#hm. getting ideas now... hm...

[swiggity-swexual-i-am-asexual]

Danny Fenton, aka Phantom, has been given a new task!

In short, literally no one in the Ghost Zone/Infinite Realms wants their mostly peaceful afterlife to be rocked by a certain Gotham rogue named Joker. Which, when he dies, is almost sure to happen because of whatever the hell was in that vat he dropped in included ectoplasm. So, yay, he’s also a little ghostly too, meaning he *is* pretty hard to kill. Unfortunately, there’s also a certain vigilante that is quite keen to murder him in recent years.

So now Danny has to keep the mass murderer trauma clown alive for as long as he possibly can while attempting to keep the Joker from. Well. Being the Joker.

Oh, and naturally, Danny got this assignment AFTER Joker got out of Arkham. Again. And entirely blew up the asylum. Time to join the Goonion, he is NOT doing this without getting PAID, thank you.

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[feroluce]

So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!

So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆

Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.

Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.

And besides, Dan Heng is there.

Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-

"I didn't know it was possible for you to get sick."

...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.

"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.

Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.

From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.

"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.

Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!

Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.

Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.

Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.

Boothill feels dizzy.

The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.

"Almost done."

Thank the aeons, maybe one of them likes him after all.

"Your tongue is in the way... I'm going to hold it down, ok?"

Nevermind.

The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.

Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.

With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-

Forget it, eye open, eye open!!

"Alright. There's one last pebble stuck."

Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.

Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.

The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-

"Swallow."

Stars and aeons, Dan Heng is going to be the death of him.

Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.

His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.

"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.

What the fudge.

[alicenpai]

2021 re2 and re4 doodles i unearthed, 2020-2021 were the years of art block for me - i drew a lot, but not too many of my drawings felt quite right. anyways... sherry finally got that puppy (big puppy...) and parrot she always wanted! im a big fan of taking a single obscure piece of dialogue/game mechanic/inventory item etc and then drawing it

[merlinfromberlin]

Imagine. TFP but there was an ancient spirit/deity living in the Star Sabre.

Bee, after the fight at the Omega Lock, can't remember anything that happened after picking up the Star Sabre for the first time. His memories only set back in once he pulls Optimus back up onto the platform.

None of the Autobots discuss it either. The only thing they told him is that he killed Megatron. But they refuse to elaborate beyond "you grabbed the star sabre, jumped down, stabbed Megatron & saved Optimus".

Bee himself is not even aware of the hole in his memories at first. But then Raf starts asking questions about the fight and Bee always answers with the same sentence. "You know... it was a real doozie, but I got... lucky, I guess."

The first time Ratchet hears Bee say that, he flinches violently and then pretends like that is absolutely normal behaviour. No, you did not just see him crunch his incredibly fragile medical equipment. It's always looked like this.

Optimus also starts acting odd towards Bee. He can't quite look him in the eye but keeps observing him from a distance. They've also stopped their philosophical discussions (yes; I'm going to insert my headcanon that Optimus and Bee watch ATLA together and then use it as a jumping off point to discuss Cybertronian philosophy and culture into everything).

None of the bots would admit it, but all of them are doing their best to keep Bee confined to the base. He is barely out on patrol anymore. It gets even worse once they are back on Cybertron because now he doesn't even get out to pick up Raf anymore. He's always kept busy indoors. Not even Smokescreen wants to sneak out with him.

Still, no one wants to answer his questions about what happened at the OmegaLock. He tries to corner Smokescreen and Bulkhead about it because they are the weakest link when it comes to resisting Bee, his shenanigans and questions, but neither of them budge.

And then Bee starts noticing other signs of change. Sometimes, his optics will suddenly just burn brighter. Bright enough to illuminate dark rooms or reflect on metal surfaces around him. Sometimes he is no longer sure that they're really blue.

Then, one night, he has a dream. He is lying somewhere, prone on his belly, unable to move and incredibly tired. It's hard to comprehend anything that's going on. His surroundings are bathed in blue (?) light and he can't see him, but he can feel Optimus being there, incredibly tense as he stands in between Bee and something that's so old it should have dissolved into dust eons ago. Optimus and the thing are talking but he can only gauge snippets of their conversations before something soothes him back into deep recharge. Last thing he hears is Optimus' yelling his name.

Then he wakes up at the entrance of their base, Optimus and Ratchet waiting for him as he returns from a drive. He has no clue where he went. Or why they look at him as if he was a ghost. Until he checks his internal chronometer and realises that the equivalent of a week has passed.

And when he asks what's going on, Optimus just pulls him into a hug and holds him for a long time, not saying anything.

[datingdonovan]

a/n: wake up. food's ready. just sat here for a few minutes and rehabbed an old draft that was probably based on this fabulous onceler drabble, I think? also VERY pg13... not really any explicit sex but. it's a lot about sex. my blog and my writing used to be so sfw but cece is back after her most recent troubling sexual relationship and is probably sexier than ever. he he ha ha help me. I hope you enjoy. also reader is gn but does get called beautiful so if that feels gendered or triggering to you please be aware! also mentions of tipsy/inebriated sex!!!! so dubcon in that way? I tried to make everyone not drunk drunk but if tipsy sex is slimy for you watch out for that too

10:45AM

Yamaguchi wakes up slowly, eyes halfway open, naked body warm. And then he remembers what happened. The muscles in his body all tense at once, and it takes every fiber of his being to stay still. No no no no no. That hadn't happened. Shit. That hadn't happened, right?

