#how he’s set up to fail despite doing everything right just because of the prejudices of those around him

[seaglassdinosaur]

I want to discuss class as a theme in Nimona!

[itsnothingofinterest]

With hindsight how do you feel about my hero? If things keep the course and this is the final arc and everything wraps up after the heroes win how has your view and opinion of past chapters changed?

Personally the story is very different from where I thought it'd be when I first started watching the anime. The villains didn't end up being what I hoped they'd be and the ones I'd hoped would get more time and action ended up falling off, same with some of the students. The biggest change for me has to be the pros, originally I didn't think much of them and figured they'd only be cool background pieces while we focus on the students. But now I actually enjoy the pros as characters and my favorite character arc isn't one of the kids or villains but an adult hero.

Hmm, that's a question to get the introspection flowing. How fun.

For one thing; I definitely didn’t expect the villains to be as major players, or such favourites of mine, as they ended up being when I started the series. I mean I always knew in my heart Shigaraki was gonna be the major villain player, more successful and with more to him than Overhaul or AFO. (Man, remember when people hoped Overhaul would take over as main villain from Shigaraki? Wild, right? I think they said the same of Stain too back then.) But that he reached near deuteragonist status surprised me.

My opinions on the pros as a whole have definitely lessened, but thinking about it, most opinions on individuals haven't really changed; main exceptions where my opinions dropped being Hawks and Jeanist. Maybe Mic too, after he nearly blasted Korokumo. But All Might, Wash, or Kamui Woods I feel about the same as ever for. And Endeavor I always hated since his intro, and though I may hate him more now, it’s not really to a significant degree (like, we always suspected Rei didn't consent to all her children, so 301 confirming that could only do so much). But as the other heroes lifted him up and defended him, it dragged them all down. As did realizing how much they were complicit in; Tartarus, the Commissions’ corruptions, and other such red flags waving atop hero society as a whole which the pros seek to uncritically defend.

And more recently, I'm afraid I’ve given up on Deku and the next generation fixing their predecessors' failings (without outside influence anyway). He never really got around to the idea of “surpassing All Might” in anything but quirk ability. That Shoji proposed a passive non-solution to the prejudice that inspired tons of villains while Shinsou started using the red flag battle tactics of using prisoners as weapons against villains is also not helping my perception of the next generation of heroes.

It's a big reason why I keep putting all my hopes, if this is the end, into Deku realizing Shigaraki’s points on the failings of hero society are right and convincing him to work together to find non-violent solutions to those points (instead of the alternative I’m most worried about, Deku insisting he’s just brainwashed by AFO and all his critiques should be ignored). My hope is that this way, Tomura's development could sorta fill in for the development Deku didn't get by never thinking about these things. I'll admit it's kind of a rushed easy-out; but if this is the final arc then it’s either that or this setting is doomed. And despite my critiques I actually do like Deku, and I don’t want him to see hero society rot further under his watch because he’ll be the hero who fails the next Shigaraki(s). So I’m praying for a last minute course correction away from that possibility.

[theregoesmylurkerstatus]

Caleb has, verbally, shown so little bloodthirst regarding the people who wronged him. He doesn’t know how he feels. He doesn’t know what he wants. He wants them to change, he wants the pain to stop. He wants to rehabilitate all these murderers under Ikithon because he was one of them and he wants to believe he’s not alone in this, he wants them to get better.

He also takes three steps into the place where he was sealed away like some kind of animal, full of simple (if skilled) guards who are so much lower on the food chain than the assassins Caleb knows... and for the first time ever he starts crushing people to death. Gone is the soft talk and hesitant hope. He asserts that they knew what they were doing. That they were not innocents.

He spent eleven years there. He can’t remember it. He also can’t think of the people who did that to him as people, whether they were actually the ones that guarded him or not.

I think Caleb’s trauma and his ability to react with extreme prejudice when confronted with it often gets underestimated both by the audience and Caleb himself. There’s a really interesting dichotomy that seems to go on with him, in that we’re constantly taken somewhat aback by these breathtaking displays of violence of his, even though they keep happening.

I realised it when we first met Astrid, actually. I don't know about anyone else, but the revelation that Caleb’s reaction to watching his parents die wasn’t running in to help them, or screaming himself, or even dissociating, but was instead attacking his peers? It surprised the heck out of me.

I don’t think anyone thought that would have been his reaction. All the pieces of fiction or art or meta about that moment that I saw assumed he had a much more passive or help oriented reaction. Even the cast themselves animated that moment as Astrid and Eodwulf stoically walking away from a silent Caleb on his knees in their own animated title sequence.

The fact that we all accepted the image of Caleb, on his knees, silently watching his family burn, is interesting to me. Because I do get why.

When Caleb is forcefully reminded of that moment of extreme grief, he dissociates. He doesn’t react violently when lost in his trauma in that particular way. Add to that that Caleb brushes over the immediate aftermath of his parent’s deaths, which makes it seem like his foggy, clouded state in the Asylum was the instant result of his trauma, and the idea that Caleb reacted passively to his parent’s deaths is a very easy assumption to make.

At this point I believe it’s also indicative of how Caleb sees himself. Caleb hates (hated?) himself, yes, but he doesn’t actually seem to see himself as a violent person. When asked to impress a high level mage from an alien culture, he chose the versatile reskinned Bigby’s Hand, Cat’s Ire. When trying to be intimidating, he uses his words, or points to his friends as threats, or uses Frumpkin as a prop.

He doesn’t seem to give his ease with violence much thought or weight in his own view of himself. I think he assumed he was passive during his years at the Sanitarium, and so therefore assumed that his “breaking” was similar. And if that’s what Caleb thought of himself, why would we think any different?

People don’t tend to think of Caleb as a fighter, least of all Caleb himself. The common view of him is that he’s a hesitant support character. He’s not someone who fans or other characters alike would easily call “bloodthirsty,” especially with him confronting and discussing the man who ruined his life and refusing to commit to killing him.

Everything about how Caleb verbally approaches these traumas shows that he’s not vengeance driven. Revenge has never been part of his game plan, never been something he cared enough to pursue. And because of that palpable lack of bloodthirsty vengeance, because of his soft spoken, cautious demeanor, Caleb is not someone who would generally be picked as having extreme, unrelenting violence as his knee-jerk reaction.

Except that’s exactly what Caleb does when backed into a corner. That’s like his biggest move. Wall of Fire and Fireballing Avantika and her crew on a hair trigger? Bleeding, on the verge of unconsciousness, out of spells, and still managing to deal the killing blow on Lorenzo because he chose violence over any other action? Opening the final fight against Obann by smashing through the window and burning half the cultists to death, because they were that desperate to get Yasha back after two failed attempts?

He woke up after eleven years of being addled, confused and not himself, and immediately killed a guard and broke out of the Assembly’s own Saitarium in the heart of Rexxentrum. He unexpectedly got stabbed by a full-fledged Scourger, and his instant reaction was to beat her over the head with a rock. 

And now, he’s infiltrated that same Sanitarium where he was kept only to flip from his desire to redeem those under the Assembly’s thumb to murdering half the people he came across in there with extreme prejudice.

His lack of interest in long-term vengeance is interestingly balanced by his frequent choices to pursue short-term retribution. It’s both his way of protecting his friends and himself, removing the threat and discouraging other threats, but it’s also, in my view, frequently an outlet for his heavily suppressed anger at the people who hurt him and his friends.

Caleb can be a good diplomat, but Caleb rarely chooses to be a diplomat. Caleb can be charming, but Caleb doesn’t like being charming. Caleb can be a good support caster, and Caleb is a support caster! But when he’s too compromised for strategy, when he stops thinking, he starts burning everything in his way. Because Caleb? He likes the way fire feels.

Caleb spent his formative years training to respond to conflict, physical or political, with lethality, and on a much more fundamental level, he is and always has been a man of action. 

He took action to get out of the Sanitarium as soon as he was capable. He took action in the Bright Queen’s throne room, made a risky ploy instead of letting them be arrested. He wanted to take action retroactively against his parent’s deaths the second he regained coherency.

Despite what we all assumed, doing nothing in the face of his parent’s deaths was never an option for Caleb, and he wasn’t taught anything that was going to help his parents once the house was on fire and the screams started. So what else was he going to do, after two years of growing into the Scourger mould? When he loses his mind, his ability to think, two of his reasons to care?

Of course it was violence. Of course it was lashing out at the people he must have thought, on some level, as being in his way. Of course it was fire. What else would it be?

And though these circumstances here aren’t the same... there are enough similarities. He’s once again in those familiar halls (in that familiar mindset) where he was treated as a weapon, nothing more. He’s with the people he loves and he knows they’re in danger, again. In fact, they’re in danger from the same people he spent eleven years feeling threatened by, that he viewed as obstacles, whether consciously or not.

He doesn’t want his loved ones to be in danger. He doesn’t want to be surrounded by the guards who he associates with his own helplessness. He especially doesn’t want those two things to go together. And he has never been able to sit idly by when he can act. But what kind of actions can he take? What can he do to get these guards away, away from him, away from his friends, out of his way, right now?

The tried and true method. Not burning, not here, not now, let’s not set a building on fire with his loved ones in it again (though it happened anyway). But no matter. He’s learned a lot of tricks in the last few months.

And hey, don’t worry, Caleb’s not angry. He’s not still working through his own pain and rage at these people. He really does want to heal, not hurt.

It’s just that these ones deserved it.

[dongofthewolf]

Omg I’m sorry for not realizing u had a list 😅 but I wasn’t wondering if u could do 41 with Abby and could u make it like rlly angsty but with some fluff or smut at the end

Everything Good in Life Seems to Lead Back to You

Abby Anderson X Reader

Prompt: 41. Overhearing they have feelings for you

Warnings: blood and injury, canon typical violence, swearing, fluff, angst (I tried anon I tried), Owen slander once again (sorry not sorry)

Gender neutral pronoun for the reader (if you’d like your request to use specific pronouns please add to the ask)

Link to the prompt list here

A/N: it’s safe to say that I wrote this with the speed of a thousand blazing horses if that even makes any sense. I hope that you all enjoy this lovely word vomit (esp if you requested) it was a blast to write !!

btw the Virginia Woolf reference is from her letters to Vita Sackville and the Jane Austen one is from Pride and Prejudice. What can I say? I guess I’m just a hoe for old love, baby.

Abby spent a lot of time reading; so much so that she had created this false expectation of what love was supposed to feel like. Abby believed that love was supposed to be strong, and passionate, and bright—an everlasting devotion. Of course she shrugged it off at first, they were just books after all—pieces of fiction to fantasize and dream about. Love wasn’t something you could define in a book nor could it ever live up to the likes of Shakespeare or Virginia Woolf.

Abby had never been in love; she sometimes believes she came close to some iteration of it when she was with Owen, but looking back now she realized that what she felt wasn’t love. It was a desperate attempt to be wanted—to be needed, a manifestation of her desire for approval. And after her falling out with him, Abby had come to accept that she simply wasn’t made for love, and that if by some miracle she ever did fall, it definitely wouldn’t be like the books.

That was Abby’s initial perspective on love, but oh how times have changed. The moment you waltzed into her life, every sad, pathetic notion she had about love was thrown out the window in a matter of seconds. Never in her most outrageous dreams did Abby expect to fall this hard, especially since the two of you were practically best friends.

In fact, it had been very platonic at first; Abby was your superior and you often worked together on missions. She didn’t know what compelled her to talk to you but when she did, the two of you hit it off immediately. You started training together, then working out together, and eventually you were spending almost every minute together. The two of you could literally correctly predict every thought that went through each other's head, all except of course (in Abby’s case) for one. It even got to the point where you both somehow knew when the other couldn’t sleep, so much so that Abby had grown accustomed to opening her door to see you holding a glass of milk and a plate of cookies like a little kid on Christmas. She had spent so many sleepless nights alone only to realize that the one thing she was missing, was you and your adorable midnight snacks.

Abby never entertained the thought of professing her slightly less than platonic feelings for you, because she had become content with the idea that you’d simply never feel the same. However, while she had come to accept her unfortunate situation to be a permanent one, it still hurt her when she saw you flirt with other people. And she’d be lying if she said your absentminded touches didn’t still send her soaring. Sometimes she hated how naturally affectionate you were, it made it so hard for her to not love you.

The box that Abby had continually shoved herself into so she wouldn’t fuck up your friendship was almost starting to feel like home, and as uncomfortable as it was, she knew it was for the best. Almost nothing could compel Abby to leave this torturous, self-inflicted prison she was trapped in. Almost nothing.

—

The mission was supposed to be a simple one: get in, get the weapons, get out. A mission so simple, the both of you could’ve done it in your sleep. In fact, on a few occasions after a long night of drinking, you had practically done just that. You met up with the group of traders who you were well acquainted with, and the deal went down smoothly. Everything was going according to plan, which is why you and Abby were completely caught off guard when a group of rogue hunters suddenly began firing shots like it was a fucking carnival.

Turns out there was a new rival group in town, and someone had tipped them off. You and Abby luckily were able to find cover from their relentless fire, but not before you got a bullet straight through your left thigh. You didn’t even realize it at first, the adrenaline coursing through your veins still working to protect you from the devastating pain that was to come. When you did notice it, you had already lost copious amounts of blood. Then the dizziness began to set in, and soon after the pain. Abby hadn’t even realized you were injured till you slumped over on the ground next to her.

Looking down in horror, Abby lifted you into her arms. “Y/N? What’s wrong? Why are y-” Then Abby noticed the blood, and suddenly she was panicking. “Oh shit. Oh fuck, Y/N we have to get you out of here.”

“T-the package, we need the package. Can’t leave without it.” Your response was weak, desperate. You had to finish the mission, the WLF was in dire need of these supplies and you were not going to be the one to tell Isaac you failed.

“Fuck the package, we need to get you back to base.” Abby removed her belt, turnoqueting your leg with such surprising ease that you nearly didn’t notice the agonizing pain in your leg. Nearly.

You groaned when Abby hoisted you into her arms bridal style, careful not to move your leg too much before she booked it to the truck. When she plopped you down into the passenger's seat and began to speed away from the scene, you suddenly felt your eyes becoming heavier. You were so tired. You had lost so much blood already and your body felt like it was shutting down.

Abby was frantically racing towards the base, eyes fixed to the road until she heard you let out a small whine. “Abby, I‘m so tired. Need to sleep.”

Abby noticed you drifting off and she reached her arm out to shake your shoulder violently. “No. No sleeping, you gotta stay awake Y/N.”

Though Abby didn’t mention it, she was terrified. When she looked over at you, you were pale and cold to the touch, drifting off while your leg continued to bleed profusely despite her tourniquet. This could be it; you could die right now, and Abby would have lost the one person in this world she cared about most. She couldn’t let that happen, she wouldn’t.

You were equally as terrified as Abby; every natural instinct in your body was begging for you to sleep and you were becoming tired of trying to ignore it. The last thing you remembered was the look on the face of the girl you had fallen for, her eyes brimming with tears while she wore a desperate, horrified expression.

—

You laid unconscious for what felt like an eternity and Abby never left your side. She had abandoned her duties (with Isaac’s permission) and spent every second next to you, her head resting on the edge of your bed while she waited for you to wake up. The only thing that prompted Abby to step away was Manny, who had heard what happened and went to check on her.

Manny knew full and well that Abby was in love with you; in fact, almost all of Abby’s friends knew. Abby had confided in him during many torturous nights and he was a surprisingly good listener. He understood her circumstances and never pushed her to confess her feelings for you, even if it did annoy him how oblivious Abby was to the fact that you obviously felt the same way. “Abby, I heard what happened. Is everything okay?”

Abby was exhausted, she hadn’t slept at all since you made it back to the base and she couldn’t get the memory of your cold, pale body out of her head. “I almost lost them, Manny. Y/N could’ve died out there without ever knowing how I feel about them.” Tears threatened to fall but Abby did her best to keep her composure.

“It’s going to be okay, Abby. Y/N’s here and they’re alive, and that’s all that matters.” Manny’s hand was on Abby’s shoulder, trying his best to comfort her. “You should tell them how you feel though.”

“Huh?” Abby hadn’t expected that. Manny knew her situation well enough to know that telling you how she felt was a bad idea… It was a bad idea, right?

“It’s like you said, Y/N could’ve died without ever knowing how you feel about them. Wouldn’t it be better to have no regrets at all?” The words stopped Abby in her tracks. She never thought she’d actually agree with Manny.

“It’s just- I love Y/N so much, and I don’t want to lose them this way.” Abby was on the brink of tears, her voice turning into a desperate plea.

“I’m not going anywhere Abs.”

Abby froze, turning around slowly. You were gripping to the doorway for support, limping on one leg and looking extremely weathered.

“Y/N!” Abby immediately ran to put your arm around her shoulder while she carried you back to your bed, setting you down carefully. “You shouldn't be on your leg, you could make it worse.”

There was genuine concern on Abby’s face and in that moment you weren’t sure you could love her any more than you already did. She was so incredibly sweet and caring and no one had ever shown this much concern for your safety and well-being. You had heard her through the door and you couldn’t stop yourself from interrupting her. There was so much about Abby you absolutely adored and she had no idea. How could she not have known you were hopelessly in love with her? Was she truly that oblivious to your obvious flirting? All the subtle touches, the pathetic excuses to sleep in her bed, the fact you literally went out of your way to find rare coins so you could bring them back to her, it all just flew over her head. You couldn’t believe it.

Abby was still rambling about your leg, clearly trying to pretend like she didn’t just profess her love for you while you were standing right behind her. Instead of speaking, you wrapped your hands around her neck before leaning in, silencing her with a kiss so perfect you could’ve passed out right there. You could tell she was stunned at first, but soon enough she was kissing you back. Her fingers were running through your hair and when you pulled away she leaned her forehead against yours, not wanting to part from you.

“Did you mean it?” You pulled away to look Abby in the eyes, your hands still wrapped around her shoulders.

Abby had a dumbstruck look on her face. “Mean what?”

“When you said you loved me, did you mean it?” Your eyes searched her face for an answer while your heart was beating a million miles a minute.

Abby smiled, her eyebrows furrowed as she spoke. “Y/N, I have loved you for as long as I can remember. I’m so hopelessly in love with you that it’s almost pathetic. You have no idea how essential to me you have become—how many nights I’ve stayed awake because you weren’t there to hog all the blankets. Y/N, you have no idea how ardently I love you.”

You smirked “Abigail Anderson did you just quote Virginia Woolf and Jane Austen?” You couldn’t help but let out a small laugh, Abby could be such a nerd sometimes.

“I just confessed my ever-lasting love for you and that’s the first thing you say?” Abby was smiling widely now, relief flowing through her now that she no longer had to conceal her feelings for you.

“I love you too Abs, so fucking much. Also I do not hog the blankets, your comforter is simply too small.” Abby chuckled before she leaned in for another kiss, the worry suddenly disappearing the moment her lips touched yours.

Although Abby had never really known what she expected love to be, this is what she imagines it’d feel like, and you bet your ass it was better than the books. To tell the truth, it was better than any other conceivable thing on this entire planet. Nothing could beat the way Abby felt now that she had finally broken free from her excruciating self-inflicted prison.

Abby pulled away from the kiss, gazing at you lovingly. “Are you hungry?”

God damn Abby, it was like she knew exactly what you were thinking. You didn’t know how long you had been unconscious for, but you were ravenous. “Starving.”

And almost as if you were telepathically communicating, the both of you spoke at the exact same time.

“Cookies?”

“Cookies.”

[greensaplinggrace]

honestly THANK YOU for saying all that abt baghra bc i thought i was going crazy from not liking her??? bc i haven't read the books and only summaries of them on wiki and like. i dunno why ppl like her actually even in the show bc this guy, her son, is like "i wanna make the world better for us grisha" and she's just like "no." even tho he sees that she's MAKING HERSELF SICK from suppressing her powers! she's literally like in bed coughing in the flashback yet seem much healthier at the little palace. also like after everything, after her disapproval, after the fold, after centuries of waiting for the sun summoner.. he never abandons her. he makes sure she's cares for. he doesn't harm her. and i have to wonder if baghra has ever thanks him for that, for just not leaving her alone. like i dunno how im suppose ro believe aleks is a heartless villain when he still cares for his abusive mom like this. like has baghra even told her she loved him (honestly she reminds me of a classic emotionally unavailable asian parent but maybe that's just me). also im wondering if baghra ever told aleks that he had an aunt.. bc like.. now that u bring up her isolating him it's like hmmmm...

not at me being like alina... why do u trust the bitter old woman who literally beats u with a stick and verbally abuses u every chance she gets.. just bc she showed a bad painting... like.. pls use two braincells to see that who u figured out as his mother... is also using his protection..

like baghra could've upped and left with alina. but no. she stayed bc she knew she was safe under aleks's protection.

alsoim just impressed that after his first friend tried to drown him and harvest his bones... he didn't go into hiding???? he still wanted to make a safe heaven for grisha!!! HE STILL WANTED TO PROTECT GRISHA EVEN AFTER HIS GRISHA FRIEND TRIED TO KILL HIM FOR HIS FUCKEN BONES. like... this is the guy im suppose to believe is the villain???

honestly i feel like part of the reason why LB's plotlines seem so bad and disconnected (and sometimes outright racist but that's another rant) and why darkles is disproportionately more violent and villainous in the later books is bc she didn't expect the darkling to be so popular and wanted to stick with her guns of making him the villain. but also wanted the money from aleks's popularity. but like you can't have ur cake and eat it too.

Well thank you for sending this ask! It's very sweet and very passionate. I'm glad you liked my post! I didn't put as much thought into it as some of my others lol. I kind of just talked. But it was nice to be able to finally talk about some of the problems I have with both her character and the fandom/author's perception of her.

HERE is the post this is referring to, in case anyone's wondering.

👀👀 You've hit the nail on the head for so many things, here!

Baghra is extremely emotionally unavailable, basically to the point of neglect. She's also verbally and physically abusive, traits which I doubt were only reserved for her students and not her son. Baghra claims she would do anything to protect him, but I've known a lot of parents who have that mindset and yet still harm their children because they think it's "good for them".

Aleksander stays at Baghra's side for years, and even when they're opposing each other she's never too far away from him. Idk if you've read the books but he does eventually hurt her. And as much as I don't like Baghra, I think his actions were horrid. But I'm also honestly kind of surprised it took him so long lmao.

Yeah I mean, in terms of isolation, let's not forget that she never wanted to introduce him to his father, either. Baghra's sense of eternity clouds a lot of her judgments on relationships, which means she views most people as dust and therefore teaches her son to as well. The problem with that is that he's a growing child, and he needs those social and emotional attachments for healthy development.

I would bet quite a bit of money that Baghra has either never told him she loves him or she has told him so few times it's practically forgettable.

And everything becomes more complicated because so many of Baghra's actions are understandable because of her life and her history, but the impacts they have on the people around her, especially Aleksander, are permanently damaging. And the fact that that's never gone over in critical depth in the books or how it's glossed over in fandom is just very disconcerting. Like, acknowledging Baghra's failings doesn't mean we're excusing Aleksander's actions, it just means we're holding Baghra liable for her own. Which the fandom should be doing, considering she's the epitome of an abusive parental figure.

And Alina trusting Baghra over Aleksander is even more confusing! Especially in the show!! This is the woman who beat her and abused her and tortured her friends when they tiny little children (and who probably still does so now that they're adults). This is the woman who mocks you and harasses you and insults you on a regular basis. Why does Baghra revealing she's Aleksander's mother make Alina change her mind?! Like fuck, I'd just feel bad for Aleksander. No wonder he kept it a secret, I would too! And that painting is enough evidence?! Really?! A random painting shown to you by this abusive mentor that's been making your life hell. That's what you're going to betray your new lover over?

The friends trying to harvest his bones thing is a good point, too. I think Aleksander, especially show Aleksander, is incredibly idealistic. I think he cares too much for others - those he's deemed worth his care (a sentiment given to him by Baghra). Despite everything she's tried to teach him about hiding and abandoning others and never caring and never doing anything to help or reach out or connect with people, Aleksander still continues to do so. It's likely because he never got it from Baghra growing up, and so is desperate for those emotional needs to be fulfilled elsewhere.

