#high-capacity magazines.

[historyofguns]

The article "Continuous Precision Custom 1911 DS Prodigy" by Andy Grossman, published on The Armory Life, explores the recent surge in the popularity of double-stack 1911 pistols, highlighting the Springfield 1911 DS Prodigy. Priced significantly lower than its high-end competitors, the Prodigy offers value for money while still delivering exceptional performance. Grossman explains his decision to customize the Prodigy with the help of Continuous Precision, a custom machine shop specializing in law enforcement equipment enhancements. The customization process involved slide machining, grip modifications by Great Lakes Custom Works, and adding magazine extensions, resulting in a personalized firearm he dubbed "Prodigy 2.0." The final product maintained a balance of aesthetics and functionality, significantly enhancing the stock pistol's performance. Despite the additional customization expenses, the author concludes that this customized version of the Prodigy remains competitively priced and stands up well against pricier alternatives.

[qupritsuvwix]

Good luck. You’re missing a very important fact. Even if you ban the sale and manufacture of certain types and brands of rifles, a la the “laundry list” laws of the eighties, it won’t make a difference. You can’t confiscate enough to make America “safe” or “gun-free”. There are enough semi-automatic rifles out there to arm several million people if they each have only one. And many gun fuckers have multiple examples, with plenty of ammunition. The only hope we have is the more intelligent firearms owners getting tired of idiots making them look bad and deciding to clean up their act. Because most firearms owners are not violent and intent on murder. They are not heartless. They have just been given very few options. Some of them believe that the time is coming when the Shit Hits the Fan. There is no such thing as “civilian society” when cops murder with impunity and stand by while active shooters rage. There is no “civilian society” when a deposed president inspires insurrection and suggests that the next civil war might occur real soon. Unarmed citizens are not civilians just because you think firearms are “weapons of war”. When the next insurrection occurs you might be happy that some liberals own rifles. Because your “thoughts and prayers” that “assault weapons” will stop making your life difficult if enough people clap their hands is a fantasy. And stop babbling about “common sense gun laws”. If common sense actually existed, then nobody would be allowed to purchase a firearm without undergoing at least a basic firearm safety course. But it doesn’t.

[vizrecon]

[ivygorgon]

An open letter to the U.S. Congress

How many people have to die? BAN ASSAULT WEAPONS NOW!

339 so far! Help us get to 500 signers!

I am writing today as your constituent to urge you to make our communities safer by banning weapons of war. In 2004, the Violent Crime Control and Law Enforcement Act expired, lifting a federal ban on assault weapons and high-capacity ammunition magazines. Since then, thousands of people have been killed in shootings across the nation. We’re talking about children at school, older adults at the grocery store, moviegoers, concertgoers, and so many more. How many more must die before lawmakers put thoughts and prayers into action? The use of an assault weapon equipped with a high-capacity magazine increases the likelihood that a particular shooting will have a high death and injury count. These are war weapons that have no place in our communities. During the 10-year period that the federal ban was in effect, mass shooting fatalities were 70 percent less likely to occur than either before or after the ban. We can save lives by reinstating a federal law that bans the manufacture, sale, and possession of assault weapons and high-capacity magazines. Your action on the Hill can save lives. I urge you to move swiftly to take meaningful action to make all of our communities safe from gun violence. Thanks.

▶ Created on October 27, 2023 by Jess Craven

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[attactica]

How Long Can You Leave Magazines Loaded?

[aaaaatillathenun]

ugh we love cognitive dissonance a middle schooler was killed in a school shooting by a teenager there. 5 more people are injured, 1 in critical condition. When will this stop. When will there be a ban on guns

[reasonsforhope]

"Amsterdam’s roofs have just been converted into a giant sponge that will make the city more climate resilient.

The Dutch have always been famous for their ability to control water, born out of the necessity of their homeland, much of which is below sea level.

Now, their expert water management skills are transforming the city skyline in the capital city of Amsterdam from one of terracotta tile, concrete, and shingles into green grass and brown earth.

It’s part of a new climate-resiliency trend in architecture and civic planning known as the ‘sponge city concept,’ in which a garden of water-loving plants, mosses, and soil absorbs excess rainwater before feeding it into the building for use in flushing toilets or watering plants on the ground.

If heavy rains are predicted, a smart valve system empties the stored rainwater into the municipal storm drains and sewers in advance of the weather, allowing the roof to soak up water and reduce flooding in the city.

In this way, the rooftops of buildings can be wrung out and filled up just like a sponge.

