#homeless theater troupe
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Library support for homeless people at the Hennepin County Central Library in Minneapolis.
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Jobs I think the Phantom Troupe would have in the modern day if they weren’t crazy and clinically insane!!! (Love them for that though)
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Chrollo - Actor. The guy is canonically a theater kid, literally what else do you expect from him?
Runner ups: CEO, writer
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Nobunaga - Model. His hair is literally perfect, he would 100% model for some sort of hair care company.
Runner ups: TikToker (prolly shows off his sword or something. no, not that sort of sword, you dirty minded weirdo.), wanders around from job to job
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Feitan - Ghost Hunter. Only did it because he found it funny, plus he isn’t scared of these supernatural things.
Runner ups: Haunted House worker, crime investigator
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Machi - Seamstress. Her whole Nen ability is literally centered around sewing, and she seems good at it too.
Runner ups: Nurse, Receptionist
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Hisoka - Circus clown. Need I say more?
Runner ups: entertainer (actor, singer), model
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Phinks - Gym Teacher. He’s that one gym teacher who literally no one hates and actually played good music.
Runner ups: gym trainer, boxer
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Shalnark - Hacker + Video Game Creator. This guy is literally obsessed with electronics, be so fr here.
Runner ups: Customer Service Job, manager of some random Target in the middle of nowhere
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Franklin - Firearms Instructor. He literally has a Nen ability dedicated to firearms, he is DEVOTED😭
Runner ups: jobless, wanders from job to job
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Shizuku - Model. Considering how far of lengths the Mobage Card Game + anime + Togashi go just to show off Shizuku’s body, there’s no other explanation.
Runner ups: student, McDonald’s Drive Thru worker
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Pakunoda - Makeup + Manicure artist. She works independently and helps girls get ready for prom/homecoming/graduation/parties.
Runner ups: model, waitress
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Bonolenov - Museum Guide. Wants to honor the history of other cultures just like how he honors his own.
Runner ups: jobless, homeless
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Uvogin - Wrestler. Literally what else would he be? With that 8’6 ass body, it’s basically the only option.
Runner ups: boxer, basketball player
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Kortopi: a mop idk
#hunter x hunter#hxh#chrollo#chrollo lucilfer#hxh chrollo#hxh hcs#hxh x reader#chrollo hcs#chrollo hunter x hunter#chrollo lucifer x reader#phantom troupe#chrollo x reader#nobunaga#feitan x reader#feitan#machi komacine#machi hxh#hxh hisoka#hisoka#phinks#shalnark#shizuku murasaki#pakunoda
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my absolutely random headcanon is that dabi, at some point when he was homeless, was taken in by a theater troupe. he eventually left obvs but i just find the idea so funny
Lmaooo maybe that’s where he initially met Mr. Compress and why he’s like the only one he shows respect to half the time. They’ve been practicing the Touya reveal together for so long 💀
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lately, i’ve been exploring different art styles and discovering what truly resonates with me. while i’m still finding my unique signature, i know i’m captivated by impressionism, anachronism, and deeply spiritual themes. the challenge now is weaving them into something cohesive that feels like me. art is such a vital form of expression—our people deserve to embrace it boldly and unapologetically!
this time last year, i was facing homelessness, and the road to here hasn’t been easy. but today, i’m proud to say i’ve joined a traveling play troupe with american immersion theater, with my first show next week, and i’m heading back to school to finally pursue teaching.
i’ve named this series "moonlit mind"—it’s a reflection of the journey to heal from deep mental and emotional wounds. it signifies how no matter how far you fall, the only way is up. at the summit of the climb, enlightenment waits for you. 🪷



#fairycore#cottagecore#naturecore#impressionist art#divine feminine#girl anachronism#light academia#emotional abuse#triggers#abuse survivor#trauma survivor#spiritual awakening#fairy art#dark night of the soul#witchblr#moon magic#lotus#stairs
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A3! reading club: act one (chapter 1-6)
(cw: talking about parental neglect and abuse, orientalism, one mention of suicide)
Hey, ten out of twelve isn't bad, all things considered! This very well could have gone down in October. Also, since it's February (March if you wanna be generous), does that mean everyone in Harugumi's slightly younger than their Year One ages now? Ack, timelines are confusing.
Izumi casually talking about how Yukio neglected her and following it up with "well, it was probably because he loved this theater so much!" is. Oh, girl. No wonder she snapped when Sakyo suggested he'd abandoned Mankai, because if he hadn't loved it, then why did she have to go through with that?
I'm not versed enough in Japanese particles but I recognize "daijoubu" and Tsuzuru watching this trainwreck unfold and saying something along the lines of "are you guys, like, okay?" is extremely funny.
Then we get to Sakuya and Masumi's family situations, which. From a meta perspective, it makes sense to want to give your minor protagonists the freedom that having parents limits. That's why the trope of "young protagonist in kid's spec fic media is conveniently an orphan" is so common. (was? I think it's becoming less common now.) The problem lies in the lack of willingness to follow through with the emotional conflict it creates, or resolve said conflict in a satisfying manner. Sure, I'm assuming they weren't starved or physically abused, but being treated like a burden when you're a child is still fucking traumatizing! Basically I think Izumi Sakuya and Masumi should start a union. And I'm glad later chapters go the reasonably more toned-down route of "my parents have a reasonable amount of trust in me to make these kinds of decisions".
Also, can we talk about Sakuya and Masumi, because they're one of my favorite brotps here. The way Sakuya appoints himself as Masumi's surrogate big brother? He's so eager to potentially share a room with him ;-;. (personally I hc that Ms. Sakuma was expecting another child before the accident or whatever killed them, so Sakuya's been a big brother without a younger sibling all this time </3)
Wow, that doesn't sound like a metaphor for anything! You're right, Izumi, why would you go the easy route of taking something prepackaged and guaranteed when a bunch of wildly different spices can create a delicious meal if you know how to utilize them right?
Am I grasping at straws here. Probably.
The little ka-ching sound effect is adorable.
Tsuzuru, I'd think "antagonist" should be near the top of the list...also, there's plenty of plays that have been pulled off with two or three actors. Just put on "night, Mother" or something. (Joking. Don't look up night, Mother if you're sensitive to themes of suicide.)
"Tsuzuru, you picked this troupe because it had a dorm, right? ...Then maybe our best bet is to focus on more people in your shoes."
"People in my shoes? In other words...."
"The homeless?"
I CAN'T ASJHGSKSDSK
he's literally doing the 😔 face i'm on the floor.
HE'S HERE! Funny how Izumi's right about Citron not being a regular tourist right off the bat. He may not be from another troupe, but he's definitely "in character" right now.
Also, oof. Citron's my second fave in Harugumi after Sakuya, but it's glaringly obvious how much of his character is rooted in orientalism. Sure, maybe it's an act, but why is he talking about how "shameful" showing skin is when his top is (conveniently for us) THAT low-cut.
On another note, I know people have pointed out his distaste for pig's feet as evidence for headcanoning him as Muslim, but I haven't seen anyone point out how he calls Veludo Way a "mecca" of theatre. Like yeah, mecca can just mean hub, but...why didn't they just say hub? Words Have Connotations. I'm not saying this coding is good or bad, it's just a neutral observation.
AND HERE'S THIS BASTARD (affectionate)
Oh, Kasumi! (insert pointing reaction pic bc I've run out of photo space.) It's Kasumi, guys! :D
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Award-winning Mime Troupe Spotlights San Francisco’s Homelessness Crisis

Founded over six decades ago, the Tony-Awarded San Francisco Mime Troupe has always been at the forefront of the pulse of the City and the issues of the day. SFMT opens its 64th season on July 1 with a new musical called: “Breakdown - Sometimes it’s not all just happening in your mind.”
Directed by Michael Gene Sullivan, Breakdown features a five-person cast, with original music & lyrics by Daniel Savio.
The musical reflects what is currently happening in San Francisco as homelessness continues amid a stressed-out economy from the COVID-19 pandemic and rising inflation. The story/plot of this musical is how can we help those struggling with actual mental illness? And who is driving the country insane?
The main character, portrayed by Kina Kantor is a homeless woman named Yume. She lives on the San Francisco streets of an increasingly intolerant urban landscape. Yet that doesn’t mean all her issues can be solved by a passionate social worker, named Saidia, portrayed by Alicia M.P. Nelson.
In the City “by The Bay” San Francisco seems to have more bureaucracy and paperwork than compassion. Help is always just around the Kafkaesque labyrinthine corner!

