#honoré delights

[pupsmailbox]

PASTRY︰SWEET ID PACK

NAMES ⌇　aero. ambrosia. angel. anise. anisette. bakerette. bambi. benedict. berrie. berry. betty. biscuique. blanche. blanchesse. blanchette. bluebell. bonbon. brie. bubblegum. cake. cakerie. cakessa. cakette. cakie. candace. candi. candibelle. candie. candy. caramel. caramella. caramelle. carmella. carmine. cassia. cerise. chantilly. charlotte. cherie. cherry. chiffon. chip. chocco. choco. chocobina. cinna. cinnabelle. cinnabon. cinnamon. claire. clem. clementine. coco. cookie. cookilyn. creamine. creamique. creme. cremelle. crepe. cupcake. cupid. custard. custella. cwake. dahlia. darling. delight. dove. drizzle. dulce. dulcie. eclair. fleur. frostine. fuchsia. graham. gummi. heath. honey. honoré. joy. julienne. kandie. kandy. kat. kit. kitty. lacey. lollie. lollu. lolly. lulu. madeleine. maisie. margaret. marjorie. marshmelle. miel. mielle. mika. millie. mimi. moussette. muffine. nana. nilla. panettiere. pastelle. pastrie. pastrina. patisserie. patty. peach. petal. pippin. pixie. popsy. praline. precious. pudding. puff. puffy. pumpkin. pwuffle. raspberry. reese. rosa. rose. rosie. ruth. rye. sherbet. shortcake. sorbelle. sorbet. sprinkline. strawbette. strawbie. sucre. sucrose. sugar. sugarbelle. sugarlyn. sundae. sundaeya. sunny. sweetheart. sweeti. sweetie. sweets. taffy. tartine. tealyn. teddy. toffee. toffi. trixie. truffrill. tulip. vanilla. vanille. vaniya. wafer. weddicae.

PRONOUNS ⌇　ae/ae. angelsfood/angelsfood. ba/bake. bake/bake. bake/bakery. belle/belle. berry/berry. bite/bite. blush/blush. bon/bon. bow/bow. bread/bread. bun/bun. butter/butter. ca/candy. cae/cake. cake/cake. candy/candy. car/caramel. cara/cara. cara/caramel. ce/cer. che/cher. chef/chef. cherry/cherry. chew/chew. cho/choco. cho/chocolate. choco/choco. choco/chocolate. chocolate/chocolate. cinna/cinna. cinna/cinnamon. cocoa/cocoa. confection/confection. coo/cookie. cookie/cookie. cream/cream. cru/crust. cup/cake. cup/cupcake. cupcake/cupcake. cute/cute. dar/dar. delicacy/delicacy. dessert/dessert. devilsfood/devilsfood. do/donut. doe/donut. dou/dough. dough/dough. fla/flan. flo/flour. fre/fresh. fro/frost. fro/frosting. frost/frost. frosting/frosting. fu/fudge. goodie/goodie. heart/heart. hon/hon. hon/honey. honey/honey. ice/ice. jelly/jelly. lace/lace. lolli/lolli. lolly/lolly. love/love. mac/macaron. mi/mix. mou/mousse. mu/muffin. nom/nom. pas/pastry. pastry/pastry. pi/pixie. pie/pie. pink/pink. plum/plum. pop/pop. puddin/puddin. pudding/pudding. puff/puff. puff/puffle. ro/rose. roll/roll. rose/rose. soft/soft. sprinkle/sprinkle. sti/stix, strawb/strawberry. strawberry/strawberry. su/sucre. su/sugar. sug/sug. sug/sugar. suga/suga. sugar/sugar. swe/sweet. swee/sweet. sweet/sweet. tart/tart. toffee/tofee. trea/treat. treat/treat. wa/warm . 🍡 . 🍦 . 🍧 . 🍩 . 🍪 . 🍫 . 🍬 . 🍭 . 🍮 . 🍯 . 🍰 . 🎂 .

[weeklydrarryficrecs]

Star Quality by who_la_hoop

Summary:

Two years after the war, and Harry’s content with his life. OK, so it’s a little annoying that he keeps winning Witch Weekly’s Most Eligible Bachelor award, and he’s really not looking forward to the unveiling of an enormous gold statue of himself, but he loves his friends, and he loves being an Auror. And if he yearns for something more, something he can barely bring himself to think about, well, he’ll probably get over it. No one’s happy all the time, are they? But then everything changes, and Harry’s thrown into a new and dazzling world he’s not sure he can actually escape from. And as time goes on, he starts to wonder: does he actually want to? Rating: Explicit Word Count: 118,607 Link to Fic: https://archiveofourown.org/works/17175614/chapters/40383773

My Thoughts: This is the first Drarry fic I (re)read this year, and it gave 2024 a joyful start! Who_la_hoop's characterization of Draco, simmering with desire and desperation, and Harry, struggling to figure out his life, is one of my favorites, and I was delighted by each chapter. This fic is also nice and lengthy, perfect for a long weekend. Artwork: Ah!... les comètes..., ça annonce toujours quelques grands malheurs!..., from Actualités, published in Le Charivari, October 30, 1858 by Honoré Daumier

[killem-all-if-they-wont-eat-cake]

My next dress by the talented Madame Jejette (a.k.a. Anna Nurzynska) of Atelier Saint Honoré will be a reproduction of this delightful robe a la polonaise in the portrait of Marie Anne Révérend, Mme Antoine Vestier, by her husband, the artist.