His turning point, when Baghra tells him it was understandable that those kids tried to kill him because the world is such a hard place for them - that's crucial. And the reason it's possible as a motivating factor is because of that idealism and that desire to help and that desire to be everything his mother isn't. Baghra tells him this trauma he just experienced was because of the oppression of his people, and instead of following her lead and accepting that, going into hiding and abandoning everybody to their misery, he goes I can do something about that. I can make it so this never happens again. Which is usually how trauma like that combines with one's core personality traits at a young age, especially when there's none of the essential support systems in place to aid in recovery (ie, the role Baghra should have been filling but wasn't, because she decided to exacerbate the problem instead).

And yeah, one of my biggest problems with the ham-fisted "beating you over the head with a sledgehammer of evil deeds" look-how-bad-this-character-is! portrayal of the Darkling in the later books comes from the impression I get that Bardugo doesn't trust her readers. She's so desperate to have us hate this character and think him an irredeemable villain, not trusting any of her readers to engage critically with a morally gray character, that it feels quite a bit like condescending fucking bullshit. Which ew, I know how to engage with literature, thanks.

She really does seem to look down on a large part of her fandom, and imo, the infantilization of the female characters in her books seems to carry over to her impression of most of her female readers as well. Which is why the Darkling's character arc gets fucking destroyed. But he's still a good cash grab, of course, so she'll shake his dead corpse in front of the fandom for money every time she wants something from it.

Also! Another reason I think her plotlines feel disconnected (I'm sorry Bardugo I respect you as a person, but shit-) is because the writing in SaB is just bad. I mean, nevermind the absolutely nauseating implications of the way she portrays the Grisha as a persecuted group who's situation is never actually fully addressed as it should be, considering Grisha rights is what her main villain is fighting for (imo for a series called the Grishaverse, LB seems to be pretty anti Grisha), but her characters and story alone are just wrong for each other. They don't fit together.

And the ending is one of the main pieces of evidence in that regard! You can’t say the ending where Alina isn’t Grisha anymore is her “going back to where she started” when she’s always been Grisha. She just didn’t know she was Grisha because she denied that part of herself that she was born with.

Alina is reluctant to move forward or change, she struggles with adapting, and she’s very set on the things she’s grown attached to throughout her life. She also has some latent prejudices against the Grisha, and so denies the possibility of being Grisha for those reasons as well.

Alina’s lack of powers in the beginning of her life because she willfully doesn’t learn about them to avoid change versus her lack of powers at the end of the book when she’s accepted them and then they’re stripped away from her by outer forces are two entirely separate circumstances. You can’t make a parallel about lost powers and lack of Grisha status bringing her back to the start when she was always Grisha and she always had powers and she simply refused to come to terms with it because of personal reasons.

The first situation is an internal conflict that indicates a story about growth and a journey of self acceptance. Denying herself the opportunity to learn about her heritage and to find acceptance with a group of people like her because she’s tied to the past and because of the way she was raised is the setup for a narrative that tackles unlearning prejudice and learning how to connect with a part of her identity that was denied her and learning how to grow independent and self assured. It’s the setup for a different story entirely. The second situation is an external conflict that centers around the ‘corrupting influence of power’... for some reason.

In a world where Grisha do not have social, political, or economic power and they are hunted, centering your heroine’s journey of self acceptance and growth around an external conflict about... the corrupting influence of power (in a group of people that don’t actually have any power?!) just doesn’t work. It is literally impossible to connect the two stories Bardugo is trying to push in Shadow and Bone without seriously damaging the main character’s developmental arc.

The only way a narrative like this would work, claiming that she has gone back to where she started, is either a) if the Grisha weren’t actually a persecuted group and instead were apart of the upper class, or b) if the one bad connection between the two instances is acknowledged - that Alina denied a part of herself crucial to self acceptance and growing up, and that losing her powers at the end has also denied her. It is a tragedy, not a happy ending.

Alina suffered because she didn’t use her powers. She grew sick. It was bad for her. This was not a resistance to 'the corruption of power and the burden of greed', it was her suffering because she couldn’t fully accept herself.

Framing the ending as a return to the beginning can’t be done if you don’t address how bad the beginning was for your main character. You brought her back to a bad point in her life. You regressed her. This should be a low point in her arc. It should be a problem that’s solved so she can finish developing organically or it should be something that is acknowledged as a tragedy in it’s own right, for the future the world (the writing) denied her.

This is a ramble and it makes no sense and I’m really sorry, but my point is that Bardugo put the wrong characters in the wrong story. The character arc required for organic development doesn’t match the story and intended message at all. The narrative doesn’t fit the cast. She's got two clashing stories attempting to work in tandem and she ends up with both conflicting messages that fans still can’t comprehend in her writing and an ending that doesn’t suit her main character to such an impossible degree that it’s almost laughable.

So yeah, there's a few reasons why I think the story and the plot feels so bad and disconnected. I hope you don't mind me making this answer so long! 😅 I was not expecting to write this much.

[bigskydreaming]

What kills me in fics is when you have tags going like "Good brother Jason", which, cool, but in the same story there's " Dick TRIES to be a Good Brother" LOL way to switch the dynamics. I also tend to stay clear of the ones where the centric character seems to have a platonic relationship tag with everyone (including the ones where they're antagonists in canon like Jason & Tim) except Dick. You can feel the hate/dislike/prejudice a MILE away.

Yeeeeeeah. You are definitely not alone. Like pretty much every Dick Grayson stan I’ve ever talked to on the subject stays the hell away from any fic tagged “Dick Grayson tries to be a good brother.”

LOL like....it’s basically what I was talking about in that older post I just reblogged a few minutes ago. That thing where Dick’s actions or choices in a canon story or fic aren’t judged on their own merits but are rather inherently weighed against some hypothetical perfect choice that he DIDNT make and so he’s basically evaluated based on how much he falls short of that mark each time instead of anything he actually did.

Sorry not sorry, but I’m just not interested in stories that TRANSFORM the character most commonly referred to as the emotional glue of the family and the only one who consistently even CARES about them all being a family....into the fumbling incompetent relationship disaster man who at best gets credit for at least putting in an attempt at being there for his family.

Especially not when Bruce and Jason and Tim are praised for doing the bare minimum in canon when it comes to family interactions while everything Dick ACTUALLY did is just completely ignored and overwritten in order to make his Failure to People Good the narrative obstacle to be overcome.

Now, the “Dick Grayson Tries To Be A Good Brother” tag applied to Tim-centric fics in particular tho....hoo boy I am out of there so fast there’s a Kool-Aid Man shaped hole in the wall and not a sign of me as far as the horizon.

Like, currently my Pet Peeve Thermostat is set to Battle for the Cowl-referencing fics that don’t use this tag but very much are in that spirit. You probably know the ones, like their summaries suggest they’re open to considering Dick’s side of the situation but turns out the author at most is throwing him a “well at least you tried not to suck” bone while still reading him the riot act for very much still sucking.

Because what drives me up a flipping WALL here in particular, when I naively click on a link that seems different from the usual and ignore the voice of experience because I’m just desperate enough for Tim and Dick food that doesn’t just go on and on about how Dick ruined their brotherhood and it will never be truly repaired....

What makes the fruit bats in my belfry go absolutely B-A-N-A-N-A-S is not just the super fun realization that Psych! You thought this fic might be different but it’s actually the same!

Nah.

It’s how much people, both writers AND commenters, just absolutely LOVE to reference Tim’s shitbag parents and how emotionally abusive and neglectful they were (all true and valid, btw, let’s be totally clear about that)....but bringing them up here specifically to emphasize just how great Dick’s ‘betrayal’ was and how what he did makes him no better than them.

It’s like. Oh. I see.

So because after twenty years worth of stories about Dick dropping everything the second Tim needs him, whether it’s for help or just advice or even just reassurance or comfort or ANYTHING ....because after two decades worth of content showing Dick absolutely doting on Tim in their EVERY SINGLE interaction and buttressing his self confidence at every opportunity, never passing up a chance to call him his brother and emphasize that they’re family and he loves Tim and is so proud of him...

Because after all that there’s a story whose very premise forced Dick to choose between two kids, both still very much his brothers and their shared father’s sons even if one was new to him and didn’t have the same history the other two had....

Because by the very nature of the story Dick had no choice but to prioritize one over the other due to them both hating each other and Dick already being stretched to his absolute limits trying to live his dead father’s life and take on everything Bruce used to do at the cost of giving up everything Dick had chosen for his own life and wants and priorities, all while dealing with his own grief....

And with it being inevitable that the boy he DIDNT choose to prioritize was going to be hurt....

Because after twenty years of never failing to put Tim first the second Tim needed him, never even putting HIMSELF first OVER Tim....because for the first time Dick felt that someone else he felt obligated to, felt a responsibility towards, actually needed him MORE than Tim....

And for that reason and that reason ONLY, Dick picked that other boy, all while trying his best to tell Tim that he still needed him, still valued him, all the things that Bruce DIDNT tell him when he took Robin not even because he thought someone else needed it at the time but simply to take away, with absolutely nothing Dick said in any way negating or contradicting any of his many, MANY assurances to Tim over the years that they were brothers and always would be and with them still very much legally brothers and with concrete ties to each other that declared them family even WITHOUT the connection of Robin....

Because after and despite ALL OF THAT, Dick picked the brother that he didn’t know and frankly didn’t even LIKE, because he knew no one else was going to pick this kid and he also knew he’d already picked Tim a hundred times before and hoped that at least all that HISTORY of past focus and attention he’d given Tim to help build him up, give him foundations to build further upon, that hopefully at least that history that was still there, still relevant, still something Tim had actively benefited and grown from in ways Dick now hoped to help Damian....like surely this would be of at least SOME significance to Tim, SOME kind of proof of how much Dick loved and valued Tim....

Because one time and one time ONLY, Dick DIDNT put Tim’s needs first, not because he didn’t want to or because he was being selfish or short sighted or simply didn’t care, but rather solely because this one time Tim’s needs were in direct opposition with the needs of another young boy Dick saw as his responsibility and in even greater need and with even less of a foundation than the one Dick had helped Tim build....

This puts Dick on the same level as Tim’s shitbag parents, the ones who are infamous for (and practically synonymous with) emotional abuse and neglect. Dick’s basically interchangeable with them now. Certainly no better than them. Tim’s entire emotional well-being rested on Dick and Dick alone and nothing he’d provided Tim with in the past counts, just this one moment in time right here right now, that’s the entirety of their relationship see, it all comes down to this and nothing else, and because Dick didn’t put Tim first, no matter WHAT his reasons or how much he wanted to, he has officially failed Tim as hard as the neglectful parents who did nothing BUT neglect, ignore and just not give a shit at all, simply because they couldn’t be bothered to.

Yeah.

That’s neat.

[darthkruge]

hey could you do a jess mariano x reader where the reader has dyslexia but loves to read. someone at school makes a comment about her being dumb and she gets insecure but jess is super reassuring to the reader about how intelligent she is. also they can either be already dating or have mutual crushes. whatever you think fits better. <3

Jess Mariano x Dyslexic!Reader ~ All of You

Summary: Someone at school insults the dyslexic reader and their boyfriend, Jess, provides reassurance. 

Warnings: Bullying, language, insecurities, I think that’s it? 

Words: 2.1k

A/N: Hey!! I’m so, so sorry this took me so long to get to! I hope you don’t mind, I didn’t mean to keep you in the ask box void. I really enjoyed writing this, so thank you for requesting! I decided to make them already be dating because that’s where my brain went hehe. I hope you like it :)

You walked to school hand-in-hand with your boyfriend, as always. Even though it took him about 15-20 minutes out of the way, Jess never missed walking with you. He hated the thought of you starting your day by yourself and never wanted you to feel forgotten about or lonely. Thus, the tradition began and it has stayed the way you start your day, everyday, for the last few months that you’ve been dating. 

Jess pulled you behind the science building, pressing his lips to yours. Your hands instinctively wove into his hair and his arms wound around your waist, pulling your bodies together. He smiled into the kiss before pulling away from your lips and gently moving his kisses down the side of your neck. You hummed in content before moving to meet his face again, once again pressing your lips to his. 

These stolen moments were what you lived for. You’d never felt too confident in yourself, at least as far as relationships went, and you weren’t used to this kind of affection. Even so, you loved every moment of it. Everything with Jess felt so natural. No matter what, you came first to him and he never failed to show it. 

You both pulled away and he softly kissed your forehead.

“See you after second period?”

“Of course” 

“Okay, love. Text me if you need me. Or if you’re bored. Or if you miss me”

“Oh, yes! That Jess Mariano charm. I’m not sure how I’ll endure two classes without it!”

“I’m sure it’ll prove quite e difficult,” Jess said, laughing. The bell rang and he gave you one last smile before you parted. 

You walked into your English class with a smile on your face, giddy after the experience with him. He made you feel alive. It was the kind of feeling you didn’t know you needed, but once you felt it you couldn’t imagine losing it. 

You sat down in your seat, waiting for the teacher to start class. 

“Okay, everyone. Today we’re just going to be doing some silent reading for the first half of class and then I’ll put you in small groups to work on a new project”

Fuck. Group projects were the fucking worst. Unless you got one of your friends, people were normally assholes and impossible to work with. 

Even though you were upset with the new development, you were excited to have time to read. You pulled out your copy of The Great Gatsby that Jess had lent you and picked up where you last left off. Because you read so much and generally did well or at least half-decent in school, people never assumed you had dyslexia. Lots of people had this false narrative that if you have dyslexia, you must hate reading. It was something you were used to, the stupid comments and assumptions. You tried to not let it get to you but you sometimes felt frustrated. You’d run into loads of ignorant people in your life and while you weren’t ashamed to have dyslexia, you hated having to explain it to every new teacher, every new friend in your life. You never knew how’d they’d react.

Even so, reading was one of your greatest joys in life. Losing yourself in the work, in the story, it was enthralling. You loved to find characters that you connected with. Their emotions were palpable and made you feel validated and less alone. Reading was one of the main things that brought you and Jess together. He knew you had dyslexia and, thankfully, never treated you like you were any less. You were afraid he would break up with you once you told him, but, of course, he didn’t. You were still you, and that’s all he cared about. 

He loved trading books with you and hearing your thoughts on them. In doing so, he felt the two of you were brought closer together. Discussing literature was an almost intimate experience in your relationship. Learning which characters and themes resonated with a person was truly illuminating about their personality and mind. Right now, as you read Gatsby, Jess was reading Pride and Prejudice. You loved Jane Austen, as did Jess, and you completely enjoyed discussing her work. 

After a few moments lost in thought, your teacher’s voice pulled you back to the present. “Alright! Okay so for the group project you will be analyzing the short story “The Lottery” by Shirley Jackson. Please read it together today and discuss what you think the most pertinent theme is. I’ve already assigned the groups and I’ll display them on the board right now.”

Your teacher stepped back and turned on the projector so you could see the groups. Scanning for your name, you internally groaned when you saw who you were with. Sarah, Justin, and Alex. They were all close and their friend group didn’t exactly have the best reputation. You grabbed your bag, walked over to them, and sat down.

“So, y’all just wanna read it? Then just talk about it, I guess. We’re looking for themes, right?” Sarah asked.

Everyone nodded, opening up the copies of the short story placed on your desks. You jumped in and immediately felt yourself pulled into the writing. After a few minutes, your eyes glued to the story, you heard the rest of your group closing their packets. 

“Alright, everyone done?” Justin asked.

“Yeah, you?” Alex said

Sarah nodded in agreement.

You, on the other hand, felt your cheeks flush. You were only about 70% through the story. “Sorry, I just need a bit more time, is that okay?”

“Ugh, fine, whatever. Just hurry up,” Sarah groaned. 

Your face burning, you went back to the reading. It wasn’t like you weren’t trying, you were! They just wouldn’t understand it. You couldn’t count the amount of times people had told you to just “focus more”. It made your blood boil, honestly. It was so dismissive and you couldn't believe people still thought that way. You always focused and it wasn’t your fault, and, yet, morons like these three persisted. After a few more minutes, you heard Alex again.

“Come on! You can’t possibly still be reading?”

“I’m sorry, just-” You sighed, running your hands through your hair. “Please, just a few more minutes?”

“God, you’re so fucking stupid. No wonder no one wants to work with you. All you do is hold people up, you’re a goddamn idiot” Alex said.

Your eyes burned and unshed tears started to push their way up but you fought them down. You wouldn’t let yourself cry in front of them. They didn’t deserve to see how they’d affected you. 

Finally, the bell went off and you were able to leave. Your group glared at you and you realized you  hadn’t discussed the themes. 

“It’s, um, the story’s about the juxtaposition of peace and violence. Even though the people are in a calm, controlled setting, they resort to violence every year. It’s an outdated tradition they keep up and, thus, it highlights the difference between their actions and how they want to be perceived.” You said quickly, voice wavering. 

Your group scoffed before walking off. That didn’t bother you too much. You knew your analysis was accurate and probably far better than anything they could have come up with, even if they’d spent the last 15 minutes of class discussing it. Despite this, you still felt deflated. The shit they’d said, the way they’d treated you? You couldn’t deny it, it got to you. 

You walked over to your locker and put your stuff away. After that, you decided you were just going to go home. You could call the school later and say you were feeling sick or something. Honestly, you couldn’t bring yourself to care. You were just so drained, you needed to get away from this place and the people in it.

However, you didn’t want Jess to worry. You sent him a quick text saying you weren’t feeling well and put on your headphones before walking out of the school.

What you didn’t expect was Jess to come flying out of nowhere, appearing by your side as if you’d summoned him.

“Jess! What are you doing? Don’t you have class!”

He shrugged. “You weren’t feeling well. Did you honestly expect I’d leave you by yourself? And, seriously, Y/N, you know I hate this place. You’re the only thing that makes it bearable so if you  wouldn’t be here, why should I?”

You nodded and kept walking forward. Jess looked at you quizzically, trying to decode your dejected state. He kept quiet, knowing not to push you to talk. He trusted you’d come to him when you were ready. Therefore, he simply followed you until you made it off campus, where you turned into a random alley and suddenly stopped walking.

Jess caught himself, almost running right into you. You suddenly turned around, dropped your bag, and bolted right into his chest. He was caught off guard but instinctively brought his arms around you, trying to comfort you. He noticed you were crying, your broken sobs getting muffled in his shirt. He soothingly rubbed his arms up and down your back, desperately trying to give you solace. After you finally quieted down, Jess gently and slowly pulled you back.

His hands gripped your shoulders as he studied your face, your sad gaze meeting his. “What happened?”

“Stupid English, that’s all”

“Come on, Y/N, don’t shut me out. What happened?” He said, his tone kind.

“I-” You trailed off, trying to keep your composure. “Some kids just said some shit. I was just reading slower than them and they said some shit. It’s not a big deal, I just- it got to me, okay?”

“Who?” Jess said, firmly this time.

“Jess-”

“Who, Y/N?”

“Alex, Justin, and Sarah.” 

Jess groaned, rubbing the heels of his hands over his eyes. “Fuck them, Y/N. They’re fucking ridiculous and they don’t know anything about you”

“I know, I know. That’s why I’m so goddamn frustrated! Because, like, it did get to me. Jess- Jess, they’re right. I felt like an idiot today, I felt stupid. And I hate feeling that way!” Hot tears smarmed in your eyes, the frustration and anger bringing them out. 

Jess’s gaze softened. As livid as he felt toward the three of them, he knew that’s not what you needed right now. 

“Hey, hey, hey. Love, take a breath. I’ve got you, okay?” 

You nodded, your breathing shaky from the stress of the day. 

“I’m sorry that happened today. Listen to me, Y/N. You’re so smart. You’re smarter than I am, hell, you’re smarter than anyone at that school! They’ve got nothing on you!”

You looked at him and smiled at his words but shook your head. “You don’t need to do that, Jess”

“Yes, I do. We promised we’d be honest in our relationship, right? Well, that’s all I’m doing. Seriously, Y/N, who else at that school could debate the themes in literature with me like you? Who could discuss the importance of accurate representation in books with me? Who could talk to me about just how influential YA books are and why they should be taken seriously-?”

“They are and they should!” You cut in.

Jess laughs, nodding in agreement. “Exactly!! You’re amazing, Y/N. And I swear those fuckheads are gonna get what’s coming to them”

“Jess-” You warn.

“Okay, okay!” He laughed, holding his hands up in mock surrender. “They just- they messed with you and made you upset and I fucking hate that”

“I hated it too. I hate doubting myself because of my dyslexia. I feel so shit about myself when I get in that headspace and I start spiraling and it gets out of control so fast.” 

“I know. It’s not your fault when those spirals happen. And I know you know this, but I’m just gonna remind you: you’re not any less because you’re dyslexic. It doesn’t make you stupid or anything. It’s a part of you and I love you, all of you”

Your heart swelled at his words. Everyone thought Jess wasn’t good expressing his emotions but you knew the truth. He was quite eloquent when he wanted to be, he just sometimes had trouble with vulnerability. You didn’t blame him for it, with his past it made perfect sense. But when you needed that reassurement, that compassion, you could always count on him for it. 

He moved to place a kiss on your forehead before slinging his arm around your shoulder. “Let’s go home, okay?”

“Okay” You smiled up at him and kissed him once more before tucking your head into his shoulder. He pulled you closer and you grabbed his free hand with yours as you continued to walk through the Stars Hollow streets together.

[sooibian]

IRS and Prejudice

Pairing: CEO!Minseok x fem!employee Reader

Genre / Themes: Fluff!!! Frenemies to (maybe) Lovers? Office AU with some references to ‘The Office’, flirtatious, cat-whisperer, Aries Minseok vs Aries reader!

Description: In which Kim Minseok is nothing like other bosses. Nothing.

A/N: happy birthday to mochi ari! @his-mochi-cheeks​ 💗

Word count: 2.7k (written in a state of delirium eeeek)

You quickly hit Alt+Tab on the resume that you sat updating for the umpteenth time as the sound of heels click-clacking against the floor grew closer.

“My office,” said your immediate supervisor the moment you looked up at her, a well practised unfazed expression crossing your face. If switching between applications at lighting speed were an Olympic sport, you were certain you’d score nothing less than a gold medal. Yet, somewhere in the back of your mind, you had a niggling doubt about having been caught in the act.

You gave her a slight nod in response, lips stretched into a thin line. Smoothing out the wrinkles in your red and black plaid shirt (the one you wore on most casual Fridays since you could hardly be bothered with your appearance at work; despite the feminist within you, the dull back office team discouraged you from making the effort), you followed her into her office with your best businesslike gait while your mind made up a million excuses for what her keen eyes might have found on your 24-inch screen.

“Sit,” the middle aged woman commanded, resting her hands on her hips. Leaning against her teakwood desk, she crossed her legs at the ankles, pushed her glasses further up the bridge of her nose, and cleared her throat. It’s how she’d fidget when she was on the edge about something.

You imagined your expression if a camera was to pan to you, cinéma vérité. Indulging your curiosity, you shrugged your shoulders with a confused look on .your face

“Everything okay?” You mustered in your best Pam Beesly impression.

Your supervisor let out a deep sigh and answered your question with a more awkward one, "When was the last time you submitted cash reports to the IRS?”

You froze into a still frame.

One of the major reasons you wanted to change jobs was because innumerable responsibilities that were entirely unrelated to your department had been carelessly plonked upon your shoulders. Submitting monthly cash reports to the IRS should have ideally been a task of the receivables department and not shifted onto someone incharge of warranties.

“I - I - ,” you started by trying to justify your negligence before even attempting to answer her question but honestly, you didn’t even want to think about when you last submitted those reports and there was absolutely nothing you could say in your defense.

You’d messed up. Big time.

“Ten months. Ten months is not a small amount in penalties,” she said in her quietest tone as you struggled to fight back angry tears. You’d been with the company for over six years now but it was the first time you’d been accused of laxity. It felt like a punch in the gut.

She turned on her heel to take her seat - movements deliberately slow, allowing you some time to regain your composure. With her eyes on her phone, she leaned back in her chair and said with a sense of finality in her voice, “You know what you have to do.”

