#heroes of trojan war

[katerinaaqu]

What Modern Audience thinks: Odysseus was so brave he put himself before a friend (usually Polites) to save him from the boar and got hurt!

What Homer wrote: Yes basically my beloved genius-idiot was a little dumpass who miscalculated the boar's speed and the boar got him!

[the-evil-clergyman]

Ajax and Cassandra by Solomon Joseph Solomon (1886)

[generouskittentidalwave]

Favoritism

Nester: *gently shakes Odysseus* "Ody... time to wake up you silly sleepyhead, we are needed for a night mission"

Odysseus: "Mmh.. just five more minutes...."

Nester: "Alright, whatever's most comfortable for you, rest is very important :)"

Nester: *looks over to Diomedes, kicks the dude awake* "Wake up you lazy sack of shit, all you ever do is sleep like the disappointment you are, you aren't half as much worth as your father was, get up and make yourself useful for once I don't even know why you are still here-"

[dilfaeneas]

Hecuba children height and age chart at the start of the war

How things stand at the start vs the end of the 10th year. Oof. (Ages/heights not adjusted)

[notacluedo]

Doodle of Achilles and Ajax playing dice based on this black figure vase painting by Exekias

[rubynrut]

Because i don't know were else to publish this

[catofadifferentcolor]

Terrible Fic Idea #92: Percy/Apollo, but make it The Trojan War

Into every fandom, a time travel fic must fall - or in this case a second one, because I somehow got to thinking about the delightful PJO trope of Percy being thrown back in time to The Trojan War and realized that doing so misses out on a fantastic opportunity.

Or: What if post-TOA Percy Jackson and Apollo time travel to shortly before The Trojan War?

Just imagine it:

Everything follows canon through TOA, with one exception: rather than struggle to catch up in the mortal world following the Second Gigantomachy, Percy elects to stay at Camp Half-Blood. There he can homeschool at his own place with programs tailored towards ADHD children and still visit his family on the weekends - and not get into any more ridiculous situations in the mortal world when one of the gods kidnaps him or sends him on a quest to find their sneakers.

This, naturally, stresses his relationship with Annabeth - who, now that she's no longer living at camp full time, calls it the easy way out. But Percy is tired and struggling in mortal high school where everyone thinks he's a delinquent idiot when another option exists seems foolish. Percy and Annabeth break up and drift apart.

Enter Apollo, fresh from his latest stint as a mortal. He's trying to do his best by his children, which includes popping by camp as often as he can get away with - which in turn means spending a lot of time with Percy, who at this point is unofficially running CHB because it's not like Dionysus or even Chiron have done a brilliant job of it in recent times.

(First aid, strategy, and mythology classes are made mandatory. Percy personally ensures every demigod knows enough about self-defense to be able to survive long enough to run away or for help to arrive. Bullying is cracked down on so hard that it's this, not Percy's generally parental nature, that has people calling him Camp Mom.)

Percy and Apollo become friendly. Enough so that some of Apollo's kids assume they're dating and keeping it on the down-low so as not to draw Zeus' ire. Or Poseidon's. Or anyone else's. It's on one of their not-dates that they're yeeted into the past, without warning or explanation.

And so 19-year-old Percy Jackson and post-TOA Apollo find themselves in Ancient Greece c. 1220 BCE, roughly thirty-five years before the destruction of Troy.

The time travel is immediately obvious, as Apollo becomes the closest thing a god might experience to being high the moment they land in the past - being a powerful god in modern times is nothing like being a powerful god at the height of his power in ancient times. It's overwhelming (and somewhat alarming from Percy's POV, but kind of funny in retrospect.)

The specific date is harder to determine, but made clear when Hermes shows up and starts going on about you'll never believe what father's done now: he seduced the Spartan queen as a swan and she's laid an egg. Hera is furious - especially as they're saying the girl that hatched from it is the most beautiful in the world, even though she's only a few days old. It's nuts. By the way, where have you been? You missed the last two council meetings. Do you want Dad to punish you?

Apollo at this stage is very high. He's also been USTing over Percy for quite some time and is worried what the gods of this era might do to Percy without divine protection (smiting or seduction, it's all on the table). But mostly he's very high, and so to keep Percy close and safe he declares he's been off having the dirtiest of dirty weekends with his latest lover and that Hermes' presence is ruining the mood. So if he would kindly leave, please and thank you, he'd really rather get back to it without an audience.

