#hes cool with me being queer

[briarmae]

I don't think my GRANDPA wants to watch SENSE8 with me, Netflix! So yes, when I visit him, I WANT HIM TO HAVE HIS OWN PROFILE AND ALGORITHM. And it's none of your business!

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[kazbiter]

my dad bought me a copy of good omens before the tv show came out bc he thinks it's such a phenomenal book and I read it and agreed and then like 1/4 of the way in I (queer teenage girl) asked him (50 year old straight man) "crowley and aziraphale.. is that like... a thing?" and he goes "oh idk i never really thought so why" and I was like "just really getting that vibe also he calls him love like... a couple times" and this man said "yeah but they're british." so anyways happy yeah but they're british to that season two finale stay strong out there my soldiers

[racke7]

Trans-Kirito story-idea

After the SAO beta-test, Suguha "borrows" (read, follows her god-given right to be an annoying little sister) Kirito's NervGear.

As Suguha very much doesn't want to run around "as a boy" (yuck), she redoes the body-scan.

Kirito is very much not amused by Suguha stealing his shit, and takes it back. Kirito checks that nothing is actually broken (it works just fine), but doesn't think about "resetting" the body-scan.

The in-game avatar isn't changed (Kirito picks "male"), and Suguha the preteen and Kirito before his growth-spurt have very similar body-types), so any "this feels a bit odd to get used to"-feelings are attributed to Kirito lying about his height.

SAO starts, and Kirito is having zero issues with his avatar.

SAO becomes a death-game and Kayaba makes the mirror-item happen.

The mirror-item uses the recorded body-scan to create the avatar (and a video-feed for recording faces and facial-expressions).

So Kirito now has the body of a preteen girl, and the face of a very cute boy.

Let the chaos begin.

[pinkyjulien]

I hope everyone knows that Jago is canonly a trans man 🙏 and that everyone respect that fact without being weird about it

Reminder that your OC doesn't have to be Bi to be with him! Implying that you have to be bisexual to be attracted to trans people can be seen as/is transphobic

I want to make IT REALLY DAMN CLEAR that there's NOTHING wrong with shipping him with a bisexual person BUT if the only reason they're bisexual is because Jago is trans, that's not good! This might be due to internalize transphobia and you need to unlearn this false "rule", if someone tries to force that fact into you or your ship, be wary of their intention

And Yes that's something that need to be said in this fandom, I'm sadly aware someone though it was cool to imply Mitch must be bi in my ship since Valentin is trans. I have a guess as to who it was, you're just being transphobic yet again, but it's nothing surprising

Be aware of the lurking terfs and happy shipping 🤠✌

EDIT to add that screenshot of the data MrHands gives you

"Born as Jagoda" Jagoda being a commonly feminine slavic name !

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[leafyyygreensss]

People with he/they pronouns are metal

[sapphicmuppet]

If one thing can be said about me I will interpret Fabian and Mazeys relationship in the queerest way possible.

[lesbiansanemi]

Sometimes I just think about Soi Fon. Like that shit was so insane. Easily one of The characters of all time. You’re going to give me a woman who hates the physical manifestation of her soul because it’s loud and explosive and she doesn’t think it’s “proper” that it suits her, but it’s so obvious it does because she’s angry and stubborn and loud and explosive!!! And then the fact that she never ever calls upon that physical manifestation of her soul until things are so dire it’s practically that or death? The fact that in so many ways she lets her emotions build and build and build until they quite literally explode???? And then!!! AND THEN!!!! Add in that she hates her bankai because it’s “inappropriate” for an assassin… for her role as captain of the Stealth Force… the position she inherited from Yoruichi after she abandoned Soul Society for Urahara… She despises the physical manifestation of her explosive nature, the nature she hides until she can’t, just like she shoved down her feelings for Yoruichi, the betrayal, the hurt, the love, until she quite literally couldn’t anymore and it all came back up in a BANG!!! Like god… oh my god, no one will ever do it again and kubo did not deserve such a cool fucking character in the least

[peridots-pixiwolf]

[Start ID. A digital drawing of Minos Prime from Ultrakill, who's wearing a strapless slit dress and sandals of the same deep purple. He faces towards and slightly to the right of the camera, his head is tilted further right. With one hand he gestures in a vague pointing motion, his arm folded and held close to his body. There is nothing in the background, but bracing himself on one arm, Minos is implied to be leaning against something about the height of a countertop. The background is a blank purplish black, save for three diagonal stripes in the colors of the bisexual flag. End ID]

Shading study that quite literally came to me in a dream two weeks ago, after this post apparently beamed itself into my mind

(also a few edits below the cut! they're very slight but whatever :])

[Start ID. Three different versions of the previous drawing. The first changes the tone of the lighting from blue to pink, and similarly the shading from pink to blue. The second replaces the faint black border with pink, purple and blue, syncing with the stripes in the background. The third combines both these changes. End ID]

[phoenixcatch7]

Persephone captain marvel au. Hear me out.