But that doesn’t mean San Francisco is the hellhole of progressivism as an up-and-coming Fox News commentator, named Marcia Stone, portrayed by Jamella Cross, seeks to present San Francisco that way to the rest of the country.
As playwright/director Sullivan and music composer/lyricist Savio strive to illustrate…whether it’s an individual, a bureaucracy, or a national sanity, everything is headed for a…”Breakdown!”
While SFMT’s initial inspiration was and is rooted in mime, as Sullivan explained.
“We use the term ‘mime’ in its classical and original definition,” he said.
"The exaggeration of daily life in story and song." “It is a form of popular theater that is as old as the marketplace itself,” he said.
Similar to SFMT is Theatre in Paris, in France. Upon hearing the news about the upcoming 64th season and SFMT’s new musical, Carl de Poncins, one of the founders of Theatre in Paris agreed with Sullivan, saying…
“Yes…The history of mime relied on elaborate movement and gesture but also incorporating speech and some song.” Pointing to mime’s universality as an art form, de Poncins noted…
“variations of the practice also found their way into ancient aboriginal, Indian, and Japanese theatrical heritages, all of which feature performances that blend music and dance with a narrative told through a stylized gesture and facial expression.”
“The Japanese Noh tradition of masked theatre, in particular, is another example, said de Poncins, and Noh would go onto influence many contemporary French theorists of mime.”
Co-founders of Theatre in Paris, Christopher Plotard and Romaine Beytout, like de Poncins are very pleased and excited for SFMT as they present an entirely new production. Bringing live theatre directly to the people in public places such as parks is what they are all about. They applaud the work SFMT is doing.
Following much of the basic commedia dell'Arte format, SFMT revels in the ability for art to enhance and improve people’s lives. Adding further, Sullivan said. “From the ancient Greek and Roman farces to the Renaissance/Shakespearean era to modern Chinese Opera, we are using archetypes comically to illustrate people's issues.”
“This is a time honored worldwide tradition,” said Sullivan just as de Poncins mentioned. “Our broadly drawn characters are instantly recognizable allowing the audience to immediately engage in the action,” he said.
BREAKDOWN - A New Musical, opens July 1 at Cedar Rose Park in Berkeley and continues with a showing at Dolores Park in the Mission District on July 4. Shows will continue throughout the Bay Area in SF, Marin (Mill Valley), Ukiah (Mendocino), Cotati (Sonoma), East Bay, Palo Alto, Santa Cruz, San Jose, and Davis, until September 4.
All performances are free of charge unless otherwise listed. Some performances will require an RSVP.
Written by Michael Gene Sullivan with Marie Cartier, BREAKDOWN - A New Musical has been made possible by contributions from The Don Stevens Laugh and Love Fund; California Arts Council, Grants for the Arts; and Individual Donors. For a complete schedule and more information, visit sfmt.org or call 415-285-1717. (Photos by David Allen Studio, Courtesy of SFMT).

