both. This is not the first time we’ve seen this from him. In The Gang Saves The Day, the rest of the gang’s fantasies revolve around them finally getting their dream ending, while Dennis’s stuck out from the others as a barely comprehendible mess of his own misery. (I’m gonna rewatch this episode soon and give you a full breakdown of my thoughts). Dennis self sabotages in his own fantasies because he can’t imagine a reality where he is capable of getting what he wants. Dissatisfaction is something so permanent to him, and Dennis Takes a Mental health day is all about him trying to cling to things that are permanent to regain his sense of control. He is creating uncertainty in his own fantasy so that he can be certain about it. He is such a broken man and it is such a fucked up cycle— one thing continues feeding into the other. “The pin’s the key to the phone, the phone’s the key to the car.” 

The primary source of his frustration in this episode was the automated systems, which I think holds place to represent more than one thing. It’s a symbol of the changing world that he can’t control or escape from, but it also represents the parts of himself he’s fighting against. He forms systems in his life that are so methodical and complicated that it gets in the way of his ability to have real human connections. They went right on the nose with it in this ep by having him spelling out his own name as an acronym in a fit of rage. Subconscious Dennis’s d.e.n.n.i.s. system is fucking crazy. 

D- “Deliver me from this”

E - “Engage with human”

N - “Nightmare”

N - “NIGHTMARE”

I - “Is this real?”

S - “Somebody help me”

If you interpret this as his frustration with not only the state of the world but himself and his perpetual loneliness it gets incredibly heartbreaking. Guys I’m really tearing up here. 

His interactions with others in this episode also say so much about him and the inner conflicts he’s experiencing. He knows he establishes control by taking his frustration out on other people, but he simultaneously struggles with that making him a bad person. He yells at the customer service workers and then APOLOGIZES and reassures them that it’s not them who he’s really mad at. He doesn’t mean to take it out on them. (Potentially wild implications for Dennis woobifiers here.) He wants to take his frustration out on people who he believes deserve it, like the CEO. He gets to see himself as a hero in this story even if he’s miserable. If happiness is a pipe dream, he can settle for second best which is the rush he gets from taking his pain out on the guy who fucked him over. But he is simultaneously the person he spent his entire fantasy craving a real human connection with. He doesn’t know how to do that. It got weird and a little sexual (he definitely wanted to fuck that guy till the room stank). he is vindicated with violence at the end, which is ultimately what he will always resort to because it gives him the sense of power that desperately needs to make the frustration, vulnerability, and weakness go away (mentally AND physically). This is his cycle. 

I’m not sure Dennis could have an episode where he breaks down and cries and has a huge cathartic moment and then goes back to his regular self the next episode the way Mac and Charlie have. Dennis is a whole other can of worms. RCG are comfortable with exploring different sides to these characters as long as they are kept in a state of limbo for the length of the show, but letting Dennis openly express his feelings (even to himself) might make it impossible to come back from because this is literally the entire crux of his character. The last time he opened up emotionally he fled to another state only come back a year later more hostile and emotionally distant than ever. They had to put a hard reset on him after season 12 because they knew that version of him didn’t have longevity in the show. I WISH so fucking bad that they would explore the vulnerable parts of him more explicitly on the show but for now I will settle for being a little vulture and picking it out of the carcass of this season. 

[thursdayinspace]

Hi friend! What are your thoughts about Anasazi? 🤣😉

oh god one day i will have to make a real post about this. maybe on my next rewatch. but my immediate thoughts?

love can be expressed in so many ways. like shooting your friend in the shoulder and keeping him unconscious for what must have been a three day road trip across the country. after that friend had accused you of working against him.

honestly, it is such an important episode for them. mulder's father gets killed and he feels sick because someone has drugged the water in his apartment building, and he goes straight to scully. he isn't even thinking straight anymore at that point, but he needs scully, he's gonna be safe there when the whole world is against him. and scully does keep him safe. she knows him. she trusts him absolutely.

mulder believes she betrayed him? no, he doesn't. she knows he doesn't believe that. he's had something done to him. she figures out what it was, shoots him before he can shoot krycek and put that on his conscience and his permanent record, and takes him on that insane road trip -- i really want to know how she even managed that. if that isn't a true act of love, what is? it must have been difficult. they didn't make that trip in a day. and, you know. she had to take care of him. with . . . all sorts of physical stuff. that's friendship.

and he did not expect that. even saying thank you is something he has to figure out how to do. not because he isn't grateful, but because who has ever done something that big for him? who has ever done anything big for him without an ulterior motive? and she keeps doing it. she keeps being there for him. no matter what. it has to be a process for him to figure out why, because she doesn't ever really ask for anything in return and she never uses it as leverage to get anything from him.

