#how many more annoying tags can I think of

[amiableness]

Elina’s 4k celebration ; Positivity Picnic <3

First off, thank you so much for 4k! I can't wrap my head around the fact that so many of you decided to follow me, and I can't say thank you enough for being here. Since most, if not all of you, are following me to read fics, I thought it would be fitting to find ways to spread love to other fanfic writers.

Just as fanfics are free, so is your interaction—and it means more than you know. To show your support, choose a few food items to bring to our picnic:

If you participate, let me know here! Or you can tag me in something <3

🍰 - Leave a comment on a fic you’ve enjoyed. I challenge you to comment what you loved specifically about it, it’s nice feedback for writers!

🥗 - Reblog a fic with a quote that you loved and why you loved it or how it made you feel

🍝 - Send an ask (anon or not!) and ask a writer a question about one of their works

🥧 - Make a fic reblog account to reblog all your favorites fics. This keeps all your favorite fics organized and means so much to writers!

🍓- Make a masterlist of all your favorite works. I promise you that it makes an authors day when they’re included on one of these lists!

🍒 - Send an ask to a writer about one of their works. These are my favorite to receive because then you can freak out over something together!

🥖 - Get creative with your reblogs! Add memes and/or tell them how their writing made you feel. Reblogs with allll your thoughts about the work is a writers love language!

🍯- Make a mood board for a fic! I’ve seen people in others fandoms make these for their favorite works, so if this is something you’re into, share it!

🥨 - Art of a scene or character from a fic! Same with mood boards, if you’re into it, it might be fun to share it with an author. I promise you that they’ll love it

Why we need interaction:

I’ve noticed so many fanfic writers feeling discouraged due to a lack of interaction with their works. At the same time, I’ve come across polls and anon asks where readers admit they don’t understand why interaction matters—or even find it annoying when writers ask for it. But here’s the thing: writers have every right to ask for interaction.

We spend hours working on every detail—perfecting lines, mapping out scenes, changing dialogue until it flows just right. It’s a lot of work and while we don’t get paid for it, those reblogs, comments, or asks? In an odd way, it’s almost like getting paid. The interaction is the reward for your hard work. And really, it means so much to know that someone took five minutes out of their day to share their thoughts after you’ve spent hours on a fic.

So, if you think interacting with fanfic is pointless or too much effort, maybe fanfiction isn’t for you.

The fanfic community is so much better with interaction. I’ve seen so many mutals leave over the years because of lack of interaction, so if you enjoy someone’s work, tell them. I know many of you have thought, “My comment or reblog won’t make a difference,” but you couldn’t be more wrong. It makes a huge impact.

Now that my rant is over, if you have any more ideas, let me know and I’ll add them! <3

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[relaxxattack]

rereading the hivebent commentary makes me so annoyed that people are never really willing to analyze the actual effects that alternian culture clearly had on every troll, especially the highbloods. pretty much the only troll who ever actually gets taken in the context of her upbringing is vriska.

no one ever seems willing to think about the character arcs of trolls like equius and terezi, who are also bluebloods with extremely hypocritical and toxic understandings of the people around them-- equius is boiled down to a gross creep who is just like that naturally and definitely didn't get it from his society in any way, whilst terezi is scrubbed of virtually all her flaws and turned into a strange sort of based love interest character who is all about being gay and too cool to be tricked by any of the alternian propaganda. quadrants? classism? how silly! terezi would never believe in stupid shit like that. she's quirky! and GAY!

despite the fact that equius and terezi both obviously have much, much more to their personalities than that-- and the alternian empire is informing way more dangerous things about these kid's beliefs than "kiss annoying people".

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[trashcreatyre]

I think the main thing that pisses me off about like 90% of mephiles ships is that people will be like "how old is he??" Look that fanwiki says that he's ten and they RUN with it. Like they don't read further. I'm so convinced that most people don't even know the plot of 06 bc the shit I've seen people draw and write with the characters is just mind boggling.