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"𝒾 𝓌𝒶𝓈 𝒷𝑜𝓇𝓃 𝓉𝑜 𝓇𝓊𝓃, 𝒾 𝒹𝑜𝓃'𝓉 𝒷𝑒𝓁𝑜𝓃𝑔 𝓉𝑜 𝒶𝓃𝓎𝑜𝓃𝑒, 𝑜𝒽 𝓃𝑜, 𝒾 𝒹𝑜𝓃'𝓉 𝓃𝑒𝑒𝒹 𝓉𝑜 𝒷𝑒 𝓁𝑜𝓋𝑒𝒹 𝒷𝓎 𝓎𝑜𝓊. 𝒻𝒾𝓇𝑒 𝒾𝓃 𝓂𝓎 𝓁𝓊𝓃𝑔𝓈, 𝒸𝒶𝓃'𝓉 𝒷𝒾𝓉𝑒 𝓉𝒽𝑒 𝒹𝑒𝓋𝒾𝓁 𝑜𝓃 𝓂𝓎 𝓉𝑜𝓃𝑔𝓊𝑒, 𝑜𝒽 𝓃𝑜, 𝒾 𝒹𝑜𝓃'𝓉 𝓃𝑒𝑒𝒹 𝓉𝑜 𝒷𝑒 𝓁𝑜𝓋𝑒𝒹 𝒷𝓎 𝓎𝑜𝓊."
(—) ★ spotted!! nadia sakarya on the cover of this week’s most recent tabloid! many say that the 32 year old looks like hande ercel, but i don’t really see it. while the actress is known for being spontaneous my inside sources say that they have a tendency to be snippy i swear, every time i think of them, i hear the song midnight sky by miley cyrus {she/her / cisfemale} - penned by candice
𝓵𝓲𝓷𝓴𝓼
connections || musings || pinterest || instagram || headcanons
𝓼𝓽𝓪𝓽𝓲𝓼𝓽𝓲𝓬𝓼
name: nadia sakarya
age: thirty two
nicknames: nad
date of birth: may 19th, 1989
astrological sign: taurus
place of birth: east harlem, new york city
occupation: actress/comedian
label: the connard
positive traits: spontaneous, quick-witted, realistic, headstrong
negative traits: snippy, sarcastic, pessimistic, blunt
characters/celebrities she’s like: penn badgley post gossip girl shitting on the show in interviews, emily ratajkowski calling out sexism and misogyny in the industry, chelsea handler, jennifer lawrence, aubrey plaza
𝓫𝓲𝓸𝓰𝓻𝓪𝓹𝓱𝔂
born and raised as an only child, nadia was a new york city kid down to her core.
her mother being a teacher at the local elementary school and her father owning a butcher shop, though her immediate family was small, it was the neighbors and friends in her neighborhood that became nadia's family.
her parents were givers - often working double time to give to their community - her father giving food out to the homeless daily, her mother working long hours at the school to help any children who needed extra help. they taught nadia at an early age that giving back, even when they didn't have that much, was incredibly important.
they raised her to be strong, free of ignorance and bias, and always wanted her to be someone that stood up to any kind of injustice, and that's exactly what nadia became - an incredibly headstrong girl, fighting for what was right, questioning authority to a fault, having 'she's a great student, but talks too much' written on every single one of her report cards growing up.
because of this, her parents felt as though she needed an outlet and enrolled nadia in a local theater troupe after school.
often cast as the villain or the comic relief sidekick, nadia never had 'main character' potential - was never the soft spoken, pretty lead with the voice of an angel. she was always the one that was too loud, too crass and too clutzy, but little did she know that that would one day be her super power.
getting into laguardia high school was when everything changed for nadia. her quirks becoming her strengths, realizing that she didn't need to be the pretty damsel in distress lead and that she was a powerhouse all on her own, turning minor roles into the one that everyone was talking about when the curtain dropped.
only having theater experience, her plan was to head to broadway, making it into julliard college for acting. however, despite how talented she was when it came to acting, she couldn't sing for shit. no matter how many lessons she took, no matter how hard she tried, she simply didn't have it. and a voice was needed for broadway.
at a complete loss and extremely discouraged being surrounded by talent from all over the world, nadia dropped out of college halfway through her freshman year, much to her parent's dismay.
she began doing standup comedy acts at random comedy clubs around the city, trying to make herself known, trying to gain a following, and trying to make it somehow.
one of her main schticks was mimicking the upper east side prep school kids she had grown up making fun of with her friends, and one night, the casting director for an up and coming cw drama about said upper east side brats just so happened to be in the audience.
loving nadia's dramatic portrayal of an upper east side snob, he asked her to audition for the role of blair waldorf in gossip girl and after a long audition process, nadia got the role.
thankful she was able to stay in new york city, close to her family and friends, the role was a complete out of body experience for her and catapulted her into overnight fame.
because of who her character was, she started getting cast in prestigious fashion campaigns, a frequent on the met gala red carpet, and someone who sat front row at every fashion week, and nadia found it hysterical, because it was the furthest thing from who she was.
although the role paid the bills, gave her enough money to help both of her parents retire and move out to a nice house in long island, the reputation the role gave her was something she absolutely hated - because it was so far removed from who she really was.
after a six year run, the show finally wrapped, and nadia didn't hesitate to make it known how stupid she thought the show was and how she was absolutely nothing like blair waldorf in real life. often performing her own sold out comedy shows where she had an entire bit talking about how dumb gossip girl was.
wanting nothing more than to break out into the world of serious acting, however, has managed to become a staple in the genre that is the personification of everything she's against - which is romcoms.
during her run on gossip girl and now, years after, she has been landing rom-com after rom-com, becoming a staple in a genre that she hates with a fiery passion, and her sarcastic answers during press tours don't shy away from letting it be known.
𝓯𝓲𝓵𝓶𝓸𝓰𝓻𝓪𝓹𝓱𝔂 & 𝓬𝓪𝓻𝓮𝓮𝓻
tv + movie career:
2010 - 2016 -gossip girl., role: blair waldorf age: 21-27, awards: teen choice award for choice tv actress 2010 & 2012
2010- clueless. role: tai, age: 21, awards & acclaim: none
2012- mean girls. role: janis ian, age: 23, awards & acclaim: none
2013- the devil wears prada. role: andrea sachs, age: 24, awards & acclaim: none.
2014- easy a, role: olive penderghast, age: 25 awards & acclaims: none
2015- new girl, role: 3 episode guest arc as abby day, age: 26, awards & acclaims: none
2016- movie: 13 going on 30, role: jenna rink, age: 27, awards & acclaims: people's choice award + teen choice award
2018- movie: bridesmaids, role: annie walker, age: 30, awards & acclaims: none
2019- movie: miss congeniality, role: gracie hart, age: 31, awards & acclaims: teen choice award
2019- movie: wine country, role: tammy, age: 31, awards & acclaims: none
2020- movie: bridget jones diary, role: bridget jones, age: 32, awards & acclaims: none
2021- movie: pretty woman, role: vivian, age: 32, awards & acclaims: golden globe for best actress,
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Batfam Performers AU
No Capes AU where all the members of the batclan come together through a shared love of dance
The Wayne family has been a big supporter of the arts for generations (i mean cmon martha and thomas literally got killed leaving the theater, thats low hanging fruit) and of course Bruce continues this tradition by being very actively involved in the arts communities in Gotham, especially dance which is his favorite
Bruce and Dick meeting is pretty much exactly the same as cannon except instead of becoming a crime fighting duo, Dick gets therapy and decides to continue in gymnastics in remembrance of his parents
Dick goes to the Summer Olympics no less than 3 separate times, and while there, he finds a fantastic group of friends in a variety of other events like Running (Wally, who specializes in the 100 m), Archery (Roy obvi), Weightlifting (Kori), Boxing (Donna), Modern Pentathlon (Garfield), Skateboarding (Raven), and Table Tennis (Victor).
After retiring from international competitions, Dick does several tours with the Cirque du Soleil.
Jason is a street performer, breakdancing for spare change and also pickpocketing passersby and Bruce goes Hey, That’s Free Kid. Back when he was homeless, Jason spent a lot of time at the local community center learning hip-hop and keeps up with it even after moving to Bristol. It’s more of a casual hobby, but he’s gotten several offers to tour professionally.
At one Winter Olympics competition (which the waynes always attend in person), Dick stumbles upon one of the chinese figure skaters.