Head hung low and eyes lined with tears, you walked out of her office muttering all the things you didn’t say in your defense. The long and short of it was that this duty should’ve never fallen into your lap in the first place. As you paced in the direction of your cubicle (with twenty sets of curious eyes on your back), a pair of hands suddenly gripped your shoulders and a dulcet voice sang, “Careful, Warranties.”

At this point, you were ready to rip your hair out. Looking up you met CEO Minseok Kim’s bright, catlike eyes as he stood at a hair’s breadth distance from you, smelling of expensive cologne - the kind that was equivalent to several months of your salary, and coffee. He always smelled like coffee and in your opinion that was his only redeeming quality.

His handsome face that every woman and man in the office fawned over was a source of your annoyance - you didn’t care for cocksure people at all and he was the uncrowned king of arrogance. He took over the reins of a used car dealership from his father upon his retirement - it was nothing too fancy - yet he enjoyed strutting around the office as if he managed a multinational conglomerate.

It was his younger sister that did the real work. She managed the more important businesses while Minseok had been handed the responsibility of just one company and from your (and the Sales Team Lead Baekhyun's) standpoint, he wasn’t doing a marvellous job at it.

Your Aries energy didn’t permit you to apologize for nearly butting heads with him so you feigned a polite smile and side-stepped to your right and he simultaneously side-stepped to his left, his every little wrong move bolstering your frustration level. It happened again and again and again until he bowed ever so slightly, stretched his arm out and said, “Please,” gesturing for you to leave first, the corners of his mouth curled up in a wide, gummy grin.

What was he so happy about all the time?

“Thanks,” you mumbled and he winked at you in response. You immediately made a mental note to find out if you could report the CEO for improper behaviour. You had a full-blown list that started with his attire - should a CEO be allowed to dress in hoodies, skinny jeans, and comfortable sneakers while the rest of you suffocated in the restraints of formal clothing for four days of the week?

Huffing, you slumped in your chair and texted your aunt informing that you wouldn’t make it to barbecue night and immediately flipped your phone to silent to avoid seeing her colourful messages berating you for the last minute cancellation.

Next, you aggressively typed ‘IRS CASH STATEMENTS’ in big block letters into the sticky notes app as a reminder of the humiliation you experienced today.

***

When you last checked time, it was noon.

The sun had long gone down since then as you tried to wrangle customers’ social security numbers out of the ever-so-reticent-to-share-information receivables department who were all packing up for the day. You were this close to socking them in the jaw but you still maintained a courteous smile and pleaded with them throwing in tonnes of cringey corporate jargon, “Please, I just have three more reports to go and I’d really appreciate your prompt help with the information.”

Suddenly, a familiar cheery voice fell upon your ears, “What’s going on?”

You were surprised to find Minseok still in the office but also extremely grateful for his presence because his single sideway glance at Angela achieved what your five emails and three verbal requests failed to.

Furiously typing away on her keyboard, she said through gritted teeth, “I’ve sent them over.”

Minseok gave you a casual two-finger salute and nearly went skipping back to his ...no, not his but to your immediate supervisor’s now empty, glass-paned office - where you could see him directly and he you - the three walls of your cubicle doing nothing to keep you out of the periphery of his blatant staring and his trademark cheeky grin that lit up his ridiculously handsome face.

Shifting uncomfortably in your seat you returned his smile but not with your eyes. You hated the effect he had on you - making you, a grown woman, blush like a schoolgirl under his self-assured gaze. Minseok was nothing like a CEO - he dressed casually, talked to anyone and everyone like he’s known them forever. He’d come into work regularly after prolonged dry spells only to disappear again. His laidback attitude did no favours to your opinion about him.

To pointedly avoid Minseok you put your head down on your desk on the pretext of catching a little break.

… big mistake.

***

You woke up with a start to the soothing and inviting aroma of... home. Opening your eyes to cinnamon bread drizzled with cream cheese on your desk felt like a fever dream until Minseok rolled his chair forward in your direction and you instinctively backpedaled. Clutching his stomach he broke into a vast roar of laughter while offering you a paper napkin with his other hand.

Brows furrowed, you stared at him quizzically as sleep continued to irritate your eyes and the mark of the ballpoint pen you fell asleep on, niggled at your cheek. Hesitantly, you took the napkin from his hand and dabbed it around your eyes and he shook his head in response, pointing to the annoying curled up corner of his own mouth.

“You were drooling,” he guffawed, his eyes twinkling with mischief. Upon noticing that you immediately grew conscious about your appearance, he waved his hands frantically and added, “It’s no problem… I drool too, haha..in fact it’s ...umm..”

You glowered at him and he instantly looked away allowing you to fix your face as his fingers impatiently drummed away on your desk.

The clock struck 7:53 p.m.

Your last meal had been sometime before noon. Under normal circumstances, you would’ve been grateful for the little snack Minseok had brought you - it was an uncharacteristically thoughtful gesture from someone like him but you’d been expecting your period in a week’s time which made you unusually ravenous.

Lips pursed and head tilted to the side, he handed you a bottle of water which you gulped down within a matter of seconds while steadily growing wary of your ultimate boss’ intentions. But you pivoted your attention to prioritizing. First, you’d wolf down the delicious cinnamon bread and then think about whether you were going to walk out of this office on your own two feet or as a human-skin suit on Minseok’s well defined back.

“Thank you for the snack,” you said to him with a forced smile, “I’ll get back to my reports now.” As you swivelled your chair to face the monitor, his hand hooked at the armrest and he spun you back around towards himself.

“What’s the rush, Warranties?” Resting his chin in his hand, he wondered with a quirked brow and a smile teasing the edges of his plump mouth.

It was not your place to ask what your boss was doing in his own office at 8 p.m. on a Friday night, especially one that hardly ever came in to begin with. He could clock in and out at his own whim and sit wherever he liked even if it meant being an utter inconvenience to someone on a stringent deadline but you took your shot anyway. Doing nothing to mask the sarcasm in your tone, you said to him, “Minseok, if you came into work everyday, you wouldn’t have to stay back so late, you know.”

Unfazed, he responded, “But my schedule doesn’t allow me to come into work everyday.”

Schedule?

You decided not to stretch this conversation longer than necessary, especially not after his ridiculous response. Drawing in a deep breath, you said, “I just have five reports left to finish, Minseok. Maybe we can talk later.”

“I run an organization involved in wildlife rights and care,” he explained anyway, rummaging the pockets of his jeans.

No shit, you scoffed. If only Minseok Kim could get any more predictable. A not-for-profit organization was every rich kids guide...no facade...no scam.. to make it seem like they actually did something.

Handing you a card, he continued, “It requires me to travel extensively - last month I was in a park in South America, working with this one puma, Elsa. She was a cage cat who got so used to the confines that she wouldn’t come out of the cage for walks in the jungle because she didn’t like anyone touching her collar, so we couldn’t attach a rope to walk with her. But, I think I’m somewhat of a genius and a cat-whisperer. Within three to four weeks, we managed to get her out of the cage.”

He pulled his phone out next, brought his chair closer to yours and started swiping through the picture gallery to show you a magnificent puma walking around the park as if she were its reigning queen. He resumed the story proudly, “Now she walks every single day, without a rope around her neck. And she’s very, very loving and affectionate.” His face lit up with awe and admiration for Elsa.

Probably you'd misunderstood Minseok…just a little. His passion about his organization did something to favourably change your opinion about him but that didn't mean you didn't have your immediate supervisor and the IRS to answer to anymore.

"Why are you telling me all this?" You asked, covertly moving closer to your workstation.

"We have a vacant position in Treasury." He answered and you immediately stopped dead in your tracks.

Mouth agape, you exclaimed, "You did not just try to poach me from your own company! Minseok you don't cease to surprise me -"

With a smirk on his face, he gave you finger guns. "That’s always been the goal, Warranties!"

"I still have five-

"Three..you have only three reports left. How stupid do you think I am?”

Caught in a lie, you could do nothing to save face so you simply pivoted your chair only to be forcefully twirled back by his strong arms again.

“Now what?" You asked, letting out a groan.

With his foot on one leg of the chair base, he pushed you back towards your desktop and said with a voice laced heavily with his trademark sass, "Check your inbox first."

Grumbling under your breath, you said something along the lines of ‘what does a CEO do anyway’. You then refreshed your inbox, impatiently waiting for an email of several MBs to load as Minseok watched you with an expression of victory painted across his features.

Your mouth fell open to find perfect to the t cash reports for the last three months which made you instantly regret your snide remarks.

Minseok snapped you out of your reverie with his smooth voice, “I may not know much of what a corporate CEO is supposed to do but I do how to get work done. Angela was more than happy to do this for a ‘team leader’ nameplate on her desk.”

Struggling to hold his compelling gaze, you muttered, “I don’t know how to thank you...”

“But I do!” He quipped.

“Of course, you do,” you sighed.

“Let me join you for barbeque night at your aunt’s..i’m sure they won’t mind you bringing a friend along?”

Before you could begin looking for a bug in your cubicle, he explained, “I caught a preview of her message on your phone while you were happily tucked away in dreamland.”

“You - you - that’s an invasion of privacy!” You lambasted him.

Stifling a yawn, he leaned back in his chair and said casually, “I was bored. Besides, privacy is a myth in today’s day and age...just like democracy, the importance of drinking eight glasses of water a day, the goldfish memory, or the thing about houseflies -”

“Okay, okay! I get it! Privacy is a myth. You - you can join us, I guess,” you interrupted him.

With widened eyes he emphasized, “Unless you don’t want me to -”

No matter how much and how often Minseok irked you, he was a charmer. You knew your aunt and your cousins would love having someone like him join in the get together and it really wouldn’t hurt your reputation to bring your boss, especially one like Minseok, along at a family event. You also couldn’t deny the excitement bubbling in your belly at the prospects of working in an NPO’s treasury department.

“You know that’s not what I meant -” You replied, eyes on the monitor as you double checked the email you’d drafted for your immediate supervisor.

“So you want me to come along?” He asked in his flamboyantly flirtatious tone.

Ignoring him, you hit send only after adding a little smiling emoji. Shutting down your system, you picked up your coat and answered with a genuine smile this time, “I’m driving.”

************

A/N: the story about puma Elsa is real! i’ll link it in one of the rb’s for those interested :)

[beauty-and-passion]

Heya!

So I remember reading your post about Eurovision a while ago, and since I'm now hooked on a certain collection of songs, I was thinking...

Would you think 'Zitti E Buoni' by Måneskin could be a Remus song, and 'Voilà' by Barbara Pravi a Roman song? Or do you have some ideas on any other Eurovision songs that would fit the Sides?

Just wondering whether you'd like to share some thoughts on this, but no pressure of course! As always, I absolutely love your theories and posts, it always brightens up my day to read :D

This will be a very self indulgent post.

First of all: “no pressure”?! I am HYPED to share my thoughts on this! And this is why it took me so long to reply to this ask: I’ve spent the whole time thinking about which song could fit which Side, going through the last editions, reading the lyrics, searching among my favourites...

So yes, this post will be a bit long. But hey, there is also good music and maybe, by listening to it, you will find something you haven’t heard before! :D

(Of course, in order to make this post understandable, I will translate all lyrics, but the songs aren’t all in English. In any case, every song has a link, so you can hear it on Youtube.)

And yes, I know there are billions of other Eurovision songs, but for the sake of “not making this post endless” (as if it won’t be already), I will stop at Eurovision 2014. If you all have other songs to propose for a Side, please feel free to add them and explain why! :D

And now...

Which Eurovision songs would fit the Sides

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EUROVISION 2021

Måneskin - Zitti e buoni

(Here the Eurovision performance because it’s just this good)

This song is PERFECT for Remus and I was a fool for not realizing it sooner. It's all about showing how different you are, embracing your uniqueness despite what others may think. Everything about this song screams “REMUS” so thank you, my dear, for opening my eyes and making me realize it.

They don't know what I'm talking about You are dirty, bruh, of mud Cig's yellow in between the fingers I'm walking with a cig Pardon me, but I really do believe That I can make this jump And even if the street is uphill I'm training for this now

The first line is already 200% Remus: they (aka the other Sides) don’t know what Remus is talking about. Remus is impossible to understand. Remus is weird, strange, dangerous - according to moral standards.

However, despite the other people’s thoughts, Remus still shows a high self-esteem - just like in his playlist. The others may not have faith in him, there could be obstacles on his way, but he still believes he will achieve his goals.

And good evening, ladies and gentlemen Bring out the actors You better hold on to your balls You better keep quiet and be good Here people are weird, like drug dealers Too many nights I've spent locked outside Now I'm kicking these doorways Staring up like climbers So sorry mum if I'm always out, but

“You better hold on to your balls” is a translation of the original italian line “Vi conviene toccarvi i coglioni”. This sentence is a more vulgar form of the English expression “knocking on wood”, something you preventively do to un-jinx stuff.

However, “knocking on wood” isn’t as strong as the italian expression, so I chose this translation that is more literal, but also more vulgar. It kept the original vibe more, it fits Remus more and it gives a stronger meaning to the whole thing. The singer isn’t just saying “beware of what you’re doing”, but he’s saying “get ready, shit if about to hit the fan”. It’s more powerful - and well, Remus would love this. It’s his time now, so the audience (the other Sides/Thomas) should "keep quiet and be good”.

I also really like the “Here people are weird, like drug dealers”, because it can refer to the dark sides in general. This is Remus’ show, so the Core Sides and Thomas should shut up. They are now in the Dark Sides’ territory, full of weird, sketchy people, morally gray villains. All things he loves, enjoys and that he definitely considers as compliments. 

“Too many nights I've spent locked outside / Now I'm kicking these doorways” is another great line, because “being locked outside” is the perfect metaphor for Remus’ situation. He IS locked outside, he has been kept far away from Thomas, stifled by him, unable to fully express himself. And so he releases his frustration by kicking the doors that are shutting him down. That’s just so Remus I. LOVE. IT.

I am out of my mind, but I'm not like the others And you are out of your mind, but you're not like the others We are out of our minds, but we're not like the others We are out of our minds, but we're not like the others

This chorus is PERFECT! First of all: “I am out of my mind” is basically just like this line from DWIT:

[Patton]: Imaginative sure is a- a kind word for him. [Duke]: I agree! How about... DEMENTED?

But also: Remus doesn’t give a damn. He’s not like the others and he’s SO DAMN PROUD of it. Just like he is in canon and in his playlist.

He goes even further, by saying that “you” are also out of your mind. And who this “you” might be, if not the big man himself?

[Duke]: If I am awful... then so is Thomas.

Just like in DWIT, Remus welcomes Thomas’ weirdness with open arms. If he and Thomas are both insane and different, why hiding it and not embracing this difference? They are unique.

I've written pages and pages I've seen salt, then tears These men in cars Don't climb the rapids I've written on a tombstone "In my house there's no God" But if you find time's meaning You'll climb back up from your oblivion And there's no wind stopping The natural power From the right point of view You feel the intoxication of the wind With wax wings on your back I'll go look for that high If you wanna stop me try again Try cutting my head off Because

Woah, this part has a lot. There is:

Remus' creativity as a flow ("I've written pages and pages")

Remus seeing how different he is compared to others ("These men in cars / Don't climb the rapids" while he was ready to “make this jump” despite the obstacles on his way)

Religion because of course - and especially Remus rejecting it ("I've written on a tombstone / "In my house there's no God".")

And, most importantly, there is a nice reference to Icarus' myth. According to myth, Icarus escaped from the Labyrinth of the Minotaur, by flying on wax wings. But he flew too close to the sun, his wings melted and he fell to his death.

This has multiple meanings. First of all, it shows how stubborn Remus is: he could use simpler, more stable ways to reach his goals. But he's Remus, he's creative and he's different, he would rather use wax wings (aka more complex, unordinary means) to reach his goal. Also, it's a proof of his resolution: just like Icarus, his wax wings could melt and he could fail. And yet, he's so set in his decision, he's ready to do anything to succeed.

This last point is particularly evident in the following lines: "If you wanna stop me try again / Try cutting my head off". It's impossible to stop him, just like it was impossible to send him away or stop him from talking in canon.

Everything in this song is just HIM.

Unfortunately people talk They talk, they don't know what they talk about Bring me where I float Cause I lack air here

Once again, the people are the Core Sides: they talk about how he's evil and dangerous and useless. But they don't know what they're talking about. They're (metaphorically) suffocating him with their prejudices, that's why he asks "bring me where I float": he wants to express himself freely, to escape these biases.

Also: water. And with the whole octopus as his animal, it’s just even more fitting.

Moral of the story: this song is perfect for him, Remus should know Italian just to sing it - and he would love the glam rock style of Maneskin as well.

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Barbara Pravi - Voilà

I don’t know how you did it, dear, but these two songs are PERFECT. Zitti e buoni is perfectly Remus, Voilà is perfectly Roman. I feel blessed.

Listen to me, me, the half singer Talk about me, to your loved ones, to your friends Tell them about this little girl with black eyes and crazy dreams What I want is to write stories that you will hear about That's all

Roman, is that you? Because this is you. This is ALL you.

Roman is a "half singer": he cannot sing like he want, he cannot express himself in full. He has rules, laws, morals that forces him to quiet down and bent his creativity.

And, just like a tragic hero, Roman asks that his story will not be forgotten, that others will know about him, his unfortunate life, his "crazy dreams" and especially his passion: writing stories "that you will hear about".

This line in particular reminds me of this part from Recipe for Me:

And still, I continue to write because I have more dreams to fulfill Tales I hoped to tell when I was younger Ideas that I haven't made yet, but I will I'll find my way with my will

The concept is the same in Voilà. Roman is a "controlled" Creativity, surrounded by rules and morals that shut him, but he wants to be heard, he wants to tell stories.

And that’s just it. This is what creativity is all about: talking, puring out its ideas, as loud and freely as possible.

Voilà, voilà, voilà, here is who I am Here I am, even if I'm scared as I'm naked, yes Here I am in the noise and in silence

I love how this song is a way for Roman to express himself, to show himself despite everything. He's like this, he's a "half Creativity", he's scared, he's not perfect. But here he is, "in the noise and in silence". Because your creativity is always here with you, no matter where you are or what you are doing: it will never leave you and it will never stop asking to be heard.

Look at me, or at least what's left of it Look at me, before I hate myself What can I say that another hasn't already said? I don't have much, but I place here what I do have Voilà

Aaaah, yes, I like to wake up with the strong smell of Roman's angst in the morning.

Roman seeing himself as something broken? Perfect. We want more of the angsty boi. Even the fans of King Creativity may read this line as Roman seeing himself as “half of a whole”!

And, again I love how despite feeling broken and hating it, he’s still ready to give everything he has. This is the true essence of the concept of creativity.

Also, why not adding a little more angst?

I want to be loved, because I don't know myself how to like the shape of me

This is perfect, because it reconnects to the first episode, when Roman said his goal would be to love himself first. He never reached this goal after almost 30 episodes - and this line might offer an answer on why: because Roman doesn’t know how. He hates himself so much, he doesn’t know how to love himself.

And that’s probably why he needs another person to love: because it’s easier to love someone else, rather than himself.

Voilà, voilà, voilà, here is who I am Here I am, even if it's the end as I'm naked Here I am in the noise and in rage too Finally, look at me and my eyes and my hands All I have is here, it's my face, it's my scream Here I am, here I am, here I am

This last chorus is awesome: the quintessential of Roman’s desperation, of showing himself, of screaming hoping to be heard by anyone. Unlike Remus who is unstoppable and doesn't care about others, Roman cares. He needs a public, he needs to be heard, otherwise he would lose himself.

And I seriously love how these two songs both have the same idea (embrace yourself and your uniqueness), but talk aboout this theme in such different ways - and yet so fitting for the twins... they are just GREAT.

(On a side note: this song is so dramatically French Roman would love it and sing it with the same passion Barbara used and I would love to see that.)

_____________________________

EUROVISION 2019

Bilal Hassani - Roi

Come on... Roi. Roi. Considering that "roi" means "king" in French, who could possibly be the Side I would associate this song with? Maybe the Side who already has a King in his playlist?

Nope, this song is for Remus.

Why Remus? The reason is very simple and you can just notice by reading the first verses:

I am me And I know I will always be I am free Sure I am inventing my life Don't ask me who I am

I am The same since I was very little And in spite of looks, opinions I cry, I go out and I laugh

You put me in a box Want me to be like you I don't follow the codes People are disturbed a lot At the end of the day You canno change me, boo! So, let me fly

This song overflows with confidence, the lines talk about someone who is free to be whoever he wants, who has always been the same since he was a child, who is rejected by others and doesn't give a damn, who doesn't "follow the codes" and refuses to be changed by them.

This isn't Roman, but this is the quintessential of Remus. This song is everything about him, from his confidence to his desire to be free.

And the chorus is even clearer:

I'm not rich but i'm shining bright I can't see my kingdom now When I dream, I am a king And I know o-o-ow Even now o-o-ow You try to take me down You cannot break me nah nah

That's him, that's Remus.

On a side note, if Remus also has his "King song", that would strengthen the connection with Roman, since they both would have a song about "being/feeling like a king".

And this song is Roi, king in French. Since I think Remus would definitely know French, this makes Roi an even more fitting choice, doesn’t it?

Who are we ? When we hide, when we fight for free Only god can judge you and me We did not choose what we are

Not only there is a nice religious reference, but these lines are a also a reference to the LGBT community: they hide, they fight, they didn't choose to be like that (no matter what idiots might think) and only God can judge them, not other, very flawled (and, honestly, very pathetic too) humans.

So, if we consider it, there is also a hidden "fuck society" and a "I am gay and proud to be" and those are both very Remus things.

_____________________________

EUROVISION 2018

Saara Aalto - Monster

I would associate this song with Thomas. And, specifically, to Thomas at the end of the series. Why?

Here's why:

So tonight I'm making friends with all the creatures That are hiding there under my bed

I ain't gonna hold on to these monsters anymore Now I'm gonna let in all the light Tear down the walls At my worst, I found my army strong All the demons are gone You can try and scare me now But I ain't scared no more I ain't scared no more

At the end of the series, Thomas would have befriended all the Sides, especially the "monsters hiding under his bed", the dark bois.

The "final Thomas" will tear down every wall between him and his Sides and will stop hiding/rejecting them. This will make him stronger, because the Sides will be his helpers, parts of him, his friends. He won't be scared anymore by Remus, suspicious towards Janus, afraid of Virgil or terrified by Orange.

"All the demons are gone": the dark sides won't be villains anymore, but friends. And they would help him be stronger.

It's my life I'm ready to lead it I'm gonna roll the dice You better believe it

This part is great as well, because it proves another interesting detail: that Thomas is growing up. He's taking life into his own hands, he's leading it. No more "Oh no, I don't know what to choose between callback and wedding!". He's more confident, he's stronger, he's more mature.

_____________________________

Hovig - Gravity

Honestly, I think this song can be something all Sides might sing to Thomas. It's basically a testament of how much they care about him:

Let me be your heart and your company I'll let you be the one who can lean on me I'll catch you when you fall When you're falling free Let me be, be your gravity

But the imagery just screams "ROMAN" so much, I can't help but think that yes, this is a great Roman song and it's all from Roman to Thomas.

I mean...

I can be your hero I can be your fantasy Oh, I can be the cure Yeah, let me be Your remedy

He IS Thomas' hero, so how can I ignore this? And he's also the embodiment of Thomas' fantasies, he's the wings that make Thomas fly.

Let me be your wings When you're flying high I'm gonna raise you up 'til you touch the sky I'll catch you when you fall When you're falling free Let me be, be your gravity

It's just pure love for Thomas and it begs me to being a Roman song, so... here it is. A Roman song dedicated to Thomas.

_____________________________

Eleni Foureira - Fuego

Listen, not only Roman would rock this song, but also dance like a maniac while singing it just like Eleni and no, you can't change my mind.

Just look at how this woman sings and dnaces without never losing a beat until the end. And please consider that on the Eurovision stage there is no autotune: this was her voice and he delivered a great performance without cracks.

So yes, I want Roman singing this.

But the lines are great for him as well! I mean...

