I’ve been curious about everyone’s favorite bmc songs.
So! Rant to me about your favorite bmc song >:)
ANON YOU HAVE COME TO THE RIGHT PLACE AND ALSO NOT BECAUSE I HAVE MULTIPLE AND I CANNOT MAKE DECISIONS FOR THE LIFE OF ME
first up is ALWAYS gtikbi idc it's a FUN SONG it's bouncy and happy it’s cringe it’s campy it’s the basic romance song for the female lead and i love it and i love christine and i love stephanie hsu she sounds amazing and the jake twist at the end the first time i heard it I was like 😦
i’m going off of the music but if we talk about the visuals then the HEARTS the cardboard hearts are so fun they’re so high school theater esque and the rest of the cast popping in and dancing and singing the way they randomly stick their head in kinda makes me feel like they were eavesdropping or something tbh and the way the squip was so sure of himself in bway he was literally smiling and conducting them hello
a strong STRONG contender is mts we’re introduced to everybody and it gives a good look into everyone’s character and a good look into JEREMY specifically and how he interacts with everyone and how life is for him and for everyone there’s michaels little solo which is a BOP every time everyone sounds so good and there are a bunch of underlaying motifs/melodies from other coming songs which is so cool for example smartphone hour when they’re talking about madeline and mitb + pants song during michael and jeremy’s convo
and VISUALS the bus effect and the classroom choreo is so funny every time and all their little mannerisms and the way they interact with each other throughout show their personality there are SO MANY DETAILS i think i lowkey learned the end bit of the bway choreo from watching it so much
i can go on about more songs but i think these are top two anyways thank you for the ask anon!! i bet a lot of people had a lot of fun answering them
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Thinking about Margrace as Joshua's name post-Phoenix Gate.
Mar-grace.
In FFXVI the Undying choose their own names (Cyril explains this in-game), and many of them have names drawn from Final Fantasy XII, including their leader 'Margrace' himself, from Al-Cid Margrace. The page for Al-Cid notes that Margrace is likely an alternate form of the title 'margrave', an old title for military commanders on the border.
That aside. This is the name chosen (by the boy himself?) for the boy who should have rightfully been known henceforth as 'Your Grace', 'His Grace'.
Grace (style of address), from the Oxford English Dictionary:
With a possessive adjective: a title of respect, esp. for a person of royal or noble rank. Frequently (in 'your Grace') as a form of address. Now archaic or historical.
Formerly (in England until the reign of Henry VIII and in Scotland until 1707) used for a monarch or prince; now replaced by Majesty or Highness.
Even so, "Majesty" for the sovereign of England was not used exclusively; it arbitrarily alternated with both "Highness" and "Grace", even in official documents, until "Majesty" finally became the official style to the exclusion of others (source).
Grace (other meanings):
1. Divine favour, benevolence, or providence bringing about worldly benefit or advantage.
2. A person's lot, destiny, or fate; luck, fortune.
3. The quality of being pleasing; attractiveness, charm; esp. (in later use) refined elegance of manner, expression, form, or movement, esp. regarded as natural or effortless; gracefulness.
Whatever the etymology of margrave, the name Margrace in-game is probably meant to call to mind the meaning of 'mar' as in damaged, spoiled, ruined. All the grace that ever belonged to his family, his home, his birthright—marred, of course.
Mar+Grace, the last heir of the oldest unbroken ruling dynasty in the Twins at the time of the opening events of the game**.
The living ghost, carrying the desecrated corpse of his legacy in his new name. Introducing himself by his humiliation: "Hello, I am Margrace", "Hello, I am the ruined dignity of my house." "Call me Margrace", "Call me the wreckage of one fallen from divine favour." "My name is Margrace", "My name is blemished fortunes and diminished nobility".
It's appropriately brutal and dramatic for such a character, especially since the game is frustratingly silent on how Joshua personally feels about the loss of his duchy which is a rant for next time.
**Footnotes:
In the Year 860 (Prologue year/Phoenix Gate), Rosaria is about 260 years old (est. Y600). Older, if you count from the time of the Rose Alliance (est. Y550). The Rosfields have been on the Rosarian throne since the inception of the duchy in Y600, and prior to that House Rosfield was already known to be the chief of/the preeminent house of the Seven High Houses that united to found the duchy. House Rosfield has held ruling power for 260-310 years at a minimum.
For reference, England's longest-reigning dynasty was the Plantagenets, who held on for 300+ years. Rosfields aren't doing half bad!