Enter: Cassandra Cain, rising figure skating star, literally won every competition ever, master on the ice, etc etc. Except... somethings off. Because it turns out there’s a huge scandal with abuse of the underage figure skaters going on (think of that controversy with the russian figure skaters who were basically being starved and abused to delay puberty so they wouldn’t develop curves bc that would impact their ability to do quadruple jumps). So Bruce goes, Oh, You’re Being Abused? That’s Free Kid and adopts her. After being adopted, Cass continues to compete in figure skating, but at a much less intense level, and also explores other forms of dance. She falls in love with ballet and quickly rises to the top. That’s where she meets Tim!
Tim fell in love with dance the second his parents forced him to learn the waltz for galas. They enrolled him in ballet (bc “that’s one of the only respectable styles of dance”) basically just to shut him up. Secretly, Tim has been obsessed with more contemporary styles of dance ever since he saw a certain circus performance (wink wink nudge nudge) and constantly goes to watch underground dance competitions. Cass, who knows him from the ballet studio, spots him at one such competition and drags him forcefully into the family. Much to his parents chagrin, Tim ends up forming a small dance troupe with Conner, Bart, and Cassie (Young Just Us). They travel to competitions all over the country, winning hearts and inspiring sexuality crises.
Duke, instead of working as a performer, works in lighting design! He learned the craft from his parents and knows how to work a lighting board like no other. He does work for basically every show/competition in Gotham, including plays and musicals. He knows everyone. Or, more accurately, everyone knows him. Duke is everywhere. If you’re a performer in Gotham, Duke has pointed a spotlight at you.
Damian is classically trained, basically since birth, and won’t let anyone forget it. He considers anything that isn’t classical to be inferior and takes great pride in his ability to dance en point. His dirty little secret? Damian loves square dancing. Jon made him do it once and he complained about it the whole time, then never stopped thinking about it. He would rather die than let anyone find out.
Stephanie starts out as a street performer as well. Unfortunately, she doesn’t get adopted by a billionaire (yet) and after turning 18 works as a stripper in one of Gotham’s less reputable clubs. She falls in love with pole dancing and starts doing it competitively. She catches a lot of shit for it, which is stupid because pole dancing is an incredibly difficult and incredibly beautiful artform. All her awards earn her a spot as a dancer at a club in Gotham that actually treats their performers well. She meets Tim when he sneaks out to one of the pole dancing competitions and gets in a fistfight with an asshole who kept harassing Steph about giving him a lap dance. Steph also does roller derby. This isn’t relevant, but I like it.
Barbara was an incredibly gifted gymnast who trained alongside Dick before suffering a spinal injury during a nasty training accident. She goes on to study music composition and writes/sound mixes for basically everyone who’s anyone. Everyone wants Babs to compose a piece for them because she’s just the best. She’s sought out by teams ranging from break-dancing to cheerleading to experimental.
Bruce has just about every piece of equipment purchasable installed in his basement, so all of his beloved family members can pursue their dreams <]:*)
#BatFam#headcanon#performers au#bruce wayne#dick grayson#jason todd#tim drake#duke thomas#damian wayne#stephanie brown#barbara gordon#my thoughts#no capes au#dance#playing justdance on the wii becomes a bloodsport in this family#young justice#joung just us#teen titans
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my dad and i where talking about how one of his openly gay friends didn't like the progress LGBTQIA+ flag because it included POC. He said 'why should there be a distinction for a community thats based for people who are queer in gender and sexuality?'. unfortunately i didnt get to talk to the guy, but my dad was trying to defend his friends position. since a lot of white gays dont know how much POC have helped our community so im gonna give a couple names that have helped the LGBTQ+ community.
Gladys Bentley (1907-1960)
Bentley was a gender-bending performer during the Harlem Renaissance. Donning a top hat and tuxedo, Bentley would sing the blues in Harlem establishments like the Clam House and the Ubangi Club. According to a belated obituary published in 2019, The New York Times said Bentley, who died in 1960 at the age of 52, was "Harlem's most famous lesbian" in the 1930s and "among the best-known Black entertainers in the United States."
Bayard Rustin (1912-1987)
Rustin was an LGBTQ and civil rights activist best known for being a key adviser to Reverend Martin Luther King Jr. He organized the 1963 March on Washington and was posthumously awarded the Presidential Medal of Freedom, the nation’s highest civilian honor, in 2013 for his activism. In 2020, Gov. Gavin Newsom pardoned Rustin for his arrest in 1953 when he was found having sex with two men in a parked car in Pasadena. Rustin served 50 days in Los Angeles County jail and had to register as a sex offender. In pardoning Rustin, Newsom noted how LGBTQ people were unjustly punished for their sexuality by U.S. law enforcement at the time Rustin's arrest.
Stormé DeLarverie (1920-2014)
A biracial, butch lesbian, DeLarverie was born in New Orleans, Louisiana, and was always a performer. As a teenager, she joined the Ringling Brothers Circus where she rode jumping horses. Then from 1955 to 1969, DeLarverie toured the Black theater circuit as the MC — and only drag king — of the Jewel Box Revue, the first racially integrated drag revue in North America. She worked as a bouncer for several lesbian bars in New York City in the ‘80s and ‘90s, and held a number of leadership positions in the Stonewall Veterans Association. DeLarverie also served the community as a volunteer street patrol worker, and as a result, was called the "guardian of lesbians in the Village." Beyond her LGBTQ activism, DeLarverie also organized and performed at fundraisers for women who suffered from domestic violence and their children.
Marsha P. Johnson (1945-1992)
Marsha P. Johnson — who would cheekily tell people the "P" stood for "pay it no mind" — was an outspoken transgender rights activist and is reported to be one of the central figures of the historic Stonewall uprising of 1969. Along with fellow trans activist Sylvia Rivera, Johnson helped form Street Transgender Action Revolutionaries (STAR), a radical political organization that provided housing and other forms of support to homeless queer youth and sex workers in Manhattan. She also performed with the drag performance troupe Hot Peaches from 1972 through the ‘90s and was an AIDS activist with AIDS Coalition to Unleash Power (ACT UP).
these are just 4 of the 16 from https://www.nbcnews.com/news/amp/ncna1130856 . there is rich history that POC's history and LGBTQ's intertwine. we as white queer people need to do our research on our own community. its important to understand why intersectionality is so important. unfortunately white gays are the worst offenders of this and need to be informed of their own history.
#lgbtq#pride#lgbtqiia+#pride month#trans#transgender#nonbinary#trans positivity#trans pride#lgbtqplus#intersectional activism#intersectionality#interstitial#gay#lesbians#bisexaul#lgbt#queer#pan
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this might be both the saddest and funniest of the random “hey do you wanna join my theater troupe” moment Izumi came up with.
saddest because of the implications about Misumi’s reasons to be homeless to start with and Izumi’s implied concern, funniest because of the timing with Matsukawa, this close to call the cops, while Izumi is already “no wait. Let him join our found family.”
#ichablogging a3#the transition from 'ok i'm going to call the cops' to 'btw want in in our troupe?' is SO funny to me#LIKE YEAH ALSO IZUMI IS MORE THINKING 'oh we can use his skills'#even more than 'wow need to protect this kid'#bUT YOU GET WHAT I MEAN
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Hill Harper