In Amsterdam, 45,000 square meters, or 11 acres of flat metropolitan rooftops have already been fitted with these systems, and the contracting firms behind the technology say they make sense in dry climates like Spain just as much as in wet climates like Amsterdam...

A 4-year project of different firms and organizations called Resilio, the resilient network for smart climate adaptive rooftops, rolled out thousands of square meters of sponge city technology into new buildings. As with many climate technologies, the costs are high upfront but tend to result in savings from several expenditures like water utilities and water damage, over a long-enough time horizon...

All together, Amsterdam’s sponge capacity is over 120,000 gallons.

“We think the concept is applicable to many urban areas around the world,” Kasper Spaan from Waternet, Amsterdam’s public water management organization, told Wired Magazine. “In the south of Europe–Italy and Spain–where there are really drought-stressed areas, there’s new attention for rainwater catchment.”

Indeed the sponge city concept comes into a different shade when installed in drought-prone regions. Waters absorbed by rooftops during heavy rains can be used for municipal purposes to reduce pressure on underground aquifers or rivers, or be sweated out under the Sun’s rays which cools the interior of the building naturally.

Additionally, if solar panels were added on top of the rooftop garden, the evaporation would keep the panels cooler, which has been shown in other projects to improve their energy generation.

“Our philosophy in the end is not that on every roof, everything is possible,” says Spaan, “but that on every roof, something is possible.”

Matt Simon, reporting on the Resilio project for Wired, said succinctly that perhaps science fiction authors have missed the mark when it came to envisioning the city of the future, and that rather than being a glittering metropolis of glass, metal, and marble as smooth as a pannacotta, it will look an awful lot more like an enormous sculpture garden."

-via Good News Network, May 15, 2024

[destiel-news-channel]

[Image ID: The Destiel confession meme edited so that Dean answers 'Sheriff claims he thwarted a third assassination attempt on Donald Trump - and then let's the suspect walk on 5k bail' to Cas' 'I love you'. /End ID]

A 49-year-old man, named by the police as Vem Miller, had been arrested outside Donald Trump's rally in Coachella Valley, California. The suspect denies having planned an assassination attempt and has been charged with possession of a loaded firearm and a high-capacity magazine.

source link

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED FOR VESTAL MAGAZINE.

REFLECTING ON YOUR JOURNEY IN THE ACTING INDUSTRY, DO YOU REMEMBER THE MOMENT YOU REALIZED YOU REALIZED YOU WANTED TO PURSUE ACTING?

"The moment I realized I wanted to pursue acting was probably when I was around 12 years old, in high school."

"I was performing in a production of Shakespeare's Macbeth at the Royal Exchange in Manchester."

"I saw older actors and wondered what their "proper" jobs were outside of the theater."

'When I asked one of them, they said': — "No, this is my proper job. This is what I do."

"I didn’t know people could do that."

"From that moment on, I knew that this is what I wanted to do as a career."

YOU'VE DONE MULTIPLE SHOWS AND MOVIES IN THE DRAMATIC GENRE. WOULD YOU EVER BE OPEN TO DOING OTHER GENRES?

"Absolutely, I'd love to explore new genres in the future."

"I'd love to give comedy a go."

"I think that would be a good challenge."

"It’s difficult because timing is crucial delivering a joke at the right time can feel almost mathematical."

"But I think that good comedy actors don't see it that way at all."

"It just comes naturally to them."

"I'd love to give it a shot."

"I'm also interested in doing biopics, bringing real-life stories to life."

"Chet Baker and Gene Kelly, in particular, would be fascinating characters to portray."

"But I'm open to any interesting projects that come my way."

HOW DO YOU CHOOSE THE ROLES YOU TAKE ON? ARE YOU DRAWN TO A PARTICULAR TYPE OF CHARACTER OR STORY?

"Honestly, I'm drawn to anything that makes me feel uncomfortable and pushes me out of my comfort zone."

"I seek out roles where the character feels distant and challenging."

"I like to test myself and see if I can bring such characters to life."

"If a role feels like something I might struggle with, that's exactly what I want to tackle."

"I often joke that these challenging roles might be my downfall someday." [laughs]

CAN YOU SHARE ANY INSIGHTS INTO HOW YOUR CHARACTER, AEGON II TARGARYEN, ENVOLVES IN THE UPCOMING SEASON?

"I found it fascinating to delve deeper into Aegon this season because there's so much more to uncover about him."

"In the first season, we saw quite a two-dimensional view of Aegon—not due to Ty Tennant's portrayal, which I thought was fantastic, bringing a lot of vulnerability and teenage angst to the character."

"When I took over, the time frame was too short to really explore Aegon's complexities."

