#here is a love to tell people about

[poorly-drawn-mdzs]

Hey now, Let her cook!

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

summary: he still dreams of you and wishes for another chance to make you his, some lines are inspired by hakujitsu by king gnu

warnings: reader is rather lively/bubbly,

notes: TYSM FOR 100 !!!, a/n (yapping) in tags

wc: 1800

Hoshina Soushirou still dreamt of you. Every once in a while, you’d come to visit him in his sleep and it would make him believe that a miracle had occurred, that he had another chance. Every time, he would tell himself that he would never let this go, that he would give it his absolute all this time.

Yet, every time, he would wake up from this dream.

And every time, he would feel his heart drop at the realization of that. He was disappointed, and he knew, but there was no reason to be. It wasn't like anything had happened between the two of you. He liked to believe there was something going on— something more than mere acquaintances or friends, but he knew there wasn't. It must've been all in his head because the last time he had heard of you was before you were moved to the first division. He hadn't heard a single word from you since then, nor has he said anything— but that was just the way it was. There was nothing to do at this point anyway.

He wasn’t with you for all that long, and it was probably just the fact that both of you joined at the same time that naturally started the first conversation. He was far more weary of everything and far less cheerful at the time, and you didn't even work with him most of the time being a researcher, but you didn’t mind that one bit. If you had something you wanted to say, you would tell him and he’d just have to listen. At first, he had no idea why you kept talking to him when he paid hardly any mind, but after a while, he found comfort in your conversations. He had started to look forward to talking to you.

It had only been a few months before the defense force noticed how spectacular your work was and quickly called you over to the first division. There wasn’t a tearful farewell, or even a casual goodbye for that matter. You disappeared along with a cheerful ‘I’ll see you around!’ while you were moving your boxes out and he would hear those words ring in his head for the years to come— in your voice. Yet, at the time, all he could do was force a smile and nod.

It had been so many years since you had moved, he didn’t even know what you looked like now. Probably still stunning. Definitely still stunning. Although he had the chance to see the 1st division officers a lot, you were a researcher who worked behind the scenes. Naturally, there was no reason he'd bump into you, and he didn’t. He never did.

He loved to remember you, but he hated to think about you. He loved to remember the way you would laugh at his silly jokes, the way you would ramble on about the work you had to do daily but would still put in your all, and the way you would always visit him with some cold tea when he trained late into the night if you were still up as well. Actually, he hated thinking about the tea— it would make him start thinking about you. He would think about how you were now, if you were still pilled with work, and if you remembered him.

If he bumped into you, would you remember his name? Maybe if he cracked a lame joke. Maybe if he gave you a few days to think about it. Maybe if he started listing the things you talked about— his most treasured memories. Maybe then you’d say his name again.

See? This is why he hated thinking about you— he had things to be doing.

It wasn't like this happened everyday and it wasn't that big of a deal. It just ruined his day a little when it did happen. So if he had to say, he hated dreaming of you.

As you took over his thoughts again, the emergency alarm started to buzz, as if to tell him to snap out of it. He was thankful, he couldn't still be daydreaming like this.

A smaller-sized identified grade kaiju had appeared near the first division quarters, so the third division was doing more backup work this time. Hoshina was taking care of the smaller kaiju in the vicinity that had spawned from the presence of the honju. It felt nice for him to be doing work, it took his mind off his ramblings and cleared his head. He wasn't too worried about the honju, however. Although it was an identified grade, it wasn't anything they hadn't dealt with before and as much as he liked to tease Narumi about how he was always better at smaller kaiju neutralization, he knew Narumi was extraordinary at what he did.

At least that would have been true for any other kaiju of that size and strength, but Narumi seemed to be struggling far more than expected with this one. From his earpiece, he heard Okonogi notify him that the 1st division was asking to send Narumi some help if possible, and he immediately rushed over.

Yet, by the time he got there, Narumi had already neutralized the kaiju in question, although horribly beat up.

“I don't need your help, Hoshina!” Narumi still managed to yell while on the floor, absolutely bleeding out.

“Oh, shut up, do you want to die?” Hoshina asked. It didn't take an expert to see that Narumi’s condition was concerning.

Narumi soon fell quiet, probably unconscious, while Hoshina found his earpiece lying on the floor near him. He picked it up, hoping it'd connect to the first division just in case they had lost connection to his vitals.

“He's unconscious right now, but he seems to still be breathing. However, he's bleeding dangerously from multiple spots. I think a few ribs might also be broken,” Hoshina said. “There aren't any kaiju nearby at the moment and I'll take care of them if any do come— bring the stretcher right away.”

He waited a moment, but there was no response from the earpiece.

“Hello?” he asked, hoping for a response. After another moment, he heard it.

“Hoshina…?”

It was you. He would still recognize your voice from anywhere. Oh, how he missed you. His eyes were wide and he had nothing to say all of a sudden. You remembered him. You recognized his voice.

You remembered his name.

“Thank you for your report, we lost connection to some of his vitals halfway through. The medics should be there in a few minutes,” you said.