Francis Eugene "Hill" Harper (born May 17, 1966) is an American actor and author. He is known for his roles on CSI: NY, Limitless, and The Good Doctor.
Early life
Harper was born in Iowa City, Iowa, the son of Harry D. Harper, II, a psychiatrist, and Marilyn Harper (née Hill), who was one of the first black practicing anesthesiologists in the United States, and, co-authored a book called Wearing Purple. Hill Harper has been acting since the age of 7. Harper graduated from Bella Vista High School in 1984. He then graduated magna cum laude from Brown University in 1988. In 1992, Harper graduated with a JD, cum laude, from Harvard Law School. In addition, he also received his Master of Public Administration degree from the John F. Kennedy School of Government at Harvard University. During his years at Harvard, he was a full-time member of Boston's Black Folks Theater Company, one of the oldest and most acclaimed black theater troupes in the country. While a student at Harvard, Harper befriended Barack Obama, with whom he played basketball.
Although Harper earned three Ivy League degrees, he decided to pursue acting and moved to Los Angeles. He has received several honorary degrees, including honorary doctorates from both Westfield State College and Howard University. Born Francis Eugene Harper, he adopted the name "Hill" as a tribute to both his maternal and paternal ancestors.
Acting career
Harper's first roles in television began in 1993, in a recurring role on the Fox series Married... with Children, while also making his film debut in the short film Confessions of a Dog. He had his first acting role in a feature film with Spike Lee's Get on the Bus (1996), which cast him as a UCLA film student riding a bus to the Million Man March in Washington, D.C. He went on to further demonstrate his versatility in such films as Christopher Scott Cherot's Hav Plenty (1997) and Lee's He Got Game (1998), the former of which featured him as an egotistical pop-soul singer.
His profile subsequently rose on both the mainstream and independent film circuits, thanks to roles in films ranging from Beloved (1998) to the independent romantic comedy Loving Jezebel (1999) to The Skulls (2000). Harper did some of his most acclaimed work in Jordan Walker-Pearlman's The Visit (2000), an independent drama in which he starred as a prisoner dying of AIDS who tries to put his life back together. He also portrayed Leshem in the 2010 Syfy original movie Stonehenge Apocalypse.
Harper played coroner-turned-crime scene investigator Sheldon Hawkes on the CBS crime drama CSI: NY for nine seasons.
In February 2013, it was announced that CSI: NY would be ending and Harper would be joining the cast of Covert Affairs as a series regular.
From April 21, 2015, to May 10, 2015, Harper starred as "Hard Rock" in the Off-Broadway play ToasT. The play (produced by Lemon Andersen and co-starred Keith David) is set in the Attica Prison around the time of its 1971 prison riot and tells of the lives of its prisoners using poetic prose.
From May 1, 2018, to June 17, 2018, Harper starred as "Rooftop" in the Off-Broadway play Our Lady of 121st Street. This Dark Comedy (written by Stephen Adly Guirgis and directed by Phylicia Rashad) is about former students paying their respects to Sister Rose, only to find that Sister Rose's body has been stolen.
Since 2017, Harper has portrayed Dr. Marcus Andrews on the ABC series The Good Doctor.
Hill Harper's acting career also includes voice-over work (or voice acting) with CSI:NY the Video Game, Breathe Bible, and, a podcast called Legal Wars.
Writing career and political advocacy
Harper is the author of several books: Letters to a Young Brother: MANifest Your Destiny, published in 2006; Letters to a Young Sister: DeFINE Your Destiny, published in 2008; and The Conversation: How (Black) Men and Women Can Build Loving, Trusting Relationships, published in 2010. His books, The Wealth Cure: Putting Money in Its Place and The Wiley Boys were both published in 2011. His book, Letters to an Incarcerated Brother: Encouragement, Hope, and Healing for Inmates and Their Loved Ones was published in 2013.
In January 2008, Harper participated in "Yes We Can", a music video produced by will.i.am supporting presidential candidate Barack Obama. Harper is a member of the Obama for America National Finance Committee.As of October 2009, Hill has made several contributions to political candidates, exclusively to Democrats. Harper endorsed the 10,000 Bookbags back-to-school backpack campaign to help local disadvantaged children with Urban Change Ministries founder Pastor Jay Cameron of the Life Center, and R&B singer Ginuwine.Harper stated that he is a fiscal conservative when he appeared on the political talk show Hannity on September 10, 2009. On February 22, 2016, the Lawyers' Committee for Civil Rights Under Law announced that Harper would be their national spokesman.
Harper serves as the Executive Director for New York City personal injury law firm Napoli Shkolnik.
Awards and recognition
In the fall of 2008, Harper was initiated as a member of the Alpha Phi Alpha fraternity with his Co-Initiates (called "Line Brothers") Dr. Naim Akbar of Florida State University and former NFL player Leo LeMarcus Newman.
Harper won the NAACP Image Award for Outstanding Actor in a Drama Series for three consecutive years (2008–2010) for his portrayal of Dr. Sheldon Hawkes on CSI: NY. Previously he had been nominated for the award for three consecutive years (2005–2007), for the same character. In 2000, he had also been nominated for the award, for his role in the medical drama City of Angels. On January 9, 2014 his book Letters to an Incarcerated Brother: Encouragement, Hope, and Healing for Inmates and Their Loved Ones was nominated for an NAACP Image Award for Outstanding Literary Work – Non-Fiction.
In 2018, the Audience Development Committee, Inc. (AUDELCO) nominated Hill Harper for a Vivian Robinson Award; Lead Actor in a Play, for his role as Walter "Rooftop" Desmond in the Off-Broadway play: Our Lady of 121st Street.
People magazine named Hill Harper as one of the "Sexiest Men Alive" for 2004, and again for 2014.
Personal life
While writing his book The Wealth Cure: Putting Money In Its Place, Harper was diagnosed with thyroid cancer. After treatment, he was given a clean bill of health.
After being diagnosed with thyroid cancer, Harper researched the effects skin care products can have on a person's system. This led to his creating an all-natural personal care line for men and women, called Be The Architect.
In November 2015, Harper received a call to adopt a baby boy from a homeless woman. He agreed, and by May 2017, the adoption of Pierce (named after Pierce Brosnan) Hill Harper was finalized.
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KilluGon Fanfics Galore - Winter 2020 [Part 2: Current Works 5-8]
It has been about 1.5 years since I looked at the list of my longer fanfic ideas and, well, I have to add and organize them now… How many large-scale projects have I created for myself? How many will I start and continually think about forever?
Here, we add MANY new KilluGon stories/concepts that I’ve been thinking about since the last time we did this! We will also add in some updates (like genres and years)! If you like one in particular, let me know~
———
Current Works
5. Bride Beyond the Wall [Summary and Character Profiles Completed]
<2019> Fake Historical AU, Romance, KilluGon, HisoGon, WingZushi, and HisoIllu (T-M)
Gon is bought as a mail order bride by rich businessman Hisoka Morrow. Gon is an island boy that is not used to living cooped up in such a big luxurious house. The only place he can really relax is in the big tree out in the garden. He doesn’t realize what his fate is. On the other side of the wall at the Zoldyck Summer Estate, Killua is terribly angry. As the next head of the family, he is always under the observant eye of his older brother, Illumi. One day, Killua spots a boy his age on the other side of the wall. Not only has he never seen that boy, but he falls in love immediately.
6. Alluring Secret [Story Summary Edited, Act 1 Part 1 Posted]
<2018> Angel-Human AU, Romantic-Tragedy, KilluGon and creepy, one-sided HisoGon (T+-M)
Genderless Angel Killua (a ‘he’ for the sake of easier writing) is wounded after failing his mission to protect his assigned human. A young Gon finds Killua and nurses him back to health. Killua falls in love with the boy and asks Oracle Alluka to make him a human male. Returning to Earth as a mysterious teen years later, Killua elopes with a Gon of the same age on the day he was to be wed to Hisoka. This tale follows the tragic story of the Vocaloid song of the same name. So, what will Killua sacrifice in order to prove his love?
7. Partners in Crime [Book 1 Chapter Summaries Completed, Book 2 Chapter Summaries Halfway Finished, Prologue Posted]
<2018> Robber AU, Action-Thriller, KilluGon and LeoPika (M)
An action-packed, drama-filled “cops and robbers” extravaganza based loosely off the song of the same name by Set It Off. Gon, a homeless boy lost in York New City, gets picked up by couple Leorio and Kurapika. It is revealed that they are actually a pair of robbers! The couple let Gon join them, followed by a runaway Killua from the famous Zoldyck family. Follow the animal-masked four as they pull off robberies, policemen Hisoka and Illumi close on their trail, in order to live through each day to eventually find or reach their dreams!
8. Thespian Lesbian [Summary Completed, WIP]
<2020> Femme KilluGon High School AU, Drama-Drama, KilluGon (T-M)
Killua is a busty girl who wears baggy clothes and a glare. She is bad at showing her emotions, but has a love for the stage. Her passion is musicals, where she can show her skills in performing, dancing, and singing. This semester, the junior musical theater troupe is going to put on a performance of Wicked. Killua gets the part of Elphaba, while a ditzy girl named Gon from a different school gets the part of Galinda. Gon falls in love with Killua at first sight, but is caught up in the fact that they're both girls. Killua is openly a lesbian, so has to take the lead in both the musical and their romance.
#fanfiction#fanfic#fanfiction ideas#killugon#killua x gon#killua zoldyck#killua#gon freecss#gon#hunter x hunter#hxh#Partners in Crime's 13th Chapter has a summary that is 13 pages long...
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Sega officially announced Yakuza 7: Whereabouts of Light and Darkness (English subtitle not official) for PlayStation 4 during a press conference at UDX Theater in Akihabara, Tokyo today. It will launch on January 16, 2020 in Japan for 8,390 yen, and in 2020 in the Americas and Europe.
Update 4:08 a.m.: The western release is titled Yakuza: Like a Dragon. Read more here.
Here are the first details, via the official Japanese website:
■ Introduction
The latest numbered entry in the Yakuza series for PlayStation 4, this is the story of new protagonist Ichiban Kasuga. In the new setting of Isezaki Ijincho in Yokohama, the story of the hot-blooded thugs stirred up by Ichiban Kasuga will begin.
If the protagonist changes, so does the gameplay. This is a new Yakuza experience!
New protagonist Ichiban Kasuga changes not only the story of the game, but also how you play.
■ Story
Protagonist Ichiban Kasuga makes his way up from the depths of despair. Depicted until the becoming of a new “Dragon,” this is the ultimate story of overcoming the higher ranked and rising to new heights. The future is in your hands!
January 1, 2001. The yakuza Ichiban Kasuga, who belongs to third generation family of the Tojo Clan—the Arakawa Family—was asked to take the fall for the crimes of wakagashira Jo Sawashiro by his boss Masumi Arakawa, which he agreed to do. For the family that he loves, for the respect of his boss… Kasuga served 18 years in a strict penitentiary, and in 2019, was finally released.
However, there was no one there to greet him upon his release.
With no one to welcome him, Kasuga returned to his hometown of Kamurocho. But the Kamurocho was not the Kamurocho that Kasuga once knew.
Thanks to a police policy known as the “Kamurocho 3K Operation,” the Tojo Clan had fallen. The police and the Omi Alliance of Kansai yakuza had completely taken over. And the one who created this new Kamurocho was none other than Masumi Arakawa.
“How could the boss do something like this!?”
In order to ascertain the truth for himself, Kasuga went to go see Masumi Arakawa.
After getting past obstacles like Omi Alliance members and his former superior Sawashiro, Kasuga manages to make his way to Masumi Arakawa.
“Boss!”
A reunion 18 years in the making with the “Boss” he loved like a father, the yakuza he admired—But what awaited him there was not the smiling face of a reunion, but rather the cold barrel of a gun.
“I’m sorry, Ichi… you need to die.”
The gunshot echoed. Kasuga’s vision dimmed—.
“Wha….!”
While wandering the depths of life or death, Kasuga somehow regained consciousness. But when he came to, he was at a dumpsite in homeless town lined with cardboard houses.
“…Where am I?”
Kasuga’s question is answered by a homeless man.
“Ijincho… Isezaki Ijincho. This is Yokohama. Got that? Yokohama.”








