#his character his experiences his personality. everything about him. and then his speech at the final part of endwalker?

[navree]

anyway the only version of jason going non-lethal that makes sense is the version he brings up in #975 where he makes clear that he's going against his moral compass and his convictions on what he thinks is right explicitly so that he can maintain a connection with his family. none of this mealy mouthed 'jason realizes Killing Is Bad' thing (i'm of the opinion that jason's kinda the direct opposite of bruce in that where it would be too easy for the latter to start killing and not stop jason can kill and obviously has but the easier option for him is to just not do it and he does it because that's how his philosophy works) but jason admitting that he's taking the easy way out and being selfish at the expense of his own moral code so that he can still be a part of the batfamily. it's the only thing that makes sense to me.

[astrxealis]

sometimes i think about g'raha tia's little speeches where he goes on about how much he wants to go on an adventure with you and take to the skies upon the eternal wind and i fall in love with him over and over again

[pomefioredove]

hello hello! i see that the headcanon requests are open, so i have arrived 🐺🐺 i'd like to request the housewardens + chenya, neige and ortho with a reader that's mute! i feel like this would be an interesting thing to go off of. feel free to write it as something reader gained after a certain event, or as an illness that they were born with. platonic would be great, but i think romantic would be absolutely adorable too (minus ortho obviously) so go wild, do whatever you want >:) if this is fine for you to write of course!! love your writing, youre my favourite blog on tumblr hehe (runs away)

thank you so much!! and ofc ofc. I'm writing this based off my own experiences with being semiverbal so if I get something wrong,,, that's on me 😔

summary: nonspeaking reader type of post: headcanons characters: riddle, che'nya, leona, azul, kalim, vil, neige, idia, ortho (platonic), malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

I think Riddle is more adaptive than others give him credit for

it's not like there's any rule about not speaking

(and if there was, he would make an exception for you. he's not completely unreasonable)

I can see him learning sign language with you

and if that's not your thing, he'll figure something else out

he's a fast learner, after all

and he wants to make you comfortable, too. not that he'd ever outright admit it...

(obvious favoritism)

*ੈ✩‧₊˚

Che'nya is always quick on his feet

or... on air?

anyway

that means that he isn't one to let the absence of conversation stop him from his usual mischief

and he does love charades...

it's almost like he can read your thoughts. or your... hands? expressions?

whenever someone is giving you a hard time, they miiight just end up talking back to a floating head

*ੈ✩‧₊˚

Leona actually never really... brings it up

before he had the full story, he just figured you were shy around him

(which went straight to his head, of course)

so he was already used to it when he found out it's not something you can control

and... he treats you no different for it

he knows you're not stupid or rude just because you're not yapping all the time

and if anyone else gave you a hard time about it... they'd be answering to him

*ੈ✩‧₊˚

no worries with Azul

I mean, the guy can really do it all

sign language, pen and paper, text-to-speech, body language...

he's rather adaptable, and, trust me, being unable or unwilling to speak won't stop him

the offer to give you the voice of a beautiful singer is still on the table... but he can't blame you for not taking the deal

of course

in the meantime, you can come to him for anything and he'll help you out

on the house <3

*ੈ✩‧₊˚

Kalim's heart is in the right place

is he disappointed you won't be able to talk and sing and cheer with him? a little

you're used to the disappointment, unfortunately

but he doesn't give up so easily

or... at all

no singing? he's handing you an instrument

no talking? no problem, he knows you're still listening!

no hummin, shouting, cheering? he can make enough noise for the both of you

he makes sure you're included in everything

very sweet

*ੈ✩‧₊˚

Vil has high expectations, but he isn't unreasonable

if you can't talk, you can't talk, and that's final

that doesn't excuse you from everything else in his strict regimen, though

what may be a weakness to others is a strength to him

you can improve yourself tenfold by focusing on what you can do rather than what you can't

writing, dancing, music...

however you choose to express yourself, he's very supportive

much like Kalim, he includes you in every conversation, every decision, every yes/no question

he's pretty great

*ੈ✩‧₊˚

Neige! Neige is a sweetie

I like to think of Neige as someone who's actually quite timid in person, despite his career

it's probably your quietness that draws him to you in the first place

he is so very supportive

he's the kind of introvert to suddenly become extroverted when someone needs help

"excuse me, they asked for no pickles" type of guy

he'll hold your hand through everything if you need it, and remain by your side if you don't

*ੈ✩‧₊˚

Ortho and Idia are probably the best people to have on your side

Idia just feels so much more... comfortable around you, since he struggles with speaking, himself

he'll let you use his tablet if you need it to speak

...and then he'll get you one of your own, so he doesn't have a heart attack when you accidentally switch tabs

he'll even program a custom voice or two for you

Ortho is a walking translator for you

with a database full of information on body language and expression, he can determine your emotional state in a single glance

he's happy to help in any way he can, of course!