The dress will be made with silk and cotton ivory batiste, pale pink tafetta and of copious amounts of delicate lace.

[courjetsetting]

Today, I must attend to a matter of grave importance, as I'm sure you can tell by my dandy outfit!! I am headed to another significant Parisian cemetery- wittingly, this time- le Cimetière du Père Lachaise!

The first grave on my pilgrimage is that of Georges Méliès! Renowned cinéaste at the origin of film, his silent movies are an experimental delight!!

Here, we have the grave of Georges Bizet! His music is still widely used and referenced today, with his most notable work being the opera Carmen~ "L'amour est un oiseau rebelle..."

This is where the esteemed french writer, Honoré de Balzac, now rests! I am sure it would wound my university professors to know that I cannot recall a single significant detail regarding his works!

Here is another author, most famous for the memories he evoked from the taste of a madeleine!! It took me some effort to find this grave, à la recherche du mort perdu!

At last, this is the grave I came specifically to visit!! Readers may have noticed the flower pinned to my lapel; it matches the green carnation I also left here in tribute! This blossom symbolizes Oscar Wilde, as well as being a coded allusion towards his sexuality. His presence has been a recurring motif throughout this trip (often with serendipity)! I am endlessly grateful for these opportunities, rendering my authorial idol in a more complete and complex image.

Taken as a whole, it's a rather ostentatious grave (even among all the other elaborate, status-flaunting tombs)!! Although, as Wilde himself once said, "There is only one thing in life worse than being talked about, and that is not being talked about." I suppose it applies in death, as well!

I enjoyed the following article, to lend context to the artistic intentions that motivated this design. (Nota bene: Although not a graphic article, it may also not be appropriate for one's place of employment, or NAfoPoE)- https://www.faena.com/aleph/defiant-and-proud-even-in-death-the-curious-story-of-oscar-wildes-tomb#:~:text=Under%20instruction%20from%20Robert%20Ross,figure's%20whereabouts%20have%20been%20unknown.

This is the grave of superb Romantic composer, Frédéric Chopin! While he garners much adoration for his nocturnes, my favorite piece is his Prelude in E minor!!

Le Cimetière du Père Lachaise was created in the 19th century, but to build its renown, important people from prior eras were moved here! That is how Molière, a dramaturge who passed in the 17th century, came to be interred within these walls!

Following a similar path through the cemetery, one comes across another transplanted burial- Héloïse and Abélard, who both passed in the 12th century! These two figures, both esteemed intellectual individuals, are an especially famous romantic couple!! The extant correspondances between the lovers inspired later literary letters, such as Julie ou La Nouvelle Héloïse (Rousseau, 1761), and my favorite, Les Liaisons dangereuses (Cholderlos de Laclos, 1782)!! (June 25)

[mystacoceti]

Perhaps a word or two about the business premises may be said said here. The printing-house had been established since the reign of Louis XIV. in the angle made by the Rue de Beaulieu and the Place de Murier; it had been devoted to its present purposes for long time past. The ground floor consisted of a single huge room lighted on the side next the street by an old-fashioned casement, and by a large sash window that gave upon the yard at the back. A passage at the side led to the private office; but in the provinces the processes of typography excite such a lively interest, that customers usually preferred to enter by way of the glass door in the street front, though they at once descended three steps, for the floor of the workshop lay below the level of the street. The gaping newcomer always failed to not the perils of the passage through the shop; and while staring at the sheets of paper strung in groves across the ceiling, ran against the rows of cases, or knocked his hat against the tie-bars that secure the presses in position. Or the customer's eyes would follow the agile movements of a compositor, picking out type from the hundred and fifty-two compartments of his case, reading his copy verifying the words in the composing-stick, and leading the lines, till a ream of damp paper weighted with heavy slabs, and set down in the middle of the gangway, tripped up the bemused spectator, or he caught his hip against the angle of a bench, to the huge delight of boys, "bears," and "monkeys." No wight had ever been known to reach the further end without accident. A couple of glass-windowed cages had been built out into the yard at the back; the foreman sat in state in the one, the master printer in the other. Out in the yard the walls were agreeably decorated by trellised vines, a tempting bit of color, considering the owner's reputations. On the one side of the space stood the kitchen, on the other the woodshed, and in a ramshackle penthouse against the hall at the back, the paper was trimmed and damped down. here, too, the forms, or, in ordinary language, the masses of set-up type, were washed. Inky streams issuing thence blended with the ooze from the kitchen sink, and found their way into the kennel in the street outside; till peasants coming into the town of a market day believed that the devil was taking a wash inside the establishment.

from Lost Illusions, Honoré de Balzac, tr. Ellen Marriage

[battyaboutbooksreviews]

💜 Books for Women's Day 2024 💜

🦇 Welcome to March, my beloved bookish bats. It's Women's History Month AND Women's Day! To celebrate, here are a few books that highlight powerful, courageous women -- both throughout history and across our favorite fictional realms. These women have contributed to our history, shaping contemporary society with bold, outspoken, badass moves. Let's celebrate and champion these voices by adding more female-focused stories to our TBRs!