Associated with duality, reincarnation, resurrection, childhood innocence (and it getting ripped away by adults), and her 'counterpart' Kore, which is her in her returning aspect of spring, youthfulness, new life... Come on. Is that not the closest thing to Billy you've ever seen in ancient Greece? Where he gets his powers?

It all starts with Teth Adam, and his devastation at the death of his son. He finds the old paths, breaks them open, and storms down into the underworld to demand him back. His is not a new story.

But where Persephone might ordinarily be inclined to ease her husband's scorn, give the troubled mourner a chance, she is speaking to the champion of magic, the world's mightiest mortal. The chance of success is too high. The challenge would not be enough. The death was too high profile and would risk too many attempting to follow in his footsteps. The man is too unstable, too powerful, too close to the heart of magic for it to be safe - for any of him - to grant his wish and risk his false hope.

They deny him.

Enraged, implacable, Teth Adam lashes out. The battle is long and drawn out, neither side tiring even as both weaken, but Persephone, in either form, is not one of war, and she is felled as her curses shatter, her furies tossed aside like dolls. The sound of Hades' scream as Adam's surprise leaves him open flattens the rubble of their throne room.

The wounded champion escapes, hounded by cerberus and skeletons instead of his son's shade, as her husband crashes to his knees beside her. She has not a mortal soul, and thus will be going where even Death cannot reach.

But Adam killed the goddess of reincarnation, and Billy has odd dreams. He's pretty sure he needs to ease up on the stress. He's restless in winter and distracted in summer, he can sleep outside in howling storms as long as he's tucked snug in the boughs of a tree, he's had the luck of never tasting a rotten fruit. Sometimes it feels like there's ghosts in his hideouts and the kids at school try and bribe him to curse their enemies.

When he chosen to be Captain Marvel the wizard chokes on his own speech when the smoke clears. They stare at each other.

"Well," says Persephone, "that was unexpected. Hullo."

"Hello," the wizard replies, "I was under the impression..."

"I don't think the laws of interference quite apply until I'm immortal again," he says.

The wizard's relief is palpable. It's understandable, he looks ready to keel over from old age. "Can I ask...?" he gestures at the new body. It takes a second to understand.

"Oh, I'm a boy now. For a while."

And that's that.

Until green lantern is killed in battle.

[canichangemyblogname]

*grabs popcorn* why did you tag 'the writing did her so dirty' re: taylor kelly?

I finally found the words for this answer. For me, it has everything to do with the way she was written in 5A as if they were domesticating her, partially at the expense of what really made her an interesting character. I’d like to have seen her as that girl everyone loves to hate, but for the right reasons. “She’s a bitch.” Yes, and? “She hurt all these people.” Yes, and? Also… and this is just fan-canon, not something that I think the show would’ve (or could’ve) done, but pansexual Taylor in an established relationship with a woman is my absolute favorite 🫶.

Like… I hate to give buddie fans any points because most of them are committed to misrepresenting the point and a scene, but the whole “if Eddie were a girl, they’d have kissed already” held a bit of water during the Buck x Taylor era, but not because Buck and Eddie are queercoded, but because Buck x Taylor had the same vibe as “two people who met through work and only really have work in common, but dated anyway.” The two of them talked about their work lives more than any couple on the show. I feared that if either of them had a change of job, they’d cease to have anything to talk about, which *would* be the case for two people who are co-worker adjacent, but shouldn’t be the case for a couple. IMHO, Buck x Taylor wasn’t a result of Buck’s comp het, but societal comp het. They also—as I mentioned previously—seemed to stifle a bit of Taylor’s passionate, ambitious, career-above-everything characterization for a little bit there in 5A, and she kinda simply became Buck’s GF. There was a degree of domestication for her character there, and I hated that for her. 

Also… 911 honest opinion? I think Buck and Ali should have had a longer arc. 🫣 More on that below:

It really seemed like they had been narratively setting something up between Buck and Ali, given how the show paralleled Buck + Ali and Maddie + Chim with that one outro monologue about how sometimes the best things start with second chances. Because that monologue that introduced us to Buck x Ali had been all about “second chances,” I genuinely had assumed that she was coming back and that they’d work out their issues. Their relationship also felt narratively weighty because of *why* Buck chose to date her. He had a choice between old habits (re: Taylor Kelly) or making his happiness (re: the Buck Actually theme). They also chose an apartment together. Plus, their “break up” did not feel very final. Something about it felt unresolved.