“I'll stand by,” Hoshina said and kept Narumi's earpiece in his ear. He had nothing he wanted to tell you, not one thing in mind, but he wanted to be on the line with you— even in silence. The medics came in a few minutes like you had told him and took care of Narumi right away.

“They got here, he should be fine now,” Hoshina said, as if you didn't already know. He just wanted something to say to you.

“I missed working with you,” you said and he couldn't believe his ears. Perhaps he'd wake up from this dream again. Perhaps he'd open his eyes and be utterly disappointed again. But he knew there wasn't even a hint of romantic affection in your words, just the respect you've always had for the work he did, and how you missed doing this job with him. And he did too.

“Yeah, I did too,” he said. “I still do.”

You chuckled a little and he could still picture you smiling. “That made my entire year,” you said. “Probably not the time for this, but we should catch up sometime. If you don't mind, of course.”

Made your year. What did you mean by that? And If he didn't mind? Oh, you didn't know how many times he's dreamed of this day.

“I'd love to,” he said. While he was a little embarrassed to imagine the rest of the first-division team hearing this conversation, that was not going to stop him. He'd be an absolute fool to let this chance go. He has promised himself to give it his all this time.

“Are you seeing anyone?” he asked quietly.

“Sorry?” you asked, hoping he'd repeat that. You heard it, but you were afraid you were so delusional you were starting to hear things. Your heartbeat quickened and you waited patiently, hoping it wasn't all in your head.

“Do you have a lover?” he asked a little more clearly, but obviously still nervous and flustered. You had never seen him like this, ever.

“No,” you replied, a little too quickly. “I do not.”

Relief washed over him and he felt his heartbeat quicken. Oh, thank goodness you didn't have access to his vitals. He was going to make you fall for him somehow.

“…do you?” you asked quietly, after a moment.

“Me?” he asked. “No, I don't.”

“I see,” you said, but he could hear the soft delight in your voice. He would never miss it.

Perhaps he'd just go for it. There was nothing for him to lose at this point, and he had made his feelings plenty obvious already. If you didn't want him, he'd just try again. He's tried countless times in his dreams already, what's a few more?

“But I'd love to be yours,” he said and heard you gasp quietly. That one he couldn't read. Was that a little too bold? Far too sudden?

“Did I hear that right?” he faintly heard you scream, asking your fellow first division coworkers. That made him laugh, you hadn't changed one bit. “I’ve loved you forever, Hoshina.”

There was absolutely no way. He was going to wake up soon, he just knew it. Well, might as well indulge in the dream for now, then.

“I've definitely loved you for longer,” he said.

“Hoshina, I'm going to kill you if this is a dream,” you said, and that caught him off guard. Yet, even that sounded nice to him, and that made him smile. He'd get to see you, at least.

But it wasn't a dream. The way your voice fluttered his heart could never be felt through a dream. The way your laugh filled his soul could not possibly make him feel so warm through a mere dream.

“I cannot wait to see you,” you said softly, your voice so full of love it made him melt.

He couldn't either, but that wasn't exactly what he had on mind this entire time.

“And I cannot wait to kiss you.”

[artkaninchenbau]

For the record, I did figure that out a long time ago, it just gets funnier the more time passes

[bixels]

I just saw one of your fave games is What remains of Edith Finch and I’m so happy! I feel like its a lesser known game but i loved playing through it. I’m so happy to know more than just my small friend group know about this game!

Sorry this isn’t a question. Also want to say that you’re art is amazing and the development of the designs is so interesting to see. Also the way you draw intimate scenes have so much emotion to them. I love the Aj and rarity kissing comic so much, you can just feel their love for each other ;w;

Thank you so much!

I highly, highly, highly recommend What Remains of Edith Finch to anyone interested in narrative game experiences/"walking simulators." It's one of those games that was handcrafted with nothing but love. Every room you explore is just... real. The way the light flows in and makes the colors of the living room, the kitchen, the bedrooms glow. Playing the game is like walking through your childhood home as an adult and seeing how the dust clings to everything you once touched. Also genius-level gameplay mechanics, ones that can make you completely empathetic with the character you're embodying or feel completely complacent in their tragedy. It's really not fair to call it a walking simulator because it's so much more and so much smarter than that.Everyone talks about the fish one.

The theme of death and memory and storytelling and the burden of invisible trauma and self-fulfilling prophecies is so affecting too. The ending made me cry.

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[ratatatastic]

the finnish food tasting segment finally dropped and there is quite literally nothing funnier than maffhew who desires the approval and opinion of his great beloved captain in what he considers him an expert in aka finland so honestly does his opinion really matter in the grand scheme of things if sasha doesnt like said food?

match made in terrible eating manner heaven, amen

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[al-luviec]

big fan of these two

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[gideonisms]

I also love people who are not quite sure if they count as lesbians due to the ever-changing definitions of gender and sexuality but who do have lesbian problems and lesbian relationship dynamics and who get weird looks from straight guys but also sometimes from other gay people and who can't really put into words exactly what they are because that's not exactly the point but it might be nice if it was easier to explain but it is what it is

[ingravinoveritas]

Gorgeous new behind the scenes pictures of Michael in Bright Young Things. His makeup here is everything...

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[ratislatis]

I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app