This, naturally, is a surprise to Percy, but he rolls with it because 1) he doesn't have any better ideas on how to get rid of Ancient Greek Hermes so they can figure out what the hades is going on and 2) he's been USTing over Apollo ever since he recovered enough from Tartarus to start feeling attraction again.

Fueled by mutual UST, they put together a cover story that should hold the next time a god with too much prurient interest shows: Percy is now Prince Persē of Gadir - a Phoenician colony that will grow into the future Cadiz - well past the edge of the Greek world at this stage but not beyond belief for Poseidon to have visited, as it's obvious who his father is. They claim his mother is the King of Gadir's youngest sister and as such Persē had a royal upbringing, but was far enough down the line of succession that he was free to chose to sail east and explore his father's homeland. Apollo caught sight of him on his journey, one thing led to another, and here they are.

(Are there easier, more sensible cover stories? Possibly. But the UST refuses to let them consider any of them now that a fake relationship is on the table.)

Deciding what to do about The Trojan War is much harder. On the one hand, it's a lot of senseless death and destruction. On the other, without it we don't get The Iliad and The Odyssey - two of the most influential works of literature in western civilization - and Aeneas doesn't go off to Italy (leading to the founding of Rome, which would change the history of western civilization a lot). In the end, they decide to let the war happen but do their best to mitigate the worst parts of it.

And so Percy goes off and becomes a hero of Ancient Greece while pretending to be in a relationship with Apollo.

This stage of things is filed with angst from both parties, as both Percy and Apollo want a real relationship with each other but think they're abusing the other's trust by eagerly faking their relationship. There's a lot of PDA, a lot of feelings, and limited communication. It goes on for quite a while and would probably exasperate quite a few people if everyone in the know didn't think they were already in a relationship.

It's also filled with modern day Percy being confronted by realties of life in Ancient Greece. It's not just mortals knowing about - and interacting with - the gods: it's everything. It's food and clothes and language and culture and housing and travel. He can play a lot off it as being a traveler from the edge of the known world, but some of it has him asking Apollo if he's being rick rolled.

Apollo, meanwhile, is having troubles of his own. He is not the god he used to be and it's hard pretending otherwise. He tries to walk the line of doing enough to be believable and holding back enough not to despise himself, but it's a fine line, he fails often, and he spends a not insignificant amount of time worried he's backsliding.

And so it goes until 7-year-old Helen of Troy is kidnapped by Theseus to be his wife.

This, naturally, does not fly with Percy, who by this time has built up something of a reputation as a hero. He teams up with the Dioscuri to rescue Helen.

One would think this would earn him Zeus' favor. It doesn't. Instead, Zeus sends monsters to harry him for refusing to let Castor and Pollux take Helen's captors' loved ones captive and raze Aphidna for Theseus' crime. Percy manages to hold his own for quite a while but eventually, exhausted from the near-constant fighting, is gored and left for dead by the reformed Minotaur.

...and when Apollo arrives, frantic, to heal him, Percy ascends instead, becoming the greek version of Saint Sebastian - a minor god of heroes, strength in the face of adversity, and athleticism; sort of halfway between Hercules and Chiron.

Then and only then do Percy and Apollo finally get their act together, confessing to each other how much they care for the other and how much they don't want this to be fake any longer.

History proceeds apace - albeit with Persē being a second immortal trainer of heroes.

24 years after their arrival in the past, 16 years after Percy's ascension, The Trojan War begins. Despite their best efforts, there's only so much they can do - war is war and gods are gods. They are able to stop some of the worst excesses on both sides, but in the end Apollo still sends the plague that causes Agamemnon to take Briseis for his own, which caused Achilles' departure from the field, Patroclus' death, &c - not because Apollo was trying to maintain the timeline, but because in the instant he sent it he was angry and reverted to his old ways.

Troy falls...

...but when Zeus tries to use this as an excuse to ban gods from interacting with their demigod children, Apollo is able to say that's a bit extreme isn't it? with enough backing from the rest of the council that Zeus is forced to amend his ruling so that the gods are only allowed to freely visit their children on the "cross quarter days" that fall between each solstice and equinox (1 February, 1 May, 1 August, and 1 November).

This changes everything and nothing.

Time continues its inevitable march. Greece has its golden age before being conquered by Rome, which splits apart under its own weight and forms several smaller countries, which eventually spread their cultures around the world...

Apollo and Percy are there for it all. Persē is a minor figure in mythology, but never forgotten. He is ever-present in Apollo's temples - though the Church will later try to rewrite their myth so that they were merely sworn fighting partners, rather than lovers who eventually had a quite lovely wedding on Olympus (and then, at Poseidon's insistence, an even bigger ceremony on Atlantis). Percy takes over day-to-day operations of CHB from practically the moment the Trojan War ends.