❓QOTD Who is your favorite female fictional character AND real-life heroine?

❤️ Fiction ❤️ 💜 The Power - Naomi Alderman 💜 The Handmaid's Tale - Margaret Atwood 💜 The Vibrant Years - Sonali Dev 💜 Red Clocks - Leni Zumas 💜 Conjure Women - Afia Atakora 💜 City of Girls - Elizabeth Gilbert 💜 A Woman is No Man - Etaf Rum 💜 Of Women and Salt - Gabriela Garcia 💜 Circe - Madeline Miller 💜 Song of a Captive Bird - Jasmin Darznik 💜 The Women - Kristin Hannah 💜 The Love Songs of W.E.B. Dubois - Honorée Fanonne Jeffers 💜 The Bluest Eye - Toni Morrison 💜 Women Talking - Miriam Toews 💜 Hidden Figures - Margot Lee Shetterly 💜 The Vanishing Half by Brit Bennett

💜 Young/New Adult 💜 ❤️ Loveboat Reunion - Abigail Hing Wen ❤️ Realm Breaker - Victoria Aveyard ❤️ Only a Monster - Vanessa Len ❤️ This Woven Kingdom - Tahereh Mafi ❤️ Serpent & Dove - Shelby Mahurin ❤️ I’ll Be The One - Lyla Lee ❤️ Squad - Maggie Tokuda-Hall and illustrated by Lisa Sterle ❤️ These Violent Delights - Chloe Gong ❤️ The Box in the Woods - Maureen Johnson ❤️ The Wrath & the Dawn - Renee Ahdieh ❤️ You Should See Me in a Crown - Leah Johnson ❤️ A Sky Beyond the Storm - Sabaa Tahir ❤️ Nimona - N.D. Stevenson ❤️ Legendborn - Tracy Deonn ❤️ Blood Scion - Deborah Falaye ❤️ Not Here to Be Liked - Michelle Quach

❤️ Queer ❤️ 💜 Imogen, Obviously - Becky Albertalli 💜 The Fiancée Farce - Alexandria Bellefleur 💜 One Last Stop - Casey McQuiston 💜 The Henna Wars - Adiba Jaigirdar 💜 Girls of Paper and Fire - Natasha Ngan 💜 Delilah Green Doesn't Care - Ashley Herring Blake 💜 A Guide to the Dark - Meriam Metoui 💜 She Who Became the Sun - Shelley Parker-Chan 💜 Written in the Stars- Alexandria Bellefleur 💜 Gideon the Ninth - Tamsyn Muir 💜 Gearbreakers - Zoe Hana Mikuta 💜 You Exist Too Much - Zaina Arafat 💜 Mooncakes by Suzanne Walker 💜 The Priory of the Orange Tree - Samantha Shannon 💜 She Gets the Girl - Rachael Lippincott and Alyson Derrick 💜 The Jasmine Throne - Tasha Suri

💜 Non-Fiction 💜 ❤️ The Secret History of Wonder Woman - Jill Lepore ❤️ Girlhood - Melissa Febos ❤️ Our Bodies, Their Battlefields - Christina Lamb ❤️ The Radium Girls - Kate Moore ❤️ Twice As Hard - Jasmine Brown ❤️ Women of Myth - Jenny Williamson and Genn McMenemy ❤️ Nobody Ever Asked Me About the Girls - Lisa Robinson ❤️ Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship - Kayleen Schaefer ❤️ The Book of Gutsy Women - Hillary Rodham Clinton and Chelsea Clinton ❤️ The Underground Girls of Kabul - Jenny Nordberg ❤️ Feminism Is for Everybody - Bell Hooks ❤️ Invisible Women - Caroline Criado Perez ❤️ The Women of NOW - Katherine Turk ❤️ Eve - Cat Bohannon ❤️ We Should All Be Feminists - Chimamanda Ngozi Adichie ❤️ Bad Feminist - Roxane Gay

❤️ Memoirs ❤️ 💜 Mom & Me & Mom - Maya Angelou 💜 Crazy Brave - Joy Harjo 💜 Reading Lolita in Theran - Azar Nafisi 💜 I'm Glad My Mom Died - Jennette McCurdy 💜 Crying in H Mart - Michelle Zauner 💜 The Soul of a Woman - Isabel Allende 💜 See No Stranger - Valarie Kaur 💜 They Call Me a Lioness - Ahed Tamimi and Dena Takruri 💜 Becoming - Michelle Obama 💜 Bossypants - Tina Fey 💜 My Own Words - Ruth Bader Ginsburg 💜 I Am Malala Malala Yousafzai 💜 Finding Me - Viola Davis 💜 Return - Ghada Karmi 💜 Good for a Girl - Lauren Fleshman 💜 The Woman in Me - Britney Spears

[biboocat]

Vladimir Nabokov’s Brutally Honest Opinions on 63 of the “Greatest” Writers to Ever Write (1973). I got this from a literature FB group; I can’t verify its authenticity. Even if the source is authentic, it seems to me a very subjective exercise, so take it in that spirit.

Auden, W. H. Not familiar with his poetry, but his translations contain deplorable blunders.

Austen, Jane. Great.

Balzac, Honoré de. Mediocre. Fakes realism with easy platitudes.

Barbusse, Henri. Second-rate. A tense-looking but really very loose type of writing.