But it had. His palm is resting on the soft skin of your hip and despite his best efforts he's squeezing lightly, so fucking nervous, and you're squirming toward him, still asleep, smiling softly, and it had, it had happened, oh god, it had.

Fuck. His ears are ringing with anxiety. What had happened? What had happened? He hadn't drank nearly enough last night for this to possibly have fucking happened.

And the information floods his mind as you nuzzle closer to his chest, your skin flush against his, a soft kiss where your mouth meets his shoulder. You, Tsukki, Tsukki breaking up with you — meanly, meaner than was necessary. You, Yamaguchi, and Tsukki, best friends, best friends since freshman year and Tsukki dating you and Yamaguchi shutting up and enduring it and you feeling tired of Tsukki's pretentiousness and his mean jokes and you telling Yamaguchi about it and Yamaguchi telling Tsukki about it and instead of fixing it making it worse and then you. You. YOU.

You with no more Tsukki, crying into his shoulder, and saying you just want to fuck someone. You're not even angry, you knew this was coming, you just want to fuck someone to forget. And Yamaguchi, the ever-loving asshole that he is, saying yes, yes, that makes sense, instead of saying, no, it's a bad idea. And then your dorm room, and then your sheets, and then your skin, god, your fucking skin. And now probably a hundred missed calls from Tsukki when Yamaguchi can chance a look at his phone, and the swirling feeling of bile coming up his throat, but what the fuck was he supposed to do? Wouldn't anyone have done the same?

He'd been in love with you since he first laid eyes on you, and in better, kinder ways than Tsukki, he knew. You were so beautiful, a ray of sunshine, someone who deserved the world, and to be treated with tenderness, and care. Tsukki just treated you like he did any other adoring idiot who was obsessed with him. Yamaguchi knew you deserved someone who was obsessed with you, and he knew he could be that. He knew he could love you. He had to constantly fucking remind Tsukki how you took your coffee in the morning, and what your favorite flavor of ice cream was, and that it did in fact matter when he got home if you were waiting up for him, and that you actually cared about him more than he knew and he shouldn't be wasting this opportunity treating you like an annoyance, like you didn't deserve his attention. Hell, with everything Yamaguchi tried to do to make sure you were treated right, you might as well have been dating him the whole time.

And he hated how his heart twinged with jealousy every time you chose his best friend over him, but he let it happen, because he loved you, even though he just fucking knew that wasn't how it was supposed to be. And then last night, everyone was tipsy, and you were crying, and he saw the chance to show you what really being loved could look like, and he took it. Fuck.

You mumble something soft and sweet against his shoulder and he remembers what he said last night with you on top of him, the only thing he could find the words to say, in every cadence he could think of, even after you laughed and told him to stop:

"I love you I love you I love you I love you I love you I love you."

Yamaguchi swallows hard.

It hadn't been sex. It had been love. And that was so, so much worse.

[clowningaroundmars]

i still cannot get over The Twins like.

imagine.

you have another version of you out there arguably living a life just as difficult as yours, if not more, that you can talk to at literally Any Time! and they're You so you basically already have half a convo down anytime you decide to pop on over via a portal

1610 and 42 stepping out of their respective portals side-by-side just to stroll out of an alleyway like nothin happened just going:

1610: LOUD SIGH

42: rough day too huh?

1610, brushing debris off of his shoulder: yeeep. another run-in with the rhino. again.

42: you didn't lock his dumb ass up like, last month? how'd he get out?

1610: don't know, don't care. so done with this week, i just wanna... i dunno. hibernate til spring 😮‍💨

42: man, what a mood.

1610: what happened to you? you look like you had a rougher day than me!

42, covered in visible bruises and cuts along with his bandages: mannnn... rougher week more like. well... rougher life. but. anyways.

they both nod at each other in Understanding

[sesamenom]

ten lords a-leaping, nine ladies dancing, eight maids a-milking, seven swans a-swimming, six geese a-laying, FIVE GOLDEN RINGS! four calling birds, three french hens, two turtle doves, and a partridge in a pear tree

-

and we're back! Now that the gates of the Halls have been opened, a whole bunch of former high kings have shown up in finarfin's backyard...

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[synthshenanigans]

I find it hilarious that like, most popular headcanons/ideas of HMS come from something that's in the actual album. Whether its the cover art or from a lyric, it makes sense with context or a metaphor. Then there's just a random ass chicken that came from nowhere.

[sysig]

I love you thiiiiiiiiiiis much! (Patreon)

[xxplastic-cubexx]

maybe controversial take, but i like to think of erik being mostly a huge ladies’ man (look at all the bitches he gets canonically, he can’t NOT love the ladies) but charles is just...... this HUGE exception, lmfao. for a while he was totally oblivious to the fact that he was into charles like that but then one day it smacked him HARD across the face that their Very Special Friendship is actually romantic. he’s since embraced being a bisexual disaster but before charles he had no clue.

would be even funnier if erik and charles had already fooled around a couple times before erik actually realized he was attracted to him. who among us hasn’t fucked their completely platonic bro??

it cant be a controversial take if youre onto something my friend .....

[toxiccaves]

Can't believe this guy showed up to the party with 6 alt modes too

[electrozeistyking]

just realized something i can do now with the accidental power gifted upon me to mimic sonic.exe’s voice. i can say stupid shit, which is super fun on its own — but more importantly, i can let people request me to say stupid shit as this guy whom i love.

so. maybe people can request me to say something silly, i dunno. only if they want to, i guess. <:3

[fagofgod]

hm. what if i tried to get back into magarchives. maybee. hm. why do i even want to attempt this. hm