...and so Persē is there the day Sally Jackson tries to get her son to camp, and is able to intervene when the Minotaur attacks on their border. He's able to meet her and her young son, Perseus ("Mom named me after you and the guy that killed Medusa since you're the only two heroes to have happy endings!"), and guide him through the trials that come with being a child of prophecy.

One day that Percy will hand Luke - who was never happy with the limited attention the gods were allowed to give their children - a cursed dagger so that Kronos can be defeated. That child will be offered godhood, turn it down, and go on to have a happy life with his eventual wife, Annabeth. He will never have his memories erased and be sent to Camp Jupiter. Gaia will not rise until long after that Percy's grandchildren are dead, and Zeus will not be quite so bullheaded when the proof of it is brought before him. That Second Gigantomachy is swift, well-coordinated, and fought without another Greek/Roman war brewing in the background.

And when they finally arrive at the day Apollo and Percy were originally sent back in time, Percy admits that while he is happy some version of him was better prepared for the war he was asked to fight in and allowed his peace afterward, he would change nothing about his own life, for it brought him to Apollo. The sunrise the next morning - on the first morning of the rest of their lives - is particularly spectacular.

Bonuses include:

Gaslighting Poseidon into believing that he's met Percy before the first time they're introduced. ("What do you mean you don't remember me, Father? You were present when I came of age! You gifted me this trident! Have I displeased you in some way?") It's an absolute masterclass that eventually manages to convince Poseidon that, yes, of course he knows Percy - and, maybe, he should check in on all his other demigod children to make sure he's not missed someone. (Two. He lost track of two of the others. Maybe he should be more careful about siring children in the future.) Apollo practically has to stuff his fist in his mouth to keep from laughing.

As much historical accuracy as can be crammed into the Percy trying to make sense of Ancient Greece chapters as possible. Think Of a Linear Circle - Part III by flamethrower levels of historical research. As much as can be shoehorned in without bogging down the plot.

Percy and Dionysus bonding over their mutual dislike of Theseus, though Percy generally gets along with his other half-siblings, especially the ones who come to camp young enough to keep from getting big heads over being the children of Poseidon.

Though Percy adores all the children in Cabin 7 (most of whom are born via blessing this time around), he and Apollo have at least one child of their own - maybe a demigod born before Percy's ascension to sell their fake relationship? Maybe a minor god who's later attributed a different parentage by mortals? Dealer's choice on details.

It never being made clear who, or what, or how, Percy and Apollo were sent into the past. All of Percy's oddities are attributed to him being foreign or formerly mortal, all of Apollo's to the fact that he's in love with someone who didn't die before their first anniversary, and no one ever guesses time travel is responsible for their eccentricities. Or that time travel was ever an option.

And that's all I have. As always, feel free to adopt, just link back if you ever decide to do anything with it.

More PJO Ideas | More Terrible Fic Ideas

[amiti-art]

I posted about Troilus last week so I decided to clean up my old sketches of Tennes, his sister and their father for this week.

Cycnus was the king of Colonae (located near Troy) and the son of Posaidon. (His name means swan btw)

He married the princess of Troy named Procleia (she was either daughter or granddaugter Laomedon) and had 2 childern with her: Tennes and Hemithea. Some versions say that Tennes was son of Apollo and he was only being rised by Cycnus (this is going to be important later)

At some point Procleia died and Cycnus remarried. His new wife Philonome, fell in love with Tennes and when he regected her she told Cycnus that Tennes forced himself on her (or tried to). A flute-player named Eumolpus confirmed her version of events.

Enraged by this Cycnus put both Tennes and Hemithea in a wooden chest and throw them into the sea (some versions say Hemithea shared her brother's punishment willingly).

They made it safely to an island called Leukophrys (it was later renamed Tenedos) and become the new rulers of the land.

Cycuns somehow learned that his wife's accusations against Tennes were false so he buried her alived while Eumolpus (the flute-player) was stoned to death.

After founding out that his childern survived Cycnus sailed to Tenedos to ask Tennes' forgivnes and take them both home.

Tennes however didn't care for his apology and he cut the anchor ropes off the ship with an axe so Cycnus couldn't step on the land.

Tennes ruled his island for some time, he established a law which stated that the folse accusations were punisheble by death by an axe (Tennes really liked axes, didn't he).