Take a dive Into my eyes Yeah the eyes of lioness Feel the power They ain’t lying.

and

Coz I’m way up and I ain’t comin’ down, keep taking me higher Ah yeah ah yeah ah yeah yeah ah yeah ah yeah Coz I’m burning up and I ain’t coolin’ down, yeah I got the the fire Ah yeah ah yeah ah yeah yeah ah yeah ah yeah

Fuego

Someone fiery and passionate, powerful eyes, pride... yep, this is definitely something Roman would sing. Especially because of the fire. Roman is a fiery guy, so fire is very him.

______________________ 

Yianna Terzi - Oniro Mou

I actually already talked about this song in an old post and I still haven't changed my mind: this song is all about Janus telling Thomas how much he cares about him.

If you look into the depth of me You revive my dream And if you look into my heart I will take you into my arms   How would you like me to say this I would die for you I would give my life for you End and beginning, you are everything

Not only the "take you into my arms" reminds me of Change (" I’ll be able to be honest, capable / Of holding you in my arms without letting you fall"), but the last three lines are so incredibly loving and honest I can't think of anyone else but Janus while reading them. Thomas is his end and beginning, Janus would literally die for Thomas and give his life for him.

So, well, it's just very fitting. And I love how dramatic this song is. It doesn't have the jazzy vibe Janus loves, but the drama is all here.

______________

Francesco Gabbani - Occidentali’s Karma

Do you remember how hard it was to analyze Algorhythm from Logan's playlist? Every line has a meaning and explaining every single one of them took me an eternity.

Well, this song is basically like Algorhythm, but with more philosophy and billions to references. You see the performance on the stage and ahahah, there's a funny dancing gorilla, what a cute song. Then you read the lyrics and BOOM.

I will not analyze this song here, because every line would require at least two paragraphs to explain it. And this post is already long enough as it is, but please, search the meaning of this song: there are references to Shakespeare, Heraclitus, buddhism, Andy Warhol, Desmond Morris and his book "The Naked Ape", Marx, Nietzsche and so on. Basically every line is a reference, a play on words or both at the same time.

What about the main theme? The main theme is the human and especially the contemporary human. In fact, "Occidentali" (Westerners) does not refer to the geographical place, aka Europeans/Americans, but to the western cultural model.

So the title “Occidentali’s Karma” (Westerners Karma) is an insight on contemporary society, on our values and on how, despite how many things changed, we are not so different from our ancestors after all.

This song might seem a perfect choice for Janus. There's a critique of society, there are philosophers and plays on words.

But I’m not too convinced, because even if Janus likes all those things, the number of references is just SO HUGE only a real nerd can find, recognize and appreciate them all.

So yes, this is a Logan song. A song he would probably listen and analyze, enjoying the whole process of knowing more things, finding out all the hidden meanings, the plays on words (we all know you like puns, ya big nerd) and the critical insight. After all, Algorhythm WAS a critique of society, so Logan should appreciate it.

_______________

EUROVISION 2014

Twin Twin - Moustache

Not only the band is called Twin Twin but, as if this wasn't screaming "Creativitwins" enough, the title of the song is "Moustache".

Come on, you know who is the Side perfect for this song.

Psyche! It's both Roman and Remus.

Something is missing, but what? I want this, I want that When I'm dreaming, I'm dreaming in dollars, every day I'm wearing a different suit.

This is very Roman: Roman wants everything (let's not forget Primadonna from his playlist), Roman’s dreams are big. And Roman is Creativity, so he "wears a different suit" every day - aka he directs his creative flow in different stories/songs.

I want this, I want that there's never enough for me it's like this, it's like that there's always something I don't have

This part strongly reminds me of Primadonna. Roman wants everything, every day. He's never satisfied.

And then, Remus busts in and...

I wanted a moustache, a moustache

So my headcanon is that this starts as a Roman's song, all about wanting everything because "there's always something I don't have", until Remus pops out during the chorus and says all he wants is his gorgeous moustache.

*chef’s kiss* Perfection.

But I know what you want, dear audience. You want some angst, don't you?

Fine, so what if the "I want a moustache" line is Roman's subtle way to say that he wants the same freedom his brother has? After all, Roman has "everything one could ever dream of", "I have friends too / even some who like me". All he needs is more creative freedom and  the moustache is a subtle way to say that.

_______________

Aarzemnieki - Cake to Bake

This is the ultimate song for all Patton's fans, because it combines Patton's love for baking to Patton being an absolute disaster at it.

Also, it's an incredibly cute song.

I melted the ice of the polar caps Found the raiders of the lost ark Solved a case for the genius from Baker Street Helped to clean the Central Park I created the plan for the Chinese wall Went to desert, made it rain Swam through a shark tank bloodily Found Atlantis, by the way But today

The first verse is already awesome: Patton did a lot of great stuff, even impossible stuff ("solved a case for the genius from Baker Street" is a very nice reference to the Losing My Motivation episode).

But today, he has to face the most difficult task of them all:

I’ve got a cake to bake, and got no clue at all I’ve got a cake to bake, and haven’t done that before Don’t be proud, mate, please, don’t bother Go, come on and ask your mother How to bake, how to bake, bake that cake

Not only this makes me smile every time, but I can perfectly imagine Patton in a kitchen, with all the ingredients in front of him, everything ready and set... and he’s just absolutely lost. Should he use a spoon to stir the flour? And how can he open the vanilla beans? He doesn’t even know how to turn the stove on.

And so, he decides it’s time to ask someone else to help him. Bonus points if the mother is Janus. Also because he is a mom AND a witch, so

Also, this line:

Mix some dough, add some love, let it bake, wait for it

It's SO Patton, because the main ingredient of his recipes IS love! And cumin. And sometimes spit, depending on what he's making: pasta for Roman or some toasts for his angsty teen son.

_____________________________

Carl Espen - Silent Storm

At first, I thought this was a Logan song: someone who feels empty and alone, who has a storm inside but it's a silent storm, because Logan would never express his feelings in any way.

But there are these lines:

And there’s a silent storm inside me Looking for a home I hope that someone’s gonna find me And say that I belong I’ll wait forever and a lifetime To find I’m not alone There’s a silent storm inside me And someday I’ll be calm Someday I’ll be calm

And maybe it's just me, but this reminds me so much of Virgil. He has a storm inside, his own symbol is a storm. He's searching for a home, after leaving the dark sides. And he hopes someone will say he belongs - Thomas will say he belongs, that Virgil is part of him and of the famILY.

And he's willing to wait all the time, just to get that tiny bit of recognition and acceptance. And, who knows, maybe when he'll get it, the storm inside him will calm down and he will finally be at peace.

____________________

Tinkara Kovač - Round and Round

I don't know if I'm insane (or just extremely self indulgent), but this song is basically Janus during the wedding/callback saga.

Uncertain between worlds Circle after circle, we're trapped in time When you're already familiar with every storm You're playful, and yet you're alone

The first verse sets the time and situation. Thomas is living an uncertain life (just like every actor), trapped in the same cycle, with nothing new coming: same job, same opportunities, no big chances, nothing stable. He's "familiar with every storm", aka Virgil has been accepted. Thomas is happy, but he's alone. No one is actually on his side, not even the Sides themselves. He's not taking care of himself enough, he's too ready to drop everything for his friends, he's spreading himself too thin.

And now I'm gonna show you how to breathe I'm gonna show you how to live I'm gonna hold your heart in hand I'm gonna make you understand

This can be a declaration from Janus: he's tired of working in the shadows, he wants to step up and help Thomas in person. And these lines make me think of him, because of how "firm" (and kinda villain-y) they sound.

He wants to show Thomas how to live, aka what are the best decisions to make). He's going to "hold your heart in hand", aka to have Thomas wrapped around his fingers, to take control and steer him with a strong, confident grip, away from the decisions he considers bad, into making him a lot stronger than before.

And, finally, he wants to make him understand. So if the lines before sounded more like a villain’s plan, this last line adds something more. Janus wants to explain to Thomas why he's doing this, why his decisions are better, why Thomas should trust him.

If we think about it, this is everything Janus tried to do since CLBG: he wrapped Thomas (and the other Sides) around his fingers and made them play the courtroom scenario he built, he tried to steer Thomas away from the selfless decision of going to the wedding. And he tried to make him understand why, with the pinata metaphor.

You don't know you don't know Is it love is it hate What are we changing (What are we doing) You don't know you don't but Can you feel it inside Feel the roses Feel the pride (Can you believe it)

Thomas doesn't know a lot of things. Does he really know what love is? Or hate? Or what he's actually doing, by listening to his Morality? What is Janus doing?

[Deceit]: What am I doing here right now, Thomas? Am I the snake come to trick you into sinning, or have you had your mind made up since the moment you received the news about the callback? (SvS)

Thomas doesn't know a lot of things. But deep down, he knows what he wants to do. He should "feel the roses / feel the pride", both things associated with Roman. He is the one Thomas should listen to. And Janus is hinting it.

Is a moment just a circle Just a song you play on repeat? If we can't change how we're living Isn't life just a lie that we feed

Janus is expressing his frustration here: is Thomas' life doomed to always be the same, a cycle, a "song you play on repeat"? Can't he really change his life because of his selflessness? Will he really miss all the opportunities life offers him, in order to always be a good person?

What's the point of living, then? This wouldn't be life, but "a lie that we feed": instead of living his own life, Thomas would submit it to what others want/need, in order to always be present for them.

This is basically a huge warning from Janus: don't fall into this cycle, break free, I can make you free, listen to me and I will make you understand what is wrong about it.

[inmyarmswrappedin]

How does SKAM build a LI?

I’ve been thinking about this for a while, and even gave speeches to my long suffering friends about the topic. Now that we know what happened to Josh to make him the way he is, I feel like I can finally post about the way SKAM built love interest characters. 

When it’s good, SKAM is a very tightly written show because every clip, and every storyline, advances the themes that make the main character vulnerable. I would call this their “shame” but DRUCK fans don’t like that term because the show is called “pressure” and not “shame”. In the end, whether a character’s issues are internal (”shame”) or external (”pressure”) is irrelevant to what I want to talk about, so let’s just call those themes a character’s vulnerability, shall we? 

How does SKAM make every storyline relate to the themes of the season and what makes a character vulnerable? Well, one way it does that is to make the love interest the personification of a character’s fears and issues.

To wit: In season 1, Eva is called out on having no opinions of their own. If you read @skamenglishsubs‘ culture and context posts, they have listed every instance in which this theme is portrayed by having Eva follow someone else’s opinion (I recommend you do this, because there are way more instances than I picked up on!). So, who is Jonas? Jonas is an extremely opinionated person who feels he’s not a follower at all. 

In season 2, Noora is afraid of opening herself to a boyfriend, both emotionally and sexually, because when she was 13 she had sex with a guy she thought she was in love with, who then dumped her as that was all he was interested in. Who is William? William is the school’s fuckboy who dumps girls after having sex with them, and doesn’t seem to care about the girls’ feelings, but rather is just interested in them advertising his sexual prowess via hoodies. 

In season 3, Isak’s strained relationship with his mom makes him believe that it’s impossible to have a functional relationship with a person who has a mental illness, because they’re not in touch with reality. Even has bipolar disorder.

And then, in possibly one of the most simplistic ways to perceive one’s own character, in season 4, Sana is a hijabi out to prove she can do everything a ~normal Norwegian party girl~ can do. Yousef is... not a Muslim, lol. (Note that the Yousef storyline was not originally planned by Julie Andem, and in fact came about because of feedback she received from Muslim fans that they wanted Sana to have a LI. Sana’s main storyline isn’t so much about her religion, but rather her furious desire to prove the haters wrong.)

In general, most of the SKAM remakes have not tried to reinvent the wheel, and have more or less stuck to these character profiles in order to build their own seasons. Most of the changes remake stans will point to when they talk about a remake season don’t really qualify as changes (under this definition) because they don’t change the conflict between the main and the LI. 

I was pretty interested in whether the remakes had picked up on this way to build a LI, and most particularly, how the remakes that have done original seasons built their LIs. Thoughts on these after the read more.

Out of all the seasons that remade SKAM’s four seasons, I would say there are only four that didn’t stick to the character profiles as outlined above. In my opinion, it’s these seasons:

Eva’s season in SKAM España changes this because Jorge is never set up as an opinionated person. He’s a good guy, for sure, a good friend to his friends like most Jonases, but you will never catch Jorge acting like his opinions are better than Eva’s. He never calls Eva out on not having opinions of her own. Their break up scene doesn’t deal with this, and most importantly, Eva could never get the upper hand in that last conversation like the other Evas have, because Jorge is the only Jonas to kiss Eva first.

Matteo’s season in DRUCK changes this because while Matteo is afraid that his mom won’t react well if he comes out to her, we have no idea what he thinks about having relationships with people with a mental illness, as a general rule. We don’t know because David doesn’t have a MI (that we know of). He is trans, and DRUCK wisely avoided making David’s gender identity the personification of Matteo’s issues (gvgvvh imagine how shit that would’ve been!!). Matteo and David’s major conflict is that Matteo has abandonment issues and David a tendency to peace out when things get hot.

Cris’ season in SKAM España changes this because Cris’ mom doesn’t have a mental illness. In fact, Cris doesn’t know much about MI in general. While Cris does have some internalized ableism, it comes from ignorance and buying into societal prejudices against MI, rather than personal experience. Cris’ vulnerability isn’t her ideas about MI. Her issue is that she has bought into the idea that she’s an unintelligent party girl who can’t ever be responsible or dependable.

Nora’s season in SKAM España both keeps and changes the conflicts as presented in SKAM. Nora fails to trust Alejandro because he’s a fuckboy who would have sex with girls and then mock them for getting their hopes up. But, unlike Noora, Nora’s issue is that her lack of trust in Alejandro throws her into the arms of the seemingly ideal boyfriend despite the red flags, whereas Noora’s lack of trust in William made her withhold sex. 

As you can see, all Sana seasons so far (Amira N.’s included) have kept the original conflict by having a non Muslim Yousef. Under this definition, Martino’s season in SKAM Italia isn’t a subversion, because while he does live with his mom, he doesn’t think he can have a functional relationship with her. Aside from Eva Vázquez, all of the Evas kissed their Jonas first. However, I should note that while SKAM Austin kept the Eva/Jonas conflict, they’re the only other SKAM that doesn’t open with Jonas’ essay. (Which I chalk up to facebook not wanting their show to open with a blatantly anti-capitalist speech lmao.) 

Now, how did the remakes with original seasons build their LIs?

Arthur’s season in SKAM France is an interesting example, because Baguettes picked up on the LI personifying the main’s vulnerability. If Arthur is vulnerable about his (lack of) hearing, Noée embraces it, takes pride on it and bases her identify around it. So far, this is exactly how SKAM/Julie Andem built her LIs. However, Arthur rejects Noée and mocks her language. Noée disappears after s5. Alexia has no hearing issues, or any disability.

Lola’s season in SKAM France similarly picks up on the concept. Since Lola is an addict, Maya’s father was one as well. However, this conflict isn’t really explored amidst the thousand other ideas that were thrown at the wall during this season. It’s fair to say Lola and Maya’s clips don’t develop the theme of addiction throughout the season. Unless you want to count Maya telling Lola that Lola is Maya’s addiction, I suppose. 

Kato’s season in wtFOCK (oh yes I’m going there) could be said to have picked up on the concept, although not in any real elegant way. Because of fan feedback for Moyo to get a season (which they declined to do for super valid reasons I’m sure), the team decided to have Moyo be the LI and worked backwards to build the main. It is similar to how SKAM approached Sana’s LI.  Moyo is a black guy, so Kato would be a racist! Genius!

Given these precedents, I was really curious what Nora’s season in DRUCK would do with their first 100% original love interest (so, not counting David). If they decided to go with SKAM’s standard way of building a LI, there were several possibilities. Nora’s mom has addiction issues, and this is a vulnerability of Nora’s. Would that mean that Josh would have substance issues? Or maybe his dad? His mom? Nora has a mental illness. Would that mean Josh would have issues around mental illness or therapy? Would he maybe have a mental illness himself? Nora was set up from the start as a liar. Would Josh be honest to a fault? And so on. 

In the end, it seems like DRUCK has taken the same approach they did with David. That is, Nora doesn’t have to accept something about Josh that she has preconceived ideas about (Noora, Isak, Sana), neither are Josh and Nora extremes in one character trait (Eva and Jonas). With this clip, it appears that their conflict is that Nora has a problem sharing her vulnerabilities (reminder: she didn’t come clean in English class out of a desire to be vulnerable, but to prove a point) and Josh has abandonment issues that make him prefer to try to change a person or even be hurt, rather than be left behind. 

DRUCK’s approach to building a LI in s5 (and probably beyond) might end up making the season less cohesive than SKAM seasons were. On the other hand, you can argue that the way SKAM built LIs could end up being too predictable (Isak is afraid of MI so Even has a MI, Sana is a Muslim so Yousef isn’t, Noora is afraid of being used for sex so William uses girls for sex, etc) and perhaps lowkey reductionist. And that’s without getting into the issues of making a character’s mental illness, religion, gender identity, sexuality, ethnicity or race, etc... the source of another character’s vulnerability (or “shame” or “pressure” if you will). This is particularly clear in the hands of lesser writers, as seen on wtFOCK and SKAM France. 

I will also get yelled at by @dusuessekartoffel if I fail to acknowledge that DRUCK is now doing original seasons and, though based on SKAM, should therefore become its own thing, develop LIs how they will, without taking SKAM as a model for anything. Iiiiii... think that DRUCK still owes a lot to SKAM even in this generation, and I kind of feel like the way SKAM built LIs is like the real time aspect of SKAM, something that is embedded into the very concept of the show and not something you can just discard when you buy the adaptation rights, but this is certainly up for debate.  

[senadimell]

If you've got time to share, I'd love to hear more about your thoughts around Snape and Lupin.

@deathdaydungeon, here you are!

After a conversation with @frederick-the-great, I’ve been thinking about Lupin, Snape, and what they say about morality in HP. I’m not talking about the troublesome white hats, black hats morality, but am instead looking at from this angle: Lupin is nice and well-liked, but often lacks a backbone, whereas Snape is mean and disliked, but incredibly brave. Which is more important? I find Harry’s last sacrifice to be a useful point by which we measure their impact.

Lupin and Snape useful to compare on several important fronts.

As foils for each others’ teaching methods

The way they deal with social disadvantage

Their connections to Harry’s father and how they pass on James’ legacy

1) They both teach at Hogwarts, and are foils for each other in many ways. Snape is mean and takes away points. He’s seen as selfish. His classes are hard and unpleasant for Harry. He’s mean to Neville, and rather than encouraging him, mocks him and belittles him, which just adds to the overall disaster of Neville’s poor self-esteem mixing badly with potions class.

However, even Umbridge admits that Snape’s teaching methods work, and she’s working for Fudge who doesn’t like Death Eaters and has been defied by Snape in GoF, so we know he’s effective for a lot of people, if not Neville.

Yet, for all that, Snape saves Harry’s life multiple times. On top of that, Snape wants to keep the fact that he saved Harry’s life a secret.

“Very well. Very Well. But never--Never tell, Dumbledore! This must be between us! Swear it, I cannot bear...especially Potter’s son...I want your word!

My word, Severus, that I will never reveal the best of you? Dumbledore sighed, looking down into Snape’s ferocious, anguished face. “If you insist...”

DH 679, The Prince’s Tale

Conversely, Lupin is nice and rewards points. He’s seen as generous. His classes are fun and interesting for Harry. He’s kind to Neville, and expresses confidence in him that leads him to succeed and do well. That confidence is a huge part of Neville’s character development. I doubt he’d grow into the resistance leader in DH if not for the many times teachers expressed confidence in him, like Dumbledore in PS, Lupin in PoA, Fake!Moody in GoF, and Harry in OotP. Harry certainly approves of his methods:

“You’re the best Defense Against the Dark Arts teacher we’ve ever had!” said Harry. “Don’t go!”

PoA 424, Owl Post Again

However, it’s worth noticing that Hermione does worse on his exam than we ever see. She fails the Boggart test, and she and Harry were the only two people not permitted to experience the Boggart in class. Lupin’s teaching methods aren’t foolproof. Despite that, he’s overall seen as a nice guy and good teacher.

Yet Lupin endangers Harry’s life. The secrets he keeps are dangerous: his secret to keep is that he’s a werewolf and  actively endangered three students lives with his negligence, as well as the fact that he hid a secret about a believed and convicted mass murderer to save face with Dumbledore.

“That was still really dangerous! Running around in the dark with a werewolf! What if you’d given the others the slip, and bitten somebody?”

“A thought that still haunts me,” Lupin said heavily. “And there were near misses, many of them. We laughed about them afterwards. We were young, thoughtless--carried away with out own cleverness.

“I sometimes felt guilty about betraying Dumbledore’s trust, of course....he had admitted me to Hogwarts when no other headmasters would have done so, and he had no idea I was breaking the rules he had set down for my own and others’ safety. He never knew I had led three fellow students into becoming Animagi illegally. But I always managed to forget my guilty feelings every time we sat down to plan our next month’s adventure. And I haven’t changed...

Lupin’s face had hardened, and there was self-disgust in his voice. “All this year I have been battling with myself, wondering whether I should tell Dumbledore that Sirius was an Animagus. But I didn’t do it. Why? Because I was too cowardly. It would have meant admitting that I’d betrayed his tryst while I was at school, admitting that I’d led others along with me...and Dumbledore’s trust has meant everything to me. He let me into Hogwarts as a boy, and he gave me a job when I have been shunned all my adult life, unable to find paid work because of what I am. And so I convinced myself that Sirius was getting into the school using Dark Arts he learned from Voldemort, that being an Animagus had nothing to do with it...so in a way, Snape’s been right about me all along.”

PoA 355, Moony, Wormtail, Padfoot, and Prongs

Plan is emphasized because those trips that ended in “near misses” weren’t some impulsive romp. They were planned and coordinated in advance.

“I just saw Hagrid,” said Harry. “And he said you’d resigned. It’s not true, is it?”

“I’m afraid it is, said Lupin. He stared opening his desk drawers and taking out the contents.

“Why?” said Harry. The Ministry of Magic don’t think you were helping Sirius, do they?”

Lupin crossed to the door and closed it behind Harry.

“No. Professor Dumbledore managed to convince Fudge that I was trying to save your lives.” He sighed. “That was the final straw for Severus. I think* the loss of the Order of Merlin hit him hard. So he--er--accidentally let slip that I am a werewolf this morning at breakfast.”

“You’re not leaving because of that!” said Harry.

Lupin smiled wryly.

“This time tomorrow, the owls will start arriving from parents ....They will not want a werewolf teaching their children, Harry. And after last night, I see their point. I could have bitten any of you...That must never happen again.

“You’re the best Defense Against the Dark Arts teacher we’ve ever had!” said Harry. “Don’t go!”

PoA 424, Owl Post Again

What strikes me about this conversation is how Lupin shifts the blame around. This doesn’t start with an admission of guilt. He’s not leaving because the parents are right. He’s not leaving because he’s seen how dangerous he can be, or because he owns up to making an incredibly dangerous decision. He’s leaving because Snape forced his hand. If Snape didn’t do that, he would do the same thing he’s always been doing: sweeping his misdoing under the rug and promising himself privately that he’s going to change, but never doing it.

It’s always someone else’s fault for Lupin. That’s a neat tie in to the next point of comparison:

2. Lupin and Snape both experience marginalization in wizarding society, but in very different ways. Lupin faces socio-legal** marginalization and Snape faces socio-economic marginalization.

Lupin’s a werewolf. We see how prejudice affects his life, from his inability to find a job and his worn out clothes to his people-pleasing nature. He’s always acting nice and harmless. He does nothing to play into the condemning stereotypes he’s faced since childhood. Despite that, he still can’t find a job. Nobody will hire him, and people are scared to interact with him. From the way he talks about werewolves, it’s implied that this prejudice is held blindly across Wizarding society. Both Ron and Hermione are horrified to learn Lupin’s a werewolf. *** Later on, he’s legally limited in the kinds of jobs he holds and the kind of magic he’s allowed to perform. Lupin has no control over his transformations, and did not choose his condition.

Lupin’s not really wrong when pities himself. The odds really are stacked against him when he’s treated as if he’s a wolf 24/7, not just a few predictable times a month. His prospects are honestly awful.