Beckett, Samuel. Author of lovely novellas and wretched plays.

Bergson, Henri. A favorite between the ages of 20 and 40, and thereafter.

Borges, Jorge Luis. A favorite. How freely one breathes in his marvelous labyrinths! Lucidity of thought, purity of poetry. A man of infinite talent.

Brecht, Bertolt. A nonentity, means absolutely nothing to me.

Brooke, Rupert. A favorite between the ages of 20 and 40, but no longer.

Camus, Albert. Dislike him. Second-rate, ephemeral, puffed-up. A nonentity, means absolutely nothing to me. Awful.

Carroll, Lewis. Have always been fond of him. One would like to have filmed his picnics. The greatest children's story writer of all time.

Cervantes, Miguel de. Don Quixote. A cruel and crude old book.

Cheever, John. “The Country Husband.” A particular favorite. Satisfying coherence.

Chekhov, Anton. A favorite between the ages of 10 and 15, and thereafter. Talent, but not genius. Love him dearly, but cannot rationalize that feeling.

Chesterton, G. K. A favorite between the ages of 8 and 14. Essentially a writer for very young people. Romantic in the large sense.

Conan Doyle, Arthur. A favorite between the ages of 8 and 14, but no longer. Essentially a writer for very young people. Romantic in the large sense.

Conrad, Joseph. A favorite between the ages of 8 and 14. Essentially a writer for very young people. Certainly inferior to Hemingway and Wells. Intolerable souvenir-shop style, romanticist clichés. Nothing I would care to have written myself. In mentality and emotion, hopelessly juvenile. Romantic in the large sense. Slightly bogus.

Dostoevsky, Fyodor. Dislike him. A cheap sensationalist, clumsy and vulgar. A prophet, a claptrap journalist and a slapdash comedian. Some of his scenes are extraordinarily amusing. Nobody takes his reactionary journalism seriously.

Dreiser, Theodore. Dislike him. A formidable mediocrity.

Eliot, T. S. Not quite first-rate.

Emerson, Ralph Waldo. His poetry is delightful.

Faulkner, William. Dislike him. Writer of corncobby chronicles. To consider them masterpieces is an absurd delusion. A nonentity, means absolutely nothing to me.

Flaubert, Gustave. A favorite between the ages of 10 and 15, and thereafter. Read complete works between 14 and 15.

Forster, E. M. Only read one of his novels (possibly A Passage to India?) and disliked it.

Freud, Sigmund. A figure of fun. Loathe him. Vile deceit. Freudian interpretation of dreams is charlatanic, and satanic, nonsense.

García Lorca, Federico. Second-rate, ephemeral, puffed-up.

Gogol, Nikolai. Nobody takes his mystical didacticism seriously. At his worst, as in his Ukrainian stuff, he is a worthless writer; at his best, he is incomparable and inimitable. Loathe his moralistic slant, am depressed and puzzled by his inability to describe young women, deplore his obsession with religion.

Hawthorne, Nathaniel. A splendid writer.

Hemingway, Ernest. A writer of books for boys. Certainly better than Conrad. Has at least a voice of his own. Nothing I would care to have written myself. In mentality and emotion, hopelessly juvenile. Loathe his works about bells, balls, and bulls. The Killers. Delightful, highly artistic. Admirable. The Old Man and the Sea. Wonderful. The description of the iridescent fish and rhythmic urination is superb.

Housman, A. E. A favorite between the ages of 20 and 40, and thereafter.

James, Henry. Dislike him rather intensely, but now and then his wording causes a kind of electric tingle. Certainly not a genius.

Joyce, James. Great. A favorite between the ages of 20 and 40, and thereafter. Let people compare me to Joyce by all means, but my English is patball to Joyce's champion game. A genius.

I. Ulysses. A divine work of art. Greatest masterpiece of 20th century prose. Towers above the rest of Joyce's writing. Noble originality, unique lucidity of thought and style. Molly's monologue is the weakest chapter in the book. Love it for its lucidity and precision.

II. A Portrait of the Artist as a Young Man. Never liked it. A feeble and garrulous book.

III. Finnegans Wake. A formless and dull mass of phony folklore, a cold pudding of a book. Conventional and drab, redeemed from utter insipidity only by infrequent snatches of heavenly intonations. Detest it. A cancerous growth of fancy word-tissue hardly redeems the dreadful joviality of the folklore and the easy, too easy, allegory. Indifferent to it, as to all regional literature written in dialect. A tragic failure and a frightful bore.

Kafka, Franz. The Metamorphosis. Second-greatest masterpiece of 20th century prose.

Kazantzakis, Nikos. Second-rate, ephemeral, puffed-up.

Keats, John. A favorite between the ages of 10 and 15, and thereafter.

Kipling, Rudyard. A favorite between the ages of 8 and 14. Essentially a writer for very young people. Romantic in the large sense.

Lawrence, D. H. Second-rate, ephemeral, puffed-up. Mediocre. Fakes realism with easy platitudes. Execrable.

Lowell, Robert. Not a good translator. A greater offender than Auden.

Mandelshtam, Osip. A wonderful poet, the greatest in Soviet Russia. His poems are admirable specimens of the human mind at its deepest and highest. Not as good as Blok. His tragic fate makes his poetry seem greater than it actually is.

