#his strong sense of justice…

[warriorfujoshi]

please see my vision

bonus: Heathcliff smile collection

[yujateaandpi]

Dandadan sketch dump of the codependent duo ever. Quiet boy who loves yapping and loud girl who loves listening, my beloved.

idiots idiots

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[worldcleansingdragon]

if you're a dan heng fan and you feel like

a) missing him

b) having no content

just read the data bank. it's canonically written by him anyway and it's way funnier if you read it like that because some of the factions have a very obvious bias (*cough* galaxy rangers *cough*)

[greenqueenhightower]

Thoughts on the Larys x Aegon Scene in 2x06:

"He executes justice for the fatherless child and the widow."—Deuteronomy 10:18

Larys visits Aegon as he lies on his bed, healing from his injuries. Aegon is most eager to cloud his mind with milk of the poppy, just as his father had done. As he is handed the vial with the drug, Larys assumes the authority of a family member entrusted with Aegon's care. He purposely withholds the drug from Aegon, to instruct him. He wants to instill in him the conviction that he only has his mind to depend on now. Aegon's mind should be sacred to him, just as it is for Larys.

"You have already written yourself into legend. You have survived dragonfire." Larys begins to bore through Aegon's mind. He is not a mere mortal man. He is a legend. Despite his trembling and silent cowering at the sight of his brother, Aegon should not feel completely wasted.

"I came screaming into this world." Larys breaks the news of the extent of his injuries to Aegon. The young King's distraught and mutilated state stirs up something inside him, something that Larys has long kept shut. In response, he does something remarkable; something we've never seen Larys do before: he becomes vulnerable.

"My lungs were strong but my foot so twisted that my father named it sorcery." Breathing heavily, Larys reveals that he, too, was shunned by his father since birth. His deformity was something that Lyonel Strong never came to accept just as Viserys never accepted Aegon as his son and heir. Larys' fate is akin to that of his King. Aegon's grunts of pain stop and he fixes his attention on Larys.

"They will stare at you... or turn away." Aegon and Larys cry together, the wounds of both exposed bare. Larys lets Aegon in on his inner trauma of being despised and disposed of because of his disability. Does Larys fear that Aegon might suffer the same fate by his family? Does he empathize with Aegon's pain because he sees himself in him? Does he want to prepare him for or shield him from the cruel world?

"They will underestimate you... and this will be your advantage." Larys' face hardens as he reveals the bitter truth. Aegon musters up whatever courage he has to exclaim "No!" and shake his head in disbelief.

"Help me. Please." Larys warns Aegon that his life is in danger and he begs for his help. Aegon has come to trust Larys with his life. Has he found an ally and a friend in him? He now wants Larys to protect him. He turns to him like a refuge in a storm. He knows he can depend on him. Like a child pleading with his father, Aegon's eyes plead with Larys.

Larys responds with his determined face and trademark smirk. What will he do to protect his King? One thing is certain: Larys is a ruthless executioner of justice. He has killed his own family, whose eyes so wickedly and hatefully stared at him, for all the injustices inflicted on him. He has tortured and killed all those who betrayed his trust. He is bound to be equally merciless with those who dare touch or thus dehumanize Aegon. Larys assumes the role of father and protector for Aegon, ready to execute his own version of justice for what he cares about.

And apart from himself, Larys has shown that the only other soul he cares to avenge is Aegon.

[budd-ie]

“Mu Qing is too logical for his own good” is such a real problem that he deals with and as tragic as it makes his life I also think it’s really funny when someone is accusing him of something and instead of telling them to shut up or leave him alone the first thing he does is pull out the 95 fucking theses detailing every single thing wrong with their argument WITH historical evidence and additional considerations from scholarly psychology articles, MLA format works cited and completely annotated. It could use an editor and some bias correction, but he actually makes a pretty good point. anyways tgcf ace attorney au when

[erabu-san]

What kind of Introvert is Kinich do you think?

The introvert that is shy of People or "eww people?" 🤔

HMMM I don't believe he is shy, but it doesn't mean he dislikes people

It is kind of canon that he felt sometime alone, because he had no friends 😭 i think it is more "huh. People can't deal with me. Welp... that's how it is" his straightforwardness, rational thought and impassive face clearly doesn't help him. He talks only when he thinks it is necessary ??