*ੈ✩‧₊˚

at some point, Malleus needs a shirt that says "#1 Prefect Defender"

you haven't said a single word to him but if anything happened to you he would curse everyone in this room and then himself

(he means well, I promise)

he's never minded, nor questioned your silence

certain fae communicate through lights or movement rather than sound, so it isn't even anything strange to him

you fit right in at Diasomnia

and you're welcome to stay here for as long as you please

(hint hint)

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source

[cepheustarot]

Your future love relationship: with whom and what will be

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: This person will look strong, fit, most likely he often does sports and therefore he looks muscular. But in addition, he also has a strong inner core, he endures all stressful situations, solves all problems, he is not of those who give in to emotions, it is important for him to first deal with problems, things. He can also be called a determined man and all his achievements he achieves through hard work, through the efforts he has put in, he does a lot to realize himself, his desires. Self-fulfillment in life is just as important to him! This person is not only able to work well, but also to rest well, he really knows how to unload their head from complex thoughts and enjoy the moment without burdening himself with problems. It can also be called the soul of the company, as it emanates the aura of a friendly person, with whom it is easy to enter into a dialogue and can be discussed anything, it is easy for him to maintain a dialogue with anyone. In addition, he is energetic, active, he can have quick speech and active facial facial expressions, he can walk fast or do something quickly. He has leadership skills, he is able to lead people, he is able to work in a team, he is ready to take responsibility for his actions. 

Your relationship with this person will be very strong and stable, you will trust each other, maintain, together cope with difficulties, you will feel that you have become family to each other, you will have a strong connection between you, You will achieve much together. in addition to that you will have an understanding, your relationship will not be deprived of passion, playfulness, between you will be a lot of romance and flirting. 

Pile 2: I’d like to point out that maybe your partner will be younger than you! Or he can act like a child at times, be naive at certain points, but these details are not critical and should not prevent your relationship from developing. The person himself is quite lucky, successful, all his beginnings and new cases are accompanied by success. I would also call him unpredictable, his actions and thoughts are difficult to predict, as he has the traits of an adventurer and, figuratively speaking, today he will want to go to the other end of the world, and tomorrow will conquer the mountains. I mean, he’s pretty easy-going and he’s very easy to accept that kind of offer. By virtue of his character, he constantly gets into various stories, from which, of course, he gets out, because fate is on his side. Also this man is not deprived of romance, he quite openly shows his feelings and his love, a lot of flirts, give a lot of gifts, a lot of making nice gestures. The person himself is also emotional, he can quickly change mood. He is quite young and inexperienced, so he does not have enough experience of life, but nevertheless he is open to everything new in his life, in this respect he is quite bold. 

Your relationship with this person at the beginning will be filled with romance, you will be constantly together, as you are deeply in love with each other and without the presence of anyone near you will quickly miss each other. You can even idealize each other during this period! However, over time your sense of obsession will fade away and only love, warmth and affection between you will remain, you will be able to exist together, complementing each other, and separately, continuing to do your business. 

Pile 3: The person himself can be closed, it is difficult for him to open up to people, he is not inclined to show a lot of emotions and tell about his feelings, just it takes a lot of time to trust another. He has a realistic view of things, he tends to objectively assess the situation, relies on logic and facts, rather than on feelings and intuition, in the dispute it is important to prove his point of view rather than show empathy and look at the situation from the side. He can criticize people, but he is also self-critical, has high demands on himself and people, he is perfectionist, tends not to believe in himself and his powers, so he tries a lot to achieve results. Perhaps he’s still a troubled man, prone to thinking too much. He is also one of those who is willing to help people, extend a helping hand, support, he is happy to share his experience and advice, he is generous, honest with people, he appreciates people close to him. 

Your relationship will develop rapidly with this man, you may have common goals and plans and you will achieve them, you two will succeed! But I see here you may not see much of each other, you may meet from a distance and you may often miss each other. But at the same time you will be sincere in your feelings, you will love each other. 

Thank you for reading! I will be glad of any feedback 🖤

[ironunderstands]

2.1 was so good holy shit (spoilers, obviously)

GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.

so, let’s start from the beginning in 2.0 I want to walk you through my experience of it

ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that

2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).

The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.

Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.

Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->

a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other

b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them

c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere

Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument

Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument

2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.

3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.

4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).

Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.

Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.

[immortalthunderstorm]

Criston Cole and Fandom Perception

There seems to be this idea that Criston's character and motivation solely revolves around Rhaenyra, which seems to be a fandom-wide belief. I won't deny that she plays a part on his development, but even that is more about who he is than what she means to him.

I'll provide my personal interpretation.

The overarching theme for Criston, something that was deeply explored by Jaime as well (who in the books refers to Criston as a man of duality), is that the idea of knightly valour in theory is rarely applicable in practice. A knight in theory is meant to be honour-bound, fearless, principled and chivalrous, obey each of their vows. Their name and the Ser they have earned is a badge of prowess and honour.

Especially the Kingsguard, having sworn off all "earthly" pleasures in order to serve their monarch for life, have a deep sense of focus on this as their duty is a singular one, while also having sworn their knightly vows before their Kingsguard ones. The Kingsguard is seen as this incorruptible, elite force of the very best of knights, a high office to have and the dream of even many of the highborn knights. The societal regard for this office is also very high.