"This time, I've had an extended period to sit with the character and dig into his deeper layers."

"Playing a character experiencing profound grief is always a challenge."

"I'm lucky enough that I've never gone through anything like that myself, so I had to imagine it as vividly as possible."

"This season, Aegon is shown as more of an empath than a psychopath."

"It becomes clear that he has the capacity to love, feel, and grieve."

"There are so many comparisons between Aegon and Richard II."

"People are saying Aegon is cold, calculated, and evil, and while he's certainly done horrible things—I'm not justifying any of those—it's important to note that, rather than being a straightforward villain, he's a crumbling tragedy."

HOW HAS YOUR APPROACH TO PORTRAYING AEGON II CHANGED FROM THE PREVIOUS SEASON TO THE NEW ONE?

"There’s definitely a continuation of the drama and theatricality from season one."

"It's huge, rousing, and intense."

"I've seen episodes one to four, and they are just unbelievable, especially the battle scenes — you can't get any bigger than that."

"This season, though, there’s also an element of humor."

"At some point, they called Aegon 'the Magnanimous,' and it was important to bring some levity to his character."

"Aegon has just stepped into the role of King and is trying to figure it all out."

"We're at a point where he’s found a spring in his step, enjoying this new responsibility and purpose."

"He’s also got a lot of power now."

"Power can go to people's heads and make them crazy."

"It was nice to explore his boyishness and playfulness, as it gives his character more depth and leaves room for growth."

WHAT WOULD YOU TELL PEOPLE TO GET THEM ON TEAM GREEN?

"I don’t think I need to persuade them—obviously, we’re the best."

"But if you really want to see why, this season is packed with surprises that will make it clear."

SINCE THE SHOW IS BASED ORIGINALLY ON BOOKS, IS THERE A SPECIFIC BOOK YOU'D LIKE TO SEE BROUGHT TO THE SCREEN AND FOR YOU TO BE A PART OF?

"I'd love to see a film adaptation of Douglas Stuart's book Shuggie Bain."

"Another great choice would be The Thousand Autumns of Jacob de Zoet by David Mitchell."

"It’s a collection of beautiful and heart-wrenching short stories, and each one could make a compelling film."

"Looking at my bookshelf now, I see a lot of books on Bob Dylan, David Bowie, and Paul McCartney—mostly singer-songwriters."

"I also have a lot of poetry. I'd love to see a biopic of Patti Smith."

"That would be incredible."

YOUR CAREER HAS TAKEN YOU TO VARIOUS FILMING LOCATIONS AROUND THE WORLD. IS THERE A SPECIFIC LOCATION YOU HAVEN'T BEEN TO YET AND WOULD LOVE TO BE THE BACKDROP FOR A POTENTIAL FUTURE PROYECT?

"Oh, that's a good question."

"I think somewhere that’s a hybrid between beautiful rolling countryside and the coast."

"A place that offers both stunning landscapes and the sea."

"On your days off, you could go for a swim or hike through the mountains."

"I’d love to work in a scenic and peaceful location like that."

SOMETIMES, ACTORS WHO PLAY 'VILLAINS' CAN GET AN ADVERSE REACTION FROM SOME FANS OF A SHOW. WHAT HAVE YOUR INTERACTIONS BEEN LIKE?

"I've been very lucky."

"Many people have approached me with kind words about my portrayal of Aegon."

"It's a challenging task to humanize someone so seemingly poisonous."

"Fortunately, I haven't had negative encounters with fans who can't differentiate between the character and the actor."

"I think we're in a different phase in society now."

"When Jack Gleeson played Joffrey, there was less social media presence, making it harder for audiences to separate the actor from the character."

"Today I think we are a more technologically advanced community, with more behind-the-scenes and a better understanding of the distinction between actor and character."

"I think people have copped on. I hope that's the case, anyway."

YOU'VE COLLABORATED WITH RENOWNED DIRECTORS LIKE CHRISTOPHER NOLAN. WHAT HAVE YOU LEARNED FROM THESE EXPERIENCES?

"Doing Dunkirk was my first significant experience on a film set."

"I really didn't know where to start."

"The canvas was completely blank."

"And it was just such a gift, a pinch me moment that I was able to learn from some of, if not the best filmmaker in the world."

"It was overwhelming."

"And I had to remind myself to be present and soak in everything like a sponge."

"Chris's patience and the support from the rest of the cast were invaluable throughout."

"We were all in it together, especially us young lads who were new to such a big production."

"We learned and grew together during that incredible experience."