Also flute-players were forbided from entering either the temples or the entire island.

Okay remember when I said earlier that Apollo was Tennes' real father and it was important? Yeah we're getting there.

When the Greeks were traveling to Troy they stopped on Tenedos. Thetis told Achilles that he can't kill the king of the Island because whoever kills Tennes will be killed by his father Apollo. Achilles however tried to force himself on Hemithea. Tennes tried to defend his sister but he was killed by Achilles. When Achilles realized who he killed he also killed his servant because the servant (who was sent to him by Thetis to remind him not to kill the king) failed to inform Achilles that he's about to kill the man he's not supossed to.

Some versions also mention a bigger fight and say that Tennes was also protecting his country. Most of the sources don't mention what happened to Hemithea afterwords but one text claim that she was swallowed by the earth which saved her from being violated by Achilles. Another says that she was killed by Achilles but don't mention anything about the assault.

It was forbidden to say Achilles name in the tample build after Tennes death.

Meanwhile Cycnus joined the Trojan forces and fought alongside Hector (who was his first wife's nephew btw, which means that Hector and Tennes were first cousins). Like his childern he was killed by Achilles, on the first day of the war.

[lenaleviosa]

Okey but imagine what it must have been like for everyone else outside of Achilles and Patroclus in the Trojan war

“Great! We’ve got Achilles here, we’re saved! But who’s that other guy?”

“Right, that’s Patroclus, Achilles’ emotional support human”

~

“Help I’m dying! Achilles help me!”

“Hold on, that guy is standing too close to Patroclus”

~

“Odysseus, Achilles is being unreasonable again.”

“You brought Achilles here??? What did I tell you? We reason with Patroclus and then Patroclus looks pretty and Achilles will listen”

~

“Patroclus died!”

“Ahh, dam it, now we’re gonna loose the war”

[bibliophilliqueee]

I hope to be talked about the way Patroclus talks of Achilles.

[mtolympusmemes]

Achilles: Hector, my arch enemy. Agamemnon: … I thought I was your arch enemy? Achilles: I have a life outside of you, Agamemnon.

[katerinaaqu]

Shoutout to Diomedes fans with a small reminder that Diomedes stood his ground against Achilles on full rage mode when he saw him beating Thersites to death (and he was the only one who dared to)

[perseabeth]

The Promise of the Wild Sea

< this is not an official fic yet, i had this AU in my mind for a while, and now i got the time to write few parts of it. if the story was to your liking, i might get encouraged to make it an official fic. i’d like to remind you that i do not own any of the characters, as they all belong to the original myths and Rick Riordan. except for the oc Callista. however, i made some alternation in the myths that could benefit my story. i hope you like these changes. also this is a fem!percy version. enjoy reading >

- 1184 BCE, The fallen city of Troy -

Apollo stood in front of Callista’s pyre, the flames not yet lit, his gaze fixed on her lifeless face. Her once radiant beauty now drained, her cheeks no longer flushed with the color of life. Her hair, dark as the starless night, framed a visage that seemed at peace, a peace she had found only in death. Yet, she had stolen his peace with her departure, leaving him hollow and bereft.

With painstaking care, he had smoothed away every bruise, every mark of the cruelty she had endured, wishing to present her to the underworld in the full splendor of her glory. His Callista, his heart. He clutched the two drachmas in his hand, the coins a symbol of her final journey, but to him, they were a cruel reminder of his eternal separation from her. How could he consign her to the underworld, knowing he would be condemned to an eternity without her by his side?

His soul ached with a grief that seemed too vast to contain. With a trembling breath, he placed the drachmas on her closed eyes, sealing her fate, preparing her for her voyage to the underworld. She deserved a realm free from the sorrows of war and the sting of death, a place of peace and light. He swore on his immortal soul that she would find solace in Elysium.

Apollo leaned down, his tears falling like rain upon her serene face, pressing a final kiss to her cold, unresponsive forehead.