■ Battle
“Live command RPG battles” bring the fight of the “Dragon” to a new stage!
Yakuza 7 uses a “live command RPG battle” system that combines the series’ signature action with an RPG command system. It has evolved into a system in which anyone can easily enjoy exhilarating battles. In this completely new battle system, Ichiban Kasuga and his party will fight by selecting techniques with various effects such as attack, recovery, support, and more. Enjoy immersive and dynamic battles against all sorts of enemies.


■ Adventure
A new setting: Isezaki Ijincho in Yokohama!
Yakuza 7 is set in the huge new area of Isezaki Ijincho in Yokohama, which is more than three times the size of Kamurocho in Tokyo. In Yokohama, where every place has different faces, a grand story will unfold.


■ Cast
An all-star cast appears to bring the story of a new “Dragon” to life!
Kazuhiro Nakaya, Akio Ootsuka, Sumire Uesaka, Nobuhiko Okamoto, Yuichi Nakamura, Kousuke Toriumi
Shinichi Tsutsumi, Ken Yasuda, Kiichi Nakai
General Director Toshihiro Nagoshi
■ Characters
Ichiban Kasuga (2000 version) (voiced by Kazuhiro Nakaya)

The Tojo Clan is Kanto’s largest yakuza organization. Ichiban Kasuga is a wakashu of the Arakawa Family, a third generation family of the Tojo Clan. Since he was born in Kamurocho soapland Shangri-La, he is called “Soap Ichiban” by the older residents. Although he grew up without knowing his true parents, he was charmed by the manly spirit of Masumi Arakawa, who he met at age 15, and joined the Arakawa Family. Since then, he has lived with resolute loyalty to Arakawa, but since he is not good when it comes to earning money, he is shunned by the wakagashira Jo Sawashiro, who stresses the importance of money.

Ichiban Kasuga (2019 version) (voiced by Kazuhiro Nakaya)

He takes the fall for Sawashiro, who committed murder, at the request of Arakawa Family leader Masumi Arakawa, who is like a father to him. After that, he spends 18 years in penal servitude. After he is released, the Tojo Clan has fallen, and the Kansai yakuza known as the Omi Alliance has taken control over Kamurocho. Finding out that Masumi Arakawa was behind it all, Kasuga goes to see Arakawa to asertain the truth at its source.

Jo Sawashiro (2000 version) (voiced by Shinichi Tsutsumi)

A wakagashira with a sense of duty and humanity towards his boss Arakawa, who stresses the importance of money. He would beat Ichiban Kasuga down with his fists as a daily occurrence, as he was unable to earn money. He single-handedly takes on the role of the “whip” within the Arakawa Family.

Jo Sawashiro (2019 version) (voiced by Shinichi Tsutsumi)

A martial artist yakuza who serves Masumi Arakawa from the era of the Tojo Clan. He hated Ichiban Kasuga back in the day, and after 18 years, that hatred has not changed. Since Arakawa became an substitute wakagashira of the Omi Alliance, he has the same authority as an Omi Alliance executive directly reporting to the boss.

Namba (voiced by Ken Yasuda)

A man who was stripped away of his nursing license after challening the medicine from the hospital he worked for to the black market, and now lives in the depths of poverty in Isezaki Ijincho. After Ichiban was shot by Masumi Arakawa and lost consciousness, Namba saves his life and begins working with him.

Masumi Arakawa (2000 version) (voiced by Kiichi Nakai)

The leader of the Arakawa Family of the Tojo Clan. Born and raised as the son of a popular theater troupe, he has been all over the country, but someone shot and killed his father, the chairman of the troupe, which led him to the yakuza. In the past, he was known as the best martial artist in the Tojo Clan, and for that reason the Arakawa Family was established as a third generation family of the Tojo Clan, and he was feared as “Killer Arakawa.” He meets Ichiban Kasuga by chance as a boy and becomes his sponsor.

Masumi Arakawa (2019 version) (voiced by Kiichi Nakai)

While he was once the head of a Tojo Clan third generation family, the Arakawa Family, after information about the Tojo Clan was leaked to the police, the Tojo Clan was eliminated from Kamurocho, which provided a major service to the Omi Alliance’s advance into Kamurocho. With his achievements recognized, he is currently the substitute wakagashira, essentially the Number 2 man in the Omi Alliance.