IN THE KING, YOU PORTRAYED A HISTORICAL FIGURE. HOW DID YOU APPROACH BRINGING THIS CHARACTER TO LIFE?

"When portraying a fictional character, there's often more freedom because there's no definitive blueprint to follow—even if they're written in a book, they're still fictional."

"You can infuse your own understanding and personality into the role."

"However, there’s added pressure when it comes to a historical figure because you're portraying someone real."

"I never let that pressure overwhelm or hinder the process."

"Instead, I took the character as presented and focused on doing my best with the role."

A NEW HUNGER GAMES MOVIE WAS JUST ANNOUNCED, SPECIFICALLY A PREQUEL FOCUSING ON HAYMITCH'S STORY, AND MANY FANS ARE EAGER TO SEE YOU IN THAT ROLE. WHAT ARE YOUR THOUGHTS ON THAT?

"No way, that’s the first I’ve heard of it! But I'm incredibly flattered that people would like to see me on screen again."

"If all goes well, I'll fight for my life in the Hunger Games!" [laugh]

WHAT ARE SOME OF YOUR FAVORITE SHOWS DURING YOUR DOWNTIME?

"One show I watch repeatedly, and it never gets old for me, is the UK version of The Office."

"The humor is very relatable and comforting to me."

"I even laugh just thinking about it. It's one of those TV shows when it finishes, you're like: — “Oh no! What do I do with my life? I miss the characters already.” [laugh]

"I also enjoy the US version of The Office."

"Besides that, I'm fascinated by farming documentaries."

"Shows like This Farming Life on BBC are incredibly calming for me."

"And I have to mention The Great Pottery Throwdown — I'm a bit of a pottery nerd, and that show is brilliant!

WHO ARE SOME CREATIVES YOU WOULD LOVE TO WORK WITH IN THE FUTURE?

"The list is long."

"Firstly, there are directors I'd love to collaborate with again, like Chris Nolan and Sam Mendes, with whom I've had some of my best experiences and whom I consider friends."

"I'm eager to work with them again."

"Then there are filmmakers like Andrea Arnold, Yorgos Lanthimos, Greta Gerwig, Paul Thomas Anderson, and Ruben Ostlund, all of whom I admire and would love to collaborate with."

"When it comes to actors, there are many I admire as well."

"I plan to work with individuals who challenge me, from whom I can learn, and who are dedicated to their craft."

"I appreciate those who find joy and humor in their work because life is short, and it’s important to enjoy what you do."

LASTLY, WHERE DO YOU HOPE YOUR CAREER WILL HEAD INTO THE FUTURE?

"It’s more of a feeling than a checklist of achievements that I aim for."

"I understand that feeling because I can almost sense it in advance."

"It’s difficult to articulate—it’s a mix of happiness, creative fulfillment, diversity in roles, consistent challenge, and pushing boundaries."

"I aspire to transform and lose myself in characters."

"Equally important to me is collaborating with inspiring individuals whom I can learn from and grow with."

"I also value the freedom to select projects that resonate with me personally."

[historyofguns]

In the article "Why Is This Ayoob’s Favorite 1911 for Training?" by Massad Ayoob, the author recounts his extensive experience with the Springfield Armory Range Officer 1911 pistol that he has used for over a decade. Ayoob describes the 1911 as highly reliable and effective, likening its operation to that of a Singer sewing machine. He reflects on how the pistol's reliability underlines his principle that good shooting owes more to the shooter’s technique than the firearm's cost. Ayoob has used this 1911 extensively in his roles as a firearms instructor and in various shooting competitions, often surpassing more expensive custom guns. Despite signs of wear from frequent use, the gun has consistently demonstrated exceptional performance, leading to top finishes in competitive events such as The Pin Shoot. Ayoob concludes that the Springfield Armory 1911 offers excellent value and build quality, underscoring his satisfaction with this dependable firearm.

[abibliophobiaa]

Comfort (smut is ok too)

I havent laughed like this in a long time

Forced proximity

Eddie munson

🌛🌜

thank you for your sweet request. had a lot of fun with this one. little ex-lovers to lovers again with rockstar!eddie ahead. warnings: mentions of alcohol and 18+, minors dni for p in v sex. || 2k words

You don’t mean to bump into your ex boyfriend at the bar. You’re meant to meet up with a date—someone your roommate, Robin, had set you up with. Said it was a friend from her undergrad program, that he was great and was a high school history teacher. Only he’s not here now, hasn’t shown up and it’s been well over an hour. Which is a shame, truly, because he sounded safe; vastly different from the man actually sitting before you now, twirling the ice round and around within his glass. 