Mann, Thomas. Dislike him. Second-rate, ephemeral, puffed-up.

Maupassant, Guy de. Certainly not a genius.

Maugham, W. Somerset. Mediocre. Fakes realism with easy platitudes. Certainly not a genius.

Melville, Herman. Love him. One would like to have filmed him at breakfast, feeding a sardine to his cat.

Marx, Karl. Loathe him.

Milton, John. A genius.

Pasternak, Boris. An excellent poet, but a poor novelist. Doctor Zhivago. Detest it. Melodramatic and vilely written. To consider it a masterpiece is an absurd delusion. Pro-Bolshevist, historically false. A sorry thing, clumsy, trivial, melodramatic, with stock situations and trite coincidences.

Pirandello, Luigi. Never cared for him.

Plato. Not particularly fond of him.

Poe, Edgar Allan. A favorite between the ages of 10 and 15, but no longer. One would like to have filmed his wedding.

Pound, Ezra. Definitely second-rate. A total fake. A venerable fraud.

Proust, Marcel. A favorite between the ages of 20 and 40, and thereafter. In Search of Lost Time. The first half is the fourth-greatest masterpiece of 20th-century prose.

Pushkin, Alexander. A favorite between the ages of 20 and 40, and thereafter. A genius.

Rimbaud, Arthur. A favorite between the ages of 10 and 15, and thereafter.

Robbe-Grillet, Alain. Great. A favorite. How freely one breathes in his marvelous labyrinths! Lucidity of thought, purity of poetry. Magnificently poetical and original.

Salinger, J. D. By far one of the finest artists in recent years.

Sartre, Jean-Paul. Even more awful than Camus.

Shakespeare, William. Read complete works between 14 and 15. One would like to have filmed him in the role of the King's Ghost. His verbal poetic texture is the greatest the world has ever known, and immensely superior to the structure of his plays as plays. It is the metaphor that is the thing, not the play. A genius.

Sterne, Laurence. Love him.

Tolstoy, Leo. A favorite between the ages of 10 and 15, and thereafter. Read complete works between 14 and 15. Nobody takes his utilitarian moralism seriously. A genius.

I. Anna Karenina. Incomparable prose artistry. The supreme masterpiece of 19th-century literature.

II. The Death of Ivan Ilyich. A close second to Anna Karenina.

III. War and Peace. A little too long. A rollicking historical novel written for the general reader, specifically for the young. Artistically unsatisfying. Cumbersome messages, didactic interludes, artificial coincidences. Uncritical of its historical sources.

Turgenev, Ivan. Talent, but not genius.

Updike, John. By far one of the finest artists in recent years. Like so many of his stories that it is difficult to choose one.

Wells, H. G. A favorite between the ages of 10 and 15, and thereafter. A great artist, my favorite writer when I was a boy. His sociological cogitations can be safely ignored, but his romances and fantasies are superb. A far greater artist than Conrad. A writer for whom I have the deepest admiration.

Wilde, Oscar. Rank moralist and didacticist. A favorite between the ages of 8 and 14. Essentially a writer for very young people. Romantic in the large sense.

Wolfe, Thomas. Second-rate, ephemeral, puffed-up.

https://twitter.com/Essayful/status/1729559047102153008?

[museum-archives]

Cupid Sacrificing His Wings for the Delight of the First Kiss

Style of Jean-Honoré Fragonard (French, 1732-1806)

DATE: 18th century

MEDIUM: Bistre over graphite, with overdrawing in black chalk, bordered in bistre on white laid paper

[ivyprism]

Final Boss: Grillby, Muffet, and Monster Kid (Info Dump)

Ardere - Final Boss Grillby

Personality: He is a force to be reckoned with disguised behind the mask of a very lovely and kind fire bartender. A calm and tranquil person who delivers exceptional customer service and is highly charismatic. He is a very charismatic person and never hesitates to protect his loved ones. He takes special care of his diner and bar. He enjoys mixing and making beverages. He enjoys jokes and puns and is a little flirty. He is usually calm and quiet, yet he pays close attention because he knows his customers. He tries to be peaceful and quiet, and he enjoys helping others whenever possible. He misses Aspera.

Appearance: He is a fire monster, he has a scar on his eye.

Honoré - Final Boss Muffet

Personality: She is a bit greedy, but she is only trying to make sure that the spiders get the shelter and food they need. She is very good at working and is very cautious with her business practices. She is pure charisma and delightfulness. She is a talented and careful baker. She is a very popular bakery owner. She is Ardere's business rival and doesn't mind it at all. She resolved to settle their rivalry by opening a cafe and bakery across the street. She's self-assured and enjoys serving Honey tea when people stop by. Mocha enjoys preparing goodies. She also has a friendly rivalry with Caramel, who occasionally works at her cafe.

Appearance: She is a spider monster. She has a scar on her left eyes.

Emery - Final Boss Monster Kid

Personality: They're nice, energetic, and kind. They play and hop around and are quite happy. They enjoy assisting others and are particularly fond of Lowen. They look up to Valda and want to be like her. They're a good kid, yet they're very rebellious. They are a warm and courteous individual. They are generally kind and considerate of others. They look up to the captain of the Royal Guard and the Royal Scientist. They wish they could be stronger and aid more people. They are a model trainee who works really hard. They work hard to help and study magic. They're also pretty daring. Their voice and passion of music develops.