Cast contracts permitting, if *I* had been on this project, I would have written Buck & Ali as tentatively working on their differences post-injury. When their relationship does end, I’d explore the concept that sometimes, genuinely liking one another—or love—is not enough (which I think would have been great to explore after the Daniel reveal, as love was not enough for a happy Buckley household). Ali & Buck may have progressed past health scares and job fears, but find themselves on two different paths in life (with her job and dreams taking her one way and his keeping him at the 118). Here we could also incorporate Buck’s Big Mistake™️ that we saw in his relationship with Taylor: keeping/hiding things from his partner and overcompensating for that out of guilt to keep the relationship. Maybe that something is family related (re: Daniel) or maybe job related (revisit old wounds that weren’t actually healed during the sniper arc, an emergency he expressly doesn’t tell Ali about for fear of her reaction). Hell, it could be Taylor-related (with Taylor, someone he has a previous dynamic with, “being Lucy” in this situation), if you really want, although I’m personally disinclined to taking this hypothetical story in that direction (mostly because I hate cheating arcs, but also because I think Buck and Taylor work better as friends).

I also think Buck could have still grown into the person he is now through this hypothetical of events instead of through shorter-term relationships.  Reasons I think this turn of events could have also worked for Buck’s growth:

We would still get Buck 3.0 seeking out therapy after being crushed, being dumped, and being assigned desk duty. Maddie points out that he’s not handling it well, and he takes it upon himself to do something about that, just like in canon. Maybe later in that season or early next, we find out that Ali had reached out, and Buck reaches back out to her following his conversation with Abby and some therapy, not wanting to leave things unsaid and knowing he hides his true feelings from people. Maybe he tells Ali about him wanting to work on himself and start again. This means that, yes, he’d spend season 3 single before getting back together in early season 4 to “try again” and “see where it goes.”

However, Buck will still be lonely at this time, now essentially having bought into the comp-het idea that part of the reason for our loneliness is not being partnered (just like in canon, but he’d be partnered instead of single during this). If work or a difference in life pulls Buck and Ali apart, we’d still get Buck dealing with this gaping loneliness. It’d be less of a “He hasn’t put himself out there since Abby” and more a “He’s in a relationship and still feels alone.” Maddie and Chim invite Josh to poker night not because of Buck’s “tragic singleness,” but because Ali couldn’t come (which means we still get everyone’s favorite Buck x Josh joke). The scene will lay the ground for the relationship issues he’ll run into in late 4B. Something like, “Buck never gets out of the house” or “He has a girlfriend, but no one would know,” while Josh tells him to be glad he’s got someone because it’s “rough out there” (all while still foreshadowing Josh’s later gay bashing that episode). And this hints at an element of compulsory heterosexuality to this scenario: Buck doesn’t just feel the need to make the relationship work because he wants to be there for people, but because he feels a need to be partnered. His parents are visiting and they’re always disappointed in him, but they’ve met Ali and they’re happy Buck’s partnered. So, he stays. He reads the love languages book (absolutely quackery of a theory, imho) for some ideas on relationship growth and making it work and he stays. He expresses that he really wants this relationship to be successful and meaningful (and that’s why he’s trying the self-help book), and he stays. But maybe we get the Buck equivalent of “my relationship feels like a performance.” Maybe Buck expresses some discomfort with what are essentially traditional aspects/dynamics of het relationships (something the 5 love languages is centered around). Things like, “I want to provide, but I also want to be taken care of.” We’ll also get a few scenes that suggest he and Ali don’t know each other well (like not knowing what to get each other for special occasions, and some conversations between Buck and Bobby). But, otherwise, Buck & Ali’s interactions with one another are sweet and romantic. He goes on a successful date with Ali instead of Monica. He also goes on a successful double-date with Monica x Albert, with Ali as his gf. Ali’s genuine affection for Buck really shines when Buck runs into his season 4 family issues, and she gets along with everyone in Buck’s life, including Maddie, Chim and Albert, and even his parents. Their personal lives will seem to go strong because it’s the way their work lives interfere with their personal lives that will drive the wedge between them. Red’s warning about being too consumed by the job and how hard this is to compete with swirl around in Buck’s head the whole relationship. Buck fears that much like Red, he’ll never be able to make it work.

Eventually, however, we would get Buck figuring out that he doesn’t have to stay with someone just to stay with someone. (“I’m not happy. And if this isn’t a healthy relationship, then maybe the best thing for me to do is be the one who leaves.”) So, in early 4B when issues he thought they’d worked through rise again and maybe Ali discovers that Buck’s keeping something from her (I’m leaning toward him purposefully keeping aspects of his job from her, like not telling her about the sniper [among other things], once more revealing how Buck puts other’s comfort above his personal life and happiness and again reinforcing the idea that Buck’s career is too “consuming” and too “dangerous” for some partners, but also revealing that he doesn’t trust Ali not to run again -> but this leads Ali to not trust that Buck won’t keep important things from her and also leads her to realize that he will ice her out of important parts of his life), Buck decides, “I do like you, but I don’t think this is going to work out.” He then spends all of season 5 single, and it would be cool to see a “I’m working on myself, I want to be single” storyline, which would factor well into his further self-improvement arc during the interim-Captain storyline. He will then still meet Natalia in season 6 and they’ll be drawn together and apart for many of the same reasons as in canon.

