#him being the lord of darkness

[ddodol]

he’s so nerd bf coded omfg #needhimsobad

he's so silly </3 nerdy bf with one hyperfixation and would not shut up about lore even though you're the one that introduced the series to him lmaoo

[maegalkarven]

We know what it wasn't a big secret to the cult of Bhaal what their Chosen (Durge) is a lil (a lot) obsessed with the Chosen of Bane.

Orin def told everyone who would listen about it, as Balthazar's note on "Prayer for Forgiveness" might imply.

But have we thought about the other side of this?

How many of Bane's servants present at Gortash's coronation saw Durge and went "Ugh, not them again. ANYONE but them. Dark Lord Bane, we serve you well and do not deserve this".

How many of banites had to watch their Chosen act like a lovesick fool at his own coronation and tried very hard not to cringe?

Like bhaalists were not pleased with their Chosen's affections, but I bet Gortash was INSUFFERABLE with Durge by his side.

[majinmelmo]

So someone on YouTube said “Paul McCartney was such a competitive cunt he made Brian Wilson have a nervous breakdown and put John Lennon in the fetal position for a decade” and it made me wanna cry.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[oplific]

victim of capitalism #2

[cystolt3113]

Pre-teen Shen drop his first swear word and the Soothsayer is not happy.

(i just think shutting Shen up will be so EASY because you can just grab or tie his beak lmao 😂)

[chodarktrash]

MANIFESTS IT MANIFESTS IT MANIFESTS IT

[righteousenjoymentofthunder]

thinking about an au where lucius, particularly inspired by the death eater raids at the world cup, decided to release tom riddle's diary into hogwarts in the chaos of the end of goblet of fire's world cup instead of in the chamber of secrets

[gryffintheparrotcat]

My favorite part about gortash x durge is that he'll fix you if you embrace your urge but he'll make you worse if you didn't.

This man clearly loves durge for being able to keep their urge in check but he is also so smitten when you pull a "I'm death, I will have my revenge. Those who wronged me will perish by my blade."

[katyspersonal]

me: I do not really understand the hardcore insistence of some Mohg fans/simps that he could not or must not have done any sexual-incestous crime! Not only it is a reasonable version, but also extremely interesting and intriguing to explore how not all victims of oppressive system are good people! Soulsborne is super fitting for fucked up themes and characters, any Mohg is valid and fun including the darkest you can get, right? Extremely messed-up interpretations of Mohg don't THREATEN other fans in any way shape or form!

fandom clowns: *passively-aggressively shun Mohg fans from the circles, attack Fromsoft for """homophobia""" (wtf), confuse acknowledging the event with enjoying the event, will label Mohg fans as insensitive or danger to real SO/incest victims, fear Mohg as an awful scary taboo to bring up in memes compilations or fanart that could obliterate all fun despite him being part of the canon, demand blacklisting anything about him in their clown Discord servers thus making lore chats weird, shame or block people with flattering interpretations for MeDiA iLiTeRaCy uwu, treat hating Mohg as a moral act rather than personal stance and generally cause a lot of hostility in the fandom, ALL because whereas seeing Mohg's SO as canon they then got mad at this canon instead of either swallowing it or move onto another videogame free of this theme*

me:

me: Nevermind, this fandom is chronically incapable of handling the dark themes and think the fandom owes them sanitised experience.

[wannabe-minion-of-chaos]

For a stick of truth au, consider

Craig/Feldspar being the one to have stolen the stick and brought back Clyde from being banished from space and time in the first place

(also I'm elaborating in tags again)

[vaguely-concerned]

more for the garashir fairytale grab bag AU I am never going to actually write: garak knows exactly what would break his curse from the start, he just never tells anyone for the longest time b/c he's so sure it could never happen

(it's asking forgiveness, of course. he thinks it's tain's forgiveness he needs, and tain is fucking dead and knew he would be by the time garak woke up so it seems the perfect unbreakable parting fuck-you revenge curse. and garak would expect nothing less from his father than that, so he's resigned to dwindling away painfully. enter julian bashir and his fierce force-of-nature compassion (and also secret illicit immense magical powers) with a steel chair!!! to go 'OH YEAH??? we'll see about that', as you might expect. oh. OH necromancer-ish julian calling tain's ghost up to ask him about what the hell he did and how to undo it, ala his gambit to go see him the wire? and the knowledge he gains from that is what confirms garak's suspicions as to what is Up with this handsome young healer mage because it could be known only by those long dead. cue east of the sun west of the moon part of the narrative once julian understands his game is up and runs away??

anyway getting some true love's kissing in by the end of it all is just a nice bonus it's not needed like strictly magically for either of their situations lol)

[miki-13]

[sabrondabrainrot]

I forgot to mention, ep "Lord Eclipse's Surprise in VRCHAT" is some LOONEY TUNES levels of funny. Literally Tom and Jerry sketch.

I finished it a bit ago but I just can't get it out of my head how funny that was.

I think my favorite part was when D! Sun dropped Lord Eclipse off that cliff and the show had the AUDACITY to play A SLIDE WHISTLE sound effect.

LORD ECLIPSE WAS PLAYED OUT BY A SLIDE WHISTLE.

no one understands the comedy gold in that.

D!Sun is also a comedian, he's SO funny when he drops the act. Him just deadass "I don't dirty my hands."

-drops THE LORD ECLIPSE off of a cliff-

AND Eclipse's SCREAM the FADE AWAY was so funny.

[twipsai]

well that was fun, goodbye!

based on this awesome edit :)

[whatarewedoingdude]

I also think it's funny that Alex is so self assured yet needs attention and validation like it's fucking water