Watch the teaser trailer below. View the first screenshots at the gallery.
youtube
#Yakuza: Like a Dragon#Yakuza 7: Whereabouts of Light and Darkness#Yakuza 7#Sega#Ryu Ga Gotoku#Gematsu#Don't read the site's comment section.#long post
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Four for the price of one
“The Last Black Man in San Francisco” (on disc/streaming Aug. 13, 2019; rated R; directed by Joe Talbot; run time 2 hours) is a cinematic love letter to San Francisco, one full of postcard-worthy imagery and tender moments but also one that questions what the City by the Bay has become. The story follows friends Jimmie Fails (as a version of himself) and Jonathan Majors (as Mont). They are adult black males, underemployed but clinging to big dreams. Mont is a sweet, odd man who is an artist and wants to be a playwright. Jimmie is pensive and sensitive. And he is homeless, sleeping on the floor next to Mont’s bed in the home of Mont’s grandfather (Danny Glover). Jimmie and Mont often wheel around town on Jimmie’s skateboard. Jimmie has a fascination for an old Victorian home in the Filmore part of the city, a neighborhood once predominantly black but one now that has been revamped through gentrification. Without the owners’ permission, Jimmie starts fixing up the house. When it becomes vacant, he and Mont move in and plan to get the property through squatting. Their plan is foiled, though, by an aggressive real-estate agent who wants to sell the $4 million home – a price Jimmie can’t possibly afford. While “The Last Black Man in San Francisco” is a story about gentrification (the black population in the city has fallen from about 15 percent in the 1970s to 5 percent today, and a one-bedroom apartment can cost more than $4,000 a month in previously blighted areas of the city), but it makes its social commentary subtly and uniquely (but offers no answers), and through the friendship between Jimmie and Mort. A sort of Greek chorus of young men who hang out on the street ruthlessly insult each other and Jimmie and Mort, and they and others sometimes let the two know they aren’t as “black” or “masculine” as young black men are traditionally expected to be. Fails and Majors are excellent even when they aren’t saying much with words. First-time feature director Joe Talbot (a childhood friend of Fails) fills the movie with warm but decidedly urban imagery. The entire movie seems to have been filmed just before dusk on a warm autumn day. “The Last Man in San Francisco” was released to talk of being a Best Picture contender. And it is worthy of the academy’s consideration. Rating: 95 out of 100.
“Ready or Not” (in theaters Aug. 21, 2019; rated R; directed by Matt Bettinelli-Olpin and Tyler Gillett; run time 1 hour, 35 minutes) is a horror story (and a gruesome one at that) that also is a thinly disguised condemnation of old wealth. It stars Samara Weaving as Grace, a young woman who is about to marry into money. That money belongs to the Le Domas family, who inherited their riches from a relative who made his fortune through board games – and apparently made a deal with the devil in the process. After she marries black sheep Alex Le Domas (Mark O’Brien), the family informs Grace she must participate in a Le Domas wedding night tradition. Grace and her new in-laws will play a game randomly chosen from a stack of cards. When Grace draws a hide-and-seek card, she laughs it off. But soon she realizes the game is deadly. Grace must stay hidden from her armed pursuers in the darkly lit family mansion (candles everywhere despite the film being set in the present day) until dawn the next day. If she survives, terrible things will happen to the Le Domas family. “Ready or Not” is brutal in its violence but also aspires to be a dark comedy, and in the end it does both better than average, but not a lot better than average. It seems to work best as an action/suspense film when the family is chasing Grace. The black comedy has its moments, but the laughs are sporadic and the dialogue annoying (and full of F-bombs). Also grating are some of the characters, particularly Alex’s Aunt Helene (Nicky Guardagni), who glares at Grace throughout and looks ridiculous in swept-back hair and too much eyeliner (there are many smoky eyes throughout). Weaving is the film’s strong suit, but she delivers a ridiculous one-word last line, one that simultaneously goes for a cheap laugh and groans. “Ready or Not” is bloodier and more contemporary but mines much of the same territory as last year’s “The Favourite.” Both want us to know that the wealthy are weird at best and dangerous at worst. Rating: 74 out of 100.
“Overcomer” (in theaters Aug. 23, 2019; rated PG; directed by Alex Kendrick; run time 1 hour, 55 minutes) is a movie with a message, one it doesn’t reveal (though a few hints are apparent) until about a third of the way through. And then it hammers home that message time and time again. “Overcomer” is a faith-based film directed by Alex Kendrick and co-written by him and his brother, Stephen Kendrick, who have made a series of Christian dramas that are produced inexpensively but do moderately well at the box office. Alex Kendrick also stars as John Harrison, a basketball coach at a Christian high school. The city where it is located is experiencing hard times. When the largest employer shuts down, Harrison’s best players start moving away and the school starts cutting jobs. The principal (Priscilla Shirer) assigns Harrison the school’s cross-country team. But just one runner, Hannah Scott (Aryn Wright-Thompson), a sophomore move-in with asthma and a penchant for small-time theft, tries out. Harrison is trying to come to grips with his situation when he, by chance, meets a hospitalized middle-aged man (Cameron Arnett) who just happens to be a former cross-country runner and expert on the sport. When Harrison seeks his help, he gets more than he bargained for. At this point in the story, “Overcomer” shifts from a potential teen sports drama to an all-out story of faith. Much of the dialogue in the second two-thirds is praying or talking about praying (and much crying), and Hannah finds the Lord with the help of her principal. The climactic scene takes place at the state cross-country finals. And since we only get to know one of the many runners, and since she is the only one who we are certain has found Christ, guess who wins the state championship? “Overcomer” is predictable and full of many plot conveniences, and the acting, to put it kindly, is not major motion picture caliber. But it is a nice enough film. And if you are in the choir it preaches to, the message will mean much more than the way it is delivered. Rating: 35 out 100.
“Suspiria” (2018; rated R; directed by Luca Guadagnino; run time 2 hours, 32 minutes) is a film that is not for everyone. And when I say not for everyone, I mean it’s a film not for many people at all. But if you are into artsy, pretentious (to say the least), macabre stories about witchcraft and the ritualistic mutilation of human bodies set against a backdrop of a 1970s German dance troupe, this is the movie you’ve been waiting for. “Suspiria” is a reboot (not really a remake) of director Dario Argento’s 1977 horror classic of the same name. In this version, Susan (Dakota Johnson) is a young American dancer who comes to Berlin in the 1970s to study at a prestigious dance academy, Markos Tanzgruppen. Something is amiss from the get-go, as Susan is replacing a dancer who left the academy under mysterious circumstances. A power struggle is taking place among the academy’s leadership, but for now it is being run by Madame Blanc (Tilda Swinton). She becomes enamored with Susan, whose talent is immediately apparent. But Madame Blanc has more in mind for Susan than her becoming the academy’s star dancer. In the meantime, an elderly, grieving psychotherapist, Dr. Josef Klemperer (played by “Lutz Ebersdorf”), is treating the displaced dancer, Patricia Hingle (Chloe Grace Moretz), who is convinced the academy is being run by a cloven of witches. Soon, other dancers are meeting Patricia’s fate. What lies ahead for Susan? “Suspiria” might be the darkest movie you see, literally. The lighting budget could not have been more than a few dollars; some of the scenes are so dark as to make it difficult or impossible to tell what is going on. The Berlin setting is bleak; apparently it was never not raining in 1970s Berlin. Swinton is fantastic, of course, playing three roles, including a man. But much of “Suspiria” will be lost (or worse) on your average movie-goer. The audio alone is disturbing, with the crystal-clear sounds of breaking bones, much heavy breathing and grunting, and a wonderfully and fittingly strange-but-beautiful score by Radiohead’s Thom Yorke. And there will be blood. And guts. And lots of them. If you can stomach it, and if you don’t mind a film that seems to jump the rails but keep plowing ahead (sometimes into unintentionally funny territory) about the two-hour mark, “Supspiria” can be rewarding and mesmerizing. Everyone else should take a pass, though. Rating: 78 out of 100.
#movies#movie reviews#movie recommendation#the last black man in san francisco#ready or not#overcomer#suspiria#Horror#faith-based films#gentrification
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top 5 favorite clowns (of yours) go!
//Me a second after seeing this: Do i have 5 clowns? …What the fuck am i saying yeah i have 5 clowns. I Wanted to do full “clowny” clowns like this with makeup and everything, so ones like Harona are out of the running!
1- Driguz!
He’s so fun to play with!
He is a bastard and it shows through sometimes here, though it really comes out in DM rp where i can get gorey with him
There are a lot more driguz stans following me than i thought there would be but you know what i love you all
2-Hanout
I don’t play with him as much as i thought i would and i have no idea why!!!
He’s big and sweet and a politician, what more could you want /s
He’s actually totally oblivious to how Thaava feels about him and i stf he’s an idiot in there
3-Teruqa
scene+depression=the real 7th grade experience (even though he’s like 20)
his little pot belly comes from malnutrition and a lack of protien in his diet! This comes from Camister forbidding him from eating a lot of the time if he doesn’t “act like a proper highblood” and he would rather starve than do that
He also kind of has an eating disorder because of this and he is very picky about what he eats
4-Pennie
He’s a very fun person to Rp and i wanna do more with him specifically
I forgot to add him to the list of LGBT characters but he is demisexual too (and legit kinda in love with Driguz still)
His old “circus” was a small traveling show of like 5 people who would preform and murder out in the woods at night. No theatrics for the audience, just a show put on for the messiahs where they killed any non-purpleblood they could get their hands on
He was kicked out for refusing to kill one fuchsia heiress because she told a funny joke and called him her friend thinking it would get her set free
Surprise for her, she was still culled, pennie cried and attacked the “ringleader”, and was tied up and left for dead in the woods