Appearance: They are a lizard monster with no arms.

-------

@kiok0r0 @und3rwat3r-a5tr0naut @hearty-dose-of-ranch @underfell-crystal @kuvvydraws @buff-borf-bork

[abwwia]

Marta Pan, sculptural thought

From April to the end of September 2022, Maison Liaigre is delighted to present an exhibition of works by the Hungarian-born French artist Marta Pan, in our glass-domed studio at 77 Rue du Faubourg Saint-Honoré.

From April to the end of September 2022, Maison Liaigre is delighted to present an exhibition of works by the Hungarian-born French artist Marta Pan, in our glass-domed studio at 77 Rue du Faubourg Saint-Honoré.

Courtesy: Galerie Mitterrand, Paris | Text: David Caméo

[thepastry0]

Indulge in Sweetness: The Best Pastry Shops in Paris You Must Visit

Paris, often referred to as the culinary capital of the world, is a haven for food lovers, and when it comes to pastries, the city truly shines. The art of pastry-making has been perfected in this vibrant metropolis, with shops offering everything from flaky croissants to exquisite macarons. If you’re looking to indulge in the sweetest delights Paris has to offer, here are some of the best Paris pastry shops that you absolutely must visit.

1. Pierre Hermé

No list of pastry shops in Paris would be complete without mentioning Pierre Hermé. Known as the “Picasso of Pastry,” Hermé has earned international acclaim for his innovative flavors and artistic designs. His signature macarons, especially the salted caramel and rose-flavored varieties, are simply divine. The shop's elegant ambiance complements the exceptional quality of the pastries. A visit to Pierre Hermé is not just a treat for the palate but also a feast for the eyes.

2. Ladurée

Another iconic name in the world of Parisian pastries is Ladurée. Established in 1862, this historic patisserie is famous for popularizing the macaron. With its charming décor and elegant tea rooms, Ladurée provides a quintessential Parisian experience. The pastel-colored macarons are a must-try, but don’t overlook their pastries such as the delectable Saint-Honoré and delicate pastries that are beautifully crafted. Enjoying a cup of tea alongside your treats in one of their beautiful salons is an experience you won’t forget.

3. Du Pain et des Idées

Located in the 10th arrondissement, Du Pain et des Idées is a bakery that is well worth the visit for its exceptional pastries and artisanal bread. The owner, Christophe Vasseur, has created a warm and inviting atmosphere. Their signature “Pain des Amis,” a rustic loaf, is a highlight, but the real stars here are the pastries. The pistachio-raspberry escargot, a spiraled pastry filled with almond cream, is a must-try. Each bite is a perfect blend of flavors and textures, leaving you craving more.

4. Carette

Carette has been serving delightful pastries and elegant sweets since 1927. With locations near the Trocadéro and Place des Vosges, this patisserie is a perfect stop for those exploring the city. Their chocolate éclairs and fruit tarts are exceptional, and the hot chocolate is famous for its richness. Enjoying a pastry on the terrace while overlooking the Parisian streets is an experience that captures the essence of the city.

5. Maison Pichard

Tucked away in the 15th arrondissement, Maison Pichard is a hidden gem that locals adore. The shop has been awarded the title of “Meilleure Boulangerie de France” (Best Bakery in France) and is known for its stunning pastries. The caramelized apple tart and the Paris-Brest—a choux pastry filled with hazelnut cream—are must-tries. The friendly staff and inviting atmosphere make it a delightful place to enjoy your sweet treats.

6. La Pâtisserie des Rêves

La Pâtisserie des Rêves is a modern pastry shop that combines traditional French pastry-making with innovative designs. Founded by chef Philippe Conticini, this shop reinterprets classic pastries in a contemporary way. Their signature creation, the “Paris-Brest,” is a standout with its creamy filling and exquisite presentation. The shop’s elegant decor and thoughtful packaging also add to the experience, making each pastry feel like a work of art.

7. L'Éclair de Génie

For those who adore éclairs, L'Éclair de Génie is a must-visit. This specialty shop is dedicated to elevating the humble éclair into a gourmet experience. With flavors ranging from classic chocolate to exotic creations like passion fruit and yuzu, there’s something for everyone. The éclairs are not only delicious but also visually stunning, making them perfect for Instagram-worthy moments. A visit to this shop is a delightful adventure in taste and creativity.

8. Pain de Sucre

Located in the charming Marais district, Pain de Sucre is renowned for its exquisite pastries and stylish presentation. The shop offers a wide range of pastries, but their fruit tarts are particularly noteworthy. Each tart is crafted with the freshest seasonal fruits, making them a perfect choice for warm days. The vibrant colors and delicate flavors make Pain de Sucre a delightful stop for anyone seeking a sweet treat.

9. Sébastien Gaudard

Sébastien Gaudard's pastry shop, situated in the heart of Paris, embodies the essence of traditional French pastry-making. The vintage decor and nostalgic ambiance transport visitors to a different era. The selection includes classic pastries like mille-feuille and tartes aux fruits, all made with high-quality ingredients. Gaudard’s passion for pastry is evident in every bite, and the authenticity of the shop makes it a true Parisian experience.