And it’s not that Eddie isn’t safe, it’s just that he’d gone off on tour nearly a year ago and it rocked the foundations of your relationship to the core. He asked you to come. Through teary goodbyes as he climbed onto the tour bus all those months ago, he asked you once more. Begged for you to come, to embark on this new journey, to be there. But you were studying, working on your graduate degree, and he understood. He’s always understood, and though it pained him he climbed on that bus all the same and told you you’d make it work. 

For a bit…it did. 

You enjoyed the random flowers he’d have sent to your apartment, the gifts that would arrive at your doorstep on your birthday and other holidays, the phone sex when the guys had long gone to bed for the night. 

But eventually, all things change. 

 Phone conversations became sparse, conversation heavy and limited, spoken through whatever crappy phone booth he could come across on the road. You reminded yourself on those hard days that he always promised nothing would change, that time and space couldn’t take away what the two of you shared, but it changed you. 

You suggested it one day. Taking time apart. You with tests coming up, him with the constant late nights. You weren’t connecting like you once did, you told him, and winced when you heard his shaky exhale on the other line. It breaks you to break him, because if there’s one thing Eddie Munson has always been, it’s giving. You could ask for the moon and he’d wrangle that and the stars for you. He’d do anything to make you smile, to see you happy, to let you know just how honestly and truly loved you were. 

So he granted you that. Told you he loved you enough to let you go and hung up the phone on the receiver. It had been four months since that day. Four months of wondering what he’s doing, what he’s been up to. Four months of capturing his face in a magazine at a newsstand on your way home from work in the bustling streets of New York City. You bought them every time. Flipped through the colorful pages and traced the features you knew like the back of your hand, if only just to see him in some limited capacity. 

It’s nothing like having him across from you now. There’s never been anything really to encompass the punch to your gut that’s an inevitability when those amber eyes dart your way. 

“Can I sit here?” he asks, and he’s already sitting when you finally nod. “You alone?”

“I was supposed to be meeting up with someone.” He flinches at your honesty and nods. His dark hair dances along his black leather jacket, thumb running along his bottom lip as you continue eagerly, “What are you doing here?”

“Playing a concert tomorrow, as you know. We had the day off today.” He pauses at your frown. “You got the tickets I sent you, didn’t you?”

“I did,” you admit, remembering that they’re on the fridge back at your apartment. You’d been shocked when he sent them. Had meant to reach out…just hadn’t yet. “I’m going, if that’s what you’re wondering. With Robin.”

“Good.” He chuckles, mouth drawn into a smile that shows his dimples. “Your date is an ass, you know—for, uh, standing you up.”

You offer him a pleasant smile, twirling your own drink in front of you as you say, “I’m enjoying my company just fine.”

It’s as easy as breathing, the two of you falling back into conversation. You suppose that’s the nature of a friendship forged when you’re kids, and a romantic relationship that only came later. But you fall back into step like old friends and lovers, catching up on the months lost, of the guys in the band, your happenings in school, how Robin is doing. You talk about Hawkins and how Steve visited with the kids last weekend. And before long you’re walking back to your apartment, bubbles of excitement dancing in your belly at the prospect of spending more time with Eddie. 

“You sure you want me to come back?” he asks, all boyish grins and fingers toying with a curl that he drags along his plush lips. 

“It’s going to snow anyway. And my apartment is closer than your hotel,” you tell him, just as you drag him inside. “Robin’s out for the night anyway.”

You don’t intend to stay up most of the night talking. But you do, huddled together on your couch, giggling together until your sides ache and your cheeks hurt from grinning so much. Somewhere, in the midst of the movie you pop in and set to watch, a bowl of popcorn positioned in Eddie’s lap, the two of you drift off into sleep. Leather jacket pressed against your cheek, the tattoo of his heartbeat loud in your ears, the comfort of his familiarity calling you home. 

In the morning, you’re both on your sides. The popcorn, now likely stale, sits on your coffee table. Eddie’s fingers press into the dip of your back, his thighs slotted between yours, his face just millimeters from your forehead. It feels normal, and there’s a feeling of right that stirs in your chest from just simply having him close to you like this.

“Hey,” he murmurs, eyes closed, head nuzzling into yours. 

You don’t push away, don’t try to move. It feels nice, this nearness to him. Your fingers slide up and along his back, brushing against skin beneath his shirt. “Hi.” 

You’re met with those eyes that could have you falling in love all over again. Then again, you don’t think you ever truly fell out. “I haven’t laughed like that in a long time,” he whispers, thumb coming up to run along your cheek gently. 