Driguz found him there while looking for something and offered the poor starving troll a place in his circus (in exchange for his undying loyalty of course)
5-Millie
I show up with an “Ask me about my Garbage Daughter” t-shirt
She had a small juggling act in a theater troupe that Harona was part of after she ran away, but after it suddenly shut down she was akin to homeless
She’d heard plenty about Driguz from Harona and decided that going to this unstable SOB’s house and saying “i live here now” was The Best Idea
somehow it worked though and he took her under his wing! Even though she’s a little hellion and a rascal and an absolute menace, Driguz has a really big soft spot for her in his pusher. she’s one of his favorite playthings and he just might be grooming her to be the Starlight Calliope’s next Ringmassacre (assuming she can snag the job qualification when she goes through her trials)
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Okay I also have so many Thoughts on Rise so if you want someone to rant to, I’m definitely here lol
My official Thoughts™
Okay so first off I’m pleasantly surprised I didn’t hate it as much as I was expecting? Lol I didn’t wanna watch at all because it seemed too dramatic, like something I would’ve eaten up in high school but I’m too tired to deal with these days. But my mom made me watch it with her and it definitely wasn’t as bad as I expected lol
What…was UP with the camera work????? I was loosing my mind over it omfg. Sometimes normal, sometimes shaky, and we had like three or four dramatic documentary zoom-ins ala Parks and Rec or the Office??? Why was that happening??? They were all in dramatic moments but it was so fucking funny I couldn’t handle it.
SPEAKING OF WHICH, when the coach asked ‘are you a teacher or a director’ and Josh Radnor was like ‘well, both’ and then it zoomed in on the coach as he cut off ‘Actually, no, you’re a teacher’. Like. That was clearly supposed to be dramatic but it was PEAK comedic timing. My mom and I were cackling we almost missed the rest of the scene omfg
That principal is a mess??? Giving one dude the drama department just because he doesn’t like the other teacher, and then???? Approving the show before he READ it???? Allowing a coach to try to bribe a kid’s bad grade away???? What in the Lord
What….is with the troupe….of the Athlete having to pick sports or theater. Like literally what is that. It happens too often and I’ve never? Seen it happen in real life? Like I know you can’t apply your life experiences to everyone else’s but as someone who also went to a sports crazy high school in small town PA like….the senior sports™ boys went out for the musical every year??? Like every year there’d be at least 7 or 8 football or basketball or literally whatever players that were like ‘You know the fuck what, I’m a senior, I’m doing a musical now’ lmao. It was never dramatic or anything. Being in a play isn’t going to ruin someone’s sports career
Okay so auditioning for a musical…doesn’t….work….as extra credit??? They wanted his grade raised and he wanted the kid in the show. The actual play the musical is based on has been picked apart and analyzed as a piece of literature so many times….so I could see “If he does my musical and writes a report on the play, I’ll give him extra credit” or something to that effect but just. ‘Audition and all your Problems will go away’. Lord What.
WE’RE GONNA TALK ABOUT THIS SIMON KID.
Okay. Okay. The kid…is stereotypical ‘gay high schooler’ and we all damn well know that. Not my complaint. The thing was, bumping him down from Melchior to HANSCHEN made it SEEM like he was only getting cast as Hanschen because he’s The Gay™, because frankly, considering they were struggling to find boys, I would’ve initially put him as Moritz, from the brief scenes it seems like he could handle Moritz’s songs??? Moritz is the third lead and like, the fan favorite character, you’d wanna cast him pretty quick. And THEN they bust out he has a ““““““Very Religious”““““ family, like….really. Really. We’re doing that. Okay. Fine then. I can sit here and pretend I’ve actually met a homophobic Catholic person before if they’re at least gonna handle this well. But THEN. THEN. OKAY. We got that trailer for the full season at the end of the show and the kid playing Ernst said ‘Do you feel something when you’re with me’ and now….I see exactly what they’re doing….They’re having this kid play Hanschen while in real life he’s going to be in an Ernst-like situation….That’s so fucking cheesy and I haven’t yet fully decided how I feel about it??? I’m already tired tho. Anyway if someone hurts that boy I’m gonna go down to NBC with a baseball bat and start swinging. I can get in no problem. Just making that known.
Auli’i Cravalho….,,,we Stan
Her plot line seems a little muddled and Peak Dramatic right now but that scene near the end with her mother???? GIRL. KILL THEM.
Listen idk who the hell is playing the football player (Robbie was it?) but I already love him with my entire heart but like….the scene where he just started rapping at the pep rally….no one Does That lmao. Although I appreciate that he’s a lot less conflicted about joining the show than other athletes caught in this troupe before him? He was a little hesitant but it wasn’t Over The Top (looking at you, Troy Bolton). He seems really cute tho. I was Worried when he started rapping ‘All That’s Known’ but then he slid into actually singing and he was so good!!
LMAO when they were doing the song montage and all they could do for ‘Totally Fucked’ was “BLAH BLAH BLAH BLAH BLAH BLAH BLAH BLAH” I was cracking up
I liked that they appear to have established the football player is into the shy girl BEFORE they do the show. Like, it’s still cliché as all hell, but at least it’s not like ‘I never noticed you were pretty or a cool person before the stage lights were on you’ type deal bc that’s exhausting.
My mom was cracking up when Simon was telling his Religious Parents™ about the show at the dinner table aasdfgh like yet another clearly intended to be dramatic scene turned funny by the camera work and editing but also like it was so….like my mom isn’t familiar with Spring Awakening itself but she’s familiar with a lot of other ~~~edgy~~~ shows bc I’ve either been in them or gotten her to see them with me and like. I’ve worked in and on shows with kids who’s parents were SUPER against the shows material and the roles their kids played but no one ever like….stopped their kids from doing it??? And like his parents being against the stuff in the play is like….the Point of the play? And also if he already knows the script he’s already been Exposed to it, so it’s not like keeping him out of the show is gonna keep him pure or whatever?? Idk I really just don’t get why they’re bothering with that plotline tbh
Rosie Perez is always so over the top and I am always so okay with it
On that same branch though like…I know Josh Radnor loves giving impassioned speeches…but who….talks like that? Lol. Just everything he said sounded like they were trying to hard for that Big Dreamer Life Changer Teacher troupe you know???
Listen I GET why that one girl would be mad because she usually gets the leads but also….Ilse….has the better songs???? Like if someone cast me as Ilse I’d fucking cry I literally want to get a tattoo for the ‘I Don’t Do Sadness’ song bc it fucks with me so much lmao. ALSO…..I’m very interested in the whole thing with Auli’i character’s mother sleeping with her father and her thinking Auli’i is a ‘whore just like her mother’ since Wendla is the tragically innocent character in the show who was too sheltered to know anything about sex and Ilse is a victim of incest who dealt with it by acting out sexually….like it’s definitely not the same as what I’m expecting them to do with the reversed Hanschen/Ernst storyline but it’s interesting to see the parallels between them since they’ve clearly had very different upbringings when it comes to mature issues like that
Speaking of tho, Auli’i struggling with ‘Mama Who Bore Me’ until she had a big fight with her mom and can suddenly belt it to hell and back……come on
Let Me Tell You How Much I Cringed When The Teacher Outed Michael To The Entire Cast
Like, dude….you know that only like yourself and one other student knows he’s transitioning and he didn’t even tell you himself….Like yes he auditioned for a male role but he signed with his birth name like…The teacher had that list before rehearsal he literally could’ve just pulled the kid aside and asked him what he wanted to do??? I’m glad they didn’t film any of the other kids, like, caring or being weird about it though. That might be a delayed plot line but they all seemed relatively accepting so that definitely made the whole situation a little more bearable to watch
OF COURSE the lights kid is homeless….because there wasn’t enough drama
Don’t get me wrong like it’s definitely an important issue but that’s my problem with shows like this, they just Pile Everything On to the point where it’s so much like…
And then he took the kid home which we all saw coming but like, did you see the wife’s face??? He has a cell phone, he could have at least called to warn her. Their marriage seems stressed, they’ve got an emo ass son Going Through Some Ambiguous Problem That Has Lead To Drinking, and now they‘re moving a homeless kid in on top of it like. It just feels less like ‘real life’ and more like ‘how much drama can we pile into this for views’ and also it was a lot for literally the first episode?
Who…has ever actually put on Pirates of Penzance….who has ever actually seen Pirates of Penzance….I’m not convinced it’s a real show lmao I laughed when he said he wanted to replace Spring Awakening with it what a JUMP
BURNING THE COSTUMES WAS SO FUCKING DRAMATIC ASDFGH WHO WOULD EVER?!?!?! I LOVED IT
Also though like why were they singing ‘I Believe’ for that part???? It definitely helped with the Drama And Aesthetic™ but it’s also. the rape song? Idk I think situation wise ‘Totally Fucked’ would’ve just been a better choice. They could have just done what the original broadway cast did on televised performances and changed it to ‘stuck’ lmao. Now, the moment definitely would’ve felt more….Glee-ish, with that song, so I guess they were trying to avoid that since this is a serious™ show but like again I just don’t see how ‘I Believe’ worked thematically
Also like the biggest problem this show had was PACING. Holy shit. This one episode felt like the entire season. Like literally…what else. What else can they do. These kids have apparently already been at it for weeks and are professional singers who have all the songs down for some reason. Like how many rehearsals do they have before the show??? Damn. They definitely could’ve slowed it down and dragged things out, it would‘ve felt a lot cleaner
All in all tho….For a first episode I’d give it like a solid 7 or 8???? I’m interested enough to check out episode two but I’m also cautiously expecting to fall out of the show either because of the pacing or just them piling on too much drama just for the sake of it. What did you think???
#Rise#nbc#josh radnor#auli'i cravalho#rise nbc#musicals#asks#molly mumbles#I think I'm missing notes#but the show ended over an hour ago lol
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