But crucially, this means that I’d have kept Buck and Taylor friends in seasons 4 & 5 because 1.) I think the men of 911 do not have enough women in their life platonically outside blood relations, 2.) I found their dynamic *before* they started dating much more compelling, and 3.) them making Taylor Buck’s GF seemed to stifle her character a little, so she was less the ambitious, passionate reporter and more just… a sweet girl. In my hypothetical, she’s still there in seasons 4-5, and ever the go-getting reporter. Maybe she has less screen time, but she’s still there. Many of the work-related scenes between her and Buck would and could (and should) remain. Anything related to investigations and her reporting would absolutely stay. I think that Taylor could neatly fit into a similar role that Josh does with Maddie. She’s blunt, no holds barred. He tells her about his family, roommate, and relationship issues in S4, and she always gives him the tough answer. She confides in him when the pandemic becomes too much. They team up for the hit-n-run investigation and the treasure hunt (Ali also joins them). She is his friend—and maybe one of the only ones outside the 118 family— who is there when his best friend, Eddie, gets shot (but clearly—and crucially—not in the same way Maddie is there for Chim or Karen is there for Hen because she’s *not* Buck’s GF or a potential LI, and also not in the same way that Ali is *not* there for Buck, given Buck goes to lengths to hide this development from Ali, like putting on his vest in secret). She is still hard on him for his “neediness” and “impulsivity.”

IMHO—not too much changes between them. There’d be fewer scenes between them, sure. They wouldn’t kiss. Some of their more emotional conversations would be less couple-y, like the coffee date where he talks about his family. (And I personally love the idea that this whole time they’re friends, Taylor is dating a woman and Buck has met this woman or heard about her, but that is, again, just fan-canon.) Also, we’d miss that scene of Taylor in her black lingerie (sorry lesbians) and Buck in that grey A-line Tee (sorry to me), but not much is otherwise changing. Hell, even the way things eventually break down doesn’t need to change (minus the issue with Buck asking Taylor to move in after he and Lucy kissed). Buck will still learn that he can’t fix everything because Taylor will still prioritize her career over her friendship. Plus, a friendship crashing and burning is its own beast, and one that would teach Buck that it’s not just in his romantic relationships that he gives too much of himself. (Cough, cough, a lesson he could learn with Eddie.)

Also, with this breakdown coming so soon after breaking things off with his gf, his best friend damn near dying, and his sister running away, Buck will go to lengths to try and fix the issues in his friendship, lengths like going to Oklahoma to support her (a trip where he meets her GF in my fan-canon). He wasn’t enough to inspire Abby to stay. He couldn’t make it work with Ali. Eddie fucking got shot. Maddie’s run away. And now a difference in world views has put him and a friend at odds with each other (something that *seems* fixable). So, he’ll try his damndest to fix things, desperately wanting this to work out as everything else goes haywire. “I can’t lose a friend, too.” “You were there for me after Eddie got shot, I want to be here for you now.” “Everything else is a mess; I want to help where I’m needed.” No more losing people. Except, it doesn’t work. Meaning, Buck would still come to understand himself and his localized view of himself relative to others vs. Taylor’s more universal view of herself as their friendship falls apart.

This also all still leaves Tommy to be different compared to Buck’s past romantic relationships, most of which happened on his partner’s terms rather than his own. It also still leaves Taylor in the series and her impact on Buck remains without half-nuking her character. Buck also maintains much of his character growth, as I will always maintain that Taylor was very important to Buck’s character growth.

[yardsards]

s1 luz was at least a little bit gay for willow i will not be told otherwise

idk if it was a full on crush but it was at least one of those types of nebulous not-quite-romantic not-quite-platonic "hahaha, unless..." type friendships that a lot of queer teens have, u know the ones

[callixton]

WEIRD OLDER QUEERS I LOVE YOUUU

[bestial4ngel]

No thoughts… only edizzy la cage aux folles au

[magentagalaxies]

just finished interviewing bellini for one of my finals in my comedy class and i'm losing my mind over bellini going on a tangent about how if he were grading my comedy over the past year he would give me an A+. like i didn't ask him to say that and it wasn't related to any of the questions i asked but you better believe i'm leaving that in to be like see professor? BELLINI gave me an A+!!!