he understands what she did for him, but i don't think he fully grasps the entire meaning of it yet, because he can't. friendship and love is conditional, in his experience. not in the way he loves other people. he loves unconditionally and with all his heart. he just doesn't expect to be loved back in the same way. but i think this, the way she takes care of him here? i think he sees for a short moment, before he shuts that part of himself off again, that there is somebody who believes he's worthy of being loved just for who he is.

over the course of their partnership, she gives him more and more moments like that and they accumulate over time. but it takes him a long, long time to be able to take that risk and stand still long enough to be loved. because that is such a risk. so he runs and runs and runs, making himself a moving target so her expressions of love graze him but never wound. but scully is a good shot. she doesn't just put a bullet in his shoulder. she hits him right in the heart with the full force of her trust, loyalty, and love again and again, until he realizes that it doesn't hurt. it doesn't make him bleed. it heals him.

and this episode, what she does for him here, that is one time he cannot dodge the bullet. he walks away from that adventure with a new scar on his shoulder and a little bit of that protective wall around his heart chipped away.

[bluberryfields]

"What the hell did you just do?"

Part 2 of whatever. Continuing on with Tadfield Manor scenes, we get to the infamous "Wall" scene. I know it has been analyzed by many so far, but that's never stopped people in the world of literary analysis from spewing their own thoughts on well-reviewed texts. Also, I just want to.

Okay, so once they enter the manor building and see the management training branding, Crowley decides to "help out" and make all of the paintball guns into real machine guns. He snaps his fingers and points double finger guns at the passing "soldier".

Aziraphale is dumbfounded. "What the hell did you just do?

Such language, Angel! And no physical reaction to it like Crowley did when he said "Heaven's sake" in E6. Huh.

Crowley, meanwhile, is thoroughly pleased with himself. They want to battle? He's happy to oblige.

This plus the scare in the courtyard lets us see Crowley enjoying the few perks of being a demon. It's fucking adorable.

Aziraphale cannot comprehend how Crowley - who just miracled a stain away on his coat because it bothered him - could do something so thoroughly evil. And with a jaunty step!

If Aziraphale had pearls, he'd be clutching them so hard.

To which Crowley takes the opportunity to once again point out the flawed binary system of morality. We the audience will see this argument again in the Body Snatcher minisode, so it's fun to see how these two keep having the same old debates throughout time just with different causes with which to start from.

Pointing out hypocrisy while slinking down a hall? Crowley, you delicious tramp.

Aziraphale is still thoroughly horrified, but Crowley concedes with a sigh that everyone will, in fact, be fine. To me, his tone is a mix of disappointment at him not being quite as much of a bastard as he paints himself. He can't really hide his true self from Aziraphale.

I love how he can't stop moving his body. Snakes gonna slither.

Then here is it. The big moment. Smug little Aziraphale feels the need to mention how nice Crowley is underneath his demonic persona.

We now know that this is a reoccurring exchange, where Crowley must defend his title of Big Bad Demon in front of Azi's kind compliments. There's serious consequences to Crowley being labeled "nice" and Azi knows this by now. So why does he keep bringing it up? To provoke Crowley? To finally break him into admitting Azi is right? It's not like Azi can protect Crowley from Hell's wrath, but he pushes anyway.

I thought Crowley was the shit-stirrer in this relationship.

And now my favorite part. Sister Mary shows up and rightly implies these two are about to nail each other through the drywall. But when she recognizes Crowley, he stops her in her tracks.

The sass! It's off the fucking chart! Only an Angel could withstand such a display!

Aziraphale just straightens his clothes and lets the sass go unchallenged because he's still has a bit of self-preservation instincts left.

So I already talked about the "Luck of the devil" line from Aziraphale here, but it truly is a fun moment in the context of the whole scene. Crowley is worked up from the "nice" comment and Aziraphale's seeming refusal to stop analyzing him.

Horny Aziraphale is sassy and Crowley looks like he wants to bite through a door frame.

So, obviously, I've spent way too much time rewatching these scenes, but I do find it so interesting how we see so much of their relationship on display within just a few minutes. The different personality traits to draw them together while also pushing them apart.

The way Aziraphale knows how to work Crowley, who in turns knows how to indulge appropriately. (*cough* bullet catch *cough*)

The way Crowley happily taps into his demonic toolbox to spread a bit of chaos without actually causing serious harm. (*cough* Job *cough*)

The way Aziraphale reflexively tows the party line of Heaven even in the face of Crowley's demonstrations of humanity's instincts. (*cough* all of time *cough*)

And basically the way they bring out the best (and sometimes worst) of each other. Some might say they're a team. Or a group. A group of the two of them.