Veldemarke would have been older had it not been overthrown by Barnabas; therefore Waloed is the youngest nation state at the time of the prologue (only 17 years old). Also we do not know much about the governance of Veldemarke, although as a 'kingdom' it was likely some type of monarchy.
Sanbreque was formed 100 years after Rosaria, and at any rate is not actually a hereditary monarchy. The Holy Emperor is voted into office by his fellow Cardinals, likely the five who form the Council of Elders. We are also explicitly told that Sylvestre 'won his throne' in 865; there is no indication either way that his predecessor emperor was a Lesage. The wording suggests the throne is not Sylvestre's by lineage or birthright. How this is supposed to relate to the concept of Sanbreque having a 'crown prince' (Dion) is unclear and contradictory, since an emperor by election should probably not have the authority to unilaterally decide on the succession of the throne, and his issue—legitimate or no—should not automatically be in the line of succession.
Dhalmekia is a republic with elected officials.
The Iron Kingdom apparently has a royal family, but nothing else is known apart from it being impotent and sidelined by their state religion.
The Northern Tribes likely do have hereditary rule, and Jill is referred to as a princess, but once again little is known.
Ergo—and I am ceaseless in this propaganda—Clive and Joshua are really, properly posh! Absolutely baffling that Anabella would allow anyone to put down the pedigree of her sons when they are so blue-blooded precisely because she is! For someone with such entrenched ideas of blood purity she should not stand for it, no matter how she feels about her eldest.
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hi!! i know u talk a lot about aromanticism a lot on here, but i don’t think i’ve ever seen u talk about aromantic anthy. would u mind discussing/elaborating on it or linking to a post where u do because i’m very curious!!
i got a similar ask half a year ago or something ridiculous like that on my main blog, but i’d like to really do justice to my url right now and explain it in more concrete terms.
i will say, it’s important to bear in mind that this reading of anthy’s character is very much informed by my own experiences, and a lot of those experiences are ones im not keen to talk in depth about. but you know. let’s make some nebulous gestures towards ideas of being traumatised, being autistic, struggling to meaningfully connect with others and honestly not really wanting to do such because of how they treat you.
like ive previously said, an aromantic perspective on the world would, i think, really benefit anthy. when youve lived your whole life experiencing violence at the hands of these patriarchal structures, of which romance is absolutely one, it’s kinda like. damn. im uncomfortable buying into those ideas.
anthy also has this lovely line in ep 19 where she says to utena ‘romance either happens or it doesn’t’ and it’s just sooooooo. so very interesting to me, actually, that anthy would say something so black and white about ‘romance’, a topic that anthy knows better than a lot of rgu characters is hopelessly confused and arbitrary and often enabling violence. and utena (fellow aromantic gaybo) says 'yeah, i know, but...'. these simplifications, these elisions. what is and isn't articulated. but what? maybe things are much more complicated than we'd like to think.
anyway enough of that tangent. one thing i as a trans and aromantic person always return to when discussing trans and aromantic readings of characters/texts more broadly is that there's no singular piece of evidence that can really cement these readings as Undeniable. it's like. okay. there's a critique of romance as a patriarchal structure in revolutionary girl utena. there's an ambiguity about anthy's feelings towards characters like utena, where there is clearly a queer connection but it takes shape in unconventional and complex ways. me, i'm aromantic, i see all of these pieces and i go oh well that's because she's an aromantic lesbian. you know, there's plenty of little moments i can evidence but those moments can be used to argue for an alloromantic lesbian anthy too. romance is a very arbitrary thing and i think everyone should take their own approach to it unapologetically. of course, mine is that it's hellish and i want nothing to do with it, but im just one guy. and im okay with that. i feel strongly about this reading and it is personal, and id be dishonest to say otherwise, but i do also find that it's well-evidenced in the text. as one of my lecturers once said, don't worry about authorial intent, it isn't real <3
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It happened in the blink of an eye.
The Alpha Alakazam glanced at Khan, who had been oddly subdued since begrudgingly giving up where their next destination was, and then Ingo heard “you might be surprised by what you need,” and suddenly he was in the middle of a blood bath.
And Ingo was no stranger to battles- he and Emmet made a living off them, after all, and he'd participated in a handful of raids against scientists who thought they knew best for the world. He had seen the aftermath of people who had been attacked by wild pokemon, and what remained of those who decided their best course of action in life was to jump into a set of train tracks. It was never any less horrifying, and Ingo occasionally had nightmares about what he'd seen, but where he was now…
It simply was a nightmare.