The problem is, his condition is dangerous. Thus, the issue of victim blaming is particularly thorny for Lupin. He can’t just accept that he’s a monster for something he has no say over, and yet he can’t escape the fact that sometimes he is monstrous for reasons out of his control. He feels guilty for the people he could have hurt, but also seems to resent that people blame him for something that’s not his fault. The problem is that he carries that lack of accountability into spheres where he should be accountable, like not taking his medication and endangering children because of it.

Snape’s story is very different. He is poor in both the wizard and muggle worlds, and half-blooded, and was sorted into Slytherin as a child. He doesn’t have one condition against him, but checks boxes that make it hard for any one side to accept him. He’s too impure and poor to survive on his own for the Slytherin, but is a Slytherin with Death Eater friends and housemates interested in dark magic, which means he’s never going to fit in with the Order of the Phoenix crowd, especially when some of its members torment him at school. ****4

 This essay makes a convincing point that the wizarding world is not a meritocracy, and that people like Snape need powerful patronage to advance if they don’t have the money to support themselves.

I don’t consider the sorting a proper choice. I know Harry does, but I’m of the opinion that at age 11, very few people have been taught how to analyze different perspectives and make an informed decision. Most 11-year-olds are trained to obey their parents and accept their family’s ideology. Harry’s choice rests on very little evidence--most of what he knows is what Hagrid told him, and that he doesn’t want to be sorted into Voldemort’s house along with Draco Malfoy, someone who reminds him of Dudley. I don’t think Snape was very informed either (I’d love to know why), because he doesn’t realize why it Lily wouldn’t be sorted into Slytherin.

“You’d better be in Slytherin,” said Snape, encouraged that she had brightened a little. DH 671, The Prince’s Tale

Either the pureblood rhetoric just wasn’t strong in those days, or his mother didn’t tell him about that.

...“Where are you heading, if you’ve got the choice?”

James lifted an invisible sword.

“’Gryffindor, where dwell the brave at heart!’ Like my dad.”

Snape made a small, disparaging noise. James turned on him.

“Got a problem with that?”

“No,” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy--”

DH 671-2, The Prince’s Tale

It seems that most people just follow familial preferences. As to why Snape wants to be in Ravenclaw over Slytherin, my preferred interpretation is that he had a family legacy, knew that Slytherin rewarded the ambitious and clever, and that Slughorn, the head of Slytherin house, had a knack for making the kind of connections that a poor, clever boy would need to succeed.

Nevertheless, once Snape was in Slytherin, the odds were stacked against him. The house in that era was full of people who would later be Death Eaters. “Dark Magic” wasn’t frowned upon among his housemates, and siding with Voldemort wasn’t yet widely acknowledged as a transgression by wider society.

“No, no, but believe me, [Sirius’ parents] thought Voldemort had the right idea, they were all for the purification of the wizarding race, getting rid of Muggle-borns and having pure-bloods in charge. They weren’t alone either, there were quite a few people, before Voldemort showed his true colors, who thought he had the right idea about things.…” OotP 112

Additionally, people like Bellatrix were in the years above him, and given how Fred and George acted with younger students, I think it’s highly likely younger students had to find a place in the hierarchy or be the target of ‘pranks.’ He was a halfblood, after all, and dirt poor.

Snape knew these people. He ate with them, slept with them, and went to class with them. It is so much easier to understand and befriend someone you spend time with. I’d say that most people who subscribe to problematic ideologies aren’t just awful to be around all the time, or else these movements wouldn’t gain any traction. They’re likely funny and nice to be around if you’re not on their bad side.

In addition to strong peer pressure to befriend the people who would be death eaters, he was also bullied four to one. His bullies received protection from the headmaster when he was nearly killed or permanently maimed. They were popular and well liked.

The best analogy I’ve heard to describe Snape's Hogwarts situation is that he’s a kid in a rough neighborhood who joins the local gang. It provides protection and the hope of social mobility, and from his perspective, the other gang fights just as dirty (his treatment by the marauders). He doesn’t stop to think that the system is flawed, or that the gang’s very existence indicates the failure of authority and threatens its members. He just sees himself as a kid with nothing who needs help with protection and advancement. We know that Voldemort hasn’t shown his true colors, and it’s possible he showed different faces to different people.

‘Now, yer mum an’ dad were as good a witch an’ wizard as I ever knew. Head Boy an’ Girl at Hogwarts in their day! Suppose the myst’ry is why You-Know-Who never tried to get ’em on his side before ... probably knew they were too close ter Dumbledore ter want anythin’ ter do with the Dark Side.

‘Maybe he thought he could persuade ’em ... maybe he just wanted ’em outta the way. All anyone knows is, he turned up in the village where you was all living, on Hallowe’en ten years ago. You was just a year old. He came ter yer house an’ – an’ –’ (“The Keeper of the Keys”)

Dumbledore’s cited as the reason they turned him down, not their blood status. I think there’s evidence that the wholesale anti-muggleborn campaign wasn’t a huge part of the first wizarding war, and wasn’t implemented until the second, even if there was anti-muggle propaganda. (Muggle=/=muggleborn). It’s implied that Tobias is abusive and that Snape hates him for what he did to him and his mother; it’s implied that faced class prejudice by the muggles around him as well:

“I know who you are. You’re that Snape boy! They live down Spinner’s End by the river,” she told Lily, and it was evident from her tone that she considered the address  a poor recommendation.

DH 665, The Prince’s Tale

When you read stories about people who are able to escape cycles of gang violence and poverty, there’s almost always someone who lifts them out. There’s someone who pushes them, or extends a hand, or believes in them. There are community outreach programs, or churches, or an English teacher that pushed them to do better and try out for a scholarship. That person is usually someone who knows what it’s like and knows how hard it is to get out.

Snape doesn’t seem to get that support anywhere. Slughorn doesn’t seem to notice him, for whatever reason. Lily doesn’t approve of his friends, but also doesn’t understand at all what the pull is--that it’s hard to swim against the current of what everyone else is saying, despite the fact that she feels the same pressure to end her friendship with Snape.

“… thought we were supposed to be friends?” Snape was saying. “Best friends?” “We are, Sev, but I don’t like some of the people you’re hanging round with! I’m sorry, but I detest Every and Mulciber! Mulciber! What do you see in him, Sev, he’s creepy! D’you know what he tried to do to Marry Macdonald the other day?”

DH 673, The Prince’s Tale

In the very same conversation, the fact that Snape is not allowed to share what happened to him with Lupin and the werewolf incident means that Lily will never be able to understand what Snape is facing: That the leader of the good guys makes excuses for and protects people who recklessly endanger the lives of others.

“And you’re being really ungrateful. I heard what happened the other night. You went sneaking down that tunnel by the Whomping Wollow, and James Potter saved you from whatever’s down there--”

Snape’s whole face contorted and he spluttered, “Saved? Saved? You think he was playing the hero? He was saving his neck and his friends’ too!...”

DH 674, The Prince’s Tale

Later in the year after SWM, she tells Snape this:

“None of my friends can understand why I even talk to you.”

DH 675 The Prince’s Tale

She expects him to reject all of his classmates and stand against the tide, despite the fact that she knows how hard it is to do that and can’t comprehend why he sticks with his classmates. She expects him to be grateful to James Potter as if what he did was altruistic, because the Headmaster swore Snape to secrecy and he keeps his promises, despite the fact that someone else was spreading the story. (The fact that she says she heard it instead of talking about it like its common knowledge implies that she heard it from a friend, so our friends the Marauders likely weren’t keeping their lips zipped even if Snape was.)

I don’t say this to shift the blame away from Snape to Lily in regards to Snape joining the Death Eaters. I just want to point out that Lily wasn't someone who could help him break the cycle. He didn’t squander some chance she offered him. She just wasn’t enough to break him out--not empathetic, motivated, or well-informed enough. (I think the fact that they were peers plays a big role in that).

Ultimately, Snape did choose to join the Death Eaters. He did yield to peer pressure. He did obey his assignment and report the prophecy to Voldemort. He spent his youth yielding, following the path in front of him, and choosing what was probably the easier choice: stick with your group, find powerful friends, do what they want, and don’t ask too many questions about their methods. That’s what makes his decision to betray Voldemort so powerful to me.

Here’s part of the passage when Snape betrays Voldemort:

...The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone...His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder wondering what it was that Snape was waiting for--

Then a sliding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand.

“Don’t kill me!”

DH 676, The Prince’s Tale

He was terrified. He knew he was caught between the world’s two most powerful wizards, but it was worth it if he could save his childhood friend.

Then when Lily dies:

“Her son lives. He has her eyes, precisely her eyes. You remember the share and color of Lily Evans’s eyes, I am sure?”

“DON’T!” bellowed Snape. “Gone...dead...”

“Is this remorse, Severus?”

“I wish..I wish I were dead....”

“And what use would that be to anyone?” said Dumbledore coldly.

DH 678, The Prince’s Tale

Whatever motivation Snape had before is gone. A person’s life who is not his own is worth more than his own, and he’s drowning in guilt. From now on, Snape works to be useful in saving Harry’s life, and later many lives, at risk of death. His choices are a black mark on his record, likely making it difficult for him to get a job when he’s been tried as a Death Eater, and all of his wizarding connections are Death Eaters or their associates. He has no money or influence. Dumbledore hires him.

So Lupin has a single ailment and faces constant social and legal discrimination. He constantly tries to undermine people’s expectations about werewolves by being mild, but unfortunately is too afraid of rejection and its consequences to stand up against bad behavior or take full responsibility for his failings. He has friends who support him, but do it by engaging in risky behavior. He does not stop them. Perhaps he fears exposure and expulsion. Perhaps he just likes belonging for once. Either way, he does not come clean until forced to.

Snape is different; instead of facing outright rejection, he’s from a poor background and grows up surrounded by peers who join something somewhere between a gang and a cult while being bullied by people groomed by a rival organization. The headmaster of his school supports the rival organization and swears him to secrecy about an incident when they endangered his life, sending the message that his life is worthless. That same group continues to publicly bully him. He continues down this path until he realizes that it endangers something he cares about, and makes a decision that puts him at risk of being killed by the two most powerful wizards alive. He changes course.

Snape seems to view his problems as challenges facing him, whereas Lupin sees his problems as part of who he is, and not something he can change. Lupin seems to accept what happens to him in a fatalist kind of way. He sees what happens as inevitable and somewhat out of his control, whereas Snape never seems to blame his circumstances for him becoming a death eater, even though they clearly limited his options. I think that attitude matters. However, because Lupin’s facing a fictional magical malady, it’s difficult to fully blame him for that attitude.

Both Lupin and Snape have to react to powerful societal pressure that makes it difficult for them to succeed. Comparing them is apples and oranges at best, because their circumstances were so different. I don’t think you can judge either’s morality based on group identity, though.

3. Finally, they both act as a window on James: who he was, and what he means to Harry, who never knew him. That means in some way, they help pass on his parental legacy to orphaned Harry.

Hogwarts is Harry’s home, which means that the teachers are more than just teachers, but play a symbolic parental role in his life.

Hogwarts was the first and best home he had known. He and Voldemort and Snape, the abandoned boys, had all found home here.

DH 697, The Forest Again

You can’t understand Harry without realizing what he lacks: a loving home and living parents. He’s always looking into the past to find his parents, and is saddled with a legacy he struggles to understand--why did he live, who were his parents, and what does he need to do now?

Lupin and Snape also share a connection with Harry that goes beyond a normal teacher-student relationship, unlike McGonagall or Flitwick. Snape and Lupin are more personally connected to Harry than the other professors because they know Harry’s parents and went to school with them. I will mostly focus on James from here on out since we know so little about Lily personally and Harry mostly tries to emulate or avoid his father’s behavior and legacy.

They’re also the last people who knew James to survive, and they die almost at the same time. They’re the only teachers apart from Dumbledore who give Harry private lessons. More importantly, these lessons are all tied thematically to Harry’s past. Harry’s experience with dementors and the patronus charm are his first re-encounter with his parents and his past.

Terrible though it was to hear his parents’ last moments replayed inside his head, these are the only times Harry had heard their voices since he was a very small child. But he’d never be able to produce a proper patronus if he half wanted to hear his parents again.

PoA 243, The Patronus

In the end of PoA, Harry sees himself and mistakenly thinks it’s his father.

“Come on!” he muttered, staring about. “Where are you? Dad, come on--”

But no one came. Harry raised his head to look atet he circle of dementors across the lake. One of them was lowering its hood. It was time for the rescuer to appear--but no one was coming to help this time--

And then it hit him--he understood. He hadn’t seen his father--he had seen himself--

Harry flung himself out from behind the bush and pulled out his want.

“EXPECTO PATRONUM!” he yelled.

PoA 411, Hermione’s Secret

So the patronus itself is linked up with Harry’s past, and his coming-of-age. He doesn’t rely on others to save him, but must do it himself. (Though Harry’s never really trusted the adults to save him.)  It’s interesting to note that Harry actually learns the Patronus charm under Lupin’s tutelage.

On the other hand, Snape introduces Harry to the unpleasant side of his father’s legacy. Through Snape, we see that James wasn’t just a little cocky, but a bully.

“Apologize to Evans!” James roared at Snape, his wand pointed threateningly at him. “I don't want you to make him apologize,” Lily shouted, rounding on James. “You're as bad as he is.” “What?” yelped James. “I'd NEVER call you a--you-know-what!” “Messing up your hair because you think it looks cool to look like you've just got off your broomstick, showing off with that stupid Snitch, walking down corridors and hexing anyone who annoys you just because you can--I'm surprised your broomstick can get off the ground with that fat head on it. You make me SICK.” She turned on her heel and hurried away.

....

He had no desire at all to return to Gryffindor Tower so early, nor to tell Ron and Hermione what he had just seen. What was making Harry feel so horrified and unhappy was not being shouted at or having jars thrown at him; it was that he knew how it felt to be humiliated in the middle of a circle of onlookers, knew exactly how Snape had felt as his father had taunted him, and that judging from what he had just seen, his father had been every bit as arrogant as Snape had always told him. OotP, Snape’s Worst Memory, emphasis added

It’s interesting note that Harry fails to learn Occlumency from Snape. (In fact, we never see Harry use magical skills he learned from Snape apart from Expelliarmus, which is...important). At the same time, he gains an important perspective.

You can’t have James without this part of him. However kind James was to Lupin, however brave James was when he saved his wife, he was neither kind nor brave when he bullied Snape. It’s uncomfortable and awkward, but it’s important.

When he had finished, neither Sirius nor Lupin spoke for a moment. Then Lupin said quietly, “I wouldn’t like you to judge your father on what you saw there, Harry. He was only fifteen —”

“I’m fifteen!” said Harry heatedly.

OotP

Harry rejects the idea that actively bullying someone is just folly of youth. He knows what it’s like to be disenfranchised. Regardless of what Snape and James’ relationship was, he didn’t deserve that kind of humiliation. And Lupin watched, and defends him. Harry has to grapple with that.

Ultimately, Snape and Lupin do more than just connect him to his past. They also teach him his two signature spells, Expelliarmus and Expecto Patronum. One saves his soul, and one saves his life and frees the wizarding world from Voldemort because of Voldemort’s fractured soul.

Snape and Lupin as moral counterpoints

How do we evaluate this:

“I’d never have believed this,” Harry said. “The man who taught me to fight dementors--a coward.”*****5

DH 213, The Bribe

and this?

“Albus Severus, you were named for two headmasters of Hogwarts. One of them was a Slytherin and he was probably the bravest man I ever knew.

DH 758, Seventeen years later

Ultimately, I don’t think it’s really that useful to pit two people with different backgrounds against each other. At the same time, they represent two different halves of a question: when it comes down to it, should we try to be kind or brave? I don’t think you have to pick one, but when pursuing the two, there are bound to be moments of conflict.

I always come back to the lyrics to Last Midnight from Sondheim’s Into the Woods.******6

You're so nice You're not good You're not bad You're just nice I'm not good I'm not nice I'm just right I'm the witch You're the world

Snape doesn’t care about being nice. I think this is where most non-Snape fans start pulling out the pitchforks and torches. Snape isn’t nice, and he’s not nice to kids. He’s not nurturing.*******7 He’s abrasive, allergic to coddling, and petty when he can get away with it. In fact, most of the people he’s ‘nice’ to are significantly more powerful than him, or someone he needs to be on good terms with.

Lupin is nice. He’s mild. He’s often kind. However, he often picks being liked over standing up for something.

What does that result in? He doesn’t stand up for Snape. The bullying continues and keeps Snape firmly on his path. He wins the respect of the Gryffindors with the Snape Boggart incident but loses whatever credibility he had to tell Snape to ‘put their past behind him.’

On the other hand, Neville’s bravery in DH was nurtured by Lupin’s confidence. Neville kept hope alive and led a rebellion. Lupin is one of the few adults that Harry fully respects and trusts up until the Grimmauld place confrontation. (He likes Hagrid and Molly, but doesn’t necessarily trust them to make decisions in their best interest, while he usually respects Lupin’s judgement). Harry loves him, and it’s because he loved him and watched him die that he needs to act and fight back against Voldemort.

Ultimately, Harry’s relationship with James and the adults who pass on his legacy is one of the most important symbolic relationships in the book. The thematic resolution of the series is Harry’s act of sacrificial love.

He did not know what to feel, except shock at the way Snape had been killed, and the reason for which it had been done....

...He could not bear to look at any of the other bodies, to see who else had died for him. He could not bear to join the Weasleys, could not look into their eyes, when if he had given himself up in the first place, Fred might never had died...

He turned away and ran up the marble staircase. Lupin, Tongs...He yearned not to feel....He wished he could rip out his heart, his innards, everything that was screaming inside of him.

To escape into someone else’s head would be a blessed relief....Nothing that even Snape had left him could be worse than his own thoughts.

DH 660-662, The Prince’s Tale

He rushes to the headmaster’s office to escape into Snape's memories. His memories convince Harry that sacrificing himself is the expedient thing to do, and he heads to the Forbidden Forest. To enable is last sacrifice, he uses the Resurrection stone to witness his parents and his father’s friends. Their combined testimony is enough to ameliorate his personal fears about following through with this final act.

Lupin and Snape leave entirely different legacies behind. Lupin encourages and inspires. As an authority figure, he gives people like Neville space to grow and his compassion towards Harry gives him the strength to face his demons. Harry’s decision in DH to die must have something to do with the kindness he was shown, and the sacrifices people who loved him made for him, of which Lupin is a part. Despite what he saw in Princes’ Tale, Snape wasn’t one of the people who’d make an appearance with the Resurrection stone.

Yet Snape sacrificed his life for Harry and the wizarding world, entities that Snape didn’t seem to like and that certainly weren’t kind to him. His form of bravery is about endurance, tenacity, and willingness to do what is right even when you hate your allies and no one else is going to credit you for what you do. And that’s very Harry. Even if he hates Draco, he’s not about to let him die if he can help it. Harry has much more in common with Snape than Lupin, I think.

Since this is about souls, let’s return to the Patronus charm. Snape’s not the kind of person who typically inspires that kind of emotion required to cast a Patronus in others, at least from what we see in Harry’s perspective. Yet because he has experienced that love, he can cast it and shows Harry what needs to be done. Snape enables Harry to dive under the ice. Lupin’s the kind of person who can inspire a patronus, but isn’t the one to make the sacrifice play until after Harry confronts him about his duty to his family. Ultimately, though, they both sacrifice themselves in the Battle of Hogwarts.

* Ever since I realized how blatantly tangential Order of Merlin must be to Snape’s character motivation, that line has frustrated me to no end. There’s no way frothing-at-the-mouth PoA Snape just really coveted that Order of Merlin. He’s often petty, yeah, but if Lupin believes it’s just about that and has nothing to do with Snape’s real conviction about how dangerous Lupin’s actions were, he’s deluding himself. I hate that he passes it on to his students.

**Yes, I am making up words today. Lupin’s faces prejudice and discrimination on a social level enforced by increasingly powerful discriminatory laws.

*** It’s worth noting that if we take every book as equally valid canon, then there’s either widespread ignorance towards lycanthropy, as Lockhart convinces everyone he was able to “cure” the Wagga-Wagga werewolf, and as teenage Horcrux!Riddle said Hagrid raised werewolf cubs under his bed, or else lycanthropy is actually a wide range of conditions under a wolfy umbrella ranging from treatable to incurable. Lupin is our primary source for lycanthropy: he’s the one who tells us about Greyback, for example. If we hold the first two books as equally valid, then perhaps we only know about Lupin’s particular type of condition. That’s the Watsonian analysis, anyways.

****4 These footnotes are getting ridiculous. Basically, there’s no consensus on what Dark Magic is, and on what basis it’s Evil. This essay goes into things that are labelled as curses. I’m inclined to believe that the vast majority of Dark Magic is just Magic We Don’t Like for Reasons.

The definition of what is and isn't considered Dark Magic is never explained: often it just seems to mean "a curse I don't approve of".  Even "curse" has never been satisfactorily defined, but we can certainly say that not all curses are regarded as evil, since some appear to be on the Hogwarts curriculum, and are certainly performed without censure.

*****5 While I paired the quotes at the top of this section together for dramatic effect, it’d be a shame not to look at the context of the Lupin fight.

“I thought you’d say [that your mission was top secret],” said Lupin, looking disappointed. But I might still be of some use to you. You know what I am and what I can do. I could come with you to provide protection. There would be no need to tell me exactly what you were up to. Harry hesitated. It was a very tempting offer.

Hermione then asks about Tonks.

“I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually”... ...“I’d never have believed this,” Harry said. “The man who taught me to fight dementors--a coward.”

...“Parents shouldn’t leave their kids unless--unless they’ve got to.”

...“I know I shouldn’t have called him a coward.”“No, you shouldn’t,” said Ron at once. “But he’s acting like one. “ “All the same...” said Hermione.

“I know,” said Harry. “But if it makes him go back to Tonks, it’ll be worth it, won’t it?”

He could not keep the plea out of his voice. Hermione looked sympathetic, Ron uncertain. Harry looked down at his feet, thinking of his father. Would James have backed Harry in what he had said to Lupin, or would he have bene angry at how his son had treated his old friend?

DH 213, The Bribe

Harry feels personally betrayed that someone who has a family and child would abandon them. Here he is unyielding and accusing to someone he cares about in the hopes that they re-evaluate what matters. It’s a rather Snape-like tactic, actually. Or else a Dumbledore one.

I love the dialogue in this scene, but have some major issues with how Harry’s internalization drops out the window for shock value. JKR does the same thing when has Harry pull the Veritaserum trick in HBP. I don’t like it.

******6 The witch and Snape aren’t perfect analogues, since she’s decidedly more amoral in my opinion, but they’re both contractually-motivated characters whose humanity is shown by their (platonic/familial) love for a more “innocent” character and the guilt at the innocent character’s sacrificial death. Guilt doesn’t lead the witch to do anything productive, and for Snape it does, which is where they diverge on the character path.

*******7 Draco may be an exception to this. However, watching Snape struggle to build rapport with Draco in HBP leads me to think that while Snape’s been on Draco’s side, he’s still not “nurturing,” or in other words, good at cultivating trust and encouraging the strong and wholesome parts of someone’s personality to grow.  

[micasaessakusa]

My world

Pairing: Kita Shinsuke x Reader Genre: Angst Word Count: 2.472 words Warnings: Unplanned pregnancy

Crippling despair.

That is the only way to describe it, you guess; the only way to describe the feeling of having to watch the love of your life throw everything away for you.

But even that is still too soft a word to convey the emotions brewing inside you, twisting your heart with a barbed vice grip and stewing within your mind whispers of contempt you know you do not deserve but are nonetheless true.

Shinsuke was your world -- is you world and forever will be, and you know that in the same way, you are his. Maybe even more. But what a cruel world you are to him if just to be in your arms, he has to pay the price of… well, everything else.

It boils down to you or everything, no in between.

A mere touch of his never fails to warm you, but his hands that rest on the now apparent swell of your stomach singes you.

Looking at him, you tear up upon seeing Kita, your Shinsuke, his hair matted to his forehead because of sweat and his eyes tired but still bright despite what was sure to have been a gruelling day. Glancing down, you spot his soft, gentle hands littered with dark marks from fixing cars at the local mechanic.