10. Le Grenier à Pain

With multiple locations across Paris, Le Grenier à Pain is known for its artisanal approach to baking. This patisserie has garnered accolades for its exceptional croissants and pastries. The “Meilleur Croissant de Paris” award is a testament to their commitment to quality. Whether you’re in the mood for a classic pain au chocolat or a fruit-filled pastry, Le Grenier à Pain delivers delightful options that will satisfy your cravings.

Conclusion

Exploring the best Paris pastry shops is an essential part of experiencing the city’s rich culinary culture. From classic macarons to innovative éclairs, Paris offers a diverse range of pastries that cater to every palate. Each shop not only provides delicious treats but also captures the essence of Parisian life, making your visit a memorable one. So, whether you're a local or a tourist, make sure to indulge in the sweetness of these delightful pastry shops.

For more information on the best pastry shops in Paris, visit https://thepastrychefaround.com/10-best-patisseries-in-paris and discover the sweet side of the city.

[originalromanticsir]

Woman is a delightful instrument of pleasure, but one must know her quivering strings, study her position, her timid keyboard, her changing and capricious touch.

Honoré de Balzac

“La donna è un delizioso strumento di piacere, ma bisogna conoscerne le corde frementi, studiarne la posizione, la timida tastiera, il tocco mutevole e capriccioso.”

—

Honoré de Balzac

[talesofpassingtime]

“And so,” said Blondet, “our ‘perfect lady’ lives between English hypocrisy and the delightful frankness of the eighteenth century — a bastard system, symptomatic of an age in which nothing that grows up is at all like the thing that has vanished, in which transition leads nowhere, everything is a matter of degree; all the great figures shrink into the background, and distinction is purely personal."

Honoré de Balzac, Another Study of Woman

[liquorwinecave]

About Jean Fillioux Cognac – Liquor Wine Cave

Founded in 1880 by Honoré Fillioux, the company is now run by his great-grandson Pascal J. Fillioux. The vineyards lie in the heart of the Grande Champagne in the 'golden triangle': Verrières, Angeac-Champagne and Juillac-le-Coq. It is well known, this area yields the most delicate and finest Cognacs, and requires long oak barrel ageing to achieve maturity: the ageing is the key. Nothing will be done without Pascal's full control, from wines to labels and from soil to the bottle. It's a one-man-show. The men in the Fillioux dynasty have each borne a great love to their region and their soil. They have, from generation to generation, been blessed with an exceptional 'nose': that one, unique, talent that sets apart those who love greatness and those who are actually able to create it. The House of Jean Fillioux belongs to a select group of traditional family estates who have successfully defended their upper-quality niche over several decades by producing consistently authentic Cognacs that rest on century-old traditions, patience and love to become the masterpieces true connoisseurs appreciate.

Jean Fillioux COQ

Light and pleasantly fresh young Grande Champagne Cognac, with floral notes, vine blossom, lime tree, then some fruity notes, citrus peel. To enjoy at any time of the day, perfect for some cocktails and for cooking.

Jean Fillioux Cep d’or

A mature Eau-de-Vie with a fiery but balanced colour. « Very lively Cognac with a vivacious aroma of raisins, bananas, grapes, nuts, anise, caraway ; increasing fruit on the palate ( ripe melons, nuts) – an altogether delightful experience ». The Cognac guide, Axel and Bibiana Behrendt.

Jean Fillioux tres vieux XO

« Very full, noble Cognac of a classic cut with an appetizing aroma of orange marmalade, pears, quince, bananas, citrus, sandalwood and old port. Powerful aftertaste with overtones of tropical fruits (maracuja, mango) ». The Cognac guide, Axel and Bibiana Behrendt. « Lingering on the palate and finely complex, this Cognac is your perfect end-of-evening companion to offer your friends. A pure Fillioux-family product, it combines elegance and strength without pretentiousness ». Patrice Franck, Sommelier President of the South-West of France, Editor in Chief of the Revue du Sommelier (Wine Waiter’s review).

Jean Fillioux 1992

Harvested and distilled in 1992, this cognac was matured in French brand new loose grain oak casks, in a cool damp cellar. At the first sight, a very pretty luminous golden amber color. Appetizing flavors on the nose with notes of butterscotch, vanilla, ripe peach and candied orange. Rich and powerful on the palate, notes of caramelized orange and Mexican vanilla (currants, cocoa). Very mature cognac offering an amazing so long finish with aromas of peppery spices and licorice coming through.

Jean Fillioux 1994

A recently released Vintage, in the quality tradition of this boutique cognac house. Pure Grande Couture! . With his roots firmly planted in the pure, time-honoured tradition of his ancestors, a man content in the shadows and a conjuror of magical aromas, Pascal will be happy to welcome you into his cellars where you can discover and share his Collection Privée.

Jean Fillioux Cigar Club

An  Eau-de-Vie of character, with its surprising myriad bouquets. Cigar Club is an invitation to feel and scent the utterly honeyed finesse of its vanilla, almond and cigar-box fragrances. Savor its powerful, unctuous flavour and discover its subtly mingled aromas of confit prune, cinnamon and black chocolate. A deep, lingering Eau-de-Vie. A perfect match for your favored Havana Cigar. « Committed to the nobility of its origin and to process which involves no manipulations, the House of Jean Fillioux presents an Eau-de-Vie which is supple in character, fruity, elegant but sufficiently full-bodied and lingering, the only one in its Cognac & Cigar category worthy of a grand Puro. Bravo ! La Revue du Vin de France ( French Wine Review).