Criston is not highborn. He's the son of a steward, Dornish, and unlike many highborn sons who are trained and fostered to rise the ranks and bring glory to their already established name at tourneys, he had to get there the hard way. The show makes this explicitly clear in the scene where Otto suggests choosing a knight with a good name to the Kingsguard, and Rhaenyra chooses Criston for his real experience (points can be made that she's also attracted to him, or impressed by his tourney feats, but she is not in the wrong here. Most knights at this time have never seen real battle, as Rhaenys says to Corlys)

His vows represent everything he has accomplished for himself "all that [he] has to [his] name" - his entire self worth.

Criston's speech on the boat is not about him being in love with Rhaenyra. He explicitly says he thinks it's the only way to wash the stain off his honour and name. He's desperate and of course it's a bad plan, but it's the only way out he sees with the prospect of death and torture now looming over his head in ever waking hour (see Ser Lucamore the Lusty). That's why he's so jumpy the whole episode and the next. He's paranoid about being exposed, and that's why he's so angry that Rhaenyra simply wants him to be her "whore". She's not in love with him either, it's all just about sex for her while it's a life or death situation for him. That's why he breaks down to Alicent so quickly and almost unprovoked, and confesses and asks for a swift death.

"I took an oath. As a knight of your Kingsguard. An oath of chastity. I've broken it. I've soiled my white cloak. And it's the only thing I have to my fսcking name! I thought if we were married, I might be able to restore it."

His devotion for Alicent also isn't primarily motivated by his dislike for Rhaenyra. To him, she's his second chance to live up to his ideals. She's his "Lady of Honour", the person he sees as the perfect example of a dutiful woman (as fostered by the society they live in) . Her he can chain his own sense of honour to, safely devote himself to without conflicting feelings, and be his idealistic version of what a white knight should be.

I'm not saying his behaviour is logical, knightly hypocrisy is one of the central themes across GRRM's work, but it's a lot more complex than what a lot of people make it out to be (everything is about Rhaenyra)

I'm also tired of this situation being simplified to "he's just an angry Incel" by this fandom. It's much deeper than that and I don't get the absolute demonisation of Criston who's a very complex character.

People just love to look for some ulterior reasons to justify their hatred for a him. It's absolutely fine to dislike Criston if they want, but applying these pseudo-psychological frameworks to him is getting old very quickly.

He is not an incel, he pretty much tells Rhaenyra he's been with at least a couple women before joining the Kingsguard, and it's not like he's angry at her because she doesn't want to sleep with him, on the contrary she pretty much offers him to be his 'paramour' and he gets upset because he doesn't want to be used for sex at the risk of his life. The whole point is his extreme sense of honour and paranoia of breaking his vows.

Similarly the Madonna-Whore complex doesn't check out because this only applies to his dislike for Rhaenyra, not sexually active women in general. Criston hates one (1) woman and that's more for personal reasons than religious extremism - he's very respectful and polite to the prostitute in ep 9, does not treat her as someone lesser or sullied or sinful despite being religious. He pretty much says to Aemond that all women should be treated with respect.

This man insults one woman (who he has personal beef with) once, and immediately apologises for it, yet the fandom seems hellbent on him being some raging misogynistic incel.

(If we want to start throwing stones, Daemon calls people bitches, whores and cunts in almost every episode lol.)

[justsomeoneintoomanyfandoms]

What's Your Type? - Jabberwock Edition

This was originally requested by Anon who asked: "What kind of personality would each of the characters be drawn into?"

I had to split it up into a few sections, separating the boys by their houses so here's the next part. The links to all the others are below. I hope you like the headcanons!

Fandom: Tokyo Debunker

Characters: Haru Sagara, Towa Otonashi, Ren Shiranami x gn! Reader

Frostheim | Vagastrom | Jabberwock | Sinostra | Hotarubi | Obscuary | Mortkranken

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

What sort of personality are the characters drawn to?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Haru will definitely be initially attracted to anyone who has a kind and caring disposition. It’s not a requirement once he gets to know someone better but it’s something he notices straight away in strangers.

Since he’s a mom friend as well, I can see him being drawn to that in others. A small part of him hopes they treat him the way he’s so used to treating others.

If someone’s good in a crisis, it’s going to get them on Haru’s radar. So much is always happening over at Jabberwock and he needs someone as his partner who can handle that.

I think he would also be drawn to someone who’s more on the observant side. Always noticing the little things and helping keep everything and everyone running smoothly.

Towa’s a romantic at heart so he’s going to be immediately drawn to people who are romantics or who are very loving.

He’s also going to be drawn to people who are patient, especially in complex situations. He knows his lack of speech can be confusing or difficult so being with someone who’s willing to be patient with him is a must.

In the same vein, it’s really important for Towa that the person he’s interested in is open minded enough to accept him. That also extends to being open minded about other things and people but as long as you accept him, he’s fine with just that.