[skywalkr-nberrie]

One of the biggest arguments I’ve seen used by the Ob*d*l*s against Anidala, is that scene in the ROTS novel where Padmé says she could trust OW with the secret of the rebellion and was hesitant to tell Anakin and I just wanna say:

Padmé wasn't an idiot. She was an extremely intelligent and competent woman, perfectly able to understand that loving Anakin and thinking that he could be trusted with a certain politic-related matter were two very different things and reducing her choice regarding who to trust with an important political matter only on the basis of her feelings of romantic love diminishes her professionalism, and this is why I say y'all could never understand her.

Padmé didn’t have to "love" OW or even like him at all to know he was the perfect Jedi to ask for help in a secret political matter.

That's the point being made in the novel, she’s hit with the realization that Anakin in this particular moment could not be told this piece of info because of his relationship with Palpatine, and Padmé specifically mentions in the Junior ROTS novel that she didn't want to make Anakin “keep a secret” if he didn’t agree with their stance because it’d be “unfair.” So this also played a part in why Padmé didn’t think it best to inform Anakin about the Rebellion. It honestly had little to do with her actually lacking trust in him, and more to do with the circumstances she was in not allowing her to be open with her husband and her not wanting to make him choose between his wife and his “father figure.”

However, Padmé knows OW’s political ideas aren't tied to ONE particular person but to a philosophy, one which is closer to her own, at that point. None of this was ever meant to be hinted as “romantic” or even remotely insinuated as romantic. It’s strictly professional and even the tone of the scene makes that so abundantly clear.

All I’m saying is that, some of these proshippers are doing the most out here to try and prove their ship, like my loves? You forgot a very important thing called ✨ context ✨ and regardless of her rational thinking, Padmé still went out of her way to try and talk out all of this Rebellion secrecy stuff with Anakin when she confronted him in the scene where she asks if he ever thought they were “fighting on the wrong side.” Padmé didn’t trust OW in the same way she trusted Anakin (with her entire self and being) she had the level of trust and love for Anakin that was only meant for him.

Mixing up her unwavering faith in Anakin as her husband with her trust in OW’s devotion to duty as her comrade/ally is purposely deluding yourself, because the two aren’t the same and therefore can’t be compared. An example of this is: Padmé constantly putting more value to Anakin’s words over OW’s in the end of ROTS when he came to tell her of Anakin’s “crimes”. She completely disregarded what OW had claimed about her husband and instead made her way to where Anakin was herself, to ask him directly. Despite what the truth was, this is proof of her trusting Anakin unconditionally, and I didn’t even think I had to spell that out because it’s as clear as day.

In conclusion, Padmé didn’t trust OW more than Anakin, she just knew the circumstances she was in didn’t exactly make it easy for her to openly talk with her husband about these matters and that’s part of what played into the issues they had in ROTS, it’s exactly what Sidious wanted. This scene in the novel doesn’t exist to imply some hidden romantic undertone that George was intending all along. No, far from that. George was always an “open, , clear and easy to understand” type of storyteller, so if the former was the case, this scene wouldn’t be any different if there was some hidden message or subtext the reader should be made aware of, George would make it obvious. Fact of the matter is, the one and only reason for this scene in the novel to exist is only to show to us as the “reader” that the narrative is tearing apart the Star-Crossed-lovers (Anakin and Padmé.) and visibly putting the two of them on different sides in the story because the consequences of this narrative choice is what will foreshadow and play into the inevitable and great fall of the couple and character in the future. Even the novel makes a very purposeful and clear distinction between “love and trust” in this chapter where all this occurs. Padmé loves Anakin, but knew she had to trust OW with the situation at hand. And if you want to talk “narratively” Padmé needed a reason to keep the Rebellion a secret from Anakin, thus leading to Palpatine to sense “betrayal” in Padmé later on, and using that to his advantage to manipulate Anakin even more into getting him to “suspect” her. It’s all spelt out for us and it’s not hard to miss. All it takes is a little media literacy and understanding context.

(Mind you, hypothetically, if this scene existed for literally any other reason, it would’ve been brought up again, but it wasn’t. It’s only mentioned once and exists for only one moment which was meant to serve a certain narrative and then it was done. There’s not much to make of it since the context of the scene is so clear.)

