#was it 101?

[screechingfromthevoid]

Wouldn't leave my brain until I made it

[stcantarella]

obsessed w this gif i can't stop using it for everything.

[katsinspats]

Thematically appropriate comic for Make a Terrible Comic Day!!

I saw the original post this morning and it made me get out of bed to make something, so thank u Pseudonym Jones mission accomplished

[linseedling]

A highly scientific diagram

[scurviesdisneyblog]

Disney Animation from Storyboard to Film 

[glitterslag]

Also. All these bitches on tiktok who hyped it up to be the most shocking film ever seen are weak as fuck. Getting naked in the pouring rain and fucking the fresh grave of your deceased best friend/homoerotic idol is the tumblr girl's bread and butter

[onlyasimp4-2dbitches]

"You aren't aromantic if you like cuddling! Cuddling is romantic!"

Straight people making up new definitions for Aromantic/Asexual cause they don't like the actual pre-existing definition.. Anyway whats new!

[go-go-gadget-autism]

House really is everything. He’s autistic, he’s sub textually but also very textually bisexual, he’s a cunt, he’s a genius medical professional, he’s a drug addict, he has a homoerotic situationship with his best friend, he faked his death for said friend so they could live out the rest of his life together, he’s been to prison, he has a motorcycle, he loves monster trucks, he’s disabled.

He is The Character Ever.

[phantobats]

I like to think that Bruce has a meticulously maintained order of where and how to store all the gadgets in the Batcave. If it's not followed properly, his entire day is ruined and his disappointment is immeasurable - and Dick knows this.

So whenever they fight, Dick will absolutely sneak into the storage and place the slightly larger Batarangs with the smaller ones, switch the flash grenades with the smoke bombs, and maybe even park the Batmobile slightly sideways instead of having it face the exit directly.

It drives Bruce crazy, but he can't react outwardly lest his other children notice and this cursed psychological warfare begins spreading.

[hattersarts]

crewellah

[sout999]

fanart of a tweet

[wetslug]

ppl who r using poll results as a way to Prove Something about society or come to any conclusion.. i hope you are aware that tumblr users are one of the most biased population groups you could conceivably find. gob bless

[catismylife]

#101

[racefortheironthrone]

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

[scurviesdisneyblog]

ᴛʜᴇ ᴀʀᴛ ᴏꜰ ᴍɪʟᴛ ᴋᴀʜʟ - ᴘᴇɴᴄɪʟ ᴛᴇꜱᴛꜱ

[sttoru]

Could you do a scenario where megumis daycare teacher is hitting on y/n and toji and meg get really overprotective about it <3 love you parenting series sm

⟣ tags. dad!toji x female reader. fluff. themes containing jealousy / protectiveness.

you were stunning. that much was known and evident to toji and others around you. your looks were captivating — however, you always seem demanded to deny that fact. even when you have a husband who reminds you of how good you look on a daily basis.

but with good looks comes male attraction; something toji greatly dislikes since you’re his wife. it isn’t like he’ll be mad at you about it — no, not at all. in fact, toji feels a surge of pride every time someone tells him how lucky he is to be your husband.

the thing is: he gets a little. . . too jealous and overprotective every now and then when the harmless compliments turn into blatant flirting.

“oi, megumi,” toji grumbles as he holds his son in his arms, looking out in the distance. specifically at you talking to megumi’s daycare teacher for a bit way too long to his liking, “ya see that? mommy’s being hit on right in front of us.”

the little boy stops chewing on one of toji’s hair strands, seemingly understanding whatever his dad had said. megumi lets out a small ‘oh!’ noise and stretches his arm out in your direction, pointing at you, “mama.”

you were too busy answering the questions megumi’s teacher asked you to even realise that your husband and son were looking at you from far away. toji’s menacing aura, however, only seemed to intensify the more you talked to that man.

“tsk. . . all right, kid—listen up.” toji narrows his eyes at the scene before putting megumi down on his feet, crouching down to be at eye level with the boy. he puts a hand on megumi’s shoulder and whispers a plan in a ‘baby-language’ his son could understand;

the two are being the perfect partners in crime right now (they always have been; since megumi’s birth to be precise).

megumi’s daycare teacher was telling you a fun story about what your son had done to which you politely laughed at. in that same moment you could feel someone tugging at your pants lightly — as if wanting to catch your attention,

“oh — hi, my baby.” your face lights up as you see megumi standing behind you. his big eyes were staring up at you, fingers curled around the fabric of your trousers still — not a clue of what he wanted of you,

you tilt your head to the side in slight confusion and when you wanted to crouch down to be at eye level, the little boy suddenly starts to scream and cry as if he just experienced something traumatic. when in reality, nothing in the current scenery had changed to provoke such a dramatic reaction.

“woah, woah, hey. .” you were startled by the sudden switch in megumi’s mood — his face going from a neutral expression to one of pure despair as he (fake) cried. not only you, but also the daycare teacher seemed to take a step back from the sudden screams echoing in the area.

you immediately pick megumi up and try to calm him down, not pressing him for answers on why he suddenly decided to have an-almost-mental-breakdown-like outburst.

another switch was flipped in the toddler once your attention was diverted from his daycare teacher to him and him only. your eyebrow raised at how easily megumi shut up and went from a state of distraught to one of content in your arms.

that’s when you glance over at your husband who stood near the exit of the daycare, leaning against the wall with his bulky arms crossed, a proud and smug grin on his face — his plan seemed to have succeeded. all credit goes to his son for succeeding in catching you off guard.

“damn, seems like the brat needed his mama’s attention, eh?” toji calls out with an ‘innocent’ shrug, snickering after that, “like father, like son — they say.”

it took you only a few seconds to realise that toji had probably asked megumi to catch your attention by faking to cry near you — knowing you’d drop anything to comfort your child at any time, no matter what you were doing.

“oh, you little . . .” you bite your tongue to refrain from scolding your childish husband out in public. you look down at megumi, seeing him stare back at you with happiness in his blue eyes. you certainly couldn’t be mad at him, “you. you’re lucky you’re cute, ‘gumi.”

you chuckle and kiss your son’s forehead, bidding the teacher farewell quickly (leaving him disappointed by the rushed ending of your conversation), before walking to toji.

megumi squirms in your arms and when you put him down, he instantly runs to his dad, expecting something in return for his performance. toji did seem to have promised him something in exchange for accomplishing his mission—

“papa! papa! candy!”

you raise an eyebrow as toji takes out a piece of candy from his pocket, reserved just for his son. toji was beaming with pride, ruffling megumi’s hair before handing him the delicacy, “here ya go. good job out there, kid.”

you roll your eyes, as that was the only thing you could do after walking right into their trap like that. as per usual.

the cherry on top was that your husband was mocking you like an annoying manchild on the way back home — recalling how worried you reacted when megumi successfully acted like he was crying.

megumi giggled along with his dad, leaving you entirely defenceless. at least you could laugh with them as well.

they got you good.