I feel like he would also be very drawn to anyone who’s a bit whimsical. He’s going to be offering you flowers to eat so if you accept the offer, he’ll be delighted that he’s found a kindred spirit.

First of all, you’ve got the be patient with Ren but in a very different way to Towa. Ren’s not used to being in any kind of relationship with others and he’ll take a while to get used to thinking about someone other than himself.

You’ve also got to be firm in what you want. Ren might not have much experience, but he’s got to learn somehow. Anyone who’s patient but firm will draw his attention.

I feel like Ren would also be attracted to anyone who’s particularly persuasive or is good at getting him to do things. It shows that you’ve got backbone and that’s a good thing in his mind.

And special interests are an absolute must in his eyes. He’s got his B grade movies and video games, the person he’s interested in has to have something they’re passionate about as well.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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[anewstartrekfan]

Why I like Kirk so much and why I think he didn’t resonate as much with general audiences as Spock did

I think what Gene Roddenberry and the rest of the tos crew underestimated is how powerful knowledge of a character can be when they thought Kirk would be popular over Spock. As season 1 progresses while you do get information about both Kirk and Spock peppered through out, how much and how it’s conveyed is important.

Spock is Stoic yes, but surprisingly he talks about his past and what it means to be Vulcan a lot. And other characters comment on Vulcans too like McCoy describing where a Vulcan heart is. Even moving onto season 2, when Spock truly, desperately, does not want to explain what Pon Farr is or that Sarek is his father, he admits these things under pressure. And all of this information is what’s gives the audience an idea of what informs his actions.

Jim Kirk however, despite being very outgoing and charismatic, very rarely talks about himself. With few exceptions, every time you do learn something about his past it’s because someone else explains it or points it out. You’ve got where no man has gone before where Gary talked about their academy days, The naked time while Spock talked about his regrets, Kirk vents that he wants a personal connection and then is literally the only person who is able to will the virus to stop effecting him (on his own I mean) just long enough for McCoy to give him the cure.

The Android copy of Kirk tells us about Kirk’s brother Sam, in Conscience of the king literally everyone except Kirk explains his tragic tarsus iv backstory, we never find out who the Ruth girl is in shore leave, and it’s Bones that brings up Sam lives on Deneva. Even in season 2 in the worst episode ever, the deadly years, when Kirk is in a room alone with his ex fiancé, she explains their history. Not Kirk.

This man is allergic to talking about himself I love it.

Edit: Whenever Jim does even sorta talk about his past, it’s always in the context of what the other people he’s talking to know about it. Take Tarsus IV. Spock tells Jim that he checked the same library records. So when Jim finally opens up at the end of the conversation, it’s information Spock and Bones already know. “I saw him [Kodos] once, 20 years ago.” Then about 10 minutes later when he’s talking with Kodos and trying to get proof, he gives Kodos a copy of the speech Jim heard him read 20 years ago. Saying that he memorized the words. Again, these are things only the two of them would know about. It’s not something Jim exclusively went through.

Then later in Obsession when Jim is talking about his prior experience with the fog, everything he references was in the report he made after the Farragut disaster that he knows Spock and Bones read. There is no new information he reveals about what happened to him or even how he felt about it. Bones has to be the one to say Jim was wrecked with guilt because at the end of the day, Jim will never willingly talk about his past without knowing or thinking the other person he’s talking to has the same information. He will not reveal anything new 95% of the time.

Anyway back to the old blog.

While I’d argue conscience of the king does most of the work you would ever need to explain why Kirk is the way he is, the fact is we don’t learn much about his past through him. Instead it’s Kirk’s actions that inform our understanding of him. Which on some level I like a lot. It’s rare that a tv series doesn’t lean heavily into some tragic backstory explaining why a character acts the way they do. But it isn’t just he doesn’t have multiple tragic backstories. It’s what we know nothing about his past in general. Ffs we didn’t learn he grew up in Iowa until Star Trek IV. It might not even be Riverside! That town just claimed it for themselves and everyone rolled with it.

Edit: SNW did confirm after almost 40 years that riverside is Kirk’s birthplace.

The audience never truly closes the gap with Kirk because he never willingly opens up (at least where I am in the show idk maybe the movies change this) So comparatively Spock just had more going on.

[akane171]

­­­Things about Ron Speirs that live rent free in my head

-“SPEIRS, GET YOURSELF OVER HERE!”

I don’t know what I like most about this scene. The fact Dick just furiously passed Sink and ignored his commander, because his boys were getting screwed? Speirs running to him and then without a single word sprinting to do the job? Or Nixon with his binoculars liveblogging the whole  battle? ¯\_(ツ)_/¯

-The change in his voice and intonation between “I’m taking over” and “First Sergeant Lipton!”.

-The church scene, when Lipton says Easy men didn’t care about the gossips… It was HILARIOUS. Like, Lip? Sweetheart? Ron scared the shit out of Christenson and some poor innocent kids in the same damned ep. I could hear Pat’s sobbing in the background during that scene, mixed with the nuns’ chorus.

