#hes the reason im still living what

[sitizelter]

i love my employed wife

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[chronologically-challenged]

I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."

[impossible-rat-babies]

vierapril day 26--weapon

"and failing that, i'll have my trusty warrior of light box the ears of all concerned."

[luuxxart]

leaks from the anime post bnha 430……. #REAL #NOTFAKE

[lunarharp]

kitchen of witch hat vibes

[djevelbl]

Ace Attorney crossover where, in very typical Phoenix Wright fashion, he's neglected to find out WHO IN HELL his newest client is until he's sitting right across from him at the detention center's visitation room, and he's forced to confront the fact that he's going to bat for a murderous clown who IS innocent this time around

Aka: Ace Attorney crossover, but ClownPierce is his client--

[triglycercule]

what if because dust and horror wouldn't wanna be called anything aside from sans in a multiverse context and they were both good buddies they both just start calling eachother sans. i'm sans (dust) and i'm sans (horror) ahh duo

becaaause horror in his eye(s) still sees himself as sans!! he's sans!! who else is he SUPPOSED to be god 😒😒 stop attatching this stupid fake name onto him that just points out all his shortcomings in his au and also just dehumanizes him (because i get that aus are named after a key trait of something but COME ON the guy's name is HORROR it's like naming a poor person "brokie" or something,,,). horror is PROUDLY sans smh

and dust ALSO sees himself as sans!!! like,,, granted he's definitely not a better sans than he was before considering everything he did (but he still doesn't like his past self's inaction) but he's STILL SANS. nothing about him changed (really?) enough to warrant the whole identity shift. like dude dont discredit him DONT DENY HIS WHOLE LIFE!!! he IS sans no matter what,,, dust doesnt wanna think about what he became if he's not sans now anyways lul :3

now could they fight over the right to the identity of sans??? possibly,,, but also consider this: there are literally infinite numbers of sanses in the multiverse. at some point the shiny title of Sans would be something horror and dust are used to around the multiverse!!! so why fight over the name (that so many others share already so its not exactly exclusive) when they can just decide to make each other feel better!!! be delusional TOGETHER 🤞

[blossoms-phan]

phil’s second draw my life is one of my favourite videos on his channel i looooooove phil just talking openly and honestly about things

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[satorugojoswiife]

don't think or talk about gojo for one (1) day challenge (FAILED)

[dayurno]

hiii dayurno could you tell me more about raven!jeremy? it's such a new idea sounds very interesting!!!

hiii of course! buckle up. long story and also a collab with ao3 kevjean :3

well first of all let me say that in this au jeremy is not part of the perfect court or in fact even close to it at all. he’s a sub striker with a high jersey number who did not see much playtime during his career as a raven and was on the lower end of the raven spectrum skill-wise. this is important to tell you because the fic doesn’t start with jeremy in the ravens, it starts with him dealing with the aftermath of the nest getting dissolved and losing every bit of his hopes and dreams after sacrificing everything in his life to make it in eau—it starts with kevin salvaging the last dregs of jeremy’s college career by recruiting him for the foxes for his last year, even though jeremy, as an ex raven, hates him (and jean) for what they’ve done both to riko and to their team

ok good. so set the scene. jeremy is miserable. the ravens already didn’t like kevin and jean to begin with, isolated as they were from the perfect court. now jeremy lost not only his team but the lifestyle surrounding it, the ideology of the ravens, his partner, and his career prospects. he doesn’t have the eau raven title anymore and he can’t use it to get himself in the line of sight of most pro team recruiters. he gave up a family (that didn’t love him much, but still) and a trustfund for this. kevin day leaves the nest, jean moreau follows soon after, and their king kills himself. Do you understand how much jeremy hates them? kevin and jean were perfect court, were untouchable, didn’t even know or care to learn his name as a sub striker with not much under his belt—and then they left and destroyed everything jeremy had worked so hard for without even thinking about him. without remembering him at all, in fact.

he hates them!!!!!!!! desperately. With a passion. getting recruited for the foxes and by kevin day on top of it all is humiliating, but it’s the last chance he has. jeremy arrives in palmetto an angry hateful mess made ten times worse by kevin’s constant criticism of him, unaccustomed with normal life and without a partner for the first time in four years. he’s volatile and destructive and he has nothing to live for. exy is the only thing he wants and it doesn’t want him back. :) kevin steps in and takes jeremy’s game from him much like he did with neil, both out of desperation because the foxes are a mess now with the addition of their freshmen, and because, while jeremy isn’t really anything to write home about in terms of skill, he’s far more ambitious and disciplined than the average fox. jeremy hates kevin but can’t afford to reject his help. thus begins the most convoluted raven partnership to ever exist

jeremy hates kevin and has a non-negligible wish to harm him whichever way he can, but he’s also a raven that escaped the nest all on his own. he latches onto kevin immediately, the two of them becoming partners in the raven sense of the world while clashing Often and Intensely with each other both on and off court. their relationship gets more and more volatile the more jeremy goes out of his way to get under kevin’s skin, resentful and so angry at what the perfect court’s done to him, while kevin sinks his feet in and pushes jeremy way past his limits in his training. basically they are a match made in hell :) lots of hatefucking and jealousy and violence and the one murder attempt ensue as the foxes try to navigate this destructive, hopeless version of jeremy that wants to die and take down as much as he can in the process, up to and including kevin day. they’re together every second of the day and jeremy hates him for everything kevin took from the ravens, but he also depends on kevin’s training and presence to feel like a person again. it’s a really big mess basically that is eventually made worse (and better) by kevin and jeremy starting to sleep together to get the adrenaline out raven-style. and that’s all without jean coming along, which he will eventually

[screechingfromthevoid]

Wouldn't leave my brain until I made it

[runetallem]

An alternative reason for why MePhone can't bring bow back

i always found his reason of "she died while i was dead so i didn't get the notification to revive her" to be a bit odd?? idk maybe theres a reason we dont know about, but at the moment it never really made sense to me, so i made a headcanoned alternative reason

in season 1 when bow died and so did MePhone, MePhone4S gave his body so MePhone could come back, but 4S didnt have the MeLife profiles already like MePhone's original body had, so not only did he lose bow's MeLife profile, he lost all the living contestant's profiles

but he could still re do theirs unlike bow's, it was too late for him to add bow's to his new body (also we know he cant make a profile for someone whos already dead cause in the last episode of S3 he had to add Springy's quickly and in a rush before it was too late)

[possamble]

Do you have any plan to make some kind of bonus chapter or oneshot about marcille's perspective in little creature? It's not like I'm asking you for it ofc!! it's just that i think it'll be interesting to read, and especially since you had those tags about marcille after her fight/outburst with falin and how you couldn't add it to the fic because the fic is from falin's perspective

Probably not about anything that happens during a little creature, but maybe something before or after? Sometimes I do like to do "the other character thinking back to events while doing stuff in a sequel" oneshot type thing, but we'll see how it shakes out!

[theprincessandthepie]

replaying dragon age inquisition is just an exercise in “the rebel mages would not fucking do that”