[pumpking64]

to all my mutuals out there: i love you and get happy every time i see you on my dash or in my notifications or just your tiny icon in the corner of my screen from having messaged a bit some time ago and i want you to know that you are appreciated <3

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[foulfeast]

Ohhhh i now remember why i got shy about talking abt ocs

24/7 fear that someone will tell me my ideas are cliche/stupid/bad in some other and it will hurt more bc these are my own creations and not just fun and play

[james-spooky]

this is a test

[scionshtola]

tbf i do think the story could have given the wol more of a connection to it/the antagonist outside of solely through wuk lamat and that probably would have alleviated a lot of ppl’s problems with it

[queer-pagan-witch]

One day I will learn, that just because the bottle is low, does not mean I need to finish off the bottle.

[keelanrosa]

terfs when a study shows literally anything positive about trans people/transitioning: 'hm i think this requires some fact-checking. Were those researchers REALLY unbiased? Because if they were biased this doesn't count and if they weren't knowingly biased they probably were unconsciously biased, woke media affects so much these days. Have there been any other studies on this? Because if there haven't been this could be an outlier and if there have been and they all agree that's a bit odd, why aren't there any outliers, and if there have been and any disagree we really won't know the truth until we very thoroughly analyze them all, will we? Were there enough subjects for a good sample size? Did every single subject involved stay involved through the whole study because if they didn't we should be sure nothing shady was going on resulting in people dropping out. Are we 110% sure all the subjects were fully honest and at no point were embarrassed or afraid to admit they didn't love transitioning to the people in charge of their transition? Are we 110% sure none of the subjects were manipulated into thinking they were happy with their transition? In fact we should double-check what they think with their parents, because if the subjects and their parents disagree it's probably because they've been manipulated but their cis parents have not and are very unbiased. How many autistic subjects were there because if there weren't enough then this doesn't really study the overlap between autistic and trans and if there were too many then we just don't know enough about what causes that overlap to be sure this study really explains being trans and isn't just about being autistic. How many AFAB subjects were there because if there weren't enough this is just another example of prioritizing AMAB people and ignoring the different struggles of girls and women and if there were too many how do we know sexism didn't affect the results. Was the study double-blinded? We all know double-blinded is the most reliable so if this one wasn't that's a point against it even if the thesis literally physically could not be double-blinded. Look i'm not being transphobic, i want what's best for trans people! Really! But as a person who is not trans and therefore objective in a way they cannot possibly be, i just think we should only take into account Good Science here. You want to be following science and not being manipulated or experimented upon by something unscientific, right?'

terfs when they see a study of 45 subjects so old it predates modern criteria for gender dysphoria and basically uses 'idk her parents think she's too butch', run by a guy who practiced conversion therapy, 'confirmed' by a guy who treated the significant portion of subjects who didn't follow up as all desisting, definitely in the category of 'physically cannot double-blind this', completely contradicted by multiple other studies done on actual transgender subjects, but can be kinda cited as evidence against transitioning if you ignore everything else about it: 'oOOH SEE THIS IS WHAT WE'RE TALKIN BOUT. SCIENCE. Just good ol' unbiased thorough analysis. I see absolutely no reason to dig any deeper on this and if you think it's wrong you're the one being unscientific. It's really a shame you've been so thoroughly brainwashed by the trans agenda and can't even accept science when you see it. Maybe now that someone has finally uncovered this long-lost study from 1985, we can make some actual progress on the whole trans problem.'

[pronouncingitwang]

where did the idea that aziraphale doesn't know gabriel tried to kill him come from. he literally did. they did the bodyswap specifically bc both of them were aware of how similar their ex-bosses are and aziraphale knew gabriel would fully try to murder him and also in the first fight of s2 crowley SAYS that gabriel "tried very hard to cast you into hellfire and destroy you" so even if somehow aziraphale believed he did the whole bodyswap just to save crowley from holy water (which he KNOWS was brought there by michael also) while heaven kidnapped his body to give it a stern talking-to then that line would've given it away. this one is not a communication or information problem folks he is fully aware of how bad heaven sucked in s1

[projectdivaar]

I feel like I'm v academically smart but oh my god I am fucking hopelesssss at anything people related

[pup-pee]

my father telling me how scared he was when i ran away from the house but i cant express how scared i was 2 b in the house

hey, whats up w/that?

[whiskeyswifty]

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