-A man needs a hobby and his was trolling people. Aside of the whole “did he or did he not shot the prisoners”, he enjoyed the gossips, appearing suddenly out of nowhere, while giving creepy speeches and traumatizing people. And he did it fabulously. Legend.

-His little, millisecond pause, when we watch his back while Lipton says “Well, maybe they keep talking about it because they never heard Tercius deny it”.

-And two things about this scene. Lipton knows Speirs was trolling people and it was amusing him. And Ron’s answer “Well, maybe that’s because Tercius knew there was some value to the men thinking he was the meanest, toughest sonofabitch in the whole Roman legion” - he knows Lip knows he was trolling people and (not directly) admits it. He never did that to anyone else, what also means he really respected Lipton (gross sobbing).

-Anyway, this whole church scene is a pure love and I adore every second of it.

-He was a history nerd ;_; I’m kind of sad, we didn’t see him and Buck taking about some ancient battles in Gaul.

-He kept tabs on Easy xD how much he’s learnt from creeping in the shadows and eavesdropping – no one knows xD

-The fact real Speirs was shot in the ass on some of his solo patrols proves he was just meant to be Easy’s CO. Fucking destiny.

-His favourite sergeant was Grant (ok, ok, put the pitchforks DOWN, I said sergeant NOT lieutenant, geez).

-The fact no one called him “Sparky” in the show is a crime against humanity. But at least we got one “Ron” from Winters. Still…

-I think I read somewhere here, that he wore his helmet so low, because it was too big and… yes? Absolutely? Whoever noticed it – I bow to you.

And it reminds me all the promo pics where we have most of the characters standing together and he stands on the side, a little farer and looking awkwardly like “mom said I have to socialize more, so here I am, ugh…”.

-Also, he looks tiny compared to the other guys on many shots/pics, what is hilarious on many levels.

-I realized it after the second watch, that he not only stole cigarettes from Buck, but he offered them to the German POWs. Not his cigarettes, but the shit he stole. I don’t know why, but it’s just so super HIM xD

-I wonder when exactly Easy Company did realize that their new CO is not exactly the meanest, toughest sonofabitch in the army, but a big ass weirdo, with poor social skills, suspicious hobbies and sticky hands.

-Ep 8 look >>>>>>>>>>>>> everything else.

-The moment when Webster throws himself to the ground and Ron just stands in the background, watching the missile like it was meh (he had a personal ranking of “Things that almost killed me” and that missile was not even on the Top 10).

-“No. You don’t have any experience.” How the fuck Jones didn’t drop dead right after is beyond me. Also, A+++ acting.

-The fact is that Lipton was his social-skills-only-working-brain-cell and it’s beautiful.

-The moment Perconte asked him to give him back his lighter, I guess it was the moment Speirs knew his reputation crumbled to dust xD

-Unpopular opinion, but I don’t think Malarkey scared him on a purpose. I think it was accidentally, what for me, makes it even funnier. But the fact Don started as someone who was scared of Speirs like no one else and ended scarring him – it just warms my heart.

-And that pure annoyance on Ron’s face when Malarkey’s approaches him a second after he scared him, will never stop making me laugh. It the look could kill the bottle in Don’s hands would explode.

-On some point Lipton was sitting with his head in his hands and moaning that he was not paid enough to keep his crazy CO with suicidal tendencies alive and Luz was there-thereing him.

-All the things he's done to keep Grant alive.

-Basically, Speirs gives me a stray cat vibes and the fact he kind of, adopted Lipton and whole Easy proves it.

-And finally, the way he went from “we are all dead, just accept it” to “ok, I guess I’m going to stay in the army to keep the idiots alive (sighs)” is one of the best character developments and is so… sooo … you know? ;_;

Anyway, the thing I like the most about his character is how unexpected he is. I didn’t expect to like him so much. I didn’t expect him to change so much in such splendid way. But here I am.

We meet him in the show as  “a cold blooded soldier” stereotype and we learn in the end he was just deeply compassionate man (and a weirdo), who applied being a sociopath to be a better man of war. It just makes him very human - thanks to the fact his character was based on a real man, I guess. And that applies to all BOB’s characters.

And BIG kudos to Matthew Settle for doing such a great job and creating an iconic character. I read and watched some interviews, where he admitted he had a big problems with grasping the role, but damn, in the end he absolutely NAILED IT.