Fires burned in varying degrees all around him. Some consumed trees, and some consumed bodies. He tried to find something to put them out with there was nothing nearby. Not even snow. At the sound of laughter he turned his head to see a group of humans in pale tunics walking away, a few of them carrying bloodied sticks. Anger flushed through his veins and he went to chase after them but was pulled backwards instead. He tried again, and again, but their strange words vanished into the forest and faded into darkness. Ingo was left surrounded by corpses of pokemon, confused and horrified.
There was nothing he could do, and he didn't know why he was here.
The sun faded in the sky and the fires began to die, slowly turning to embers. The bodies they'd consumed were nothing but charred husks, and the primitive buildings he'd first thought to simply be fallen trees collapsed on themselves with no support left. It has taken Ingo longer than he cared to admit that this hadn't just been a group of pokemon- it had been their home, where they'd had their own rooms. There were enough bodies here to be an entire family, the kind biologists loved to see where he came from. They were so few and far between, requiring a curious amount of intelligence, teamwork, and tolerance. He knew people, personally, who would have loved to observe this family.
And here he was, observing their bodies instead.
A terrified yelp grabbed his attention; another den had just collapsed. Apparently this inhabitant had been alive. Ingo dashed over and tried to remove branches- his hands went right through, but he didn't stop trying. After releasing his own anguished scream - why was he here when he was so useless?! - the branches moved. An ashen, burnt paw emerged first. The sticks wiggled again, collapsing around the body further, until the remaining pokemon finally managed to pull itself free. And it was only then, staring at the young Zorua, that Ingo finally realized what he must have walked into.
He turned to look, to take in what he had taken for granted before.
The bodies weren't just pokemon. They were Zoroarks, Zoruas. Pokemon that had, from his understanding, been long loathed in Hisui. Seen as ill omens, as dangers to their societies. This clan must have settled somewhere, thinking it a safe area to raise their family, only for it to be discovered by humans. Humans who were fearful of what they saw as dangerous. Attack before you are attacked. Ingo could, to an extent, understand why- pokemon in Hisui were so much more aggressive, defensive, than those he had grown up with and known. Some people had pokemon partners but they were not like what he was used to. And with this clan settling in, with new generations being reared, he could only imagine the thought process the humans who had found it must have had.
Get them, before they get us.
He turned back to the Zorua, who had emerged from the collapsed den and now stood silently.
Staring.
Ingo wanted to know what his expression was, but just as he began to lean over to look the pokemon began moving. He approached the closest corpse first- this one hadn't been burned, at least, but there was a puddle of blood haloing it. The Zorua didn't seem to notice his paws getting wet as he drew closer, lifting a paw to nudge the body. The corpse. As Ingo expected, there was no response. The Zorua tried again, finally turning away when the corpse remained still.
Ingo followed as it staggered around the ashes of the clearing, prodding at every body it found regardless of their state. Some were so very obviously dead… but the Zorua still tried.
Trauma, Ingo knew, did funny things to a mind. To one as young as this…
It was no wonder why Khan was the way he was.
The young pokemon finally stopped, his breaths coming faster and faster. Ingo knelt down when his back legs collapsed, arms reaching out as if he could help. As before, he simply phased through. The Zorua turned his head, finally revealing the scar that Ingo would come to know well, now a fresh wound that still bled. His paws were cut up and burnt, there were scratches and lesions all along his back. He was a mess. Ingo could hear frantic, near-silent whines coming from the Zorua. It was hard to say if the volume was from fear that he would be heard, or if the smoke had gotten to his lungs.
Tears began slipping from the Zorua 's eyes. His panting became one long, hiccuping whine. His head remained turned, staring behind him, and Ingo was struck by what he'd yelled at Khan in anger so long ago, and yet so recently.
“You have no idea what it's like to have a family you can't return to!”
Khan, of all of their companions, absolutely did. This… this was why his reaction had been so strong, why Nana and Mnesomyne both had stepped in to stop Khan from assaulting - perhaps even killing - Ingo.
This is why she sent me here.
Ingo looked down at the Zorua again. Khan seemed to be frozen in place, but the wind around them was moving leaves and leftover smoke. It was only Khan who was frozen, unable to look away from his slaughtered family.
“I'm sorry,” Ingo said quietly, placing his hands around Khan's body as if he could actually hold him, “I'm so sorry.”
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