You know it’s not easy for him, not even a little bit, but every time he comes home to you, he never fails to show you nothing but pure love and adoration on his face. And you’re touched, but also so utterly confused at how he could look at you as if you hadn’t just ruined his life.

He gives you a soft smile before his slightly chapped lips plant a full kiss on yours. No matter the circumstances, his kisses never fail to serve as a reminder that there will always be one person in the world who will never leave your side, no questions asked. But this affects you differently for rather than serving as a form of comfort, it instead brews some darker thoughts in your mind, tracing back to the strained conversation you had with his family before everything fell to ruin.

Backing a little from you, his lips pull to another tender upward tilt before he excuses himself to wash up, making sure to peck your stomach one last time.

Your eyes trace his movements towards the bathroom and as soon as the door shuts, you’re once again left alone to stew in your own mind-numbing thoughts.

——

“Are you sure it’s yours, Shinsuke?”

Kita’s usually warm coffee brown eyes narrow imperceptibly, cold emanating from him at the blatant insinuation thrown at you.

“Yes, mother,” he answers evenly despite the tightening of his hold on your hand. Meanwhile, you keep your stare trained on the floor, not having the courage to look at the scrutinizing gaze of Shinsuke’s parents.

He warned you about their predisposition and prejudice, but you hadn’t anticipated just how much distaste they would actually be hiding behind a curtain of impeccable manners.

Sensing your discomfort, your boyfriend of only a year wraps an arm around you, rubbing soothing patterns on your back.

For the first time that night, his father speaks, but he doesn’t even look at you when he does.

“Get rid of it,” he says with total indifference while still commanding finality. “This kind of inconvenience will only serve to bring dishonor to our name.”

He spits venom at the ‘inconvenience’ that is your child and it takes all of your willpower to not break down right there and then. His family speaks of everything as if it’s nothing. As if you are nothing. As if your relationship with their son is nothing. As if the child inside you, despite not being planned, was not made from the love you shared with Shinsuke.

But you guess maybe it is like that. Maybe to them, you really are nothing.

After all, what’s a nobody like you even doing with the sole heir of the Kita family, renowned business tycoons in the continent, whom anyone who’s a somebody covet to form even just an acquaintance with?

Who are you to sully the name of a bloodline that has been thriving since long before your great grandparents were even born?

Nobody. That’s what you are.

You are so lost in your all-consuming thoughts that you fail to notice at first how Shinsuke is already in front of you, standing tall and facing his parents. It’s only then that you become aware of the tears streaming down your face, dropping to your hands that are pulled into tight fists.

“Mother and Father, [Y/N] and I have not been together for long, but we have known each other for years now,” he starts, voice remaining calm and collected despite how tense his whole body is. “This will not please you, but I have already made my decision the moment she informed me she’s pregnant with my child.”

His words echo repeatedly in your mind and your heart beats so rapidly from the overwhelming adoration flowing through your body… ‘my child.’ Your Shinsuke said ‘my child,’ and you could not have been happier just by hearing those words.

Chancing a look at his parents, you see them still stoic, face completely devoid of emotion nor even a sliver of shock. Perhaps, they’ve accepted his decision? But even you know that that would be wishful thinking. What you do know now, however, is that you would not be alone in this journey.

Shinsuke’s words flood you with relief from the anxiety of having to go through the pregnancy alone. Even though you never doubted him, hearing him actually say he’ll be by your side sends you an unparalleled level of comfort and reassurance.

Not waiting for his family to speak, he takes your hand and helps you to stand, aware of how shaky you currently are. He bows low to his parents to signal the end of the conversation, his torso almost parallel to the ground, and when he rises back up he gives you what might have been the most tender look you’ve seen on his face the entire time you’ve known each other.

In a low voice, he speaks, “We shall be going now,” then guides you to the exit.

Just as you’re about to pass the threshold, his father says a single sentence that would forever make you question just how much you’ve taken from the man you claim to love.

“Once you leave this house, you will be stripped of everything that has to do with the family and name you so easily turn your back on.”

Instantly, you freeze on your tracks, but Shinsuke just steers you forward with a gentle hand on your back, the words of his father not making his steps falter for even a bit.

Under his breath, he whispers his own answer, steady and with full conviction.

“Then so be it.”

——

It’s been a couple of months since then but not a day has gone by with you not thinking about it.

Kita Shinsuke is a humble man, down-to-earth and genuine. He’s never one to indulge in materialistic things but anyone with eyes can see that he’s struggling to live a less privileged life. After all, he grew up so used to having both needs and wants always there, always available most especially because of his name. He’s a hard worker, yes, but up until a few months ago, he’s never had to actually work to live.

He tries his best, you know he does just like he always has, maybe even more so now that he has other people to take care of. He never complains… and that makes it all the worse for you.

Each day that passes, you become increasingly aware of the darkening circles under his eyes, his thinning frame, and everything about him now just glaringly shouts how this is not the life fit for a man like him.

You claim to love him, but by him reciprocating what does he get? Misery. 

The sound of the bathroom door opening snaps you from your stupor and in the next second, your boyfriend steps out, freshly showered and with a towel hanging from his neck. He has a small smile on his lips but it falls as soon as he sees you.

A frown appears on his face as he rushes towards you, worry etched onto his features.

“Is something wrong, love?” he says when he takes both your hands into his larger ones. He gazes at you, warm brown orbs focused solely on your face as he searches you for any pain.

“Does it hurt somewhere?”

It’s only when he brings a hand up to wipe the tears off your face do you realize you’re crying. Sniffling, you quickly wipe away all traces of your breakdown, glancing instead on the floor out of embarrassment.

“It’s nothing, Shin,” you say so quietly that he almost misses it. 

He chooses not to probe, guiding you instead to sit on the worn out couch. Your tears gradually come to a slow stop with the aid of the soothing circles he rubs on your back, and once again, your heart clenches at how just naturally nurturing he is.

A few moments pass with him trying to calm you down and when you get your breathing back to normal, he speaks.

“Something has been bothering you for a while now, don’t think I haven’t noticed.”

Your eyes snap wide as you look at him, guilt clear on your face. Have you unintentionally been worrying him by being transparent? Or is he so in tune with your emotions that he’s able to read you so easily?

Kita’s a perceptive person and it doesn’t really surprise you that he has caught on to your distress, but how you wish that this one time, he doesn’t, for it would only pile on top of his already long list of worries.

He caresses your hands and the warmth emanating from his palms brings you a sense of ease.

“Please talk to me, love. Whatever it is, we can work on it togeth--”

“Let’s break up.”

Shock paints his face the instant you blurt the words out and that’s all it takes for hurt and confusion to fill his usually unreadable eyes. 

You stare at him, surprise also clear on your face from what you said, but you don’t take it back. You love him and you’ll give him this one chance to back out. You’ll set him free if that’s what it costs to allow him to live a life of comfort once more.

He deserves all the comfort this harsh world can give him, and if he can’t have that when he’s with you then you’ll choose to let him go… even if that would break you.

Silence fills the small space of your apartment, neither of you having the courage to break the silence first.

His hold on your hand tightens, but you still don’t speak in fear of taking your words back. But if only he knew just how much you want to.

You’re scared, so scared that he would agree to break up. And you know you would fall apart without him, but you have to do this. Kita’s been selfless all this time, now’s your turn to prove to him how far you’d go if it’s for him. You’d give him his freedom if that would mean he gets to live a happier and more comfortable life.

What you didn’t expect, however, is for tears to fill his eyes and roll down his pale cheeks in thick rivulets as he looks at you in utter brokenness.

He opens his mouth to say something but closes it again. Biting his lip, he whispers words that slash through your heart.

“Is it something wrong with me?”

In an instant, you scramble to pull him in a tight embrace, your sobs breaking free along with your pleas for forgiveness.

“I’m so sorry, Shin,” you cry as you hug him even tighter, his own arms also wrapping around you in his shaky effort to hold you snug against his body. 

“I’m sorry, I’m so sorry! Fuck-- I didn’t mean it, I don’t want to break up! I didn’t mean it, I’m so sorry, Shin, I’m so sorry, I don’t want to break up, not now, not ever, I’m so sorry--,” strings of apology spill profusely from your mouth and the moment Kita plants his lips against yours, you kiss him back with fervor, trying to convey just how much you don’t want to be away from him.

With one last peck, he closes his eyes as he rests his forehead against yours, his breath still coming a bit short from his remaining tears.

“Please don’t scare me like that again. I love you, my [Y/N]. I don’t plan on leaving you and our child ever,” he says with tearful sincerity, it compels you to kiss him again followed by a firm declaration of how much you feel the same way.

Hugging him close to you, you resolve to tell him everything. You let it all out; how you thought- still think he chose to be miserable when he chose you, how you just know that you ruined his life, how you feel like you’re being selfish for taking him away from his family, from his gran, how you thought you’d give him his freedom so he could live a better life, how scared you were that he would agree when you told him you’d break up. 

With each word passing through your lips, his embrace gets a little tighter as he whispers assurances to your ears, rubbing soothing circles on your back all the while.

“You didn’t ruin my life, you made it better.”

“You’re my family now.”

“I am free when I am with you. I chose you and I’ll do it over and over again.”

Amidst the tearful confessions you both lay on each other, you grip his shirt tight in a fist as you finally tell him the thing you’ve felt most frightened about when he chose you.

“I feel like I’ve taken you away from your world, Shinsuke. I feel like I hurt you.”

He stops his ministrations when he moves to hold both your shoulders in a gentle but firm grip, looking you straight in the eyes as he speaks to life the words that will forever remain in your heart and soul.

“You didn’t take me away from my world, because you are my world, always have been and always will be.”

And at that very moment, you just know deep within your heart that Kita Shinsuke has been, still is, and will always be your world.

[goldenraeofsun]

just say yes

The latest installment of this verse... or 5 times Dean tries to propose to Cas.

Dean bites his lip as he scans the menu. What the hell is branzino, and where the fuck are the prices? He flips the flimsy piece of cream-colored paper over, but no dice. 

Thank god there’s a steak listed among the five lone entrees. It’s probably five times his normal dinner price tag, but Dean already made peace with putting off buying that 30 year anniversary Rush album. It’ll still be there after his next pay check. 

Cas eyes him over the top of his own menu. “What are you thinking?”

Marry me.

Dean doesn’t say that, though. He has plans. Keep his trap shut until dessert. Tell Cas he’s going to hit the head. Pull a waiter aside and ask for two glasses of champagne. Return to Cas. Hopefully not shit his pants as he proposes. Drink champagne. Go home and have fantastic engaged sex.

Dean has high hopes for the last part of the plan.

“Dean?”

Belatedly, he says, “The steak.”

Cas hums. “That does look good.” He ducks back behind his menu. “I was thinking of getting that too. But maybe not.”

Dean takes a hasty sip of water. “Get the steak if you want it, man. We don��t go to places like this often.”

“I think I’ll get the honey glazed salmon.”

“Sounds good,” Dean says lamely. He drinks more water. At this rate, he won’t have to fake the bathroom run.

Aren’t they supposed to have alcohol by this point? They’ve been sitting at their fancy-ass table in this fancy-ass restaurant for nearly fifteen minutes.

Maybe he shouldn’t have picked the newest five-star restaurant to propose to Cas. He’s already on edge from the pressure, and the pristine white tablecloth isn’t helping. He can already see five ways he’s gonna stain it. There are several forks in front of him. For fuck’s sake, this place has an actual chandelier. Dean hadn’t honestly thought they existed outside of billionaire mansions and Disney movies.

The live music is nice, though. A sedate piano tinkles in the background, barely audible over the buzz of polite dinner conversation.

Dean catches a glimpse of himself reflected in the dark windows to the street. He looks a little sweaty, but not as nervous as he feels, thank god.

This is stupid. He shouldn’t even be nervous.

They’ve talked about marriage before. They’re adults in an adult relationship, so popping the question out of the blue would go down like the time Dean swept Cas away for a surprise camping trip. Turns out, Cas did not like camping. Which Dean would have known if he had asked anytime in the past four years.

But… that marriage conversation was two years ago. Dean wasn’t ready then; they both weren’t. Cas was still in a bad place with Jimmy and Claire, and Bobby had just died, so they weren’t about to roadtrip to Vegas anytime soon.

Now, Claire can have a civil dinner with her parents, and the hole Bobby left in Dean’s life can go unnoticed some days.

The deal is, Dean can’t chicken out tonight. He already told Claire to make herself scarce. She can sleep at her parents’ or at Krissy’s, Dean doesn’t care, as long as she is not crashing on their sofa when they get back from dinner.

Dean would rather read a hundred plagarized student essays on The Very Hungry Caterpillar than admit to Claire he failed to ask Cas to marry him. 

So, proposal time.

The waiter comes by with their drinks and takes their orders. Conversation is a little stilted, but hopefully Cas chalks it up to Dean being outside his comfort zone in this fancy-ass place. There’s no steady thunk of darts hitting a board or clack of pool balls in the background to put him at ease. Just that lame piano.

Cas makes porn noises over his salmon at first bite, which Dean totally doesn’t get. It’s fish.

“How’s your steak?” Cas asks as he surfaces and dabs his mouth with his cloth napkin.

Dean belatedly slices off a piece of his meal and pops it in his mouth. A generically bland compliment dies on his tongue. Jesus Christ - that’s some good cow. It practically disintegrates before he can chew. “Great,” he tells Cas honestly.

Cas hums in contentment.

“And since you’re practically at third base with that salmon,” Dean starts, “I take it-”

“Oh my god!” a woman’s voice squeals behind them.

Dean reflexively turns his head in the direction of the commotion. A few tables over, near the center of the restaurant, a man is down on one knee, and - son of a bitch.

Dean watches, his mouth hanging open, as the woman shouts, “Yes, of course, yes!” Waiters walk past their table with a whole fucking bottle of champagne. People at nearby tables fucking clap.

Dean resolutely turns back around to face Cas, at a loss for words that aren’t extremely loud swears.

“Isn’t that nice?” Cas says mildly.

“Yeah, very nice for them,” Dean says through gritted teeth. 

Of all the goddamn nights. Of all the goddamn restaurants. What are the goddamn chances?

Dean slices into his steak with extreme prejudice. If he could murder the happy couple, he would. With zero regrets.

Fuck it all, Claire’s gonna be insufferable.

  A CHARMING B&B IN VERMONT

Dean wakes up delightfully cozy with Cas spooning him from behind. No memory foam, but the bed is delightfully springy anyway. It was definitely what they needed after a full school day and a nine-hour road trip. Luckily, the owner of the bed and breakfast, a charming older woman actually named Mrs. Butters, was happy to wait up for their late check-in last night. She even had hot cocoa waiting.

Dean had held out a slight hope they could christen their room before they turned in for the night, but Cas passed right out before Dean turned on the lights. Poor guy had to deal with three sets of angry parents, and it was only the second week of school. Something about how their supposed-genius kids should be in AP Latin instead of the Fun Latin class - aka the one for dumbass seniors.

The mid-morning sunlight filtering in from behind the plaid curtains casts everything in a warm glow. The room itself is beyond charming. There’s a legit fireplace next to the bed, and they’re currently nestled under a patchwork quilt. The wood panelled walls give a distinctly rustic feel to the place, despite the reasonably sized television screen mounted on the far wall.

Dean turns over in bed so he’s facing Cas instead of the door. He resists the urge to poke him awake, and instead prods with a gentle, “Cas.”

Cas grumbles wordlessly. Fucker doesn’t even open his eyes, although Dean can tell from how his breathing changes that he’s awake.

“Cas.”

Cas wrinkles his nose and shoves his face into the pillow. “What, Dean?”

Dean can barely make out the words, but he gets the gist from the million times Cas has done the exact same thing. “I smell bacon.”

Cas’s eyes slit open. “So?”

“Don’t you want bacon?”

Cas huffs, and Dean can tell the exact moment he resigns to waking up. “Then go get the bacon. Nobody’s stopping you, Meat Man.”

Dean wiggles in bed, jostling the whole mattress. “Come on, babe.”

“I was sleeping.” Cas raises his head to look squint out the window. “It has to be before ten am. Since when are you a morning person?”

Since today is the day Dean is going to propose.

Instead, Dean reminds him pointedly, “Bacon.”

“Ugh,” Cas groans as he sits up. “I expect at least a blow job after breakfast if we’re leaving bed this early.”

Dean slaps his ass and jumps out of bed before Cas can retaliate. “Up and at ‘em!”

“I hate you.”

“Love you too, Cas.”

* * *

Claire 11:02 Did you ask him yet? If he said no I’ve got chunky monkey waiting

Claire 11:31 That was a joke Uncle Cas will say yes Theres no way he wont

Claire 11:40 If you’re not answering because of sex don’t tell me

Dean sighs as his phone lights up with Claire’s latest text. In the bathroom, Cas hurls again. 

Dean 11:41 No proposal

The bubbles showing Claire’s typing start almost immediately.

Claire 11:41 Are you serious? He’s not goin to turn you down!!!

Dean 11:41 Food poisoning

Claire 11:42 HAHAHAHA

Dean scowls at his phone.

Dean 11:44 Not now, Claire.

Claire 11:44 Wait Seriously?

Dean 11:44 We think it was something he ate at breakfast

Claire 11:44 Oh fuck I’m sorry for laughing

Dean rereads her text. He hasn’t ever received a straight-up apology from Claire before. Unsure of how to respond, he sets down his phone and gently pushes open the bathroom door. “How’re you doing, babe?”

Cas, slumped over the toilet and looking like death warmed over, raises his head an inch. “It seems to be easing up.”

“Really?”

Cas vomits into the toilet again. He groans.

“Shit,” Dean mutters as he crouches next to Cas. He rubs his back with one hand. “Do you think you can get some water down?”

Cas nods, so Dean straightens and fills a glass next to the sink.

As Cas drinks, Dean runs a hand through Cas’s sweaty hair. His forehead has a sickly sheen to it, and the back of his neck feels hot.

“Dean -” Cas breaks off to cough the water right back up into the toilet. “I’m sorry.”

“Hey, no,” Dean says quickly as he refills the glass. “Don’t be sorry. This isn’t your fault.”

“But you had all these plans,” Cas moans as he takes the water to try again.

“We’ll do ‘em some other time.” He wets a washcloth and wipes down Cas’s forehead.

“Before Thanksgiving,” Cas rasps, “we’ll come back. I don’t want to miss the leaves changing.”

“Of course,” Dean says soothingly. He moves the washcloth to the nape of Cas’s neck. “On the bright side, you’ve been puking for, like, an hour. There can’t be much left.”

Cas, the dramatic bastard, nearly brains himself on the toilet seat with the force of his next hurl.

  HOMEMADE DINNER

After the disastrous fancy restaurant and B&B, a homemade dinner has to be the way to go. They’ll be in their own goddamn house - that has to cut down on the number of things that can go wrong.

Dean spends a whole week deliberating on what to make. He could do his usual burgers and fries routine, Cas’s favorite, but it should be special.

He settles on beef wellington. Pie for beef!

It’s a bitch to make - both because puff pastry from scratch is no joke, and hiding his first experiments from Cas means inventing increasingly convoluted reasons to get him out of the house. And, sure, every Youtube chef and Great British Bake off contestant has said store-bought puff pastry is fine, but Dean doesn’t want fine, he needs perfect. 

Dean picks a day when Cas has Model UN afterschool. It’s in the middle of the week, but at least Cas is guaranteed out of the house until six at night.

By 5:58, Dean is ready. The Wellington is cooling on the counter; the red wine has been breathing (whatever the hell that does) for the better part of an hour; and he’s showered and made himself presentable.

His phone pings at six pm on the dot. 

Heart sinking with foreboding, Dean taps the screen.

Cas 6:00 I’m going to be late for dinner. There was an accident with chemistry club a few minutes ago. The building had to be evacuated.

Dean 6:00 Are you OK?

Dean takes a moment to hammer the heel of his hand against his forehead. One fucking break. That’s all he’s asking for. One goddamn evening to go right.

Cas 6:00 Yes, and the kids are too. They’re airing out the halls now, but we won’t be let in for another half hour.

Dean picks up the wine with the hand not holding his phone. 

Dean 6:01 What time do you think you’ll be home?

Cas 6:01 7:30 maybe? I’ll keep you updated.

Dean swigs back a gulp straight from the bottle before he can answer. Fuck this.

Dean 6:02 Great! I’ll order pizza when you’re on your way back

Cas 6:02 Meatlovers?

Dean 6:02 Unless you’d like something else

Cas 6:02 No thank you :)

Dean flips on a recorded Jeopardy! episode as he cleans up the kitchen and texts Charlie. He has a free dinner waiting for her if she can hightail it to his place in the next hour and never speak of it again.

  HOMEMADE DINNER #2

If Dean is anything, he’s stubborn. John Winchester raised no quitter. Try, try, and try again. And try a fourth time, when the first three go sideways.

Burgers, this time. They don’t need a days’ worth of prep. And they’ll go over well.

“Dig in,” Dean says as he sets the plate down in front of Cas.

“This looks delicious, Dean,” Cas says sincerely as he picks up his burger.

Dean waits, and he can see the moment Cas tastes the molten cheese stuffed in the middle of the patty. His eyes go wide with surprise.

“Like it?”

Cas nods vigorously and inhales the rest of his burger in record time.

“There’s enough for us to have thirds,” Dean says smugly. 

Cas smears ketchup all over patty number two, and beams at him. “These make me very happy.”

Dean laughs. “That’s the goal-”

Cas’s phone rings.

Dean falters.

Cas stares at him expectantly, waiting for Dean to continue.

“You should get that,” Dean says, his shoulders slumping as he sets his burger down. It’s probably a bad sign he was already half-expecting things to go south. “It’s probably important, or whoever it is would’ve texted.”

“We’re in the middle of dinner,” Cas protests even as he reaches in his pocket to pull his phone out. “It’s Claire,” he says, baffled, before he picks up. “Hello?”

Cas sets down his half-eaten burger. He listens, his brows slamming down forbiddingly as Claire’s voice gets louder and louder, but still not loud enough for Dean to make out actual words. Silently, Cas takes his napkin off his lap and pushes his half-empty beer in Dean’s direction. Finally Cas says, “Yes, of course, Claire.”

Dean frowns as Cas lifts his gaze up to meet his. “Jimmy and Amelia?” he mouths.

Cas shakes his head, speaking into his phone,  “Does Kaia need a pick up from the hospital?”

Dean goes cold. Kaia was actually one of his favorite students. While she was in his class, she won a Scholastic Gold Key and honorable mention for two of her horror novellas and always did the reading. But Dean and Cas haven’t seen her since she broke up with Claire the summer before college.

“Is she okay?” Dean asks quietly.

Cas’s mouth thins. He gives a short nod.

Dean sighs and picks up the plate uneaten burgers. He can probably reheat the patties. The fries won’t keep, though, so he leaves the plate in front of Cas. He shoves a few in his mouth and gets to his feet.

He’s halfway through cleaning the frying pan when Cas gets off the phone with Claire.

“Are you heading out?” Dean asks gruffly while he gives the iron a particularly hard scrub.

“Yes,” Cas rumbles as he wraps an arm around Dean’s waist. “I’m sorry to cut dinner short.”

“Hey, it’s Kaia. ’Course we gotta help.” Dean forces an understanding smile on his face. “I’ll make up the couch while you pick her up?”

Cas squeezes him gently before moving away. “Thank you.”

“You got time for the cliff notes on what happened? Why’d you get the call?”

Cas leans against the counter next to the sink. “Kaia was in a car accident. She’s a little banged up, but mostly fine. A few bruised ribs and a possible concussion.” He shakes his head, disbelieving. “You know Kaia was never especially close with her foster family, so Claire got the emergency call.”

“Huh.” Dean grabs a plate to clean. “It’s been two years since the split.”

Cas shrugs. “I’m not sure what their situation is. I know Claire was surprised. She’s already in her car, and she should be here by midnight. Hopefully she recognizes Kaia’s injuries,” he frowns, “and they won’t try any… any ‘hanky panky’ tonight.”

Dean laughs, and if it’s slightly higher than normal, Cas doesn’t seem to pick up on it. He grabs Cas and kisses him square on the mouth. “You are ridiculous. Nobody says hanky panky. What the hell is wrong with you?”