EDIT: Part II (x)

[johnsilvers]

something in the silverflint conversation in 3x10 that i always found sooo well done is how flint reacts to everything that’s being said. like technically we should be expecting the scene to be about silver’s reaction to flint’s confession (and it is about that ofc). but toby stephens put so much care into flint’s emotional state there. like. he confesses to silver. not knowing what his reaction will be. then there’s that moment when he’s like ‘you don’t have to say anything’ which to me personally hit so close to home (every coming out experience i’ve had being mostly about like. not trying to impose anything onto the other person or not being seen as overbearing or anything). and then silver goes on his crazy tangent and you can feel how weird it all is to flint. like he’s nervous and anxious and then a bit angry and hurt when silver says it’s kinda his fault all his lovers are dead lol. but then you see how that tension bleeds out of him bit by bit. as if he were telling himself ‘okay we’re jumping over this. we’re not dwelling on that. it’s okay. i don’t have to explain myself further. it’s over.’ when silver continues with his speech. and then he even starts to be a little amused by silver and cracks that joke at the end. cause at the end of the day silver says he has his friendship and there’s no judgment there. like idk how to properly articulate it but that moment feels so genuine for flint’s character so. yeah

[rkaln]

its akatsuki!Lee propaganda & #like what is the lore

part III

and what does suna's anbu have to do with it? it will be later, but the sktch with anbu!Lee bcse that's what I'm going to end up with... god, the list of my <thing>!Lee doesn't look like a joke anymore…

going back to the last part

> gaara really feels guilty. in general, it looks like Lee literally found himself in the position that Gaara has always been in, and which he is trying so hard to fix. so a one-time dialogue with an apology should end with an unspoken

"you can come if necessary, and you will be accepted/ not handed over"

> So over time it becomes a safe space and a place where one might not be "akatsuki given that, definitely, over time, Lee may have thought that he would like to return home, but understanding how impossible it is now does not give reason to consider such an option

***

a little offtop, but DO YOU REMEMBER THIS FILLER? I know that filler is not canon, but it fits so well into this AU. because my reasoning boiled down to the fact that orochimaru perfectly manipulates emotions and, in fact, there were no guarantees that Tsunade would have been found at all, but Guy? if before the filler, I put it into the fact that Lee could reason that he would prove to him that it was the right decision. And she will only show herself to him when she can prove it. then AFTER this filler, I consider it one of the main triggers for making a decision.

(ok, no one will deny that Lee is very emotional, and in fact there are enough moments in the canon when it acquires an aggressively dark character, but a really difficult emotional state also plays a role here, and if to a huge offense towards Sasuke and doubts about the life position that "really everything can be done with the help of your own work." ADD THIS MOMENT FROM THE FILLER TO IT?? moreover, he is still, you know, a teenager)

s o, this is one of the reasons why I don't consider that he would return to Guy. if at first it was anger and resentment, then with time and the realization of some other things, it would just come down to shame and guilt.

***

> so Gaara and Lee have much more understanding of each other in this AU at the level of life experience.

So even taking into account the fact that they had no interaction here except for the arch of the exam (because the arch with Sasuke's persecution is already superimposed on the time when Lee left), gaara would still be ready to provide unconditional acceptance to him, because he knows that if you do shitty things and everyone around sees only this, matching something else is too difficult

-> running into the "safe space" becomes something quite stable over time

> what about sex? here it is for me the same "slowburn, but they fuck regularly"

AU, in which I believe that sex appeared before "relationships" because:

- no one ever knows if there will be a next meeting at all, because this is not the case when you will receive a letter telling you what happened

- it is also a more "simple" way of interaction, where you do not need to put everything into words or think about social norms

as part of the speech about rough sex, here is a little more detail.

and with a reference to the dialogue about "bad people" in the previous part

The longer Lee stays in Akatsuki, the more he returns to the fact that, according to his worldview, he is still a bad person.

There was no such dialogue between them, so sooner or later Gaara must turn away from him too.

"he just didn't understand."

"he hasn't seen what kind of person I am yet."

"I don't deserve to be accepted and treated like this."

... and Gaara's absolute indifference to these facts even starts to anger to some extent.

"he just doesn't believe in what I can be."

(actually, it's funny separately, because generally remembering that they are ninjas in the canon, is it that "I will become the strongest ninja who cannot use chakra" actually sounds like "I will be the best at killing on my own," you know)

so one day it will come to Lee's attempts to cross the line, to grope for the boundary of this acceptance. (so sex is involved in this too) "now he'll understand and push me away" "after that he won't be able to accept me"

It's clear that this is pretty stupid considering Gaara's experience.

of course, it doesn't work. more precisely, it works as a confirmation that there were no borders there.

so rough sex is also a separate tool of interaction, in which Lee can be convinced of acceptance, not to mention some other things like personal emotions, feelings of possession, etc., and for Gaara, it's just something in which he (FINALLY) can not be responsible for his actions. (here I'm talking about the fact that Gaara's whole life is surrounded by responsibility for others, and responsibility for what you did in the past), not to mention some other things like personal emotions etc lol

[devildarlindumbass]

(Tw fatass rant on my personal opinion on batdr and biggest annoyance with it that I think about forever)

Forever thinking about how the bendy games were meant to convey a theme of how seeking perfection and trying to erase mistakes always resulted in the worst

Alice going mad seeking a 'perfect' cartoon face, Sammy spiralling and leading himself down terrible places in search of returning back to his 'perfect' human body, Overall Joey creating monsters and harming the entire studio trying to create 'perfect' cartoons, Wilson trying to make his perfect cartoon character and attempting to harm Audrey in the process and ending up dead himself, ect. (Even in smaller cases like Jane wanting her character getting into the butcher gang to go 'perfectly' and presumably killing herself to get her way somehow)

And batdr seemed to have an excellent setup to follow this theme, with exploration of the ink demons abuse, In the studio despite being nonhostile being rejected for not being 'perfect', and growing aggressive when rejected and hurt- and then batdr follows off of this, how hes experimented on and tortured into being 'perfect', how despite the cartoon form is visually appealing and the desired perfection, it is quite literally achieved through torture and subduing.