Jean Fillioux reserve familliale

The purest noblesse and distinction of a Grande Champagne. So fine, so elegant so complex, so rich, this wonderful cognac is quite lively in spite of its very old ageing, creamy and appetizing, offering some notes of dried and jammy fruit, with the finest rancio aromas, leather, cigar box fragrances, toasted chocolate, liquorice and toffee. Very long finish with notes of honeyed and peppery spices coming through. It’s a travel in the infinite world of the aromas. A great cognac to meditate. Exceptional.

You can visit our entire range of Cognacs here

[wanderlinguachronicles]

A Stroll Through the Elegance of 18th Century French Art: An Exhibition to Remember 🎨🇫🇷

Greetings, art enthusiasts and fellow admirers of beauty! Recently, I had the exquisite pleasure of visiting an exhibition dedicated to the art of 18th century France, a period that radiated opulence, refinement, and creativity. Allow me to take you on a journey through the charming world of 18th century French art.

The Splendor of Rococo:

The 18th century in France was marked by the Rococo style, characterized by its intricate ornamentation, delicate colors, and an almost whimsical approach to art. Rococo captured the essence of the era, reflecting the lightheartedness and elegance of the French aristocracy.

Portraits of Grandeur:

One cannot speak of 18th century French art without mentioning the exquisite portraits that graced the salons of the time. Renowned artists like Jean-Marc Nattier and Élisabeth Louise Vigée Le Brun captured the likenesses of the French nobility, emphasizing their grace and sophistication.

The Enlightenment Influence:

This era was not just about opulence; it was also a time of intellectual flourishing. The Enlightenment, with its focus on reason and individual rights, influenced the themes and subjects of art. Portraits often depicted the sitter in thoughtful contemplation, reflecting the Enlightenment's spirit of inquiry.

The Revival of Pastoral Scenes:

The countryside and pastoral life became popular themes in 18th century French art. Painters like Jean-Honoré Fragonard and François Boucher celebrated the idyllic beauty of rural existence, with scenes of picnics, lovers, and lush landscapes.

Neoclassical Resurgence:

Towards the end of the 18th century, the Neoclassical style began to emerge. Artists like Jacques-Louis David revived the aesthetics of ancient Greece and Rome, creating works that exuded classical harmony and noble simplicity.

The Influence of Versailles:

The Palace of Versailles, with its lavish interiors and gardens, played a significant role in shaping the art of the period. It was a source of inspiration for countless artists who sought to capture the grandeur of the royal court.

Walking through the exhibition, I couldn't help but be transported back in time to an era of refined tastes and artistic excellence. The art of 18th century France is a testament to the power of creativity to capture the spirit of an age. It's a world where elegance, intellect, and beauty converged to create a legacy that continues to enchant us to this day.

If you have the chance, I highly recommend immersing yourself in the world of 18th century French art. It's a journey that promises not only visual delight but also a glimpse into the cultural tapestry of a bygone era.

With admiration for the artistry of the past,

Lada 🎨🇫🇷✨

[chloesunit4]

Retail and Size Equality:

Retailers are the true gatekeepers of size inclusion, and they must do better.

Consumers need a location to shop for inclusive sizing to take hold. "The retailer has been a stopgap," says Patrick Herning, CEO of 11 Honoré, a premium e-tailer that specialises in sizes 10 to 20. "When you talk about our customer, she's been so marginalised by traditional retailers." He observes that individual fashion brands' manufacturing is influenced indirectly by store orders. "If retailers do not request it, the conversation is postponed or sidelined."

McCharen-Tran concurs. "A major challenge is finding retailers that support extended sizing," she adds, adding that 11 Honore and Nordstrom have been tremendously helpful in completing Chromat swim orders up to 4X. "Without their purchases," she continues, "we would be unable to meet the minimum unit requirements with our factories in order to produce." In certain circumstances, merchant assistance extends beyond just placing orders. Herning is delighted to say that 11 Honoré has grown from carrying 15 designers to 80 and counting in just over a year. 11 Honoré's team partnered with the designers' production teams to generate designs for bigger sizes for some of those brands. According to him, the end outcome is a triple victory. Women have more opportunity to wear the clothes they want to wear; designers sell more inventory, and 11 Honoré brings more names onto its roster.

However, it is not entirely up to merchants. Consumer demand can also help move the needle. Target began offering additional sizes for its clothes products generally after getting criticism for its lack of plus sizes for its 2014 Altuzarra partnership. Universal Thread denim (not to be confused with Universal Standard) is now available in sizes XS to 4X. Whether in high-end or cheap fashion, inclusive sizing must sell in order to become more popular. "Put your money where your mouth is," advises McCharen-Tran. If a designer you adore begins to offer larger sizes, purchase it—at full price. Don't just 'like' the Instagram snapshot of a curvy model wearing the dress. "Buy it."

Havard referencing:

Caitlyn Terra. (2023). Plus size, large sizes or size inclusive? This is what's going on in the plus-size fashion market. [Online]. Fashion United. Last Updated: 12 April 2023. Available at: https://fashionunited.uk/news/fashion/plus-size-large-sizes-or-size-inclusive-this-is-what-s-going-o [Accessed 28 August 2023].