#hmmmm. yeah :)

[asmeeneh]

[egophiliac]

this started as a reply to someone (a million years ago) (I am so sorry) and then very quickly got out of control, as these things do. so...uhhh....here's everyone else at Playful Land!

sorry

[forgetfulmachineart]

[ID: A colored, simple, three panel comic of teen Gojo Satoru and Megumi Fushiguro. Panel one: Megumi sits on a stool, feet hanging barely half way down, as Gojo kneels in front of them bandaging their arm and holding their hand. Megumi has Gojo's sunglasses and is labeled "gojo put the sunglasses on them to keep Megumi's hair out of wounds." Gojo says "You got pretty close this time, Gumi! Want my help taming Nue next time?" Second panel: Megumi from the waist up, looking at her bandaged arm and saying "No. I'm alright Dad." A small cartoon Megumi realizes what they said and goes "wait..." Third panel: Gojo has a closed eyes smile and says "Okay, Gumi" but is labeled "Trying very very very very hard to play it cool." Multiple loud and ugly crying cartoon Gojo's reflect his real feelings in the background. /End ID]

They proceed to never talk about it again

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[moeblob]

Gavin mentally: wait... that doesn't add up........

[cementcornfield]

Ja'Marr talks about Joe "screaming" at him in college for wearing warming lotion 🔥

[demaparbat-hp]

I love your are so much ! I wonder what mai would look like with your style tho

I love Mai-Mai 🖤

[anemonet]

[Outtake from iterator Prosperity of Populace final speach to her citizen before its disassembly.]

[potatopassenger]

Zoro being extra grumpy in Alabasta (not laughing at Luffy's antics and when they're with Ace complaining to him that they're all a bunch of children) when Vivi is in charge leading them from place to place but then immediately brightening up when Luffy leads them to the fight with Crocodile (and even laughing at Luffy for getting Smoker involved and making their lives harder) he really will only follow one person and that IS Luffy

[dragonskulls]

Some coast striker concept doodles, mostly to showcase their weirdo double tongue + i love drawing teeth. Also whelps are see through when they hatch, most lose this quality as they grow, but a few (especially in the Deepwater) keep their translucency well into adulthood.

A small fun fact, many humans call coast strikers "grinning deaths" as their toothy snarls can look like a grin to a person. Given their amount of teeth and their two tongues, other AshWings can find them a bit unsettling

[essektheylyss]

I'd thought I remembered, in the Knights of Requital planning, someone mentioning the gala being moved, because it gave the Nein an extra day to prep, and Dolan did specify that it had been unexpectedly pushed back a day, but doesn't suggest he knows why. (It's not clear to me based on the conversation when this change happened—it's possible Dolan has simply heard this update recently, but it also might've been a last minute change.) I was wondering because the timing of the Zauberspire attack coinciding with the gala seemed odd.

It is very narratively convenient, of course, and certainly the Kryn spies could've been using it for the same reason that the Knights of Requital were—important figures of the city were distracted and otherwise occupied, and Thuron does give an indication that Ulog was feeding them information as well, so he certainly could've suggested that timing to both.

But two things about the attack struck me: first, that the Zauberspire does not seem to be very far from where the gala is held, which makes it less of a distraction and more of a liability for covert military operations; and second, the Assembly reacts instantly. Moreover, Trent is already there, though he normally resides in Rexxentrum. He doesn't exactly seem the type to show up for annual holiday festivities, given he doesn't stand to gain much if anything from hobnobbing with a bunch of regional socialites, and Ludinus later suggests he is not exactly being dispatched to events as a diplomatic entity. Of course he can be in another city quite quickly, but this all happens so quickly that I find it unlikely that there would've been time to inform someone in another city prior to apprehending the infiltrators, given the immediacy with which the mages respond.

The point being, I think they were warned.

[turtleblogatlast]

I like to think that Leo one day decides to really play around with his portaling and teleportation abilities and see the full extent of them.

Like - continuously throwing one sword and teleporting to it while throwing the next one immediately and repeating this as long as he can to see how far he can keep it up without stopping.

Making little portals in the air that lead right up against the ground so he could potentially just stand on the portal in the middle of the sky.

Ultimate storage system - anything anywhere at any time is available if he knows where to get it (personally my headcanon for why he goes from two satchels to one in the movie.)

Phasing to avoid attacks - like, he could lightly toss a sword a single centimeter and teleport to it, and in that short amount of time he can completely avoid hits.

If they ever do go to space and end up on different planets, with enough training he can just…go there, whenever. Not only would this be great for being well traveled and having more places to go in general, but this also opens up more room for connections and allies that could assist them the next time they need help against a grand foe.

Leo can easily remove injured team members from a fight and get them help without having to account for transportation times.

On that note - Leo’s teleportation in particular acts on a particle level. It’s quite literally breaking him down into particles and remaking him every time he uses it. Both for him and for anyone he uses it on. Who’s to say it can’t be used for healing? At least for basic wounds.

None of this even touches upon the offensive potential of both portals and teleportation. Leo’s abilities flourish more as a support main, but that doesn’t mean those abilities can’t easily be used as weapons - and I don’t think I need to get into how exactly they can be. Portal chopping alone can take on a very different meaning…

Furthermore, I gotta wonder if he’ll always need the swords for this, or if he could one day be able to achieve the same results without them.

My point being - teleportation and portals are super OP. Even with the abilities Leo has in present they are so unbelievably adaptable and so fun to think about in terms of basic mechanics.

[kheprriverse]

Silly sketch idea. Moon Serpent and Light Serpent (with a small redesign for her and a peek at what I plan on Ko’jin’s future design to look).

This like. 100% wouldn’t happen depending on when Ko’jin appears in the au (post-TOTK’s era). But it was a neat idea regardless so I doodled it while I had the chance 😌

Also since its not canon to the au I’m not gonna bother finishing it rn or making it look good (hence why its a tad scuffed in areas). Maybe it’ll be a thing I finish in the future 🤔.

Perhaps… consider supporting me on kofi if you like my stuff 👀? -> Full-res image available for download here for free

[vitrall]

I don't think Jayce and Viktor literally died. They were kind of pulled into another dimension/astral plane/whatever you call it. We see older Viktor, and while it could be another Viktor, I think it would be more meaningful if it was our Viktor, finally free from the arcane, going through the universe with Jayce, fixing timelines together. Kind of like a cosmic mission.

[softzosan]

curly haired sanji truthers are onto smth 🤔

[anemonet]

Iterator can from my wips (please read that in the tone of blorbo from my show :) (that superstructure is a girl (he/it) to me)