The ink demons speech towards Audrey is very clearly projecting, and is explicitly with the line "You're a mistake, a monster, like me." He's ashamed of himself, but only because that's what he's been taught. Regardless, he feels powerful and truest in that form, and the cartoon form just isn't him, even if it's what was desired or expected of him, it causes harm.

And then after they team up and use the end reel, starting everything over after defeating Wilson (and his torture machinery), prepared to do the cycle right, what form of the demon do we see?

... Ah.

Gotta love being marketable (internal screams of agony)

Anyways I just find it interesting how after all the themes stressing how seeking perfection no matter the cost is BAD and HURTS they switched it around at the end. I think it was purely for the omg cartoon so cute hype because there doesn't seem to be much else reasoning to just do that as the ending to wrap up a story trying to follow this theming.

Anyways I have probably ranted about this before.

Tldr: personally (personally) I want to kick the child

[cripplecharacters]

Good morning/evening to y'all!

In your list of frequently asked questions, there was no mention of speech disorders? I was wondering if you answer questions for that too? I'm sorry to bother you if you don't.

If you do, I have two things I'd like to ask, if you don't mind!

First of all, my character is a 4-year-old boy with a stutter from brain trauma. How much does age affect this? Are there better to be cured or is it more severe? What would be the best sort of action from parents towards child?

Secondly, what does stuttering feel like, physically? Does it include tightness in the throat, thirst, numbness, or anything like that?

Thank you all.

Hello,

Yes, we have at least one mod with a speech disorder and I can answer them.

Depending on how old he was when the trauma occurred, he may not even realize that he does it. Some things, like the multiple syllable repetition unless he has a more minor form of it, he may notice and feel frustrated with, but stuttering can also include pauses and drawing sounds out which he may not even notice. Because he has the injury now, when he's still learning language like a sponge soaking in water, it's going to be harder to treat. In my experience, speech therapy that started when I was five never managed to actually improve the way I spoke. It's harder to improve in this situation- possible, to my knowledge, but harder.

Curing a stutter from a traumatic brain injury is going to be difficult. It's not likely and it's probably not something his speech therapist would even consider- when there's a lot wrong with speech and there's a reason behind it that can't be worked around, like a TBI, sometimes a speech therapist will just focus on trying to improve one aspect, or they might not even bother at all. If getting rid of his stutter is the goal, that's going to take years of work and it might not fix everything. It can be a severe condition- some people can have a severe stutter from the brain injury- but mostly it's just hard to treat because we have a permanent modification to how our brain works.

The best sort of actions his parents can take is listen to him. It might be frustrating for people to listen to someone who stutters and they might experience isolation because people don't want to talk to or listen to them, it does so much to have even one person in your life who will listen to you speak without impatience, interrupting, or ignoring. Because he's also going into school, listening to him is really important. School is very difficult for people with speech disabilities (for all disabled people, really.) He may experience teachers who are impatient or ableist, or he might experience isolation from his peers or even bullying. It's important his parents listen to him about any issues he may be facing so that they can step in and advocate him. They're the most important people for him to have in his corner. Listening to and communicating with any child is important, but it's very important that his parents listen to and communicate with him. At the very least, it creates a safe place for him at home. At best, he'll talk to his parents about bullying and they can put up a big enough fuss that the issue will be resolved.

As for what it feels like, it feels like the mouth kind of pauses. Like you're trying to say something but there's a barrier in your mouth, so you have to force every sound through it, and that's hard to do. A lot of people who stutter report physically tensing up trying to speak, leading to tension aches wherever they tense, usually in the face or neck, and that tensing is kind of subconscious as if there really is a barrier and you need to physically force the words through the barrier.

As you try and get words out, you might become stressed or frustrated, and that usually makes the stutter worse, which just makes your frustration and anxiety worse. They feed on each other and it sucks.

People who stutter also might have what are called secondary symptoms, like the reflexive tension I mentioned earlier. These secondary symptoms can include grimacing, blinking, movement or another part of the body, like the arms, legs, or feet, issues maintaining eye contact or even issues looking at the person they're talking to at all, and changes in the pitch or volume of the voice. You might also see adaptive behaviours from the person trying to hide their stutter, such as using word substitutions, meaning replacing a word they might stutter on with one they can say easier, interjections such as uh, um, etc, filler words such as like, and quickly revising sentences to either hide a stutter or rephrase the sentence to make it easier to say, things like "I want- I'll have the pasta." Stuttering and those secondary behaviours can lead to him trying to avoid speaking, which he definitely shouldn't do (shouldn't avoid speaking, I mean.)