“Farewell, my Callista... until we meet again, my angel.”

~~~~~~~~~~~~~~~~~~~

The sun god cradled her cheeks in his trembling hands, his soy blue eyes filled with the agony of days spent pleading with his uncle, the merciless lord of death, for this moment. She was there in his embrace, radiant as the true princess she was, her beauty untouched by the shadows of the underworld. Her black hair cascaded down her back like the soft night sky, a dark tapestry embroidered with stars in silken threads. Her eyes, those mesmerizing sea-green eyes, gazed up at him—the very eyes he had yearned to kiss open one last time before cruel fate tore her away.

But nothing unfolded as he had hoped.

"My lord," Callista whispered, her eyes shining with boundless love for the man before her. She wore a white, elegant chiton that clung to her form with an ethereal grace, adorned with a delicate laurel crown—a vision of Trojan royalty. Apollo shook his head, refusing to accept the words forming on her lips. "No, you are coming with me," he implored, tears welling up in his sky-blue eyes, each drop a testament to his anguish. He was begging, pleading for her to return with him to the world of the living.

The princess before him shook her head gently, her gaze unwavering. "No, my lord, I am dead. I am happy here," she said softly. She took his palm, still cradling her cheek, and pressed a tender kiss upon it, as if sealing their fates with that simple, heartbreaking act. "You must respect the rules of death, my love. You must go on and find happiness in the lands of the living."

Her words stabbed his heart, despite the delicateness of her voice, despite the sweetness of her words, and despite the loveliness of her eyes. She was pushing him away, each word like a dagger twisting deeper.

Callista looked at him again, her gaze filled with a sorrowful resolve. "I'm with my family, and you should be with yours. Lord Zeus will not be tolerable when he hears that you brought me back from death."

Apollo tried to reason with her, desperation lacing his voice. "But Uncle Hades has already accepted," he argued, only to be met with another tender kiss on his palm from Callista.

"I'm not letting you get into an argument with your father," she replied softly. She lifted her hand and gently caressed the strand of his hair falling on his forehead. Her melodic voice continued, soothing yet heartbreaking. "You will live on. You will find happiness again, I'm sure."

"My happiness is with you only," he insisted, his voice breaking.

But Callista only shook her head with a sad smile. "That's what you're saying now, because the pain is so new. But trust me, my love... time will go on, life will go on." She looked into his eyes, her determination unyielding. He knew there was no way to change her heart. She gave him a beautiful smile that could have brightened his days if not for their situation. "You did all you could. You made sure I found my final rest in a beautiful place. Now it's your turn to let go... to move on."

Apollo's tears threatened to fall, threatening to drown his eyes. He did the only thing he could do in that moment; he planted a soft, small kiss on her lips, a goodbye kiss filled with all the sorrow of a love that could never be. It was a kiss that spoke of unending longing and the crushing weight of farewell.

He would never force her to do anything. If she was happy, he would be happy, even if it meant an immortal lifetime of his heart shattering every day he remembered that she wasn't waking up next to him.

His time in the underworld was ticking away, leaving him with precious few moments to spare in the arms of his beloved. How cruel fate is, he thought, that even time refuses to grant him a longer respite to find peace in her embrace one last time.

He kissed her forehead once more, a goodbye kiss—the same kiss he had planted on her brow the day of her pyre, the day they consigned her body to the flames in a solemn ritual of farewell. He looked into those beautiful eyes one last time. "I swear to you, I’ll always find you in the stars, in the calm oceans, in the beautiful sunlight, in the warm flames, and in the serene mountains. You will always haunt me, forever haunt my life, Callista."

This earned him a sad smile from her beloved face, and he realized he loved all her smiles except this one. "Who knows, maybe someday you will find me again, amidst the moors or maybe in the wild sea."

He nodded, a silent nod, as a single tear traced a path down his cheek. He kissed her hands one last time and turned his back, leaving his beloved, leaving his heart, leaving the bane of his soul in Elysium, where she belonged. Before he stepped away, he turned to her one last time. "Someday, I’ll find you in the wild sea."

With that, Apollo left the underworld, each step a testament to the immortal lifetime of sorrow that awaited him, a sorrow he would bear for the love he could never truly hold again.

~~~~~~~~~~~~~~~~~~~

- December, 2007. New York City-

"And now, sis. Transportation for the Hunters, you say? Good timing. I was just about ready to roll.

"These demigods will also need a ride," Artemis said, pointing to us. "Some of Chiron's campers."

"No problem!" Apollo checked us out. "Let's see... Thalia, right? I've heard all about you."

Thalia blushed. "Hi, Lord Apollo."

"Zeus's girl, yes? Makes you my half sister. Used to be a tree, didn't you? Glad you're back. I hate it when pretty girls turn into trees. Man, I remember one time—"

"Brother," Artemis said. "You should get going."

"Oh, right." Then his gaze landed on me, and his eyes widened with a mixture of shock and recognition, as if he had glimpsed a long-lost memory. The once vibrant blue of his eyes now bore golden freckles, a haunting reminder of his divine nature. "Callista?"