Cas scowls. “They have to be well past kissing at this point.”

Dean snorts a laugh. “Yeah, that ship has long sailed, dude.”

Cas throws his hands in the air. “We don’t have enough sleeping surfaces to separate them.”

Dean sets the dirty plate down to face Cas fully. “Do you really think they’ll get back together? Kaia broke Claire’s heart not too long ago.”

Cas throws him a look like he wonders where the hell Dean’s logical brain has flown to. “Are you asking if I think couples can get back together after a harrowing break up?”

“… no.”

Cas shakes his head ruefully. “You’re more like Claire than I ever was, and you took me back.”

“Huh,” Dean wipes his hands off on a dishtowel, “you might have something there.”

“You do call me the smart one,” Cas says as he pushes off the counter and heads to the doorway. “It has been known to happen.”

“Smartass,” Dean corrects loudly as Cas grabs his coat and keys.

“Semantics.” Cas doubles back to kiss Dean a proper goodbye, and it’s just as electric as it was when they were seventeen. Cas tastes like Dean’s cooking, and he’s been letting his stubble grow out, the short hairs rasping against Dean’s palm as he cups Cas’s cheek.

“I love you, Dean,” Cas says as he draws away.

Dean grins. “I know.”

Cas huffs an almost-laugh as he heads back towards the door. “Now who’s the smartass?”

  IN BED

Cas, the son of a bitch, falls asleep before Dean can wring out a second orgasm out of him. Such a godamn shame. Just goes to show, they really aren’t teenagers anymore. At least Dean got to use the new vibrator he bought for the occasion and the edible panties. 

Dean flops back in bed. Maybe he should put the proposals on pause. Clearly, marriage isn’t in the cards. He can be a bit dense when it comes to Cas and him, but there’s dense and there’s denial.

It’s been two and a half months. Five proposal attempts. They’re nearly halfway through October, and he’s no closer to getting a ring on Cas’s finger than he was in late August, sweating bullets in that stupid fancy restaurant.

He can’t keep planning and failing to propose to Cas every other week. One, he can’t handle the stress and constant brainstorming. And B, he’s way behind in writing college recommendations and grading his freshman’s essays on Animal Farm. 

Cas isn’t going anywhere. Dean isn’t going anywhere. So Dean can cool the proposals for now and start fresh in January.

  SCHOOL ASSEMBLY

“I hate these,” Dean mutters to Benny. He frowns across the top rows of the bleachers where the seniors are supposed to sit. There are a few notable faces missing, but nobody that belongs to Dean’s homeroom, so he couldn’t give less of a shit. Below them, sit most of the juniors, and pretty much all of the sophomores and freshmen.

“It’s thirty minutes, brother,” Benny says, patting his arm. “You’ll live.”

“Shows what you know,” Dean grumbles back as Jody strides to the middle of the gym, microphone in hand. He asks Benny, “Do you know what this one’s about? Bullying? Cliques? Hugs not drugs?”

Benny shakes his head.

Jody sighs loudly into the mike. Clearly, she wants to be here just as much as he does. “Thank you all for coming,” she starts like any of them had a real choice. “First things first, Halloween is in two days, and while costumes are allowed and encouraged, don’t be racist.” She grimaces. “God help me, I don’t know why I still have to say that. If you are unsure if your costume is racist, it probably is. Wear something else. Secondly…”

Dean tunes her out. Instead, he scans the bleachers again, this time looking for Cas. He should be with the other sophomore homeroom teachers, but there’s no sign of him. Dean frowns. He can’t remember the last time Cas played hooky. And never without Dean. Dick move, Cas.

Movement at the edge of the gym catches Dean’s eye, and he watches, puzzled, as two students roll out one of the old projectors. The overhead lights turn off.

Is Jody seriously going to make him sit through a slide show? They’re wasting a prefectly good Friday morning on a goddamn PowerPoint?

The projector flips on, and the first photo is… of Dean. 

What the fuck? His mouth drops open in horror. In the picture, he’s in his junior year of high school - he can tell from the hair - with a bunch of people he hasn’t seen in fifteen years. Plus Cas, who’s at the next table over in the cafeteria, head bowed over a book and slightly out of focus.

There’s a click, and text scrawls along the bottom of the screen, Destiel Met in Edlund High School Fifteen Years Ago! 

The projector flips to the next photo, this time showing Dean’s senior yearbook picture.

More than a handful of students peer excitedly in his direction, undoubtedly hoping for a reaction.

Scowling, Dean cranes his neck to search the crowd for Charlie’s flaming red hair. She’s the only one who refers to the two of them as “Destiel”. Everyone else uses their names like sane people.

But the projector clicks to a photo of Cas, and Dean can’t help getting distracted. In the picture, Cas is alone at a table in the library. God, he was cute back then. His cheeks were a little fuller, and his hair was curlier. He still had the same intense blue-eyed stare, though. Patented Cas.

It all started with a tutoring session. Young Mr. W needed help in Latin, and our future Latin teacher, Mr. N, was up to the task!

Dean is going to kill Charlie. He tries to get to his feet - maybe she’s hiding behind Jo or something. But Benny’s hand grips his upper arm, holding him in place. “Don’t,” Benny says softly.

“What?” Dean demands as he tries to shake Benny off and fails. “Do you know what the hell is going on?”

“Stay.” The corners of Benny’s mouth twitch like he’s fighting a smile. “Watch.”

Dean huffs a breath and turns back around. If it was anyone else, Jo or Charlie, he wouldn’t trust a word out of their mouths. Benny, though, he’s not the type to make Dean sit through this without a good reason.

But that’s all ancient history. Destiel really got started five years ago, in this very gym.

The projector shows a picture of their class reunion, when Dean met Cas after ten years of no contact. They’re standing pretty close together (but that doesn’t mean much with Castiel What-Is-Personal-Space Novak), and they appear deep in conversation.

Since then, they have been inseparable.

Dean and Cas at a softball game. Dean and Cas at homecoming. Dean and Cas at GSA’s pride party.

Here’s to fifteen more years of Destiel!

The students clap and cheer with more than a few laughs.

Musical Interlude! flashes in front of a picture of Dean playing guitar to a group of pajama-clad students at last year’s Senior Lock-In.

The lights flip back on, and Dean blinks as his eyes adjust. By the time the spots have cleared from his vision, the projector has been wheeled away, leaving the main floor of the gym empty.

A staticky crackle echoes around the gym. And - is that Def Leppard playing on the speakers?

As the intro to Rock of Ages plays, the cheerleading team troops out from the locker rooms. 

They start a routine Dean’s never seen before. To Rock of fucking Ages.

The cheerleaders sings along with Joe Elliot, “What do you want?”

Dean’s mouth falls open as the entire high school chants back, “I want rock and roll. Long live rock and roll!”

By the time they get to the “Rock of Ages” chant, all the students are on their feet, clapping along with the beat and cheering.

The song dies down soon after, and Dean, a broad smile on his face, turns to Benny. “I don’t know what the hell is going on, but I dig it.”

Benny laughs. “Good. He’ll be pleased.”

Dean’s just about to ask who he is (he’s 99% he knows), when Cas walks out from behind the bleachers. 

Cas takes the microphone from Jody. He coughs nervously, waiting for the students to settle back down. “Thank you,” he says to the cheerleading team. “That was... awesome.” He glances up at the assembled students and teachers. “Dean-” he pauses as the cheers and clapping start up in earnest “-can you please come down here?”

But Dean’s frozen to the spot.

Benny gives him a not-so-light jab with his elbow. “Go on.”

Dean shakily gets to his feet and makes his way to the gym floor, and he swears his legs are about to give out from under him.

“Alright, you got my attention,” Dean says with forced bravado. “What’s up, Cas?”

The students hoot and holler.

Cas reddens as they die down again. Clutching the microphone in a death grip, he says, “Dean, we have been together for a number of years.”

Dean grins, a wonderful, all-consuming giddiness filling him the longer he stands in front of Cas. “I know, dude. I was there.”

The students laugh and someone, probably Jo, wolf whistles.

Cas swallows. “I wanted to do this here, where we first met, where you first asked me out on a date, where we had our first kiss.”

“Don’t tell ‘em about all our firsts on school property,” Dean says in a stage-whisper, “or Jody’s gonna have an aneurysm.”

Over a fresh round of student laughter, Jody puts her head in her hands. Donna, the school guidance counselor, pats her a few times on the back.

“Dean Winchester,” Cas says, and, shit, his hands are shaking. “I have loved you for more than half my life, and I look forward to far more than fifteen years by your side. Will you marry me?’

Dean’s not stupid. He had a strong hunch, ever since Rock of Ages played - aka the cassette he put in the Impala the first time he took Cas for a drive fifteen years and a lifetime ago - that this was what Cas was leading up to. 

He’s mostly surprised Cas had the guts to pop the question this way. There was a reason Dean tried to keep his proposal plans mostly to the two of them. One of them is practically a social hermit, and it’s sure as shit not Dean.

“Just say yes, jerk!”

Dean spins around, nearly tripping over his own feet in surprise. Fuck, that’s Sam. His giant of a brother is hovering right outside the gym’s double doors, beaming at the pair of them. Claire gives a little wave from where she’s half-hiding behind him.

Dean turns back to Cas. He can’t think about Sam right now. Or Claire. Or the five hundred students with their eyes on them. 

Only Cas.

“Cas,” he says, and it feels like the whole room is holding their collective breath, none more so than Cas, who looks like he’s about to pass out. “Man, I’ve loved you since I was seventeen. Of course I’ll marry you.”

Cas lets out a shaky exhale of relief, and Dean laughs. He takes the microphone from Cas’s now slack grip, steps all the way into Cas’s personal space, and kisses him.

The cheers from the assembled students are nearly deafening.

[i-will-physically-fight-you]

Travelers in the Dark Chapter 4

Chapter Title: Bunker Underneath the Surface

Summary: If Virgil was told a month ago that events that transpired and led him into meeting Logan and the others, he’d laugh at the absurdity of it. Now it scared how quickly he’d grown to care for these humans. Still he has some fears over staying with them, fears that swirl in his mind when Logan asks for a quick chat between the two.

Pairings: platonic lamp

Chapter Word-Count: 3.4k

Warnings: Vampires, Fear, Panic, Implied Non-Graphic Violence, Blood Mention, Fantasy Racial Discrimination

Previous Chapter | Present | Next Chapter      AO3 LINK

*dusts off this fic* It’s been a while, huh? Massive thanks to @theeternalspace for beta’ing this chapter as always!

I don’t think I mentioned this besides the ao3 tags, but the original plan behind this fic was to include villain!Janus later down the road. It won’t happen until the second half of this fic, and honestly, I’m still deciding if I’m still including that or going a different route, I just wanted to mention that it may be occurring.

 If you don’t want to read content featuring him depicted that way, I understand. With the way the first half of this fic is designed, you can easily read the fic up to the point before villain!Janus might make an appearance and still enjoy it, as there’s basically two different story arcs that occur in this fic :)

-

Over the course of the next week, Virgil’s resolve to leave dissipated. It chipped away with Patton’s humming as he mixed together ingredients to make chocolate chip cookies. It splintered as Roman sauntered into the kitchen and swept Patton into an impromptu waltz. It fell apart as Logan tried to maintain a steady gaze on his physics book but the curve of his lips told Virgil he was amused by the others’ antics.

He’d never experienced such a warm, loving environment. He didn’t know they existed outside of fiction. If Virgil was told a month ago of the events that would transpire, he’d laugh at the absurdity of it all. Now it scared how quickly he’d grown to care for these humans.

In the stormy bleak world he’d grown up and lived in, it was every person for themselves. His foster parents took care of him simply for the money involved. His teachers could care less if he, a vampire, passed or failed. The one person he’d considered a friend only used him for their own gain in the end.

It’d been better to cease social interactions altogether. What was the point of subjecting himself to it when it always resulted in a negative outcome? After all, the definition of insanity was doing the same thing over and over again expecting different results.

Virgil was many things, but he wasn’t stupid. Or at least, he was smart enough to recognize it wasn’t worth it. Any other person might’ve gone the other extreme. They might’ve done whatever they pleased, regardless of what everyone else thought. They might’ve become what others expected them to be, because there was no other designated role in society for them.

Virgil refused. The last thing he wanted was to prove that the prejudices against vampires were valid. But again, he wasn’t stupid. He was just one person fighting an ocean of bigotry. Everyone knows you can’t fight the ocean because it does whatever its damn well pleases.

That was why he ran away from his foster family, from everything. He disappeared into the park, taking refuge in the trees. It had been safer to just give up than to play society’s game.  He didn’t even finish high school. Every day became about finding his next meal, his next shelter, his next—well he didn’t need water to survive. One of the perks of being a practically immortal vampire.

When he reached eighteen, he stopped aging. Physically. Which sounded just as fun as it felt; being trapped in a perpetual state of puberty for potentially a hundred years or so. It varied from vampire to vampire, when they’d start showing signs again of physically aging. He was twenty-eight now, and still practically an adolescent by vampiric standards.

In fact, vampires at his age required more frequent feedings to put up with their young body’s fast metabolism. It meant that Virgil was hungry all day every day. It had been hard at the beginning. He’d never had to worry about meals while under the care of the state.

Quickly he understood how hard it was to resist the urges wired into his being. Once, he’d gone three weeks without a meal. Hunting down animals hadn’t been as easy as he’d thought. Even when he managed to capture the odd bird or two—it was enough for him to starve off the urges. But never enough to truly satisfy it.

Virgil blacked out at the end of those three weeks. When he regained consciousness, he stood in an unfamiliar alley over an unfamiliar body. Fresh blood dripped from his lips as he recoiled in terror—did he do this? Did he really kill someone? But then---then! The body’s chest rose, and he knew for certain the person was still alive.

Virgil should’ve called an ambulance, he should’ve turned himself in. He should’ve done something. But he didn’t.

He ran—his mind clouded with panic. He ran and ran until he reached the secluded security of the parks’ groves. There he collapsed, his body wracked with sobs.

The kids at his school had been right; they’ve been right all along, and Virgil had refused to see it. He was a monster. Maybe they were also right that he deserved to die. But he couldn’t bring himself to do it.

Virgil secluded himself further in the park—being more mindful than ever to stay away from human contact. It was safer this way. Both for him and for everyone else. He couldn’t trust himself not to act on his impulses again. He became better at hunting wildlife animals. Too good, in fact.

There had started to be a suspicious shortage of squirrels in the park.

For years, his only focus in life had been on survival.  He’d forgotten almost anything that wasn’t vital to that goal. The days all blurred into each other, a continuous cycle of monotony. He’d liked it—routines were comforting. They were predictable, they were safe.

Despite this, even vampires needed social interaction. There was a reason why vampires preferred to live in covens rather than in isolation. He lived ignorant of that need throughout his time in the park. He didn’t realize it existed until this week spent in the apartment with Logan, Patton and Roman.

There had been a void in his heart and those three humans managed to fill it. For the first time in a long, long while Virgil felt…happy. The sensation was alarming and terrifying but also good.

Did that make him selfish if he didn’t want to give that up?

He tried his best to fight against the growing desire to stay. The last thing he wanted was to endanger the only humans who have shown him kindness. The idea of one day waking up standing over their unmoving bodies tormented him. He grew used to constant hunger, yes, but it was different in the woods. At least there he wasn’t constantly around three viable food sources. Not that he wanted to ever think of the humans in that way. They were so much more than a source of food. Vampiric urges be damned.

Several days after the garlic bread debacle with Roman, Logan sat him down.

“I have a few questions to ask you. But before I ask them, I want to let you know that you are not obligated in any way to answer them. Nor does this inquiry have anything to do with my scientific pursuits or anything of that sort.”

If he was a human, his pulse would’ve quickened from the anxiety swelling up inside of him. His thoughts pinballed into a million different directions as he tried to figure out what could possibly be on Logan’s mind. Externally he leaned back on the couch, arms crossed in a casual manner.

“Shoot.”

“Shoot? Why would I shoot—”

“It’s slang. It means ‘ask away.’” Virgil clarified.

It became apparent quickly that Logan was not adept at slang. It was a sore spot for the veterinarian—he took pride in being right. He told Virgil that he only spoke if he was certain of what he was saying was correct. Still, he found discovering new knowledge invigorating. Rather than denounce slang, he tried his best to understand it. He kept a pack of flashcards with him to help remember the correct usage of them.

“Ah! I’ll have to remember to add that later,” He murmured before clearing his throat, “moving on. My first question would be, how often do you actually need to feed?”

Virgil froze, meeting the knowing gaze of the human. He’d been careful to take the bare minimum blood from both Logan and Roman. He hadn’t fed from Patton, and frankly he was trying to avoid that. The bond between a vampire and a donor was a complex, tricky thing.

The more blood he took, the more he risked strengthening such a connection. But both Logan and Roman were stubborn humans that refused to see their vampire guest starve. He’d managed to convince Logan he survived off less than what he actually needed. It was the truth—as long he conserved his energy and slept for longer periods. But it appeared Logan became suspicious—or maybe, had always been suspicious from the start.

“Did Roman put you up to this?” Virgil demanded, his nails digging into the flesh of his arms.

“While he did mention what happened with the garlic, he did not set me up to this. I’m asking out of my own vocation and…concerns,” Logan frowned, adjusting his glasses, “I’ve refrained from asking you questions about vampires’ physiology because the last thing I want to do is make you feel uncomfortable but…I just want to make sure you are getting proper nutrition. Your health is just as important to me as the others.”

Virgil sighed. What did he have to lose? Perhaps upon learning the truth, Logan would realize Virgil wasn’t worth their time and energy. As much as that thought hurt, it was for the best.

“I don’t really know,” Virgil confessed, “I’m always hungry. Squirrels and birds are enough to get by, but they’re…not enough. Maybe once, per day?”

Virgil closed his eyes, unable to force himself to see Logan’s reaction. There a was a few beats of silences before Logan inhaled deeply and said,

“I see. How many liters do you think that is?”

“Liters?” Virgil knitted his eyebrows together as he tried to recall how measurements worked, “I…have no idea.”

“As you know, I do not know much about vampire physiology, but do you think it’s similar to vampire bats?” At Virgil’s vacant stare, he elaborated, “vampire bats consume half their body weight per feeding.”

“No, it’s not like that,” Virgil shook his head, “It’s less, I think? But it depends on the source.”

“What do you mean?” Logan asked, leaning forward in interest.

“Look I don’t know how all the scientific shit works. But like, for some reason human blood is more nutritious? We can sustain on animal blood, but it’s not the same it’s like—it’s like—”

“Eating junk food compared to healthier alternatives?” Logan suggested.

“Yeah, I guess,” Virgil shrugged, slinking further into the couch, “We don’t have to drink as much human blood as we do with animal blood.”

“Fascinating,” Logan muttered, his hands twitching as if he wanted to scribble down these findings in a journal. He instead cusped his face with a hand, frowning. Virgil shifted nervously, waiting to hear the rest of Logan’s thoughts.

“I’m not sure though…if I and the others would be able to donate blood on a daily basis without severe risk to our health.”

“Wh—what?” Virgil said, his eyes widening in surprise. Logan actually sounded regretful of this fact. Whatever Virgil expected to come out of his lips, it wasn’t that.

Logan, however, seemed to take his reaction for something else entirely.

“You see, when humans donate blood for medical purposes, we are only allowed to donate every eight weeks or so to allow time for our red blood cells to replenish. Having a low red blood cell count is dangerous for humans…I am truly sorry about that, Virgil.”

“Wh—you have nothing to apologize for—I mean I wasn’t expecting you guys—” Virgil’s voice cracked, causing him to glance away in embarrassment, “you don’t have to do anything, really.”

“Virgil,” Logan said softly, “do you remember what I said when we began this discussion?”

Virgil’s eyebrows furrowed.

“Do you mean what you said about how you cared for…my health?” He asked hesitantly.

“Precisely,” Logan said, “I was stating the truth when I meant your health is important to me. After all, you are a friend.”

“You’re serious?”

“Of course,” Logan nodded, “only serious people wear neckties.”

He gestured to his necktie, and Virgil let out a chuckle.

“Y’know, you and the others are really making it hard for me to leave.” He murmured, “but I can’t stay. I—I just can’t. I can’t stay and possibly become a danger to you.”

 “Virgil, you will not be a burden to us. It might be difficult, but I know the others and I would be willing to help figure out a solution for your dietary needs. Let me repay you—”

“You don’t owe me anything.”

“Then at least let me do this for you as a friend.”

There was again, the f word. It was really devilish of Logan to use it against Virgil. Especially since all he had ever wanted in life was to be loved and accepted by others. It was oh so tempting to just stay and live in the solace of the apartment. Until the day he outlived the others, by his hands or by natural causes. He didn’t know which one was worse.

Virgil swallowed, throat tightening, “Are you sure of this? Are you sure you want me around? I mean, you barely know me.”

“As certain as I am of the sun rise, yes.”

“Well there is one solution.” Virgil said with a slight groan. He couldn’t believe he was doing this.

 Logan perked up, looking at Virgil with childish excitement. “What is it?”

“I’ve never done this and I don’t know like the exact scientific crap behind it. But if a vampire feeds from a, uh, human consistently, um, it’s like we inject something that keeps humans’ blood healthy. So like, I guess it helps reproduce red blood cells faster.”

“Incredible,” Logan murmurs, “I can’t believe—well, unfortunately I can understand why this isn’t common knowledge. But something like this proves vampires and humans as a whole could one day live harmoniously.”

“I mean, I doubt that,” Virgil laughed bitterly, “There is some…side effects. You might become, uh, enthralled for a brief period after a feeding. Like, very agreeable to whatever I suggest. So I get it if that makes any of you uncomfortable.”

He flitted his gaze towards his ratty shoes. A hand rested on his shoulder, soft and tentative. As if fully prepared to draw back if Virgil brushed it off. He looked up at Logan. The human looked back, a determined glint in his eyes.

“Virgil, I trust you. I can’t speak for the others but I’d like to test this arrangement between you and I. If for whatever reason, it does not work—either for you or for myself, then we can always find a different solution. Alright?”

“Okay.” Virgil choked, forcing his vision to remain clear and not blurry with tears.

So, he stayed. Patton’s eyes lit up like a kid receiving a puppy for Christmas. He immediately bombarded Virgil with one of his signature hugs. Roman laughed triumphantly as he clasped Virgil’s shoulder and promised him that he wouldn’t regret this. Logan hung back, but his soft smile told Virgil all he needed to know.

Staying meant that he had to find a job. Virgil had never held a job in his entire life, never mind the fact he didn’t have a high school diploma. Yet Virgil couldn’t live in good conscious as a freeloader in the apartment. He wanted to contribute to the apartment rent. In order to do that, he needed money. He was certain that the two quarters and the one nickel he had floating in his jeans pocket wouldn’t be enough.

He searched for businesses that would hire someone like him. Not only was he dealing with a rather sparse resume, but there was of course prejudice against vampires. The humans flaunted around words like “peace among species” and “equal rights for all” but that rarely was the case. Even with the Helsing Laws in effect. He’d like to say that their prejudice was entirely unwarranted but well…

Most vampires kept to themselves. They either believed staying quiet would bring about peace or they just stewed about it away from human ears. Then there were some vampires that believed they were the superior beings and not the humans. So they really didn’t have qualms about hurting humans to bring about their agenda. Something Virgil knew about too well.

Of course, the businesses couldn’t openly discriminate. The Helsing Laws prevented that. But the laws did nothing to stop the prejudices that still clung heavily to the air.  It took just one smile—one laugh for them to see a flash of pearly white fangs and freeze up. They wouldn’t say it in words. But he could tell by their tone of voice and not so subtle wording that they were afraid.

They were afraid he’d snap and become an endangerment by attacking and drinking the blood of the first human he came into contact with. Honestly, humans were perfectly capable of eating their own kind’s flesh, yet you don’t see them worrying about that possibility.

It made it all the more hard to decipher then, who would hire him and who would cuss out his existence.

“So what makes you interested in working at our establishment?” The lady conducting his seventh interview asked. It was at a local, quirky coffeeshop—the kind that regulars claimed was way better than Starbucks.