At the slow drag of the digit back and forth along your jawline, your heart stutters. “Me neither, Eddie. Look—I’m really sorry for—”

His next words tumble out in a breathless rush, “Do you think you could give us another chance? I’m done with the tour in another month and then I’ll be home. Here. And I want to do it with you.”

It’s a beautiful dream; sounds like everything you could want and more. But the logistics, the reality of what that looks like. “Eddie…you’re in Hawkins when you’re not working, and I’m here in the city—”

“I’ll move in.”

You break out into a disbelieving laugh. “Did you just invite yourself to move into my apartment?”

“I’ll move in…if you let me. If you want me to,” he says slowly, looking you firmly in the eye. There’s a severity there you’re unused to on his features. “Look, it’s not going to be easy, and I know that. I should have been more supportive on the road last time, should have called you more. Fuck, there’s a lot of things I should have done, but I shouldn’t have let you go. I should have gotten on the next plane to New York and been here.”

You’ve both made mistakes. Endless ones. Too many to count. In your heart, you understand letting Eddie go—letting your love go—is one of the gravest. 

“Your career skyrocketed—”

“Doesn’t matter. You were there for all my shitty shows with the five drunks in our crowd, and you were there when we played our first festival. You were there when we got signed with the record label. And I’m a fuckin’ idiot.”

It’s crazy; it sounds crazy, but it feels right and you’re blurting out your next words without thinking about it, choosing to try, choosing to believe, “I have three conditions for you moving in here.”

The hand brushing your cheek stops. “I’m listening.”

“You kiss me every morning and night when you’re here.” 

“Easy.” He leans down and nudges his nose against yours for emphasis. At the soft nod of your head, he leans down and captures your mouth with his, swallowing the hum that swells in the back of your throat. 

You reluctantly pull away, teasing the line of his nose with your own. “You promise to separate your lights from your darks before throwing them in the wash.”

He smirks, huffing out a laugh. “Babe, I’ll even do the dishes.”

“Tempting,” you tease, sliding your hand around his back and dragging it across his abdomen. His stomach twitches under your touch, amber eyes liquefying as they glance down to where your skin brushes his. 

“What’s the last one?” he asks, a pointer finger coming to tip your head up to look at him. He places another peck on your lips, maneuvering the two of you on the couch so you can shift over onto your back, one of his elbows resting beside your head to prop himself up. 

Your fingers slide up and over his heart, resting over the place you’d broken some months ago now, the same place he was willing to open up to you and lay bare once more. “We will never ever break up again. It killed me the first time. Been my best friend since we were kids, Ed.”

“I know, sweetheart, I know.” His palm moves to lay over yours, forehead dropping to rest against yours. “Never again. Gonna make sure you know every day just how much you mean to me. I love you.”

“I love you, too.” And you mean it. It’s never been something that stopped; it’s a certainty just as the sun rising each day is. “So how soon can you move in?”

“Well,” he hums, sliding a palm down your side, along the curve of your hip, around the bend of your knee that spreads to accommodate him between the cradle of your hips. “Seeing as we’re snowed in, we can practice now.”

Your kisses are slow and languid, as is the way you undress one another. Fingers coming to slide his jacket down his arms, to help drag the tee shirt beneath up and over his head until his wavy hair springs free. He slides your jeans down your thighs, making you giggle when he blows a raspberry into your abdomen after you kick your thong free from your ankle into a heap on the floor alongside the jeans and boxers he’s since removed. And it’s a honey sweet sigh as he flops over onto his back and you sink down onto him, relishing in the fullness of being with the man who holds your heart after four months without. It’s the soft build of your impending release, husky moans from the man beneath you, quiet moans spilling from your parted lips. It’s the ringed fingers helping you rock against him, his hips undulating beneath yours, driving you closer and closer to your tipping point, the rasp of his voice as he breathes out, “I—ah, fuck. Made for me, sweetheart.”

“Missed you, Ed. Missed this. Missed us.” 

“That’s it. Take what you need. S’ gorgeous, baby.” 

As you shatter around him, sated and spent, and drop down to rest against him, with his fingers trailing up and down your bare spine, you relish in the fresh start, a love to nurture. 

And a few days later, you relish in the new home you start to build as you help him unpack and his things become one with your own. 