[paranormeow7]

kennderland is a fun crackship bc you know they’d be so messed up like what little art I’ve seen of them is mostly cute and fluffy but their flavours of survival horror protagonist would compliment each other in a not so healthy way if you think about it and I never see this explored in their art esp not art of Leon on his own

[colorpuzzled]

my toon redesign cause i domt remember posting him here,,,, shiver

[supportanimy]

Can someone whos more familiar with batman tell me literally any similarities he and shadow have cuz i dont see it at all

like i dont really get what they have in common besides being dark and witnessing their loved one(s) getting shot (also one of said loved ones have a name that starts with Mar-)

[dialovers-translations]

All of the people out there who judge Yui and call her ‘weak’ based solely on her anime portrayal...GO PLAY KINO’S LOST EDEN ROUTE.

Yui is a real girl boss in that route who takes ZERO shits from anyone. Kino’s over there thinking he can force her into submission by threatening her but she pulls a reverse Uno on his sad ass and straight up tells him ‘Haha no. YOU are wrong, mister.’

#YuiSupremacy

[artblock-tm]

I’ve mentioned in my Ambivalent Souls infodump but I have a crack au that just inserts those OCs into the story of Death Note.

Hare is Light, Zerie is L, Midnight is Misa, Thirio is Ryuk, Attakai is Rem, Maroon is Near, and Feil is Mello.

I’ve drawn… a lot in a short amount of time. Haha. Whoops.

The au follows the main story of Death Note (the show) with some slight characterization changes. If you wanna ask me about it, my inbox is open!

[pflanzidiezimmerpflanze]

something i whipped up on ms paint a while ago. inspired by this gown [see below the cut] and the firm belief that Poirot would wear more extravagant pieces of clothing if given the choice/chance

like, he wears a pink shirt in murder on the nile. come on now. if cary grant can do it why not poirot?

[real-raincode-takes]

yuma's a pathetic sopping wet used tissue of a guy but it makes me a little sad when people think that's all he is. he spends 80% of the game's story with his life actively in danger so yeah it makes sense- you see him crying, whining, and screaming most of the time until his ass actually locks in for an investigation. but when he's not in danger, like in the gumshoe gabs or in-between cases, he's more than capable of his fair share of judgemental snark. sometimes he's even a bit of a cunt. don't get me wrong- he's a major sweetiepie, but throughout the game he can range from "annoyed, disappointed mother" (like in yakou and desuhiko's gabs) to "straight up murderous rage" (like at certain points in the ch 3, 4, and 5 labyrinths) which is part of why i love him bc his time spent being mostly a doormat makes those moments feel more special. i especially like how much he fucks around with halara, specifically, after the first gab (successfully bluffing and blackmailing them? damn. even if he immediately backpedals on the blackmailing because halara is scary, he still chooses to do it. twice.) and in turn halara feels comfortable enough to joke around with him too. i really love their progression, and it gives me the impression that a yuma who feels totally comfortable with someone is actually a bit of a trickster... which makes sense, considering who his homunculus is

.

[jeremiahthefroge]

Every appearance of the red-haired menace that is early Laurence forces me to sit here and stew upon how I will fix his introduction in the rewrite. As a coping mechanism. Unfortunately since I can't remember the parts where his character isn't just harassment so I can't cook with the themes the way I'd like to. Like the way he calls Aph "my love" after she very explicitly in the text of the game tells him not to do that... bad vibes. I think I could rock with his character if he'd done the same sort of approach in hitting on Aphmau as heavily, but the moment she lays down an actual boundary, he backs way the hell off. I could even fuck with her trying to be subtle about the boundary and him not getting it and continuing to make her uncomfortable before she snaps at him and he apologizes, saying that he truly didn't mean anything by it, and he respects the boundary she lays like his life depends on it from then on out. It would create some immediate complexity in his need for explicit communication, and backs up the sort of deeper character hinting they seem to try to do when he's talking about Castor and Cadenza, this idea that he deeply cares, if being a bit pushy on accident. It would also make a good detail fueling the conflicts later on with the love triangle that can sort of prevent Laurence from looking like TOO much of a dickhead (him being unaware or misinterpreting situations, and the delicate nature of it making him uncomfortable asking questions, is a compelling reason to see somebody hurting his friends' feelings, and makes him significantly more sympathetic, opening him up for feelings of remorse and guilt).