Um because I want money? Virgil thought. He didn’t say it out loud, learning from his first interview that was apparently not what they wanted to hear. After that mishap, the others helped coached him through the right things to say. It still didn’t keep his intestines from knotting up out of nervousness.

“It seems like a chill, clean environment.” He shrugged.

“Well, thank you, we like keeping it that way for  our customers,” She laughed, “but we do still expect our employees to work hard and not slack off. We can get busy especially in the weekday mornings and all day on the weekends. Do you think you can handle that?”

No.

“Yes,” Virgil said, lying through his teeth, “I’m pretty good at handling stressful situations.”

“Is there a specific example you can think of?”

Virgil twisted in his seat, doing his best not to fiddle with his fingers.

Here goes.

“Well, as a—a vampire, I’ve had to deal with people who don’t…like that much. So I’m good at making sure I keep my composure. Like if there is an upset customer, I—I think I could be good at staying calm and making sure they walk away happy.”

She pressed her lips together, “I see.” And then, “What would you say are some weaknesses of yours?”

The rest of the interview continued on. She didn’t make any sort of comment about Virgil being a vampire. He didn’t know what to make of that.

“I’ll call you soon on what my decision is.” She told him, although he learned by his second interview not to trust those words.

“How was it?!” Patton asked upon his return back to the apartment. He and Roman were sitting on the couch watching TV. Logan was gone from the apartment, too early for him to be home from work. Virgil said nothing. He took a few steps before crashing into Roman’s side.

“That bad, huh?” Roman chuckled, already drawing his arms around Virgil.

“Tired,” Virgil closed his eyes, “job interviews are fricking exhausting.”

He heard Roman’s voice say something as his senses turned all muddy and muted. Someone laughed. Patton? If he wanted to, he could’ve forced his eyes open to see. He was content, however, to just lie there and steal Roman’s body heat.

It was stupid how easily Virgil taken to be at ease with these humans. Then again, it was also stupid how easily they accepted him. If either party had malicious intent, it would be almost effortless for them. Like taking candy from a baby.

Sleep was a strange thing for vampires. They needed rest, yes, but they never slept as deeply as humans could. Even in his soundest sleep, Virgil had a murky awareness of things. He could feel Roman mess with his hair, carefully untangling it with his fingers. He heard Patton’s and Roman’s heartbeats, steady and strong as ever. There was also a different sound. A buzzing, ringing sound.

“—gil! Hey Virgil! Wake up!”

Virgil jolted, alert and ready. His eyes scanned everywhere but found no threats. He looked at Roman and Patton in confusion, “Huh?”

Patton smiled, holding out his phone, “It’s for you.”

For him? But that could only mean one thing—someone actually called him back after a job interview. With a shaky hand, Virgil took the phone from Patton.

“Hello?”

“Hi Virgil, this is you, right?” The voice on the other line said. It did sound like the lady from the job interview.

“Yes.” Virgil answered, biting his lips and trying not to hiss from the pain that produced.

The voice said more words. Virgil managed to say words back. The conversation lasted scarcely a minute yet seemed like an eternity. He handed the phone back to Patton, eyes glazed over.

“Well?” Patton wiggled his eyebrows, bouncing in his seat like a rambunctious Labrador.

“Well,” Virgil began with a hesitant sliver of a smile, “I got the job.”

[anomitafics]

When The Heart Beats || [6]

WHEN THE HEART BEATS || Levi Ackerman x Reader CHAPTER VI

Softly closing the wooden door, Erwin was greeted by the sight of a certain trio that never in his life would he expect seeing in this current situation.

Why were they here? Especially Ackerman... Was she able to get into their thick characters already?

She never really did fail to surprise him.

Turing a blind eye at the small group waiting outside the room that held their team captain captive, the blonde then started walking past them, only to be stopped by a certain male's brusque demand:

"Oi... Aren't you going to tell us what ever happened to that hell of a captain ours?"

Jaw clenching at how degraded his dear friend was addressed, Erwin stopped in his tracks.

"Language, Ackerman." the blonde pointed before once again walking away from the scene.

"Oi--!" an irritated Levi once again started, about to knock some piece of shit into this blonde who dare to correct him with his damned language. But was halted by Farlan.

Eyeing the male beside him, Farlan only shook his head to Levi who looked at him with a pissed look.

"We were just worried Captain, if you'd be so kind to tell us what had happened to her." this time, Farlan attempted in a polite way only to be snobbed by the stern blonde.

Farlan had never felt so insulted, brows furrowed, a thought that he was avoiding to acknowledge had finally dawned him.

This organization... These people... They're all the same. They're nothing but a bunch of soldiers who let their own prejudices get ahead of their own humanity.

And they were lucky enough to even be placed under someone who was different from all of them.

Someone who viewed them as an equal. Someone who had never once looked at them with such disgust grazed over her soft features. Someone who had never used their pasts against them.

He'd always been curious about Sairam's loyalty towards her, and now he'd finally understood. It wasn't merely because of the sweets and tea she had offered, but her own empathy and rightful judgement.

Levi eyed the blonde as he continued to scowl over Erwin's retreating form. It seems like the latter had hit some kind of realization. And he wondered what it was.

Levi continued to watch Farlan's features, the blonde was making a face that he had yet to witness since stepping out of the filthy underground.

Gone are his polite and gleeful facade. This was the face the blonde had always made whenever he saw the limp children at the corners of the undergrounds being mistreated.

This was who Farlan really was back inside the underground.

Levi wondered why he was able to have seen it again now after a long period of time.

Was he... trying to leave his past self in order to fit into this gruesome society?

The onyx-haired male scoffed at the thought. They could never abandon the title of being an underground thug. At least not within these walls of never ending stereotypes and prejudices.

"We were all unhappy at the fact that she were to be our captain. But I come to have finally regret our judgement." alas the taller male had finally spoke.

"I... " this time, Isabel spoke. The strawberry haired female started fidgeting her foot with the ground as she continued:

"...I also feel guilty about judging right away..."

Both waited for the onyx haired male's outburst for their incompetence, they expected him to lecture them about how easily they trust, and how it doesn't even matter who they trust in the first place as long as they kill Erwin, yet it never came.

Slowly raising her head, Isabel gazed at Levi who was now staring at the metal door knob.

"...what did you say that had happened to her Farlan?" Levi asked making Farlan's eyes widened at the thought of his usually detached friend asking for something of such.

"I wasn't able to see anything clearly but I saw Erwin carry her unconscious form from the crowd." Farlan explained remembering how he witnessed such worry in Erwin's eyes as the blonde carried away their Captain, something he chose to not mention.

After all, it might've only been his imagination. It was just oh to impossible.

"So she was knocked out unconscious huh?" Levi murmured as he thought of ways to solve his friends' worries towards the female captain.

Levi wasn't even worried himself. It wasn't like he had grown attached to her. After all, he still had his doubts despite having started to trust the captain a little.

Yet unlike him, his friends seem to have grown fond of her and were both worried sick that they had even pleaded him to help them locate their captain's whereabouts. He had no choice but to tag along and help them ease their worries.

"Ah..." a quiet gasp made the trio face the now opened door which had just revealed a flustered looking Sairam, who quickly closed the door behind him upon setting sight on the trio.

"Sairam! I knew it! She's in there!" Isabel exclaimed loudly as she pointed at Sairam who was standing idly by the door. Farlan quickly started hushing down an overly excited Isabel.

Levi however, took note of how Sairam, who was usually calm and reserved was now looking so agitated.

Sairam who've noticed Levi studying him, was quick to have recompose himself, clearing his throat in the process.

"(Y/N) doesn't want those three knowing... at least not yet..."

Captain Hange's words rung in is head as if to remind him of doing anything he can to not let the trio in front of him start suspecting anything.

"If you're looking for the captain then you're right, she's inside, although it is prohibited to go inside. " Sairam stated.

"What?! Then why are you inside! We're part of her squad to!" Isabel complained making Sairam's eyes twitch in irritation.

"It's alright." Farlan said halting Isabel's small outburst.

"Then could you just inform us on what had happened to her?" Farlan continued making Sairam sigh.

"The captain was overworking herself these past few days, that's the reason she fainted."

"Well now that you three know shouldn't you be trai--" as Sairam was speaking, the wooden door suddenly swung open revealing the captain herself.

"No one's going training without me." (Y/N), who looked like as if a sudden gush of wind can bring her down at any second murmured.

The female fixed her hair as she rubbed her eyes.

"Captain!" Sairam exclaimed as Farlan and Isabel stared eyes wide at their captain's sorry state. Levi remained calm but was observing.

"I'm sorry for interrupting your test Farlan, we can continue now if you--" (Y/N) stated weakly but was suddenly interrupted by the booming voice of none other than Erwin Smith.

"No." the blonde had just finally came back from fetching food for the female.

"But--"

"No."

The [c] haired female was about to argue yet again but was halted by Levi's voice.

"If you're going to train anyone in that sorry state then you better be ashamed of your damned self." the onyx haired male clicked his tongue, not caring about everyone's gloomy reaction towards his sharp words.

Signalling to both perplexed Farlan and Isabel he murmured small "Let's go", making the two follow him unquestionably.

Out of everyone else, Farlan and Isabel knew Levi best. Sure, the aloof male could be sharp with his words but it was only to avoid (Y/N) from having to push herself to the edge. And they both understood this.

Passing by Erwin's tall figure, Levi was reminded of everything the blonde had done to degrade him and his friends.

'He will meet his end... by my hands.'

And thus, the stoic male's revengeful vow continued to linger within his mind up until dinner.

As usual the mess hall was buzzing from the different chatters of each individual soldier, Levi along with his friends continued to make their way through the gnashing crowd of hungry soldiers.

Getting his foot stepped on along with having multiple shoulders bump into his cheek had become Levi's usual struggle when it comes to lining up for food in the small cramped mess hall.

When his face was bumped into for the first time, the onyx haired male couldn't help but to make a scene, his two friends along side him attempting to calm down both parties: Levi and the random soldier who had his elbow graze on the latter's face.

Yet, Levi was soon to get tired of fighting with whoever were to bump onto his face or step on his foot. The latter just wished he could've gotten a little taller in order to avoid having his face get elbowed all the time; he didn't mind having his foot stepped on twice as much if it meant his face were to be safe from getting hit.

Farlan who had silently known about Levi's struggle was the one leading their small line, much to Levi's pleasure. Though it didn't entirely avoided all of the blows on the latter's face but it was enough to be endurable.

"There! Over there! Perfect timing, they're just leaving!" Isabel had finally found a table for their small group.

Looking over to where the strawberry haired female was pointing to, Farlan now gazed behind him, where he waited for Levi's sign of aproval to sit on the said table.

The latter didn't really like sitting with people who seem to be of nuisance to them, but alas, the said table was completely deserted.

Giving a small hum of approval the group made their way to the table, placing their meals in front of them as they sat side by side.

Isabel's golden eyes watched as cramped group of soldiers went passed in front them from time to time as she took a bite on the clean bread on her hand.

At least that was what she liked calling it.

Unlike everything within the underground, the young female viewed each object of thw world from the above as clean.

Clean, not only for it was surely manufactured in clean surroundings but also it was neither stolen nor eaten illegally.

Isabel had always been fascinated at the world above her former home yet had also been trying hard to hide these feelings to her two friends, especially her Big Bro since the male had expressed little to no fascination to the matter.

And Levi was no fool to be oblivious to his companion's hidden feelings.

Watching Isabel's curious expression who simply sat beside him as she continued to gaze at each soldier who had passed their table, Levi knew the female wanted, or at least, was interested on having at least a little group of acquaintances.

Yet the onyx-haired male was also aware of how impossible it was. No one even dared taking the vacant seats in front of them no matter how crowded the mess hall was.

He hated the fact that his walls were too damn high and wide that even his friends were trapped inside it with him.

Isabel had always wanted to receive those candies from that crazy woman Hange, and so did Farlan wanted to at least get closer to their Captain, yet they couldn't... just because... he seemed like he didn't want to.

"That frown's deeper than normal commander, what's the matter?"

A cheery voice snapped the onyx haired male from his yet another train of thoughts, lifting his gaze from his almost colorless food, Levi was confronted by the smiling face of his captain.

The hell's wrong with her...?! Smiling all the time...

"Can I sit here?"

At this, both Isabel and Farlan's gazes landed on the male who sat between them, as if waiting for his answer.

Levi clicked his tongue at this as he murmured:

"You're your own person, decide for yourselves."

END OF CHAPTER VI ANOMITAFICS

When The Heart Beats Masterlist    <--------- Chapters here

[sylvain-writes]

To Be Seen (TMNT Leonardo x Reader)

Rated: PG; Leonardo x Artist Reader (Gender Neutral)

Prompt Fill for @whygz

Leo finds Reader’s art depicting their interest for him.  Reader has a stutter, especially when nervous.  Happy ending (of course). 

When you see him sitting in the dojo, under the great tree, your stomach twists and your heart jumps.  It’s almost no different than the last time you walked in on him during a quiet moment--always a spike of anxiety, always a flutter in your core.  But today he has a book propped on his knee, his brow furrowed in thought, the blue tails of his bandana twisting between his fingers, and you know.  You just know. 

He’s found it.  Your portfolio.  He found it and you can’t believe that Honor Boy actually opened it. He’s sitting there, holding your art like looking through it isn’t the gravest violation of privacy he could have made, and the anxiety you feel isn’t just the crush you struggle and fail to ignore.  There’s embarrassment and anger and fear.  If he’s seen what you’ve drawn, then he knows the secret you’ve kept so closely guarded.  If he knows your true feelings for him, then everything between you is going to change.

Everyone has their way to center, their hobbies and interest and talents.  The things that consume them and put their minds at ease.  For Donatello it’s his machines and music.  For Leonardo it’s meditation and martial arts.  Raphael has the gym and nights out with Casey.  Michelangelo hops from the kitchen to the arcade without prejudice.  

And you… you found your peace in your art.  The scratch of pencils over the textured paper of your notebook, the smudge of graphite on the edge of your hand, the calluses on your knuckles.  You live in it--your art. It’s all part of it.  You find peace while sitting in the quiet corners of a room.  Your art is your safe space. 

It wasn't until you told yourself that you could have this space, the small piece of the world that's all your own, that you left yourself open up. You promised yourself no one would see it, no one would judge it.  You carved out this space, you made your promises, and the art poured out of you.

And now Leonardo sits in your usual spot with your art--your heart--in his hands.  He traces the book’s binding with his thumb and your chest aches.  Your arms and face tingle as you watch him and wonder how much he’s seen.  Feelings of self-consciousness grow in you like a wall, threatening to immobilize you.  But you take a step forward, forcing anger past your embarrassment.  

Your lips part, ready to call Leo out for what he’s done.  But he beats you to the punch.

“Hey,” he says, looking up.  It’s a quiet greeting.  More tender than it has any right to be.  His expression is so soft it’s disarming.  

You harden your stare.  He’s not allowed to look at you like this anymore.  Not after this.  He’s taken the one piece of this world that was your own and looked inside without permission.  You would have never crossed this line, if circumstances were reversed.  You would never trample his rock garden or mess with his weapons.  So, no, he doesn’t get this; he doesn’t get immediate forgiveness after trespassing through your privacy--even if his voice does carry all the comforts you’ve ever craved.  

When he requests your company, the book is still in his lap.  For what it’s worth, he doesn’t hide what he’s found.  “Come sit?” he asks carefully.  And you want to.  He’s your best friend.  But you need to keep your distance.  You’ll forgive him too easily if you step into his orbit and let yourself be carried away by his charms. 

He’s looking at you with his large blue eyes that always seem to see.  You struggle to stand your ground, when what you really want to do is hide.  He’s already seen too much.  What right does he have to ask for more?

You’ve always preferred to exist where you won’t be seen.  It’s a talent you’ve been honing since even before meeting the turtles. You like quiet spaces where it seems like life can slow down for a while.  It’s why you’ve spent so much time in the dojo, by the garden.  Nestled among the roots of the great tree, you could lean back and listen to the rainwater runoff.  You could watch the boys train, or Leonardo tend his garden or sit for tea.  ‘It’s all a form of meditation,’ he’d said once when he caught you stealing a glance, ‘if you let it in.’

‘Let it in.’  Leonardo’s been saying that alot.  Especially recently.  And you’re not sure what it’s supposed to mean.  

Leonardo is patient, even when it looks like you aren’t going to join him on the mat.  “This is yours, right?”  He turns the book in his hands, then holds it out to you like it’s nothing more than a casual exchange between friends.  But it’s not as easy as all that, no matter how badly you wish it could be.  “I guess you left it behind when me and the guys had to head out in a hurry.”

You look off to the side, if only to escape the guilty glint in Leo’s eye.  ‘Head out in a hurry’ is putting it lightly.  The guys had scrambled into the van and gone topside with only half their gear in order to catch up with the Foot.  They had left you worrying for hours without a word of their safety.  But the lowlifes had been caught by sunrise and the turtles returned home unscathed.  You, however, had to get back to the university for an early studio session and didn’t notice your private portfolio was missing until you were setting up your desk.

You hug the portfolio as you wrack your mind for a response.  ‘Thanks,’ feels too passive, too permissive.  And as for anything stern, well, you aren’t sure you can string a sentence together without tripping over your words.

During your silence, Leo continues to explain.  “It was Mikey’s turn to clean the dojo.  He found it there and-”

“A-and he th-thought you guys could just g-go through my things?” You push your way through the sentence, rising up on your toes as if looking down on Leonardo will give you confidence.  You know you should take time to calm down, that your stutter will only frustrate you further the more upset you allow yourself to become.

“No. Mikey brought it to me since-”

“Since w-w-what, Leo?”  Since he saw what’s inside?  Shit, you know it’s because Mikey saw what’s inside.  He’s not a moron.  And he’s an artist in his own right.  He’s good at puzzles.  Most of his videogames are strategy based, when push comes to shove.  Of course he’d figure it out, even if your work is more abstract than not.

Leo sits unperturbed by your anger.  In fact, he remains steady in voice and posture as he replies, “Since I’ve been meaning to talk to you.”

You wish his calm wasn’t so damn, well, calming.  You bite your lips between your teeth and take a deep breath through your nose and damnit if that doesn’t calm you further.  You ask him, “About what?” and you’re surprised by how gentle you sound.  Where’s your indignance?  He messed up.  He should be apologizing.  Why isn’t the guy who values his virtues so much apologizing?  

“I wanted to talk to you about... your art.”  This is the first time you’ve heard even a hint of hesitation, of nervousness, in your stalwart friend.

You shrink into yourself, even more afraid of what he could have to say, and Leo’s frown deepens.  Despite your preference for solitude, despite the feelings you’ve kept from him, you’ve never pulled away before. “What about it?”

“I still have the sketch you made of my katanas from a while back,” he admits, but it almost sounds like he’s changing the subject.  “You make it look effortless.  Which I know it isn't.  But… I see you, y'know?”  

There’s a pause afterward and it feels like the world is rushing in around you.  What does he see? 

He continues, “When you're in the dojo.  You get so caught up in your work.  I see you stretching and shaking off the cramps, but you're driven.  And I don’t think anyone really sees…”  He folds his hands in his lap as he holds your gaze.  “But I want to.  If that's alright."

“You want to see what I’ve drawn?”

“I want…”  Instead of finishing his thought, Leonardo takes a moment for himself and then nods.

“You didn’t look?”  It surprises you how easy it is to believe him.

“Of course not.”  He admits his ignorance of what’s hidden within your portfolio; he affirms that your assumption he’d breached your trust had been a misunderstanding.  He looks up at you with a curious tilt to his head and an apology for worrying you in his gaze.  Your heart breaks a little realizing he isn’t the one who should be apologizing at all.

“Geez, Honor Boy,” you force a smile as your anger recedes and your anxiety comes rushing back.  “Th-they really b-broke the mold when they m-made you, huh?”  

Leo glances at the portfolio in your arms and then finds your eyes again.  With patience and care, he holds out his palm.  “May I?”  There’s no expectation in his request.  You know you can refuse him without retribution.  But you think, it’s better to know.  It’s better for each of you to know where the other stands.  At least then, your world won’t be clouded with maybes and what ifs.  

Not trusting your words, you swallow hard.  Your hand shakes as you hold out the book.  You think you’ll lose your grip if he doesn’t take it quickly.  But Leo’s movements are slow.  He blinks up at you as he brushes his fingertips over yours and your heart skips a beat.  When he receives the book it’s with the care that he takes regarding all of the things he holds most dear.  You think you’re being silly to entertain the idea that maybe he holds you among them.

You chew your lips and tug at your sleeves and you watch him lift the cover.  With small humphs and thoughtful nods, he pauses and flips through your most intimate thoughts.  You lift your voice to explain which are assignments and which were done in your leisure, but he already seems to know.  You wonder how he can sit there so calmly while he holds your heart in his hands.  How he can sit there while your throat tightens, your hands curl into fists, your face burns red.  Your eyes sting.  

When he looks up at you, he seems caught off guard by your expression.  “Are you alright?  You’re not.  What’s wrong?”

You know that if he goes any further into that book, he’ll see.  He’ll find the shift--the moment you started falling for him.  It’s illustrated in those pages.  You’re still not sure if you’re ready for him to find out, but a greater part of you needs this uncertainty to be over.

Leo says, “These are incredible,” and your stomach flips.  “I knew you were an artist, but… why don’t you display your work?”

You shake your head.  The question is better answered by the pages he’s yet to see.  “Th-there’s more.” 

Leo considers your words and holds out his hand to you.  “Come sit,” he requests.  They’re the same words as before, but somehow they hold more weight.  He wears an expression that leads you to believe he’d be crushed if you don’t join him this time.

You sit.  But you don’t do it for him.  You do it because when he looks through the next half of the book, you’re afraid your legs will give out beneath you.  You’re afraid you’ll run out of the dojo and, for the first time, truly hide from your best friend.  You’re afraid that if you don’t sit with Leo, you’ll lose him.  So, you sit.

Curled up with your knees to your chest and your chin propped on top of them, you prompt Leo to turn the page.  You hold your breath as he complies.

There’s blue.  So much blue.  All different hues.  There are lines, sharp like the blades of Leo’s swords.  Blended hues flowing across the pages in ribbons.  There are sunbursts of blue and white and grey.  

Leo turns the pages by the corners, peeking through the rest.  You wonder what he’s looking for.  Does he think he’ll find similar sections for purple, orange, and red?  You know he won’t.  Your thoughts, your art, is consumed by blue.

Leo’s head is bowed and his eyes are downcast when he closes the book and sets it aside.  He’s taking deep breaths when he turns to you and you take one of your own to prepare yourself for rejection.  

But then he lifts his gaze and his sunburst irises are looking at you with new light.  With understanding. With something more.  You convince yourself the hope you see is merely a reflection of what your own eyes must be broadcasting.   

“May I kiss you?”  

His question comes as such a surprise it renders you speechless.  You’re stuck, stock still, for an interminable moment before he speaks again.  The sound of your name on his tongue draws you out of your fog and you feel yourself nodding before you realize you’re doing so.

Leo rises to one knee to close the space between you.  The air is charged and you know the crackle of nervous energy is all your own.  Because Leo is calm.  He’s sure.  

The hair on your arms stand on end as he leans in.  Your gaze flits from his eyes to his lips and back.  

When his hand alights to your cheek it’s a soft touch, but insistent.  He’s not scared and his confidence in the moment eases your own worry.  He’s secure in his feelings for you and you’re safe in his hands.  It’s enough assurance that you allow yourself one last look at his eyes before letting yours close.  His hand is gentle as it guides you toward him, before he presses his mouth to yours.  

Somehow, even after months of falling, it seems like you’ve never wanted to kiss Leo as much as you do now that he’s caught your lips with his own.  You need more.  

Your hands slide up his shoulders to the back of his neck and pull him in.  He makes a small sound of surprise, and you can’t help but smile against his lips, knowing you’ve caught the ninja off guard.  He braces himself with one hand against the tree behind you as you deepen the kiss. 

Kissing Leo is more than you could have imagined it would be.  It feels right and you feel settled.  For the first time, in a long time, you feel seen. You’re being seen and it isn’t terrifying, because Leo is the one looking and you trust him to keep you safe.