-

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[probablyasocialecologist]

There are enough highways, apartments and offices, malls and hotels, restaurants and theme parks—this despite an ongoing crisis of housing affordability. In the over-carbonised economies of the world’s wealthiest countries, maybe we don’t need to build any more, or only do so in a very targeted manner: hospitals and archives, cooling centres, housing and amenities for climate refugees. Even in these cases, there is often the capacity to reuse and redistribute what we have—to reconsider the role of design as one of maintenance, repair, and adequate comfort.  Some buildings are needed. Class A office space and luxury condominiums, not so much. After the Covid lockdowns, the vacant office space in New York City could fill twenty-six Empire State Buildings. Seems like enough. Yet there are still cranes in the sky, still new towers on the boards—indeed, the production of the built environment (and not only in New York) is essential to a growth economy. Any form of enough-ness goes against this premise of relative economic strength being measured by growth, or really by the growth of growth—how much has the GDP gone up, and at what rate? To suggest that, individually or collectively, we already have enough goes against the very foundation of consumer culture. Many life worlds are organized largely, if not exclusively, around accumulation, wanting and getting more—more stuff, more space, more savings.  The health of the US economy in particular is measured by rates of consumer spending, and through this measure implicitly directs the global supply chain. What, for example, is the carbon cost of the resurgence of interest in Barbie? The plastics, the shipping, the advertising, the repainting of houses. And given the carbon intensive energy regime that hums beneath this always-growing global economy, all of this—stuff, space, savings—is dripping in oil, vibrating with carbon intensity, keeping the arrow of emissions pointed inexorably upwards. The Austrian/Puerto Rican economist Leopold Kohr referred to this as Skyscraper Economics—how high can we build? How much can an economy grow? Is there a measure of health, or wealth, that is not about this competitive increase, but about a horizontal redistribution? At last year’s Beyond Growth Summit in Brussels, this was framed as a distinction between “ecologically harmful growth competition and well being cooperation.” Architecture’s fealty to growth, investment, and financialization is caught up in this distinction, and faces the challenge of finding opportunities for creativity within a new set of constraints. Why, when a new building is announced on Instagram or in a glossy magazine by some proud firm or client, do we see square footage, a few swanky features, but no mention of the estimated carbon emissions of the building’s life-cycle?

[warblogs17282]

"You are aware this kind of weapon can kill--" "…demon royalty?"

I still can't help but wonder if this is setting up a Chekhov's gun trope type deal, because, unless I've missed something, it is still very much possible that I.M.P has Striker's blessed weapon from s1 e5.

Plus, I'm pretty confident that Striker did not retrieve the weapon again when he made a dash to the window for a few reasons.

1: The trajectory of the weapon after Moxxie got slammed in the face by the door makes it pretty clear that it would've landed nowhere near the quickest path to the window. (Which is the path Striker ended up taking. I do also admit that this is a tad bit of speculation on my part, but you get the point I'm making.)

2: Striker's hands are completely empty when he starts running here, and when Striker is at the window, we can see that Striker still does not have the weapon in his hands, making it impossible for Striker to have retrieved the weapon at any point during this, unless the weapon somehow landed outside after Moxxie got hit by the door, but I heavily doubt the weapon landed outside. Not to mention Striker was most likely grabbing onto the window frame with both hands as well.

3: Unless I've missed something here, we do not see the weapon from s1 e5 in s2 e4 at all, plus, I'm pretty sure it's not even mentioned at all as well, adding to the very high possibility that Striker did not retrieve that weapon during his escape in s1 e5.

Another thing I want to mention is that the sniper rifle was shot only once by Moxxie, and after googling it, while it does vary on model to model, they typically have a magazine capacity of more than 1 round, meaning that the weapon most likely still has ammo loaded into it.

And all of this begs the question, does I.M.P have that sniper rifle in question? The answer being that we don't know at this point in time, it's very possible that they do have the weapon, but at the same time it's also very possible that they don't have the weapon, considering it's never been mentioned or seen again after s1 e5, so unless it gets mentioned again I guess we won't have an answer to this question.

[sawbuckplus]

At approximately 8:45 a.m., a House staffer entered the Cannon House Office Building and put his bag through screening. USCP officers noticed what appeared to be ammunition on the x-ray screen. After a hand search of the bag, officers found four ammunition magazines and eleven rounds of ammunition. The staffer told the officers that he forgot the ammunition was in the bag.  38-year-old Michael Hopkins was arrested, and he is facing charges for unlawful possession of ammunition, including one charge for possession of a high-capacity magazine.” 

The staffer in question works for Rep. Joe Morelle (D-N.Y.), who is a fierce opponent of the 2nd Amendment Rights of Americans.

[tomorrowusa]

Putin is trying to pass off North Korean troops fighting in the Russian army as members of the Buryat ethnic group in Siberia.