I met his gaze, my heart pounding with confusion and uncertainty. Was he mistaking me for someone else, someone from his past? “No. I mean... no, sir."

Calling a teenager "sir" felt awkward, but I knew better than to offend an immortal. They were known to have volatile tempers, and tended to get offended easily. Then they blew stuff up. and now Apollo seems to be on verge of blowing things up, or me perhaps.

His silence stretched on, his eyes still fixed on me, probing and searching. It was as if he was peering into my soul, unraveling the layers of my being with each passing moment.

Eventually, his gaze shifted to his sister, Artemis, who offered him a subtle shake of her head. Their silent exchange felt like a wordless, deep conversation, conveying a depth of understanding that transcended spoken words. Apollo cleared his throat, breaking the tension that hung in the air, before turning his attention back to me.

His gaze shifted abruptly from sheer confusion to a myriad of emotions I couldn't quite pinpoint. It reminded me of the way my mom once described my reaction to blue cookies or a serene beach—a mix of wonder and longing. Yet, as he looked at me, I saw something more. His eyes, now a crystal-clear sky blue, brimmed with an affection that seemed to encompass the entire world. It was a strange sensation, one that left me feeling oddly nervous, knowing that he was a god who could unleash his power at any moment. If it were anyone else, I might have blushed under their gaze. But facing a god for the first time, unsure if he was friend or foe, left me feeling unsettled rather than flustered.

"Percy Jackson," Apollo's voice cut through the tense silence like a blade. For a moment, it felt as though time itself had frozen, as if I were caught in a web of his penetrating gaze. I nodded silently. Then, without a word, he turned away, his attention shifting back to the group. The weight of his gaze that seemed to convey the burden of centuries, left me unsettled.

"Well!" he exclaimed in a cheerful voice again, as if the past few moments were nothing, breaking the silence. "We'd better load up, huh? The ride only goes one way—west. And if you miss it, you miss it."

—

i’d love to hear your opinion about this.

[death-before-ilion]

Fundamental sources

Greek mythology is recorded in numerous texts, covering multiple centuries, locations, traditions and variations. Many of these ancient sources are lost to us, or fragmentary. This leaves us with an incomplete (albeit vast) and oftentimes incoherent collection of written sources on which to base my own work.

The sources which are considered by the ancient Greeks themselves as foundational and central to Greek mythology are essentially : the early Greek epic poets (amongst which is, of course, Homer), Hesiod (author of the famed Theogony, not counted as an epic poet) and the Homeric Hymns (called Homeric because they are written in the same language, style and meter as the Iliad and Odyssey). These texts were written down between the 8th and the 5th centuries BC, and are based on oral material that goes much further back.

Of the early epic poems, only the Iliad and the Odyssey attributed to Homer still survive, considered by the ancient Greeks as the pinnacle of their literature. Of all the other epics, only fragments and (if we're lucky) summaries remain. The Trojan Cycle was made of the following works :

The Cypria, which describes the origin and early years of the Second Trojan War

The Iliad, which tells of the wrath of Achilles and the death of Hector

The Aethiopis, which describes the intervention of Amazons and Ethiopians in the war, and the death of Achilles

The Little Iliad, a dense work that covers events from the funeral of Achilles to the episode of the Trojan horse

The Sack of Troy, which, as its title suggests, tells the events from the Trojan horse to the desctruction of the city and the anger of Athena

The Return from Troy, in which the Greek heroes return home, with tragic developments, such as the murder of Agamemnon and the revenge of Orestes

The Odyssey, tells the return of Ulysses, the longest and most adventurous return of all Greek heroes

The Telegony, that covers further adventures of Ulysses until he is killed by Telegonus, his son by Circe

To this we can add a Theban Cycle (covering the life of Oedipus, both Theban Wars and the revenge of Alcmaeon) and a few additional epics (including a Titanomachy I would have loved to read). Chances are high that there were many more, lost to us even by name.

Hesiod left us three complete works and a number of fragments, the most important of which is the Theogony, which describes how the universe began and the early history of the gods.

Lastly, the Homeric Hymns, of which three may be later additions, are poems or songs that praise the gods, each hymn being dedicated to a specific god.

In the context of my work, these sources will be taken as having the highest authority. Later sources will be accepted if they provide additional material that completes or extends the earlier texts, or if they help resolve an obvious inconsistency or impossibility.

[dilfaeneas]

Achilles and his babyyy

[godsofhumanity]

[when Cassandra makes a prophecy] Hector: Source? Cassandra: Bro, divine intuition