Also, you might want to consider exactly where the TBI was and how severe it was, because location and severity can also cause other symptoms. An injury to the cerebellum, for example, will impact his fine motor skills. Look into the areas around the specific places that control speech, too. If the injury was bad enough or at the right angle to hit those places, he'll also have symptoms associated with a TBI to those locations.

Thank you for sending this.

Mod Aaron

[thedomesticanthropologist]

Neil Newbon is doing an incredible job at reminding people to not get swept up in the hype. He always makes a point of crediting everyone who was involved in the development of not only the character that he worked on but the entire game. He talks about how there were 248 people involved in acting and various other things and he said that so many times I have it memorized.

He is humble, kind, and most of all

Just some guy

I'm going to say that really loudly and really clearly because this is a human being not an idol. This is an intelligent, kind, witty, friendly person who is doing everything in his power to be exactly the very best representation of an actor who has been thrust into the spotlight.

It's very obvious that he wasn't expecting this he's even said that he wasn't expecting this level of response to him in particular. Please be aware that he is not your personal therapist, even though he understands therapy and he is very intelligent and has taken a lot of time to sort of coach a lot of his fans.

Please remember that although you find him attractive, him brushing off these comments towards him or emphasizing that people are attracted to the character and not him, are not him being shy or being unaware of how attractive he is. He is aware of how people feel about him. I can say this with full confidence because this man can read. And a lot of people have been writing to him.

He is a person. He is just some guy. And I'm not trying to undermine him he is incredibly talented, intelligent, kind I could repeat myself a million times but the point is he does not belong to. He is not yours. He's not a character. He is a literal human being who is trying to do his job and is doing an amazing job at it. But he has also specifically stated that he is expecting to become extremely burned out by this experience.

Listening to an interview with him on Spotify today, I got to hear about how he is quite sure that when all of this sort of calms down as one might say, he's going to need a break. No I don't know if that was the interviewer mentioning it or him himself but he has had to navigate an extreme amount of popularity being dumped in his lap very quickly and while he is doing it with a lot of Grace and dignity I think that maybe as a fandom the bg3 community could give him a bit of a break by sticking to questions that are easy-

If you're going to hire him on cameo then please don't be insane or weird about it or ask him complex questions relating to sexual trauma or trauma dump on him.

Please if you are going to compliment him don't be weird about it.

And honestly if you really want to support him because you really like him and you think that he in particular is amazing, the best thing that you can do is start to hype up the rest of the actors and writers and developers and people who have worked on this game because he has been trying throughout every interview every acceptance speech and every moment that he has been on camera or on the microphone from what I can see trying his very best to make sure that other people get to share the spotlight with him.

Help him do that, and try to be chill.

[green-nerd-showdown]

GREEN NERD SHOWDOWN QUARTERFINALS 1

Riz Gukgak (Fantasy high) vs Marina Ida (splatoon)

PROPAGANDA

RIZ

Riz "The Ball" Gukgak, is green cuz he's a goblin, and a nerd. He starts out as a "Teen Detective" kid, investigating the disappearance of the missing girls in Elmville, cuz one of the missing girls is his old babysitter, aka his only friend before the show starts. He later graduates in the "James Bond Wannabe" Kid. He starts accessorizing and experimenting with his outfit, but because he's a nerd and self conscious he's constantly trying to justify it by making everything some kind of gadget and saying that it's all for the sake of utility in order to deflect any judgement. Also, before you think the nickname "The Ball" is cool, he got it because when he tried to join the sport team, the school jock said that the only position he could play was the ball, and proceeded to throw him like a ball. Dimension 20 is a D&D actual play show, Riz Gukgak is one of the player character, his player being Brian Murphy, who is a nerd himself. He's also the rogue, starting with the Inquisitive subclass, aka the nerd subclass, and later changes to the Arcane Trickster subclass, aka the slightly cooler nerd subclass. He's a nerd being played by a nerd as the nerd class with the nerd subclass, formerly the other nerd subclass, in the nerd game.

He's a green goblin who is obsessed with solving mysteries and making clue boards

Goblin (green). Middle school nickname was Briefcase Kid. Still carries that briefcase. Is a licensed PI. Definitely the (non-magic) brains of his adventuring party.

he made business cards to give to potential friends on his first day of school. he is a self proclaimed private investigator. he carries around a fucking briefcase to HIGH SCHOOL. what hasn’t this guy done. Sure he does a lot of cool stuff but this is what matters.

I love him, he is such a nerd, straight A student with an impeccable knowledge of the world he lives in, he is also literally a goblin, and thus the colour green. He’s also aro so green in the flag

Feral detective/angel spy

MARINA IDA

she's really good with tech stuff, likes to build robots and vr worlds etc. often talks pearls ear off about this stuff

She is literally autistism the person and also a octopus and also a lesbian what more do you want from her. she has been stated to go on MULTIPLE HOURS WORTH OF LENGTH info dumps about heavy machinery. she does not know what a social clue is and is in love with her best friend.

she was military strategy general or something at like age six and once held a nine-hour long speech about excavators. also a mechanical genius.