It's already suspected that Putin is giving North Korea missile technology in return for ammunition and other military supplies. Apparently troops from North Korea are also part of the deal. Unfortunately for Putin, they seem to be as useless as his own troops.

The Suspiline report citing Ukrainian intelligence sources says that 18 North Korean soldiers fled their positions somewhere on the border between the Bryansk and Kursk regions of Russia, just 7 kilometers (4.4 miles) from the state border with Ukraine. The source said the reason for them absenting themselves is not known but it said Russian forces were currently hunting them while the commanders in the area were trying to cover up the incident and to hide it from higher command. The incident comes just a day after Russian President Vladimir Putin put forward a request to ratify the treaty for a “comprehensive strategic partnership” between the Russian Federation and North Korea, which had been signed on June 19 during Putin’s visit to the DPRK.

Claiming that North Koreans are actually Buryats is quite a stretch. Buryats have a generally East Asian appearance which might fool people in Europe. But once they speak or write, the similarity disappears.

Buryat is related to Mongolian and uses the Cyrillic alphabet. Korean is rather unique and uses its own homegrown phonetic script. They don't sound or look anything alike.

The report of these soldiers being absent without leave (AWOL) also coincided with other intelligence reports that up to 3,000 North Korean combat troops were being trained to form a “special Buryat battalion” at the base of the 11th Separate Air Assault Brigade of the Russian army at Sosnovy Bor near Ulan Ude in Buryatia. The reports say the unit is currently being provided with weapons and equipment. A Ukrainian milblogger, Igor Sushko, said on X / Twitter on Tuesday that the North Korean troops were being issued with Russian military identity cards identifying them as Buryats. The Buryatia Republic is situated in eastern Siberia, where its indigenous people have an Asian appearance. Andrei Kovalenko, head of Ukraine’s Center for Countering  Disinformation, commented that integrating North Korean military personnel into Russian forces was likely to be complicated by the language barrier: “Less than 1% of the cadre officers in the North Korean army are proficient in Russian. Understanding this is crucial for examining the potential future involvement of these troops with the Russian armed forces. “Although Russia might utilize North Korean soldiers initially in the Kursk region, there’s a possibility that several tens of thousands could eventually be deployed to Russian-occupied Ukrainian territories alongside Buryat counterparts,” Kovalenko added.

It would be interesting to hear how the Buryats and North Koreans are getting along in Russia. The Buryats have every right to resent that Putin is trying to pass off North Koreans as Buryats.

The attempt to include North Korean troops with the Russian forces in the Ukraine invasion is another indication that Russia is getting short of troops.

New York Magazine recently featured a lengthy interview with Michael Kofman of the Carnegie Institute called Ukraine War: Why Russia is in More Trouble Than It Looks.

A relevant excerpt...

Russia’s advantage has been the ability to withstand very high levels of attrition because of the materiel and manpower resources they have, and also their significant capacity for mobilization of resources on a national scale — that is, defense industrial production, manpower recruitment, and the like. But Russia’s actually operating under very significant constraints. And if anything, its advantage on the battlefield is likely to decline as we get into this winter and look further ahead into 2025. First, in terms of equipment, the Russian military has been sustaining very high levels of loss that are principally being replaced by Soviet-era stocks — not entirely, but at this stage, Russia is eating through its Soviet legacy, and its rate of equipment production is quite low relative to the numbers being lost on the battlefield. This doesn’t mean that Russia is going to run out of armored fighting vehicles. What it does mean is that the Russian military has increasingly been forced to adjust tactics to minimize their losses, and that also reduces their ability to achieve any operationally meaningful breakthroughs. When you look at manpower, the Russian government has significantly increased the payouts and benefits to recruit personnel. The reason for that is straightforward. It’s clear that at this rate of loss, the Russian contract recruitment campaign is unable to keep up. This too does not mean that Russia is going to run out of manpower, but it’s clear that they’re struggling, and they are not likely to be able to sustain this pace of operations, staying on the offensive with this rate of loss.

Russia has apparently already been trying to recruit mercenaries in Syria and possibly even Africa. The quality of foreign troops in Russia has been rather uneven. That 18 North Korean troops have gone AWOL and may be trying to escape to Ukraine is an indication that importing fighters from abroad is not going well for Putin.

[mariacallous]

"I’m proud we beat the NRA when I signed the most significant gun safety law in nearly 30 years! Now we must beat the NRA again! I’m demanding a ban on assault weapons and high-capacity magazines! Pass universal background checks! None of this - I taught the Second Amendment for 12 years! -  violates the Second Amendment or vilifies responsible gun owners."